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Index of Titles

A complete list of all conference contributions. Use the alphabetical filter or the search box below to find specific submissions. Click on any contribution to view its session details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z " ' ¿ ‘ “

Contribution Title	Author(s)	Session
“A New Style for a New Time”: Chaos and Consolidation in the Works of Paul Hindemith	Hughes, Lesley	Responses to Authoritarianism
“All Lovers of Cornwall:” Defining the Cornish Celtic Folk through Song in the Late Nineteenth and Early Twentieth Centuries	Booker, Nicholas Alexander	Singing Memory: Traditional and Folk Musicking in the British Isles
“As Played By …”: Inscribing Ephemera in Nineteenth-Century Performer-Centric Music Editions	Kregor, Jonathan	Musical Publications in the 18th and 19th Centuries
“At the End of the Street”: The Marching Band as a Sonic Marker of U.S. American Identity	Lopez, Anna Marinela	Disney and Musical Representations of American Identity
“Be Bimbos, Ladies!” Vocality, Drag, and the Chappell Roan Persona	Lynch, Kasey Jai	Expression in Vocal Music I
“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers	Valcour, Anna	“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers
“Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand”	Frisch, Walter	“Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand”
“Give me sodomy or give me death:” Deciphering the Embodied Political Persuasion and Deconstruction in Diamanda Galás’s Plague Mass	Gao, Yan	Still Here: Protest, Survival and Queer Worldbuilding
“Glorifying the American Girl:” Patriotism, American Femininity, and All-Girl Bands from the 1920s-1940s	Ledingham, Claire	Musical and Extramusical Agendas (AMS Explore)
“He’s Become a Part of Me”: Queering the Levi-Brahms Artistic Relationship	McManus, Laurie	Seeing and Depicting Queerness
“I belong in…”: Fiddler on the Roof and Cold War-Era Zionism	Blim, Dan	Jewish Musical Theater and Song
“I Choose Violence”: Reverberant Feminist Rage in a Man v. Bear Digital World	Turnage, Teresa Marie	Making Music and Meaning on the Internet
“I sing like a girl”: Madonna and the voicing of gendered temporalities in the neoliberal era	Schiller, Hannah Rosa	Embodiment and Musical Gendering
“I’m Gonna Keep on Dancing”: Chappell Roan’s “Pink Pony Club,” Dance Floor Utopias, and the Queer Art of Survival	Fitzpatrick, Erin Anne	Still Here: Protest, Survival and Queer Worldbuilding
“I’m sorry y’all, I often drift – I’m talking gift” Microrhythmic analysis of rap – categorization, malleability and structural bothness.	Oddekalv, Kjell Andreas	Analysis of Popular Music II
“In My Merry Oldsmobile”: The Affectual Ecology of the Musical Car, 1905–1958	Wood, John Clement	Silence and Sound in Urban Environments
“Is That My Camera?”: Voicing Camp on RuPaul’s “Snatch Game”	Bates, Morgan	Gender Play: Music and Forms of Gender Impersonation
“It's she who holds her tongue who gets a man”: Performativity, music, gender, and sexuality in a selection of animated Disney films	Lozano Velásquez, Camilo Andrés	Gendering Strategies in Films
“Keys to the Lamborghini”: Picking Transformations and Embodiment in Rock Guitar Instructional Videos of the early 1990s	Rivera, Juan Luis	Techniques and Technologies
“Like the World Fading into View After a Dream:” Spectral Houses, Music, Memory and the Trans* Gothic in The House in Fata Morgana (2012)	Greene, Aria Christopher	Technology, Timbre, and Trans Identities
“Loads of Random Major Chords”: Triadic Progression as Motive in the Music of Cardiacs	Clement, Brett	Analysis of Popular Music II
“Many Songs, One Nation: Towards a Pluralistic Understanding of Folksong in America, 1890s–1930s”	Platt, Heather	Chronicling American Folk Song
“Menial” Beethoven: Beethoven’s Four-Hand Grand Fugue and the Consequences of Musical Labor	Sisman, Elaine	Structure and Effect in Beethoven
