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Index of Titles

A complete list of all conference contributions. Use the alphabetical filter or the search box below to find specific submissions. Click on any contribution to view its session details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z " \\\\\\\\\\\\\\\" “ All Titles

Contribution Title	Author(s)	Session
“Halted Voices: AIDS Testimony in the K. Robert Schwarz Papers”	Keller, Max	Responding to AIDS
The Virtual Plaza Welcomes You: Mallsoft as a Post-Fordist Anti-Muzak	Osborne, Tyler	Ambient Soundscapes
Why is the Wine Gone?: The Heroic Archetype in Marais’ Ariane et Bacchus (1696)	McMahon, Naomi	Comic Subversions and Intertexts in Early Modern Opera
\"A Fascinating Hobby\": Understanding Chief O’Neill’s Contribution to Irish Traditional Music and Its Performance Practice	Shepard, Grace	Poster Session
\"Cabinets of the Curious\": Reading Jamaican Music in Sloane\'s Voyage, 1707-1725	Saetermoe-Howard, Gaia	Colonial Frameworks in 18th-Century Music
\"Play the Fight Riff!\": Affect and the Ethics of Moshing in Hardcore Punk	Dailey, Paige Carter	Fans, Audiences, and Participants in Popular Music
\"So firmly, so vitally entwined:\" Isadora Duncan, the Three Graces, and the Politics of Dance in Tannhäuser	Frankenbach, Chantal	Immersive Arts: Adapting Works for Dance
\"Viral Jazz\": A Very Online Discussion About Online Musicking	Klotz, Kelsey	"Viral Jazz": A Very Online Discussion About Online Musicking
“…Because I Can Also Sing…”: Cathy Berberian and the “Freak” Voices of the 1977 Holland Festival	Finn, Christie	Rebels, Freaks, and Feminists: Avant-Garde Women in the 1970s
“No Queremos Morir”: Cumbia Norteña Music and Citizen Insecurity in Lima, Perú	Chávez Roncal, Valeria	Resilience and Dystopian Cities in Latin America
“A heel in front, an’ a heel behin’”: Memory and Fugitivity in the Lomax Prison Recording Archive	Smith, Chloe	Time and History in Black Musical Thought
“A Stradivarius Without Its Strings”: Intermedial Archaeology, the Silent Singer, and theAfterlife of Opera	Maron, Diana	The Sounds of Silent Film
“Chrysanthème” in the Guise of “Violetta”: Reception of Japanese Prima Donna Toshiko Sekiya in Interwar Europe and America	Hamao, Fusako	Opera Displaced
“Come On Baby, Better Lose Some Weight:” Excess, Crossover, and Hearing Fatness in Dreamgirls	Monaghan, Tracy	Sonic and Visual Excess
“Foreign-Born Citizens Must Be Assimilated”: The American Opera Society of Chicago and Interwar Politics of Belonging	Norling, Cody	The Opera Industry and Social Class
“Music to Drown By”: Musical Inscriptions of Social Class in the Scores of A Night to Remember (1958) and Titanic (1953)	Tripp, Samantha	The Musical Memorialization of Britishness
“Musical Diversions among French POWs during WWII: Between Resistance and Complacency”	Zrull, Mary Margaret	Music, Resistance, and World War II
“Sure Looks Strange to Me”: Chipmunk Voices and Uncanniness in 1950’s Novelty Music	Hoppenjans, Kelly	Sounding the Other
“The level is the song, and you are playing it”: Speedrunning as Music	Vigilante, Nic	Timbre, Technology, and Digital Musical Interface
“Their Deeds Have Rais’d a Monument”: Ideas of Britishness in Musical Memorialization of the Terra Nova Expedition	Barker, Kirsten	The Musical Memorialization of Britishness
“Too virile”: Progressive Compositional Ambition and Unconstrained Virtuosity in Cécile Chaminade’s Concertstück	Fakharinia, Kimia	Resisting Gender Stereotypes
“Warmización: Revisiting Communal Musicking from a Gendered Latin American Perspective”	Perez Mukdsi, Andrea (1); Vega, Alejandra (2)	Women's Agency in Music
“Who Robbed the Woods?” Voice and Ecological Agency in Julia Wolfe’s unEarth and a Deforestation Sonification	Li Yue, Joyce	Poster Session
(un)Singables: Silencing the Voice under Argentina’s Dictatorships (1943–1983)	Arroyo, Luciana	Politics of Identity and Representation in Latin America
Can’t Stop / Cruising: Queerness and Classical Music in Two Films from 1980	Graff, Peter	Queer Voices/Queer Narratives
Destination Freedom as Black Speculative Ecological Critique	Chung, Andrew J.	Black Atlantic Histories
Eros, Phillia, and the Bittersweet: The Love Topic in the Music for Star Wars: The Skywalker Saga	McTavish, Laura	Film Music Franchises
happier.rx: Gracie Fagan on Process, Collaboration, and Experimentation in Music and Dance	Gibson, Angelina	<em>happier.rx</em>: Gracie Fagan on Process, Collaboration, and Experimentation in Music and Dance
Musizieren mit unsichtbaren Partnern: producing community over the radio in Weimar Germany	Nyhus, Soren	Media and Pedagogy
Scoring the Frontier: Max Winkler’s Musical Scenario for Straight Shooting (1917) and the Early Formation of the Western Soundscape	Whitmer, Mariana	The Sounds of Silent Film
The 5000 Fingers of Dr. T: Propaganda Meets Pedagogy in the Original “Seuss-ical”	Alfieri, Gabe	Musical Childhood in the 20th Century
