| Moseley, Melanie | The Social Life of Sound: Justice, Displacement, and Aesthetic Worlds |
| Rhodes, Johnathan | Haunted Acoustemologies: Witches, Ruins, and the Supernatural |
| Alexander, David | Making Home Through Music: Diaspora, Heritage, and Belonging in North America |
| Cahill, Anthony | Mediating World Music: Authority, Authenticity, and Musical Tradition in a Global Age |
| Njenga, John | Resources in the study and performance of African music in American Academies. |
| Peters, Julia | Unruly Sounds: Noise, Metal, and Cultural Politics |
| Stewart, Tracey | Ancestral Frequencies: Sound, Heritage, and Resistance in the Caribbean |
| Parker, Holly (1);
Gandour, Aurelie (2) | American Vocal Worlds: Negotiating Invisible Labor, Community, and Affective Value |
| Hwang, Mi Kyung | Reimagining Korean Music: Circulation, Translation, and Transformation |
| Dailey, Paige Carter | Counterpublics in the Americas: Atmospheres, Ethics, and Resistance |
| Mahoney, Mark | Sonic Worldmaking: Black Experimental Practices, Urban Assemblies, and Ecological Imaginaries |
| Rowley, Margaret | Sounding Relations: Music, Gender, and More-than-Human Worlds in West Africa |
| Swift, Kristy | Sonic Publics: Performance, Space, and Belonging in the City |
| Hilgren, Bailey | “Bad Ecomusicology” and Dissident Environmental Affects |
| Kai-Lewis, Abimbola | Who Gets Heard? Rap, Identity, and Recognition |
| Rostami, Mehrenegar (1);
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| Nabatian, Shireen | Phantasmatic Geographies of Music, Heritage, and Cultural Lineage Across Eurasia |
| Nelson, Tai | Counterpublics in the Americas: Atmospheres, Ethics, and Resistance |
| Broussard, Michael | Unquiet Archives: Sound, Silence, and Contested Memories |
| Lê, Trinity | Sound, Arts, and Cultural Memory in Mexico |
| Tam, Yi Ching {Kevin} | Histories of Ethnomusicology: Knowledge, Translation, and the Politics of Difference |
| Monaco, Julia | Who Gets Heard? Rap, Identity, and Recognition |
| Mendívil, Julio | Sonic Encounters: Ritual, Race, and Cultural Pluralism in Peru |
| Yamane, Maxwell | Indigenous Musical Resistance and Representation |
| Kesikli, Egemen | Sonic Politics in Modern Turkey |
| Yusuf, Suhail | Indian Musical Worlds: Lineage, Devotion, and Belonging |
| Diaz Pinto, Ana Maria;
Diaz, Juan Diego | Music, Media, and Power in Puerto Rico |
| de Kok, Moira | Queer Frequencies: Sound, Space, and the Making of Alternative Communities |
| McNeill, Marvin | Negotiating Black Musical Life, Faith, and Identity in Educational Spaces |
| Harris, Robin (1);
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| WANG, ZIXUAN | From Remix to Resistance: Music, Algorithms, and Digital Publics |
| Restrepo, Maurice | Sonic Publics: Performance, Space, and Belonging in the City |
| McCormack, Ryan | Aquatic Mediations: Toward a “Blue Ethnomusicology” |
| Landa, Abraham | Sound, Arts, and Cultural Memory in Mexico |
| Latartara, John | Sound, Practice, and Power in Thailand |
| Nguyen, Jason | Unquiet Archives: Sound, Silence, and Contested Memories |
| Wolf, Juan Eduardo (Ed) | Música Urbana as Mediated History: The Role of Genre and Scholars in the Music of Bad Bunny and Rauw Alejandro |
| Wu, Jonathan | Unsettlling Soundscapes: Music, Memory, and the Negotiation of Place |
| Harte, Colin | Audible Histories: Music, Memory, and Identity Through Film |
| Spiri, Grijda | Phantasmatic Geographies of Music, Heritage, and Cultural Lineage Across Eurasia |
| Dreyer, Gia | Sonic Publics: Performance, Space, and Belonging in the City |
| Zuckerberg, Gabriel | Performing Greece: Media, Communities, and Traditions |
