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Index of Titles

A complete list of all conference contributions. Use the alphabetical filter or the search box below to find specific submissions. Click on any contribution to view its session details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z " ' ¿ ‘ “ All Titles

Contribution Title	Author(s)	Session
¿Puedes Oírme? (Can you hear me?): Recognizing Iberian/Latin American Voices in the Music Theory Classroom	Mann, Rachel	Joint Poster Session
....music's time is the time of the trees...': Schubert-Mahler-Berio and the Sound of Nature	Peattie, Thomas	In the Shadow of Mahler
'Into your Sussex quietness I came': rediscovering the orchestral music of Avril Coleridge-Taylor	Edney, Tom	Exploring Regional and Cultural Identity in the Twentieth Century
‘Capture in notation’: Ornette Coleman, transcription and il/legibility	Kobel, Malte	Capturing Music: Notational Privilege and Practice
‘I, too, was once a musician’: The double-marginalisation of Iranian Migrant Musicians in Canada	Assay, Michelle	Iranian Musical Encounters and Meanings
‘Love Has the Victory’: Musical Representations of Female Power in Ethel Smyth’s Der Wald	Zigler, Amy E	Composing Women: Identity and Creative Agency
‘Roman salutes’ and ethnic makeup in Clemente’s Fracassi’s Aida (1953)	Mantica, Candida Billie	Politics and Representations of Identity in Music
‘Synagogue on stage! God, how far art is from reality!’: Valentina Serova, Jewry, and opera in late imperial Russia	Ong, Nicholas	Jewish Musical Theater and Song
"'Shut Those Motherf----s Up!’: Jazz, Identity, and Resistance in Mike Figgis’ s Stormy Monday"	Prouty, Ken	Making Use of Jazz on Screen
"A First-Class Yiddisha Tone": Investigating the Jewish Novelty Songs of Irving Berlin	Smith, Anya	Jewish Musical Theater and Song
"Abscheulich, langweilig, und obszön": Strauss's Feuersnot as Musical Secession at Mahler's Vienna Court Opera	Youmans, Charles	In the Shadow of Mahler
"An die ferne Geliebte" between Death and Resurrection: Beethoven, Lobkowitz, and mourning in Vienna around 1800	Lodes, Birgit	Structure and Effect in Beethoven
"Blues Is A Woman": Situating Feminist Desire in Fantasy Concerts	Koppes, Anne Elise	Femininity and Female Archetypes
"Filming a Stage Performance is Not a Form of Art": Opera’s Divided Screen Cultures	Morris, Christopher	Adapting Musical Performance for the Screen
"I Detest Opera Done on the Small Screen": Maria Callas on Television	Senici, Emanuele	Adapting Musical Performance for the Screen
"It's About Time": George Russell and Fourth Way Metaphysics	Micchelli, Mark	Music Theory and Spirituality
"Let the Vagina Have A Monologue": Exploring Persona in Janelle Monáe's Music	Tobin, Sarah	Expression in Vocal Music I
"Loud and Unnecessary": Drum Circles in Miami Beach as a Space of Socio-Political Dissensus	Junco, Hannah Marie	Sounding Excitement and Resistance in Latin American Communities
"Music That Makes Holes in the Sky": The Idea of Absolute Music in Georgia O'Keeffe's Early Music Paintings	Nowell, Frederick Cruz (1,2)	Music and the Visual Arts
"Narratives of Modernization in Korean Pop Ballads from the 1990s and Early 2000s"	Hwang, Mi Kyung	K-Pop: Inside, Outside, New and Old
"Not Worth the Price of Engraving": Heugel's failed publication of Rossini’s late piano music	Cohen, Simon	Musical Ownership and Value in the 19th Century
"Prince of Some Versatility": Symbolic Elements to Carlo Gesualdo’s Marian Worship in Sacrae Cantiones	Yuen, Wing Heng Victor	Innovation and Symbolism in Early Modern Motets
"Tha Crossroads": Defining Melodic Rap	Guerrero, Devin Ariel	Joint Poster Session
"The Most Distinctive Feature:" Harmonic Function within The Sacred Harp	Hammond, Lily Marshae	New Approaches to Harmonic Function
"The Sound of a Positive Dollar:" The Chicago Bucket Boys and Contestations of Public Spaces Within Chicago's Street Music Ordinance Debates	Copley, Christopher	City Soundscapes
"Y2K Turned Out All Right": Vaporwave Livestreams as Therapuetic Memory Practice	Roberts, Elisabeth Christine	Practices of Memory and Resistance
“A New Style for a New Time”: Chaos and Consolidation in the Works of Paul Hindemith	Hughes, Lesley	Responses to Authoritarianism
“All Lovers of Cornwall:” Defining the Cornish Celtic Folk through Song in the Late Nineteenth and Early Twentieth Centuries	Booker, Nicholas Alexander	Singing Memory: Traditional and Folk Musicking in the British Isles
“As Played By …”: Inscribing Ephemera in Nineteenth-Century Performer-Centric Music Editions	Kregor, Jonathan	Musical Publications in the 18th and 19th Centuries
“At the End of the Street”: The Marching Band as a Sonic Marker of U.S. American Identity	Lopez, Anna Marinela	Disney and Musical Representations of American Identity
“Be Bimbos, Ladies!” Vocality, Drag, and the Chappell Roan Persona	Lynch, Kasey Jai	Expression in Vocal Music I
“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers	Valcour, Anna	“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers
“Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand”	Frisch, Walter	“Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand”
“Give me sodomy or give me death:” Deciphering the Embodied Political Persuasion and Deconstruction in Diamanda Galás’s Plague Mass	Gao, Yan	Still Here: Protest, Survival and Queer Worldbuilding
“Glorifying the American Girl:” Patriotism, American Femininity, and All-Girl Bands from the 1920s-1940s	Ledingham, Claire	Musical and Extramusical Agendas (AMS Explore)
“He’s Become a Part of Me”: Queering the Levi-Brahms Artistic Relationship	McManus, Laurie	Seeing and Depicting Queerness
“I belong in…”: Fiddler on the Roof and Cold War-Era Zionism	Blim, Dan	Jewish Musical Theater and Song
“I Choose Violence”: Reverberant Feminist Rage in a Man v. Bear Digital World	Turnage, Teresa Marie	Making Music and Meaning on the Internet
“I sing like a girl”: Madonna and the voicing of gendered temporalities in the neoliberal era	Schiller, Hannah Rosa	Embodiment and Musical Gendering
“I’m Gonna Keep on Dancing”: Chappell Roan’s “Pink Pony Club,” Dance Floor Utopias, and the Queer Art of Survival	Fitzpatrick, Erin Anne	Still Here: Protest, Survival and Queer Worldbuilding
“I’m sorry y’all, I often drift – I’m talking gift” Microrhythmic analysis of rap – categorization, malleability and structural bothness.	Oddekalv, Kjell Andreas	Analysis of Popular Music II
“In My Merry Oldsmobile”: The Affectual Ecology of the Musical Car, 1905–1958	Wood, John Clement	Silence and Sound in Urban Environments
“Is That My Camera?”: Voicing Camp on RuPaul’s “Snatch Game”	Bates, Morgan	Gender Play: Music and Forms of Gender Impersonation
“It's she who holds her tongue who gets a man”: Performativity, music, gender, and sexuality in a selection of animated Disney films	Lozano Velásquez, Camilo Andrés	Gendering Strategies in Films
“Keys to the Lamborghini”: Picking Transformations and Embodiment in Rock Guitar Instructional Videos of the early 1990s	Rivera, Juan Luis	Techniques and Technologies
“Like the World Fading into View After a Dream:” Spectral Houses, Music, Memory and the Trans* Gothic in The House in Fata Morgana (2012)	Greene, Aria Christopher	Technology, Timbre, and Trans Identities
“Loads of Random Major Chords”: Triadic Progression as Motive in the Music of Cardiacs	Clement, Brett	Analysis of Popular Music II
“Many Songs, One Nation: Towards a Pluralistic Understanding of Folksong in America, 1890s–1930s”	Platt, Heather	Chronicling American Folk Song
“Menial” Beethoven: Beethoven’s Four-Hand Grand Fugue and the Consequences of Musical Labor	Sisman, Elaine	Structure and Effect in Beethoven
“Murder on Music Row”: Debates on Authenticity in Country Music, and the Transgression of Fundamentalist Religious Polity	Schwindt, Joel	Identity and Authenticity in Country Music
“Music for the Eyes” Sebastiano Arturo Luciani and the Roots of Italian Film Music Studies Before and After Synchronized Sound	Saturnia, Tommaso	Soundtrack Semantics
“Not born to be a musician, but to be an excellent worker”: Class, Gender, and the Étude in the Early Nineteenth Century	Cordery, Gareth	Music, Education, and Care
“Refuge of the Roads”: Portrayals of Musical Restlessness in Joni Mitchell’s Hejira	Shaw, Ellen	Joni Mitchell
“Rhythmic Venom” or Comfortable Groove? On Microtiming in Colombian Currulao	Tabak, Lina	Groove
“Semper Fi, Do or Die”: Hegemonic Masculinity in a Homosocial Musical	Larson, Zane	Instrumental and Sonic Masculinities
“Silence is the Canvas behind the Sound”: From Gesture to Timbre in Rebecca Saunders’s Works for Strings	Rich, Morgan	20th-Century Ideas II
“Silent Hearing” in Mark Applebaum’s Darmstadt Kindergarten	Eshleman, Drake Edward	Disability in Musical Topics and Form
“Sometimes a Fantasy”: Billy Joel and the Concealed Lament in his “Soliloquy” for Solo Piano	Koslovsky, John Charles	Analysis of Popular Music III
“Sounds that Swing”: Don Cherry’s Sonic Philosophy	Roth, Paul Nicholas	Race and Defiant Self-Definition through Jazz
“Swing it, Professor: Jazz, Schools, and the Hollywood Film in the Mid 20th Century”	Ake, David	Making Use of Jazz on Screen
“Tehran Tokyo”: Re-Presentation of Femininity in Iranian Pop Music	Moridvand, Mohammad	Femininity and Female Archetypes
“The Bridge of Our Lives”: The Anthem Bridge as the Emotional Climax in Modern Pop	Laws, Hannah Grace	Form in Popular Music
“The cannons fired shots as a call to prayer”: Sound, Ritual, and Conquest in the Austrian Habsburg–Ottoman Thirteen Years’ War (1593–1606)	Pearse, D Linda	European Bellephonics: The Sounds of War and Peace
