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Index of Titles

A complete list of all conference contributions. Use the alphabetical filter or the search box below to find specific submissions. Click on any contribution to view its session details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z " ' ¿ ‘ “

Contribution Title	Author(s)	Session
Tactile Acousmatic: Between Braille Sounds and the Vernacular of Flesh	Chen, YuHao	Beyond the Score
Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy	Lavengood, Megan	Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy
Teaching Music Theory Through Times of Disaster and Trauma	Burkett, Lyn Ellen	Teaching Music Theory Through Times of Disaster and Trauma
Teaching the New Common Practice Period: Embracing Modern Studio Production in the Theory and Aural Skills Curriculum	Rush, Toby	Joint Poster Session
Teaching Timbre, Teaching Games: Video Game Music as a Pedagogical Asset	Bergeron-Dumaine, Holly	Pedagogy
Technology, Race, and Colonialism in Caricatures of Manzotti’s Excelsior, 1880–1900	Dubois, Taryn	Colonial Perspectives, Stereotypes, and Caricatures
Temporal Contour & Metric Dissonance in Thomas Adès’ Piano Quintet	Vici, Gabriella	Meter
Temporal Symbolism Through Pentatonic-Chromatic Synthesis in Chen Qigang’s Reflet d’un temps disparu	Zhang, Tengyue	Joint Poster Session
Texture and Meter in Funk Music	Koozin, Timothy	Meter
The "Primitive" Within: Sonic Redface and American Musical Identity	Stacks, Stephen Andrew	Sonic Redface
The “New Woman” and Popular Song in World War II China and Japan	Li, Stella	The “New Woman” and Popular Song in World War II China and Japan
The Aesthetics of Virtual and Physical Environments in Japanese BGM	Gui, James	Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games
The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses	Chiu, Remi	The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses
The Cantatas of Philippe II d’Orléans Rediscovered: Rethinking the Early History of the Cantate française	Fader, Don	French Court Musics in the 17th and 18th Centuries
The Chipko Movement: Women, Environment, and Gendered Care in Northern India	Khansili, Anchal	Music, Education, and Care
The City’s Deepest Image of Itself: The Sounds of Los Angeles Between the Fires	Yamamoto, Michele	Silence and Sound in Urban Environments
The Commodification of the Music Theory and Aural Skills Core Curriculum	Easley, Dave	Pedagogy
The Conservatory-to-Cult Pipeline in Literary Fiction and Social Media	Draucker, Shannon	Embodiment and Musical Gendering
The Core of Technique in “Bad Apple” Video Remixes	White, Andrew Malilay	Cultural Representation and Artistic Agency in Asian Popular Music
The Cosmopolitan Ear	Pistorius, Juliana M.	Transcultural Historical Musicology
The Death and Afterlife of the Multi-Work Opus	Turner, M. Lucy	Musical Publications in the 18th and 19th Centuries
The Dialectic of Instrumental Synthesis and the Mimetic Afterlives of Musique Spectrale	Jensen, Calum	20th-Century Ideas II
The Distortion of Memory: Recasting the Fourth Movement of Dmitri Shostakovich's Eighth String Quartet	Spina, Alyssa	New Paths in Classical Music (AMS Explore)
The Distributed Sonic Archives of Participatory Musicians	Morgan-Ellis, Esther M.	Chronicling American Folk Song
The Early Modern Afterlife of Musica Humana: Sonic Circulation in Robert Fludd’s Meta-Physiology	Waterman, Hannah Marie	Sounding the Healthy and Unhealthy Body
The Female Gendering of the Sarangi	Shah, Zehra Jabeen	Gendering Asian Musical Instruments and Forms
The Friend Who Got Around: Medieval Theater, Church Music, and a Rather Inappropriate Song	Zazulia, Emily	Memory and Meaning in Medieval and Early Modern Music
The Gaming Mindset in the Theory Classroom: Utilizing Constructive Competition for the Practice and Assessment of Speed and Accuracy in Core Theory Classes	Hosken, Fred	Joint Poster Session
The Giulianiad, the Autodidact, and Mauro Giuliani’s Posthumous Reception in London, 1833–1843	Jones, Lindsay	Musical Publications in the 18th and 19th Centuries
The Linking Function And The Two-Dimensional Sonata Form	Bakulina, Ellen	Form I
The Lynching at Peekskill: Paul Robeson and Early Cold War Black Radical Politics	Hogg Jr, Aldwyn	Music and the Fight for Civil Rights
The motets of John Mundy: Humanism, crypto-Catholicism, and memory in late-Elizabethan England	Page, Daniel Bennett	Motets as Mediums of Power and Sovereignty
The Mulatas de Fuego Onscreen: A Global Enactment of Afro-Cuban Dance	Penate, Cary	Storytelling Through Dance
The Music of Johann Sebastian Bach in Ghana: History, Performance Practices, and Concert Programming	Knyt, Erinn E.	Transcultural Historical Musicology
The Perils and Promises of Timbrephilia	Dolan, Emily I.	The Perils and Promises of Timbrephilia
