| Abbazio, Jessica | University of Minnesota | Non-Academic Jobs after a Music Degree Presenter |
| Accornero, Giulia | Yale University | Histories of Hidden and Vernacular Theories of Music Chair
History of Theory II |
| Ace, James Raymond | California State University, Northridge | Politics and Representations of Identity in Music |
| Acevedo, Stefanie | University of Connecticut | Analysis of Popular Music II |
| Ai, Li | Shanxi University, | History of Theory I |
| Ai, Stephen Tian-You | Harvard University | Analytical Approaches to Anime Song (Anison) Organizer
Analytical Approaches to Anime Song (Anison) Presenter |
| Aji, Issa | University of Texas at Austin | Memory, Affect, and Attention |
| Akau, Stephanie | Library of Congress | Preserving Composers’ Work in the Digital Age Presenter |
| Ake, David | Frost School of Music/Univ. of Miami, | Making Use of Jazz on Screen |
| Aldins, Anna | Yale University | Histories of Hidden and Vernacular Theories of Music Presenter |
| Allen, Jane | Boston University | Harmony and Narrative in Film Music |
| Alltop, Laurie | Columbus State University | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Alonso-Minutti, Ana | University of New Mexico | Musical Sites of Trauma, Critique, and Healing in the U.S.-Mexico Borderlands Presenter |
| Amsellem, Audrey | Columbia University | Legal Auralities: Critical Approaches to Music, Sound, and Law Presenter |
| Amy, Bauer | University of California, Irvine | Hybridity, restructure and renewal: Anthony Braxton at 80 Chair |
| Anderson, Matt E. | University of Kansas | American Orchestral History: the Composers, the Programming, and the Performers Presenter |
| Anderson, Michael | Eastman School of Music | Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Presenter |
| Anderton, Abby | Baruch College and the Graduate Center, City University of New York | In the Shadow of the Holocaust |
| André, Naomi | University of North Carolina, Chapel Hill | Opera and Untold Black Stories Presenter
“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers Chair |
| Angelozzi-Blanco, Gianco | Mount Allison University | Joint Poster Session |
| Arango, Sara | Queen's College, CUNY, | New Paths in Classical Music (AMS Explore) |
| Arango Calle, Miguel | Indiana University | Opera Staging for Effect: Lights, Masks, and Magic |
| Arewa, Olufunmilayo B. | Antonin Scalia Law School, George Mason University | Challenges and Opportunities Presented By Artificial Intelligence in Music Presenter |
| Ashley, Richard D. | Northwestern University, | Joint Poster Session |
| Asnani, Saagar | UC Berkeley | Innovation and Symbolism in Early Modern Motets |
| Assay, Michelle | University of Toronto | Creative (Mis)Reading: Musical Adaptation of the Modern Novel Chair
Iranian Musical Encounters and Meanings |
| Auerbach, Brent | University of Massachusetts Amherst | Don't Wake the Balrog! Navigating Copyright Issues in Publication Discussant |
| Auner, Joseph | Tufts University | The Perils and Promises of Timbrephilia Chair
The Perils and Promises of Timbrephilia Discussant |
| Auo, Jiyoon | University of Pittsburgh, | Colonial Narratives and Negotiations |
| Ayers, William | University of Central Florida | Harmony and Narrative in Film Music |
| Babyak, Tekla | Disabled Independent Scholar | Musicking in Disabled Community: Access Intimacy and Cultural Activism. Chair |
| Bailey, Candace L | North Carolina Central University | Opera and Untold Black Stories Presenter |
| Baker, Ben | Eastman School of Music, University of Rochester | Musicking Fans |
| Bakulina, Ellen | McGill University | Form I |
| Balkılıç, Özgür | Associated Professor, Abdullah Gul University, | Exploring Regional and Cultural Identity in the Twentieth Century |
| Bañagale, Ryan | Colorado College | Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion Chair
Editing Musicology and Theory Journals: How Can We Improve the System Together? Discussant |
| Bandy, Malachai Komanoff | Pomona College | Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725) Presenter |
| Bangura, Lydia | University of Michigan | Queen Bey: Perception, Reception, and Audience Presenter |
| Bar-Yoshafat, Yonatan | The Open University of Israel, | Form I Presenter |
| Barbre, Renée | Yale University | 18th Century Issues |
| Baril, Alexis K | University of Alberta | Defining Femininity and Female Power through Music |
| Barker, Kirsten | University of Illinois Urbana-Champagne | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Chair |
| Barna, Alyssa | University of Minnesota | Analysis of Popular Music I |
| Barolsky, Daniel | Beloit College | Editing Musicology and Theory Journals: How Can We Improve the System Together? Presenter
Integrating Disciplinary Silos in Our Teaching Discussant
Integrating Disciplinary Silos in Our Teaching Presenter |
| Baron, Derek | Rutgers University | Legal Auralities: Critical Approaches to Music, Sound, and Law Chair
Legal Auralities: Critical Approaches to Music, Sound, and Law Presenter |
| Barson, Benjamin Matthew | Bucknell University | Popular Music and the Global Caribbean |
| Bassler, Samantha | New York University and Rutgers University at Newark | Music, Sound, and Medicalized Trauma in Global and Historical Contexts Presenter |
| Bateman, John | Florida State University | 20th Century Musical Institutions |
| Bates, Morgan | University of California, Los Angeles | Gender Play: Music and Forms of Gender Impersonation |
| Bates, Morgan | UCLA | Roundtable on Supporting and Uplifting the Transgender, Non-Binary, and Gender-Expansive Communities in Music Scholarship Presenter |
| Batstone, Leah | New York University | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Bauer, Amy | University of California Irvine | Contemporary Musical Modernisms: Organizing Meeting Presenter
Hybridity, restructure and renewal: Anthony Braxton at 80 Organizer
Hybridity, restructure and renewal: Anthony Braxton at 80 Presenter |
| Bayne, John | Washington University in St. Louis, | Joint Poster Session |
| Beavers, Jennifer | University of Texas at San Antonio | Ravel at 150: Enduring Insights and New Initiatives Presenter |
| Bell Jordan, Hester | Independent | Beyond Misinformation: Early Nineteenth-Century Dubious Sources and the Historical Post-Truth Presenter |
| Benadon, Fernando | American University | Analysis of Popular Music III |
| Bennett, Cameron | Fountain School of Performing Arts at Dalhousie University | Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously |
| Bennett, William | Harvard University | Generative AI and New Frontiers in Musicology |
| Benoit, Hannah | McGill University | Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy Chair
Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy Presenter |
| Bergeron-Dumaine, Holly | University of British Columbia | Pedagogy |
| Berman, Donald | Longy School of Music | Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Presenter |
| Bernstein, Zachary | Eastman School of Music | 20th Century Compositional Poetics |
| Bhogal, Gurminder Kaur | Wellesley College | Ravel at 150: Enduring Insights and New Initiatives Chair |
| Biamonte, Nicole | McGill University | Editing Musicology and Theory Journals: How Can We Improve the System Together? Discussant |
| Bilidas, Stefanie | Michigan State University | AMS MDSG Business Meeting with Short Papers, 2025: New Directions in Choreomusicology Presenter |
| Bilik, Matthew Allan | University of Connecticut | Analysis of Vocal Music |
| Bishop, Daniel | N/A | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Chair |
| Black, Cody | Vanderbilt University | Re-Sounding the Postcolonial City |
| Blackmar, Matthew | Indiana University | Beyond the Specter of “AI”: Algorithmic Bias, Systems of Power, and the Impact of Machine Learning on Contemporary Soundscapes Presenter |
| Blättler, Damian | Rice University | Ravel at 150: Enduring Insights and New Initiatives Presenter |
| Bleisch, Nicholas | KU Leuven | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Blim, Dan | Denison University, | Jewish Musical Theater and Song |
| Bloxam, M. Jennifer | Williams College | Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Presenter |
| Bogerd, Nicolette van den | Indiana University, Bloomington | Listening for the Holocaust in Polish/Jewish Musical Culture Presenter |
| Bohlman, Andrea | University of North Carolina | “The Times They Are A-Changin’”: Musicking through Challenging Times Presenter
Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice Chair |
| Bolton, Emma | Princeton University | Music and the Visual Arts |
| Booker, Nicholas Alexander | The Ohio State University | Singing Memory: Traditional and Folk Musicking in the British Isles |
| Boquiren, Sidney | Adelphi University | Developing a Student-Centered Approach to Classroom Learning Chair
Developing a Student-Centered Approach to Classroom Learning Presenter |
| Borden, Miriam | University of Toronto | New Perspectives in Canadian Jewish Music Presenter |
| Borowski, Devon J | Harvard University | Opera as Worldmaking Presenter |
| Boss, Jack | University of Oregon | East and West |
| Bourgeois, Glen | McGill University (Schulich School of Music), Montreal, Canada | Jazz Instrumentalities |
| Bourne, Janet | University of California, Santa Barbara | Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis Presenter |
| Bowes, Lizzie | University of Bristol | Hip-Hop Identities: Negotiating Boundaries of Race and Nationality |
| Bowring, Lynette | Yale School of Music | Capturing Music: Notational Privilege and Practice |
| Bradley, Catherine A. | University of Cambridge | Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino Presenter |
| Brady, Sophie Angeline | University of Arkansas | Colonial Narratives and Negotiations |
| Bravo, Marcis | Ohio University | 8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Presenter |
| Brill, Mark | University of Texas-San Antonio, | Structure and Representation in 20th Century Film Music |
| Brinson, Bethany | Eastman School of Music | Natural Landscapes and Sound Ecologies |
| Brodsky, Seth | University of Chicago | Contemporary Musical Modernisms: Organizing Meeting Chair
Contemporary Musical Modernisms: Organizing Meeting Presenter
Music, Silence, and Social Action in an Age of Perpetual Crisis Presenter |
| Broess, Erik | Rice University | Instrumental and Sonic Masculinities |
| Brooks-Conrad, Allison | University of Pennsylvania | Femininity and Female Archetypes |
| Brown, Gwynne Kuhner | University of Puget Sound | Opera and Untold Black Stories Chair |
| Brown, Jordan | Harvard University | Queen Bey: Perception, Reception, and Audience Presenter |
| Brown, Simeon Willcox | Princeton University | Medieval and Early Modern Chant Traditions |
| Bryan, Karen M. | Hot Springs, AR | Opera and Untold Black Stories Presenter |
| Budnyk, Samuel Ross | Harvard University | Musical Ownership and Value in the 19th Century |
| Buonaiuto, Danielle | The Graduate Center, CUNY | “Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers Presenter |
| Burkett, Lyn Ellen | Western Carolina University, | Teaching Music Theory Through Times of Disaster and Trauma Organizer
Teaching Music Theory Through Times of Disaster and Trauma Chair
Teaching Music Theory Through Times of Disaster and Trauma Presenter |
| Burkholder, J. Peter | Indiana University | Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Discussant |
| Burkholder, Peter | Indiana University, Bloomington | Changing the Topic: New Paradigms for Topic Theory Discussant |
| Burns, Chelsea | University of Texas | Contemporary Musical Modernisms: Organizing Meeting Presenter |
| Burton, Justin D. | Rider University | Hip Hop and Politics in the Age of Trump Chair
Hip Hop and Politics in the Age of Trump Discussant |
| Bustamante, Gabe | University of California | 8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Presenter |
| Byrne, David Alexander | University of Manitoba | History of Theory II |