“The Freak who Sings in the Tubs”: Camp Performance and Gay Empowerment in New York’s Continental Bathhouse	Nichols, Courtney Rae	Music, Sexual Performance, and Ethno-Porn
“The Times They Are A-Changin’”: Musicking through Challenging Times	Gordon, Bonnie	“The Times They Are A-Changin’”: Musicking through Challenging Times
“The Woman Who Sings”: Femininity, Authenticity, and Russification in late Soviet Estrada	Brooks-Conrad, Allison	Femininity and Female Archetypes
“This is why we can’t have nice things:” White Feminism and the Cultural Value of Taylor Swift	Rafter, Maureen	Theorizing and Mythologizing Whiteness
“Together We Sing”: Ulysses Kay’s Cantatas and the Interracial Music Council	Moenning, Andrew	Music and the Fight for Civil Rights
“Tricolor Music”: Verdi’s I Lombardi in 1848	Ipson, Douglas	Politics and Representations of Identity in Music
“Watashi wa star:" Fusion, Rebirth, and Hip-Hop Identity in Megan (2024)	Jordon-Conlin, Tamyka (1); Ma, Yiqing (2)	Hip-Hop Identities: Negotiating Boundaries of Race and Nationality
“Whatever small part we could do”: Community and Grassroots Leadership in Benefit Concerts for Ukraine	Morris, April Pauline	Encoding Conflict in Music
“Which of these keyboards would you eat?” Towards an Aesthetics of Computer Keyboard Sounds	Liu, Addi	The Secret Life of Keyboards
“With just a leavening of low comedy”: John W. Isham’s Black Chorines Circa 1900	Proctor, Elea	Black Racial Representations on the Musical Stage
“You can call me SUGA, or Agust D, or Yoongi”: An Examination of K-pop Artist Min Yoongi's Vocal Personas	Hedberg, Natalie R.	K-Pop: Inside, Outside, New and Old
“You make it feel me good": K-pop English and Gestalt Listening Across Borders	Reed, Jacob	K-Pop: Inside, Outside, New and Old
“You man love the Americans too much”: Reading, hearing and renegotiating America in Black-British rap music	Bowes, Lizzie	Hip-Hop Identities: Negotiating Boundaries of Race and Nationality
(Dis)unity of Musical Space in the Late Works of György Ligeti	Callender, Clifton	20th-Century Ideas I
(New) Realism in Puccini’s Madama Butterfly	Zhang, Jingyi	Italian Opera and Exoticism
(Photo)Graphic Scores	Metcalf, Thomas	Beyond the Score
(Re)Constructing the Healthy Turn: Body Images and Mental Health in Popular Music	Ptatscheck, Melanie	Sounding the Healthy and Unhealthy Body
(Re)sounding Europe: Borders, Boundaries, Belonging	Emmery, Laura	(Re)sounding Europe: Borders, Boundaries, Belonging
#soundscape: Virtual Spatiality, Online Sonic Atmospheres, and Soundscaping Platforms	Galloway, Kate	Making Music and Meaning on the Internet
200 Years of Italian Opera in the United States: 1825–2025	Gerbino, Giuseppe	200 Years of Italian Opera in the United States: 1825–2025
8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia	Heazlewood-Dale, James	8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia
A Berliozian Aesthetic of Sacred Music	Walker, Jennifer	Perspectives on 19th-Century Sacred Music
A Feminist Killjoy at the AMS (CWG Lecture)	Hatter, Jane Daphne	A Feminist Killjoy at the AMS (CWG Lecture)
A Hero and a Queen: Narratives of Time Travel and Queerness in “Bohemian Rhapsody”	Rebuffi, Marcelo Gabriel	Rock Narratives
A New Collective Memory: The Sonic Battle Between Chiang Kai-shek Memorial Hall and Liberty Plaza	Couture, Heather Kay	Practices of Memory and Resistance
A New Quantitative Approach to Headbanging at the Frontiers of Groove	Hannan, Calder	Groove
A Phenomenological Perspective on Choreomusical Space-Time	Tai, Amy Ming Wai	Dance
A Rising Star Confronts His Idol: Revisiting Miles Davis and Wynton Marsalis at Expo ‘86	Fath, John Vincent	Race and Defiant Self-Definition through Jazz
Acousmatic Empire: Pierre Schaeffer, African Radio, and the Late Colonial State	Brady, Sophie Angeline	Colonial Narratives and Negotiations
Adventures in Functional Space, An Expanded Map of Harmonic Function	Bayne, John	Joint Poster Session
Advocating for Operetta in Mussolini’s Italy: An Archival Story	Ladd, Marco	Responses to Authoritarianism
Affective Economies, Excitation Transfers, and Sonic Atmospheres in Argentine Soccer Stadiums	Herrera, Eduardo	Sounding Excitement and Resistance in Latin American Communities
Afro-European Music, Religion and Performance in the Early Modern Kingdom of Kongo	Cole, Janie	Sacred Music and the Performance of Power
Against Muteness but Beyond Sound: Republican Shanghai’s Forgotten Gestural Musicology	Holley, Gus Dalan	Beyond the Score
Ailton Krenak’s Performance Theory and Opera’s Ancestral Future: Subverting Carlos Gomes’s Il Guarany	Sato, Eduardo	Re-Sounding the Postcolonial City
Alaben voisen: A Turkish Song in Avignon (ca. 1630-1650)	Mujica, Ana Beatriz (1,2)	Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music
Alienness, Queerness, and the Sacred in Clones of Dr. Funkenstein (1976)	Cueto, Alejandro	Seeing and Depicting Queerness
American Documentary Opera, Reconsidered	Ward-Griffin, Danielle	American Documentary Opera, Reconsidered
American Orchestral History: the Composers, the Programming, and the Performers	Miller, Eden Elizabeth Payne	American Orchestral History: the Composers, the Programming, and the Performers
Amo Christum: Music for a Divine Marriage	Sucha, Katherine Jane	Sacred Music and the Performance of Power
AMS Cold War and Music Study Group Business Meeting	Cornish, Gabrielle	AMS Cold War and Music Study Group Business Meeting
AMS Global East Asian Music Research Annual Business Meeting	Hamilton, Elina	AMS Global East Asian Music Research Annual Business Meeting
AMS Global Music History Study Group Business Meeting	Castro Pantoja, Daniel	AMS Global Music History Study Group Business Meeting
AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music'	Castro Pantoja, Daniel	AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music'
AMS Jazz and Improvisation Study Group Business Meeting	Klotz, Kelsey	AMS Jazz and Improvisation Study Group Business Meeting
AMS LGBTQ Study Group Party	Tyson, Lee K.	AMS LGBTQ Study Group Party
AMS Ludomusicology Study Group Business Meeting	Heazlewood-Dale, James	AMS Ludomusicology Study Group Business Meeting
AMS MDSG Business Meeting with Short Papers, 2025: New Directions in Choreomusicology	Gain, Rachel	AMS MDSG Business Meeting with Short Papers, 2025: New Directions in Choreomusicology
AMS Music and Marxism Study Group Business Meeting	Drott, Eric	AMS Music and Marxism Study Group Business Meeting
AMS Music and Marxism Study Group Meeting: A Conversation with Dr. Marie Thompson on Music/Reproduction/Crisis	Drott, Eric	AMS Music and Marxism Study Group Meeting: A Conversation with Dr. Marie Thompson on Music/Reproduction/Crisis
AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting	Bishop, Daniel	AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting
AMS Popular Music Study Group Business Meeting	Szabo, Victor	AMS Popular Music Study Group Business Meeting
An Analysis of Joni Mitchell’s Vocal Evolution	Moranis, Rebecca	Joni Mitchell
An Ecology of Water and Orchestra: Deleuzian Becomings in Tan Dun’s Water Concerto	Zahl, Sheridan	Floating: Music on/in Water
Analytical Approaches to Anime Song (Anison)	Ai, Stephen Tian-You	Analytical Approaches to Anime Song (Anison)
Analyzing Fan Authorship in Vocaloid Music	Qi, Brandon	Musicking Fans
Analyzing Groove Embodiment in Erykah Badu’s “On & On”	Chan, Kaylene	Groove
Analyzing the Yodel in Popular Music	Barna, Alyssa	Analysis of Popular Music I
Anointing, Authenticity, and Ad-libbing	Jackson, Hannah	Musical and Extramusical Agendas (AMS Explore)
Antonio Salieri's "Tarare"/"Axur," Heinrich Wilhelm Haugwitz, and Opera Politics in Post-Napoleonic Habsburg Moravia	Nedbal, Martin	Operatic Cultures of the 17th and 18th Centuries
Arvo Pärt’s Tintinnabulation as Intervention in Grief Studies	Shenton, Andrew	Psychiatry, Psychoanalysis and the Music of Troubled Minds
At the Intersection of Oïl and Oc: What Dialects Reveal About ‘Hybrid’ Ars antiqua Motets	Asnani, Saagar	Innovation and Symbolism in Early Modern Motets
Authentic Gasps: A Corpus Study of Intentional Phonated Inhalations in Bad Bunny’s Post-Studio Production	Vilches, Tori	Joint Poster Session
Bad Instructions? Anarchy, Excess, and Scarcity in Music Notation	Koval, Sarah	Bad Instructions? Anarchy, Excess, and Scarcity in Music Notation
Becoming “Miss Grym”: Gender, Politics, and Suffragist Impersonation in Vaudeville and Music Halls	Winter, Kendall Hatch	Gender Play: Music and Forms of Gender Impersonation
Between Finger Spans and Harmonic Theory: Reconstructing the Meroë Doublepipes	CHANG, LIDIA	Between Finger Spans and Harmonic Theory: Reconstructing the Meroë Doublepipes
Beyond Genius to Ownership in the Early 19th Century	Budnyk, Samuel Ross	Musical Ownership and Value in the 19th Century
Beyond Misinformation: Early Nineteenth-Century Dubious Sources and the Historical Post-Truth	Weitz, Shaena	Beyond Misinformation: Early Nineteenth-Century Dubious Sources and the Historical Post-Truth
Beyond One-Size-Fits-All: Differentiated Instruction in Contemporary Aural Skills Pedagogy	Drehoff Jr., Richard	Joint Poster Session
Beyond Rhythm and Steps: Interrogating Epistemologies of Academic Rhythm Tap Dance Transcription	Gain, Rachel	Dance
Beyond State Support: IRCAM and the Cultivation of Elite Patronage	Bateman, John	20th Century Musical Institutions
Beyond the Classical Canon: A Neo-Dualist Approach to Harmonic Function for Broader Tonal Contexts	Venegas, Gabriel (1); Navia, Gabriel (2)	New Approaches to Harmonic Function