| Cole, Janie (1);
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| Ma, Yiqing (1);
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| Kim, Iljung | Reimagining Korean Music: Circulation, Translation, and Transformation |
| Cunningham, Maya | A Legacy Supreme: Making Meaning of the John Coltrane Centennial |
| Delegos, Spiros | Performing Greece: Media, Communities, and Traditions |
| Xie, Jiaxi | The Social Life of Sound: Justice, Displacement, and Aesthetic Worlds |
| Hebert, David | Mediating World Music: Authority, Authenticity, and Musical Tradition in a Global Age |
| Ospina Romero, Sergio | Across and Beyond Coloniality: What Do Ethnomusicologists Get to Say? |
| Norkey, Alec | The Social Life of Sound: Justice, Displacement, and Aesthetic Worlds |
| Carter Vosen, Elyse | Affective Vitalities: Gendered Voice, Place, and Un/Belonging |
| Howard, Taylor | AfroAlt: Theorizing on Blackness, Space, and Place in Popular Music |
| Politz, Sarah | Sounding Relations: Music, Gender, and More-than-Human Worlds in West Africa |
| Manabe, Noriko | Protest Songs and Musical Resistance |
| SAKARYA, UĞUR CİHAT | Digital Music Cultures: Labor, Fandom, and Industry |
| Kerobo, Joshua | From Remix to Resistance: Music, Algorithms, and Digital Publics |
| Karagedik, Ahmet | Radical Jazz Worlds: Improvisation, Spirituality, and Black Musical Creativity |
| Infante-Amate, Pablo | From Remix to Resistance: Music, Algorithms, and Digital Publics |
| Hadley, Spencer | Radical Jazz Worlds: Improvisation, Spirituality, and Black Musical Creativity |
| Hatfield, DJ | Musical Pathways in Taiwan: Indigeneity, Technology, and Tradition |
| Wolf, Richard | Answering to Whom? Addressivity and the Creative Act in the Causasus and Central Asia |
| Silverstein, Shayna | Archive and Experimentation across Transnational Arab Cultural Geographies |
| Decker, Andrea | Archiving Ethnomusicology: The American Folklife Center at 50 and the Future of Sound Stewardship |
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| Torralvo, Rafael | Sonic Citizenship in South America: Music, Gender, and the Politics of Belonging |
| Rasmussen, Tony | Sound, Arts, and Cultural Memory in Mexico |
| Chen, Chun-bin | Musical Pathways in Taiwan: Indigeneity, Technology, and Tradition |
| Ringsmut, Martin | Unruly Sounds: Noise, Metal, and Cultural Politics |
| Yin, Ilsa Xiaoshan | Sonic Relations: Music, Community, and Place in China and Beyond |
| Fakhraeirad, Armaghan | Resonances and Erasures: Sounding Histories of Iran |
| Oka, I Putu Swaryandana Ichi | Reimagining Korean Music: Circulation, Translation, and Transformation |
| Brew, Josh | Beyond Identity Politics: Rethinking Music, Selfhood, and Sonic Ontology in African Musics |
| Meadows, Ruthie | Beyond Jazz: Cuban Experimentalisms in Gender and Genre |
| Skoronski, Benjamin | Rethinking Instruments: Materiality, Ethics, and Aesthetics |
| Genet, Kumera Zekarias | Sonic Citizenship in South America: Music, Gender, and the Politics of Belonging |
| O'Connell, Joseph | String Band Worlds: Bluegrass, Belonging, and Musical Exchange |
| Chaikittiwatana, Chutikan | Sound, Practice, and Power in Thailand |
| Vuorinen, Mira | Digital Music Cultures: Labor, Fandom, and Industry |
| Burtet, Leticia | Making Brazil Audible: Sound, Sexuality, and Power |
| Xavier Vieira Goulart, Victor | Making Home Through Music: Diaspora, Heritage, and Belonging in North America |
| Clark, Logan | Building Sound Pedagogies for Collaboration across Boundaries in Music Education |
| Cheung, Bernice Hoi Ching | Cantonese Sound and Identity Across the Transnational Cantosphere |
