Conference Agenda

The Online Program of events for the 2025 AMS-SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

Use the "Filter by Track or Type of Session" or "Filter by Session Topic" dropdown to limit results by type. Some of the sessions are also color coded: purple indicates performances, grey indicates paper forums, and orange indicates sessions which will be either remote, hybrid, or available online via the AMS Select Pass.

Use the search bar to search by name or title of paper/session. Note that this search bar does not search by keyword.

Click on the session name for a detailed view (with participant names and abstracts).

 
 
Session Overview
Location: Great Lakes A
Date: Thursday, 06/Nov/2025
2:15pm
-
3:45pm
Manuscript Histories
Location: Great Lakes A
 

Mendicants Making Music in Seventeenth-Century Venetian Crete: a Manuscript and the Case for Microhistory

Marco Donato Tomassi



Newly Discovered Polyphony from the Winchester Troper

Jack Benedict Wheaton Stebbing



Mons superat saltus and Hildegard's Song Texts

Honey Meconi

4:00pm
-
5:30pm
Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot
Location: Great Lakes A
 

Organizer(s): Jonathan Guez

Chair(s): Jonathan Guez

Discussant(s): Arman Schwartz

 

Presentations of the Symposium

 

Reconsidering Suor Angelica

Andrew Davis

 

Focalizing Gianni Schicchi

Jonathan Guez

 

Climax Structure in Large-Scale: On the Ending of Puccini’s Turandot, Act 1

Ji Yeon Lee

Date: Friday, 07/Nov/2025
9:00am
-
10:30am
Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology
Location: Great Lakes A
 

Chair(s): Scott Harris

Presenter(s): Laurie Alltop, Anna Kijas, Melissa Krakow, Paige Pendleton, Karen Uslin, Reba Wissner, Madison Witzke, Erin Fowler

10:45am
-
12:15pm
Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously
Location: Great Lakes A
 

Chair(s): Lydia Hamessley

 

Presentations of the Symposium

 

Form Is Like a Fingerprint: Dolly Parton’s Songwriting Craft

Jocelyn Neal

 

Women’s Voices, Women’s Lives: Dolly Parton’s Singing and Storytelling Across Genre

Jacqueline Warwick, Cameron Bennett

 

Hall of Famous: Dolly Parton and the New Pantheon

Eric Weisbard

2:15pm
-
3:45pm
Searching for "lo inaudito" in the Sound Archive
Location: Great Lakes A
 

Chair(s): Velia Ivanova

Discussant(s): Jairo Moreno

 

Presentations of the Symposium

 

Finding What Is Lost: The Intangible Archive of València’s Falles Festival

Rachel Horner

 

Dispossession of Archives, Archives of Dispossession

María Alejandra Privado

 

Mexican Rarities, De-Sedimentation, and the Promise of a Sound Archive of Postnational Memory

Alejandro L. Madrid

4:00pm
-
5:30pm
Structure and Representation in 20th Century Film Music
Location: Great Lakes A
Chair: Rika Asai
 

Cinematic Structures as Musical Structures in Chantal Akerman’s Early Films

Orit Hilewicz



Theater and Pantomime Representations in Marcel Carné’s Children of Paradise (1945)

Mark Brill



Music, Sound and Silence: Contrasting Religious Discourse Through Parallel Adaptations by Scorsese (2016) and Shinoda (1971)

Charles Stewart Edholm

Date: Saturday, 08/Nov/2025
9:00am
-
10:30am
Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice
Location: Great Lakes A
 

Chair(s): Andrea Bohlman

 

Presentations of the Symposium

 

A ‘Physically Sound’ Nation: Listening to Fitness Vinyl of the 1960s

Destiny Meadows

 

The Juketheque Record: Continuous Dance Music in 1960s U.S. American Discotheque Jukeboxes

Sarah Lindmark

 

Modern Analog Listening and the Transculturation of the Japanese Jazz Kissa

Mark Katz

10:45am
-
12:15pm
Composing Women: Identity and Creative Agency
Location: Great Lakes A
Chair: Megan Sarno
 

Double-Voicedness as Feminist Agency in Johanna Beyer’s “The Federal Music Project” (1936) and “The Composer’s Forum Laboratory” (1937)

Alexandrea Jonker



Dedicating the Exposition: Women musicians in the fin-de-siècle United States through Amy Beach’s para-musical writing

Virginia Jansen



‘Love Has the Victory’: Musical Representations of Female Power in Ethel Smyth’s Der Wald

Amy E Zigler

12:30pm
-
2:00pm
SMT Popular Music Interest Group Meeting
Location: Great Lakes A
2:15pm
-
3:45pm
In the Shadow of Mahler
Location: Great Lakes A
Chair: Brent Wetters
Discussant: Karen Painter
 

Mahler’s Role in Bernstein’s Jewish Identity

Matthew Mugmon



"Abscheulich, langweilig, und obszön": Strauss's Feuersnot as Musical Secession at Mahler's Vienna Court Opera

Charles Youmans



....music's time is the time of the trees...': Schubert-Mahler-Berio and the Sound of Nature

Thomas Peattie

4:00pm
-
5:30pm
Music, Sound, and Medicalized Trauma in Global and Historical Contexts
Location: Great Lakes A
 

Chair(s): Erin Johnson-Williams, Michelle Meinhart

 

Presentations of the Symposium

 

The Socio-Cultural and Liturgical Response to the English Sweats or Sudor Anglicus, 1485-1551

Samantha Bassler

 

Sonic Healing and Resistance: Music and Sound in Asian Healthcare Contexts

Hippocrates Cheng

 

Charting Trauma’s Embodied Imprints: The Endemic Era and its Sonic Cartographies of Medicalization

Ailsa Lipscombe

 

A Match Made in Medical Doubt: WWI Musico-Therapy and Shell Shock

Briana Nave

 

Collective Isolation and the Sonic Environment: Headphones at Waverly Tuberculosis Sanatorium

Kristen Strandberg