Beyond the Eternal Feminine: Orientalism, Gender, and Timbre in Mel Bonis's Femmes de Légende	Felt, Kathryn	Femininity and Female Archetypes
Beyond the Specter of “AI”: Algorithmic Bias, Systems of Power, and the Impact of Machine Learning on Contemporary Soundscapes	Whitmer, Eric	Beyond the Specter of “AI”: Algorithmic Bias, Systems of Power, and the Impact of Machine Learning on Contemporary Soundscapes
Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting)	McGhee, Cana Ferris	Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting)
Blooming in Gesture: The Embodied Choreography in Yao Chen’s Lotus Aloft (2014)	Wu, Yi-Cheng Daniel	Choreography
Bridge Function in Recent Popular Music	Khurana, Wes	Form in Popular Music
Brown Bag Lunch - An AMS Childhood and Youth Study Group Social	Neuhauser, Hannah	Brown Bag Lunch - An AMS Childhood and Youth Study Group Social
Cadential Expression of Tonalities in Cavalli’s Il Giasone	Praskurnin, Vlad	Expression in Vocal Music II
Cadenza Reviving a One-Time Theme: The Case of the Dramatic Transition Theme in Mozart’s Piano Concertos K. 467 and K. 482	Reuven, Ram	Form II
Canadian Foreign Policy and Transatlantic Cultural-Musical Exchanges during the 1970s	Sumner, Carolyne	Transatlantic Musical Cultures
Cândido Inácio da Silva (1799/1800-1838): Composer of Songs, Master of Slaves	Hazan, Marcelo Campos	Music in the Early Modern Luso-Hispanic World
Canonic Variations: Samuel Coleridge-Taylor and the Black Atlantic	Gelbart, Matthew	Race, Nation, and Identity
Cantonese Opera, Historical Reality vs. Contemporary Popular Perception: "Jyutkek Daklongpou" and Its Forgotten Predecessors	Tam, Yi Ching {Kevin}	Chinese and Chinese-American Operatics
Cataloging and Documenting American Industrial Bands	Proksch, Bryan	Joint Poster Session
Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion	Dorf, Samuel	Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion
Celebration and Self-Empowerment in Rachel Platten’s “Fight Song”	Kim, Catrina S.	Expression in Vocal Music II
Challenges and Opportunities Presented By Artificial Intelligence in Music	DeVlieger, Dana Lauren	Challenges and Opportunities Presented By Artificial Intelligence in Music
Changing the Topic: New Paradigms for Topic Theory	Frymoyer, Johanna	Changing the Topic: New Paradigms for Topic Theory
Chant Allusion in 1880-1920 French Art Songs	Bilik, Matthew Allan	Analysis of Vocal Music
Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions	Thurmaier, David	Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions
Chasing Ghosts in Princeton, New Jersey: Paul Robeson, Dorothy Maynor, and Westminster Choir College in the 1930s	Hershberger, Monica Alice	Music and the Fight for Civil Rights
Chitinous Dissonance: Twelve-tone Compositional Techniques in the Music of Blotted Science	Simonds, Zachary	Joint Poster Session
Chopin as Pierrot: Letters, Puppets, and the Theater of Queer Pianism	Serbanescu-Martin, Theodora	Gender and Embodiment in Chopin
Chopin, Delacroix, and Improvisational Auditory-Visual Timbre	Oh, MyungJin	Gender and Embodiment in Chopin
Choreopictography: the hermeneutic implications projective symmetry and rhythmic formulae have in Prokofiev’s The Stone Flower	Rowlands, Elwyn Helen	Choreography
Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis	Motazedian, Táhirih	Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis
Cinematic Structures as Musical Structures in Chantal Akerman’s Early Films	Hilewicz, Orit	Structure and Representation in 20th Century Film Music
Circles of Fragile Branches in East Asian Fifth-Relations	Hynes-Tawa, Liam	East and West
Climax and Excess in the Song Forms of Jim Steinman	Reese, Alan	Form II
Closing the Gap Between Musical and Philosophical Hermeneutics	Principi, Dylan J	Closing the Gap Between Musical and Philosophical Hermeneutics
Cognitive processes in music analysis: An investigation through protocol analysis and eye tracking	Ashley, Richard D.	Joint Poster Session
Columbus, Catholicism, and Colonialism in Central European Opera circa 1930	Gabriel, John	Colonial Perspectives, Stereotypes, and Caricatures
Community, Race, and Politics Downtown	Keenan, Sean	City Soundscapes
Complicating “Icelandic Sound” in Film and TV Composition	Peters, Jeremy J.	Soundtrack Semantics
Composing the End and What Comes After: Death and the Musical Afterlife in Tod und Verklärung and "Im Abendrot"	Prasolov, Aleksander	New Paths in Classical Music (AMS Explore)
Computational Schenkerian Analysis: Past, Present, and Future	Ni-Hahn, Stephen	Joint Poster Session
Concerts that Shaped the Canon: Early Performances of Medieval and Renaissance Music	Ory, Benjamin	Memory and Meaning in Medieval and Early Modern Music
Concerts, Commerce, and Colonialisation: Eighteenth-century London’s Concert Life and the Slave Trade	Coutts, Eric Joseph	Musical Imperialisms: Forms of Domination and Ambition
Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022)	Cole, Christa	Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022)
Contagion and Commemoration in Fanny Hensel’s Cholera Cantata	Reece, Frederick	Sounding the Healthy and Unhealthy Body
Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion	Chapman, Dale	Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion
Contemporary Approaches to Critical Editions in Music – Session Two: Workshop	Woods, Grant	Contemporary Approaches to Critical Editions in Music – Session Two: Workshop
Contemporary Musical Modernisms: Organizing Meeting	Wilson, Samuel John	Contemporary Musical Modernisms: Organizing Meeting
Contending with Hegelian Dialectics in Sigfrid Karg-Elert’s Organ Works	Wimberg, Emma	Philosophical Approaches to Composition and Public Presentation
Contested Modernisms: The Reception of the Darmstadt School in Soviet Latvia	Jordan, Daniel David	20th Century Musical Institutions
Contested, Controlled, Blended: Catholic Street Song in the Urban Soundscapes of Nineteenth-Century France	Ellis, Katharine	European Bellephonics: The Sounds of War and Peace
Contradictions of U.S. Imperialism and Rebel Soundscapes: Julio Cueva, Tito Enríquez, Bebo Valdés, and Jazz in the Caribbean	Barson, Benjamin Matthew	Popular Music and the Global Caribbean
Contrasting Verses in Indian Popular Music	Kulothparan, Hanisha (1); Temperley, David (2)	Analysis of Popular Music I
Corpus of Chaos: Headbanging to Conventional Form Cues in Meshuggah’s Unconventional Songs	Hudson, Stephen S.	Form in Popular Music
Counter-Reversal of Puccini’s Madama Butterfly as Operatic Critique in Huang Ruo’s M. Butterfly (2022)	Kim, Seokyoung	Italian Opera and Exoticism
Creative (Mis)Reading: Musical Adaptation of the Modern Novel	Haldey, Olga	Creative (Mis)Reading: Musical Adaptation of the Modern Novel
Cuckoldry and Compositional Innovation in a Motet on St Lawrence	Hartt, Jared C	Innovation and Symbolism in Early Modern Motets
Curating the Past: Contemporary Stagings of Early Baroque Opera and the Challenge to the Work Concept	Calcagno, Mauro	Opera Staging for Effect: Lights, Masks, and Magic
Cyberspace, Threads, and AI Music: Music’s Role in Taiwan’s 2024 Blue Bird Movement	Wei, An-Ni	Generative AI and New Frontiers in Musicology
Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino	Bradley, Catherine A.	Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino
Dear Lara (film screening)	St. John, Lara (1); Hamm, Patrick (2)	Dear Lara (film screening)
Death, Denial, and Desire: Absolute Silence in Alice Coltrane’s Musical Metaphysics (1968-1972)	Martin, Luke	Jazz Philosophies and Perspectives
Dedicating the Exposition: Women musicians in the fin-de-siècle United States through Amy Beach’s para-musical writing	Jansen, Virginia	Composing Women: Identity and Creative Agency
Developing a Student-Centered Approach to Classroom Learning	Pribyl, Ashley Marian	Developing a Student-Centered Approach to Classroom Learning
Disney, Copland, and Lincoln	Miller, David	Disney and Musical Representations of American Identity
Dissonant Depictions: Topics and the Troping of Autism	Ta, Tiffany	Disability in Musical Topics and Form
DM as DJ?: Understanding the Dungeon Master as Player through Ludomusicality	Heinricks, Haley	Music and Games
Doctoring the Staff & Doctoring Beethoven: Possibilities and Pitfalls in Transcribing Patricia Kopatchinskaja’s Aesthetics in Ludwig van Beethoven’s Concerto for Violin in D Major, op. 61: 1. Allegro ma non troppo	King, Jessica Ray	Capturing Music: Notational Privilege and Practice
Don't Wake the Balrog! Navigating Copyright Issues in Publication	Eng, Clare Sher Ling	Don't Wake the Balrog! Navigating Copyright Issues in Publication
Double-Voicedness as Feminist Agency in Johanna Beyer’s “The Federal Music Project” (1936) and “The Composer’s Forum Laboratory” (1937)	Jonker, Alexandrea	Composing Women: Identity and Creative Agency
Duke Ellington’s A Drum Is A Woman: A Counterargument to Paul Whiteman’s Gentrification of Jazz	Krall, Hannah	Making Use of Jazz on Screen
Dyeing Timbres and Painting Passions in Couperin’s “Folies françoises”	SHUKLA, SARASWATHI	French Court Musics in the 17th and 18th Centuries
Earwitness Accounts of Sexuality and Other Ethnopornographic Tales	Moura, Cibele M.	Music, Sexual Performance, and Ethno-Porn
Echoes from the Bengal Tiger: Towards a Transcultural (Micro)historical Musicology	Cushman, Samuel B.	Transcultural Historical Musicology
Echoes of Nineteenth-Century Piano Improvisation	Rabinovitch, Gilad	Joint Poster Session
Editing Musicology and Theory Journals: How Can We Improve the System Together?	Wright, Trudi Ann	Editing Musicology and Theory Journals: How Can We Improve the System Together?
