| Peters, Gretchen | Sonic Redface |
| Dorf, Samuel | Satie is Dead, Long Live Satie |
| Neuhuaser, Hannah | Disney and Musical Representations of American Identity |
| Madrid, Alejandro L. | Searching for "lo inaudito" in the Sound Archive |
| Fallahi, Hamidreza | Iranian Musical Encounters and Meanings |
| Uy, Michael Sy | Theorizing and Contextualizing the Harlem Renaissance |
| Venturino, Stephanie | Music Theory and Spirituality |
| Schindele, Madison | Opera and Disability Studies |
| Heinle, Samantha Kim | Opera and Disability Studies |
| Brinson, Bethany | Natural Landscapes and Sound Ecologies |
| Auo, Jiyoon | Colonial Narratives and Negotiations |
| Graber, Katie | Defining Femininity and Female Power through Music |
| Mulder, Larissa N | Singing Memory: Traditional and Folk Musicking in the British Isles |
| Seinen, Nathan | Encoding Conflict in Music |
| Nelson, Trevor R. | Race, Nation, and Identity |
| Pflanz, Brittney | Liminal and Supernatural Topics |
| Jerzak, Allison | Socio-technical Histories of Digital Music |
| Vogel, Andrew | Sounding Excitement and Resistance in Latin American Communities |
| Delfin, Anne | East and West |
| Foonberg, Avinoam | Analysis of Popular Music III |
| Davidson, Echo Lee | Embodiment and Musical Gendering |
| Hugh Sam, Jordan | Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma |
| Frickey, Elizabeth | Sonic Worlds of Race and Ecology |
| Arango Calle, Miguel | Opera Staging for Effect: Lights, Masks, and Magic |
| Rao, Nancy | Chinese and Chinese-American Operatics |
| Bandy, Malachai Komanoff | Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725) |
| Sun, Qian | Gendering Asian Musical Instruments and Forms |
| Swift, Kristy | Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America |
| Chandrasekhar, Varun | Jazz Philosophies and Perspectives |
| Frisch, Simon | Motets as Mediums of Power and Sovereignty |
| Brown, Simeon Willcox | Medieval and Early Modern Chant Traditions |
| Peterson, Graham Elias | Rock Narratives |
| Velasquez, Juan Fernando | Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century |
| Landers, Hazel | Musical and Extramusical Agendas (AMS Explore) |
| Warren, John H. | Form I |
| Hier, David | 20th Century Compositional Poetics |
| Christoforidis, Michael | Transcultural Historical Musicology |
| Capuzzo, Guy | Intertextuality and Interpretation |
| Meech, Holden | Musical and Extramusical Agendas (AMS Explore) |
| Klotz, Kelsey | State of the Field: Jazz and Gender |
| Liu, Lucy Y. | 18th Century Issues |
| Cheng, Ya-Hui | Cultural Representation and Artistic Agency in Asian Popular Music |
| Benadon, Fernando | Analysis of Popular Music III |
| Rodgers, Stephen | Analysis of Vocal Music |
| Saucier, Catherine | Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson |