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Conference Agenda

The Online Program of events for the 2025 AMS-SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview

Date: Saturday, 08/Nov/2025
7:15am - 8:45am	AMS Board and Council Breakfast Location: Northstar Ballroom A Closed meeting.		SMT Interest Groups Breakfast Meeting Location: Skyway A-B
7:30am - 9:00am	Journal of Musicology Pedagogy Editorial Board Meeting Location: Executive Boardroom Closed meeting.
8:00am - 10:00am	SMT-Pod Drop-In Gathering Location: Lake Nokomis
9:00am - 10:30am	18th Century Issues Location: Mirage Chair: Olga Sánchez Kisielewska Three Melodies Walk Backwards Into a Bar: Enigmatic Music Notation in BWV 1087 and its Antecedents Renée Barbre Stravinsky's Reinvention of 18th-Century Schemas in the Neoclassical Period Lucy Y. Liu Hélène de Montgeroult’s “Accelerated” Etude after Haydn W. Dean Sutcliffe	Form II Location: Regency Chair: Andrew Aziz, San Diego State University Climax and Excess in the Song Forms of Jim Steinman Alan Reese Cadenza Reviving a One-Time Theme: The Case of the Dramatic Transition Theme in Mozart’s Piano Concertos K. 467 and K. 482 Ram Reuven Picking up the Pieces: Form in Late Beethoven Diego Cubero	New Approaches to Harmonic Function Location: Greenway Ballroom E-F Chair: Kyle Hutchinson "The Most Distinctive Feature:" Harmonic Function within The Sacred Harp Lily Marshae Hammond The Prominent Dominant: Representing Function in the Roman Numeral Analysis of Tritone Substitutions Jessica Hunt Beyond the Classical Canon: A Neo-Dualist Approach to Harmonic Function for Broader Tonal Contexts Gabriel Venegas, Gabriel Navia	AMS Global Music History Study Group Keynote: Examining the Construction of Continental and Hemispheric Categories in Music History: 'European Music' and 'Western Music' Location: Northstar Ballroom B Chair(s): Hedy Law, Ireri Chávez Bárcenas, Daniel Castro Pantoja Discussant(s): Diane Oliva, Parkorn Wangpaiboonkit Presenter(s): David RM Irving
	Day-to-day Music-Making in the Middle Ages: Re-thinking Historiographical Narratives through the Benedicamus Domino Location: Greenway Ballroom C-H Chair(s): Anne Walters Robertson Presentations of the Symposium Making Music in the Margins: Notation and Practice in Twelfth-Century Pistoia Emily Korzeniewski Polytextual Motets as “Simple” Polyphony Catherine A. Bradley Multipurpose Music in the Fifteenth Century: The Benedicamus Domino Carols Kalina Tomova	Expressing Young Adulthood in Post-2010 American Popular Music: Generation Z, Feminist, and Queer Perspectives Location: Lake Bemidji Organizer(s): Hon Ki Cheung Chair(s): Hon Ki Cheung Presentations of the Symposium Reading Transgender Identity in Music: SOPHIE’s “It’s Okay to Cry” and “Faceshopping” Andrew Darling Hill Country Gay Boy: Topophilia, Queer Embodiment, and Myself in the Music of Sufjan Stevens Brandon Foskett “I’m the Perfect All-American:” Producing a Commodification of Girlhood for a New Generation Lauren Molloy	Listening to Vinyl, Together: Music, Meaning, and Materiality in Communal Listening Practice Location: Great Lakes A Chair(s): Andrea Bohlman Presentations of the Symposium A ‘Physically Sound’ Nation: Listening to Fitness Vinyl of the 1960s Destiny Meadows The Juketheque Record: Continuous Dance Music in 1960s U.S. American Discotheque Jukeboxes Sarah Lindmark Modern Analog Listening and the Transculturation of the Japanese Jazz Kissa Mark Katz	Music, Silence, and Social Action in an Age of Perpetual Crisis Location: Boundary Waters Ballroom C-D Chair(s): Jenny Olivia Johnson Presenter(s): Seth Brodsky, Michael Gallope, Luis Manuel Garcia, Kathryn Agnes Huether, Alisha Lola Jones, Shayna Mei Silverstein