| Steigerwald Ille, Megan | American Vocal Worlds: Negotiating Invisible Labor, Community, and Affective Value |
| Cueto, Alejandro | Sonic Worldmaking: Black Experimental Practices, Urban Assemblies, and Ecological Imaginaries |
| Swanson, Carlehr | Negotiating Black Musical Life, Faith, and Identity in Educational Spaces |
| Risk, Laura;
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| Thomas, Anne Elise | Communities of Care in Academic and Applied Ethnomusicology |
| Jones, Stephen | Sonic Relations: Music, Community, and Place in China and Beyond |
| Duncan, Julian | Music, Media, and Power in Puerto Rico |
| Birenbaum Quintero, Michael | Cosmology, Media, and Sociality: Sound and Music in Orisha-Ifá Religiosity |
| De La Corte, Rubens | Resonant Territories: Music, Extractivism, and Institutional Power in South America |
| Desberg, Sasha | Making Home Through Music: Diaspora, Heritage, and Belonging in North America |
| Zalis, Jordan | Critical Insights for the Study of Music, Sound, and Sport: Power, Politics, and Pedagogy |
| Blackburn, Anton | Critical Trans Ethnographies of Music and Sound |
| Gidal, Marc | Radical Jazz Worlds: Improvisation, Spirituality, and Black Musical Creativity |
| Garvey, Bradford | Sonic Thresholds: Ritual, Empire, and the Performance of Belonging |
| Prak, Rane | Dancing the Cycle of Life: An Introductory Workshop on Cambodian Dance and Movement |
| González, Aimee | Ancestral Frequencies: Sound, Heritage, and Resistance in the Caribbean |
| Hynson, Meghan | Performance, Sustainability, and Ritual in Modern Indonesia |
| Akbarpour, Hannaneh | Expressive Defiance: Music, Dance, and Resistance |
| Ding, Manqi | Sonic Relations: Music, Community, and Place in China and Beyond |
| Leslie Santana, M. Myrta | Doing Ethnomusicology in Times of Crisis: Companions in Conversation |
| Moura, Cibele | Making Brazil Audible: Sound, Sexuality, and Power |
| de Souza, Caio | Echoes After Empire: Sound Archives and the Post-Imperial Nation-State |
| Goubert, Beatriz | Enacting Indigenous Sovereignty in Sound |
| Tessman-Bar-On, Yuval | Entangled Jewish Pasts: Chronologies, Memory, and Retelling |
| Neira de la Cadena, Eloy | Sonic Encounters: Ritual, Race, and Cultural Pluralism in Peru |
| Espie, Stephanie | Ethnomusicology and Music Teaching and Learning |
| Graper, Julianne | Ethnomusicology Beyond the Human |
| Koumoulas, Markos | Between Humans and Machines: Technology, Performance, and Musical Imagination in East Asia |
| Kulriya, Mukesh | Indian Musical Worlds: Lineage, Devotion, and Belonging |
| Salinas, Diego | Sonic Encounters: Ritual, Race, and Cultural Pluralism in Peru |
| Liu, Xiaohui | Audible Histories: Music, Memory, and Identity Through Film |
| Wong, Deborah | Founding Mothers of Ethnomusicology: Looking Back, Looking Forward |
| Hu, Qifang | East Asian Tradition, Indigeneity, and Diaspora |
| Currie, Scott | Beats and Belonging in Contemporary Music Cultures |
| Galloway, Kate | Digital Music Cultures: Labor, Fandom, and Industry |
| Rabbani, Golam | Digital Music Cultures: Labor, Fandom, and Industry |
| Liu, Peng | Listening Beyond Vulnerability: Music, Care, and Resilience |
| Pizzatto, Pietro Antonio | Making Brazil Audible: Sound, Sexuality, and Power |
| Belin, Devorah | Between Sanctuary and Stage: Jewish Music, Identity, and Mediation |
| Deo, Aditi | Music That Moves: Memory, Protest, and Belonging Across Indian Worlds |
| Van Dyk, Kenneth | Global Music Theory: Interrogating Musical Paradigms, Histories, and Soundworlds |
| Sultanova, Dr Razia | Recording, Revitalization, and Gendered Musical Authority Across Eurasia |