| Calcagno, Mauro | University of Pennsylvania, | Opera Staging for Effect: Lights, Masks, and Magic |
| Caldwell, Mary Channen | University of Pennsylvania | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter
Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Discussant |
| Calico, Joy | UCLA | American Documentary Opera, Reconsidered Chair |
| Callender, Clifton | Florida State University | 20th-Century Ideas I |
| Camprubí, Marcel | The Warburg Institute | New Horizons with Historical Notations Presenter |
| Cao, Erica | Stanford University, San Mateo County Behavioral Health and Recovery Services | Music, Education, and Care |
| Capuzzo, Guy | UNC Greensboro | Intertextuality and Interpretation |
| Carr-Richardson, Amy | East Carolina University | Teaching Music Theory Through Times of Disaster and Trauma Organizer
Teaching Music Theory Through Times of Disaster and Trauma Chair
Teaching Music Theory Through Times of Disaster and Trauma Presenter |
| Carson, A.D. | University of Virginia | Hip Hop and Politics in the Age of Trump Presenter
Popular Music and/as Resistance Presenter |
| Carson, Charles | University of Texas | “The Times They Are A-Changin’”: Musicking through Challenging Times Presenter |
| Carter-Ényì, Aaron | Morehouse College | Emerging Directions in Music Theory Publication Organizer
Emerging Directions in Music Theory Publication Chair |
| Cassidy, Tanner | Greenville, North Carolina | Liminal and Supernatural Topics |
| Castleberry, Jessica | University of Northern Colorado | Storytelling Through Dance |
| Castro Pantoja, Daniel | Emory University | AMS Global Music History Study Group Business Meeting
AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music' Chair |
| Catchpole, David | Texas State University, | Music and the Fight for Civil Rights |
| Caton, Kathryn L. | University of Houston | Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century Presenter |
| Cazaux, Christelle | Schola Cantorum Basel | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Ceriani, Davide | Rowan University | 200 Years of Italian Opera in the United States: 1825–2025 Chair |
| Chan, Evan | University of Toronto | Joint Poster Session |
| Chan, Kaylene | University of Toronto | Groove |
| Chander, Aditya | Yale University | Analysis of Popular Music II |
| Chandrasekhar, Varun | Washington University in Saint Louis, | Jazz Philosophies and Perspectives |
| Chang, Joseph T | McGill University; Center for Interdisciplinary Research in Music Media and Technology | Music and Games |
| Chang, Lidia | Colorado College | Between Finger Spans and Harmonic Theory: Reconstructing the Meroë Doublepipes Chair |
| Chapman, Dale | Bates College | Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion Chair
Contemporary Approaches to Critical Editions in Music – Session Two: Workshop Chair |
| Chattah, Juan | University of Miami | Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis Presenter |
| Chávez Bárcenas, Ireri | Bowdoin College | AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music' Chair
Music in the Early Modern Luso-Hispanic World |
| Chen, Guangchen | Emory University | Fou Ts'ong's Creative Worlds Presenter |
| Chen, Wenshi | Rice University | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Presenter |
| Chen, YuHao | Ohio State University | Beyond the Score |
| Cheng, ching-nam Hippocrates | Binghamton University | Jazz Instrumentalities |
| Cheng, Hippocrates | Binghamton University | Music, Sound, and Medicalized Trauma in Global and Historical Contexts Presenter |
| Cheng, Ya-Hui | University of South Florida, Taipei National University of the Arts | Cultural Representation and Artistic Agency in Asian Popular Music |
| Cheung, Hon Ki | University of Texas at Austin | Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives Organizer
Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives Chair |
| Chiu, Remi | Peabody Institute of the Johns Hopkins University, | The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Chair
The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Presenter |
| Cho, Hiro | University of Chicago | Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon Presenter |
| Christensen, Thomas | University of Chicago | Closing the Gap Between Musical and Philosophical Hermeneutics Presenter
Histories of Hidden and Vernacular Theories of Music Discussant |
| Christoforidis, Michael | University of Melbourne, | Transcultural Historical Musicology |
| Chu, Allison | Yale University | American Documentary Opera, Reconsidered Presenter |
| Chung, Andrew | University of North Texas | Forms of Listening in Contemporary Politics Presenter |
| Clark, Maribeth | New College of Florida | Women’s Music Networks in the United States: Illuminating Unseen Labor Presenter
“The Times They Are A-Changin’”: Musicking through Challenging Times Presenter |
| Clawson-Cannestra, Kaitlyn | University of Oregon | Black American Composers and Coded Meanings |
| Clement, Brett | Ball State University | Analysis of Popular Music II |
| Cohen, Simon | UC Berkeley | Musical Ownership and Value in the 19th Century |
| Coker, Kathleen Elizabeth | University College Cork, | Identity and Authenticity in Country Music |
| Cole, Christa | Oberlin College and Conservatory | Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Organizer
Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Presenter |
| Cole, Janie | University of Connecticut, | Sacred Music and the Performance of Power |
| Coluzzi, Seth J | Colgate University, | K-Pop: Inside, Outside, New and Old |
| Conlee, Jade | University of Virginia | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Presenter |
| Conte, Eugenia Siegel | n/a | Soundtrack Semantics |
| Conzetti, Florian | Linfield University | Popular Music and the Global Caribbean |
| Cooper, Samantha M. | University of Wisconsin Milwaukee | New Perspectives in Canadian Jewish Music Presenter |
| Cooper, Sarah | University of Bristol | Gender Play: Music and Forms of Gender Impersonation |
| Copley, Christopher | New York University | City Soundscapes |
| Cordery, Gareth | Columbia University | Music, Education, and Care |
| Cornish, Gabrielle | University of Wisconsin–Madison | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter
AMS Cold War and Music Study Group Business Meeting
Contemporary Musical Modernisms: Organizing Meeting Presenter |
| Coutts, Eric Joseph | King's College London, | Musical Imperialisms: Forms of Domination and Ambition |
| Couture, Heather Kay | Texas Lutheran University, | Practices of Memory and Resistance |
| Cowart, Georgia | Case Western Reserve University | Sonic Worlds of Race and Ecology Chair |
| Cowgill, Rachel Elizabeth | University of York, | In Fashion: Musical Women in the Long 18th Century |
| Cox, Jessie | Harvard University | Contemporary Musical Modernisms: Organizing Meeting Presenter |
| Criscuola de Laix, Esther | A-R Editions | Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty Chair |
| Cruz Nowell, Fred | Cornell University | Histories of Hidden and Vernacular Theories of Music Presenter |
| Cubero, Diego | University of North Texas | Form II |
| Cueto, Alejandro | University of Chicago | Seeing and Depicting Queerness |
| Cumming, Julie Emelyn | McGill University | Non-Academic Jobs after a Music Degree Chair |
| Cushman, Samuel B. | Charlottesville, VA | Transcultural Historical Musicology |
| Cusick, Suzanne | New York University | A Feminist Killjoy at the AMS (CWG Lecture) Discussant |
| Cypess, Rebecca | Yeshiva University, | In Fashion: Musical Women in the Long 18th Century |
| Dao, Ashley | NYU | Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma Presenter |
| Darling, Rachel | University fo Texas at Austin | Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives Presenter |
| Daugavietis, Jānis | University of Latvia | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| David, Joshua Tolulope | University of Toronto, Canada | Exploring Regional and Cultural Identity in the Twentieth Century |
| Davidson, Echo Lee | University of Pittsburgh | Embodiment and Musical Gendering |
| Davis, Andrew | University of Houston | Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot Presenter |
| de la Luz Enríquez Rubio, María | Universidad Nacional Autónoma de México | New Horizons with Historical Notations Presenter |
| de Laix, Esther Criscuola | A-R Editions | Non-Academic Jobs after a Music Degree Presenter |
| De Lucia, Jon | Borough of Manhattan Community College and The Graduate Center, CUNY | Joint Poster Session |
| De Rycke, Dawn | University of North Texas | Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Presenter |
| de Savage, Heather | Central Connecticut State University | Adapting Musical Performance for the Screen |
| Dean, Alexander | A-R Editions | Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion Presenter
Contemporary Approaches to Critical Editions in Music – Session Two: Workshop Presenter |
| Decker, Todd | Washington University, St. Louis | “Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand” Discussant |
| Delfin, Anne | University of Alabama | East and West Presenter |
| Dell'Antonio, Andrew | Round Rock, TX | Musicking in Disabled Community: Access Intimacy and Cultural Activism. Chair |
| Dellenbaugh, Ginger | n/a | Bad Instructions? Anarchy, Excess, and Scarcity in Music Notation Chair |
| Demirezer, Baris | King's College London | Concerts and Commerce in the 18th and 19th centuries |
| Deng, Haiqiong | Florida State University | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Presenter |
| Desmond, Karen | Maynooth University | Why Worcester? Presenter |
| Devaney, Johanna | Brooklyn College, CUNY | Editing Musicology and Theory Journals: How Can We Improve the System Together? Presenter |
| DeVlieger, Dana Lauren | Latham & Watkins LLP | Challenges and Opportunities Presented By Artificial Intelligence in Music Presenter |
| Dietlinger, Barbara | University of North Texas | Memory and Meaning in Medieval and Early Modern Music |
| Dodson, Alan | Mount Allison University | Joint Poster Session |
| Dohoney, Ryan | Northwestern University | Black American Composers and Coded Meanings
Contemporary Musical Modernisms: Organizing Meeting Presenter
Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval Chair |
| Doktor, Stephanie | Temple University | AMS Music and Marxism Study Group Meeting: A Conversation with Dr. Marie Thompson on Music/Reproduction/Crisis Discussant
State of the Field: Jazz and Gender Chair |
| Dolan, Emily I. | Brown University | Hidden Histories of Production and Consumption in Electronic Musical Instruments Chair
The Perils and Promises of Timbrephilia Presenter |
| Domico, Patrick Hutcheson | Indiana University Bloomington | Soviet Legacies |
| Dorf, Samuel | University of Dayton | Satie is Dead, Long Live Satie Chair |
| Dorf, Samuel | American Musicological Society | Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion Chair |
| dos Santos, Silvio J | University of Florida, | Colonial Perspectives, Stereotypes, and Caricatures |
| Drace, Madison | Florida State University | Video Game Franchises and Musical Recontextualization: An Intergenerational Approach Chair
Video Game Franchises and Musical Recontextualization: An Intergenerational Approach Presenter |
| Draucker, Shannon | Siena College | Embodiment and Musical Gendering |
| Drehoff Jr., Richard | Peabody Institute / Johns Hopkins University | Joint Poster Session |
| Drott, Eric | University of Texas | Beyond the Specter of “AI”: Algorithmic Bias, Systems of Power, and the Impact of Machine Learning on Contemporary Soundscapes Chair |
| Drott, Eric | UT Austin;
University of Texas at Austin | AMS Music and Marxism Study Group Business Meeting
AMS Music and Marxism Study Group Meeting: A Conversation with Dr. Marie Thompson on Music/Reproduction/Crisis Chair
Legal Auralities: Critical Approaches to Music, Sound, and Law Discussant |
| Drozzina, Aleksandra (Sasha) | The Ohio State University | Popular Music and/as Resistance Presenter |