	Opera and Untold Black Stories Location: Great Lakes B Chair(s): Gwynne Kuhner Brown Presentations of the Symposium Dispelling Racial Othering through Opera: Edmond Dédé's Morgiane (1887) Candace L Bailey Singer, Composer, Librettist: Current engagement with Black Opera and examining the careers of Denyce Graves, Nkeiru Okoye, and Sandra Seaton Naomi André "Divided Soul": Historiography and Biography in The Passion of Mary Cardwell Dawson Karen M. Bryan	Planning a Research Agenda: Sound Strategies for Faculty and Future Faculty Location: Lake Superior A Chair(s): Esther Criscuola de Laix Presenter(s): Carol Hess, Ayana Smith, Jennifer Saltzstein, Christine Getz	Colonial Perspectives, Stereotypes, and Caricatures Location: Greenway Ballroom B-I Chair: Knar Abrahamyan Imagined Migration and Colonialist Narratives in Heitor Villa-Lobos’s Symphony No. 10 “Amerindia” (1952-1954) Silvio J dos Santos Technology, Race, and Colonialism in Caricatures of Manzotti’s Excelsior, 1880–1900 Taryn Dubois Columbus, Catholicism, and Colonialism in Central European Opera circa 1930 John Gabriel	Cultural Representation and Artistic Agency in Asian Popular Music Location: Minnehaha Chair: Stella Li, RILM From Military Stages to Pop Charts: The Eighth Army Show System and the Making of South Korean Popular Music Jeongin Lee Strengthening the Socialist Legacy: Red Songs and Nationalism in C-Pop Ya-Hui Cheng The Core of Technique in “Bad Apple” Video Remixes Andrew Malilay White
	Gender Play: Music and Forms of Gender Impersonation Location: Lakeshore A Chair: Ashley Ann Greathouse, University of Cincinnati & Marshall University Discussant: Daniele Shlomit Sofer, University of Dayton Becoming “Miss Grym”: Gender, Politics, and Suffragist Impersonation in Vaudeville and Music Halls Kendall Hatch Winter Musical Worldbuilding in Drag: Trans-Coded ‘Spliced Collage’ and Audience Co-Creation Sarah Cooper “Is That My Camera?”: Voicing Camp on RuPaul’s “Snatch Game” Morgan Bates	Listening Through Machines Location: Greenway Ballroom D-G Listening to ‘Machine Listening’: Resistance and Reification in Contemporary Music Practice Landon Morrison Listening to the Chinese Room: Muzak, Artificial Intelligence, and Humanity as Encounter Fetish, c. 1776 Lester Hu	Music and the Visual Arts Location: Lakeshore B Chair: Navid Bargrizan, East Carolina University "Music That Makes Holes in the Sky": The Idea of Absolute Music in Georgia O'Keeffe's Early Music Paintings Frederick Cruz Nowell Wassily Kandinsky: A Paint-Splattered Musical Modernist Emma Bolton Fanny Hensel’s Notturno Napolitano in the Artistic Imagination Deirdre Toh	Musical and Extramusical Agendas (AMS Explore) Location: Lake Minnetonka Chair: Sarah Eyerly, Florida State University, Tallahassee Chair: James O'Leary, Oberlin College Sowing the Flora of Modernity: Başak Günak’s Rewilding Hazel Landers Anointing, Authenticity, and Ad-libbing Hannah Jackson Stalin Prizes: State-Sponsored Awards and European Decolonization Holden Meech “Glorifying the American Girl:” Patriotism, American Femininity, and All-Girl Bands from the 1920s-1940s Claire Ledingham
	Responses to Authoritarianism Location: Lake Superior B Chair: Jeremy Eichler “A New Style for a New Time”: Chaos and Consolidation in the Works of Paul Hindemith Lesley Hughes Advocating for Operetta in Mussolini’s Italy: An Archival Story Marco Ladd	Chronicling American Folk Song Location: Lakeshore C Chair: Larry Hamberlin “Many Songs, One Nation: Towards a Pluralistic Understanding of Folksong in America, 1890s–1930s” Heather Platt Where ‘Songs Old Men Have Sung’ Were Sung: Robert W. Gordon and the Origins of California Folk Song Matthew Gilbert The Distributed Sonic Archives of Participatory Musicians Esther M. Morgan-Ellis	War and Peace in France Location: Great Lakes C Chair(s): Kenneth Kreitner Presentations of the Symposium Compère and the Wartime Devotion of the French Royal Chapel (1494-95) Deanna Pellerano Hobrecht’s Motet Against War Robert Nosow Adolphe Sax’s Sonic Fusillades and the Military Politics of Timbral Homogeneity Samuel Nemeth
9:00am - 12:15pm	Hearing Marginalization, Demanding Equity Location: Boundary Waters Ballroom A-B Organizer(s): Cora Palfy Chair(s): Cora Palfy Presentations of the Symposium Sonic Misogyny and Resistance: Gender-based Violence and Girlhood in J-pop Yiqing Ma ...And My (Trans?) Gender Analysis Maeve Gillen Subversion and the Double Burden in Varvara Gaigerova’s Suite for Viola and Piano Jacy Pedersen Teaching Fanny: Marginalized Voices in Rock and the Role of AI in Repertorial Equity Sarah Louden Identity in the Brass Quintet Genre Abigail Webster
10:45am - 12:00pm	Coffee Break Location: Exhibit Hall Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served.
