Conference Agenda
The Online Program of events for the SEM 2025 Annual Meeting appears below. This program is subject to change. The final program will be published in early October.
Use the search bar to search by name or title of paper/session. Note that this search bar does not search by keyword.
Click on the session name for a detailed view (with participant names and abstracts).
Please note that all times are shown in the time zone of the conference. The current conference time is: 26th Aug 2025, 07:06:31pm EDT
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Session Overview | |
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Location: M-102 Marquis Level 75 |
| Date: Thursday, 23/Oct/2025 | |
| 8:00am - 10:00am |
01B: Musicking through European Migratory Spaces: Gendered, Ethnic, and Racial Place-Making Location: M-102 Chair: Sonia Tamar Seeman, University of Texas Austin Presenter: Sonia Tamar Seeman, University of Texas Austin Musicking through European migratory Spaces: Gendered, ethnic and racial place-making Presentations in the Session Performative Social Space: Trauma, Ritual, and Music among Kosovo Romani Migrants in Germany Re-creating “Mu[h]acir” [“Immigrant”] through Women’s Work: Musicking and Social Reproduction Women, Musicking, and Freedom in the Created Space of Church Post-Migrant Musicking and the Restriction of Public Space: Sonic color and class lines in provincial Germany |
| 10:45am - 12:15pm |
02B: Beyond Venting in the Dressing Room: Abuses of Power, Trauma, and Resistance in the Early Careers of Classical Singers Location: M-102 Chair: Anna Valcour, Brandeis University Beyond Venting in the Dressing Room: Abuses of Power, Trauma, and Resistance in the Early Careers of Classical Singers Presentations in the Session The Voice Cult: Trauma and Tribalism in Undergraduate Voice Studies “Other Duties as Assigned”: Abuse, Labor, and Surviving the American Opera Industry’s Resident Artist Programs Meeting “The Other’s” Need: An Analytic Framework to Evaluate DEI Initiatives in American Opera Companies as Acts of Care |
| 1:45pm - 3:45pm |
03B: Afrodiasporic Linguistics and Gestures Location: M-102 Presenter: Warrick Moses Presenter: Kai Barratt, University of Technology, Jamaica Presenter: Nicha Selvon-Ramkissoon Presenter: Nathaniel Ash-Morgan They Not Like Us: The Relationship Between (Black) American Sign Language and Hiphop Performance UW Madison Too Bla (ck)xx? The Trinbagonian Calypso and Soca Experience 1: University of Technology, Jamaica; 2: South Carolina State University; 3: University of the West Indies, Mona “I ain changing meh dialect, meh patois…” Language change, attitudes and identity in the Carnival musics of Trinidad and Tobago. University of Trinidad and Tobago Afro-Dancehall: The Impact of Global Afrobeats on Ghanaian Dancehall University of North Texas |
| 4:00pm - 5:30pm |
04B: The ‘Context’ Argument: Three Musical Case Studies in the Instrumentalization of Context Location: M-102 Chair: Thi Lan Lettner The ‘Context’ Argument: Three Musical Case Studies in the Instrumentalization of Context Presentations in the Session Blackface Minstrelsy in Nineteenth-Century Binder’s Volumes Undercontextualizing a Musical Miracle: North America’s Reception to the Simón Bolívar Youth Orchestra Decontextualization and the Music Historical Scholarship of Bernice Johnson Reagon |
| Date: Friday, 24/Oct/2025 | |
| 8:30am - 10:30am |
05B: Participatory Sacred Harp Singing and Discussion on Editing The Sacred Harp: 2025 Edition Location: M-102 Chair: Jesse P. Karlsberg, Emory University Participatory Sacred Harp Singing and Discussion on Editing The Sacred Harp: 2025 Edition Presentations in the Session N/A N/A N/A |
| 10:45am - 12:15pm |
06B: Engaging Citizenship through Musical Communities: Three Different Approaches in Puerto Rican Music Location: M-102 Chair: Juan Eduardo Wolf, University of Oregon Engaging Citizenship through Musical Communities: Three Different Approaches in Puerto Rican Music Presentations in the Session Los Pleneros de la 23 Abajo: Music, Community and Resistance Reimagining the Taino Past: Music, Indigeneity, and Colonialism in Puerto Rico Building a Local Community in the Homeland through Diasporic Experiences: the case of bomba mayagüezana |