Eighteenth-Century Dance Topics in Lin-Manuel Miranda’s Hamilton: Historical Allusions and Social Critique	Castleberry, Jessica	Storytelling Through Dance
Emerging Directions in Music Theory Publication	Carter-Ényì, Aaron	Emerging Directions in Music Theory Publication
English Hymnody from Leipzig Conservatory Professors: William Bradbury’s Album Book from Germany	Pepple, Joanna	Perspectives on 19th-Century Sacred Music
Evolving slash harmony in Joni Mitchell’s early piano-based songs	Lyons, Megan (1); Kaminsky, Peter (2)	Joni Mitchell
Examining Genre Lines Around Country Music and the Case of Cowboy Carter	Gary, Sean McDermott	Identity and Authenticity in Country Music
Examining The Euro-Centric Origin Myth as a Folklorized Narrative in Bluegrass	Coker, Kathleen Elizabeth	Identity and Authenticity in Country Music
Excavating Alzina’s Codiapi: Filipino Boat-lutes in the Colonial Visayas	Ortega, Isabella Mahal	Cultural Imaginings in Global Organology
Experiencing the Music of Brian Ferneyhough	Orvek, David Ellis	Experience and Agency in 20th Century Music
Exploring the Dark Side of ABBA: The "Mini-Musical" The Girl with the Golden Hair (1977)	Gaub, Albrecht	Rock Narratives
Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives	Cheung, Hon Ki	Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives
Fakes, Grifts, Hallucinations, Hoaxes: Hearing Musical Misinformation Online	Harper, Paula Clare	Making Music and Meaning on the Internet
Falling and Flying in John Powell’s “Test Drive” from How to Train Your Dragon (2010)	Warkentin, Emily	Joint Poster Session
Families of set classes arising from a cellular automaton in mod-12 and other modular spaces	Jones, Evan	Sets and Solfège
Fanny Hensel’s Notturno Napolitano in the Artistic Imagination	Toh, Deirdre	Music and the Visual Arts
Farewell Dances: A Viennese Company Ball on the Eve of the “Anschluss”	Friesenegger, Dietmar	Storytelling Through Dance
Ferneyhough's Modernist Fragments	Nelson, Anna Rose	20th Century Compositional Poetics
First Time Hearing: YouTube Reaction Videos and the Commodification of the Inexpert Listener	Irschick, Lauren Rose	Musicking Fans
Five Ways of Listening to Miles Davis’s Aura (1989): New Sources and Perspectives	Vad, Mikkel	Jazz Philosophies and Perspectives
Florence Price's Epic Endings	Clawson-Cannestra, Kaitlyn	Black American Composers and Coded Meanings
Florence Price’s “Monologue for the Working Class” and the Sounds of Solidarity	Lowder, Alexis Nickole	Black American Composers and Coded Meanings
For a Semi-Public Musicology (or, Hindemith in the Playground)	Masters, Giles	Philosophical Approaches to Composition and Public Presentation
Form and the Song Persona	Nobile, Drew	Song Form
Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously	Hamessley, Lydia	Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously
Forms of Listening in Contemporary Politics	Yu Wang, Anna	Forms of Listening in Contemporary Politics
Fou Ts'ong's Creative Worlds	Chen, Guangchen	Fou Ts'ong's Creative Worlds
Fraud, Cultural Politics, and Early Soviet Bureaucracy at the Tbilisi Opera House	Pagniello, Céleste	Soviet Legacies
From Courtesans to Clickbait: Gender, Power, and the Persistent Marginalization of Women in China’s Pipa Tradition	Mei, Yuxin	Gendering Asian Musical Instruments and Forms
From Military Stages to Pop Charts: The Eighth Army Show System and the Making of South Korean Popular Music	Lee, Jeong-In	Cultural Representation and Artistic Agency in Asian Popular Music
From Silence to Sound: Iranian Women Musicking under Suppression and after Migration	Fakharinia, Kimia	Iranian Musical Encounters and Meanings
Gay Panic: Sonic Intensifiers of Queer Tragedy in Horrific Video Games	Ziegenhagel, Blaire	Seeing and Depicting Queerness
Genre topics, intertextuality, and narrative in Yoasobi’s “Idol”	Manabe, Noriko	Intertextuality and Interpretation
German Sincerity vs. Italian Vitality: Haydn's Masses in the Eyes of His Early Biographers	Wrigley, Robert B.	Perspectives on 19th-Century Sacred Music
Gian Francesco Malipiero's Tre commedie goldoniane (1926): Visions of Staging in Fascist Italy	Richter, Sebastian Mario	Opera Staging for Effect: Lights, Masks, and Magic
Glocalization in Polish Jazz Violin: Manifestations of Folk and Freedom	Skillicorn, Alexa Torres	Jazz Instrumentalities
Groove on the Field: Microtiming “Feels” and Rhythmic Synchronization in Marching Percussion	Lookenbill, Zachary	Joint Poster Session
Grooving until you can’t: formal process and embodiment in early British Grindcore	Walch, Florian	Song Form
Harmonic tension and temporality in loop-based popular music	Quinn, Ian (1); Chander, Aditya (1); Acevedo, Stefanie (2)	Analysis of Popular Music II
Hearing Alternative R&B in Frank Ocean's "Self Control"	Osborn, Brad	Analysis of Popular Music I
Hearing Marginalization, Demanding Equity	Palfy, Cora S.	Hearing Marginalization, Demanding Equity
Hearing The TV Glow: Sonic/Somatechnic Possibilities for Queer Becoming in Jane Schoenbrun’s I Saw the TV Glow	Sweet-Breu, Elizabeth	Technology, Timbre, and Trans Identities
Hélène de Montgeroult’s “Accelerated” Etude after Haydn	Sutcliffe, W. Dean	18th Century Issues
Henry Ford, Marian Anderson, and the Political Stakes of Performance	Catchpole, David	Music and the Fight for Civil Rights
Hidden Choirs: Choralism in Hollywood Film Epic Soundtracks	Conte, Eugenia Siegel	Soundtrack Semantics
Hidden Histories of Production and Consumption in Electronic Musical Instruments	Latham, Clara Hunter	Hidden Histories of Production and Consumption in Electronic Musical Instruments
Hidden Resistance, Unknowing Collaboration: The Paradox of French Prisoner of War Music during World War II	Zrull, Mary Margaret	European Bellephonics: The Sounds of War and Peace
Hip Hop and Politics in the Age of Trump	Kajikawa, Loren	Hip Hop and Politics in the Age of Trump
Histories of Hidden and Vernacular Theories of Music	Accornero, Giulia	Histories of Hidden and Vernacular Theories of Music
How Are Verse Melodies Different than Chorus Melodies?: A Katy Perry Corpus Study	Jarvis, Brian Edward	Song Form
How Broadway Got Its “Belt”: Ethel Merman, Belting, and Cold War American Identity	Kapusta, John	Music and the Cold War: Cultural Anxieties and Diplomacies
How Do You Solve a Problem Like Evita? Mary Bryant’s Marketing Strategy	Lampe, Samantha	Gendering Strategies in Films
How Sign Language Analyzes Musical Form	Maler, Anabel	Disability in Musical Topics and Form
Hungary’s Rajkó Ensemble at home abroad: Socialist Cultural Diplomacy or Capitalist Commodity?	Hooker, Lynn M.	Music and the Cold War: Cultural Anxieties and Diplomacies
Hybridity, restructure and renewal: Anthony Braxton at 80	Bauer, Amy	Hybridity, restructure and renewal: Anthony Braxton at 80
Imagined Migration and Colonialist Narratives in Heitor Villa-Lobos’s Symphony No. 10 “Amerindia” (1952-1954)	dos Santos, Silvio J	Colonial Perspectives, Stereotypes, and Caricatures
Imagining Posthumanist Musical Agency with George Crumb’s Music for a Summer Evening	Jones, Ryan	Experience and Agency in 20th Century Music
In the Beast’s Footsteps: The Kaijū Subtopic in Monster Media	Cassidy, Tanner	Liminal and Supernatural Topics
Industrialized Cityscape in Ralph Vaughan Williams’ "A London Symphony"	MacCallum, Emily	City Soundscapes
Integrating Disciplinary Silos in Our Teaching	Lahasky, Sarah	Integrating Disciplinary Silos in Our Teaching
Interpolating Tradition, Resisting Power: Okinawan Hip-Hop and the Politics of Musical Hybridity	Hu, Qifang	Politics and Representations of Identity in Music
Investigating the impact of textural dynamics on performers’ listening behaviors and coordination	Kushan, Madeline Anne	Memory, Affect, and Attention
Is counting a joke? Beethoven’s sketches for the Scherzo of Quartet Op. 127	Li, Wanyi	Structure and Effect in Beethoven
Is this GenAI or Human? An Experimental Pilot Study on Distinguishing Between AI-Generated and Human-Composed Music	Chan, Evan	Joint Poster Session
Jazz Maroonage at the 1960 Newport Rebel Festival	Papsun, Ben	Race and Defiant Self-Definition through Jazz
