Conference Agenda
The Online Program of events for the 2025 AMS-SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
Use the "Filter by Track or Type of Session" or "Filter by Session Topic" dropdown to limit results by type. Some of the sessions are also color coded: purple indicates performances, grey indicates paper forums, and orange indicates sessions which will be either remote, hybrid, or available online via the AMS Select Pass.
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Session Overview | |
| Location: Great Lakes C |
| Date: Friday, 07/Nov/2025 | |
| 9:00am - 10:30am |
Medieval and Early Modern Chant Traditions Location: Great Lakes C Chair: John MacInnis, Dordt University Discussant: Giovanni Zanovello, Indiana University Our Lady of Guadalupe of Mexico and King Ferdinand VI of Spain: The Politics of Liturgy in Spanish Chant Sources Khabuvy, anenaiki: singing nonsense 12th-17th century Greek and Russian Orthodox chant Sounding the Dead: Wills, Chant, and Hybrid Commemorations in Early Modern Venetian Crete |
| 10:45am - 12:15pm |
Memory and Meaning in Medieval and Early Modern Music Location: Great Lakes C Chair: Andrew H. Weaver, Catholic University of America The Quiet After the Cannons: Sounds of Peace After the Thirty Years’ War The Friend Who Got Around: Medieval Theater, Church Music, and a Rather Inappropriate Song Concerts that Shaped the Canon: Early Performances of Medieval and Renaissance Music |
| 12:30pm - 2:00pm |
Fellowship and Scholarship Opportunities at the University of Leuven (Belgium) Location: Great Lakes C |
| 2:15pm - 3:45pm |
Structure and Effect in Beethoven Location: Great Lakes C Chair: Stephen Husarik, University of Arkansas - Fort Smith Discussant: Sanna Pederson, University of Oklahoma "An die ferne Geliebte" between Death and Resurrection: Beethoven, Lobkowitz, and mourning in Vienna around 1800 Is counting a joke? Beethoven’s sketches for the Scherzo of Quartet Op. 127 “Menial” Beethoven: Beethoven’s Four-Hand Grand Fugue and the Consequences of Musical Labor |
| 4:00pm - 5:30pm |
“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers Location: Great Lakes C Presentations of the Symposium “Other Duties as Assigned”: Abuse, Labor, and Surviving the American Opera Industry’s Resident Artist Programs Meeting “The Other’s” Need: An Analytic Framework to Evaluate DEI Initiatives in American Opera Companies as Acts of Care |
| Date: Saturday, 08/Nov/2025 | |
| 9:00am - 10:30am |
War and Peace in France Location: Great Lakes C Presentations of the Symposium Compère and the Wartime Devotion of the French Royal Chapel (1494-95) Hobrecht’s Motet Against War Adolphe Sax’s Sonic Fusillades and the Military Politics of Timbral Homogeneity |
| 10:45am - 12:15pm |
Floating: Music on/in Water Location: Great Lakes C Chair: Nick Stevens Microcosm/Macrocosm: The Hydrophonic Sound Art Practice of Tomoko Sauvage Water Music on the Arno: The Argonautica of 1608 An Ecology of Water and Orchestra: Deleuzian Becomings in Tan Dun’s Water Concerto |
| 2:15pm - 3:45pm |
Hip Hop and Politics in the Age of Trump Location: Great Lakes C Presentations of the Symposium "Will the Real Slim Shady Please Stand Up?": Eminem as Political Football “I Am a God”: Kanye West, Religion, and the Right-Wing Cultural Strategy Rapwashing America |
| 4:00pm - 5:30pm |
Women’s Music Networks in the United States: Illuminating Unseen Labor Location: Great Lakes C Presentations of the Symposium Women’s Clubs’ Nationalistic Promotion of American Women Composers The Power of Women Mentoring Women: Agnes Woodward’s Whistling School and the Propagation of Whistling as an Art Henry Cowell, the National Federation of Music Clubs, and Musical Internationalism in the 1930s |
| 7:30pm - 9:30pm |
AMS-SMT Trivia Night Location: Great Lakes C |