| Dubois, Taryn | Yale University | Colonial Perspectives, Stereotypes, and Caricatures |
| Dysers, Christine | Uppsala University | Contemporary Musical Modernisms: Organizing Meeting Chair
Contemporary Musical Modernisms: Organizing Meeting Presenter |
| Earp, Lawrence | University of Wisconsin-Madison | Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Presenter |
| Easley, Dave | Oklahoma City University | Pedagogy |
| Ebie, Michael G. | University of Cincinnati College-Conservatory of Music | Harmony and Narrative in Film Music |
| Ebright, Ryan | Bowling Green State University | American Documentary Opera, Reconsidered Presenter |
| Edgar, Grace | University of Kansas | Gendering Strategies in Films |
| Edholm, Charles Stewart | University of Ottawa | Structure and Representation in 20th Century Film Music |
| Edney, Tom | Royal College of Music, | Exploring Regional and Cultural Identity in the Twentieth Century |
| Elkins, Alan | Cleveland Institute of Music, | Music and Games |
| Ellinghausen, Graham | N/A | 8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Presenter |
| Ellis, Katharine | University of Cambridge | European Bellephonics: The Sounds of War and Peace |
| Elphick, Daniel | Royal Holloway University | Listening for the Holocaust in Polish/Jewish Musical Culture Discussant |
| Emmery, Laura | Emory University | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Eng, Clare Sher Ling | Belmont University | Don't Wake the Balrog! Navigating Copyright Issues in Publication Organizer
Don't Wake the Balrog! Navigating Copyright Issues in Publication Chair
Don't Wake the Balrog! Navigating Copyright Issues in Publication Presenter |
| English, Micah | Yale University | Hip Hop and Politics in the Age of Trump Presenter |
| Epstein, Louis | St. Olaf College | Integrating Disciplinary Silos in Our Teaching Presenter |
| Eshleman, Drake Edward | Indiana University | Disability in Musical Topics and Form Presenter |
| Espinosa, Bryan | Sam Houston State University | History of Theory II |
| Everist, Mark | University of Southampton;
Univeristy of Southampton | Music of the Long Thirteenth Century: Genre, Kind, and Culture Chair
Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter
Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville Presenter |
| Eyerly, Sarah | Florida State University, Tallahassee | Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico Chair |
| Fader, Don | University of Alabama, | French Court Musics in the 17th and 18th Centuries |
| Fairley, Brian | University of Pittsburgh | AMS MDSG Business Meeting with Short Papers, 2025: New Directions in Choreomusicology Presenter |
| Fakharinia, Kimia | Washington University in St. Louis, | Iranian Musical Encounters and Meanings |
| Fallahi, Hamidreza | University of Texas at Austin | Iranian Musical Encounters and Meanings |
| Falotico, Sam | Eastman School of Music | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Presenter
Analytical Approaches to Anime Song (Anison) Presenter |
| Fath, John Vincent | Stanford University | Race and Defiant Self-Definition through Jazz |
| Faulkner, Jackson Sean | Indiana University | Techniques and Technologies |
| Feldman, Martha | University of Chicago | Writing about Music Otherwise Chair
Writing about Music Otherwise Presenter |
| Feller-Simmons, Paul Gustav | Northwestern University,;
University of Illinois at Chicago | Sacred Music and the Performance of Power |
| Felt, Kathryn | Rutgers University | Femininity and Female Archetypes |
| Fillerup, Jessie | University of Richmond | Ravel at 150: Enduring Insights and New Initiatives Presenter |
| Fink, Robert | UCLA | Preserving Composers’ Work in the Digital Age Chair |
| Finnegan-Hill, Denise E. | Classical Music Indy | American Orchestral History: the Composers, the Programming, and the Performers Presenter |
| Fitzpatrick, Erin Anne | UCLA | New Work in LGBTQ Music Studies Presenter
Still Here: Protest, Survival and Queer Worldbuilding |
| Flood, Paul David | Eastman School of Music | Popular Music and/as Resistance Chair
Race, Nation, and Identity |
| Foonberg, Avinoam | University of Cincinnati College-Conservatory of Music (CCM) | Analysis of Popular Music III |
| Foskett, Brandon | University of Texas at Austin | Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives Presenter |
| Fosler-Lussier, Danielle | The Ohio State University | Women’s Music Networks in the United States: Illuminating Unseen Labor Presenter |
| Fowler, Erin | Columbus State University | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Franseen, Kristin | University of Western Ontario | Beyond Misinformation: Early Nineteenth-Century Dubious Sources and the Historical Post-Truth Presenter |
| Freedman, Richard | Haverford College | The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Presenter |
| Frickey, Elizabeth | New York University | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Chair
Sonic Worlds of Race and Ecology Presenter |
| Friedman, Nathan | University of Chicago | New Perspectives in Canadian Jewish Music Presenter |
| Friesenegger, Dietmar | Leipzig University | Storytelling Through Dance |
| Frisch, Simon | Stanford University | Motets as Mediums of Power and Sovereignty |
| Frisch, Walter | Columbia University | “Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand” Presenter |
| Frymoyer, Johanna | University of Notre Dame | Changing the Topic: New Paradigms for Topic Theory Organizer
Changing the Topic: New Paradigms for Topic Theory Chair
Changing the Topic: New Paradigms for Topic Theory Presenter |
| Fuchs, Sarah | Royal College of Music, London | Sounding Disability |
| Gabriel, John | University of Melbourne | Colonial Perspectives, Stereotypes, and Caricatures |
| Gain, Rachel | Yale University | Dance
AMS MDSG Business Meeting with Short Papers, 2025: New Directions in Choreomusicology Chair
Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives Chair |
| Gallope, Michael | University of Minnesota | Bad Instructions? Anarchy, Excess, and Scarcity in Music Notation Presenter
Contemporary Musical Modernisms: Organizing Meeting Presenter
Forms of Listening in Contemporary Politics Discussant
Histories of Hidden and Vernacular Theories of Music Discussant
Music, Silence, and Social Action in an Age of Perpetual Crisis Presenter |
| Galloway, Kate | Renssalaer Polytechnic Institute | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Presenter
Making Music and Meaning on the Internet |
| Gámez Hernández, Carlos | Case Western Reserve University | Medieval and Early Modern Chant Traditions |
| Gao, Yan | Stony Brook University | Still Here: Protest, Survival and Queer Worldbuilding |
| Garcia, Luis Manuel | University of Birmingham | Music, Silence, and Social Action in an Age of Perpetual Crisis Presenter |
| Garlid, Annie | New York University | Floating: Music on/in Water |
| Gary, Sean McDermott | University of Memphis, | Identity and Authenticity in Country Music |
| Gatdula, Anna | University of North Carolina, Chapel Hill | Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion Presenter |
| Gatti, Luca | Università di Pavia | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Gaub, Albrecht | Milwaukee Symphony Orchestra | Rock Narratives |
| Gawboy, Anna Maria | Ohio State University | Histories of Hidden and Vernacular Theories of Music Discussant
Music Theory and Spirituality |
| Gelbart, Matthew | Fordham University | Race, Nation, and Identity |
| Gerbino, Giuseppe | Columbia University | 200 Years of Italian Opera in the United States: 1825–2025 Presenter |
| Getz, Christine | University of Missouri–Kansas City | Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty Presenter |
| Giglio, Bobby | San Jose, Costa Rica | Between Finger Spans and Harmonic Theory: Reconstructing the Meroë Doublepipes Chair |
| Gilbert, Adam Knight | University of Southern California | Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725) Presenter |
| Gilbert, Matthew | Stanford University | Chronicling American Folk Song |
| Gillen, Maeve | Eastman School of Music | Hearing Marginalization, Demanding Equity Presenter |
| Gjerdingen, Robert | Northwestern University | Histories of Hidden and Vernacular Theories of Music Discussant |
| Glazer, Juliet | University of Pennsylvania | The Perils and Promises of Timbrephilia Presenter |
| Goddard Loeffert, Kimberly | Virginia Tech | Emerging Directions in Music Theory Publication Presenter |
| Goldman, Dianne | Elmhurst University | Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico Presenter |
| Goldman, Jonathan | Université de Montréal, | Music and the Cold War: Cultural Anxieties and Diplomacies |
| Gonzalez, Ramona | Occidental College | Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma Presenter |
| Gopinath, Sumanth | University of Minnesota | Reich at 89 Presenter
Closing the Gap Between Musical and Philosophical Hermeneutics Presenter
Forms of Listening in Contemporary Politics Chair |
| Gordon, Bonnie | University of Virginia | “The Times They Are A-Changin’”: Musicking through Challenging Times Chair
“The Times They Are A-Changin’”: Musicking through Challenging Times Presenter |
| Graber, Katie | Ohio State University | Defining Femininity and Female Power through Music |
| Graham, Pheaross | Stanford University | Instrumental and Sonic Masculinities |
| Grant, Marcus | Brown University | State of the Field: Jazz and Gender Presenter |
| Graper, Julianne | Indiana University | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Presenter |
| Greathouse, Ashley Ann | University of South Carolina | Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games |
| Greene, Aria Christopher | University of Cincinnati: College Conservatory of Music | Technology, Timbre, and Trans Identities |
| Grimmer, Jessica | University of Maryland | Preserving Composers’ Work in the Digital Age Presenter |
| Grochowska, Katarzyna | The School of the Art Institute of Chicago, | Music and the Lives of Medieval Women |
| Groffman, Joshua | Southern Connecticut State University | Natural Landscapes and Sound Ecologies |
| Guerrero, Devin Ariel | Texas Tech University, | Joint Poster Session |
| Guez, Jonathan | University of Houston, | Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot Organizer
Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot Chair
Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot Presenter |
| Gui, James | Columbia University | Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games |
| Hable, Burton | Boston University, Boston, Massachusetts | Joint Poster Session |
| Hagel, Stefan | Austrian Academy of Sciences | Between Finger Spans and Harmonic Theory: Reconstructing the Meroë Doublepipes Presenter |
| Haldey, Olga | University of Maryland | Creative (Mis)Reading: Musical Adaptation of the Modern Novel Presenter |
| Hambridge, Katherine | Durham University | Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville Presenter |
| Hamessley, Lydia | Hamilton College | Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously Chair |
| Hamilton, Elina | University of Hawai'i, Mānoa | AMS Global East Asian Music Research Annual Business Meeting |
| Hamm, Chelsey | Christopher Newport University | Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Presenter |
| Hamm, Patrick | N/A | Dear Lara (film screening) |
| Hammond, Lily Marshae | University of Massachusetts Amherst | New Approaches to Harmonic Function |
| Hannan, Calder | Indiana University | Groove |
| Hardan, Alexander F. | Brown University | The Perils and Promises of Timbrephilia Presenter |
| Harness, Kelley | University of Minnesota, Twin Cities | Floating: Music on/in Water |
| Harper, Hayden | Florida State University | Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games |
| Harper, Paula Clare | University of Chicago | Socio-technical Histories of Digital Music Chair
Making Music and Meaning on the Internet |