Jennie June's Fairie Songs	Ace, James Raymond	Politics and Representations of Identity in Music
Julia Perry's Metamodernist Drift	Dohoney, Ryan	Black American Composers and Coded Meanings
Karg-Elert vs. Grabner: conflicting harmony pedagogies at the Leipzig Conservatory, and what they reveal about our understanding of harmonic function	Byrne, David Alexander	History of Theory II
Khabuvy, anenaiki: singing nonsense 12th-17th century Greek and Russian Orthodox chant	Shmytova, Anastasia	Medieval and Early Modern Chant Traditions
Kiarostami and Kristeva: A Study of Abjection and Semiotics in the Film Taste of Cherry (1997)	Allen, Jane	Harmony and Narrative in Film Music
Knob Interfaces, Masculinity, and the Politics of Control	Broess, Erik	Instrumental and Sonic Masculinities
Kobiece kroki (Feminine Steps): Expressions of Gender and Voice in Chopin’s Mazurkas	Wolschleger, Amanda Nicole	Gender and Embodiment in Chopin
Korean Wind: A Trend Toward Tradition in Modern K-Pop?	Coluzzi, Seth J	K-Pop: Inside, Outside, New and Old
Learning Music Theory in a Makerspace Environment	Miller, Paul V. (1); Hable, Burton (2)	Joint Poster Session
Legal Auralities: Critical Approaches to Music, Sound, and Law	Mendez, Matthew	Legal Auralities: Critical Approaches to Music, Sound, and Law
Listening for the Holocaust in Polish/Jewish Musical Culture	Pierce, Mackenzie	Listening for the Holocaust in Polish/Jewish Musical Culture
Listening to ‘Machine Listening’: Resistance and Reification in Contemporary Music Practice	Morrison, Landon	Listening Through Machines
Listening To See: Voice and Agency in Jeremy Dutcher’s “Sakomawit”	Ofcarcik, Judith	Joint Poster Session
Listening to the Chinese Room: Muzak, Artificial Intelligence, and Humanity as Encounter Fetish, c. 1776	Hu, Lester	Listening Through Machines
Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice	Lindmark, Sarah	Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice
Lost and Found Keys, or First Theme Tonal Shifts in Post-Classical Sonata Form Expositions	Bar-Yoshafat, Yonatan	Form I
Lost to the An(n)als of History: Whatever Happened to the First X-Rated Musical Film?	Stolz, Nolan	Music, Sexual Performance, and Ethno-Porn
Luciano Berio’s Multidimensional Concept of Harmony	Neidhöfer, Christoph	20th-Century Ideas I
Lukewarm Liminality: A Reggae Band Challenges Switzerland’s Sense of Self	Conzetti, Florian	Popular Music and the Global Caribbean
Machaut's Monophonic Lais	Lavacek, Justin	Analysis of Vocal Music
Mahler’s Role in Bernstein’s Jewish Identity	Mugmon, Matthew	In the Shadow of Mahler
Make-Believe Becomes Material-Reality: Analyzing the Musical Persona of Anna Indiana	Lopez, Gerardo	Expression in Vocal Music II
Manifesting the Black “Middlebrow” and Negotiating Sounded Masculinity: Pianists Don Shirley, Rachmaninoff, and Liberace	Graham, Pheaross	Instrumental and Sonic Masculinities
Manuel de Sumaya, ambivalent criollismo, and re-adaptation	Traylor, William	Music in the Early Modern Luso-Hispanic World
Mapping Musical Structure onto Phonetic Choices: A Corpus Study of Jazz Scat Solos	Rosner, Joshua	Joint Poster Session
Maritime geographies of the Hamburg Opera: The case of Antonio Gualandi	Koslowski, Kaleb J.	Operatic Cultures of the 17th and 18th Centuries
Mastering the Art of the Abstract	Li, Stella	Mastering the Art of the Abstract
Materializing Affect in Sound: Ethnography, Nostalgia, and Kinesthetic Memory in the Arab Diaspora	Aji, Issa	Memory, Affect, and Attention
Matrona Musica: Didactic Presence in the Material Culture of Noble Women’s Lives c. 1500	Hatter, Jane	Music and the Lives of Medieval Women
Mazowsze and the Modernization of Polish Culture: Folk Music, Socialist Realism, and Postwar Reconstruction	Joseph, Sven	Soviet Legacies
Medieval Women Copying Chant: A Hitherto Unknown Scriptorium in Stary Sącz (Poland)	Grochowska, Katarzyna	Music and the Lives of Medieval Women
Melancholy, Psychiatry, and the Romantic Artist: Franz Richarz on the Death of Robert Schumann	Wermager, Sonja	Psychiatry, Psychoanalysis and the Music of Troubled Minds
Memorializing (and Manipulating?) 9/11 Musical Memory	Shupe, Abigail	Practices of Memory and Resistance
Memory and Nostalgia in the Sound Worlds of Video Game Demakes	Harper, Hayden	Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games
Mendicants Making Music in Seventeenth-Century Venetian Crete: a Manuscript and the Case for Microhistory	Tomassi, Marco Donato	Manuscript Histories
Mevlevi Alphabetics c. 1800: Musicology as Media Ecology in the Work of Abdülbaki Nasır Dede	McMurray, Peter	Natural Landscapes and Sound Ecologies
Microcosm/Macrocosm: The Hydrophonic Sound Art Practice of Tomoko Sauvage	Garlid, Annie	Floating: Music on/in Water
Minding the Fantastical Gap at Crime Scenes in Batman Media	Ayers, William	Harmony and Narrative in Film Music
Minimalism, Repetition, and Irreverence in the Music of Julius Eastman	Shepherd, Lauren	Black American Composers and Coded Meanings
Mixed Signals: Exploring the Production Mix in Hip-Hop	Faulkner, Jackson Sean	Techniques and Technologies
Mons superat saltus and Hildegard's Song Texts	Meconi, Honey	Manuscript Histories
More than “ribald song… and smutty jest”: Vice District Performance as Black/Indigenous Survivance in the Boomtown West	Lundgren, Siriana	Colonial Narratives and Negotiations
Mozart in the Midwest: Music-Making for German Milwaukee, 1843-1900	Stein, Amanda Ruppenthal	Transatlantic Musical Cultures
Music and a politics of care: Collaborative songwriting in US social service and community mental health settings	Cao, Erica	Music, Education, and Care
Music and the Politics of Migration in the Cyprus Detention Camps, 1946-1948	Tessman-Bar-On, Yuval	In the Shadow of the Holocaust
Music and visual disability in the early modern Hispanic world: The tradition of blind organists	Mazuela-Anguita, Ascensión	Sounding Disability
Music of the Long Thirteenth Century: Genre, Kind, and Culture	Caldwell, Mary Channen	Music of the Long Thirteenth Century: Genre, Kind, and Culture
Music Patron James Loeb	Olmstead, Andrea Louise	20th Century Musical Institutions
Music, Manners, and Money: The Bach-Abel Subscription Concerts, 1773-1780	van Allen-Russell, Ann	Concerts and Commerce in the 18th and 19th centuries
Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula	Marín-López, Javier	Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula
Music, Silence, and Social Action in an Age of Perpetual Crisis	Huether, Kathryn	Music, Silence, and Social Action in an Age of Perpetual Crisis
Music, Sound and Silence: Contrasting Religious Discourse Through Parallel Adaptations by Scorsese (2016) and Shinoda (1971)	Edholm, Charles Stewart	Structure and Representation in 20th Century Film Music
Music, Sound, and Medicalized Trauma in Global and Historical Contexts	Brooks, Erin Michelle	Music, Sound, and Medicalized Trauma in Global and Historical Contexts
Music’s Problem for AI, and AI’s problem for Music	White, Christopher	Techniques and Technologies
Musical Explorations of Jewish Past(s)	Cypess, Rebecca	Musical Explorations of Jewish Past(s)
Musical features shape semantic content of music-evoked autobiographical memories	Turnbull, Cara	Memory, Affect, and Attention
Musical Function and Meaning in the Japanese Role-Playing Game	Elkins, Alan	Music and Games
Musical Parties Public and Private: Observing Music in the Journal of Miss Jane Ewbank of York, 1803–1805	Cowgill, Rachel Elizabeth	In Fashion: Musical Women in the Long 18th Century
Musical Sites of Trauma, Critique, and Healing in the U.S.-Mexico Borderlands	Lozano, Teresita D.	Musical Sites of Trauma, Critique, and Healing in the U.S.-Mexico Borderlands
Musical Worldbuilding in Drag: Trans-Coded ‘Spliced Collage’ and Audience Co-Creation	Cooper, Sarah	Gender Play: Music and Forms of Gender Impersonation
Musicking in Disabled Community: Access Intimacy and Cultural Activism.	Dell'Antonio, Andrew	Musicking in Disabled Community: Access Intimacy and Cultural Activism.
