Modern advanced industrial technologies, particularly AI, present crucial challenges to the philosophy of technology, as evidenced by ethical and political proposals. AI stands at the center of the ‘Intimate Technological Revolution,’ fundamentally transforming our daily experiences and relationships while raising concerns about ethics and politics, as well as technoableism (Shew and Earle 2024). Postphenomenology, a contemporary philosophy based on pragmatism that explores human-technology relations through the key concept of multistability (Bosschaert and Blok 2023; Ritter 2021; 2024; Rosenberger and Verbeek 2015), has gained external attention as a framework for ‘empirically’ examining modern technologies. However, critics (Coeckelbergh 2022; Dmytro Mykhailov and Nicola Liberati 2023; Lemmens 2022; Pavanini 2022; Smith 2015; Zwier, Blok, and Lemmens 2016) argue that it can only address ‘small things’ rather than broader technological issues—a limitation particularly evident in its approach to AI ethics—leading to various attempts of expansion to confront ‘big thing’ (Bosschaert and Blok 2023; Claassen 2024; Coeckelbergh 2022; Ritter 2024; Romele 2021; Rosenberger 2023; Schürkmann and Anders 2024; Van Den Eede 2022; Wellner 2022).
I propose extending postphenomenology through Bergson's theory of time. Bergson, known for his significant influence on process philosophy that is sometimes contrasted with postphenomenology, provides valuable insights into temporal aspects of technological experience. Following Bergson's temporal theory that puts emphasis on aspect rather than tense, Hirai (2019) distinguishes between ‘process’ (present becoming, imperfective) and ‘event’ (past being, perfective). Through this distinction, we can identify a limitation of current postphenomenology: it handles ‘event’ only and statically describes them from a third-person view in a temporal exterior. By contrast, the appropriation of new technology occurs through a dynamic ‘process’ and can only be described from a first-person view in a temporal interior. The significance of distinguishing between ‘event’ and ‘process’ becomes particularly apparent in disability contexts where the temporal aspect of technological integration is often overlooked.
In engineering and industry, disabled people are typically viewed as persons requiring additional support from non-disabled people. Consequently, only non-disabled people participate in the process of making technology while considering possibilities and risks, with disabled people gaining access only after the transition to events and stabilization. However, significant disparities often exist between non-disabled people’s assumptions regarding the lived reality of disabled people (Shew and Earle 2024). Moreover, ‘hacks’—finding new meanings in things through creative appropriation—occur regularly in disabled people's everyday lives. Since these hacks represent discovering stabilities different from the designer-intended dominant stability, disabled people's participation in the process stage is essential for meaningful technological development.
Our research focuses on the technological possibilities for people who have engaged in artistic expressions such as painting, theater, and dance to continue their activities despite age-related or illness-induced physical changes. We formed teams comprising disabled people, care staff, technologists, and artists to explore these possibilities collaboratively. As part of this project, we conducted workshops using tone-morphing AI (Neutone, Inc., n.d.). While developers deemed this AI a studio tool for music makers creating new sound materials, our workshop process revealed shifts in stability: 1) a device for transforming everyday sounds into novel ones, 2) a medium that cultivates intentionality toward various sounds embedded in the lifeworld. Moreover, participants experienced well-being from their respective viewpoints within this process, discovering new modes of artistic expression through technological mediation. Based on this case study, I propose the concept of ‘temporal multistability,’ which extends postphenomenology as an analytical framework for human-technology relations occurring in dynamic temporal aspects.
References
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