| Harris, Scott | Columbus State University | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Chair |
| Hartt, Jared C | Oberlin Conservatory of Music | Why Worcester? Chair
Innovation and Symbolism in Early Modern Motets |
| Hatter, Jane | University of Utah | A Feminist Killjoy at the AMS (CWG Lecture) Chair
Music and the Lives of Medieval Women
Roundtable on Supporting and Uplifting the Transgender, Non-Binary, and Gender-Expansive Communities in Music Scholarship Chair |
| Hayes, Isaac Otto | Los Angeles | Hybridity, restructure and renewal: Anthony Braxton at 80 Organizer
Hybridity, restructure and renewal: Anthony Braxton at 80 Presenter |
| Hazan, Marcelo Campos | University of South Carolina (Columbia), Walker Institute of International and Area Studies, School of Music | Music in the Early Modern Luso-Hispanic World |
| Head, Emmie | UCLA | Challenges and Opportunities Presented By Artificial Intelligence in Music Presenter |
| Heazlewood-Dale, James | Brandeis University | 8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Chair
AMS Ludomusicology Study Group Business Meeting |
| Hedberg, Natalie R. | UCLA | K-Pop: Inside, Outside, New and Old |
| Heinle, Samantha Kim | San Francisco Conservatory of Music | Opera and Disability Studies |
| Heinricks, Haley | Harvard University | Music and Games |
| Hennig, Molly | University of California, Los Angeles | Video Game Franchises and Musical Recontextualization: An Intergenerational Approach Presenter |
| Henry, Jasmine | University of Pennsylvania | Queen Bey: Perception, Reception, and Audience Chair |
| Herrera, Eduardo | Indiana University, | Sounding Excitement and Resistance in Latin American Communities |
| Herrmann, Caleb | University of Chicago | Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval Presenter |
| Hershberger, Monica Alice | Lehigh University | Music and the Fight for Civil Rights |
| Hess, Carol | University of California, Davis | Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty Presenter |
| Hicks, Andrew | Cornell University | New Horizons with Historical Notations Presenter |
| Hicks, Jonathan | University of Aberdeen | Silence and Sound in Urban Environments |
| Hicks, Rush | Belmont University | Don't Wake the Balrog! Navigating Copyright Issues in Publication Discussant |
| Hieb, Kimberly Beck | West Texas A&M University | Women’s Music Networks in the United States: Illuminating Unseen Labor Chair |
| Hier, David | Oklahoma State University | 20th Century Compositional Poetics |
| Hilewicz, Orit | Jacobs School of Music, Indiana University | Structure and Representation in 20th Century Film Music |
| Hodges, Christopher | Boston University | New Work in LGBTQ Music Studies Presenter |
| Hogg Jr, Aldwyn | N/A | Music and the Fight for Civil Rights |
| Holley, Gus Dalan | University of California Berkeley | Beyond the Score |
| Hooker, Lynn M. | Indiana University | Music and the Cold War: Cultural Anxieties and Diplomacies |
| Hoppenjans, Kelly | University of Michigan | Beyond the Specter of “AI”: Algorithmic Bias, Systems of Power, and the Impact of Machine Learning on Contemporary Soundscapes Presenter |
| Horner, Rachel | Cornell University | Searching for "lo inaudito" in the Sound Archive Presenter |
| Hosken, Fred | Butler University | Joint Poster Session |
| Hu, Lester | University of California, Berkeley, | Listening Through Machines |
| Hu, Qifang | University of Texas at Austin | Politics and Representations of Identity in Music |
| Hubbs, Nadine | University of Michigan | Musical Sites of Trauma, Critique, and Healing in the U.S.-Mexico Borderlands Chair |
| Hudson, Stephen S. | Occidental College, | Form in Popular Music |
| Huebner, Steven | McGill University | Ravel at 150: Enduring Insights and New Initiatives Discussant |
| Huether, Kathryn Agnes | UCLA | Music, Silence, and Social Action in an Age of Perpetual Crisis Presenter |
| Hugh Sam, Jordan Matthew | UCLA | Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma Presenter |
| Hughes, Lesley | Sam Houston State University | Responses to Authoritarianism |
| Hui, Keri | Hong Kong Baptist University | Fou Ts'ong's Creative Worlds Chair
Fou Ts'ong's Creative Worlds Presenter |
| Hunt, Jessica | The Peabody Institute, Johns Hopkins University | New Approaches to Harmonic Function |
| Hwang, Mi Kyung | University of Arizona | K-Pop: Inside, Outside, New and Old Presenter |
| Hynes-Tawa, Liam | Harvard University | Analytical Approaches to Anime Song (Anison) Chair
East and West |
| Ignesti, Alessandra | University of Pavia | The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Presenter |
| Ipson, Douglas | Southern Utah University | Politics and Representations of Identity in Music |
| Irschick, Lauren Rose | Eastman School of Music | Musicking Fans |
| Irvine, Thomas | University of Southampton, UK | Generative AI and New Frontiers in Musicology |
| Irving, David RM | ICREA & Institució Milà i Fontanals de Recerca en Humanitats, CSIC | AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music' Presenter |
| Isaacson, Eric | University of New South Wales | Reich at 89 Chair
Reich at 89 Presenter |
| Ivanova, Velia | Wake Forest University | Searching for "lo inaudito" in the Sound Archive Chair |
| Jackson, Hannah | Howard University, | Musical and Extramusical Agendas (AMS Explore) |
| Jacob, Uri | Bar-Ilan University | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Janello, Mark | Peabody Institute of the Johns Hopkins University, | The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Presenter |
| Jansen, Virginia | University of California, Davis, | Composing Women: Identity and Creative Agency |
| Jarvis, Brian Edward | The University of Texas at El Paso, | Song Form |
| Jenkins, J. Daniel | University of South Carolina | Don't Wake the Balrog! Navigating Copyright Issues in Publication Discussant
Emerging Directions in Music Theory Publication Discussant |
| Jensen, Calum | University of Chicago | 20th-Century Ideas II |
| Jerzak, Allison | University of California, Berkeley | Socio-technical Histories of Digital Music Presenter |
| Johnson, Jake | University of Oklahoma | Editing Musicology and Theory Journals: How Can We Improve the System Together? Presenter |
| Johnson, Jenny Olivia | UCLA | Music, Silence, and Social Action in an Age of Perpetual Crisis Chair
Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma Chair
Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma Discussant |
| Johnson-Williams, Erin | University of Southhampton;
University of Southampton (UK) | Music, Sound, and Medicalized Trauma in Global and Historical Contexts Chair
Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Chair
Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Presenter |
| Jolley, Jennifer | Lehman College, CUNY | Preserving Composers’ Work in the Digital Age Presenter |
| Jones, Alisha Lola | University of Cambridge | Music, Silence, and Social Action in an Age of Perpetual Crisis Presenter |
| Jones, Evan | Florida State University | Teaching Music Theory Through Times of Disaster and Trauma Organizer
Sets and Solfège
Teaching Music Theory Through Times of Disaster and Trauma Presenter |
| Jones, Jeannette D | Boston, MA | New Horizons with Historical Notations Chair |
| Jones, Lindsay | University of Toronto | Musical Publications in the 18th and 19th Centuries |
| Jones, Ryan | Eastman School of Music | Experience and Agency in 20th Century Music |
| Jonker, Alexandrea | SUNY Potsdam, | Composing Women: Identity and Creative Agency |
| Jordan, Daniel David | University of Toronto | 20th Century Musical Institutions |
| Jordon-Conlin, Tamyka | Vassar College | Hip-Hop Identities: Negotiating Boundaries of Race and Nationality |
| Joseph, Sven | Eastman School of Music | Soviet Legacies |
| Joyce, Molly | University of Virginia | Musicking in Disabled Community: Access Intimacy and Cultural Activism. Presenter |
| Junco, Hannah Marie | University of Pennsylvania, | Sounding Excitement and Resistance in Latin American Communities |
| Kajikawa, Loren | George Washington University | “The Times They Are A-Changin’”: Musicking through Challenging Times Presenter
Hip Hop and Politics in the Age of Trump Presenter |
| Kaminsky, Peter | University of Connecticut | Joni Mitchell |
| Kapusta, John | Eastman School of Music, University of Rochester | Music and the Cold War: Cultural Anxieties and Diplomacies |
| Karnes, Kevin C. | Emory University | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Katz, Mark | University of North Carolina at Chapel Hill | Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice Presenter |
| Kawczinski, Kimberly | Northwestern University, | Meter |
| Keenan, Sean | University of California, Santa Cruz | City Soundscapes |
| Kelly, Thomas Forrest | Harvard University | New Horizons with Historical Notations Presenter |
| Khansili, Anchal | Florida State University, | Music, Education, and Care |
| Khurana, Wes | University of Toronto | Form in Popular Music Presenter |
| Kijas, Anna | Tufts University/Rebalancing the Music Canon | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Kim, Catrina S. | University of Massachusetts Amherst | Expression in Vocal Music II |
| Kim, Seokyoung | The University of Texas at Austin | Italian Opera and Exoticism |
| King, Jessica Ray | Washington University in St. Louis | Capturing Music: Notational Privilege and Practice |
| Kirchdorfer, Mary Elizabeth | University of Vienna | Concerts and Commerce in the 18th and 19th centuries |
| Klotz, Kelsey | University of Maryland, College Park, | AMS Jazz and Improvisation Study Group Business Meeting
State of the Field: Jazz and Gender Chair |
| Knyt, Erinn E. | University of Massachusetts Amherst | Transcultural Historical Musicology |
| Kobel, Malte | Guildhall School of Music and Drama, London, UK | Capturing Music: Notational Privilege and Practice
Histories of Hidden and Vernacular Theories of Music Presenter |
| Kok, Roe-Min | McGill University | Fou Ts'ong's Creative Worlds Presenter |
| Kolin, Diane | York University, Toronto, Canada | Musicking in Disabled Community: Access Intimacy and Cultural Activism. Presenter |
| Koozin, Timothy | University of Houston | Meter |
| Koppes, Anne Elise | Duke University | Femininity and Female Archetypes |
| Korzeniewski, Emily | University of Cambridge | Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino Presenter |
| Koslovsky, John Charles | KU Leuven | Analysis of Popular Music III |
| Koslowski, Kaleb J. | University of Alberta | Operatic Cultures of the 17th and 18th Centuries |
| Koval, Sarah | University of Mississippi | Bad Instructions? Anarchy, Excess, and Scarcity in Music Notation Chair |
| Krakow, Melissa | Columbus State University | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Krall, Hannah | Shaw University | Making Use of Jazz on Screen |
| Kregor, Jonathan | University of Cincinnati | Musical Publications in the 18th and 19th Centuries |
| Kreitner, Kenneth | University of Memphis | War and Peace in France Chair |
| Krishnaswami, Ravi | Brown University | Socio-technical Histories of Digital Music Presenter |
| Kulothparan, Hanisha | University of Rochester | Analysis of Popular Music I |
| Kurland, Jayme | George Mason University | Hidden Histories of Production and Consumption in Electronic Musical Instruments Presenter |
| Kushan, Madeline Anne | Princeton University, | Memory, Affect, and Attention |
| LaBarge, Jacob | University of Maryland | Creative (Mis)Reading: Musical Adaptation of the Modern Novel Presenter |
| Ladd, Marco | King's College London | Responses to Authoritarianism |
| Lahasky, Sarah | Carleton College | Integrating Disciplinary Silos in Our Teaching Chair
Integrating Disciplinary Silos in Our Teaching Presenter |
| Lai, Hei-Yeung {John} | University of British Columbia | 20th-Century Ideas II |
| Lam, Nathan | Eastman School of Music | Sets and Solfège Presenter |
| Lamothe, Virginia Christy | Belmont University | Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725) Chair