“Murder on Music Row”: Debates on Authenticity in Country Music, and the Transgression of Fundamentalist Religious Polity	Schwindt, Joel	Identity and Authenticity in Country Music
“Music for the Eyes” Sebastiano Arturo Luciani and the Roots of Italian Film Music Studies Before and After Synchronized Sound	Saturnia, Tommaso	Soundtrack Semantics
“Not born to be a musician, but to be an excellent worker”: Class, Gender, and the Étude in the Early Nineteenth Century	Cordery, Gareth	Music, Education, and Care
“Refuge of the Roads”: Portrayals of Musical Restlessness in Joni Mitchell’s Hejira	Shaw, Ellen	Joni Mitchell
“Rhythmic Venom” or Comfortable Groove? On Microtiming in Colombian Currulao	Tabak, Lina	Groove
“Semper Fi, Do or Die”: Hegemonic Masculinity in a Homosocial Musical	Larson, Zane	Instrumental and Sonic Masculinities
“Silence is the Canvas behind the Sound”: From Gesture to Timbre in Rebecca Saunders’s Works for Strings	Rich, Morgan	20th-Century Ideas II
“Silent Hearing” in Mark Applebaum’s Darmstadt Kindergarten	Eshleman, Drake Edward	Disability in Musical Topics and Form
“Sometimes a Fantasy”: Billy Joel and the Concealed Lament in his “Soliloquy” for Solo Piano	Koslovsky, John Charles	Analysis of Popular Music III
“Sounds that Swing”: Don Cherry’s Sonic Philosophy	Roth, Paul Nicholas	Race and Defiant Self-Definition through Jazz
“Swing it, Professor: Jazz, Schools, and the Hollywood Film in the Mid 20th Century”	Ake, David	Making Use of Jazz on Screen
“Tehran Tokyo”: Re-Presentation of Femininity in Iranian Pop Music	Moridvand, Mohammad	Femininity and Female Archetypes
“The Bridge of Our Lives”: The Anthem Bridge as the Emotional Climax in Modern Pop	Laws, Hannah Grace	Form in Popular Music
“The cannons fired shots as a call to prayer”: Sound, Ritual, and Conquest in the Austrian Habsburg–Ottoman Thirteen Years’ War (1593–1606)	Pearse, D Linda	European Bellephonics: The Sounds of War and Peace
“The Freak who Sings in the Tubs”: Camp Performance and Gay Empowerment in New York’s Continental Bathhouse	Nichols, Courtney Rae	Music, Sexual Performance, and Ethno-Porn
“The Times They Are A-Changin’”: Musicking through Challenging Times	Gordon, Bonnie	“The Times They Are A-Changin’”: Musicking through Challenging Times
“The Woman Who Sings”: Femininity, Authenticity, and Russification in late Soviet Estrada	Brooks-Conrad, Allison	Femininity and Female Archetypes
“This is why we can’t have nice things:” White Feminism and the Cultural Value of Taylor Swift	Rafter, Maureen	Theorizing and Mythologizing Whiteness
“Together We Sing”: Ulysses Kay’s Cantatas and the Interracial Music Council	Moenning, Andrew	Music and the Fight for Civil Rights
“Tricolor Music”: Verdi’s I Lombardi in 1848	Ipson, Douglas	Politics and Representations of Identity in Music
“Watashi wa star:" Fusion, Rebirth, and Hip-Hop Identity in Megan (2024)	Jordon-Conlin, Tamyka (1); Ma, Yiqing (2)	Hip-Hop Identities: Negotiating Boundaries of Race and Nationality
“Whatever small part we could do”: Community and Grassroots Leadership in Benefit Concerts for Ukraine	Morris, April Pauline	Encoding Conflict in Music
“Which of these keyboards would you eat?” Towards an Aesthetics of Computer Keyboard Sounds	Liu, Addi	The Secret Life of Keyboards
“With just a leavening of low comedy”: John W. Isham’s Black Chorines Circa 1900	Proctor, Elea	Black Racial Representations on the Musical Stage
“You can call me SUGA, or Agust D, or Yoongi”: An Examination of K-pop Artist Min Yoongi's Vocal Personas	Hedberg, Natalie R.	K-Pop: Inside, Outside, New and Old
“You make it feel me good": K-pop English and Gestalt Listening Across Borders	Reed, Jacob	K-Pop: Inside, Outside, New and Old
“You man love the Americans too much”: Reading, hearing and renegotiating America in Black-British rap music	Bowes, Lizzie	Hip-Hop Identities: Negotiating Boundaries of Race and Nationality