A baritone, a philosopher, and a new musicology	Ziegler, Collin	Interpreting Early 20th Century French Art Music
A Fugitive Quixote: Julia Perry’s Quinary Quixotic Songs (1976)	Biggs, Tad	Resisting Gender Stereotypes
A Geographic Approach to Tan Dun’s Buddha Passion (2018)	Wang, Anqi	Buddhist Music Through the Ages
A Gestural Education of Gender: Embodied Choreographies in Gustav Holst’s St Paul’s Suite	Gain, Rachel	Gendered Bodies on Stage
A New Phase of South Korean Democratic Participation: K-pop Fandom, Young Women, and the Transformation of Protest Culture	Choi, Seoyoon	Perspectives on K-Pop and Music in Korean Media
Aaron Avshalomov: Composing the Modern Chinese Sound	Miller, Brenna	China and the West
Accessibility Beyond the AMS: Centering Disabled Voices and Challenging Systemic Ableism in Music	Dell’Antonio, Andrew	Accessibility Beyond the AMS: Centering Disabled Voices and Challenging Systemic Ableism in Music
Accompanied, Yet Not Alone: Gendered Professional Imaginaries and the Viability of Solo Careers among Women Wind Graduates in Peru	Díaz, Elí	Women's Agency in Music
Adapting Virtuosity: Johann Christian Bach’s Strategic Revisions of His Concertos	Demirezer, Barış	Showcasing Virtuosity: Designing the Concert Experience
After Vocal Uniqueness: Trans Vocal Practice and Listening for Discontinuity	Hochman-Ruiz, Sadie	Queer Voices/Queer Narratives
Afterlives of Seven Years’ War Songs: Joseph Marin’s Chants de guerre	Bloechl, Olivia	Colonial Frameworks in 18th-Century Music
Agency and Affect: Qiyān, Performative Sincerity, and the Subversion of Class	Rasti, Radman	Women's Agency in Music
Alida Vázquez and the Making of Electronic Music History	Diaz de Cossio, Teresa	Resisting Gender Stereotypes
Aliutė Mečys’s Ligeti: Iconography, Irrealism, Hybrid Perception	Bargrizan, Navid	Networks of Modernist Influence
Alma Mahler-Werfel: Viennese New Womanhood and Insecure Masculinities at the fin-de-siècle (and beyond)	Arkle, Genevieve Robyn	Crises of Masculinity
America at 250: A Celebration of American Opera	Dailey, Jeff	America at 250: A Celebration of American Opera
Amplifying Dissonances in Transregional Circulation of Sinophonic Sounds (IMSEA)	Li, Jermyn C. M.	Amplifying Dissonances in Transregional Circulation of Sinophonic Sounds (IMSEA)
AMS Jazz & Improvisation Study Group Business Meeting	Klotz, Kelsey	AMS Jazz & Improvisation Study Group Business Meeting
AMS LGBTQ Study Group Business Meeting	Tyson, Lee	AMS LGBTQ Study Group Business Meeting
AMS Music and Dance Study Group Business Meeting with Short Papers	Lindquist, Kari	AMS Music and Dance Study Group Business Meeting with Short Papers
AMS Music and Marxism Study Group Business Meeting	Drott, Eric	AMS Music and Marxism Study Group Business Meeting
AMS Music and Media Study Group Business Meeting	Scoggin, Lisa	AMS Music and Media Study Group Business Meeting
AMS Pedagogy Study Group Business Meeting	Magarotto, Matteo	AMS Pedagogy Study Group Business Meeting
AMS Popular Music Study Group - Business Meeting	Szabo, Victor	AMS Popular Music Study Group - Business Meeting
Anime Cover Musicking through the Lens of Anime as Cinematic Language and a Media Genre: Performative Para-Poaching (PPP) as the Main Mechanism in Anime Fan Creativity	Yan, Sirou	Fans, Audiences, and Participants in Popular Music
Anxiety, Spirituality, and Class Subversion in Rosalía’s Berghain	Lindo, Abigail	Sonic and Visual Excess
Architectural Marvels and Changing Urban Identities: The Role of New Concert Halls and Programming Models in (re)Shaping Contemporary German Cultural Institutions	Rich, Morgan	Showcasing Virtuosity: Designing the Concert Experience
Archival Silence and Intellectual Infrastructure: Henriqueta Braga in a Male-Dominated Field	Leonardo Theodoro da Fonseca, Rafaela	Music as a Medium of Women's Power
Archival Song as Knowledge Infrastructure: Mediation, Circulation, and Performance in New Mexico and Beyond	Marin-Lopez, Javier	Archival Song as Knowledge Infrastructure: Mediation, Circulation, and Performance in New Mexico and Beyond
Archives Around the World: Contents, Opportunities, and Access	Sommerfeld, Paul	Archives Around the World: Contents, Opportunities, and Access
Armorial Sound: Ekphrasis, Epistemological Transduction, and Materiality in the Making of an Armorial Archive	Torralvo da Silva, Rafael	Archival Explorations
Atonality and Childhood in Songs of Leonard Bernstein	Sholes, Jacquelyn	Musical Childhood in the 20th Century
Authorship, Agency, and Creativity in Contemporary Music Landscapes: Intersections of Science and Technology Studies (STS) and Musicology	Shababi, Lily	Authorship, Agency, and Creativity in Contemporary Music Landscapes: Intersections of Science and Technology Studies (STS) and Musicology
Avian Musicologies	Ercoli, Federico	Avian Musicologies
Becoming Lloronas: Walking and Wailing toward Healing (CWG Lecture)	Alonso Minutti, Ana	Becoming Lloronas: Walking and Wailing toward Healing (CWG Lecture)