Black Racial Representations on the Musical Stage |
| Lampe, Samantha | University of Illinois Urbana-Champaign | Gendering Strategies in Films |
| Landers, Hazel | Rice University, | Musical and Extramusical Agendas (AMS Explore) |
| Larsen, Libby | n/a | Preserving Composers’ Work in the Digital Age Chair |
| Larson, Zane | University of Iowa | Instrumental and Sonic Masculinities |
| Latham, Clara | The New School | Hidden Histories of Production and Consumption in Electronic Musical Instruments Presenter |
| Lavacek, Justin | University of North Texas | Analysis of Vocal Music |
| Lavengood, Megan | George Mason University | Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy Presenter |
| Law, Hedy | The University of British Columbia | AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music' Chair |
| Laws, Hannah Grace | University of Kansas | Form in Popular Music |
| Le Guin, Elisabeth | UCLA | Writing about Music Otherwise Chair
Writing about Music Otherwise Presenter |
| Leaman, Kara Yoo | CUNY Graduate Center | Choreography |
| Ledingham, Claire | Wheaton College, | Musical and Extramusical Agendas (AMS Explore) |
| Lee, Jeong-In | University of Southern California | Cultural Representation and Artistic Agency in Asian Popular Music |
| Lee, Ji Yeon | University of Houston | Emerging Directions in Music Theory Publication Organizer
Emerging Directions in Music Theory Publication Chair
Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot Presenter |
| Lehman, Frank | Tufts University | Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis Chair |
| Levenson, Erica | University of Michigan | Operatic Echoes in the Global Francophone World Chair |
| Levine, Zeke | New York University | New Perspectives in Canadian Jewish Music |
| Levy, Beth E. | Univ of California, Davis, | Sonic Redface |
| Levy, Dan Arthur | McGill University | New Work in LGBTQ Music Studies Presenter |
| Lewis, Hannah | University of Texas Austin | “Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand” Presenter |
| Lewon, Marc | Fachhochschule Nordwestschweiz (FHNW) / Schola Cantorum Basiliensis | New Horizons with Historical Notations Presenter |
| Li, Stella Zhizhi | RILM | Mastering the Art of the Abstract Chair
Mastering the Art of the Abstract Presenter
The “New Woman” and Popular Song in World War II China and Japan Chair
The “New Woman” and Popular Song in World War II China and Japan Presenter |
| Li, Wanyi | University of Manchester | Structure and Effect in Beethoven |
| Li Yue, Joyce | Yale University | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Presenter |
| Liao, Yvonne | The Chinese University of Hong Kong (Hong Kong SAR) | Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Chair
Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Presenter |
| Lill, Kája | University of Missouri-Kansas City Conservatory | History of Theory II Presenter |
| Lindhorst, Jonathan | Schulich School of Music, McGill University, | Joint Poster Session |
| Lindmark, Sarah | University of North Carolina at Chapel Hill | Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice Presenter |
| Lindquist, Kari Anne | UNC Chapel Hill | State of the Field: Jazz and Gender Presenter |
| Lipscombe, Ailsa | University of Cincinnati’s College-Conservatory of Music | Music, Sound, and Medicalized Trauma in Global and Historical Contexts Presenter |
| Liu, Addi | Cornell University | The Secret Life of Keyboards |
| Liu, Annie Y. | Princeton University | The “New Woman” and Popular Song in World War II China and Japan Presenter |
| Liu, Lucy Y. | Texas Tech University | 18th Century Issues |
| Lockwood, Jeremiah | Frankel Institute for Advanced Judaic Studies, University of Michigan | New Perspectives in Canadian Jewish Music Chair |
| Lodes, Birgit | Stanford University, University of Vienna | Structure and Effect in Beethoven |
| Loeffert, Kimberly Goddard | Virginia Tech | Pedagogy |
| Loeffler, Emily | Gonzaga University, | Musical Publications in the 18th and 19th Centuries |
| Lojak, Philipp | Yale University, CT | Re-Sounding the Postcolonial City |
| Long, Megan | Oberlin | The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Presenter |
| Lookenbill, Zachary | University of Arkansas | Joint Poster Session |
| Lopez, Anna Marinela | University of Texas at Austin | Disney and Musical Representations of American Identity |
| Lopez, Gerardo | University of North Carolina at Greensboro | Expression in Vocal Music II |
| López-Dabdoub, Eduardo | Florida State University | State of the Field: Jazz and Gender Presenter |
| Lorre, Sean | Rutgers University-New Brunswick | State of the Field: Jazz and Gender Chair |
| Louden, Sarah | New York University | Hearing Marginalization, Demanding Equity Presenter |
| Lowder, Alexis Nickole | University of Memphis | Black American Composers and Coded Meanings |
| Lowe, Melanie | Vanderbilt University | Editing Musicology and Theory Journals: How Can We Improve the System Together? Discussant
Keyboard Technologies: Inscription and Replay |
| Lozano, Teresita D. | University of Texas Rio Grande Valley | Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula Presenter
Musical Sites of Trauma, Critique, and Healing in the U.S.-Mexico Borderlands Presenter |
| Lozano Velásquez, Camilo Andrés | Case Western Reserve University, | Gendering Strategies in Films |
| Lucas, Olivia | Louisiana State University | Histories of Hidden and Vernacular Theories of Music Discussant |
| Ludwig, Jacob | University of Cincinnati College-Conservatory of Music | Sets and Solfège |
| Lundgren, Siriana | Harvard University | Colonial Narratives and Negotiations |
| Luong, Vivian | University of Oklahoma | Forms of Listening in Contemporary Politics Presenter |
| Lussier, Kelsey | McGill University | Joint Poster Session |
| Lynch, Kasey Jai | University of Oregon | Expression in Vocal Music I |
| Lyons, Megan | Furman University | Joni Mitchell |
| Ma, Yiqing | University of Michigan | Hearing Marginalization, Demanding Equity Presenter
Hip-Hop Identities: Negotiating Boundaries of Race and Nationality |
| MacCallum, Emily | University of Toronto | City Soundscapes |
| MacCarthy, Evan A. | University of Massachusetts, Amherst | New Horizons with Historical Notations Chair |
| Madrid, Alejandro L. | Harvard University | Searching for "lo inaudito" in the Sound Archive Presenter |
| Malawey, Victoria | Macalester College | Don't Wake the Balrog! Navigating Copyright Issues in Publication Presenter |
| Maler, Anabel | University of British Columbia | Disability in Musical Topics and Form |
| Manabe, Noriko | Indiana University, | Intertextuality and Interpretation |
| Mann, Rachel | University of Texas Rio Grande Valley | Joint Poster Session |
| Mantica, Candida Billie | Università di Pavia, Dipartimento di Musicologia e Beni Culturali | Politics and Representations of Identity in Music |
| Marin-López, Javier | Universidad de Jaén | Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula Chair |
| Marín-López, Javier | Universidad de Jaén | Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico Presenter |
| Martin, Allie | Dartmouth College | The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture) Chair |
| Martin, Greg | N/A | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Presenter |
| Martin, Luke | University of Minnesota, Twin Cities | Jazz Philosophies and Perspectives |
| Martin, Nathan | University of Michigan | Changing the Topic: New Paradigms for Topic Theory Presenter |
| Martschenko, Evan | Eastman School of Music | Sets and Solfège |
| Mason-Nguyen, Pamela | University of California, Santa Barbara | Video Game Franchises and Musical Recontextualization: An Intergenerational Approach Presenter |
| Masters, Giles | University of Oxford | Philosophical Approaches to Composition and Public Presentation |
| Matos-Tovar, Luis | Florida State University | 8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Presenter |
| Mazuela-Anguita, Ascensión | Universidad de Granada | Sounding Disability |
| McCullough, Breana | McGill University | Legal Auralities: Critical Approaches to Music, Sound, and Law Presenter |
| McGartland, Aidan | McGill University | 20th-Century Ideas I |
| McGhee, Cana | Harvard University | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Chair |
| McGhee, Cana F. | Harvard University | Sonic Worlds of Race and Ecology Presenter |
| McIntyre, Flannery E. | University of California, Berkeley | Music and the Lives of Medieval Women |
| McLain, Elizabeth | Virginia Tech | Musicking in Disabled Community: Access Intimacy and Cultural Activism. Presenter |
| McManus, Laurie | Shenandoah Conservatory | Seeing and Depicting Queerness |
| McMurray, Peter | University of Cambridge | Natural Landscapes and Sound Ecologies |
| Meadows, Destiny | University of North Carolina at Chapel Hill | Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice Presenter
Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives Chair |
| Meconi, Honey | University of Rochester / Eastman School of Music, | Manuscript Histories |
| Medina, Alejandrina | UC San Diego | New Work in LGBTQ Music Studies Presenter |
| Meech, Holden | University of Oklahoma, | Musical and Extramusical Agendas (AMS Explore) |
| Mei, Yuxin | University of North Texas | Gendering Asian Musical Instruments and Forms |
| Meinhart, Michelle | Trinity Laban | Music, Sound, and Medicalized Trauma in Global and Historical Contexts Chair |
| Mendelssohn, Edmund | UC Berkeley | Theorizing and Mythologizing Whiteness |
| Mendez, Matthew | Stanford University | Legal Auralities: Critical Approaches to Music, Sound, and Law Chair
Legal Auralities: Critical Approaches to Music, Sound, and Law Presenter |
| Menicanin, Sadie | University of Oslo | Musical Imperialisms: Forms of Domination and Ambition |
| Metcalf, Thomas | University of Oxford | Beyond the Score |
| Micchelli, Mark | West Virginia University | Music Theory and Spirituality |
| Michnik, Antoni | Poland | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Milella González Luna, Francesco | Universidad Complutense de Madrid | 200 Years of Italian Opera in the United States: 1825–2025 Presenter |
| Miller, Brian A. | University of Michigan | Psychiatry, Psychoanalysis and the Music of Troubled Minds |
| Miller, David | University of California, Berkeley | Disney and Musical Representations of American Identity Presenter |
| Miller, Eden E. P. | University of Kansas | American Orchestral History: the Composers, the Programming, and the Performers Presenter |
| Miller, Natalie | N/A | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Presenter |
| Miller, Paul V. | Duquesne University, Pittsburgh, Pennsylvania | Joint Poster Session |
| Miller, Sarah | UC Davis | Musicking in Disabled Community: Access Intimacy and Cultural Activism. Chair |
| Milonia, Stefano | Universität Tübingen | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Minor, Ryan | SUNY Stony Brook, | Black Racial Representations on the Musical Stage |
| Miyake, Jan | Oberlin College and Conservatory | Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Chair |
| Moenning, Andrew | Duke University | Music and the Fight for Civil Rights |
| Mohebbi, Siavash | University of Virginia | Iranian Musical Encounters and Meanings |
| Molloy, Lauren | University of Chicago | Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives Presenter |
| Moranis, Rebecca | CUNY Graduate Center | Joni Mitchell |
| Moreno, Jairo | University of Pennsylvania | Searching for "lo inaudito" in the Sound Archive Discussant |
| Morgan, Emerson | Oberlin College and Conservatory | Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon Discussant |
| Morgan-Ellis, Esther M. | University of North Georgia | Chronicling American Folk Song |
| Moridvand, Mohammad | Tehran University of Art, | Femininity and Female Archetypes Presenter |
| Morris, April Pauline | Western University | Encoding Conflict in Music |
