Music, Climate Change and Extractivism around the Arctic and Antarctic

Chair(s): Jan Koplow (Duke University)

Presentations in the Session

"Saca el petróleo pa' mi nación": Frontier Nostalgia and the Climate Hyperobject in Songs about the Patagonian Petroleum Industry

Lydia Wagenknecht (University of Colorado Boulder)

Relistening to the Current Environmental Crises in Chile through Mapuche Ül Metal

Jan Koplow (Duke University)

Affect and Authenticity in Contemporary Christian Worship Soundscapes

Sharri K. Hall

Harvard University

Amplifying the Divine Word, or the Aesthetics of Reverb in Sikh Aural Architecture

Conner Singh VanderBeek

Davidson College

Space, Spirits, and Sound

Ahkeel Andres Mestayer Velasquez

UC Berkeley

"My Body is a Cage": Genre and Embodiment in Heavy Music

Paige Carter Dailey

University of Michigan

Secularizing Social Identity Through Performing Khayyami

Hamidreza Fallahi

University of Texas at Austin,

Transportive Sensations: Historicity, Aura, and Embodiment in Sikh Musical Worship

Inderjit N Kaur

University of Michigan, Ann arbor

Cuban Lion Dancing: Embodying Alternative Cubanness

Edwin Porras

Haverford College

Latin American Musical Experimentalisms in Public Space

Chair(s): Andrew Snyder (Universidade Nova de Lisboa)

Presentations in the Session

The Revolution Will Be Sonified: Juan Blanco’s Utopic Soundscapes in Revolutionary Cuba

Marysol Quevedo (University of Miami)

An Experimental Carnival: Material Engagements with Space and Sound in São Paulo, Brazil

James McNally (University of Illinois Chicago)

Our Ship Drum Earth: Decolonial Musicking in Ernesto Neto’s Percussion Installation in Lisbon

Andrew Snyder (Universidade Nova de Lisboa)

Music and the Commons: The Lost Resources and Infrastructures

Chair(s): Ana Hofman (Slovenian Academy of Sciences and Arts), Ioanida Costache (Stanford University)

Discussant(s): Eric Drott (University of Texas at Austin)

Presentations in the Session

Resonances of the Commons: The Yugoslav Railway and the Infrastructures of Collective Music-Making

Ana Hofman (Slovenian Academy of Sciences and Arts)

The Romani Commons: Extraction and Transformation

Ioanida Costache (Stanford University)

Leisure Legibility, Bad Faith and Ecologies of Musical Expertise: Contesting the Commons

Ruard William Absaroka (University of Salzburg)

Discussion

Eric Drott (UT Austin)

Reframing the Utility of Nostalgia in Gay Chorus Singers’ Recollections of Painful Pasts

Kevin C Schattenkirk

Longwood University

Trans and Queer Religious Expression in Brazil: Music, Mission work, and Queer-Indigenous Temporalities

Cahlia A. Plett

University of California Riverside,

“I Ain’t Livin’ Life My Mama’s Way”: Reframing Nostalgia in Bluegrass through Queer Songwriting

Emily Williams Roberts

University of Chicago

The Songs of Cicadas: The Dong People’s Diverse Imaginaries of Cicadas in Dong Music

Jerry Hu

Hong Kong

Listening to the Bees: Enhancing the Sound-Based Language of Apiology

Adriana Helbig

University of Pittsburgh

Atmospheric Sovereignty: Reclaiming Multi-Species Relations in Hawai‘i Exotica

Jade Conlee

University of Virginia

The Human Scale As Ethnomusicological Template

David W Samuels

New York University

The Las Cruces International Mariachi Conference: Redefining Performance Hierarchies on the Student Showcase Stage

Melissa Michelle Rios

University of New Mexico

From Salon to Stage: The All Bengal Music Conference and the Public Life of Hindustani Music

Pramantha Mohon Tagore

University of Chicago

Singing in Times of Crisis: Collective Singing, Social Trust, and Cultural Resilience in the Scandinavian and Baltic Regions

Lea Wierød Borčak, Katrine Frøkjær Baunvig

Aarhus University

Transnational Perspectives in Música Urbana: Music Production, Style Hybridy, and Cultural Resonance in Contemporary Reggaetón and Reparto

Chair(s): Kaleb Goldschmitt (Wellesley College)

Presentations in the Session

“Estos son los códigos”: Musical Creation and Sonic Value in Producing Reggaeton

Jorge Luis Mercado-Méndez (University of Illinois at Urbana-Champaign)

“Va a tener que cantar reparto”: Money, Community, the Clave, and the Tresillo

Mike Levine (Christopher Newport University)

Everything Comes From La Mata: Musical Genealogies and Creation in Chilean Reggaetón

Ana María Díaz-Pinto (University of California, Davis)

Bad Bunny, Yonaguni, and Japón: Japanese Perceptions of Latin American Popular Music

Kelsey Milian-Lopez (City University of New York)

Discourses of Improvisation and Musical Essence in Korean Music: 21^st Century Perspectives

R.. Anderson Sutton

University of Hawaii at Manoa,

Makwa: Rhythm and Improvisation in Zimbabwean Handclapping

Jennifer W Kyker

University of Rochester

Unity in Diversity: Regional Identity in Improvised Variations in North Balinese Sekatian

Oscar Smith

University of British Columbia

Jazz and coloniality in the Netherlands

Chair(s): Floris Schuiling (Utrecht University,)

Presentations in the Session

Postcolonial Melancholia and the Sonic Golden Age: White Supremacist Nation-Building in the Netherlands

Thomas Overdijk (Utrecht University)

Whiteness and free improvisation in the Netherlands c. 1970

Floris Schuiling (Utrecht University)

Formal Dutch jazz education and the colonial politics of power

Loes Rusch (Utrecht University)

Menjadi perantau: delayed diaspora and indigeneity in Maluku-Dutch improvised music

Reïnda Hullij (Utrecht University)

“All My Music is Based off My Home Games:”Musical Literacy and Public Play in Tabletop Role-Playing Game Fan Conventions

Andrew James Borecky

University of North Carolina at Chapel Hill

Transnationalism and South-South Connections in Mobile, Alabama’s Carnival

Emily Ruth Allen

University of South Carolina

“At the End of the Street”: The Marching Band as a Sonic Marker of U.S. American Identity

Anna Marinela Lopez

University of Texas at Austin