| Yu, Yui Tim Timothy | Indigenous Musical Resistance and Representation |
| Skjerseth, Amy | Geographies of Auto-Tune: Pitch Correction and Vocal Practice in Global Contexts |
| Gbagbo, Divine | Sacred Resonance: Music, Authority, and the Making of Christian Worlds in Africa |
| Levine, Mike | Háblame de Miami: Sonic Citizenship and the Negotiation of Diasporic and Indigenous Belonging |
| Barson, Benjamin | Haunted Economies: Ethnomusicology beyond Liberal Democracy |
| D’Cruz Barnes, Isobel | Haunted Acoustemologies: Witches, Ruins, and the Supernatural |
| Creek, Meghan | Unruly Sounds: Noise, Metal, and Cultural Politics |
| Castro, Christi-Anne | Diasporic Asian and Pacific Islander Sound Worlds: Heritage, Identity, and Transnational Imaginaries |
| Panjaitan, Edy | Performance, Sustainability, and Ritual in Modern Indonesia |
| Ukaewen, Sunday Oluwaseun | Rethinking Instruments: Materiality, Ethics, and Aesthetics |
| Bradley, Donald | String Band Worlds: Bluegrass, Belonging, and Musical Exchange |
| Namay, Eli | Improvisation as Archive in Pittsburgh |
| Rodgers, Dylan | Global Music Theory: Interrogating Musical Paradigms, Histories, and Soundworlds |
| Peiris, Eshantha | In-group and Expanded Understandings of Diverse Timbre Patterns |
| Sloan, Heather | Innovative Approaches to Public Engagement in Ethnomusicology |
| Murrell, Kristin | Ensembles and Classrooms: Musical Knowledge in Practice |
| Gabrillo, James | Diasporic Asian and Pacific Islander Sound Worlds: Heritage, Identity, and Transnational Imaginaries |
| Riley, Holly | String Band Worlds: Bluegrass, Belonging, and Musical Exchange |
| Lu, Vicki | Ensembles and Classrooms: Musical Knowledge in Practice |
| Carrico, Alexandria | Intersectional Disruptions: Interrogating Hegemonic Understandings of Musical Talent/Musicality through Disability, d/Deafness, and Race/Ethnicity |
| Nicely, Tiffany | Global Music Theory: Interrogating Musical Paradigms, Histories, and Soundworlds |
| Choi, Stephanie | Intimate Community Building: Women Making Music Communities Across Asia and Its Diasporas |
| Daukeyeva, Saida | Invented Traditions: The Revival of Musical Instruments in Central Asia |
| Liao, Yu Hsuan | Unsettlling Soundscapes: Music, Memory, and the Negotiation of Place |
| Cupec, Zane | Jazz as Diasporic Formation: Spirituality, Mobility, and Intercultural Exchange |
| Cunningham, Maya | John Coltrane and South Africa: A Centennial Meditation |
| Couture, Heather | Between Humans and Machines: Technology, Performance, and Musical Imagination in East Asia |
| Hearfield, Katelyn | Queer Frequencies: Sound, Space, and the Making of Alternative Communities |
| Rogers, Kyle | Sonic Worldmaking: Black Experimental Practices, Urban Assemblies, and Ecological Imaginaries |
| Rezania, Mehdi | Resonances and Erasures: Sounding Histories of Iran |
| Comuzzo, Marie | Listening as Ontological Practice in More-Than-Human Worlds |
| Benli-Garcia, Ezgi | Listening for Care: Gender, Labor, and Social Reproduction that Sustains Musical Worlds |
| Chavez Roncal, Valeria | Listening for Silenced Narratives: Sounding Counter-Histories in Latin America |
| Zeng, Diandian | Listening to Medical(ized) Spaces: Sound, Care, and Clinical Ethics |
| Enriquez, Falina | Sonic Borderlands: Love, Gender, and Politics in Mexican Popular Music |
| Bellaviti, Sean | Lyrics in Contention: Song, Power, and Identity in Latin America |
| Hernandez, Salvador | Sonic Borderlands: Love, Gender, and Politics in Mexican Popular Music |
| Jacob, Susan | Beats and Belonging in Contemporary Music Cultures |