10:45am - 12:15pm	Experience and Agency in 20th Century Music Location: Regency Chair: Orit Hilewicz, Jacobs School of Music, Indiana University Experiencing the Music of Brian Ferneyhough David Ellis Orvek Imagining Posthumanist Musical Agency with George Crumb’s Music for a Summer Evening Ryan Jones When a composer does not want their performers to succeed: examining the vocal and pianistic styles of Strauss’s Der Krämerspiegel (1918) Cecilia Ester Oinas	Expression in Vocal Music II Location: Greenway Ballroom E-F Chair: Emily Garlen Milius Celebration and Self-Empowerment in Rachel Platten’s “Fight Song” Catrina S. Kim Make-Believe Becomes Material-Reality: Analyzing the Musical Persona of Anna Indiana Gerardo Lopez Cadential Expression of Tonalities in Cavalli’s Il Giasone Vlad Praskurnin	Harmony and Narrative in Film Music Location: Mirage Chair: Frank Lehman, Tufts University Parallel Tritone Progressions in Film: Affekt and Voice Leading Michael G. Ebie Kiarostami and Kristeva: A Study of Abjection and Semiotics in the Film Taste of Cherry (1997) Jane Allen, Saman Montaseri Minding the Fantastical Gap at Crime Scenes in Batman Media William Ayers	Singing from the original notation: the Libro Primo de la Croce (Rome: Pasoti and Dorico, 1526/1520) and the origins of the madrigal Location: Northstar Ballroom A Chair: Julie Emelyn Cumming, McGill University
	“Demy-Frères: Perspectives on the Collaboration Between Jacques Demy and Michel Legrand” Location: Lake Superior B Chair(s): Robynn Stilwell Discussant(s): Todd Decker Presentations of the Symposium Genre and The Umbrellas of Cherbourg Walter Frisch Reflexive Dubbing in The Young Girls of Rochefort (1967) Hannah Lewis Complicated Passions and Discreet Documentaries: The Demy-Legrand Partnership via Varda Nathan Platte Counterfactual Casting and Audiovisual Style in Demy and Legrand’s Parking (1985) Jenny Oyallon-Koloski	Analytical Approaches to Anime Song (Anison) Location: Lake Bemidji Organizer(s): Stephen Tian-You Ai Chair(s): Liam Hynes-Tawa Presentations of the Symposium The Anime OP(ening): a Corpus Study of Anison Tan Nazaré Anison’s Incomplete Narratives: Media Mix, Musical Form, and Divergence in "The Tatami Galaxy" Stephen Tian-You Ai From End Credits to Endless Loops: Intermedial Palimpsests of Momoiro Clover Z’s “Nippon Egao Hyakkei” Sam Falotico	Creative (Mis)Reading: Musical Adaptation of the Modern Novel Location: Lakeshore B Chair(s): Michelle Assay Presentations of the Symposium A“Bad” German: Walter Kretschmer in Weinberg’s "The Passenger" Nicole Steinberg “Her Voice Is Full of Money”: Daisy Buchanan’s Siren Song in Kate Soper’s "Voices from the Killing Jar" Jacob LaBarge Sympathy for the Devil: Woland as Adaptation Olga Haldey	Forms of Listening in Contemporary Politics Location: Boundary Waters Ballroom C-D Chair(s): Anna Yu Wang, Sumanth Gopinath Discussant(s): Michael Gallope Presentations of the Symposium Clogged Ears, Undemocratic Times Andrew Chung A Pedagogy of Event-Listening Vivian Luong Inter-ideological Acoustics: A Model of Listening for a Divided Society Anna Yu Wang
