Conference Agenda
The Online Program of events for the SEM 2025 Annual Meeting appears below. This program is subject to change. The final program will be published in early October.
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Click on the session name for a detailed view (with participant names and abstracts).
Please note that all times are shown in the time zone of the conference. The current conference time is: 7th Dec 2025, 10:49:55pm EST
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Session Overview |
| Date: Friday, 24/Oct/2025 | ||||
| 7:30am - 5:00pm |
Conference Registration Location: Imperial Registration |
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| 8:00am - 6:00pm |
Exhibits Location: Imperial Ballroom A |
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| 8:30am - 10:30am |
05A: Academic Freedom Roundtable Location: M-301 Sponsored by the SEM Board |
05B: Participatory Sacred Harp Singing and Discussion on Editing The Sacred Harp: 2025 Edition Location: M-302 Chair: Jesse P. Karlsberg, Emory University Participatory Sacred Harp Singing and Discussion on Editing The Sacred Harp: 2025 Edition Presentations in the Session N/A N/A N/A |
05C: Historical Soundscapes II Location: M-303 Presenter: Ziwen Zhang Presenter: Paul David Flood, Eastman School of Music Presenter: Maeve Carey-Kozlark, New York University Thirteen Hundred Years in a Glance: Hani Harvest Song during the Kuzaza Festival University of Iowa 9:00am - 9:30am Music, our Empire: The Skopje 2014 Project and the Politicization of Roma Eastman School of Music 9:30am - 10:00am From Berlin to Teelin: Principles of WWII Radio Propaganda in Ireland New York University 10:00am - 10:30am WE ARE NOT AFRAID: Music and Resistance in Apartheid Prisons University of Connecticut, |
05D: AI and Ownership Location: M-304 Presenter: David G. Hebert, Western Norway University of Applied Sciences Presenter: Matthew Day Blackmar, UCLA Presenter: Darci Sprengel Presenter: Katherine Moira Miner, Boston University AI vs. IP: Who Owns the World’s Music Today? Western Norway University of Applied Sciences, Bergen 9:00am - 9:30am What Madonna and Kraftwerk Can Teach Us about Music Copyright after The "AI Turn" UCLA 9:30am - 10:00am Can AI in the Music Industry Be Decolonised?: Notes from the Arabic Music Industry King's College London, United Kingdom 10:00am - 10:30am Performing the Human: Artificial intelligence and popular music Boston University |
| 05E: Rethinking the Field in African Music Studies Location: M-101 Chair: Althea SullyCole, Schulich School of Music, McGill University Rethinking the Field in African Music Studies Presentations in the Session Gifts From Nature: Akan Episteme, Palmwine Music and Galamsey in the Anthropocene The Business of Culture: Contemporary Field Sites and African Popular Music Colonial Postcard Archives and Reimagining Music Fieldwork in Eritrea Fesfop and the Social Life of Material Cultural Heritage in Senegal |
05F: Cosmopolitan Creativity in the Southern Balkans: Three Contemporary Responses to Folk Music Institutions Location: M-102 Chair: Donna A Buchanan, University of Illinois Urbana-Champaign Cosmopolitan Creativity in the Southern Balkans: Three Contemporary Responses to Folk Music Institutions Presentations in the Session Parakalamos Blues vs. Pogonisio Jazz: Musical Creativity and Positionality Among Two Epirote Musicians Mediterraneanist and Balkanist Cosmopolitan Visions at Greek Summer Music Seminars: Two Case Studies in Pedagogy and Performance “A Crisis of Ideas”: Institutional Decay, Creative Stasis, and Musical Identity in Contemporary Bulgarian Folk Music |
05G: Queer Worldmaking Location: M-103 Presenter: Charles Hudson Moss, Mercer University Presenter: Dominika Moravcikova, Institute of Musicology, Faculty of Arts, Charles University Presenter: Sarah Cooper Presenter: Brandon Lane Foskett Anglo-Catholicism in Atlanta: Musicking Queerness and Neurodivergence in Liturgy Mercer University 9:00am - 9:30am Land of the Rat Kings: Queerness, Romaniness, and Popular Music in the Slovak Periphery Institute of Musicology, Faculty of Arts, Charles University, 9:30am - 10:00am Sounding Transness: ‘Spliced Collage’ and the Co-Creation of Trans and Queer Storyworlds in Drag Performance University of Bristol 10:00am - 10:30am Hill Country Gay Boy: Topophilia, Queer Embodiment, and Myself in the Music of Sufjan Stevens University of Texas at Austin |