Bernstein at Home	Guthrie, Kate	Media and Pedagogy
Beyond Binaries: Hybridity, Mobility, and Mediation in the Long Thirteenth Century	Wilkening, Anya	Beyond Binaries: Hybridity, Mobility, and Mediation in the Long Thirteenth Century
Beyond Slapstick: Hasse’s La Contadina, “Turkish” Opera, and the Intermezzo Genre	Mayes, Catherine	Comic Subversions and Intertexts in Early Modern Opera
Beyond the Alps: the Performance of Brahms’s Music in Post-Risorgimento Italy, 1865-1900	Chang, Joanna	Brahms Reception
Beyond the Conservatory: The Technological Ecology of Advanced Music Education in the Long Nineteenth Century	Huang, Danny	Beyond the Conservatory: The Technological Ecology of Advanced Music Education in the Long Nineteenth Century
Black Military and Court Musicians in Brandenburg-Prussia, 1680–1720: A View from the Colonial Archive	Spohr, Arne	Colonial Frameworks in 18th-Century Music
Bodily Mayhem: Lady Gaga’s “Disability” Aesthetics	Conley, Clay	Disability Aesthetics
Bohemians in Coketown: La bohème and the Capital of the Nineteenth Century (Manchester, 1897)	Masters, Giles	The Opera Industry and Social Class
Boulez in the Fifteenth Arrondissement	Cannon-Brown, Lee	Networks of Modernist Influence
Brahms, Nationalism, and the Hungarian-Roma Musical Idiom	Moxley, Joanna	Brahms Reception
British Wagnerism of the 1890s and the Victorian Fin de Siècle	Jang, Yujin	The Musical Memorialization of Britishness
Civilizing Aurally: Fantasy Phenomenology and White Americanism in Disney’s Fantasia	Sugawara, Rina	Film Music Franchises
Cold War, Soft Power: US and Soviet Musical Propaganda in Iceland, 1950–1970	Ingolfsson, Arni	Sounding Soft Power: Musical Diplomacy Across Borders
Collaboration in Practice: Activating Archives through a Musicology–Library Partnership	Risk, Laura; Stapelfeldt, Kirsta; Steinburg, Bennett	Archival Explorations
Commercial Music as Cultural Archive: Nationalism, Family, and Modernity in South Korean Advertising Music, 1960s–2000s	Hwang, Mi Kyung	Perspectives on K-Pop and Music in Korean Media
Confrontations of Gender and National Identity in Post-Soviet Musical Spheres: A Case Study in Plixid (2025)	LaBrie, Bailey	Sounding Resistance in Global Music
Constructing the Center: Taxonomy, Hegemony, and Nationalism in Iranian Musical Knowledge	Ziaoddini, Kajwan	Constructing the Center: Taxonomy, Hegemony, and Nationalism in Iranian Musical Knowledge
Contemporary Musical Modernisms Study Group: Inaugural Meeting and Training Session	Wilson, Samuel	Contemporary Musical Modernisms Study Group: Inaugural Meeting and Training Session
Creating Other Spaces at a Moment of Peril: Music Studies as Critical Practice (AMS President\'s Endowed Plenary Lecture)	Hisama, Ellie	Creating Other Spaces at a Moment of Peril: Music Studies as Critical Practice (AMS President's Endowed Plenary Lecture)
Crip-time, Repetition, and Autistic Listening	Safran, Benjamin	Disability Aesthetics
Cultural Vampirism and Musical Resistance in Ryan Coogler’s Sinners	Regalado, Julienne Selena	Time and History in Black Musical Thought
Decluttering In-House Excess: Sonic Excess in Obayashi’s House	Maisonneuve, Justin	Sonic and Visual Excess
Decolonial Approaches to Music Studies: Listening, Historiography, and the Politics of Audibility (ARLAC)	Machado Neto, Diósnio	Decolonial Approaches to Music Studies: Listening, Historiography, and the Politics of Audibility (ARLAC)
Defending Cuban Heritage in Sound and Stone: Reviving Eighteenth-Century Music and Architecture in Twentieth and Twenty-First Century Havana	González, Aimee	Transculturation, Heritage, and Misrepresentation
Developmental Ternary Form in Late-Romantic Character Pieces	Dekovich, Michael	Analysis in Romantic Music
Deviant Propaganda: Festivity and Femininity in Anti-ISIS Propaganda Music	Akbarpour, Hannaneh	Sounding Resistance in Global Music
Diagrammatic Transformation across Early Music Theory Treatises	McIntyre, Flannery E.	Diagrammatic Transformation across Early Music Theory Treatises
Discussion and Planning Session for CWMSG 20^th Anniversary	Woods, Grant	Discussion and Planning Session for CWMSG 20<sup>th</sup> Anniversary
Don Shirley, the Mid-Century Nightclub, and the Romantic Afterlives of Racialized Pianism	Graham, Pheaross	Virtuosic Pianism and Performance Practices
Emerging Scholar Workshop	Cypess, Rebecca	Emerging Scholar Workshop
Enspirited Instrument: On the Sentient Ecology of Making the Kazakh Qyl-Qobyz	Daukeyeva, Saida	The Materiality of Music-Making
Entangled Communicative Action: Legal Discourse in Opéra-Comique, 1762–1789	Sun, Jifang (1,2)	French Opera From the Reign of Terror to 20th-Century Nostalgia
Exotic Bach: Orientalist Fantasy and the Eroticization of Bach in Brazilian Funk	Reis Medeiros de Campos, Raphael	Cross-Cultural Exchange
