Conference Agenda
The Online Program of events for the 2025 AMS-SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
Use the "Filter by Track or Type of Session" or "Filter by Session Topic" dropdown to limit results by type. Some of the sessions are also color coded: purple indicates performances, grey indicates paper forums, and orange indicates sessions which will be either remote, hybrid, or available online via the AMS Select Pass .
Use the search bar to search by name or title of paper/session. Note that this search bar does not search by keyword.
Click on the session name for a detailed view (with participant names and abstracts).
9:00am - 10:30am
Medieval and Early Modern Chant Traditions Location: Great Lakes C Chair: John MacInnis , Dordt UniversityDiscussant: Giovanni Zanovello
Our Lady of Guadalupe of Mexico and King Ferdinand VI of Spain: The Politics of Liturgy in Spanish Chant Sources
Carlos Gámez Hernández
Khabuvy, anenaiki: singing nonsense 12th-17th century Greek and Russian Orthodox chant
Anastasia Shmytova
Sounding the Dead: Wills, Chant, and Hybrid Commemorations in Early Modern Venetian Crete
Simeon Willcox Brown
10:45am - 12:15pm
Memory and Meaning in Medieval and Early Modern Music Location: Great Lakes C Chair: Andrew H. Weaver , Catholic University of America
The Quiet After the Cannons: Sounds of Peace After the Thirty Years’ War
Barbara Dietlinger
The Friend Who Got Around: Medieval Theater, Church Music, and a Rather Inappropriate Song
Emily Zazulia
Concerts that Shaped the Canon: Early Performances of Medieval and Renaissance Music
Benjamin Ory
12:30pm - 2:00pm
Fellowship and Scholarship Opportunities at the University of Leuven (Belgium) Location: Great Lakes C
2:15pm - 3:45pm
Structure and Effect in Beethoven Location: Great Lakes C Chair: Stephen Husarik , University of Arkansas - Fort SmithDiscussant: Sanna Pederson , University of Oklahoma
"An die ferne Geliebte" between Death and Resurrection: Beethoven, Lobkowitz, and mourning in Vienna around 1800
Birgit Lodes
Is counting a joke? Beethoven’s sketches for the Scherzo of Quartet Op. 127
Wanyi Li
“Menial” Beethoven: Beethoven’s Four-Hand Grand Fugue and the Consequences of Musical Labor
Elaine Sisman
4:00pm - 5:30pm
“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers Location: Great Lakes C
Chair(s): Megan Steigerwald Ille
Presentations of the Symposium
Pay to Play: Class, Labour, and the Hidden Costs of an Opera Career
Margaret Cormier
“Other Duties as Assigned”: Abuse, Labor, and Surviving the American Opera Industry’s Resident Artist Programs
Anna Valcour
Meeting “The Other’s” Need: An Analytic Framework to Evaluate DEI Initiatives in American Opera Companies as Acts of Care
Danielle Buonaiuto
9:00am - 10:30am
War and Peace in France Location: Great Lakes C
Chair(s): Kenneth Kreitner
Presentations of the Symposium
Compère and the Wartime Devotion of the French Royal Chapel (1494-95)
Deanna Pellerano
Hobrecht’s Motet Against War
Robert Nosow
Adolphe Sax’s Sonic Fusillades and the Military Politics of Timbral Homogeneity
Samuel Nemeth
10:45am - 12:15pm
Floating: Music on/in Water Location: Great Lakes C Chair: Nick Stevens
Microcosm/Macrocosm: The Hydrophonic Sound Art Practice of Tomoko Sauvage
Annie Garlid
Water Music on the Arno: The Argonautica of 1608
Kelley Harness
An Ecology of Water and Orchestra: Deleuzian Becomings in Tan Dun’s Water Concerto
Sheridan Zahl
2:15pm - 3:45pm
Hip Hop and Politics in the Age of Trump Location: Great Lakes C
Chair(s): Justin D. Burton
Discussant(s): Justin D. Burton
Presentations of the Symposium
"Will the Real Slim Shady Please Stand Up?": Eminem as Political Football
Loren Kajikawa
“I Am a God”: Kanye West, Religion, and the Right-Wing Cultural Strategy
Micah English
Rapwashing America
A.D. Carson
4:00pm - 5:30pm
Women’s Music Networks in the United States: Illuminating Unseen Labor Location: Great Lakes C
Chair(s): Kimberly Beck Hieb
Presentations of the Symposium
Women’s Clubs’ Nationalistic Promotion of American Women Composers
Marian Wilson Kimber
The Power of Women Mentoring Women: Agnes Woodward’s Whistling School and the Propagation of Whistling as an Art
Maribeth Clark
Henry Cowell, the National Federation of Music Clubs, and Musical Internationalism in the 1930s
Danielle Fosler-Lussier
7:30pm - 9:30pm
AMS-SMT Trivia Night Location: Great Lakes C