05H: International Rap and Hip Hop Location: M-104/105 Presenter: Shiva Ramkumar Presenter: Julia Catherine Santoli, CUNY Graduate Center Presenter: Qifang Hu, University of Texas at Austin Presenter: Susan Ashley Jacob, University of Hawaiʻi at Mānoa Rhyme and Flow in Tamil Rap Harvard University 9:00am - 9:30am Configuring Gender through Hip Hop: Subôi CUNY Graduate Center, 9:30am - 10:00am From Shima-uta to Hip-Hop: Okinawan Popular Music and the Global Echoes of Black Musical Resistance University of Texas at Austin 10:00am - 10:30am “Honour Your Mother and Father, Ya Bastards”: the New Masculinity in Aotearoa New Zealand Hip Hop University of Hawaiʻi at Mānoa, |
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| 05I: Music and the Commons: The Lost Resources and Infrastructures Location: M-106/107 Chair: Ioanida Costache Music and the Commons: The Lost Resources and Infrastructures Presentations in the Session Resonances of the Commons: The Yugoslav Railway and the Infrastructures of Collective Music-Making The Romani Commons: Extraction and Transformation Leisure Legibility, Bad Faith and Ecologies of Musical Expertise: Contesting the Commons Discussion |
05J: Operatic Horizons Location: M-109 Presenter: Alberto Varon, Indiana University Presenter: Matthew Antony Haywood, Macau University of Science and Technology Presenter: Meghan Hynson, University of San Diego Presenter: Xi Lu, UNIVERSITY OF FLORIDA Contemporary Latinx Immersive Opera Indiana University 9:00am - 9:30am The Subtle Role of Cantonese Opera in Rethinking Hongkonger Identity Macau University of Science and Technology 9:30am - 10:00am “Mediating Gender Beyond the Arja Stage: Comedic Cross-dressing and the Contemporary Balinese Liku” 1: University of San Diego,; 2: Institut Seni Indonesia, Denpasar 10:00am - 10:30am “Three Pre-dawn Scenes” ( “Choumo Yinchu” ), a Peking Drum Song: A Case Study of Formulaic Composition in Chinese Music UNIVERSITY OF FLORIDA |
05K: Encounters in Sound Studies Location: L-506/507 Presenter: J.A. Strub, University of Texas at Austin Presenter: Sara Fazeli Masayeh, University of Florida Presenter: Hani Ahmed Zewail, University of California Santa Barbara Why They Pressed Record: Musical Field Documentation in the Huasteca Region of Mexico University of Texas at Austin, 9:00am - 9:30am Invisible Sonic Agency of Ethnographic Photos in the Study of Protest Soundscapes University of Florida, 9:30am - 10:00am Islam, Grief, and Beauty: The Temporal Aporia of Grief in its Aesthetic and Temporal Dimension. University of California Santa Barbara, 10:00am - 10:30am Reclaiming the Voice: The Naxi Metal Fusion of Five Penalties and the Sonic Subversion of "Authentic" World Music No.2 High School of East China Normal University |
05L: Writing Jazz Encounters: Questions of archives, affect, and transculturation Location: L-508 Chair: Kari Lindquist Writing Jazz Encounters: Questions of archives, affect, and transculturation Presentations in the Session When Outsiders Become Insiders: Riffs in the Creole of Color Community at the Birth of Jazz Women College Musicians Take on the World: Gender in Cold War Jazz Diplomacy and Collegiate Jazz Programs The Angry Man of Jazz: Jazz, Coolness, and the Cultural Politics of Emotion “We’re Freaks like You”: Lester Bowie’s Sojourns in Poland (1994–1997) |
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| 10:45am - 12:15pm |
06A: President's Roundtable (Board) Location: M-301 |
06B: Engaging Citizenship through Musical Communities: Three Different Approaches in Puerto Rican Music Location: M-302 Chair: Juan Eduardo Wolf, University of Oregon Engaging Citizenship through Musical Communities: Three Different Approaches in Puerto Rican Music Presentations in the Session Los Pleneros de la 23 Abajo: Music, Community and Resistance Reimagining the Taino Past: Music, Indigeneity, and Colonialism in Puerto Rico Building a Local Community in the Homeland through Diasporic Experiences: the case of bomba mayagüezana |