	Legal Auralities: Critical Approaches to Music, Sound, and Law Location: Lakeshore A Chair(s): Derek Baron, Matthew Mendez Discussant(s): Eric Drott Presenter(s): Audrey Amsellem, Derek Baron, Breana McCullough, Matthew Mendez, Ana María Ochoa, Martin Scherzinger	Performing Modernity Otherwise: Asian Interventions and Reimaginations of the Western Canon Location: Lake Superior A Chair(s): Anne Monique Pace Discussant(s): Emerson Morgan Presentations of the Symposium Staging Cultural Crossings: Opera, Translation, and Musical Modernity in 19th-Century Bengal Pramantha Tagore A Kaleidoscope of Butterflies: Reimagining Madama Butterfly through an Asian-American Lens Anne Monique Pace Deep Critic, Surface Critique? Yuja Wang’s “Superficial” Beethoven and Subversion of History Hiro Cho	State of the Field: Jazz and Gender Location: Minnehaha Chair(s): Kelsey Klotz, Stephanie Doktor, Sean Lorre Presenter(s): Marcus Grant, Kari Anne Lindquist, Eduardo López-Dabdoub, Jenna Przybysz, Emmalouise St. Amand, Dave Wilson	Colonial Narratives and Negotiations Location: Greenway Ballroom B-I Chair: Bess Xinton Liu Singing Between Empire and Colony: Yi Nanyŏng’s Survival Tactics in Colonial Korea Jiyoon Auo Acousmatic Empire: Pierre Schaeffer, African Radio, and the Late Colonial State Sophie Angeline Brady More than “ribald song… and smutty jest”: Vice District Performance as Black/Indigenous Survivance in the Boomtown West Siriana Lundgren
	Composing Women: Identity and Creative Agency Location: Great Lakes A Chair: Megan Sarno Double-Voicedness as Feminist Agency in Johanna Beyer’s “The Federal Music Project” (1936) and “The Composer’s Forum Laboratory” (1937) Alexandrea Jonker Dedicating the Exposition: Women musicians in the fin-de-siècle United States through Amy Beach’s para-musical writing Virginia Jansen ‘Love Has the Victory’: Musical Representations of Female Power in Ethel Smyth’s Der Wald Amy E Zigler	Floating: Music on/in Water Location: Great Lakes C Chair: Nick Stevens Microcosm/Macrocosm: The Hydrophonic Sound Art Practice of Tomoko Sauvage Annie Garlid Water Music on the Arno: The Argonautica of 1608 Kelley Harness An Ecology of Water and Orchestra: Deleuzian Becomings in Tan Dun’s Water Concerto Sheridan Zahl	Black Racial Representations on the Musical Stage Location: Great Lakes B Chair: Marva Carter “With just a leavening of low comedy”: John W. Isham’s Black Chorines Circa 1900 Elea Proctor Race, Representation, and the Limits of Dramaturgy Ryan Minor Rewriting Wickedness: Black Feminine Power, Labor, and Race from The Wonderful Wizard of Oz (1900) to Wicked (2024) Virginia Christy Lamothe	New Paths in Classical Music (AMS Explore) Location: Lake Minnetonka Chair: Sarah Eyerly, Florida State University, Tallahassee Chair: James O'Leary, Oberlin College The Sound of Resistance: From the Cacerolazo Sinfónico to the Musical Protests of Today Sara Arango The Distortion of Memory: Recasting the Fourth Movement of Dmitri Shostakovich's Eighth String Quartet Alyssa Spina Composing the End and What Comes After: Death and the Musical Afterlife in Tod und Verklärung and "Im Abendrot" Aleksander Prasolov Romantic and Modern Tropes of Brazilianness: The Exploitation of Brazilian Indigenous Peoples in Art Music João Rocha
	Sounding the Healthy and Unhealthy Body Location: Greenway Ballroom D-G Chair: Alexander Cowan, Jesus College, Cambridge Contagion and Commemoration in Fanny Hensel’s Cholera Cantata Frederick Reece The Early Modern Afterlife of Musica Humana: Sonic Circulation in Robert Fludd’s Meta-Physiology Hannah Marie Waterman (Re)Constructing the Healthy Turn: Body Images and Mental Health in Popular Music Melanie Ptatscheck	The Secret Life of Keyboards Location: Lakeshore C Chair: Lindsey Macchiarella “Which of these keyboards would you eat?” Towards an Aesthetics of Computer Keyboard Sounds Addi Liu Reinforcing the Tone: Connections in the Transference of Clavichord-Specific Devices Blake Proehl	Theorizing and Contextualizing the Harlem Renaissance