| Morris, Christopher | National University of Ireland Maynooth | Adapting Musical Performance for the Screen |
| Morrison, Landon | Eastman School of Music, University of Rochester, | Listening Through Machines |
| Morse, Tami | Early Music Minnesota | Non-Academic Jobs after a Music Degree Presenter |
| Motazedian, Táhirih | Vassar College | Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis Organizer
Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis Presenter
Emerging Directions in Music Theory Publication Presenter |
| Moura, Cibele M. | Cornell University | Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula Presenter
Music, Sexual Performance, and Ethno-Porn |
| Mugmon, Matthew | University of Arizona | In the Shadow of Mahler |
| Mujica, Ana Beatriz | The Graduate Center, City University of New York / Centre d'études supérieures de la Renaissance, University of Tours;
The Graduate Center, CUNY;
CESR, University of Tours | New Horizons with Historical Notations Presenter
Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music |
| Mulder, Larissa N | The Ohio State University | Singing Memory: Traditional and Folk Musicking in the British Isles |
| Mullican, Reed | Indiana University | Joint Poster Session |
| Mundy, Rachel | Rutgers University - Newark | Sonic Worlds of Race and Ecology Chair |
| Murphy, Cullyn | Beloit College | Integrating Disciplinary Silos in Our Teaching Presenter |
| Murphy, Scott | University of Kansas | Don't Wake the Balrog! Navigating Copyright Issues in Publication Presenter |
| Myler, Derek | East Carolina University | Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Presenter |
| n/a, n/a | n/a | Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Discussant |
| Naddaff, Ramona | UC Berkeley | Writing about Music Otherwise Presenter |
| Nave, Briana | University of North Carolina at Chapel Hill | Music, Sound, and Medicalized Trauma in Global and Historical Contexts Presenter
Psychiatry, Psychoanalysis and the Music of Troubled Minds |
| Navia, Gabriel | Universidade Federal da Integração Latino-Americana | New Approaches to Harmonic Function |
| Nazaré, Tan | Independent | Analytical Approaches to Anime Song (Anison) Presenter |
| Neal, Jocelyn | University of North Carolina at Chapel Hill | Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously Presenter |
| Nedbal, Martin | University of Kansas, | Operatic Cultures of the 17th and 18th Centuries |
| Neidhöfer, Christoph | McGill University | 20th-Century Ideas I |
| Nelson, Anna Rose | University of Maryland-College Park | 20th Century Compositional Poetics |
| Nelson, Trevor R. | Wichita State University | Race, Nation, and Identity |
| Nemarich, Eric | Maynooth University | Why Worcester? Presenter |
| Nemeth, Samuel | Ohio Wesleyan University | War and Peace in France Presenter |
| Neuhauser, Hannah | University of Texas at Austin | Brown Bag Lunch - An AMS Childhood and Youth Study Group Social |
| Neuhuaser, Hannah | University of Texas at Austin | Disney and Musical Representations of American Identity |
| Nguyen, Clair | N/A | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Chair |
| Ni-Hahn, Stephen | Duke University | Joint Poster Session |
| Nichols, Courtney Rae | Case Western Reserve University, | Music, Sexual Performance, and Ethno-Porn |
| Nielsen, Kristina | Southern Methodist University | Musical Sites of Trauma, Critique, and Healing in the U.S.-Mexico Borderlands Presenter |
| Nobile, Drew | University of Oregon | Song Form |
| Noble, Charissa | University of San Diego | Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century Chair |
| Nosow, Robert | N/A | War and Peace in France Presenter |
| Nowell, Frederick Cruz | Cornell University;
The Whitney Museum of American Art | Music and the Visual Arts |
| O'Hara, William | Gettysburg College | Histories of Hidden and Vernacular Theories of Music Chair |
| Ochoa, Ana María | Tulane University | Legal Auralities: Critical Approaches to Music, Sound, and Law Presenter |
| Oddekalv, Kjell Andreas | University of Oslo | Analysis of Popular Music II |
| Ofcarcik, Judith | James Madison University, | Joint Poster Session |
| Oh, MyungJin | Rutgers University | Gender and Embodiment in Chopin |
| Oinas, Cecilia Ester | Sibelius Academy, University of the Arts Helsinki | Experience and Agency in 20th Century Music |
| Oja, Carol | Harvard University | Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion Presenter |
| Okiji, Fumi | UC Berkeley | Writing about Music Otherwise Presenter |
| Oliva, Diane | The University of Michigan | AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music' Discussant
The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture) Chair |
| Olmstead, Andrea Louise | Boston, Mass. | 20th Century Musical Institutions Presenter |
| Ong, Nicholas | University of Cambridge | Jewish Musical Theater and Song |
| Ortega, Isabella Mahal | University of Chicago | Cultural Imaginings in Global Organology |
| Orvek, David Ellis | Butler University and Indiana University | Experience and Agency in 20th Century Music |
| Ory, Benjamin | KU Leuven | Memory and Meaning in Medieval and Early Modern Music |
| Osborn, Brad | University of Kansas | Analysis of Popular Music I |
| Oyallon-Koloski, Jenny | University of Illinois | “Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand” Presenter |
| Pace, Anne Monique | University of Chicago | Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon Chair
Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon Presenter |
| Page, Daniel Bennett | N/A | Motets as Mediums of Power and Sovereignty |
| Pagniello, Céleste | Princeton University | Soviet Legacies |
| Palfy, Cora | Washington & Jefferson College | Hearing Marginalization, Demanding Equity Organizer
Hearing Marginalization, Demanding Equity Chair |
| Palmer, Áine | Yale University | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Papsun, Ben | Tufts University | Race and Defiant Self-Definition through Jazz |
| Parkhurst, Bryan | University of Michigan | Changing the Topic: New Paradigms for Topic Theory Presenter |
| Parton, Christopher | Princeton University | Musical Ownership and Value in the 19th Century |
| Pau, Andrew | Oberlin College and Conservatory | Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Organizer
Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Presenter |
| Pearse, D Linda | Mount Allison University / McGill University | European Bellephonics: The Sounds of War and Peace |
| Peattie, Thomas | University of Mississippi, | In the Shadow of Mahler |
| Pedersen, Jacy | Wichita State University | Hearing Marginalization, Demanding Equity Presenter |
| Pellerano, Deanna | Johannes Gutenberg-Universität Mainz | War and Peace in France Presenter |
| Peloso, Anna | Indiana University Bloomington | Intertextuality and Interpretation |
| Penate, Cary | Syracuse University, | Storytelling Through Dance |
| Pendleton, Paige | Pennsville School District Music Academy/Columbus State University | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Pennington, Stephan | Tufts University | Roundtable on Supporting and Uplifting the Transgender, Non-Binary, and Gender-Expansive Communities in Music Scholarship Presenter |
| Pepple, Joanna | Lee University | Perspectives on 19th-Century Sacred Music |
| Perea, Jessica Bissett | University of Washington | Writing about Music Otherwise Presenter |
| Peritz, Jessica Gabriel | Yale University | Opera as Worldmaking Presenter |
| Perman, Tony | Grinnell College | Integrating Disciplinary Silos in Our Teaching Presenter |
| Perry, Jeffrey | Louisiana State University | Teaching Music Theory Through Times of Disaster and Trauma Organizer
Teaching Music Theory Through Times of Disaster and Trauma Chair
Teaching Music Theory Through Times of Disaster and Trauma Presenter |
| Peters, Gretchen | University of Wisconsin-Eau Claire, | Sonic Redface |
| Peters, Jeremy J. | Wayne State University | Soundtrack Semantics |
| Peterson, Graham Elias | Boston University, | Rock Narratives |
| Peterson, John | James Madison University | Emerging Directions in Music Theory Publication
Pedagogy |
| Pflanz, Brittney | Florida State University | Liminal and Supernatural Topics |
| Pierce, Mackenzie | University of Michigan, Ann Arbor | Listening for the Holocaust in Polish/Jewish Musical Culture Presenter |
| Pinkham, Frances L. | Eugene, OR | Technology, Timbre, and Trans Identities |
| Pistorius, Juliana M. | University College London | Transcultural Historical Musicology |
| Pistorius, Mia | University of Amsterdam and Marie Skłodowska-Curie Global Research Fellow University College London | Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Chair
Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Presenter |
| Platt, Heather | Ball State University | Chronicling American Folk Song |
| Platte, Nathan | University of Iowa | “Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand” Presenter |
| Poriss, Hilary | Northeastern University | Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville Chair |
| Powell, Elliott | University of Minnesota | The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture) Presenter |
| Praskurnin, Vlad | CUNY Graduate Center | Expression in Vocal Music II |
| Prasolov, Aleksander | N/A | New Paths in Classical Music (AMS Explore) |
| Preston, Katherine K. | College of William & Mary, Emerita Faculty | Transatlantic Musical Cultures |
| Pribyl, Ashley Marian | Roosevelt University | Developing a Student-Centered Approach to Classroom Learning Presenter
Developing a Student-Centered Approach to Classroom Learning Chair |
| Prica, Ivana | University of Arts in Belgrade, Serbia | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Pridemore, Madalyn Rose | Western Illinois University | Defining Femininity and Female Power through Music |
| Principi, Dylan | Florida State University | Closing the Gap Between Musical and Philosophical Hermeneutics Chair |
| Privado, María Alejandra | Harvard University | Searching for "lo inaudito" in the Sound Archive Presenter |
| Proctor, Elea | The Ohio State University | Black Racial Representations on the Musical Stage |
| Proehl, Blake | Orpheus Instituut;
KU Leuven | The Secret Life of Keyboards |
| Proksch, Bryan | Lamar University | Joint Poster Session |
| Prouty, Ken | Michigan State University | Making Use of Jazz on Screen |
| Przybysz, Jenna | Stanford University | State of the Field: Jazz and Gender Presenter |
| Ptatscheck, Melanie | New York University | Sounding the Healthy and Unhealthy Body |
| Purciello, Maria Anne | University of Delaware | Operatic Cultures of the 17th and 18th Centuries |
| Puri, Michael | University of Virginia, | Ravel at 150: Enduring Insights and New Initiatives Chair |
| Pyle, Marcus | Davidson College | Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion Presenter |
| Qi, Brandon | CUNY Graduate Center | Musicking Fans |
| Quarles, Kyle Cooper | University of Iowa | Joint Poster Session |
| Quevedo, Marysol | University of Miami | Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion Presenter |
| Quinn, Ian | Yale University | Analysis of Popular Music II |
| Rabinovitch, Gilad | Queens College, CUNY | Joint Poster Session |
| Rafter, Maureen | University of North Carolina at Chapel Hill | Theorizing and Mythologizing Whiteness |
| Rakonjac, Damjan | University of Houston | Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century Presenter |
| Ramirez, Eloy | Harvard University | Still Here: Protest, Survival and Queer Worldbuilding |
| Rao, Nancy | Rutgers University, | Chinese and Chinese-American Operatics |
| Rasmussen, Anthony W. | The University of Texas at Austin | Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula Presenter |
| Rebarchak, Caleb | Penn State University | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Presenter |
| Rebuffi, Marcelo Gabriel | Case Western Reserve University | Rock Narratives |