Fatphobia in Western Classical Music: Historic and Contemporary Perspectives	Comuzzo, Marie	Fatphobia in Western Classical Music: Historic and Contemporary Perspectives
Favart, Gluck, and Cythère assiégée (Vienna, 1759): airs connus and airs nouveaux	Brown, Bruce Alan	Comic Subversions and Intertexts in Early Modern Opera
Fictions of Development, Phantoms of Decay: Ecuador’s National Conservatoire in a Transnational Context (1870-1912)	Naranjo, Francisca	Politics of Identity and Representation in Latin America
Forensic Musicology Then, Now, & Tomorrow	Leo, Katherine	Forensic Musicology Then, Now, & Tomorrow
From ‘cine silente’ to TikTok: Music, Sound, and Moving Media Across the Ibero-American World	Marin-Lopez, Javier	From ‘cine silente’ to TikTok: Music, Sound, and Moving Media Across the Ibero-American World
From Kaditcha to Kabbarli: Jindyworobakism, Settler Primitivism and the Invention of “Australian” Opera	McGartland, Aidan	Transculturation, Heritage, and Misrepresentation
From Benjamin Britten’s “Xmas Piece” to Errollyn Wallen’s A Christmas Miracle: Medieval Drama and Christmas Opera as Public Occasion (ca. 1969–2026)	Vickers, Justin	Musical Childhood in the 20th Century
From Chorus to Crank: The “Glory to Hong Kong” Music Box as a Micro-Infrastructure of Dissent	Lai, Winnie W. C.	The Materiality of Music-Making
From Cultural Material to Methodological Resource: East Asian Composers\' Reinterpretations of John Cage\'s Aesthetics	Chen, Yingjie	Cross-Cultural Exchange
From Philosophy to Practice:Arnold Schoenberg, Rudolf Kolisch, and the Performance Origins of Topic Theory	Frymoyer, Johanna	Rethinking Modernist Genealogies
From Vegas to Kolob: Latter-Day Saints Influence & The Killers’ Pressure Machine	Nielsen, Murray	Popular Music and Faith
From Vienna to Zürich: Decoding Arnold Schoenberg and Ferruccio Busoni’s Wartime Correspondence	Pace, Anne Monique	Networks of Modernist Influence
Gabriela Montero’s Creative Dissent Improvisations on Venezuela: Promoting Human Rights and Democracy in the Digital Age	Hudde, Hermann	Activism, Advertising, and Promotion in Social Media
Gender and Musical Authority in Nineteenth-Century Latin America	Cardoso, Ísis	Music as a Medium of Women's Power
Germaine Tailleferre’s score for Sous le rempart d’Athènes and Philosophical Music	Sarno, Megan	Understudied Philosophical Approaches to Composition
Girl, Juxtaposed: The Formation of Feminine Vocal Signifiers in Punk Rock	Galvin, Mary	Rebels, Freaks, and Feminists: Avant-Garde Women in the 1970s
Girl, You Know It\'s Faux: Performed Liveness in the Case of Milli Vanilli	Starr, Allyson M.	Authenticity and Popular Music
Harmonies of Contention: The Evolution of Music in Faust Narratives of the Late 16th Century	Rathey, Markus	Religious Musical Reception and Reform
Harvey Roehl and ‘Player Piano Treasury’: The first systematic historiography of Player Piano in the United States	Cheng, ching-nam Hippocrates	Sound Technologies of the fin de siècle
Hearing Song Liling: Listening Against Intersectional Expectation in Huang Ruo’s M. Butterfly (2022)	Kim, Seokyoung	Opera Displaced
Henri Herz and the Feminization of Celebrity	Weitz, Shaena	Crises of Masculinity
Hermeneutic Keys to Deflective Structural Praxis in Schubert\'s Late Instrumental Music	Barry, Barbara	Analysis in Romantic Music
Hidden Corners: Nineteenth-Century Children’s Music for Piano	Coombes, Timothy	Hidden Corners: Nineteenth-Century Children’s Music for Piano
Historical Approaches to Music Cognition	Accornero, Giulia	Historical Approaches to Music Cognition
Imperfect Celebrity: Slow Listening to Gaga in the Age of Digital Music Streaming	Ocran, Kwame	Fans, Audiences, and Participants in Popular Music
In Defense of Carl Iken: Multimedia Concert Design and Imaginative Listening in Bremen’s Beethoven Cult	Scully, Francis	Showcasing Virtuosity: Designing the Concert Experience
Incandescent: Women as Light on the late 19^th-Century Stage	Alexander, Tamsin	Sound Technologies of the fin de siècle
International Conversations about Music, Sound, and Trauma	Brooks, Erin	International Conversations about Music, Sound, and Trauma
Internationalism as Nationalism: Russian Music and Art in the Service of Empire	Zavlunov, Daniil	Internationalism as Nationalism: Russian Music and Art in the Service of Empire
Interpreting Melody: Song-Level Analysis in Medieval Monophony	Thomson, Matthew	Interpreting Melody: Song-Level Analysis in Medieval Monophony
Introspecting \"Children\'s\" Music	Bunch, Ryan	Introspecting "Children's" Music
Is Modal Ethos Real?	Koplitz, Daniel	Pre-Modern Musical Expression
Jazz Pentatonic History: A Study of Global Pentatonicism and Its Entrance into Jazz Styles	Felter, Collin	Jazz Research and Analysis
Jewish String Musicians Throughout the Holocaust: Two Case Studies in Continuity, Purpose, and Survival Through Music	Spina, Alyssa	Music, Resistance, and World War II
Johann Sebastian Bach’s Saint John Passion as Opera: Sasha Waltz’s Contemporary Gesamtkunstwerk	Knyt, Erinn	Immersive Arts: Adapting Works for Dance