| Braddock, Nathaniel | Materiality and Meaning of Instruments and Instrument-Building in Africa |
| Hung, Chia-Yin | Musical Pathways in Taiwan: Indigeneity, Technology, and Tradition |
| Kaur, Inderjit | Music That Moves: Memory, Protest, and Belonging Across Indian Worlds |
| Reis Medeiros de Campos, Raphael | Between Sanctuary and Stage: Jewish Music, Identity, and Mediation |
| Mercado-Méndez, Jorge L. | Music, Media, and Power in Puerto Rico |
| Prahlad, Achintya | Indian Musical Worlds: Lineage, Devotion, and Belonging |
| Sherinian, Zoe | Mobility, Affect, and Style: Cross-Border and Trans-Oceanic Identity Politics in South Asian Frame Drum Practices |
| Jing, Yuwei | Beyond Ethnic Categories: Music, Mediation, and Belonging in China |
| Ge, ken tianyuan | Multi-Sited Ethnography: Promises and Perils, Politics and Poetics |
| Tang, Kai | Beyond Ethnic Categories: Music, Mediation, and Belonging in China |
| Prieske, Sean | Music in Motion: Diaspora, Policy, and Translocal Communities in Germany |
| Mohebbi, Siavash | Forbidden Voices, Resonant Resistance: Music, Gender, and Politics in Iran |
| Hara, Kunio | Musical Representations of Indigeneities in Contemporary Japanese Anime |
| Stamatis, Yona | Performing Greece: Media, Communities, and Traditions |
| Kagan, Alan | Music That Moves: Memory, Protest, and Belonging Across Indian Worlds |
| Francese, Jonah | Indigenous Musical Resistance and Representation |
| Geldi Nejad, Mohammad Geldi | Rethinking Instruments: Materiality, Ethics, and Aesthetics |
| Wang, Haotian | Beyond Ethnic Categories: Music, Mediation, and Belonging in China |
| Jordan, Forest | Beats and Belonging in Contemporary Music Cultures |
| Troutman, Christopher | Phantasmatic Geographies of Music, Heritage, and Cultural Lineage Across Eurasia |
| Mooney, Micah | Sound, Practice, and Power in Thailand |
| Batterman Cháirez, Chris | Owning Sound: Music and/as Property |
| Hammoud, Loab | Music in Motion: Diaspora, Policy, and Translocal Communities in Germany |
| Neira Nieto, Natalia;
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| Gómez, Jonathan | Radical Jazz Worlds: Improvisation, Spirituality, and Black Musical Creativity |
| Arul, Victor | Performing Beyond the Machine: Music, Technology, and Creative Communities in East Asia |
| Chen, CHEN | Sonic Relations: Music, Community, and Place in China and Beyond |
| Slominski, Tes | Listening Beyond Vulnerability: Music, Care, and Resilience |
| Cannady, Kimberly | Indigenous Musical Resistance and Representation |
| Koymen, Erol | Sonic Politics in Modern Turkey |
| Crowdus, Miranda | Between Sanctuary and Stage: Jewish Music, Identity, and Mediation |
| Scahill, Katherine | Sound, Practice, and Power in Thailand |
| Ukaewen, Sunday Oluwaseun | Practices of Translation: Negotiating Identity and Agency in African Art Music |
| Lipscombe, Ailsa | Listening Beyond Vulnerability: Music, Care, and Resilience |
| Ajose, Toyin | Present Dynamics in African Music: Liturgy and Pedagogy, Practice and Paradigms |
| Cooper, Heather | Diasporic Asian and Pacific Islander Sound Worlds: Heritage, Identity, and Transnational Imaginaries |
| Rubinoff, Kailan | Queer Frequencies: Sound, Space, and the Making of Alternative Communities |
| Standiford, Hannah | Performance, Sustainability, and Ritual in Modern Indonesia |
| Allen, Erin | Sonic Publics: Performance, Space, and Belonging in the City |
| LI, Ruxin | Mediating World Music: Authority, Authenticity, and Musical Tradition in a Global Age |
| Seeman, Sonia Tamar | Recording, Revitalization, and Gendered Musical Authority Across Eurasia |