| 1:45pm - 3:45pm |
07B: Sound and Sociality in Modern Markets: Three Perspectives on Music and Commoditization Location: M-102 Chair: Duncan William Reehl, Boston University Sound and Sociality in Modern Markets: Three Perspectives on Music and Commoditization Presentations in the Session Sounding Japanese Buddhism in the Attention Economy and Spiritual Marketplace Strumming Against Capital: Decommoditizing Son Jarocho through Radical Collectivities Domesticating Cuban Contradanza: Music, Social Reproduction, and the Value Form |
| 4:00pm - 5:30pm |
08B: Divergent Listening Location: M-102 Presenter: Ioannis Christidis, Music and Minorities Research Center Presenter: Janice Protopapas Presenter: Nalini Ghuman Infusing the Khushboo in Diaspora: Exploring the musical soundscape of the Namdhari child in the UK Punjabi University, Patiala, India Decolonial listening across Offa’s Dyke: English Music, Colonialism, and Cymru/Wales Mills College at Northeastern University Relics of Freedom: Resounding Hong Kong’s Muted Voices in Transnational Protests Dartmouth College |
| 8:00pm - 9:00pm |
SIG for Celtic Music Location: M-102 |
| Date: Saturday, 25/Oct/2025 | |
| 8:30am - 10:30am |
09B: Organology Location: M-102 Chair: Jay Michael Loomis Presenter: Tsz-ching Tung Presenter: Wan Huang, Shanghai Conservatory of Music Presenter: Julio Mendivil, University of Vienna Instrument Making and Sound Design in Son Jarocho: A Multispecies Eco-Organology Brown University The 'Cantonisation' of Violin and Hawaiian Guitar: Instrumental Adaptation and Performance Practice in Early Twentieth-Century China The University of Hong Kong The Charango in History. Between Reification and Symbolic Reduction University of Vienna, Situating the Sape’ in a 21st Century Soundscape Dallas International University |
| 10:45am - 12:15pm |
10B: Alliances and Intersections on the Margins of the Sinophone Location: M-102 Chair: Charlotte D'Evelyn, Skidmore College Alliances and Intersections on the Margins of the Sinophone Presentations in the Session Sounding Queer Indigeneity: Adju Performativity, Nandao Narratives, and Trans-Indigenous Alliance in Taiwan Transnational Networks and Musical Boundary-Making in Inner Mongolia, China Yunnan Reggae: Music, Minoritization, and Afro-Asian Imaginaries in Southwest China |
| 12:30pm - 1:30pm |
Section on the Status of Women Meeting Location: M-102 |
| Date: Sunday, 26/Oct/2025 | |
| 8:30am - 10:30am |
11B: Sounding the Environment Location: M-102 Presenter: Daniel Benson Sharp, Tulane University Presenter: Haiqiong Deng, Florida State University Presenter: Eric Sunu Doe, University of Ghana Presenter: Elizabeth Frickey Musical Responses to the Flooded Ruins of a Brazilian Hydroelectric Project Tulane University, Sounding Nature: An Ecomusicological Perspective on Ancient Chinese Guqin Music Florida State University Nsadwase Music Festival: A Context for Nurting Tradition and Safeguarding the Environment University of Ghana, Sounding the “Ecological City”: Politics of Audibility in the Urban Garden New York University |
| 10:45am - 12:15pm |
12B: From Marginalization to Empowerment Location: M-102 Presenter: Yuxin Mei Presenter: Fernando Rios, University of Maryland Presenter: MingLei Niu, Xi'an Conservatory of Music From Courtesans to Clickbait: Gender, Power, and the Persistent Marginalization of Women in China’s Pipa Tradition University of North Texas “Mujer Sandinista” (“Sandinista Woman”): The Nueva Canción Band Sabiá and the Intersections between the US-Central America Solidarity and Feminist/Women’s Movements University of Maryland Empowering Women Through Song: Analyzing Music and Gender Expression in Chinese Coal Mining Communities Amid Social Transformation Xi'an Conservatory of Music, |