The Politics of Lizzo’s Sasha Flute	Sterrs-Howard, Tamika Sakayi	Cultural Imaginings in Global Organology
The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture)	Martin, Allie	The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture)
The Prominent Dominant: Representing Function in the Roman Numeral Analysis of Tritone Substitutions	Hunt, Jessica	New Approaches to Harmonic Function
The Quiet After the Cannons: Sounds of Peace After the Thirty Years’ War	Dietlinger, Barbara	Memory and Meaning in Medieval and Early Modern Music
The Rhythmicon and Henry Cowell’s Theosophical Neoplatonism	Gawboy, Anna Maria	Music Theory and Spirituality
The Self-Fashioning of Musical Women, 1760–1800	Cypess, Rebecca	In Fashion: Musical Women in the Long 18th Century
The Silence of the Archive: Challenges in the Global History of Portuguese Music Theory, 1500–1755	Saenz, Juan Patricio	History of Theory I
The Singing Survivor: The Voice, Affect, and Testimony after 1945	Anderton, Abby	In the Shadow of the Holocaust
The Sound of Resistance: From the Cacerolazo Sinfónico to the Musical Protests of Today	Arango, Sara	New Paths in Classical Music (AMS Explore)
The Strong Voice of Gandersheim: Music Theory in Hrotsvit’s Tenth-Century Dramas	McIntyre, Flannery E.	Music and the Lives of Medieval Women
The Swiss Museum: A Source Overview	Loeffler, Emily	Musical Publications in the 18th and 19th Centuries
The Three Rachmaninoffs: Late-Romantic, Symbolist, & Post-Romantic	Reesor, Keenan A.	Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music
The Waltz Topic and 5/4 Time in Tchaikovsky’s Pathétique	Kawczinski, Kimberly	Meter
The West Coast Birth of the Cool: Decoding the Dave Brubeck Octet	De Lucia, Jon	Joint Poster Session
The Z-relation, Trichordal Substructure, and Complementation	Quarles, Kyle Cooper; Sieburth, Daniel	Joint Poster Session
Theater and Pantomime Representations in Marcel Carné’s Children of Paradise (1945)	Brill, Mark	Structure and Representation in 20th Century Film Music
Thelonious Monk’s Wrong (…but Right) Notes	Peloso, Anna	Intertextuality and Interpretation
Theorizing Benjamin Britten’s “Twelve-Note Thinking”	McGartland, Aidan	20th-Century Ideas I
Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval	Schwitzgebel, Emily	Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval
Theorizing Rhythm in the Sublunary World: Al-Fārābī and the Historicization of the Universalizing Impulse of Music Theory	Accornero, Giulia	History of Theory II
Thomas W. Talley’s Harlem Renaissance Musicology	Skoronski, Benjamin P.	Theorizing and Contextualizing the Harlem Renaissance
Three Melodies Walk Backwards Into a Bar: Enigmatic Music Notation in BWV 1087 and its Antecedents	Barbre, Renée	18th Century Issues
Through the Looking Glass: Exploring Musical-Parametrical Reflection in Kaija Saariaho’s Mirrors (1997) for Flute and Cello	Lussier, Kelsey	Joint Poster Session
Timbre and Periodicity in Boulez’s Orchestration of Frontispice by Maurice Ravel	Mullican, Reed	Joint Poster Session
Tone-Clock Theory’s Expansion: An Analysis of Jenny McLeod’s Tone Clock Piece VIII	Lindhorst, Jonathan	Joint Poster Session
Traces of d/Deaf History: Listening to Henri Gaillard's 1918 Laboratoire de la Parole Recording	Fuchs, Sarah	Sounding Disability
Tracing Percussion Orchestration in Early NES Soundtracks (1983-1987): Understanding Coded Parameters Through FFT Analysis	Chang, Joseph T	Music and Games
Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives	Gain, Rachel	Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives
Traditional Âşık/Alevi Musicians as Cultural Critics in Urban Life of Modern Turkey, 1960-1980	Balkılıç, Özgür	Exploring Regional and Cultural Identity in the Twentieth Century
Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico	Marín-López, Javier	Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico
Transatlantic Musical Culture and Nationalism: George Frederick Bristow, Nineteenth-Century Americanist Composer	Preston, Katherine K.	Transatlantic Musical Cultures
Transcultural Identity Construction in Caribbean Popular Music: A Comparative Analysis of Shenseea and Stefflon Don	Rhodd-Lee, Holland	Popular Music and the Global Caribbean
Transhuman Timbres: Mimetic Engagement with Glitch Aesthetics in Three Songs by TAMAGOTCHI MASSACRE	Pinkham, Frances L.	Technology, Timbre, and Trans Identities
Translation as Musical Reclamation: Oratorio Adaptation and Sephardic Acoustic Identity in Eighteenth-Century Amsterdam	Feller-Simmons, Paul Gustav (1,2)	Sacred Music and the Performance of Power
Trolls, Norwegian Identity, and the Musical Uncanny: Agathe Backer Grøndahl’s I Blaafjellet, Op. 44	Utne-Reitan, Bjørnar	Liminal and Supernatural Topics
Tweety Catches the Groove: Repetition and Emergent Meter in Juvenile Song Sparrow (melospiza melodia) Vocalizations	Dodson, Alan; Angelozzi-Blanco, Gianco	Joint Poster Session