Conference Agenda
The Online Program of events for the SEM 2025 Annual Meeting appears below. This program is subject to change. The final program will be published in early October.
Use the search bar to search by name or title of paper/session. Note that this search bar does not search by keyword.
Click on the session name for a detailed view (with participant names and abstracts).
Please note that all times are shown in the time zone of the conference. The current conference time is: 26th Aug 2025, 07:07:52pm EDT
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Session Overview |
| Date: Sunday, 26/Oct/2025 | ||||
| 7:00am - 9:00am |
Council Breakfast Location: L-504 |
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| 8:00am - 9:00am |
Conference Registration Location: Imperial Registration |
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| 8:00am - 12:30pm |
SEM Board Location: President's Suite Closed Meeting |
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| 8:30am - 10:30am |
11A: Traditional Transformations Location: M-101 Presenter: Jacob Sunshine, Rhodes College Presenter: John C Walsh, University of Wisconsin, Madison Presenter: Abraham Landa, University of Oregon The Rise and Fall of the Azmaribet: Traditional Music Venues as Urban Form in Addis Ababa, Ethiopia University of Wisconsin, Madison, Fluidity in Tradition: Gender and the Chilena in Costa Chica University of Oregon, Shifting Sounds of Yemen in Ofra Haza's music Brandeis University The Dombra and Minority: Making Fusion Music in Lijiang the Chinese University of Hong Kong |
11B: Sounding the Environment Location: M-102 Presenter: Daniel Benson Sharp, Tulane University Presenter: Haiqiong Deng, Florida State University Presenter: Eric Sunu Doe, University of Ghana Presenter: Elizabeth Frickey Musical Responses to the Flooded Ruins of a Brazilian Hydroelectric Project Tulane University, Sounding Nature: An Ecomusicological Perspective on Ancient Chinese Guqin Music Florida State University Nsadwase Music Festival: A Context for Nurting Tradition and Safeguarding the Environment University of Ghana, Sounding the “Ecological City”: Politics of Audibility in the Urban Garden New York University |
11C: Drumming Across Cultures Location: M-103 Presenter: Tim Murray, University of Florida Presenter: Andrew Aprile, City College of New York, CUNY Presenter: Michelle Anne Rudder, University of Leeds Presenter: Eve A. Ma, Palomino Productions Inuit Drum Dancing and the Unfolding Taskscape University of Florida, Weave Notation: Visualizing Kadodo with a Color-Coded Metric Matrix City College of New York, CUNY The African Influence in Panorama Steelband Music: Illustrated in the Panorama Music of Leon “Smooth” Edwards composer-arranger for the Trinidad All Stars steelband. University of Leeds, Leeds, England From Box to Cajón: Peta's Heritage Palomino Productions, |
11D: Interrogating Gender and Identity Location: M-104/105 Presenter: Christopher Andrew Hodges Presenter: Susan Gary Walters, SIL Global/ Dallas International University Presenter: Daniel Party, Pontificia Universidad Católica de Chile Sing Music, Experience Change: New England Sacred Harp as a realization of political ideology Boston University Mapping the Functions of Local Song Genres: A Global Analysis Using the Song Genre Dataset SIL Global/ Dallas International University, Latinidad and the Billboard Hot Latin Songs Chart (1986-2024) Pontificia Universidad Católica de Chile The Warrior Songstress: Transcendent Listening Aesthetics, Memory, and Music Making for Black Women in the Central Valley of California University of California, Merced |
| 11E: In the Classroom Location: M-106/107 Presenter: Sumeet Anand Presenter: Robin P. Harris, Dallas International University Presenter: Rubens De La Corte Presenter: Scott Spencer, University of Southern California Hindustani classical music and evolving hybrid pedagogy: Experential recounting and implications for learning and practise Visiting Associate Professor Department of Ethnomusicology Herb Alpert School of Music UCLA Integrating Analysis, Embodiment, and Ethnography: A Participatory Approach to Teaching Ethnoarts Dallas International University, Reimagining Lutherie Education in Argentina and Brazil: Towards Inclusive, Collective, and Sustainable Frameworks Graduate Center-CUNY Digital Humanities in the World Music Classroom: Fostering Peer-Built Diversity and Inclusivity University of Southern California, Thornton School of Music |