Kisaeng Entertainment Labor and the Limit to Marxist Imaginations in Colonial Korea	Lee, Laurie	Echoes of Colonialism in Modern Korean Music
Layered Translations: Institutions, Instruments, and Gender in African Art Music	Ukaewen, Sunday Oluwaseun	Layered Translations: Institutions, Instruments, and Gender in African Art Music
Leonard Bernstein’s Failed China Initiative and the Neoliberal Turn in Cold War Cultural Diplomacy	Chu, David	China and the West
Lila Downs’ Border/La Línea (2001): Representation, Neoliberalism, and “World Music”	Gomez Alvarez, Edgar	Resilience and Dystopian Cities in Latin America
Liminal Musicking	Kaplan, Kyle	Liminal Musicking
Listening for Democracy with Alan Lomax	Hartford, Kassandra	Media and Pedagogy
Listening to Symphonic Music with Resistance and Fear: The Case of Eileen Chang’s “On Music” (Tan Yinyue)	Tam, Yi Ching {Kevin}	China and the West
Listening to the Haunted City: Tango and the Spectral Geographies of Buenos Aires	Saenz, Juan Patricio	Resilience and Dystopian Cities in Latin America
Looking for \"Euphoria\" in Kendrick Lamar\'s GNX (2024)	Jordon-Conlin, Tamyka	Time and History in Black Musical Thought
Man’s Best Brand: Pets, Fandom, and Promotional Intimacy in Sabrina Carpenter’s Man’s Best Friend	Galloway, Kate	Activism, Advertising, and Promotion in Social Media
Mapping Sources in Musical Iconography: Crossing Borders and Challenging Boundaries (ARLAC)	Rocha, Luzia Aurora	Mapping Sources in Musical Iconography: Crossing Borders and Challenging Boundaries (ARLAC)
Mary Magdalene and Easter at the Benedictine Abbey of St. George, Prague	fassler, margot (1); rankin, susan (2)	Pre-Modern Musical Expression
Maurice Ravel’s La Valse and the Sublime	Weydt, Claire	Crises of Masculinity
Mélisande’s Water Sleeves: Re-inscribing Debussy in Shanghai (2016)	Xu, Yuebei	Opera Displaced
Mobility, Mediation, and Institutional Formation: German Émigré Musicologists and the Transatlantic Shaping of American Musicology	Bai, Anne {Yibing}	20th Century Historiographies
Mozart and the modest paradox of improvisation	Goehring, Edmund	Mozart and Compositional Process
Mozart as Historian: Renaissance Tonal Style as Viewed in the Eighteenth Century	Shafner, Noah	Mozart and Compositional Process
Mozart vs. Classi(ci)sm: The Jupiter Symphony\'s Finale as a Revolutionary Manifesto	Rebuffi, Marcelo; Rebuffi, Marcelo	Mozart and Compositional Process
Music and Animation (Global East Asian Music Research Business Meeting & Lightning Talks)	Hamilton, Elina	Music and Animation (Global East Asian Music Research Business Meeting & Lightning Talks)
Music and Fascism’s Transimperial Histories: Sounding to and from Pacific Asia	Hsieh, Amanda	Music and Fascism’s Transimperial Histories: Sounding to and from Pacific Asia
Music and Original Accumulation	Drott, Eric	Music and Original Accumulation
Music for the Poor, Imprisoned, Orphaned, and Disabled: Institutional Histories across Europe	Tonelli, Vanessa	Music for the Poor, Imprisoned, Orphaned, and Disabled: Institutional Histories across Europe
Music History From Below in (and Across) the Gulf-Caribbean World: Archival Envelopment, Thick Description, and Atlantic Methods in Musicology	Barson, Benjamin	Music History From Below in (and Across) the Gulf-Caribbean World: Archival Envelopment, Thick Description, and Atlantic Methods in Musicology
Music in the Press: Research Methods and the Writing of Music History in Latin America and the Caribbean (ARLAC)	Volpe, Maria Alice	Music in the Press: Research Methods and the Writing of Music History in Latin America and the Caribbean (ARLAC)
Music-Induced Tourism and Pianistic Nationalism: The Aesthetic Work of Rapsodia Nusantara by Ananda Sukarlan	Panjaitan, Dr. Edy	Virtuosic Pianism and Performance Practices
Musical Treatise as Political Philosophy: Girolamo Diruta’s Il Transilvano (1593) and the pipe organ in Venice	Hovhannisyan, Rubina Mazurka	Early Modern Materiality and Identity
Musicology Across Borders: An International Summit	Lockhart, Ellen	Musicology Across Borders: An International Summit
Negotiating Transatlantic Musical Modernism and Exoticism through Song: The Case of Eva Gauthier	Spahn, Madison	Cross-Cultural Exchange
Neoclassicism’s Russian Origins	Domico, Patrick	Rethinking Modernist Genealogies
Networks of Influence: Artistic Exchange and Stylistic Synthesis in the Music of Charles Tomlinson Griffes	Blake, Matthew Elias	Rethinking Modernist Genealogies
New Evidence for (Marginal) Soundscapes of the Early Medieval West	Minniti, Giulio	New Evidence for (Marginal) Soundscapes of the Early Medieval West
Nietzsche as Composer, Philosopher, Antichrist: A Conceptual Art Song Analysis	McIntyre, Jonathan	Understudied Philosophical Approaches to Composition
Notating Digitally	Fitz Gibbon, Elaine	Notating Digitally
Notes toward a Decolonial Critique of Polyphony	Fairley, Brian	Transculturation, Heritage, and Misrepresentation