Location: Greenway Ballroom C-H Chair: Paul Schleuse Thomas W. Talley’s Harlem Renaissance Musicology Benjamin P. Skoronski Reconceiving “Renaissance Happenings”: Blurred Boundaries and the Ethos of R. Nathaniel Dett’s The Ordering of Moses (1932) Christina Smiley Seed Funding Black Theatre: Rockefeller Support of the Morehouse College and Atlanta Symphony Orchestra Premiere of Scott Joplin’s Treemonisha Michael Sy Uy	Tracing the Intersection of Dance and Music through the University of Minnesota Performing Arts Archive and the Francis V Gorman Rare Arts Books, Media, and Artists Archives Location: Northstar Ballroom B Chair(s): Destiny Meadows, Rachel Gain Presenter(s): Deborah Ultan
11:00am - 12:30pm	AMS Board Meet & Greet 3 Location: Exhibit Hall
12:00pm - 2:30pm	Dog Therapy Location: Northwoods
12:30pm - 1:30pm	AMS Career Development Grants in American Music: Check-in 2 Location: Executive Boardroom Closed meeting.		AMS Explore: Debrief Location: Lake Nokomis Closed meeting.
12:30pm - 2:00pm	AMS Council Meeting Location: Boundary Waters Ballroom C-D Closed meeting.	Business meeting of the Committee on the Publication of American Music Location: Skyway A-B	Haydn Society of North America Annual General Meeting Location: Lake Harriet	Open Access Musicology Location: St. Croix
	SMT Popular Music Interest Group Meeting Location: Great Lakes A	Speed Networking Location: Nicollet Ballroom A	AMS Cold War and Music Study Group Business Meeting Location: Greenway Ballroom D-G	AMS Global Music History Study Group Business Meeting Location: Greenway Ballroom B-I
	AMS Jazz and Improvisation Study Group Business Meeting Location: Minnehaha	AMS Popular Music Study Group Business Meeting Location: Lake Superior A	Bad Instructions? Anarchy, Excess, and Scarcity in Music Notation Location: Greenway Ballroom C-H Chair(s): Ginger Dellenbaugh, Sarah Koval Presenter(s): Michael Gallope	SMT Music Cognition Interest Group Meeting Location: Lakeshore C
	SMT Music and Philosophy Interest Group Meeting Location: Lakeshore A	SMT Analysis of World Musics & Autographs and Archival Documents Interest Groups Meeting Location: Lake Bemidji	SMT Timbre and Orchestration Interest Group Meeting Location: Greenway Ballroom E-F	SMT Work and Family Interest Group Meeting Location: Mirage
	Musicking in Disabled Community: Access Intimacy and Cultural Activism. Location: Lake Minnetonka Chair(s): Rena Roussin, Sarah Miller, Tekla Babyak, Andrew Dell'Antonio Presentations of the Symposium Access Culture at the Cedar Elizabeth McLain ArtsAbly and Disability Culture Diane Kolin Crip Sonorities Molly Joyce	Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Location: Lake Superior B Chair(s): Erin Johnson-Williams, Yvonne Liao, Mia Pistorius Presentations of the Symposium Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Erin Johnson-Williams Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Yvonne Liao Sounding Just? Pathways to Equity in Global Music Pedagogies Beyond North America Mia Pistorius
2:15pm - 3:45pm	Chinese Guzheng Performance from Antiquity to Modernity Location: Regency	From Chunking to 8-Bit Soundworlds: Aural Skills Foundations and Musicianship Through Video Game Music (Presented by Auralia & Musition) Location: Lake Bemidji Presenter: Timothy K Chenette Presenter: Thomas Yee, The University of Texas at San Antonio School of Music	American Documentary Opera, Reconsidered Location: Boundary Waters Ballroom C-D Chair(s): Joy Calico Presentations of the Symposium Behind the Scenes: Documenting Opera on Early American Television Danielle Ward-Griffin Primary Sources and Aesthetic Forces in the Creation of _Satyagraha_ and _X_ Ryan Ebright Reconsidering CNN Opera: The Televisual Dimensions of Documentary Opera History Allison Chu	Contemporary Approaches to Critical Editions in Music – Session One: Roundtable Discussion Location: Greenway Ballroom E-F Chair(s): Dale Chapman Presenter(s): Amy Stillman, Patrick Warfield, Alexander Dean, Pamela Whitcomb
