Joint Poster Session
Location: Nicollet Ballroom A
The West Coast Birth of the Cool: Decoding the Dave Brubeck Octet
Jon De Lucia
Cataloging and Documenting American Industrial Bands
Bryan Proksch
The Z-relation, Trichordal Substructure, and Complementation
Kyle Cooper Quarles, Daniel Sieburth
Computational Schenkerian Analysis: Past, Present, and Future
Stephen Ni-Hahn
Echoes of Nineteenth-Century Piano Improvisation
Gilad Rabinovitch
Is this GenAI or Human? An Experimental Pilot Study on Distinguishing Between AI-Generated and Human-Composed Music
Evan Chan
Tone-Clock Theory’s Expansion: An Analysis of Jenny McLeod’s Tone Clock Piece VIII
Jonathan Lindhorst
Groove on the Field: Microtiming “Feels” and Rhythmic Synchronization in Marching Percussion
Zachary Lookenbill
Learning Music Theory in a Makerspace Environment
Paul V. Miller, Burton Hable
Listening To See: Voice and Agency in Jeremy Dutcher’s “Sakomawit”
Judith Ofcarcik
Mapping Musical Structure onto Phonetic Choices: A Corpus Study of Jazz Scat Solos
Joshua Rosner, Oriana Kilbourn-Ceron
Temporal Symbolism Through Pentatonic-Chromatic Synthesis in Chen Qigang’s Reflet d’un temps disparu
Tengyue Zhang
Beyond One-Size-Fits-All: Differentiated Instruction in Contemporary Aural Skills Pedagogy
Richard Drehoff Jr.
Cognitive processes in music analysis: An investigation through protocol analysis and eye tracking
Richard D. Ashley
Through the Looking Glass: Exploring Musical-Parametrical Reflection in Kaija Saariaho’s Mirrors (1997) for Flute and Cello
Kelsey Lussier
The Gaming Mindset in the Theory Classroom: Utilizing Constructive Competition for the Practice and Assessment of Speed and Accuracy in Core Theory Classes
Fred Hosken
Tweety Catches the Groove: Repetition and Emergent Meter in Juvenile Song Sparrow (melospiza melodia) Vocalizations
Alan Dodson, Gianco Angelozzi-Blanco
Pattern Recognition and Music Theory Ability
Nancy Rogers
Teaching the New Common Practice Period: Embracing Modern Studio Production in the Theory and Aural Skills Curriculum
Toby Rush
Chitinous Dissonance: Twelve-tone Compositional Techniques in the Music of Blotted Science
Zachary Simonds
Authentic Gasps: A Corpus Study of Intentional Phonated Inhalations in Bad Bunny’s Post-Studio Production
Tori Vilches
Timbre and Periodicity in Boulez’s Orchestration of Frontispice by Maurice Ravel
Reed Mullican
"Tha Crossroads": Defining Melodic Rap
Devin Ariel Guerrero
Falling and Flying in John Powell’s “Test Drive” from How to Train Your Dragon (2010)
Emily Warkentin
¿Puedes Oírme? (Can you hear me?): Recognizing Iberian/Latin American Voices in the Music Theory Classroom
Rachel Mann
Adventures in Functional Space, An Expanded Map of Harmonic Function
John Bayne
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