06D: Transgressive Terrains Location: M-304 Presenter: Kristen Leigh Graves Presenter: Polina Dessiatnitchenko Presenter: Conny Zhao “Así Chiflamos”: Whistling Cadences in the Oaxaca City Garbage Dump Universiy of Toronto 11:15am - 11:45am “We All Suffered as One Nation”: Nagorno-Karabakh War, Voice, and Martyrdom Waseda University 11:45am - 12:15pm Negotiating Geo-Cultural Identity Through Contemporary Urtyn Duu Across Mongolia and China: A Tale of Two Singers NYC, NY |
06E: Digital Sounds in Communities Location: M-101 Presenter: Ashley Ann Greathouse, University of Cincinnati & Marshall University Presenter: ZIXUAN WANG, UT Austin Ready Player Two: Embodiment and Social Play in Multiplayer Virtual/Augmented Reality Rhythm/Dance Games University of South Carolina 11:15am - 11:45am Collective Musicking in the Digital Age: Participation, AI-Singing, and Virtual Community on Bilibili UT Austin, 11:45am - 12:15pm THERE ARE NO DWELLERS, ONLY BUYERS: GENTRIFICATION, TOURISTIFICATION, AND THE URBAN AURAL SPHERE IN MEDELLIN, COLOMBIA. University of Houston, Moores School of Music |
| 06F: Border(lands) Location: M-102 Presenter: Gavin Douglas, University of North Carolina-Greensboro Presenter: Jesse Aaron Freedman, University of Rochester - Eastman School of Music On the Borders of ‘Music’: A Freshman Music Ontology University of North Carolina at Greensboro, 11:15am - 11:45am Sounding Across and Against Borders at the East German Festival of Political Songs in the Global Cold War University of Rochester - Eastman School of Music 11:45am - 12:15pm Art and Desolation: The Practice of Art in Tbilisi's War-Initiated Communities Dallas International University |
06H: Pop Protests Location: M-104/105 Presenter: Andrew Vogel, University of Florida Presenter: Saman Montaseri, UCLA Presenter: Cody Black, Vanderbilt University Somos Mexicanos, No Somos Criminales: Sounding Resistance Through Chican@ Ska University of Florida, 11:15am - 11:45am Islamic Disco: Protest and Cultural Remix in Iran University of California, Los Angeles 11:45am - 12:15pm Playlisting the City: “City Pop,” Alienated Listening, and the Aural Politics of Belonging in Postcolonial South Korea Vanderbilt University |
06I: Queer Temporalities Location: M-106/107 Presenter: Kevin C Schattenkirk Presenter: Cahlia A. Plett, University of California Riverside Presenter: Emily Williams Roberts Reframing the Utility of Nostalgia in Gay Chorus Singers’ Recollections of Painful Pasts Longwood University 11:15am - 11:45am Trans and Queer Religious Expression in Brazil: Music, Mission work, and Queer-Indigenous Temporalities University of California Riverside, 11:45am - 12:15pm “I Ain’t Livin’ Life My Mama’s Way”: Reframing Nostalgia in Bluegrass through Queer Songwriting University of Chicago |
06J: Community, Collaboration, and Cohesion Location: M-109 Presenter: Subash Giri Presenter: Victoria Marie Sigur, University of Florida Community Collaborative Participatory Musicking: A Tool for Fostering Community Empowerment, Community Well-Being, and Cultural Sustainability N/A 11:15am - 11:45am Learning to Arrive: Reimagining Ethnomusicology through Community-Driven Documentation University of Washington, |
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| 06K: Black Keywords In Sound Location: L-506/507 Chair: april lashan graham-jackson, University of Chicago Black Keywords In Sound Presentations in the Session Sampling With Critical Intention From Root to Route: Scaling Black Sonic Life Across Black Chicagoland Timbral Tidepools and Tales of The Tidewater Trio |
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| 11:15am - 12:00pm |
Rose Library Tour Location: Robert W. Woodruff Library |
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| 12:30pm - 1:30pm |
Anatolian Ecumene SIG Location: M-109 |
Association for Korean Music Research Location: M-102 |
Deafness and Disability Studies SIG Location: M-101 |
Education Section Keynote Location: M-104/105 |
| Gender and Sexualities Studies Section Open Meeting Location: M-302 |
Journal Editorial Board Location: L-504 |
SIG for Economic Ethnomusicology Location: M-303 |
SIG for Jazz Location: M-103 |
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| SIG for Musics in and of Europe Location: M-106/107 |
Society for Arab Music Research Meeting Location: M-301 |
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| 12:30pm - 2:30pm |
