Conference Agenda

The Online Program of events for the SEM 2024 Annual Meeting appears below. This program is subject to change. The final program will be published in early October.

Use the search bar to search by name or title of paper/session. Note that this search bar does not search by keyword.

Click on the session name for a detailed view (with participant names and abstracts).

 
 
Session Overview
Date: Thursday, 17/Oct/2024
9:15am
-
9:45am
OC: Opening Ceremony
10:00am
-
12:00pm
1A: African Musics and Musicians in Europe
Sponsored by the African and African Diaspora Music Section
1B: Music and Politics: Humanitarianism, Electoral Politics, Soft Power
1C: Crafting Hindu Identities Through Music and Dance in South India and the Diaspora.
1D: Queering Performance
Chair: Jayson Beaster-Jones, University of California-Merced
1E: Migration/Diaspora I
Chair: Christi-Anne Castro, University of Michigan
1F: Teaching Palestine through Music, Dance, and the Arts
Sponsored by the Society for Arab Music Research (SAMR)
1G: Gender in Music of Iran
Chair: Amaneh Youssefzadeh, Encyclopedia Iranica
1H: “Calypso is Soca and Soca is Calypso”: Calypso, Soca, and Competition
1I: Partying on the Periphery: Global Queer/Trans Nightlives
1J: Ethnomusicology and Urban Planning: Reflection on New Research Opportunities
   
12:30pm
-
2:00pm
2A: Liberal Subjects and Neoliberal Academic Production: Theory and Text
2B: Instruments and Timbre
Chair: Made Hood
2C: The Intimacies of Musical Formation
2D: Research tools for ethnomusicology: Navigating bibliography, historiography, and ethnography
2E: Gender Exclusion in Performance Spaces
Chair: Sarah Weiss, KunstUniversitätGraz
2F: Devotional Music
2G: Publics and Counterpublics
Chair: Charles Lwanga, University of Michigan
2H: Historical Studies in Ethnomusicology I
2I: Scenes
Chair: Jay Hammond, Georgetown University
2J: Radio
   
2:15pm
-
3:15pm
Ask an Archivist: SIG for Archiving
SIG for Economic Ethnomusicology
SIG for Jazz
SIG for Jewish Music
2:15pm
-
4:15pm
SEM Council
7:00pm
-
9:00pm
3A: Histories and Ethnomusicologies
3B: Indigenous Studies: Pacific
Chair: Amy Stillman, University of Michigan
3C: Sound Ecologies of the Anthropocene in Latin America
3D: Music and Activism in the United States: Then and Now

Date: Friday, 18/Oct/2024
9:30am
-
10:00am
Practices of Contemplation and Mindfulness
Sponsored by the SEM Program Committee
10:00am
-
11:30am
4A: Coloniality and Anti-Coloniality
4B: Hearing Jazz Publics in Southeast Asia
4C: Instruments: Drums/Iconography
4D: Ecomusicology I
Chair: Nancy Guy, University of California, San Diego
4E: Doing Public-facing (Ethno)Musicology and Community Music Today: Perspectives from Africa
4F: Mennonite Action: Mobilizing Religious Hymns for Political Protest
4G: Historical Studies in Ethnomusicology II
Chair: Revell Carr, University of Kentucky
4H: That’s not really music: Orientations toward a neuro-ethnomusicology
Sponsored by the Medical Ethnomusicology SIG
4I: Musical and Intersectional Identities in Northern New Mexico
4J: Festivals
Chair: Anaar Desai-Stevens, Eastman School of Music
   
12:00pm
-
2:00pm
5A: Performer Interactions
Chair: Joanna Bosse, Michigan State University
5B: Foreign pioneers in the post-Independence history of South Asian music
5C: Pesky Auralities: Sounding the More-than-Human, Hearing the Unwanted Animal
5D: Contemporary Dialogues Across the Black Atlantic: Examining African & Diasporic Connections in Education, Religion and Popular Music
Sponsored by the African and African Diaspora Music Section
5E: Socialist and Anti-Capitalist Alternatives through Music, Sound, and Movement
Sponsored by the SIG for Economic Ethnomusicology
5F: Material culture and craft values in music’s new social formations
5G: Feminist Ethnomusicology
5H: Musical Representation and Identity I
5I: Cumbia Aesthetics and Politics in Latin America
Sponsored by the Latin American and Caribbean Music Section (LACSEM)
5J: Critical Ethnographies: Ethics, Challenges, and Dilemmas
Sponsored by the SEM Program Committee
   
