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Index of Titles

A complete list of all conference contributions. Use the alphabetical filter or the search box below to find specific submissions. Click on any contribution to view its session details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z " ' ¿ ‘ “

Contribution Title	Author(s)	Session
Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino	Bradley, Catherine A.	Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino
Dear Lara (film screening)	St. John, Lara (1); Hamm, Patrick (2)	Dear Lara (film screening)
Death, Denial, and Desire: Absolute Silence in Alice Coltrane’s Musical Metaphysics (1968-1972)	Martin, Luke	Jazz Philosophies and Perspectives
Dedicating the Exposition: Women musicians in the fin-de-siècle United States through Amy Beach’s para-musical writing	Jansen, Virginia	Composing Women: Identity and Creative Agency
Developing a Student-Centered Approach to Classroom Learning	Pribyl, Ashley Marian	Developing a Student-Centered Approach to Classroom Learning
Disney, Copland, and Lincoln	Miller, David	Disney and Musical Representations of American Identity
Dissonant Depictions: Topics and the Troping of Autism	Ta, Tiffany	Disability in Musical Topics and Form
DM as DJ?: Understanding the Dungeon Master as Player through Ludomusicality	Heinricks, Haley	Music and Games
Doctoring the Staff & Doctoring Beethoven: Possibilities and Pitfalls in Transcribing Patricia Kopatchinskaja’s Aesthetics in Ludwig van Beethoven’s Concerto for Violin in D Major, op. 61: 1. Allegro ma non troppo	King, Jessica Ray	Capturing Music: Notational Privilege and Practice
Don't Wake the Balrog! Navigating Copyright Issues in Publication	Eng, Clare Sher Ling	Don't Wake the Balrog! Navigating Copyright Issues in Publication
Double-Voicedness as Feminist Agency in Johanna Beyer’s “The Federal Music Project” (1936) and “The Composer’s Forum Laboratory” (1937)	Jonker, Alexandrea	Composing Women: Identity and Creative Agency
Duke Ellington’s A Drum Is A Woman: A Counterargument to Paul Whiteman’s Gentrification of Jazz	Krall, Hannah	Making Use of Jazz on Screen
Dyeing Timbres and Painting Passions in Couperin’s “Folies françoises”	SHUKLA, SARASWATHI	French Court Musics in the 17th and 18th Centuries