Musicology "at the Frontier of Human Knowledge": AI (Mis)alignments in Humanity's Last Exam	Bennett, William	Generative AI and New Frontiers in Musicology
Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology	Wissner, Reba	Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology
Nahua Notions of the Sacred in Seventeenth-Century Christmas Villancicos	Chávez Bárcenas, Ireri	Music in the Early Modern Luso-Hispanic World
Negotiating Whiteness in 1990s Hip-Hop: Eminem, Insane Clown Posse, and Detroit Horrorcore	Yuknas, Matt	Hip-Hop Identities: Negotiating Boundaries of Race and Nationality
Nervous Geniuses: Kurt Singer’s Diseases of the Musical Profession and the German-American Exchange of Neurasthenia	Nave, Briana	Psychiatry, Psychoanalysis and the Music of Troubled Minds
New Horizons with Historical Notations	Jones, Jeannette D.	New Horizons with Historical Notations
New Perspectives in Canadian Jewish Music	Cooper, Samantha	New Perspectives in Canadian Jewish Music
New Work in LGBTQ Music Studies	Tyson, Lee K.	New Work in LGBTQ Music Studies
Newly Discovered Polyphony from the Winchester Troper	Stebbing, Jack Benedict Wheaton	Manuscript Histories
Nikolay Medtner and the Development of Soviet Music	Domico, Patrick Hutcheson	Soviet Legacies
Nixon’s Big Gay Wedding: The Cockettes Crash the White House Fantasy	Ramirez, Eloy	Still Here: Protest, Survival and Queer Worldbuilding
Non-Academic Jobs after a Music Degree	Cumming, Julie Emelyn	Non-Academic Jobs after a Music Degree
Non-Normativity as Queer Expression in Reneé Rapp’s Snow Angel (2023)	Terrell, Claire	Expression in Vocal Music I
Notation as Common Practice	Bowring, Lynette	Capturing Music: Notational Privilege and Practice
Nuclear anxiety in the reception of Marcel Landowski’s opera Le Fou (1956)	Goldman, Jonathan	Music and the Cold War: Cultural Anxieties and Diplomacies
On idiom and the whiteness of free improvisation	Schuiling, Floris	Musical Imperialisms: Forms of Domination and Ambition
Only A Woman Knows How to Treat a Woman Right: Chappell Roan and the Queering of Femininity	Pridemore, Madalyn Rose	Defining Femininity and Female Power through Music
Opera and Untold Black Stories	Bryan, Karen M.	Opera and Untold Black Stories
Opera as Worldmaking	Peritz, Jessica Gabriel	Opera as Worldmaking
Opera Audiences in St. Petersburg, Russia (1825-1840)	Zavlunov, Daniil	Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music
Operatic Echoes in the Global Francophone World	Romey, John	Operatic Echoes in the Global Francophone World
Our Lady of Guadalupe of Mexico and King Ferdinand VI of Spain: The Politics of Liturgy in Spanish Chant Sources	Gámez Hernández, Carlos	Medieval and Early Modern Chant Traditions
Paradise as Paradox: The Fauré Requiem in American Television	de Savage, Heather	Adapting Musical Performance for the Screen
Parallel Tritone Progressions in Film: Affekt and Voice Leading	Ebie, Michael G.	Harmony and Narrative in Film Music
Participatory Covers, Audience Choirs, and Jacob Collier's Public Music Theory	Baker, Ben	Musicking Fans
Partimento and Harmony in Spain: Félix Máximo López’s Reglas Generales	Espinosa, Bryan	History of Theory II
Patrice Rushen and the Fender Rhodes as Facilitator in Negotiations of Positionality	Bourgeois, Glen	Jazz Instrumentalities
Pattern Recognition and Music Theory Ability	Rogers, Nancy	Joint Poster Session
Pentatonicism, Serialism, Hindemithian “Harmonic Fluctuation,” and Referential Collection Patterns in Zhongrong Luo’s “Picking Lotus Flowers at the Riverside”	Boss, Jack	East and West
Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon	Pace, Anne Monique	Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon
Peter Handford’s Steamscapes	Hicks, Jonathan	Silence and Sound in Urban Environments
Picking up the Pieces: Form in Late Beethoven	Cubero, Diego	Form II
Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty	Criscuola de Laix, Esther	Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty
Playing with the Net Down: Formalism and Dialectics in Helmut Lachenmann’s Music and Thought	Bernstein, Zachary	20th Century Compositional Poetics
Playlisting the City: Japanese City Pop, Alienated Listening, and the Aural Politics of Urban Belonging in Postcolonial South Korea	Black, Cody	Re-Sounding the Postcolonial City
Poisonous Personae: Operatic Sorceresses and Witchcraft in Late Seventeenth-Century France	Somerville, Anna	French Court Musics in the 17th and 18th Centuries
Political Power and Resistance in an Early Modern Motet Print: Defining the Holy Roman Empire in the Novus thesaurus musicus (1568)	Weaver, Andrew H.	Motets as Mediums of Power and Sovereignty
Politics of (Dis)connection: Iranian Musicians, Social Media, and Diasporic Encounters	Mohebbi, Siavash	Iranian Musical Encounters and Meanings
Popular Music and/as Resistance	Szabo, Victor	Popular Music and/as Resistance
Postcolonial Music Institutions and the Environment: The Teatro Amazonas	Lojak, Philipp	Re-Sounding the Postcolonial City
Preserving Composers’ Work in the Digital Age	Grimmer, Jessica	Preserving Composers’ Work in the Digital Age
Psychoanalysis and the self in Emmanuel Ghent's early computer music improvisations	Miller, Brian A.	Psychiatry, Psychoanalysis and the Music of Troubled Minds
Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot	Guez, Jonathan	Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot
Pulsing in a Hall of Mirrors: Musical Borrowing in John Adams’s Absolute Jest	Lai, Hei-Yeung {John}	20th-Century Ideas II
Queen Bey: Perception, Reception, and Audience	Bangura, Lydia	Queen Bey: Perception, Reception, and Audience
Race, Representation, and the Limits of Dramaturgy	Minor, Ryan	Black Racial Representations on the Musical Stage
Ravel at 150: Enduring Insights and New Initiatives	Puri, Michael	Ravel at 150: Enduring Insights and New Initiatives
Ready Player One: Embodiment and Identity Performance in Multiplayer Virtual/Augmented Reality Rhythm/Dance Games	Greathouse, Ashley Ann	Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games
Reconceiving “Renaissance Happenings”: Blurred Boundaries and the Ethos of R. Nathaniel Dett’s The Ordering of Moses (1932)	Smiley, Christina	Theorizing and Contextualizing the Harlem Renaissance
Reconfiguring Bel Canto: Operatic Voice, Cultural Negotiation, and Performance Economies in Postcolonial Lagos.	David, Joshua Tolulope	Exploring Regional and Cultural Identity in the Twentieth Century
Redefining "Old" Organ Tablature	Whaley, Travis Deck	Keyboard Technologies: Inscription and Replay
Redwoods and Redface: "Playing Indian" in the Forests of California	Levy, Beth E.	Sonic Redface
Reich at 89	Isaacson, Eric	Reich at 89
Reimagining Harmonic Function without the Harmonieschritte : Otakar Šín and Czech Music Theory in the Twentieth Century.	Lill, Kája	History of Theory II
Reimagining Marches Harmoniques: Maurice Ravel’s Innovative Transformation of Historical Techniques	Ai, Li	History of Theory I
Reimagining Tango in China: Free Bass Accordion and the Marginalization of the Bandoneón	Xu, Lanxin{Nancy}	Cultural Imaginings in Global Organology
Reinforcing the Tone: Connections in the Transference of Clavichord-Specific Devices	Proehl, Blake (1,2)	The Secret Life of Keyboards
Rendering Disability: Experiencing the Sonically Disabled Film Body	Tubbs, Andrew	Sounding Disability
Representation in Music Theory Pedagogy Authorship	Loeffert, Kimberly Goddard (1); Peterson, John (2)	Pedagogy
Reproducing Jazz through Machines : The Forgotten Master of Player Piano in Jazz History—J. Lawrence Cook (1899–1976) and His Thousands of Piano Rolls	Cheng, ching-nam Hippocrates	Jazz Instrumentalities
Responsible Performance Practice, Generative AI and Interpretation	Irvine, Thomas	Generative AI and New Frontiers in Musicology
Rethinking Operatic Comedy: Busenello, Goldoni, and dramma giocoso	Purciello, Maria Anne	Operatic Cultures of the 17th and 18th Centuries
Revealing the Habanera and Síncopa Rhythms in the Melodic, Harmonic, and Dance Patterns of “El choclo” and “La cumparsita”	Simpson-Litke, Rebecca	Dance
Revenge Anthems: Violence and Gender in Country Music	Baril, Alexis K	Defining Femininity and Female Power through Music
Reviving Politics, Ritualizing Music - The Rehabilitation of Xiong Penglai within the History of Chinese Music Theory	Wilson, MingJun X	History of Theory I
Reviving the Ghost in the Machine: The Steinway Spirio and the New Era of Mechanical Performance	Wente, Allison	Keyboard Technologies: Inscription and Replay
Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville	Everist, Mark	Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville
Rewriting Wickedness: Black Feminine Power, Labor, and Race from The Wonderful Wizard of Oz (1900) to Wicked (2024)	Lamothe, Virginia Christy	Black Racial Representations on the Musical Stage
Romantic and Modern Tropes of Brazilianness: The Exploitation of Brazilian Indigenous Peoples in Art Music	Rocha, João	New Paths in Classical Music (AMS Explore)
Roundtable on Supporting and Uplifting the Transgender, Non-Binary, and Gender-Expansive Communities in Music Scholarship	Hatter, Jane Daphne	Roundtable on Supporting and Uplifting the Transgender, Non-Binary, and Gender-Expansive Communities in Music Scholarship
Rudolf Serkin’s Rolls with the Punches	Lowe, Melanie	Keyboard Technologies: Inscription and Replay