| Reece, Frederick | University of Washington | Beyond Misinformation: Early Nineteenth-Century Dubious Sources and the Historical Post-Truth Chair
Sounding the Healthy and Unhealthy Body |
| Reed, Jacob | University of Chicago | K-Pop: Inside, Outside, New and Old |
| Reese, Alan | University of Massachusetts Amherst | Form II |
| Reesor, Keenan A. | Brigham Young University | Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music |
| Reid, Molly | Florida State University | Popular Music and/as Resistance |
| Reuven, Ram | Norwegian Academy of Music | Form II |
| Rhodd-Lee, Holland | University of California, Los Angeles | Popular Music and the Global Caribbean |
| Rich, Morgan | East Carolina University, | 20th-Century Ideas II |
| Richardson, Lee Thomas | Columbia University | Queen Bey: Perception, Reception, and Audience Presenter |
| Richardson, Mark D. | East Carolina University;
East Carolina Unniversity | Teaching Music Theory Through Times of Disaster and Trauma Organizer
Teaching Music Theory Through Times of Disaster and Trauma Chair
Teaching Music Theory Through Times of Disaster and Trauma Presenter |
| Richmond Pollock, Emily | Massachusetts Institute of Technology | New Perspectives in Canadian Jewish Music Chair |
| Richter, Sebastian Mario | University of Music and Dance Cologne | Opera Staging for Effect: Lights, Masks, and Magic |
| Riegel, Jules | Harvard University | Listening for the Holocaust in Polish/Jewish Musical Culture Presenter |
| Rillon-Marne, Anne-Zoé | Université Catholique d’Angers | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Rivera, Juan Luis | The University of Chicago, | Techniques and Technologies |
| Rizzo, Adam | University of Connecticut | AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Presenter |
| Roberts, Elisabeth Christine | University of Western Ontario | Practices of Memory and Resistance |
| Robertson, Anne Walters | University of Chicago | Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino Chair |
| Robin, William | University of Maryland | Reich at 89 Presenter |
| Rocha, João | Western Illinois University, | New Paths in Classical Music (AMS Explore) |
| Rodgers, Stephen | University of Oregon | Analysis of Vocal Music |
| Rogers, Jillian | University of Florida | Satie is Dead, Long Live Satie Presenter |
| Rogers, Lynne | Mannes School of Music at The New School | Choreography |
| Rogers, Nancy | Florida State University | Joint Poster Session |
| Romey, John | Purdue University Fort Wayne | Operatic Echoes in the Global Francophone World Presenter |
| Rosner, Joshua | McGill University | Joint Poster Session Presenter |
| Ross, Martin | University of Western Ontario | Reich at 89 Presenter |
| Roth, Paul Nicholas | UC San Diego | Race and Defiant Self-Definition through Jazz Presenter |
| Rouget, Elizabeth | Princeton University | Operatic Echoes in the Global Francophone World Presenter |
| Roussin, Rena | Western University | Musicking in Disabled Community: Access Intimacy and Cultural Activism. Chair |
| Roussin, Rena | University of Toronto | A Feminist Killjoy at the AMS (CWG Lecture) Discussant |
| Roust, Colin T. | University of Kansas | American Orchestral History: the Composers, the Programming, and the Performers Chair |
| Rowlands, Elwyn Helen | University of Toronto | Choreography |
| Rubinoff, Kailan | University of North Carolina at Greensboro | Musical Explorations of Jewish Past(s) Presenter |
| Ruiz-Caballero, Antonio | Escuela Nacional de Antropología e Historia, Mexico City | Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico Presenter |
| Rumph, Stephen | University of Washington | Changing the Topic: New Paradigms for Topic Theory Presenter |
| Rush, Toby | University of Dayton | Joint Poster Session |
| Sabbatini, Tommaso | Univeristy of Bristol | Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville Presenter |
| Sabetrohani, Siavash | Freie Universität Berlin | Histories of Hidden and Vernacular Theories of Music Chair |
| Saenz, Juan Patricio | Harvard University | History of Theory I |
| Saint-Cricq, Gaël | Université Lyon-2 | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter |
| Saltzstein, Jennifer | Indiana University | Music of the Long Thirteenth Century: Genre, Kind, and Culture Presenter
Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty Presenter |
| Sánchez-Rojo, Ana P. | Tulane University | Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula Presenter |
| Saniee Nia, Ali | University of California, Davis, | Italian Opera and Exoticism |
| Santella, Anna-Lise | Oxford University Press | Non-Academic Jobs after a Music Degree Presenter |
| Sarno, Megan | Temple University | Satie is Dead, Long Live Satie Chair |
| Sato, Eduardo | Virginia Tech | Re-Sounding the Postcolonial City |
| Saturnia, Tommaso | University of Michigan | Soundtrack Semantics |
| Saucier, Catherine | Arizona State University | Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Chair |
| Scherzinger, Martin | New York University | Legal Auralities: Critical Approaches to Music, Sound, and Law Presenter |
| Schiller, Hannah Rosa | Yale University | Embodiment and Musical Gendering |
| Schindele, Madison | The Graduate Center, CUNY | Opera and Disability Studies |
| Schmelz, Peter J. | Johns Hopkins University | (Re)sounding Europe: Borders, Boundaries, Belonging Chair
(Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Schubert, Peter | McGill University | The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Presenter |
| Schuiling, Floris | Utrecht University | Musical Imperialisms: Forms of Domination and Ambition |
| Schwartz, Arman | University of Notre Dame | Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot Discussant |
| Schwindt, Joel | Boston Conservatory at Berklee, | Identity and Authenticity in Country Music |
| Schwitzgebel, Emily | University of South Carolina | Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval Presenter |
| Scribner, Brandon | Florida State University | 8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Presenter |
| Seinen, Nathan | National Taiwan Normal University | Encoding Conflict in Music Presenter |
| Senici, Emanuele | University of Rome La Sapienza | Adapting Musical Performance for the Screen |
| Serbanescu-Martin, Theodora | Cornell University | Gender and Embodiment in Chopin |
| Seter, Ronit | Jewish Music Research Centre / Fairfax, VA | Musical Explorations of Jewish Past(s) Presenter |
| Shah, Zehra Jabeen | Harvard University, | Gendering Asian Musical Instruments and Forms |
| Shahin, Melani | University of Chicago | Musical Explorations of Jewish Past(s) Presenter |
| Shahriyari, Khashayar | Washington University in St. Louis, | Philosophical Approaches to Composition and Public Presentation |
| Sharikadze, Nana | Tbilisi, Georgia | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Shaw, Ellen | Michigan State University | Joni Mitchell |
| Sheahan, Lina | Belmont University | Don't Wake the Balrog! Navigating Copyright Issues in Publication Presenter |
| Shenton, Andrew | Boston University | Psychiatry, Psychoanalysis and the Music of Troubled Minds |
| Shepherd, Lauren | University of Nebraska-Lincoln | Black American Composers and Coded Meanings |
| Sherr, Richard | Smith College | Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville Presenter |
| Shiflett, Campbell | Oklahoma City University | Ravel at 150: Enduring Insights and New Initiatives Presenter
Satie is Dead, Long Live Satie Discussant |
| Shifrin, Inbar | Brandeis University | Musical Explorations of Jewish Past(s) Chair |
| Shmytova, Anastasia | Princeton University | Medieval and Early Modern Chant Traditions |
| SHUKLA, SARASWATHI | University of Colorado, Boulder | French Court Musics in the 17th and 18th Centuries |
| Shupe, Abigail | Colorado State University, | Practices of Memory and Resistance |
| Sieburth, Daniel | University of Iowa | Joint Poster Session |
| Sigua, Maia | Tbilisi, Georgia | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Silverstein, Shayna Mei | Northwestern University | Music, Silence, and Social Action in an Age of Perpetual Crisis Presenter |
| Simon, Danielle | Middlebury College | Opera as Worldmaking Presenter |
| Simonds, Zachary | CUNY Graduate Center | Joint Poster Session Presenter |
| Simpson-Litke, Rebecca | University of Manitoba | Dance |
| Sisman, Elaine | Columbia University, | Structure and Effect in Beethoven |
| Skillicorn, Alexa Torres | Jazz Studies, Steinhardt School of Culture, Education, and Human Development, New York University | Jazz Instrumentalities |
| Skoronski, Benjamin P. | Cornell University | Theorizing and Contextualizing the Harlem Renaissance |
| Slote, Audrey | University of Chicago | Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval Presenter |
| Smiley, Christina | Washington University in St. Louis | Theorizing and Contextualizing the Harlem Renaissance |
| Smith, Anya | University of Wisconsin-Madison | Jewish Musical Theater and Song |
| Smith, Ayana | Indiana University | Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty Presenter |
| Smith, Jeremy W. | The Ohio State University | Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy Organizer
Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy Presenter |
| Smith-Biwer, Kelli | University of Michigan | Hidden Histories of Production and Consumption in Electronic Musical Instruments Presenter |
| Somerville, Anna | Case Western Reserve University, | French Court Musics in the 17th and 18th Centuries |
| Spicer, Mark | Hunter College and the Graduate Center, CUNY | Don't Wake the Balrog! Navigating Copyright Issues in Publication Discussant |
| Spina, Alyssa | SUNY Potsdam, | New Paths in Classical Music (AMS Explore) |
| St. Amand, Emmalouise | Colby College | State of the Field: Jazz and Gender Presenter |
| St. John, Lara | N/A | Dear Lara (film screening) |
| Stacks, Stephen Andrew | North Carolina Central University, | Sonic Redface |
| Standiford, Hannah | Allegheny College | Popular Music and/as Resistance Presenter |
| Stanić, Nevena | Northwestern University | Reich at 89 Presenter |
| Stebbing, Jack Benedict Wheaton | University of Cambridge | Manuscript Histories |
| Stein, Amanda Ruppenthal | Carroll University | Transatlantic Musical Cultures |
| Steinberg, Nicole | Towson University | Creative (Mis)Reading: Musical Adaptation of the Modern Novel Presenter |
| Sternfeld, Jessica | Chapman University | Editing Musicology and Theory Journals: How Can We Improve the System Together? Presenter |
| Sterrs-Howard, Tamika Sakayi | Lanier Technical College | Cultural Imaginings in Global Organology |
| Stillman, Amy | University of Michigan | Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion Presenter
Contemporary Approaches to Critical Editions in Music – Session Two: Workshop Presenter |
| Stilwell, Robynn | Georgetown University | “Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand” Chair |
| Stoll, Henry | University of Michigan | Operatic Echoes in the Global Francophone World Presenter |
| Stolz, Nolan | University of South Carolina Upstate, | Music, Sexual Performance, and Ethno-Porn |
| Strandberg, Kristen | University of Evansville | Music, Sound, and Medicalized Trauma in Global and Historical Contexts Presenter |
| Stras, Laurie | Emerita University of Southhampton | A Feminist Killjoy at the AMS (CWG Lecture) Presenter |
| Sucha, Katherine Jane | Case Western Reserve University, | Sacred Music and the Performance of Power |
| Sumner, Carolyne | University of Toronto | Transatlantic Musical Cultures |
| Sun, Qian | University of Florida, | Gendering Asian Musical Instruments and Forms |
| Sutcliffe, W. Dean | University of Auckland, | 18th Century Issues |
| Sweet-Breu, Elizabeth | University of Texas at Austin | Technology, Timbre, and Trans Identities |
| Szabo, Victor | Hampden-Sydney College, | AMS Popular Music Study Group Business Meeting |
| Ta, Tiffany | University of California, Santa Barbara | Disability in Musical Topics and Form |