Council Lunch Location: L-503 |
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| 1:45pm - 3:45pm |
07A: The “Halfie’s” Mental Health: Recentering International Students in the US American Ethnomusicology Location: M-301 Chair: Chun-Chia Tai Presenter: Ana Maria Diaz Pinto, University of California Diaz Presenter: Diandian Zeng, University of California, Santa Barbara Presenter: Chun-Chia Tai Presenter: Mark Hsiang-Yu Feng Sponsored by the International Student Network for Music and Sound Studies and the SEM Board |
07B: Sound and Sociality in Modern Markets: Three Perspectives on Music and Commoditization Location: M-302 Chair: Duncan Reehl, Harvard University Sound and Sociality in Modern Markets: Three Perspectives on Music and Commoditization Presentations in the Session Sounding Japanese Buddhism in the Attention Economy and Spiritual Marketplace Strumming Against Capital: Decommoditizing Son Jarocho through Radical Collectivities Domesticating Cuban Contradanza: Music, Social Reproduction, and the Value Form |
07C: Reassessing the Musical Legacy of the Ottoman Empire Location: M-303 Chair: Ahmet Erdogdular Reassessing the Musical Legacy of the Ottoman Empire Presentations in the Session Evliya Çelebi’s Seyahatnâme and Ottoman Music Theory: Mythmaking and Textual Ethnography Virtuosity as Resistance: Yorgo Bacanos and the Cosmopolitan Legacy of Ottoman Music Gazel: Rupture and Continuity in Vocal Improvisation in Ottoman Turkish Classical Music Discussion |
07D: Sounding Activism and Resistance Location: M-304 Chair: Luis Ricardo Queiroz, Federal University of Paraiba Presenter: Kim Kattari Presenter: Tadhg Ó Meachair Presenter: Tomal M Hossain Activism and social awareness in afro-Brazilian music: Antiracist performances in Northeastern Brazil Federal University of Paraiba, 2:15pm - 2:45pm Musical Micro-Resistances: Late-Night Sessions at the Irish Music Festival Afterparty Indiana University Bloomington 2:45pm - 3:15pm Raving in Ukraine: A Restoration Effort Texas A&M University 3:15pm - 3:45pm The Ballad of Janek Wiśniewski: For Bread and Freedom and a New Poland Smithsonian Institution |
| 07E: An Insistent Call and Response: Exploring the work and legacy of Dr. Bernice Johnson Reagon Location: M-101 Chair: Dwandalyn Reece, Smithsonian, Natl Mus of African American Hist & Culture An Insistent Call and Response: Exploring the work and legacy of Dr. Bernice Johnson Reagon Presentations in the Session N/A |
07F: Hearing Heritage Location: M-102 Presenter: Stephanie George, CUNY Graduate Center Presenter: yang Yao Presenter: Sunhong Kim Presenter: Sara Hopkins, Western Carolina University Listening for India:The Sonic Politics of Hindu Heritage in Indo-Caribbean ‘Madrasi Religion’ CUNY Graduate Center 2:15pm - 2:45pm Reviving Xiansuo Beikao: Historicity, Temporality, and the Construction of Social Strata The Chinese University of Hong Kong 2:45pm - 3:15pm Seoulizing Provincial Sound: Purification, Standardization, and Cultivation in the Aesthetic Practice of the State-driven Korean Folk Instrumental Ensemble University of Michigan 3:15pm - 3:45pm Demonstration Performance by Uweti Tsalagi Dininogisgi, the Cherokee Language Repertory Choir Western Carolina University |
07G: Asian/American Women in Performance: Trauma, Erasure, and Resilience Location: M-103 Chair: Shelley Zhang, Rutgers University Asian/American Women in Performance: Trauma, Erasure, and Resilience Presentations in the Session Asiatic Femininity and the “Yellow Woman” in Western Classical Music Beyond Release are we ready? No Voice |
07H: Film as Ethnography: Reflections from Colombia’s Sibundoy Valley, Hurricane-Ravaged North Carolina, and Bloomington, Indiana Location: M-104/105 Chair: Rebecca Dirksen, Indiana University Film as Ethnography: Reflections from Colombia’s Sibundoy Valley, Hurricane-Ravaged North Carolina, and Bloomington, Indiana Presentations in the Session Tabanok (Re)Building: Crafting Relief for Victims of Hurricane Helene How I Hear the Blues: The Oral & Aural Narrative of Black America Walk Over Here: Walkover Sounds and Stones and the People Who Love It (Part 1) |
