Critical Insights for the Study of Music, Sound, and Sport: Power, Politics, and Pedagogy

Chair(s): Jordan Zalis (International Institute for Critical Studies in Improvisation, University of Guelph,)

Presenter(s): Luis Achondo (Memorial University of Newfoundland); Jon Dueck (Canadian Mennonite University); Max Jack (Indiana University); John Michael McCluskey (Lehman College, CUNY); Matthew Mihalka (University of Arkansas); Joshua Tucker (Brown University)

“Bad Ecomusicology” and Dissident Environmental Affects

Chair(s): Elizabeth Frickey (New York University)

Presenter(s): Fabian Almazan (Harvard University); Tyler Yamin (Bucknell University); Max Gibson (University of California, Davis); Brooks Toliver (University of Akron); Bailey Hilgren (New York University)

Reflections on the Returning Workshop: For Collections in Need of Communities

Chair(s): Andrea Decker (American Folklife Center, Library of Congress)

Presenter(s): Kimberly Marshall (The University of Oklahoma); Alan Burdette (Society for Ethnomusicology); Amanda Minks (The University of Oklahoma); Heather Sloan (Archives of Traditional Music, Indiana University); Will Madison (Sam Noble Museum, University of Oklahoma)

Understanding Outrage: Intersectional Marxism, Punk, and Revolutionary Echoes

Zachary Moreau

Florida State University

"Play the Fight Riff!": Affect and the Ethics of Moshing in Hardcore Punk

Paige Carter Dailey

University of Michigan

“Burn it Down": Folk Punk Performance and Anarchist Action in Washington, D.C.

Tai Nelson

University of Maryland, College Park

Surrounding BaianaSystem’s Pirate Ship: Calculated Climax and Synchronized Chaos in Salvador, Brazil

Cody Case

Loyola University New Orleans

Ethnomusicology Beyond the Human

Chair(s): Julianne Graper (Indiana University Bloomington,)

Presentations in the Session

Interspecies Musicality and the Sentipensante Subject: Rethinking Agency in Human–Bird Sonic Relations

Juan Fernando Velasquez (University of Houston)

Like Mother, Like Daughter: Horses, Inheritance, and Musical Anthropomorphism at the British Dressage Winter Championships

Jack Harrison (University of Warsaw)

Canaries in the laboratory: silent voices of neuroscience

Rachel Mundy (Rugters University - Newark)

On Being Human in Ethnomusicology

Juliane Graper (Indiana University Bloomington)

My Big Fat Greek Stereotype: The Sonic Production of Greek America on Screen

Yona Stamatis

University of Illinois Springfield

Víoma and Stylistic Identity in the Festival Music of Greek Pogoni

Gabriel Zuckerberg

Brown University

A Modal Heterotopia in Rebetiko: Performative Responses to Theoretical Incompatibilities

Spiros Delegos

Sibelius Academy, Uniarts Helsinki

Reimagining Arirang Across the Border: Musical Circulation and Collaboration Between North and South Korea

Mingyeong Son

Asian Music Research Institute of Seoul National University,

Beyond Borrowing: The Cultural Epidemiology of Korean Rhythms in Balinese Baleganjur

I Putu Swaryandana Ichi Oka

University of British Columbia

A hybrid notational system for Korean Buddhist chant and its potential for further applications

Iljung Kim

N/A

"Painted Sounds for Western Eyes: Music, Gender, and Ritual in Kim Jun-Geun's Genre Paintings in the Chosŏn Open Port Period (1876–1910)"

Mi Kyung Hwang

University of Arizona

Cantonese Sound and Identity Across the Transnational Cantosphere

Chair(s): Bernice Hoi Ching Cheung (University of Toronto)

Discussant(s): Adam Kielman (The Chinese University of Hong Kong)

Presentations in the Session

Resisting Assimilation: Gongchepu and Cultural Identity in Early 20th‑Century Cantonese Music