11F: Exchanges and Transactions Location: M-109 Presenter: Jameson Foster Presenter: Felix Morgenstern, University of Vienna Presenter: Upatyaka Dutta, University of Toronto Presenter: Holly Riley, Middle Tennessee State University Down in the River to Pray: Animist Exchange in Nordic Fiddling University of Colorado Boulder Intercultural Transactions: Irish Traditional Music, Nationalism, and Nostalgia in Germany University of Vienna Acoustemologies of Labor: Sound, Music, and Survival in the Workplaces of Adivasi Tea Tribes on Assam's Tea Plantations University of Toronto Broadway’s Bars and Stars: Celebrity Capitalism and Brand Identity in Country Music Middle Tennessee State University, |
11G: Noise and Silence Location: M-301 Presenter: Tyler Jordan Presenter: Christopher Copley Presenter: Yu Hsuan Liao, Duke University Presenter: Hannah Marie Junco, University of Pennsylvania Unsilenced Bodies: Trauma in Queer Noise Music Duke University “The Sound of a Positive Dollar:” The Chicago Bucket Boys and Contestations of Public Spaces Within Chicago’s Street Music Noise Ordinance Debates New York University Silencing the Nature: The Aesthetic-moralism and Westernization beyond the mountainous Silence Trail in Taiwan Ethnomusicology, Department of Music, Duke University “Loud and Unnecessary Noise": Drum Circles in Miami Beach as a Space of Socio-Political Dissensus University of Pennsylvania, |
11H: Singing and Spirituality Location: M-302 Presenter: Ben Griffin, University of Cincinnati College-Conservatory of Music Presenter: Golam Rabbani, Toronto Metropolitan University Presenter: Hicham Chami, Yale University Presenter: Timothy Mangin, Boston College Bondye fè l: Singing Resilience in Central Ohio’s Haitian Protestant Churches University of Cincinnati College-Conservatory of Music Spiritual Resonances of Maizbhandari Songs: Eco-Centrism, Adivasi Rights, and Resistance in the Chittagong Hill Tracts of Bangladesh Toronto Metropolitan University Singing the Walī: Moulay Abdeslam, Resonant Reverence, and the Poetics of Devotion Yale University, “Echoes of Devotion: Sonic Sufism, Senegalese Pop, and the Afrodiaspora” Boston College |
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| 11I: Jazz and coloniality in the Netherlands Location: M-303 Chair: Floris Schuiling, Utrecht University Jazz and coloniality in the Netherlands Presentations in the Session Postcolonial Melancholia and the Sonic Golden Age: White Supremacist Nation-Building in the Netherlands Whiteness and free improvisation in the Netherlands c. 1970 Formal Dutch jazz education and the colonial politics of power Menjadi perantau: delayed diaspora and indigeneity in Maluku-Dutch improvised music |
11J: Sounding Black Musical Histories Location: M-304 Presenter: Andre Jamal Cardine, Indiana University Bloomington Presenter: Krystal Klingenberg Presenter: Benjamin P. Skoronski, Cornell University Presenter: Stefan Fiol, University of Cincinnati Title: Internal/External Sustainability Practices: Toward a Critical Fusion Development (CFD) in Arts Based Education Indiana University Bloomington Collected: Creating a Museum Black History Podcast Smithsonian - National Museum of American History Thomas W. Talley's Harlem Renaissance Musicology Cornell University Researching Sonic Gentrification as a Catalyst for Ethical Engagement and Service Learning University of Cincinnati |
11K: Music and Political Climates Location: L-506/507 From Counter-Publics to Citizens: Understanding Folklorization through the Burrakatha University of Pennsylvania Turkey’s Paradoxical Sounds of Complicity—Or, the Logic of Populist Culture UC Berkeley Campaign Songs as Musical Manifestos in Ghanaian Electoral Politics Loyola Marymount University, A Relational Paradigm for Political Geographies of Belonging George Mason University |
11L: Bridging Musical Pasts and Futures Location: L-508 The Sampling of Brazilian Music in Hip-Hop: Material and Historical Networks CUNY Graduate Center Echoes of what might have been: hearing speculative futurity in KOZO's Tokyo Metabolist Syndrome Johns Hopkins University Musical Journey Of Azerbaijani Mugham Brooklyn,NY |
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| 10:45am - 12:15pm |
12A: Religiosity and/as Celebration Location: M-101 Presenter: Uri Schreter Presenter: Matthew Williams, University of York “As Natural to Me as Breathing”: Wedding Music and Jewish Identity in Postwar New York City Harvard University Gospel, the Monarchy, and the Politics of Representation in British Popular Culture University of York The Return of the Prayer: Navigating Identity through Cantonese Contemporary Christian Music in Postcolonial Hong Kong The Chinese University of Hong Kong, Hong Kong |