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| 07I: Non-Human and More Than Human Connections Location: M-106/107 Presenter: Jerry Hu Presenter: Adriana Helbig Presenter: Jade Conlee Presenter: David W Samuels, New York University The Songs of Cicadas: The Dong People’s Diverse Imaginaries of Cicadas in Dong Music Hong Kong 2:15pm - 2:45pm Listening to the Bees: Enhancing the Sound-Based Language of Apiology University of Pittsburgh 2:45pm - 3:15pm Atmospheric Sovereignty: Reclaiming Multi-Species Relations in Hawai‘i Exotica University of Virginia 3:15pm - 3:45pm The Human Scale As Ethnomusicological Template New York University |
07J: Yogic Traditions and Sacred Sound Practices in the U.S. Location: M-109 Chair: Brita Renée Heimarck, Boston University Yogic Traditions and Sacred Sound Practices in the U.S. Presentations in the Session Yoga, Sacred Sound, and Indian Music in the North American Context Archaeologies of Sacred Sound: Exploring the Sound Body of God Contemporary Musical Expressions of Bhakti: The Kirtan Rabbi and the Changing Kirtan Culture of Los Angeles Discussion |
07K: Unsettling Settler Colonial Sonic Spaces Location: L-506/507 Chair: Maxwell Hiroshi Yamane, University of Oklahoma Unsettling Settler Colonial Sonic Spaces Presentations in the Session Sonic Erasure in Idaho: The Land and Its People Sounding Indigenous Resurgence in Nacotchtank: Unsettling Settler Colonial Sonic Spaces in the U.S. Capital Sonic Sovereignty and the Tactile Body: Contemporary Indigenous Storytelling Discussion |
07L: Juntas Llorando: Radical Empathy, Collective Mourning, and Singing Grief Across Fronteras in América Latina Location: L-508 Chair: Hannah Snavely Juntas Llorando: Radical Empathy, Collective Mourning, and Singing Grief Across Fronteras in América Latina Presentations in the Session Towards an Attentive Ethnomusicology: Affective Relationships and Griefwork in the Field Cántame la canción de la Mariquita: Performing and Embodying Grief, Homeland, and Immigrant Womanhood in UndocuAmerica’s SALSA Lotería The Song Above, the Sorrow Below: Musical Expression of Loss and Grief-Singing in Animal Fertility Ritual, Q’eros, Peru ReSounding the Lost Apple: Operation Pedro Pan and Communicating Grief Through Performance |
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| 4:00pm - 5:30pm |
08A: BFE Rountable: Who Can Be An Ethnomusicologist? Location: M-301 Sponsored by the British Forum for Ethnomusicology and the SEM Board |
08B: Divergent Listening Location: M-302 Presenter: Janice Protopapas Presenter: Nalini Ghuman Presenter: Winnie W. C. Lai Infusing the Khushboo in Diaspora: Exploring the musical soundscape of the Namdhari child in the UK Punjabi University, Patiala, India 4:30pm - 5:00pm Relics of Freedom: Resounding Hong Kong’s Muted Voices in Transnational Protests Dartmouth College |
08C: Soundscapes of Sports Location: M-303 Presenter: Luis Achondo Presenter: Sarah Politz Presenter: Eduardo Herrera, Indiana University The Sounds of Aguante: Necropolitics, Acoustemology, and Soccer Fandom in Chile Memorial University 4:30pm - 5:00pm Aya Nakamura, Language Ideology, and Francophone Afrobeats at the 2024 Paris Summer Olympics The City College of New York 5:00pm - 5:30pm Affective Economies, Excitation Transfers, and Sonic Atmospheres in Argentine Soccer Stadiums Indiana University, |
08D: Challenging Capitalist Realism in Ethnomusicology: Sound Praxis for an Anti-Capitalist Future Location: M-304 Chair: Juliana Catinin, The Graduate Center, CUNY Challenging Capitalist Realism in Ethnomusicology: Sound Praxis for an Anti-Capitalist Future Presentations in the Session N/A N/A N/A N/A N/A |
| 08E: Contemporary Black Music in Southern Europe Location: M-101 Chair: Jacqueline Georgis Contemporary Black Music in Southern Europe Presentations in the Session Príncipe Discos and the Sonic Politics of Afro Lisboa Espacio Afro: Music, Community, and the Politics of Belonging in Catalonia Nero a metà, in realtà: Black-Italian Musicians Sounding the Global South |
08F: South Asian Artistic Pedagogy in Transnational Perspective Location: M-102 Chair: Varshini Narayanan, The University of Chicago South Asian Artistic Pedagogy in Transnational Perspective Presentations in the Session Guru-Sisya Parampara in the U.S. Diaspora Re-Rooting the Art, Re-Routing the Body: Unlearning to Learn the T. Balasaraswati Dance Tradition in the United States Pathways to Tamil Diaspora Worship through Ragam Education in the U.S. |
