Jazz, Collectivity, and Space

Chair(s): Maya Cunningham (University of Massachusetts, Amherst), Colter Harper (University at Buffalo)

Presentations in the Session

Maroon Resonance: Fugitive Ecologies of Sound and Jazz Spatiality

Benjamin Barson (Bucknell University)

“Keeping Music Live!”: +233 Jazz Bar & Grill and the Making of Ghanaian Jazz History

Samuel Boateng (St. John’s College, Oxford)

More than Memories: Jazz Clubs and Post-Industrial Urban Redevelopment

Colter Harper (University at Buffalo)

“Hold the Space, Grow the Space”: The Velvet Lounge & Recent Creative Improvised Music Organizing Strategies in Chicago

Eli Namay (University of Pittsburgh)

Intangible Cultural Heritage of Nigeria's Middle Belt

Chair(s): Aaron Carter-Enyi (Morehouse College), Solomon Abu Dauda (CONAECDA Nigeria), David Aina (Lagos State University)

Discussant(s): Christian Onyeji (Morehouse College,)

Presentations in the Session

Adamawa

Ebruphiyor Omodoro (University of Nigeria)

Kaduna

Aaron Carter-Enyi (Morehouse College)

Plateau

Michael Bulkaam (University of Jos)

New Modes of Resistance and Connection in Popular Music

Chair(s): Justin Patch (Vassar College,)

Presentations in the Session

When the Underground Is Above Ground: A Public-Facing Record Store and China’s Curated Indie Music Scene

Diandian Zeng (UCSB)

In Search of Our “True Academy”: Reflections on Modern Band, Open Jams, and the Purpose of Popular Music Education

Thomas Zlabinger (CUNY)

Scrambling the genre logic of Spotify in “anime music”

Garrett Groesbeck (Wesleyan University)

The Wátina Effect: Kaleidoscopic Neo-Traditionalism in Post-2010 Garifuna Popular Music

Amy Frishkey (UTSA)

Performing Puerto Rican-American Identity in Luis R. Miranda’s “Impromptu”

Julian William Duncan

Florida State University,

Dichotomy of accordion and bandoneon in tango, China, and beyond

Lanxin{Nancy} Xu

Northwestern University,

Pulsation Non-Isochrony in Drumming Music of the Arabian Peninsula

Jim Morford

Western Washington University

Writing Jazz Encounters: Questions of archives, affect, and transculturation

Chair(s): Katherine Brucher (DePaul University)

Presentations in the Session

When Outsiders Become Insiders: Riffs in the Creole of Color Community at the Birth of Jazz

Hannah Krall (Shaw University)

Women College Musicians Take on the World: Gender in Cold War Jazz Diplomacy and Collegiate Jazz Programs

Kari Lindquist (University of North Carolina at Chapel Hill)

The Angry Man of Jazz: Jazz, Coolness, and the Cultural Politics of Emotion

Varun Chandrasekhar (Washington University in St. Louis)

“We’re Freaks like You”: Lester Bowie’s Sojourns in Poland (1994–1997)

Jenna Przybysz (Stanford University)

Juntas Llorando: Radical Empathy, Collective Mourning, and Singing Grief Across Fronteras in América Latina

Chair(s): Hannah Snavely (Stephen F. Austin State University)

Presentations in the Session

Towards an Attentive Ethnomusicology: Affective Relationships and Griefwork in the Field

Hannah Snavely (Stephen F. Austin State University)

Cántame la canción de la Mariquita: Performing and Embodying Grief, Homeland, and Immigrant Womanhood in UndocuAmerica’s SALSA Lotería

Teresita D. Lozano (University of Texas Rio Grande Valle)

The Song Above, the Sorrow Below: Musical Expression of Loss and Grief-Singing in Animal Fertility Ritual, Q’eros, Peru

Holly Wissler (Texas State University)

ReSounding the Lost Apple: Operation Pedro Pan and Communicating Grief Through Performance

Elisa G. Alfonso (University of Utah)

On the Global Study of Timbre

Jason Reid Winikoff

University of British Columbia

Incorporating Experiential Learning through Public (Ethno)Musicology

Reba Wissner

Columbus State University

Echoes from the Bengal Tiger: Towards a Transcultural (Micro)historical Musicology

Samuel B. Cushman

University of California, Santa Cruz

Culture Work as Care Work: Music Education and Refugee Resilience at the Simrishamn Kulturskola

Carrie Ann Danielson

Florida State University

Rehearsing Community: Queer Choral Musicking and the Politics of Care

Charlotte Olivia Stewart-Juby

Carleton University

From ethnomusicology to health sciences research: The importance of lived experience in the design of patient-oriented interventions

Theresa Allison

University of California, San Francisco

Aztec Dance Spaces: Healing and the Ethics of Scholarship in a Fraught Moment

Kristina Nielsen

Southern Methodist University

“Welcome to Montero”: Lil Nas X’s Transmedia Storytelling and/as Queer World-Building

Ella Saporito-Emler

Florida State University

Reimagining Soundscapes: Cultural Encoding and Aural Narratives in Chinese Shadow Puppetry

Jinyizhuo Wang

Xi'an Conservatory of Music

Preserving Indigenous Musics Survived in Oral Tradition: A Multilingual Parallel Corpus

LIJUAN QIAN

University College Cork, Ireland

The Sampling of Brazilian Music in Hip-Hop: Material and Historical Networks

Romulo Moraes Barbosa

CUNY Graduate Center

Echoes of what might have been: hearing speculative futurity in KOZO's Tokyo Metabolist Syndrome

Nour El Rayes

Johns Hopkins University

Musical Journey Of Azerbaijani Mugham

Aqil Suleymanov

Brooklyn,NY

Negotiating Spirituality in Intercultural Improvisation

Chao Tian

Boston University, Boston, MA

#winning: Folk Dance Competitions and Mediated Authenticity in Greek America

Panayotis League

Florida State University

The Magic of Musubi: Shintoism in the Soundtrack of Makoto Shinkai’s Your Name

Kieran Casey

Peabody Institute at Johns Hopkins University,

I’m Walkin’ Here!: Experiencing New York City’s Punk Scene through Bootleg Cassette Tapes

Sean Peters^1,2

1: Cornell University; 2: Syracuse University