2:15pm
-
3:15pm
Anatolian Ecumene SIG
Rising Voices in Ethnomusicology: Student Open Meeting
SIG for Medical Ethnomusicology
SIG for Music of the Francophone World
2:15pm
-
4:15pm
Applied Ethnomusicology Section
7:00pm
-
9:00pm
6A: Guitars in Africa: Histories, Presences, Futures
Sponsored by the African and African Diaspora Music Section
6B: Sonic Afro-Diasporic Forces and Exchanges in Salvador, Brazil
6C: Explorations of Connectedness and Otherness in Icelandic Musicking
Sponsored by the SIG for Musics in and of Europe
6D: K-pop Studies Beyond the K: Exploring New Theoretical and Methodological Possibilities Through Ethnography

Date: Saturday, 19/Oct/2024
9:30am
-
10:00am
Practices of Contemplation and Mindfulness
Sponsored by the SEM Program Committee
10:00am
-
12:00pm
7B: Daily Ethnomusicologies: Or, ethnomusicologists are everywhere and why that matters.
Sponsored by the SEM Program Committee
7C: Geáitse: The Aesthetics of Movement and Gesture in the Expression of Irish Traditional Music and Dance
Sponsored by the Dance, Movement and Gesture Section
7D: Histories of choreographic exchange - Latin American dance and the Global Easts
Sponsored by the Dance, Movement, and Gesture Section
7E: Voicing Quiet and the Acoustically Inaudible
7F: Contemporary Perspectives on Afro-Venezuelan Tambor
Sponsored by the Latin American and Caribbean Section (LACSEM).
7G: Maqam Creativity on the Borders: Musical Alternatives to the Nation-State
Sponsored by the Anatolian Ecumene Special Interest Group (AESIG) and the Special Interest Group on the Music of Iran and Central Asia
7H: The Ethics and Politics of Care in Music Studies
Sponsored by the SIG for Medical Ethnomusicology and the Music and Violence SIG
7I: Referentiality and Black Music in the US
Chair: Kyra Gaunt, University at Albany, SUNY
7J: Archiving
Chair: Shalini Ayyagari, University of Pittsburgh
     
10:00am
-
2:00pm
7A: World Music Pedagogy Workshop
12:30pm
-
2:00pm
8B: Instruments I
8C: Care Ethics, Participatory Action Research, and New Approaches in the Ethnomusicologies of Deaf Culture and Neurodiversity
8D: Gender in Asian American Music
Chair: Yun Emily Wang, Duke University
8E: Nostalgia
8F: Music/Film
Chair: Amanda Weidman, Bryn Mawr College
8G: Sound Studies I
Chair: Marie Abe, University of Calfiornia, Berkeley
8H: Ecomusicology II
8I: Musical Representation and Identity II
Chair: Sonia Seeman, University of Texas, Austin
8J: Chinese Identity
     
2:15pm
-
3:15pm
African and African Diasporic Music Section Business Meeting
Chapters
Education Section Business Meeting
Latin American & Caribbean Music Section
2:15pm
-
4:15pm
Religion, Music, and Sound Section
3:15pm
-
4:15pm
African and African Diasporic Music Section Keynote
7:00pm
-
8:00pm
An Asian American Listening Party
LACSEM Mentoring Session
SIG for Japanese Performing Arts
Sound Studies Section Workshop - Sound Studies in the Curriculum
South Asian Performing Arts Section Business Meeting
     
8:00pm
-
9:00pm
Sound Studies Section
South Asian Performing Arts Section Discussion

Date: Sunday, 20/Oct/2024
8:00am
-
9:00am
Ethics Committee
10:00am
-
11:00am
9J: Theorizing Phrase Structure in Guqin Music
10:00am
-
11:30am
9A: Time and Periodicity
Chair: Richard Wolf, Harvard University
9B: Migration, Diaspora and the U.S.
9C: Indigenous Studies
Chair: John-Carlos Perea, University of Washington
9D: Sonic Cairo: Networking Urban Power and Spirituality
Sponsored by the Society for Arab Music Research
9E: Musicking Religion I
Chair: Andrew Mall, Northeastern University
9F: UNESCO
9G: Musical Tradition and Technological Mediation
Chair: Chris Scales, Michigan State University
9H: Colonialism/Christianity
9I: Dance/Movement I
     