Off the Record: Vinyl Beyond the Musical Object	Schreter, Uri S.	Off the Record: Vinyl Beyond the Musical Object
On Boethius, Ptolemaios, the τόνοι, and the Modes	Atkinson, Charles	Theories of Premodern Music: Expectations and Enigmas
On Intercultural Punning: Race, Global Popular Music, and Anticolonial Solidarity	See, Truman	Sounding the Other
On the Air of the Vienna Woods: Musical In-spiration, Health Tourism, Environmental History c. 1900	Menicanin, Sadie	Musical Environments
One Material, Many Materialities: Goat Skin and Vocality in Yoruba Dùndún Drumming	Ukaewen, Sunday Oluwaseun	The Materiality of Music-Making
Opera on Television in the Mid-Twentieth Century: New Perspectives on Intimacy and Belonging	Levy, Daniela	Opera on Television in the Mid-Twentieth Century: New Perspectives on Intimacy and Belonging
Opera on the Edge of Empire: Articulations of Colonial Modernity in Rabindranath Tagore’s Valmiki Pratibha	Kulkarni, Anushka	Imperial Hybridity
Organology Study Group Paper Session: Timbre, Timber, & Technicians	Chang, Lidia	Organology Study Group Paper Session: Timbre, Timber, & Technicians
Organs, matracas (Church rattles) and bands in Europe and the New World: 18th–20th centuries (ARLAC)	Bermúdez, Egberto	Organs, matracas (Church rattles) and bands in Europe and the New World: 18th–20th centuries (ARLAC)
Orientalism, Exoticism, and Musical Transculturation in Manuel M. Ponce’s Eight Cycles for Voice and Piano	Reyes Paz, Ricardo	Politics of Identity and Representation in Latin America
Painstakingly Complicit: The Sound of “Happy Eating” in Vertically Oriented Video Advertisements for Ultra-Processed Foods	Shao, Linyu Jolene	Activism, Advertising, and Promotion in Social Media
Performance as Communication: Semiotics of 19th-Century Art Song Quotation	Roshal, Lev	Brahms Reception
Performing Italy: Opera and Public Representation in Italian Immigrant Communities, ca. 1850–1900	Agugliaro, Siel	Sounding Soft Power: Musical Diplomacy Across Borders
Perspectives on Kikuko Kanai and Okinawan Music in Modern Japan (IMSEA)	Kawabata, Maiko	Perspectives on Kikuko Kanai and Okinawan Music in Modern Japan (IMSEA)
Pierre-Henri Bouchy and the Reform of Plainchant in Nineteenth-Century Québec	Johnson, Karl Isaac	Religious Musical Reception and Reform
Platform Vernaculars and the Mediation of Musical Meaning: A Virtual Ethnography of Chinese Jazz Culture	LIU, YUFEI	Poster Session
Platforming Popular Music	Harper, Paula	Platforming Popular Music
Popularizing and Politicizing Buddhist Music in the Communist PRC	Zhang, Wenzhuo	Buddhist Music Through the Ages
Porous Voices, “Vocaloidized” Voices: Queer Listening, Cyborgs, and Transnational Girlhood in the Digital Age	Ma, Yiqing	Queer Voices/Queer Narratives
Postcolonial Operatic Modernities: Love, Indigeneity, and Afterlives in Black and African Contexts	Roos, Hilde	Postcolonial Operatic Modernities: Love, Indigeneity, and Afterlives in Black and African Contexts
Presets and the Pleasure of Synthness, or, Why Not All 1980s Music Sounds the Same	de Kok, Moira	Timbre, Technology, and Digital Musical Interface
Quantifying Concordance: Networks of Notation in Medieval English Pontificals	Fenton, Cassandra	Medieval Models of Musical Transmission
Queer Sonorities on the Third Coast: The Impact of the Chicago Gay Men\'s Chorus and the Windy City Gay Chorus	Scida, Alexis	Responding to AIDS
Re-singing Pusan-Shimonoseki Ferry: Colonial Korean Song, Postwar Japan, and the Making of Enka	Auo, Jiyoon	Echoes of Colonialism in Modern Korean Music
Recalling the Resistance at the Festival d\'Aix-en-Provence (1948)	Gouzi, Apolline	Music, Resistance, and World War II
Reclaiming Mahler in the 1950s; or, the Aesthetic Politics of the Mahler article in MGG	Korstvedt, Benjamin	20th Century Historiographies
Rediscovering \"America\'s Finest Tenor\": Wallace King (1845-1903)	Schüler, Nico	Archival Explorations
Reimagining Arirang Across the Border:Transborder Circulation, Ideology, and Musical Affect in Divided Korea	Son, Mingyeong	Echoes of Colonialism in Modern Korean Music
Reimagining the PhD: The ACLS Doctoral Futures Initiative	Woods, Grant	Reimagining the PhD: The ACLS Doctoral Futures Initiative
Remembering Bonnie Blackburn (1939-2026)	Cumming, Julie	Remembering Bonnie Blackburn (1939-2026)
Reordering Musical Authority across the Pacific: Inter-Asian and Trans-Pacific Infrastructures in the Early Cold War	Shen, Diau-long	Reordering Musical Authority across the Pacific: Inter-Asian and Trans-Pacific Infrastructures in the Early Cold War
Replaying the Past: Franchise Memory and Musical Historiography in Indiana Jones and the Dial of Destiny	Cairns, Zachary	Film Music Franchises
Research into the Methodology Behind Digitally Archiving Materials Related to Kabuki Music (IMSEA)	Tsuchida, Makiko	Research into the Methodology Behind Digitally Archiving Materials Related to Kabuki Music (IMSEA)