08G: Studies in Aging Location: M-103 Presenter: Melanie Ptatscheck Presenter: Jeong-in Lee Presenter: Ellen Hebden, Syracuse University “Much Too Young (To Feel This Damn Old)”. An Ethnography of Busking, Well-being, and Aging New York University 4:30pm - 5:00pm Streaming the Streets: Pumba, Digital Fandom, and the Politics of Aging in South Korea University of Southern California 5:00pm - 5:30pm Rejuvenation through Remembering: Sonic care at night clubs for the aging in northern Mozambique Syracuse University |
08H: Research tools for ethnomusicology: Navigating bibliography, historiography, and ethnography Location: M-104/105 Chair: Russell Skelchy Research tools for ethnomusicology: Navigating bibliography, historiography, and ethnography RILM |
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| 08I: Collective Convergences Location: M-106/107 Presenter: Melissa Michelle Rios, University of New Mexico Presenter: Pramantha Mohon Tagore, University of Chicago Presenter: Lea Wierød Borčak, Aarhus University The Las Cruces International Mariachi Conference: Redefining Performance Hierarchies on the Student Showcase Stage University of New Mexico 4:30pm - 5:00pm From Salon to Stage: The All Bengal Music Conference and the Public Life of Hindustani Music University of Chicago 5:00pm - 5:30pm Singing in Times of Crisis: Collective Singing, Social Trust, and Cultural Resilience in the Scandinavian and Baltic Regions Aarhus University |
08J: Sound, Identity, and Resistance: Music and Sonic Practices in Marginalized Communities in Iran Location: M-109 Chair: Azadeh Vatanpour, Emory University Sound, Identity, and Resistance: Music and Sonic Practices in Marginalized Communities in Iran Presentations in the Session Music, Ritual, and Community: Participatory Performance in Yārsān Religious Practice Sounding Kurdish, Singing Kurdishness: The Cultural Connotation of Hasan Zirak’s Voice in Iran Sounding the Divine: Yārsān Sacred Soundscapes and the Politics of Sonic Resistance in Iran |
08K: Coloniality and Vocality Location: L-506/507 Presenter: Chun-bin Chen, Taipei National University of the Arts Presenter: Sally Mehreteab Presenter: Damascus Kafumbe Pathway of the Chants: Transported Soundscapes across the Austronesian World Taipei National University of the Arts 4:30pm - 5:00pm Work Songs and Aura: We can take the song out of the field, but can we keep the meaning in the song? New York, NY 5:00pm - 5:30pm Decolonizing Ethnomusicological Practice: Power Relations and Representation in Ugandan Court Song Research Middlebury COllege |
08L: New Approaches in Music Studies Location: L-508 Presenter: Jason Reid Winikoff, University of British Columbia On the Global Study of Timbre University of British Columbia 4:30pm - 5:00pm Incorporating Experiential Learning through Public (Ethno)Musicology Columbus State University 5:00pm - 5:30pm Echoes from the Bengal Tiger: Towards a Transcultural (Micro)historical Musicology University of California, Santa Cruz |
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| 5:30pm - 6:30pm |
British Forum for Ethnomusicology Tea Break |
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| 7:00pm - 8:00pm |
Popular Music Section Meeting Location: L-508 |
Society for Arab Music Research Keynote Location: M-302 |
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| 7:00pm - 9:00pm |
Crossroads Section for Difference and Representation Location: M-104/105 |
Florida State University (FSU) Reception Location: M-106/107 |
Indiana University Reception Location: M-304 |
Indigenous Music Section Location: M-103 |
| New York University Reception Location: M-301 |
Society for Asian Music Keynote and Business Meeting Location: L-506/507 Keynote Address: “What Asia Taught Me” |
Texas Reception Location: M-101 |
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| 8:00pm - 9:00pm |
Popular Music Section David Sanjek Lecture Location: L-508 |
SIG for Celtic Music Location: M-102 |
Society for Arab Music Research Mixer Location: M-302 |
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| 9:00pm - 11:00pm |
UCLA/UC-Davis Reception Location: M-103 |
Wesleyan University Reception Location: L-506/507 |
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