Salvage Tourism and the 1928 Minneapolis Performance of Winona, “Minnesota’s own grand opera,” by Alberto Bimboni and Perry Williams	Peters, Gretchen	Sonic Redface
Satie is Dead, Long Live Satie	Dorf, Samuel	Satie is Dead, Long Live Satie
Screening Innocence, Sounding Home - Singing Children in Disney's "Silver Age" (1950-1967)	Neuhuaser, Hannah	Disney and Musical Representations of American Identity
Searching for "lo inaudito" in the Sound Archive	Madrid, Alejandro L.	Searching for "lo inaudito" in the Sound Archive
Secularizing Social Identity Through Performing Khayyami	Fallahi, Hamidreza	Iranian Musical Encounters and Meanings
Seed Funding Black Theatre: Rockefeller Support of the Morehouse College and Atlanta Symphony Orchestra Premiere of Scott Joplin’s Treemonisha	Uy, Michael Sy	Theorizing and Contextualizing the Harlem Renaissance
Seeing (Heavenly) Harmony: Music-Theoretical Mythmaking in Mrs. F. J. Hughes’s Harmonies of Tones and Colours Developed by Evolution (1883)	Venturino, Stephanie	Music Theory and Spirituality
Shadows and Schmerzenskind: In/Fertility in Strauss and Hofmannsthal's Die Frau ohne Schatten	Schindele, Madison	Opera and Disability Studies
Silent Sirens, Singing Signs: Music’s Gestures in Unsuk Chin’s Le Silence des Sirènes and Christine Sun Kim’s Face Opera II	Heinle, Samantha Kim	Opera and Disability Studies
Singing a Song of Survival: The Role of Recent Sound Art Installations in Promoting Empathetic Attunement to Avian-Human Sound Ecologies and Pathologies	Brinson, Bethany	Natural Landscapes and Sound Ecologies
Singing Between Empire and Colony: Yi Nanyŏng’s Survival Tactics in Colonial Korea	Auo, Jiyoon	Colonial Narratives and Negotiations
Singing Femininity in a Mennonite Voice	Graber, Katie	Defining Femininity and Female Power through Music
Singing the Past, Shaping the Present: Female Voices and the Festival as Archive	Mulder, Larissa N	Singing Memory: Traditional and Folk Musicking in the British Isles
Sketches of "Stalingrad": The Genesis of Prokofiev’s Seventh Piano Sonata	Seinen, Nathan	Encoding Conflict in Music
So Long, Farewell: The Musical Politics of Westminster Abbey Independence Services, 1962–1966	Nelson, Trevor R.	Race, Nation, and Identity
Social Media’s Role in the Emergence of Musical Topics	Pflanz, Brittney	Liminal and Supernatural Topics
Socio-technical Histories of Digital Music	Jerzak, Allison	Socio-technical Histories of Digital Music
Somos Mexicanos, No Somos Criminales: Sounding Resistance Through Chican@ Ska	Vogel, Andrew	Sounding Excitement and Resistance in Latin American Communities
Sonata Genre and Korean Influence: Eastern and Western in Isang Yun’s First Symphony	Delfin, Anne	East and West
Songs without a chorus and other metal deviations, The riff integration and double rise in extreme metal music	Foonberg, Avinoam	Analysis of Popular Music III
Sonic Bleeding: Menstruation in Pop Music and the Disruption of Reproductive Time	Davidson, Echo Lee	Embodiment and Musical Gendering
Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma	Hugh Sam, Jordan	Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma
Sonic Worlds of Race and Ecology	Frickey, Elizabeth	Sonic Worlds of Race and Ecology
Sound in New Light: Staging Magical Operas in Early-Nineteenth-Century Hamburg	Arango Calle, Miguel	Opera Staging for Effect: Lights, Masks, and Magic
Sound, Erasure and Archive of the Invisible: Chinese Theater in 19th Century California	Rao, Nancy	Chinese and Chinese-American Operatics
Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725)	Bandy, Malachai Komanoff	Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725)
Sounding Gendered Trauma: The Voice of Female Ghost in Black Metal Song “Li Gui”	Sun, Qian	Gendering Asian Musical Instruments and Forms
Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America	Swift, Kristy	Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America
Sounding Like Money: Regressive Listening, Bad Faith, and the Reproduction of “Goodbye Pork Pie Hat”	Chandrasekhar, Varun	Jazz Philosophies and Perspectives
Sounding Sovereignty: Occasional Motets in the Early Modern Transition	Frisch, Simon	Motets as Mediums of Power and Sovereignty
Sounding the Dead: Wills, Chant, and Hybrid Commemorations in Early Modern Venetian Crete	Brown, Simeon Willcox	Medieval and Early Modern Chant Traditions
Sounding the Rural: Productions of Space and Class in American Rock Music	Peterson, Graham Elias	Rock Narratives
Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century	Velasquez, Juan Fernando	Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century
Sowing the Flora of Modernity: Başak Günak’s Rewilding	Landers, Hazel	Musical and Extramusical Agendas (AMS Explore)
Space Forms and Listening Strategies in Björk’s Sonic Utopia	Warren, John H.	Form I
Space, Time, and Harmony in Max Reger’s ‘Morgen,’ op. 66/10	Hier, David	20th Century Compositional Poetics
Spanish Estudiantinas and the Global Rise of Plectral Ensembles in the Belle Epoque	Christoforidis, Michael	Transcultural Historical Musicology
Spiritual Transformations in Two Songs by Sunn O)))	Capuzzo, Guy	Intertextuality and Interpretation
Stalin Prizes: State-Sponsored Awards and European Decolonization	Meech, Holden	Musical and Extramusical Agendas (AMS Explore)
State of the Field: Jazz and Gender	Klotz, Kelsey	State of the Field: Jazz and Gender
Stravinsky's Reinvention of 18th-Century Schemas in the Neoclassical Period	Liu, Lucy Y.	18th Century Issues
Strengthening the Socialist Legacy: Red Songs and Nationalism in C-Pop	Cheng, Ya-Hui	Cultural Representation and Artistic Agency in Asian Popular Music
Sus in the Sixties	Benadon, Fernando	Analysis of Popular Music III
Suspended Textures in Lili Boulanger's Songs	Rodgers, Stephen	Analysis of Vocal Music
Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson	Saucier, Catherine	Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson
Tactile Acousmatic: Between Braille Sounds and the Vernacular of Flesh	Chen, YuHao	Beyond the Score
Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy	Lavengood, Megan	Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy
Teaching Music Theory Through Times of Disaster and Trauma	Burkett, Lyn Ellen	Teaching Music Theory Through Times of Disaster and Trauma
Teaching the New Common Practice Period: Embracing Modern Studio Production in the Theory and Aural Skills Curriculum	Rush, Toby	Joint Poster Session
Teaching Timbre, Teaching Games: Video Game Music as a Pedagogical Asset	Bergeron-Dumaine, Holly	Pedagogy
Technology, Race, and Colonialism in Caricatures of Manzotti’s Excelsior, 1880–1900	Dubois, Taryn	Colonial Perspectives, Stereotypes, and Caricatures
Temporal Contour & Metric Dissonance in Thomas Adès’ Piano Quintet	Vici, Gabriella	Meter
Temporal Symbolism Through Pentatonic-Chromatic Synthesis in Chen Qigang’s Reflet d’un temps disparu	Zhang, Tengyue	Joint Poster Session
Texture and Meter in Funk Music	Koozin, Timothy	Meter
The "Primitive" Within: Sonic Redface and American Musical Identity	Stacks, Stephen Andrew	Sonic Redface
The “New Woman” and Popular Song in World War II China and Japan	Li, Stella	The “New Woman” and Popular Song in World War II China and Japan
The Aesthetics of Virtual and Physical Environments in Japanese BGM	Gui, James	Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games
The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses	Chiu, Remi	The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses
The Cantatas of Philippe II d’Orléans Rediscovered: Rethinking the Early History of the Cantate française	Fader, Don	French Court Musics in the 17th and 18th Centuries
The Chipko Movement: Women, Environment, and Gendered Care in Northern India	Khansili, Anchal	Music, Education, and Care
The City’s Deepest Image of Itself: The Sounds of Los Angeles Between the Fires	Yamamoto, Michele	Silence and Sound in Urban Environments
The Commodification of the Music Theory and Aural Skills Core Curriculum	Easley, Dave	Pedagogy
The Conservatory-to-Cult Pipeline in Literary Fiction and Social Media	Draucker, Shannon	Embodiment and Musical Gendering
The Core of Technique in “Bad Apple” Video Remixes	White, Andrew Malilay	Cultural Representation and Artistic Agency in Asian Popular Music
The Cosmopolitan Ear	Pistorius, Juliana M.	Transcultural Historical Musicology
The Death and Afterlife of the Multi-Work Opus	Turner, M. Lucy	Musical Publications in the 18th and 19th Centuries
The Dialectic of Instrumental Synthesis and the Mimetic Afterlives of Musique Spectrale	Jensen, Calum	20th-Century Ideas II
The Distortion of Memory: Recasting the Fourth Movement of Dmitri Shostakovich's Eighth String Quartet	Spina, Alyssa	New Paths in Classical Music (AMS Explore)
The Distributed Sonic Archives of Participatory Musicians	Morgan-Ellis, Esther M.	Chronicling American Folk Song
The Early Modern Afterlife of Musica Humana: Sonic Circulation in Robert Fludd’s Meta-Physiology	Waterman, Hannah Marie	Sounding the Healthy and Unhealthy Body
The Female Gendering of the Sarangi	Shah, Zehra Jabeen	Gendering Asian Musical Instruments and Forms
The Friend Who Got Around: Medieval Theater, Church Music, and a Rather Inappropriate Song	Zazulia, Emily	Memory and Meaning in Medieval and Early Modern Music
