Conference Agenda
Session | ||
Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America
Session Topics: AMS
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Presentations | ||
Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Organized by the AMS Pedagogy Study Group. In today’s globalized world, there are significant challenges facing equitable, or “social justice-informed” music teaching in cross-cultural contexts (Volk, 2004; Green, 2011; Kertz-Welzel, 2018). Responding to the prompt of the AMS Pedagogy Study Group’s call for a multi-format session that included the theme of “Teaching Beyond North America,” we come together as scholars who have worked in academic institutions in four distinctive settings for higher education teaching and learning (Hong Kong; South Africa, the Netherlands; the United Kingdom). In this session we propose to think about equitable – and feasible – pathways to approaching social justice in music pedagogy in ways that avoid tokenism (Hess, 2015) while staying in dialogue with global and decolonial trends (Schippers, 2009; Roy, 2022). We will lead two activities structured around “pathways to equity” in global music education that will enable participants to take away the following LEARNING OUTCOMES: 1) Broadening understandings of the complexities of teaching (for) social justice beyond North America; 2) Increasing their awareness of the colonial roots of many music education systems in the world today; 3) Developing strategies for approaching cross-cultural dialogues about music pedagogies; and 4) Empowering participants to embed pathways to “global” music teaching within their own institutions. Timed Format: PART 1 – WELCOME / ACTIVITY (30 minutes)
PART 2 – PRESENTATIONS (30 minutes)
PART 3 – ACTIVITY / WRAP UP (30 minutes)
Collaboratively chairing this tripartite workshop structure, the three speakers will draw on their knowledge and experience of living, working and teaching beyond the USA. In 10-minute interactive presentations, each speaker will offer perspectives on their current and past locations of teaching, reflecting on topics such as: legacies of colonialism in post/colonial music institutions; the complexities of defining terms like “social justice” and “decolonization” across different cultural contexts and languages; and recommendations for / challenges to embedding pathways to equity within post/colonial institutions. Together, we will facilitate activities so that participants can take away ideas and techniques for embedding equitable pathways to cross-cultural music teaching within a wide range of teaching contexts, in and beyond North America. Presentations of the Symposium Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Erin Johnson-Williams brings research expertise on the history of music education and British colonialism as well as her experience in founding the Southampton Centre for Music Education and Social Justice. Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Yvonne Liao draws on her work teaching courses in music history, culture, and society, “decolonizing classical music,” and public humanities in Hong Kong. Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Juliana Pistorius reflects on her experience teaching courses in Western art music history in South Africa, and global arts, culture, and politics at the University of Amsterdam. |