Tsz-ching Tung (The University of Hong Kong)

“Reclaiming Our Cantonese Childhood”: Navigating Identity Through Traditional Cantonese Opera in Hong Kong Protestant Worship

Joshua Ching Yuet Kan (The Chinese University of Hong Kong)

Tracing a Half‑Century of Cantopop in Canada

Bernice Hoi Ching Cheung (University of Toronto)

Discussant

Adam Kielman (The Chinese University of Hong Kong)

Jazz as Diasporic Formation: Spirituality, Mobility, and Intercultural Exchange

Chair(s): Mark Lomanno (University of Miami)

Discussant(s): Austin C. Okigbo (University of Colorado Boulder)

Presentations in the Session

Radical “Sankofa-ism”: Ancestral Recall, Spiritual Healing, and African Diasporic Utopianism in the Jazz of Chief Xian aTunde Adjuah

Paul Schauert (Michigan State University)

Sounding the Òrìṣà: Creative Paradox and Diasporic Formation in African Cuban Santería and Jazz

Zane Cupec (University of Pittsburgh)

Transplanted Prodigy: New African Diasporas, Afro-Fusion and the Career Development of Ghanaian Drummer Paa Kow

Brian Casey (University of Northern Colorado)

Earwitness Accounts of Sexuality and Other Ethnopornographic Tales

Cibele Moura

Cornell University

Bringing Worlds into Being: Ritual Sound and Ontological Practice in Brazilian Umbanda

Leticia Burtet

University of North Texas

Sonic Dominance during Rio de Janeiro’s Bailes de Corredor: Sovereignty and Masculinity in Contexts of Criminal Governance

Patrick Murphy

Habib University,

From the Favelas to The World: Anitta and The Internationalization of Brazilian funk

Pietro Antonio Pizzatto

University of North Texas,

Gaao Mere Mann: Indian Senior Citizens and the Repertoire of ‘Old’ Hindi Film Songs

Aditi Deo

Ahmedabad University,

My Brother's Keeper: Tabla Provided Grief Therapy for the Performer

Alan Kagan

University of Minnesota,

To Move, One Must Be Grounded: Ragamala Dance Company and the Generative Force of Tradition in Diaspora

Ying Diao

Falcon Heights

Meaningful Sounds: Protest Songs of the 2020-2021 Indian Farmer’s Movement

Inderjit Kaur

University of Michigan, Ann Arbor,

Enacting Indigenous Sovereignty in Sound

Chair(s): Beatriz Goubert (N/A)

Presentations in the Session

Reconstructing Sonic Practice: Rematriation and Indigenous Futurity among Muisca Communities

Beatriz Goubert (N/A)

Replication and Indigenous Sonic Sovereignty in Mesoamerican Archaeological Sound

Jay Loomis (Brown University)

Recording, Notation, and Reshaping Meaning: “Shí Naashá” and Diné Sovereignty

Renata Yazzie (Columbia University)

Present Dynamics in African Music: Liturgy and Pedagogy, Practice and Paradigms

Chair(s): Kayode Samuel (University of Ibadan)

Presentations in the Session

Ethnomusicology in South Africa: Beyond the tokenistic inclusion of African Music

Joseph Kunnuji (Odeion School of Music, University of the Free State, Bloemfontein, South Africa)

Liquidating Localities: Christian Contemporary Worship as Cultural Colonialism

Jonathan Crossley (Department of Music Technology, University of Liverpool, United Kingdom)

Hearing Africa in Europe: African Music and Transnational Choral Practices in Germany

Toyin Ajose (University of Wurzburg, Germany)

Vocalized Style-Shifting: A Sociophonetic Study of HBCU Students Negotiating Faith, Professional Opportunity, and Black Identity through Singing Style

Jordan Hugh Sam

UCLA,

Church Spaces and Places: Black Voices, Gospel Music, and Placemaking at the University of Virginia

Carlehr Swanson

University of Virginia,

“The Tunnel”: Exploring a Sense of Belonging, Interconnectedness, and Unity Through the Study of an HBCU Marching Band Ritual.