12B: From Marginalization to Empowerment Location: M-102 Presenter: Yuxin Mei Presenter: Fernando Rios, University of Maryland Presenter: MingLei Niu, Xi'an Conservatory of Music From Courtesans to Clickbait: Gender, Power, and the Persistent Marginalization of Women in China’s Pipa Tradition University of North Texas “Mujer Sandinista” (“Sandinista Woman”): The Nueva Canción Band Sabiá and the Intersections between the US-Central America Solidarity and Feminist/Women’s Movements University of Maryland Empowering Women Through Song: Analyzing Music and Gender Expression in Chinese Coal Mining Communities Amid Social Transformation Xi'an Conservatory of Music, |
12C: Embodied Knowledge Location: M-103 Presenter: Gus Dalan Holley, UC Berkeley Presenter: James Gabrillo Presenter: Erika Jean Soveranes, University of North Texas Heterokinesis as Embodied Knowledge Production: China’s New Music Historiographies University of California Berkeley Embodied Listening, Sonic Mediation, and Ivo Van Hove’s Theatrical Liveness University of Texas at Austin Tradición al Talón: Mariachi, Identity and Embodying Tradition Through Musical Work University of North Texas, |
12D: Asian Metal Scenes Location: M-104/105 Presenter: Luigi Monteanni, SOAS, University of London Presenter: Qian Sun, University of Florida Presenter: Mark Hsiang-Yu Feng Gangsters And Kings: Sundanese Indigeneity And Cosmopolitanism In The Bandung Death Metal Scene SOAS, University of London, Zuriaake’s “Li Gui”: Abjection, Gender, and Horror Aesthetics in Chinese Black Metal University of Florida, Global Metal, Local Struggles: White Supremacy and Internalized Orientalism in Taiwanese Metal University of California, Davis |
| 12E: Listening to Visual Cultures Location: M-106/107 Presenter: Melanie Kaye Moseley, University of Pittsburgh Presenter: Kevin Salfen, University of the Incarnate word Presenter: Hao Yang, City University of New York, The Graduate Center Statutory Rape and R&B: How a Documentary Influenced the Conviction of R. Kelly University of Pittsburgh "Phoenix Fire": From Shinsaku Noh to Film University of the Incarnate Word |
12F: Voices in Context Location: M-109 Presenter: Hansini Bhasker, Wesleyan University Presenter: Cheuk Ling Yu, University of California San Diego Presenter: Jiyoon Auo, University of Pittsburgh Class(ical) Voice: Evolution and Association of Operatic Vibrato in American Pop Culture Wesleyan University Male Voices for Female Fans: A Paradox of Women’s Liberation in Contemporary Japanese Anime Franchises University of California San Diego Listening for Vocal Agency: T’ŭrot’ŭ, Enka, and Yi Nanyŏng’s Negotiation of Colonial Voice University of Pittsburgh, |
12G: International Student Network Discussion Location: M-301 |
12H: Being, Breathing, and Aliveness: Transforming Shared Space through Movement Location: M-302 Being, Breathing, and Aliveness: Transforming Shared Space through Movement Presentations in the Session Feather’s Breath, Spirit’s Mouth: Phono-choreography at the Chefoo School for the Deaf The Politics of Audibility and Visibility in Basque Plaza Dances Black Aliveness – A Drummer’s Take: Black Nationalist Music, Black Music Criticism, Black Worlding, 1965-1969 |
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| 12I: Games, Play, and Festivals Location: M-303 “All My Music is Based off My Home Games:”Musical Literacy and Public Play in Tabletop Role-Playing Game Fan Conventions University of North Carolina at Chapel Hill Transnationalism and South-South Connections in Mobile, Alabama’s Carnival University of South Carolina |
12J: Music and Mysticism Location: M-304 Chair: Subash Giri Presenter: SHAHWAR KIBRIA MAQHFI, UCLA Music and Mysticism Presentations in the Session Indo-Islamic Music in South Asia: Local and Hyperlocal contexts of performance The Yoga of Sound: Mediating and Marketing a Unifying Spiritual Framework through Global Networks Hearing tiqqun: Kabbalistic Music and the Rectification of the World |
12K: Identity and Preservation Location: L-506/507 Open Online Communities as a Mediation Between Musical Culture and Sustainability: A Case Study of Maame Ode. University of Florida, Performing the Kyrgyz Epic Manas in Contemporary Times: An Endeavor to Preserve the Oral Tradition Wesleyan University Resonance in Exile: Young Afghan Musicians, Diasporic Identity, and Cultural Preservation in the United States Independent Scholar, New Haven |
12L: Media and Music Location: L-508 Presenter: Panayotis League Presenter: Kieran Casey, Peabody Institute at Johns Hopkins University #winning: Folk Dance Competitions and Mediated Authenticity in Greek America Florida State University The Magic of Musubi: Shintoism in the Soundtrack of Makoto Shinkai’s Your Name Peabody Institute at Johns Hopkins University, I’m Walkin’ Here!: Experiencing New York City’s Punk Scene through Bootleg Cassette Tapes 1: Cornell University; 2: Syracuse University |
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