SEM 2024 Annual Meeting
October 17-26, 2024 | Virtual
Conference Agenda
The Online Program of events for the SEM 2024 Annual Meeting appears below. This program is subject to change. The final program will be published in early October.
Use the search bar to search by name or title of paper/session. Note that this search bar does not search by keyword.
Click on the session name for a detailed view (with participant names and abstracts).
Please note that all times are shown in the time zone of the conference. The current conference time is: 2nd May 2025, 10:10:17pm EDT
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Session Overview |
Date: Sunday, 20/Oct/2024 | ||||
8:00am - 9:00am |
Ethics Committee |
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10:00am - 11:00am |
9J: Theorizing Phrase Structure in Guqin Music Presenter: Ruixue Hu, Eastman School of Music, University of Rochester Theorizing Phrase Structure in Guqin Music Eastman School of Music, University of Rochester |
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10:00am - 11:30am |
9A: Time and Periodicity Chair: Richard Wolf, Harvard University
The Veil Was Torn: Inverse Perspective in Sofia Gubaidulina’s St. John Passion University of Texas at Austin Musical Time Travel in Contemporary Hasidic Judaism: The Creation of Flexible Timescapes through the Performance of Nigunim Hebrew Union College-Jewish Institute of Religion Further Approaches to Musical Periodicity, Revisited University of British Columbia |
9B: Migration, Diaspora and the U.S. Classical or Folk: Professional Chinese Instrumentalists’ Diasporic Music-Making in North America Independent Scholar Island in the Continent: Southern Californian Pacific Islanders’ Performance of Indigenous Time in Reggae University of California, Riverside Diaspora and Iranian Music: The Activities of Iranian Women Musicians in New York City Wesleyan university |
9C: Indigenous Studies Chair: John-Carlos Perea, University of Washington
Mapuche Indigeneity, Sound, and Listening in Santiago de Chile Instituto de Música, Universidad Alberto Hurtado Voices of Sovereignty: Indigenous Occupation through Radio University of California Berkeley Musicking in Indigeneity: A Case Study of the Music of Katoi wa Tabaka’s Fusion Music. Hugh Hodgson School of Music, University of Georgia, Athens, Georgia |
9D: Sonic Cairo: Networking Urban Power and Spirituality Sponsored by the Society for Arab Music Research
Sonic Cairo: Networking Urban Power and Spirituality Presentations in the Session Sound, Space and Power in Cairene mawālid Rhythmic Elasticity and Artificial Sound in the Mūlid of Sīdī 'Alī al-Bayyūmī Dancing to Mahraganat Music: Noise and Temporality |
9E: Musicking Religion I Chair: Andrew Mall, Northeastern University
Encruzilhadas: Sonic and Spiritual Warfare in Brazilian Pentecostalism Cornell University Negotiating religious and cultures: Reflections on the western polyphony texture in the Chinese Lahu music China ShaanXi Xi'an Xi’an Conservatory of Music |
9F: UNESCO Chair: Dave Fossum, Arizona State University Intangible heritage, tangible absences:UNESCO, heritization, and visions of living tradition in momo(y)eria National and Kapodistrian University of Athens Gugak and the Law: Shaping the Future of the Korean Traditional Performing Arts Industy Pai Chai University Intangible Cultural Heritage and the Making of Historical Narratives: The Case of Italian Opera Singing Università di Pisa |
9G: Musical Tradition and Technological Mediation Chair: Chris Scales, Michigan State University
Puppet Voices and Overcoming Music Censorship on Iranian Television Kunstuniversität Graz Roots, Trunk, Branches, Leaves: Situating the Practice of Malaysia’s Wayang Kulit Kelantan Sunway University, Wesleyan University Mediatized Representations of the Cambodian Lakhon Bassac Theatre on TV and Social Media London, UK |
9H: Colonialism/Christianity Chair: Jennifer Lynne LaRue, Florida State University Transcultural Hymns: Music and Mission in the Richards' Approach to Chinese Conversion Washington University in St. Louis Exploring Adaptation of indigenous Folk Songs from Let the Hills Sing Graduate Institute of Musicology, National Taiwan University |