12:00pm
-
2:00pm
10A: President's Roundtable: Care, Conflict, and Commitment in Ethnomusicological Work
Sponsored by the SEM Board
10B: Is A Third Ethnomusicology Possible? : Engaged Music Scholarship & the Undercommons
10C: Whither Eco-Ethnomusicology?
Ecomusicology SIG
10D: Musicking Identities, Ruptures, and Emerging Soundscapes in Africa
10E: Navigating Academic/Non-Academic Interaction in Music and Minorities Research
10F: Collective Sounds: Crowds and Community in Sports and Festivals
Sponsored by the Sound Studies Section
10G: Community, Transmission, and Revival in the “Music Village”
Sponsored by the Anatolian Ecumene SIG
10H: Virtual Communities
2:15pm
-
3:15pm
Ethnomusicology Journal Editorial Board
Gender and Sexuality Studies Section Invited Talk
Popular Music Section Business Meeting
SIG for Celtic Music
SIG for Cognitive Ethnomusicology
     
3:15pm
-
4:15pm
Popular Music Section: David Sanjek Lecture in Popular Music
7:00pm
-
8:00pm
Robinson Network Group
Society for Arab Music Research Mixer
7:00pm
-
9:00pm
Association for Chinese Music Research
Association for Korean Music Research
Historical Ethnomusicology Section
Improvisation Section

Date: Monday, 21/Oct/2024
11:00am
-
12:00pm
SEM Board

Date: Tuesday, 22/Oct/2024
1:00pm
-
2:00pm
SEM Board

Date: Wednesday, 23/Oct/2024
10:00am
-
11:30am
11J: Ethnomusicological Exits: Breaks, Goodbyes, Partings
Sponsored by the British Forum for Ethnomusicology and the SEM Board
10:00am
-
12:00pm
11A: Musicking Religion II
Chair: Nathan Myrick, Mercer University
11B: Memory and Memorialization
Chair: Frank Gunderson, Florida State University
11C: “The Insistence of Being Heard”: Women, Music, and the Circumvention of Oppressive Structures
The SEM Section on the Status of Women (SSW)
11D: Music and Violence
Chair: Johnathan Ritter, University of California, Riverside
11E: Technological Negotiations of Authenticity in Popular Music
11F: Vulnerability in Fieldwork: beyond methodologies
11G: Postcolonial Musical Networks of Luso-Sonic Geographies
11H: Temporalities of Belonging, Architectures of Tradition
11I: Creative Intersections: Artistic Influences Between African Art, Popular, and Traditional Music Genres
Sponsored by the African and African Diaspora Music Section
     
12:00pm
-
12:30pm
Practices of Contemplation and Mindfulness
Sponsored by the SEM Program Committee
12:30pm
-
2:00pm
12A: Multi-species Ethnomusicology
Chair: Kevin Fellezs, Columbia University
12B: Disability Studies
Chair: Michael Bakan, Florida State University
12C: Social Movements/Protest/Resistance I
12D: Affect
12E: Indigenous Studies: Native America
Chair: Liz Przybylski, University of California, Riverside
12F: Interculturality I
Chair: R. Anderson Sutton, University of Hawai‘i at Mānoa
12G: Policies, Politics, and Polities
12H: Women as Tradition Bearers
Chair: Ellen Koskoff, Eastman School of Music
12J: Ask a Scholar: Mentoring and Advice from Grad School to Tenure
Sponsored by the SEM Program Committee
     
12:30pm
-
2:15pm
12I: The Music of Our Neighbors: Cultural Diversity in Small-Town Germany
2:15pm
-
3:15pm
Diversity Action Committee
Section on the Status of Women
SIG for Ecomusicology
SIG for Musics in and of Europe
SIG for Organology
SIG for the Music of Iran and Central Asia
SIG for the Study of Music and Violence
 
7:00pm
-
9:00pm
13A: Queering Media
13B: Jazz and Race
13C: Towards a Theory and Method for the Study of Music and Nongovernmental Organizations
13D: Analysis: Modal Theory
Chair: Philip Yampolsky, Independent
8:00pm
-
9:00pm
13E: The Pluriversal World of Argentine Tango Music

Date: Thursday, 24/Oct/2024
10:00am
-
11:30am
14A: Behind the Scenes at Ethnomusicology (SEM Journal)
Sponsored by the SEM Board
14B: Comparative Musicology
Chair: Erol Koymen, University of Chicago
14C: Transborder Studies
14D: Masculinities
Chair: Henry Spiller, University of California, Davis
14E: Migration/Diaspora II
14F: Dance/Movement II
Chair: Tomie Hahn
14G: Refugees, Trauma, and Healing
14I: Epistemologies of Inclusion: Lessons from Improvisational Jamming Traditions
Sponsored by the Improvisation Section
14J: Workshop on Transgressive Poetry Writing
Sponsored by the SEM Program Committee
     