| DE JONG, NANETTE (1,2,3);
DUBE, Matesu (1,2,3);
Garamumhango, Blessing (1,2,3);
Humble, Steve (1,3,4) | Practicing Care and Equity Through Music and Sound |
| Decker, Andrea | Reflections on the Returning Workshop: For Collections in Need of Communities |
| Chuang, Darren Sheng-Hsuan | Protest Songs and Musical Resistance |
| Cooper, Sarah | Practicing Care and Equity Through Music and Sound |
| Son, Mingyeong | Reimagining Korean Music: Circulation, Translation, and Transformation |
| Mackey, Kira | Remapping Listening Publics Across the Global South |
| Duey, Corin | Beats and Belonging in Contemporary Music Cultures |
| Nikitin, Christina Misaki | Repositioning Japanese Musical Subcultures |
| Gomez Alvarez, Edgar | Sonic Borderlands: Love, Gender, and Politics in Mexican Popular Music |
| Cheng, ching-nam Hippocrates | From Player Pianos to Digital Platforms: Technologies of Jazz Transmission and Transformation |
| Bertsch, Colleen | Protest Songs and Musical Resistance |
| Su, Siying | String Band Worlds: Bluegrass, Belonging, and Musical Exchange |
| Neizari, Mina | Forbidden Voices, Resonant Resistance: Music, Gender, and Politics in Iran |
| Stevens, Spencer | Who Gets Heard? Rap, Identity, and Recognition |
| Pioustin, George | Christian Musicking Across Diverse Worlds |
| Padovani, Rodney | Music, Media, and Power in Puerto Rico |
| Lambe, Ryan | Shame on the Field: How Shame Shapes Field Experiences |
| Haywood, Matthew | Performing Beyond the Machine: Music, Technology, and Creative Communities in East Asia |
| Abedi, Hesam | Forbidden Voices, Resonant Resistance: Music, Gender, and Politics in Iran |
| Linford, Scott | Sounding Relations: Music, Gender, and More-than-Human Worlds in West Africa |
| Brown Romtvedt, Caitlin (1,2) | Haunted Acoustemologies: Witches, Ruins, and the Supernatural |
| Black, Cody | Performing Beyond the Machine: Music, Technology, and Creative Communities in East Asia |
| Emberly, Andrea | Singing imagined futures: Young people, musical arts, and forced displacement |
| Hodges, Christopher | American Vocal Worlds: Negotiating Invisible Labor, Community, and Affective Value |
| Feng, Jun | Audible Histories: Music, Memory, and Identity Through Film |
| Lai, Winnie W. C. | Sonic Afterlives and the Politics of Audibility in Post-Protest Hong Kong |
| Murphy, Patrick | Making Brazil Audible: Sound, Sexuality, and Power |
| Chhatre, Avanti | Indian Musical Worlds: Lineage, Devotion, and Belonging |
| Cassio, Francesca | Ensembles and Classrooms: Musical Knowledge in Practice |
| Vatanpour, Azadeh | Sonic Temporalities: Kurdish Music, Media, and the Reimagining of Community |
| Allen, Danny | East Asian Tradition, Indigeneity, and Diaspora |
| Marin-Lopez, Javier | Sound Archives as Knowledge Infrastructures: Reframing Ethnomusicology in the U.S. Southwest and the Global South |
| Fuentes-Landaeta, Constanza | Sound, Identity, and Power in the Musical Circulation of Latin America |
| Oni, Abayomi | Sacred Resonance: Music, Authority, and the Making of Christian Worlds in Africa |
| Frishkey, Amy | Sounding Developments, Potentialities, and Power within the Contemporary Background Music Industry |
| Dyer, Jeffrey | Sounding In and Beyond Trauma |
| Cekmeci, Ceyda | Sonic Politics in Modern Turkey |
| Odebiyi, Damilola | Sonic Thresholds: Ritual, Empire, and the Performance of Belonging |
| Hajnacs, Indira | Unsettlling Soundscapes: Music, Memory, and the Negotiation of Place |
| Le, Bryan | Unquiet Archives: Sound, Silence, and Contested Memories |
| Penaranda, Francis | Sonic Thresholds: Ritual, Empire, and the Performance of Belonging |