| Tabak, Lina | Indiana University | Groove |
| Tagore, Pramantha | University of Chicago | Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon Presenter |
| Tai, Amy Ming Wai | Indiana University-Bloomington | Dance |
| Tam, Yi Ching {Kevin} | University of Pittsburgh | Chinese and Chinese-American Operatics |
| Temperley, David | Eastman School of Music | Analysis of Popular Music I |
| Terrell, Claire | Florida State University | Expression in Vocal Music I
Popular Music and/as Resistance Presenter |
| Tessman-Bar-On, Yuval | New York University | In the Shadow of the Holocaust |
| Thompson, Marie | Open University | AMS Music and Marxism Study Group Meeting: A Conversation with Dr. Marie Thompson on Music/Reproduction/Crisis Presenter |
| Thöne, Johanna-Pauline | Maynooth University | Why Worcester? Presenter |
| Thurmaier, David | University of Missouri-Kansas City | Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Chair
Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Presenter |
| Tick, Judith | Northeastern University | Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Presenter |
| Tinajero Perez, Andrea | The Ohio State University | AMS MDSG Business Meeting with Short Papers, 2025: New Directions in Choreomusicology Presenter |
| Tinkerhess, Eric | University of Southern California | Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725) Presenter |
| Tobin, Sarah | University of Michigan | Expression in Vocal Music I |
| Toh, Deirdre | University of California, Irvine | Music and the Visual Arts |
| Tomassi, Marco Donato | Columbia University | Manuscript Histories |
| Tomova, Kalina | University of Cambridge | Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino Presenter |
| Tran, Sylvie | Michigan State University | Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Organizer
Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Presenter |
| Traylor, William | University of North Texas | Music in the Early Modern Luso-Hispanic World |
| Tripp, Alex | University of Chicago | Socio-technical Histories of Digital Music Presenter |
| Tubbs, Andrew | Washington University in St. Louis, | Sounding Disability |
| Tukova, Iryna | National Music Academy of Ukraine | (Re)sounding Europe: Borders, Boundaries, Belonging Presenter |
| Turnage, Teresa Marie | University of Chicago | Making Music and Meaning on the Internet |
| Turnbull, Cara | Princeton University | Memory, Affect, and Attention |
| Turner, M. Lucy | Columbia University | Musical Publications in the 18th and 19th Centuries |
| Tyson, Lee K. | Ithaca College | AMS LGBTQ Study Group Party
New Work in LGBTQ Music Studies Chair |
| Ultan, Deborah | University of Minnesota | Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives Presenter |
| Urberg, Michelle | N/A | Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Presenter |
| Uslin, Karen | Defiant Requiem Foundation | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Utne-Reitan, Bjørnar | Mälardalen University | Liminal and Supernatural Topics |
| Uy, Michael Sy | University of Colorado, Boulder, | Theorizing and Contextualizing the Harlem Renaissance |
| Vad, Mikkel | University of Copenhagen, | Jazz Philosophies and Perspectives |
| Vajjhala, Rachana | University of California, Davis | Ravel at 150: Enduring Insights and New Initiatives Presenter |
| Valcour, Anna | Brandeis University | “Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers Presenter |
| van Allen-Russell, Ann | Royal College of Music | Concerts and Commerce in the 18th and 19th centuries |
| Velasquez, Juan Fernando | University of Houston | Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula Presenter
Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century Presenter |
| Vellutini, Claudio | University of British Columbia | Opera as Worldmaking Chair |
| Venegas, Gabriel | Universidad de Costa Rica | New Approaches to Harmonic Function |
| Venturino, Stephanie | Yale School of Music | Music Theory and Spirituality |
| Verzosa, Noel | Hood College | Satie is Dead, Long Live Satie Presenter |
| Vest, Lisa C | University of Southern California | Listening for the Holocaust in Polish/Jewish Musical Culture Chair |
| Vici, Gabriella | University of Toronto | Meter |
| Vilches, Tori | Indiana University | Joint Poster Session |
| Vlasis, Konstantine | New York University and University of Iceland | Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Presenter |
| Vogel, Andrew | University of Florida, | Sounding Excitement and Resistance in Latin American Communities |
| Von Glahn, Denise | Florida State University | Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions Presenter |
| Walch, Florian | West Virginia University | Song Form |
| Walden, Daniel | Yale University | Histories of Hidden and Vernacular Theories of Music Chair |
| Walker, Jennifer | Williams College | Perspectives on 19th-Century Sacred Music |
| Wallentinsen, Kristen | Rutgers University | Reich at 89 Presenter |
| Wang, Shuang | Brown University | The “New Woman” and Popular Song in World War II China and Japan Presenter |
| WANG, ZIXUAN | UT Austin | Generative AI and New Frontiers in Musicology |
| Wangpaiboonkit, Parkorn | Cornell University | AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music' Discussant |
| Ward-Griffin, Danielle | Rice University | American Documentary Opera, Reconsidered Presenter |
| Warfield, Patrick | University of Minnesota | Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion Presenter
Contemporary Approaches to Critical Editions in Music – Session Two: Workshop Presenter |
| Warkentin, Emily | Northwestern University | Joint Poster Session |
| Warren, John H. | Rutgers University, | Form I |
| Warwick, Jacqueline | Fountain School of Performing Arts at Dalhousie University | Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously Presenter |
| Waterman, Hannah Marie | Stony Brook University | Sounding the Healthy and Unhealthy Body |
| Watkins, Holly | Eastman School of Music | Closing the Gap Between Musical and Philosophical Hermeneutics Presenter |
| Weaver, Andrew H. | Catholic University of America | Motets as Mediums of Power and Sovereignty |
| Webster, Abigail | Indiana University | Hearing Marginalization, Demanding Equity Presenter |
| Wei, An-Ni | Indiana University | Generative AI and New Frontiers in Musicology |
| Weisbard, Eric | University of Alabama | Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously Presenter |
| Weitz, Shaena B. | N/A | Beyond Misinformation: Early Nineteenth-Century Dubious Sources and the Historical Post-Truth Presenter |
| Wells, Christi Jay | Arizona State University | Roundtable on Supporting and Uplifting the Transgender, Non-Binary, and Gender-Expansive Communities in Music Scholarship Presenter |
| Wente, Allison | Elon University | Keyboard Technologies: Inscription and Replay |
| Wermager, Sonja | Columbia University | Psychiatry, Psychoanalysis and the Music of Troubled Minds |
| Whaley, Travis Deck | Indiana University, Jacobs School of Music | Keyboard Technologies: Inscription and Replay |
| Whitcomb, Pamela | A-R Editions | Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion Presenter
Contemporary Approaches to Critical Editions in Music – Session Two: Workshop Presenter |
| White, Andrew Malilay | University of Texas at Austin | Cultural Representation and Artistic Agency in Asian Popular Music |
| White, Christopher | University of Massachusetts Amherst, | Techniques and Technologies |
| Whitmer, Eric | University of Michigan | Beyond the Specter of “AI”: Algorithmic Bias, Systems of Power, and the Impact of Machine Learning on Contemporary Soundscapes Presenter |
| Whyte, Ralph | RILM | Workshop in Research Techniques and Bibliography, led by Répertoire International de Littérature Musicale Chair
Workshop in Research Techniques and Bibliography, led by Répertoire International de Littérature Musicale Presenter |
| Wiener, Barry | N/a | In the Shadow of the Holocaust |
| Wilson, Dave | Te Herenga Waka--Victoria University of Wellington | State of the Field: Jazz and Gender Presenter |
| Wilson, Lauren Elaine | SUNY University at Buffalo | Don't Wake the Balrog! Navigating Copyright Issues in Publication Presenter
Challenges and Opportunities Presented By Artificial Intelligence in Music Chair
Challenges and Opportunities Presented By Artificial Intelligence in Music Discussant |
| Wilson, MingJun X | University of Michigan | History of Theory I |
| Wilson, Samuel John | Guildhall School of Music and Drama | Contemporary Musical Modernisms: Organizing Meeting Chair
Contemporary Musical Modernisms: Organizing Meeting Presenter |
| Wilson Kimber, Marian | University of Iowa | Women’s Music Networks in the United States: Illuminating Unseen Labor Presenter |
| Wimberg, Emma | University of North Texas | Philosophical Approaches to Composition and Public Presentation |
| Winter, Kendall Hatch | University of Kentucky | Gender Play: Music and Forms of Gender Impersonation |
| Wissner, Reba | Columbus State University | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Witzke, Madison | Columbus State University | Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Presenter |
| Wlodarski, Amy | Dickinson College | Musical Explorations of Jewish Past(s) Discussant |
| Wollman, Elizabeth | Baruch College, CUNY | Editing Musicology and Theory Journals: How Can We Improve the System Together? Presenter |
| Wolschleger, Amanda Nicole | McGill University | Gender and Embodiment in Chopin |
| Wood, John Clement | University of Oregon | Silence and Sound in Urban Environments |
| Wright, Trudi Ann | Regis University | Editing Musicology and Theory Journals: How Can We Improve the System Together? Chair |
| Wrigley, Robert B. | The Graduate Center, CUNY | Perspectives on 19th-Century Sacred Music |
| Wroth, Emmanuela | University of Cambridge, | In Fashion: Musical Women in the Long 18th Century |
| Wu, Yi-Cheng Daniel | The Chinese University of Hong Kong (Shenzhen) | Choreography |
| Xu, Lanxin{Nancy} | Northwestern University, | Cultural Imaginings in Global Organology |
| Yamamoto, Michele | UCLA, | Silence and Sound in Urban Environments |
| Yee, Thomas | University of Texas at San Antonio School of Music | 8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Chair |
| Yoo Leaman, Kara | CUNY Graduate Center | Don't Wake the Balrog! Navigating Copyright Issues in Publication Discussant |
| Youmans, Charles | Penn State University | In the Shadow of Mahler |
| Youngerman, Irit | University of Haifa | Musical Explorations of Jewish Past(s) Presenter |
| Yu Wang, Anna | Princeton University | Emerging Directions in Music Theory Publication Presenter
Forms of Listening in Contemporary Politics Chair
Forms of Listening in Contemporary Politics Presenter |
| Yue, Joyce Li | Yale University | Popular Music and/as Resistance Presenter |
| Yuen, Wing Heng Victor | University of Kentucky | Innovation and Symbolism in Early Modern Motets |
| Yuknas, Matt | Case Western Reserve University | Hip-Hop Identities: Negotiating Boundaries of Race and Nationality
Popular Music and/as Resistance Chair |
| Zahl, Sheridan | Eastman School of Music | Floating: Music on/in Water |
| Zavlunov, Daniil | Stetson University | Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music |
| Zazulia, Emily | University of California, Berkeley | Memory and Meaning in Medieval and Early Modern Music
New Horizons with Historical Notations Presenter |
| Zhang, Jingyi | Harvard University | Italian Opera and Exoticism |
| Zhang, Tengyue | CUNY Graduate Center | Joint Poster Session |
| Ziegenhagel, Blaire | University of Oregon | Seeing and Depicting Queerness |
| Zigler, Amy E | University of North Carolina Greensboro | Composing Women: Identity and Creative Agency |
| Zimei, Francesco | University of Trento | 200 Years of Italian Opera in the United States: 1825–2025 Presenter |
| Zrull, Mary Margaret | Hamilton College | European Bellephonics: The Sounds of War and Peace |