Rethinking Backstage	Vella, Francesca	Rethinking Backstage
Rethinking Modernism Through Empire: Music and Historical Consciousness in a Global 19th Century	Eshghpour, Assay Michelle	Imperial Hybridity
Rethinking Music Theory’s Global Histories: Conversations on Thinking Music	Chávez Bárcenas, Ireri	Rethinking Music Theory’s Global Histories: Conversations on <em>Thinking Music</em><em></em>
Rethinking the A and I of AI: Of Music, Mind, Mechanism, and Machine	Goehr, Lydia	Rethinking the A and I of AI: Of Music, Mind, Mechanism, and Machine
Reviving Rameau: The (Un)Controversial Nostalgia of the Paris Opéra\'s 1952 Les Indes galantes	Clough, Kristen	French Opera From the Reign of Terror to 20th-Century Nostalgia
Rhythm and Motion: “The Melodious Clowning of Satie” in René Clair’s Entr’acte (1924) as a Blueprint for a Modernist Audio-Visual Aesthetic	Baumgartner, Michael	The Sounds of Silent Film
Rhythms of Relations: Mallarmé’s Theatrical Vision in Debussy’s Prélude à l’Après-midi d’un faune	Choi, Misty	Interpreting Early 20th Century French Art Music
Rimsky in Respighi\'s Rome	Seinen, Nathan	Musical Travels In and Out of Russia
Screened Listening: Sonic Infrastructures in Asian Diasporic Installation Art	Gabrillo, James	Buddhist Music Through the Ages
Sexualising Sylph: Gendering French Fairies	Rowlands, Elwyn	Gendered Bodies on Stage
Singing and Selling Salvation: Gospel Quartets, Show Business, and Popular Religion in Nineteenth-Century America	Castle, Chase	Popular Music and Faith
Singing on the Instrument, Playing on the Voice? Time and Timbre in Cello and Voice Recordings of Fauré’s Après un rêve	Llorens, Ana	Interpreting Early 20th Century French Art Music
Sipping From the Fire Hose: Finding and Managing Early Music Research Tools and Resources	Long, Sarah	Sipping From the Fire Hose: Finding and Managing Early Music Research Tools and Resources
Sonic Ecologies of Deindustrialization and Urban Politics	Kaveler, Devin	Sonic Ecologies of Deindustrialization and Urban Politics
Sonic Mundanity as a Refusal of ‘Plague Logic:’ How Musical Trans+ Drag Performance Affectively Resists Crisis Narrative Frameworks	Cooper, Sarah	Responding to AIDS
Sounding Catastrophe: Music, Race, and Trauma across Katrina’s Audiovisual Afterlives	Deaville, James	Black Atlantic Histories
Sounding Catholic Reform: Music, Identity, and Adaptation in the Early Modern World	Drummond, Henry T.	Sounding Catholic Reform: Music, Identity, and Adaptation in the Early Modern World
Sounding Political Impasse in a World of Authoritarian Turn: Insights from Turkey	Cekmeci, Ceyda	Sounding Resistance in Global Music
Sounding the Vernacular: Local Musical Practices in Literary and Art-Musical Frames	Srinivasan, Anisha	Sounding the Vernacular: Local Musical Practices in Literary and Art-Musical Frames
Spectrogram Senses: Towards an Environmental History of Sound and Heat	Williams, Gavin	Musical Environments
Staging Operatic Trauma	Buonaiuto, Danielle	Staging Operatic Trauma
Supernatural influences and occult revivals: celebrating 40 years of esoteric studies	Pott, Alexander	Supernatural influences and occult revivals: celebrating 40 years of esoteric studies
Surgical Enhancement and Nineteenth-Century American Pianism: A Historical and Bioethical Investigation of Digital Tenotomy in Pianists	Saltzstein, Jennifer	Virtuosic Pianism and Performance Practices
Suspended Worlds: Sound, Power, and Temporality in Elden Ring	D'Errico, Michael	Ambient Soundscapes
Synth Pad as Interface in Christian Worship Music	Byrd Glidewell, Abigail	Timbre, Technology, and Digital Musical Interface
Technologies and Terrors: Contemporary Sonic Responses to Violence and Trauma	Rostami, Mehrenegar	Technologies and Terrors: Contemporary Sonic Responses to Violence and Trauma
The Parliament of Birds: Poetry and the Transmission of Song in Late Medieval England	Cameron, Emma	Medieval Models of Musical Transmission
The Architect of Americanismo: Francisco Curt Lange and the Intellectual Infrastructure of Latin American Musicology (ARLAC)	González, Juan Pablo	The Architect of Americanismo: Francisco Curt Lange and the Intellectual Infrastructure of Latin American Musicology (ARLAC)
The Archive as Counterhistory: The Reception of Christian Sources in the Eduard Birnbaum Collection	Shahin, Melani	Religious Musical Reception and Reform
The Ballet Adaptation of Anna Karenina (1972): Shchedrin, Tolstoy, Tchaikovsky, and Collage as a Critique of Polystylism.	Bonora, Margarita	Immersive Arts: Adapting Works for Dance
The Bartóks in Exile: Peter Bartók’s Wartime Escape from Europe, Hungarian Émigré Networks in the United States, and Their Impact on Béla Bartók’s American Years	Lucas, Sarah	20th Century Historiographies
The Clubwoman as Musicologist: Women\'s Music Clubs and the Making of American Musicology	Skoronski, Benjamin	Music as a Medium of Women's Power