| Mogollón Montagne, Vicky | Sonic Citizenship in South America: Music, Gender, and the Politics of Belonging |
| Horner, Rachel | Streets and Soundworlds |
| Queiroz, Luis Ricardo | Resonant Territories: Music, Extractivism, and Institutional Power in South America |
| Case, Cody | Counterpublics in the Americas: Atmospheres, Ethics, and Resistance |
| Liu, Alissa | Suspending Asian/American Listening |
| Mall, Andrew | Teaching Ethnomusicology In Situ The Challenges and Rewards of Study Away Programs |
| Ingram, Anita Danielle | Technologies of Witness: Recorded and Digital Sacred Music in American Life |
| Shao, Oliver | The (De)Growth of Music |
| Busman, Joshua | Christian Musicking Across Diverse Worlds |
| Akenga, Jane | Sacred Resonance: Music, Authority, and the Making of Christian Worlds in Africa |
| Zdralek, Vit | Histories of Ethnomusicology: Knowledge, Translation, and the Politics of Difference |
| Watson, Kimberley | Ensembles and Classrooms: Musical Knowledge in Practice |
| Ahmadian, Nasim | Resonances and Erasures: Sounding Histories of Iran |
| Corbett, Rory | From Player Pianos to Digital Platforms: Technologies of Jazz Transmission and Transformation |
| Verdin, Peter | Expressive Defiance: Music, Dance, and Resistance |
| Aminsalehi, Chiquitha | Listening Beyond Vulnerability: Music, Care, and Resilience |
| Fantinato Geo de Siqueira, Maria | Resonant Territories: Music, Extractivism, and Institutional Power in South America |
| Watson, Hakeem | The Sonic and Aesthetic Politics of Japanese Anime |
| Auo, Jiyoon | East Asian Tradition, Indigeneity, and Diaspora |
| WANG, TIANYU | Beyond Ethnic Categories: Music, Mediation, and Belonging in China |
| Diao, Ying | Music That Moves: Memory, Protest, and Belonging Across Indian Worlds |
| HSU, HSIN-WEN (1);
Huang, Yu-Fen (2);
Li, Su (3) | Musical Pathways in Taiwan: Indigeneity, Technology, and Tradition |
| Jing, Xia | East Asian Tradition, Indigeneity, and Diaspora |
| Haruta, Devanney | Under the Lid: The Extra-Musical Skills of Instrument Makers and Technicians |
| Moreau, Zachary | Counterpublics in the Americas: Atmospheres, Ethics, and Resistance |
| Gabriel, John | Histories of Ethnomusicology: Knowledge, Translation, and the Politics of Difference |
| Valcour, Anna | Practicing Care and Equity Through Music and Sound |
| LIU, YUFEI | From Player Pianos to Digital Platforms: Technologies of Jazz Transmission and Transformation |
| Hugh Sam, Jordan | Negotiating Black Musical Life, Faith, and Identity in Educational Spaces |
| DeMatteo, Bradley | Voicing against Voicelessness: An Ethnomusicology of Voice through Rupture |
| Krebs, Landry | Voicing the Unresolved: Listening at the Thresholds of Life, Death, and History |
| Edouard, Collin | Ancestral Frequencies: Sound, Heritage, and Resistance in the Caribbean |
| hashempour, hozan | Expressive Defiance: Music, Dance, and Resistance |
| Lai, Gene (1);
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| Sheth, Ayesha | Global Music Theory: Interrogating Musical Paradigms, Histories, and Soundworlds |
| Poguntke, Madlen (1,2) | Music in Motion: Diaspora, Policy, and Translocal Communities in Germany |
| Quinones Rivera, Ailish | Who Gets Heard? Rap, Identity, and Recognition |
| Johnson, Joe Z. | Whose Instrument? The Banjo, Blackness, and the Politics of Cultural Recovery |
| Janzen, Andrew | Christian Musicking Across Diverse Worlds |
| Miller, Melissa | Haunted Acoustemologies: Witches, Ruins, and the Supernatural |
| Garcia-Orozco, Manuel | Ancestral Frequencies: Sound, Heritage, and Resistance in the Caribbean |