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Index of Titles

A complete list of all conference contributions. Use the alphabetical filter or the search box below to find specific submissions. Click on any contribution to view its session details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z " ' ¿ ‘ “

Contribution Title	Author(s)	Session
Cadential Expression of Tonalities in Cavalli’s Il Giasone	Praskurnin, Vlad	Expression in Vocal Music II
Cadenza Reviving a One-Time Theme: The Case of the Dramatic Transition Theme in Mozart’s Piano Concertos K. 467 and K. 482	Reuven, Ram	Form II
Canadian Foreign Policy and Transatlantic Cultural-Musical Exchanges during the 1970s	Sumner, Carolyne	Transatlantic Musical Cultures
Cândido Inácio da Silva (1799/1800-1838): Composer of Songs, Master of Slaves	Hazan, Marcelo Campos	Music in the Early Modern Luso-Hispanic World
Canonic Variations: Samuel Coleridge-Taylor and the Black Atlantic	Gelbart, Matthew	Race, Nation, and Identity
Cantonese Opera, Historical Reality vs. Contemporary Popular Perception: "Jyutkek Daklongpou" and Its Forgotten Predecessors	Tam, Yi Ching {Kevin}	Chinese and Chinese-American Operatics
Cataloging and Documenting American Industrial Bands	Proksch, Bryan	Joint Poster Session
Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion	Dorf, Samuel	Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion
Celebration and Self-Empowerment in Rachel Platten’s “Fight Song”	Kim, Catrina S.	Expression in Vocal Music II
Challenges and Opportunities Presented By Artificial Intelligence in Music	DeVlieger, Dana Lauren	Challenges and Opportunities Presented By Artificial Intelligence in Music
Changing the Topic: New Paradigms for Topic Theory	Frymoyer, Johanna	Changing the Topic: New Paradigms for Topic Theory
Chant Allusion in 1880-1920 French Art Songs	Bilik, Matthew Allan	Analysis of Vocal Music
Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions	Thurmaier, David	Charles Ives in 2025 (and Beyond): New Perspectives, Interpretations, and Predictions
Chasing Ghosts in Princeton, New Jersey: Paul Robeson, Dorothy Maynor, and Westminster Choir College in the 1930s	Hershberger, Monica Alice	Music and the Fight for Civil Rights
Chitinous Dissonance: Twelve-tone Compositional Techniques in the Music of Blotted Science	Simonds, Zachary	Joint Poster Session
Chopin as Pierrot: Letters, Puppets, and the Theater of Queer Pianism	Serbanescu-Martin, Theodora	Gender and Embodiment in Chopin
Chopin, Delacroix, and Improvisational Auditory-Visual Timbre	Oh, MyungJin	Gender and Embodiment in Chopin
Choreopictography: the hermeneutic implications projective symmetry and rhythmic formulae have in Prokofiev’s The Stone Flower	Rowlands, Elwyn Helen	Choreography
Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis	Motazedian, Táhirih	Cinematic Sound, Identity, and Memory: Theorizing the Audience in Film Music Analysis
Cinematic Structures as Musical Structures in Chantal Akerman’s Early Films	Hilewicz, Orit	Structure and Representation in 20th Century Film Music
Circles of Fragile Branches in East Asian Fifth-Relations	Hynes-Tawa, Liam	East and West
Climax and Excess in the Song Forms of Jim Steinman	Reese, Alan	Form II
Closing the Gap Between Musical and Philosophical Hermeneutics	Principi, Dylan J	Closing the Gap Between Musical and Philosophical Hermeneutics
Cognitive processes in music analysis: An investigation through protocol analysis and eye tracking	Ashley, Richard D.	Joint Poster Session
Columbus, Catholicism, and Colonialism in Central European Opera circa 1930	Gabriel, John	Colonial Perspectives, Stereotypes, and Caricatures
Community, Race, and Politics Downtown	Keenan, Sean	City Soundscapes
Complicating “Icelandic Sound” in Film and TV Composition	Peters, Jeremy J.	Soundtrack Semantics
Composing the End and What Comes After: Death and the Musical Afterlife in Tod und Verklärung and "Im Abendrot"	Prasolov, Aleksander	New Paths in Classical Music (AMS Explore)
Computational Schenkerian Analysis: Past, Present, and Future	Ni-Hahn, Stephen	Joint Poster Session
Concerts that Shaped the Canon: Early Performances of Medieval and Renaissance Music	Ory, Benjamin	Memory and Meaning in Medieval and Early Modern Music
Concerts, Commerce, and Colonialisation: Eighteenth-century London’s Concert Life and the Slave Trade	Coutts, Eric Joseph	Musical Imperialisms: Forms of Domination and Ambition
Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022)	Cole, Christa	Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022)
Contagion and Commemoration in Fanny Hensel’s Cholera Cantata	Reece, Frederick	Sounding the Healthy and Unhealthy Body
Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion	Chapman, Dale	Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion
Contemporary Approaches to Critical Editions in Music – Session Two: Workshop	Woods, Grant	Contemporary Approaches to Critical Editions in Music – Session Two: Workshop
Contemporary Musical Modernisms: Organizing Meeting	Wilson, Samuel John	Contemporary Musical Modernisms: Organizing Meeting
Contending with Hegelian Dialectics in Sigfrid Karg-Elert’s Organ Works	Wimberg, Emma	Philosophical Approaches to Composition and Public Presentation
Contested Modernisms: The Reception of the Darmstadt School in Soviet Latvia	Jordan, Daniel David	20th Century Musical Institutions
Contested, Controlled, Blended: Catholic Street Song in the Urban Soundscapes of Nineteenth-Century France	Ellis, Katharine	European Bellephonics: The Sounds of War and Peace
Contradictions of U.S. Imperialism and Rebel Soundscapes: Julio Cueva, Tito Enríquez, Bebo Valdés, and Jazz in the Caribbean	Barson, Benjamin Matthew	Popular Music and the Global Caribbean
Contrasting Verses in Indian Popular Music	Kulothparan, Hanisha (1); Temperley, David (2)	Analysis of Popular Music I
Corpus of Chaos: Headbanging to Conventional Form Cues in Meshuggah’s Unconventional Songs	Hudson, Stephen S.	Form in Popular Music
Counter-Reversal of Puccini’s Madama Butterfly as Operatic Critique in Huang Ruo’s M. Butterfly (2022)	Kim, Seokyoung	Italian Opera and Exoticism
Creative (Mis)Reading: Musical Adaptation of the Modern Novel	Haldey, Olga	Creative (Mis)Reading: Musical Adaptation of the Modern Novel
Cuckoldry and Compositional Innovation in a Motet on St Lawrence	Hartt, Jared C	Innovation and Symbolism in Early Modern Motets
Curating the Past: Contemporary Stagings of Early Baroque Opera and the Challenge to the Work Concept	Calcagno, Mauro	Opera Staging for Effect: Lights, Masks, and Magic
Cyberspace, Threads, and AI Music: Music’s Role in Taiwan’s 2024 Blue Bird Movement	Wei, An-Ni	Generative AI and New Frontiers in Musicology