The Hegelian Logic of Motivic-Thematic Music	Menillo, Gregory	Understudied Philosophical Approaches to Composition
The Identity of \"Netherlands Court Scribe B\"	Kostrzewski, Brett	Early Modern Materiality and Identity
The Impact of the Donor Class on the Contemporary American Opera Industry	Wilson, Justin	The Opera Industry and Social Class
The Intersection of Games, Screen Media, and Music (Joint Session of Music and Media Study Group and Ludomusicology Group)	Scoggin, Lisa	The Intersection of Games, Screen Media, and Music (Joint Session of Music and Media Study Group and Ludomusicology Group)
The Living Materiality of Sound Production and Sound Re-Production	Ospina Romero, Sergio	The Living Materiality of Sound Production and Sound Re-Production
The Making of a Good Mother: Music, Filial Piety, and Female Citizens during the Terror	Law, Hedy	French Opera From the Reign of Terror to 20th-Century Nostalgia
The Man in the Mirror: Tomás Luis de Victoria\'s Distributed Self-Fashioning	Sugg, Maura	Early Modern Materiality and Identity
The Occupied Organ-Piano: Caroline Pichler’s Music Salon as a Site of Cross-National Exchange during the 1805 and 1809 French Occupations of Vienna	Eubanks, Emily	Sounding Soft Power: Musical Diplomacy Across Borders
The Operatic Voice and its Diasporic Imaginary: Feodor Chaliapin in Japanese-occupied Manchukuo	Gourley, Ryan	Musical Travels In and Out of Russia
The Pastoral Topic and the “Machine in the Garden” in Portrayals of the American Frontier	Tran, Sylvie	Musical Environments
The Pitch of Blackness: Sounding Race on Broadway (Critical Race Lecture)	Asare, Masi	The Pitch of Blackness: Sounding Race on Broadway (Critical Race Lecture)
The Radīf and Canon Formation: Reconfiguring Tradition in Early Pahlavi Iran	Abedinifard, Morteza	Musical Modernisms and Categories of Identity
The Shape of Jazz Scholarship To Come: A Meta-Study of Contemporary Jazz Research	Sobol, Elad (1); Longardner, Joseph (2)	Jazz Research and Analysis
The Singing Body at Work: Health and Labor among Female Singers at the Paris Opéra (1830–1870)	Barré, Martin	Gendered Bodies on Stage
The Spice Girls and the fleeting presence of 1990s Britain	Schiller, Hannah Rosa	Authenticity and Popular Music
The Spirit of Music in Balkan Modernism: Close Readings from Inter-War Bulgaria	Salkowski, David	Musical Modernisms and Categories of Identity
The Tonnetz Pole and the Imagination of Sleep in Hugo Wolf’s “An den Schlaf”	Wedler, Sebastian	Analysis in Romantic Music
The Two-Way Exchange: Filipino-American Hybridization in Eliseo Pajaro’s Philippine Symphony	Mach, Ash	Imperial Hybridity
Theodore Baker, Nordamerikanischen Wilden, and the Repatriation of Native Song	Robbins, Allison	Theodore Baker, <em>Nordamerikanischen Wilden</em>, and the Repatriation of Native Song
Tonal Expectations? On Cadential Trajectories and Half Cadences in Petrucci’s First Books of Frottole	Praskurnin, Vlad	Theories of Premodern Music: Expectations and Enigmas
Tracing a History of Subversion in Ambient Music	Galik, Ryan	Ambient Soundscapes
Tradition as Moving Target: Neo-Neo-Traditionalism, Digital Infrastructures, and Cultural Labor in 21st-Century Country Music	Gary, Sean	Authenticity and Popular Music
Trans Musical Activism: A Conversation with CN Lester	Tyson, Lee	Trans Musical Activism: A Conversation with CN Lester
Transmedia Women’s Bodies in Japanese Anime Voices	Yu, Cheuk Ling	Sounding the Other
Tune Family Trees: A View from Behind	Jeffery, Peter	Medieval Models of Musical Transmission
Two Hundred Years of Lisa Cristiani: Analyzing Three Performances in East Siberia, 1849	González Dorantes, Emilia	Musical Travels In and Out of Russia
Two Newly Discovered Sequences by Peter Abelard (1079-1142)	Barrett, Samuel	Pre-Modern Musical Expression
Utopian Interruption and the Failure of Consolation in Marshall Gilkes’s My Unanswered Prayer	Espinosa, Alejandro	Jazz Research and Analysis
Virtuosity as Sociocultural Capital: Embodiment, Labor, and Value across K-pop and Contemporary Korean Classical Pianism	Oh, MyungJin	Perspectives on K-Pop and Music in Korean Media
Voice Now?: Committee on Race, Indigeneity, and Ethnicity Roundtable	Vajjhala, Rachana	Voice Now?: Committee on Race, Indigeneity, and Ethnicity Roundtable
Voye Chante (Throwing/Sending Song): Ritual Frequencies for Resistance in Haitian Vodou	Edouard, Collin	Black Atlantic Histories
What Class Time Is For: Music History Pedagogy across Formats and Student Bodies	Dietlinger, Barbara	What Class Time Is For: Music History Pedagogy across Formats and Student Bodies
What’s the Point of a Musical Riddle? Playing Games with Elway Bevin’s “Five Wounds” Canon (1631)	Barbre, Renée	Theories of Premodern Music: Expectations and Enigmas
When Sound Happens: Carolee Schneemann, Marian Zazeela, and the Turn to Sound Installation at The Kitchen in the 1970s	Cocozza, Sophia	Rebels, Freaks, and Feminists: Avant-Garde Women in the 1970s