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9I: Dance/Movement I Chair: janice mahinka, Harford Community College The Musicality of a Kathakaar: The Value and Integration of Music as a Kathak Dancer Sri Sri University Applied Dance Anthropology: Historical Influences and Contemporary Directions Northern Arizona University, Solidarity in Precarity: Embodying Anger in Hardcore Punk Moshing Technique The Ohio State University |
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12:00pm - 2:00pm |
10A: President's Roundtable: Care, Conflict, and Commitment in Ethnomusicological Work Sponsored by the SEM Board |
10B: Is A Third Ethnomusicology Possible? : Engaged Music Scholarship & the Undercommons Is A Third Ethnomusicology Possible? : Engaged Music Scholarship & the Undercommons Presentations in the Session Roundtable Participants Roundtable Participants Roundtable Participant Discussant |
10C: Whither Eco-Ethnomusicology? Ecomusicology SIG
Whither Eco-Ethnomusicology? Presentations in the Session Roundtable Participant Roundtable Participant Roundtable Participant Roundtable Participant Roundtable Participant |
10D: Musicking Identities, Ruptures, and Emerging Soundscapes in Africa Musicking Identities, Ruptures, and Emerging Soundscapes in Africa Presentations in the Session Musicking and Visualizing Extractivism and Environmental Degradation in Nigeria, Zambia, and South Africa Pushing the Ocean Back”: Singing Climate Disaster and Islamic Hagiography in Senegal’s Layène Community Rethinking the ‘Harem’: Sound Ecologies and Ruptures of Nupe Women in Northern Nigeria “Ordering What is Good and Forbidding Evil:” From Jihad Poetry to Jihadi Nashīd in the Era of Uthman dan Fodio and Boko Haram |
10E: Navigating Academic/Non-Academic Interaction in Music and Minorities Research Navigating Academic/Non-Academic Interaction in Music and Minorities Research Presentations in the Session Roundtable Participant Roundtable Participant Roundtable Participant Roundtable Participant Roundtable Participant |
10F: Collective Sounds: Crowds and Community in Sports and Festivals Sponsored by the Sound Studies Section
Collective Sounds: Crowds and Community in Sports and Festivals Presentations in the Session A Feeling of Belonging: Noise, Sonic Heritage, and the Sound Space of València’s Mascletà Disarming the Battle of the Bands: Play and Queer Time in College Band Rivalries Silver Scrapes: Liveness, Communalism, and the Sounds of League of Legends E-Sports Sonic Junk and Techno Trash in the Azores: Sound, Sensation, and Satisfaction in Performances with Recycled Objects |
10G: Community, Transmission, and Revival in the “Music Village” Sponsored by the Anatolian Ecumene SIG
Community, Transmission, and Revival in the “Music Village” Presentations in the Session Community and music in the making: Müzik Köyü and questions of Anatolian diversity Transnationalism, postnationalism, and cosmopolitanism in folk-revivalist music workshops: the case of Müzik Köyü Pleasure, Devotion, Relation: The Intersection of Music Transmission and Revival at Three Summer Music Workshops Discussant |
10H: Virtual Communities Resistance Through Musicking: Guichu Community on Bilibili University of Texas at Austin Meta Networking: Multiplayer Mode in Virtual/Augmented Reality Rhythm/Dance Games University of Cincinnati Spirituality in Creating Collaborative Groove Music in Accessible Online Space 1: York College / CUNY; 2: Boston University Using ethnographic methods to investigate synthwave, an online community of practice Leeds Beckett University |
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2:15pm - 3:15pm |
Ethnomusicology Journal Editorial Board |
Gender and Sexuality Studies Section Invited Talk |
Popular Music Section Business Meeting |
SIG for Celtic Music |
SIG for Cognitive Ethnomusicology |
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3:15pm - 4:15pm |
Popular Music Section: David Sanjek Lecture in Popular Music |
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7:00pm - 8:00pm |
Robinson Network Group |
Society for Arab Music Research Mixer |
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7:00pm - 9:00pm |
Association for Chinese Music Research |
Association for Korean Music Research |
Historical Ethnomusicology Section |
Improvisation Section |
Contact and Legal Notice · Contact Address: Conference: SEM 2024 Annual Meeting |
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