12:00pm
-
2:00pm
15A: Journeys without End: Centering the Work of Rehearsals
15B: Contesting Urban Political Auralities
Sponsored by the Sound Studies Section and the Economic Ethnomusicology SIG
15C: Instruments II
15D: Perspectives on Song and Tune Analysis
15E: Vocality
15F: Memory, Continuity, and Rupture
Chair: Joe Kinzer, Antioch University
15G: Rendering the Nation
Chair: Shannon Dudley, University of Washington
15H: Interculturality II
Chair: Colter Harper, University at Buffalo, SUNY
15I: Ethnomusicology and Digital Humanities Roundtable
Sponsored by the SEM Board
15J: Archiving: U.S.
Chair: Michael Heller, University of Pittsburgh
   
2:15pm
-
3:15pm
Committee on Labor
Dance, Movement, and Gesture Section Business Meeting
Investment Advisory Committee
SIG for Disability and Deaf Studies
SIG for Voice Studies
     
7:00pm
-
8:00pm
16E: Producing Digital Vibes and Archives: Orchestrating and Preserving Music Festival Soundscapes
7:00pm
-
9:00pm
16A: Sustainability
16B: Interculturality III
Chair: Christopher Miller, Cornell
16D: Pedagogy
Chair: Yuan-yu Kuan, University of Hawaiʻi at Mānoa
 

Date: Friday, 25/Oct/2024
10:00am
-
12:00pm
17A: ICTMD-SEM Roundtable: Literary Translation in Ethnomusicology
Sponsored by the International Council for Traditions of Music and Dance (ICTMD) and the SEM Board
17B: Diego Carpitella Fellowship’s experiences: reflections on audiovisual ethnomusicology
17C: Violence, Trauma, Witness
Chair: Joshua Pilzer, University of Toronto
17D: Performing Irishness: Race, Gender and the Global ‘Celtic’ Imaginary
Sponsored by the SIG for Celtic Music
17E: Kenyan Music in Communities, Schools, and Concert Halls
17F: Blackness, Anti-Blackness, and Praxis
Chair: Stephanie Shonekan, University of Maryland
17G: Transnational Studies
Chair: Kwasi Ampene, Tufts University
17H: Encapsulating Sounds – pedagogical experiments in teaching organology with imaginative instrument design, worldbuiding, and storytelling
17I: Desi Hip Hop: Oral History, Placemaking, and Technology in Post-Liberal India
17J: Music and the Internet: A Roundtable on Online Methods, Metaphors, and Disciplinary Mapping
Sponsored by the Sound Studies Section and the Popular Music Section
   
11:00am
-
12:00pm
SEM Board
12:00pm
-
12:30pm
Practices of Contemplation and Mindfulness
Sponsored by the SEM Program Committee
12:30pm
-
1:30pm
18I: A Walk Through the Beauty of Natural Scenery in Music for the Yanqin (the Chinese Hammered Dulcimer)
12:30pm
-
2:00pm
18A: Social Movements/Protest/Resistance II
18B: Decoloniality
Chair: Jim Sykes, University of Pennsylvania
18C: Economic Ethnomusicology
Chair: Shannon Garland, University of Pittsburgh
18D: Race, Gender, and the Violin
Sponsored by the SIG for Organology
18F: Memory, Displacement, and Genocide
18G: Sound Studies III
Chair: Peter McMurray, Cambridge University
18H: Writing Ethnomusicology
Chair: Sean Williams, Evergreen State College
 
2:15pm
-
3:15pm
Crossroads Section for Difference and Representation
Education Section Keynote Address
Publications Advisory Committee
SIG for Music Analysis
Society for Arab Music Research Keynote Lecture
     
2:15pm
-
4:15pm
Indigenous Music Section
Professional Development Workshop: Careers in Public Ethnomusicology
Sponsored by the SEM Board
7:00pm
-
8:00pm
Society for Arab Music Research Business Meeting
7:00pm
-
9:00pm
International Scholar Networking Event
Sponsored by the International Students Network and SEM Board
SEM Orchestra
Society for Asian Music Business Meeting and Awardee Presentations
SSW and GSSS Speed Mentoring

Date: Saturday, 26/Oct/2024
10:00am
-
12:15pm
GMM: SEM General Membership Meeting
12:30pm
-
1:00pm
Practices of Contemplation and Mindfulness

Sponsored by the SEM Program Committee

1:00pm
-
2:30pm
Seeger: 2024 Charles Seeger Lecture
2:45pm
-
4:45pm
SEM Council