Marvin McNeill

Oxford College of Emory University

Doing Ethnomusicology in Times of Crisis: Companions in Conversation

Chair(s): M. Myrta Leslie Santana (UC San Diego)

Presenter(s): Krystal Klingenberg (Smithsonian National Museum of American History); Laurie Lee (University of Pennsylvania); M. Myrta Leslie Santana (UC San Diego); Tamar Sella (University of North Texas)

Listening for Silenced Narratives: Sounding Counter-Histories in Latin America

Chair(s): Joshua Tucker (Brown University)

Presentations in the Session

“No Queremos Morir”: Cumbia Norteña Music and Citizen Insecurity in Lima, Perú

Valeria Chavez Roncal (Northwestern University)

Música Folclórica and the Recontextualization of 'Traditional' African Music on the Caribbean Coast of Colombia

Jacob Sunshine (Rhodes College)

Scrape, Rattle, Tap: Sounding Silence and Blackness Through the Quijada in Son Jarocho

Randella Jones (City University of New York, Graduate Center)

Under the Lid: The Extra-Musical Skills of Instrument Makers and Technicians

Chair(s): Lisa Beebe (University of Wisconsin, Whitewater)

Presentations in the Session

Instruments before Sound: Bringing to Light Violin Makers’ Visual Techniques

Juliet Glazer (Boston College)

From Piano to “Piano-Shaped Object”: Piano Technicians and Emotional Labor

Devanney Haruta (Brown University)

Sewing Skills, Reframed: Refashioning Women’s Labor at Fender

Jayme Kurland (George Mason University)

Singing Before Deaf Machines: Noraebang, Arbitrary Scoring, and the Poetics of Quantitative Refusal in South Korea

Cody Black

Vanderbilt University

Performing Rupture in the Soundscape: Community and Aesthetics in Pokémon Glitch Culture

Victor Arul

Harvard University,

Signifying Locality in China’s Age of Technofuturism, Nationalism, and Traditionalism

Matthew Haywood

Macau University of Science and Technology,

Paper title: New Locations New Sounds: the experiences of Syria refugee musicians in Germany.

Loab Hammoud

University of Würzburg,

Music exchange and cultural policies between Germany and the Mashreq

Sean Prieske

University of Cologne

Who Gets to Be a Composer? Rethinking Musical Authority in Germany and Korea

Madlen Poguntke^1,2

1: Seoul National University; 2: Hochschule für Musik und Theater München

Inside the Installation: Ethnographic Listening in Asian Diasporic Art

James Gabrillo

University of Texas at Austin

Hijacking Diaspora: FilAm Popular Songs as Home in the Transnational Imaginary

Christi-Anne Castro

University of Michigan, Ann Arbor

Punake in the Diaspora: Cultural Stewardship and the Sounds of Tongan Heritage Across the United States

Heather Cooper

The University of Arizona,

Silenced Voices: The Ban on Female Solo Singing in Post-Revolutionary Iran as Political Trauma

Hesam Abedi

University of Florida

Resonant Resistance: Sonic Agency, Gender, and the Re-sounding of Sacred Spaces in Iran

Mina Neizari

Cornell University

Music-making and Shifting Notions of Dissidence in Iran: The case of Shervin

Siavash Mohebbi

University of Virginia

Sounding Political Impasse in a World of Authoritarian Turn: Insights from Turkey

Ceyda Cekmeci

UC Berkeley

Polyphonic Governmentality: Toward a Global Concept History of Çok Seslilik in Modern Turkey

Erol Koymen

Florida State University,

“Is This Makam Music?”: Genealogy and Politics of “Aşkın Aldı Benden Beni” in Saygun's Yunus Emre

Egemen Kesikli

Colorado State University