The Gaming Mindset in the Theory Classroom: Utilizing Constructive Competition for the Practice and Assessment of Speed and Accuracy in Core Theory Classes	Hosken, Fred	Joint Poster Session
The Giulianiad, the Autodidact, and Mauro Giuliani’s Posthumous Reception in London, 1833–1843	Jones, Lindsay	Musical Publications in the 18th and 19th Centuries
The Linking Function And The Two-Dimensional Sonata Form	Bakulina, Ellen	Form I
The Lynching at Peekskill: Paul Robeson and Early Cold War Black Radical Politics	Hogg Jr, Aldwyn	Music and the Fight for Civil Rights
The motets of John Mundy: Humanism, crypto-Catholicism, and memory in late-Elizabethan England	Page, Daniel Bennett	Motets as Mediums of Power and Sovereignty
The Mulatas de Fuego Onscreen: A Global Enactment of Afro-Cuban Dance	Penate, Cary	Storytelling Through Dance
The Music of Johann Sebastian Bach in Ghana: History, Performance Practices, and Concert Programming	Knyt, Erinn E.	Transcultural Historical Musicology
The Perils and Promises of Timbrephilia	Dolan, Emily I.	The Perils and Promises of Timbrephilia
The Politics of Lizzo’s Sasha Flute	Sterrs-Howard, Tamika Sakayi	Cultural Imaginings in Global Organology
The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture)	Martin, Allie	The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture)
The Prominent Dominant: Representing Function in the Roman Numeral Analysis of Tritone Substitutions	Hunt, Jessica	New Approaches to Harmonic Function
The Quiet After the Cannons: Sounds of Peace After the Thirty Years’ War	Dietlinger, Barbara	Memory and Meaning in Medieval and Early Modern Music
The Rhythmicon and Henry Cowell’s Theosophical Neoplatonism	Gawboy, Anna Maria	Music Theory and Spirituality
The Self-Fashioning of Musical Women, 1760–1800	Cypess, Rebecca	In Fashion: Musical Women in the Long 18th Century
The Silence of the Archive: Challenges in the Global History of Portuguese Music Theory, 1500–1755	Saenz, Juan Patricio	History of Theory I
The Singing Survivor: The Voice, Affect, and Testimony after 1945	Anderton, Abby	In the Shadow of the Holocaust
The Sound of Resistance: From the Cacerolazo Sinfónico to the Musical Protests of Today	Arango, Sara	New Paths in Classical Music (AMS Explore)
The Strong Voice of Gandersheim: Music Theory in Hrotsvit’s Tenth-Century Dramas	McIntyre, Flannery E.	Music and the Lives of Medieval Women
The Swiss Museum: A Source Overview	Loeffler, Emily	Musical Publications in the 18th and 19th Centuries
The Three Rachmaninoffs: Late-Romantic, Symbolist, & Post-Romantic	Reesor, Keenan A.	Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music
The Waltz Topic and 5/4 Time in Tchaikovsky’s Pathétique	Kawczinski, Kimberly	Meter
The West Coast Birth of the Cool: Decoding the Dave Brubeck Octet	De Lucia, Jon	Joint Poster Session
The Z-relation, Trichordal Substructure, and Complementation	Quarles, Kyle Cooper; Sieburth, Daniel	Joint Poster Session
Theater and Pantomime Representations in Marcel Carné’s Children of Paradise (1945)	Brill, Mark	Structure and Representation in 20th Century Film Music
Thelonious Monk’s Wrong (…but Right) Notes	Peloso, Anna	Intertextuality and Interpretation
Theorizing Benjamin Britten’s “Twelve-Note Thinking”	McGartland, Aidan	20th-Century Ideas I
Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval	Schwitzgebel, Emily	Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval
Theorizing Rhythm in the Sublunary World: Al-Fārābī and the Historicization of the Universalizing Impulse of Music Theory	Accornero, Giulia	History of Theory II
Thomas W. Talley’s Harlem Renaissance Musicology	Skoronski, Benjamin P.	Theorizing and Contextualizing the Harlem Renaissance
Three Melodies Walk Backwards Into a Bar: Enigmatic Music Notation in BWV 1087 and its Antecedents	Barbre, Renée	18th Century Issues
Through the Looking Glass: Exploring Musical-Parametrical Reflection in Kaija Saariaho’s Mirrors (1997) for Flute and Cello	Lussier, Kelsey	Joint Poster Session
Timbre and Periodicity in Boulez’s Orchestration of Frontispice by Maurice Ravel	Mullican, Reed	Joint Poster Session
Tone-Clock Theory’s Expansion: An Analysis of Jenny McLeod’s Tone Clock Piece VIII	Lindhorst, Jonathan	Joint Poster Session
Traces of d/Deaf History: Listening to Henri Gaillard's 1918 Laboratoire de la Parole Recording	Fuchs, Sarah	Sounding Disability
Tracing Percussion Orchestration in Early NES Soundtracks (1983-1987): Understanding Coded Parameters Through FFT Analysis	Chang, Joseph T	Music and Games
Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives	Gain, Rachel	Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives
Traditional Âşık/Alevi Musicians as Cultural Critics in Urban Life of Modern Turkey, 1960-1980	Balkılıç, Özgür	Exploring Regional and Cultural Identity in the Twentieth Century
Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico	Marín-López, Javier	Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico
Transatlantic Musical Culture and Nationalism: George Frederick Bristow, Nineteenth-Century Americanist Composer	Preston, Katherine K.	Transatlantic Musical Cultures
Transcultural Identity Construction in Caribbean Popular Music: A Comparative Analysis of Shenseea and Stefflon Don	Rhodd-Lee, Holland	Popular Music and the Global Caribbean
Transhuman Timbres: Mimetic Engagement with Glitch Aesthetics in Three Songs by TAMAGOTCHI MASSACRE	Pinkham, Frances L.	Technology, Timbre, and Trans Identities
Translation as Musical Reclamation: Oratorio Adaptation and Sephardic Acoustic Identity in Eighteenth-Century Amsterdam	Feller-Simmons, Paul Gustav (1,2)	Sacred Music and the Performance of Power
Trolls, Norwegian Identity, and the Musical Uncanny: Agathe Backer Grøndahl’s I Blaafjellet, Op. 44	Utne-Reitan, Bjørnar	Liminal and Supernatural Topics
Tweety Catches the Groove: Repetition and Emergent Meter in Juvenile Song Sparrow (melospiza melodia) Vocalizations	Dodson, Alan; Angelozzi-Blanco, Gianco	Joint Poster Session
Uncovering Howard Hanson's Proto-Set Theory Pedagogy	Ludwig, Jacob (1); Martschenko, Evan (2)	Sets and Solfège
Unified Solfège Equations	Lam, Nathan	Sets and Solfège
Upping the Ante: Balanchine’s Choreography of Stravinsky’s Symphony in Three Movements	Rogers, Lynne (1); Leaman, Kara Yoo (2)	Choreography
Ursula Mamlok’s Diary, 1937-1944: The Odyssey of a Young Jewish Composer	Wiener, Barry	In the Shadow of the Holocaust
Verdi’s Aida: A Case of Western Colonial Organology	Saniee Nia, Ali	Italian Opera and Exoticism
Video Game Franchises and Musical Recontextualization: An Intergenerational Approach	Drace, Madison	Video Game Franchises and Musical Recontextualization: An Intergenerational Approach
Views from the Wienerwald and the Making of Vienna as Musikstadt around 1900	Menicanin, Sadie	Musical Imperialisms: Forms of Domination and Ambition
Virtuosity and Economics: Johann Christian Bach’s Symphonies Concertantes in Eighteenth-Century Public Concerts	Demirezer, Baris	Concerts and Commerce in the 18th and 19th centuries
Visualizing Women’s Roles and Networks in the Concert Life of 1820s Vienna	Kirchdorfer, Mary Elizabeth	Concerts and Commerce in the 18th and 19th centuries
Vittoria Tesi: the Conception of the Black Diva in Italian Opera, 1715–1775	Wroth, Emmanuela	In Fashion: Musical Women in the Long 18th Century
Voices Beyond the Human: AI-Singing and Posthuman Musicking on Bilibili	WANG, ZIXUAN	Generative AI and New Frontiers in Musicology
War and Peace in France	Nosow, Robert	War and Peace in France
Warriors for the New Right: Hearing Gender in the Sword-and-Sorcery Film Score	Edgar, Grace	Gendering Strategies in Films
Wassily Kandinsky: A Paint-Splattered Musical Modernist	Bolton, Emma	Music and the Visual Arts
Water Music on the Arno: The Argonautica of 1608	Harness, Kelley	Floating: Music on/in Water
When a composer does not want their performers to succeed: examining the vocal and pianistic styles of Strauss’s Der Krämerspiegel (1918)	Oinas, Cecilia Ester	Experience and Agency in 20th Century Music
Where ‘Songs Old Men Have Sung’ Were Sung: Robert W. Gordon and the Origins of California Folk Song	Gilbert, Matthew	Chronicling American Folk Song
White and Black Blues: The 1990 Eurovision Song Contest and the Prospect of European (Racial) Integration	Flood, Paul David	Race, Nation, and Identity
White Mythologies in Messiaen	Mendelssohn, Edmund	Theorizing and Mythologizing Whiteness
Who Owns this Song? Translating Musical Property in Nineteenth-Century London	Parton, Christopher	Musical Ownership and Value in the 19th Century
Why Worcester?	Desmond, Karen	Why Worcester?
Wild Rose: Environmental ideology and acoustic community in New York's Hudson Valley in the early twentieth century	Groffman, Joshua	Natural Landscapes and Sound Ecologies
Women’s Music Networks in the United States: Illuminating Unseen Labor	Wilson Kimber, Marian	Women’s Music Networks in the United States: Illuminating Unseen Labor
Workshop in Research Techniques and Bibliography, led by Répertoire International de Littérature Musicale	Whyte, Ralph	Workshop in Research Techniques and Bibliography, led by Répertoire International de Littérature Musicale
Writing about Music Otherwise	Feldman, Martha	Writing about Music Otherwise
Xenakis’s Polytope of Persepolis: An Immersive Composition	Shahriyari, Khashayar	Philosophical Approaches to Composition and Public Presentation