	Contemporary Musical Modernisms: Organizing Meeting Location: Minnehaha Chair(s): Seth Brodsky, Christine Dysers, Samuel John Wilson Presenter(s): Amy Bauer, Seth Brodsky, Chelsea Burns, Gabrielle Cornish, Jessie Cox, Ryan Dohoney, Christine Dysers, Michael Gallope, Samuel John Wilson	Hidden Histories of Production and Consumption in Electronic Musical Instruments Location: Greenway Ballroom B-I Chair(s): Emily Dolan Presentations of the Symposium A Feminine Sound? the RCA Theremin and gendered musical labor Clara Latham The Push-Button Problem Kellli Biwer-Smith From the Sewing Machine to the Stratocaster: Rethinking Women’s Work At Fender Jayme Kurland	Hip Hop and Politics in the Age of Trump Location: Great Lakes C Chair(s): Justin D. Burton Discussant(s): Justin D. Burton Presentations of the Symposium "Will the Real Slim Shady Please Stand Up?": Eminem as Political Football Loren Kajikawa “I Am a God”: Kanye West, Religion, and the Right-Wing Cultural Strategy Micah English Rapwashing America A.D. Carson	European Bellephonics: The Sounds of War and Peace Location: Great Lakes B Chair: Jacek Blaszkiewicz Contested, Controlled, Blended: Catholic Street Song in the Urban Soundscapes of Nineteenth-Century France Katharine Ellis “The cannons fired shots as a call to prayer”: Sound, Ritual, and Conquest in the Austrian Habsburg–Ottoman Thirteen Years’ War (1593–1606) D Linda Pearse Hidden Resistance, Unknowing Collaboration: The Paradox of French Prisoner of War Music during World War II Mary Margaret Zrull
	Gendering Strategies in Films Location: Greenway Ballroom D-G Chair: Brooke Okazaki Warriors for the New Right: Hearing Gender in the Sword-and-Sorcery Film Score Grace Edgar How Do You Solve a Problem Like Evita? Mary Bryant’s Marketing Strategy Samantha Lampe “It's she who holds her tongue who gets a man”: Performativity, music, gender, and sexuality in a selection of animated Disney films Camilo Andrés Lozano Velásquez	Identity and Authenticity in Country Music Location: Lake Superior A Chair: Esther M. Morgan-Ellis, University of North Georgia Discussant: Nadine Hubbs, University of Michigan “Murder on Music Row”: Debates on Authenticity in Country Music, and the Transgression of Fundamentalist Religious Polity Joel Schwindt Examining Genre Lines Around Country Music and the Case of Cowboy Carter Sean McDermott Gary Examining The Euro-Centric Origin Myth as a Folklorized Narrative in Bluegrass Kathleen Elizabeth Coker	In the Shadow of Mahler Location: Great Lakes A Chair: Brent Wetters Discussant: Karen Painter Mahler’s Role in Bernstein’s Jewish Identity Matthew Mugmon "Abscheulich, langweilig, und obszön": Strauss's Feuersnot as Musical Secession at Mahler's Vienna Court Opera Charles Youmans ....music's time is the time of the trees...': Schubert-Mahler-Berio and the Sound of Nature Thomas Peattie	Musical Ownership and Value in the 19th Century Location: Lakeshore A Chair: Matthew Franke "Not Worth the Price of Engraving": Heugel's failed publication of Rossini’s late piano music Simon Cohen Beyond Genius to Ownership in the Early 19th Century Samuel Ross Budnyk Who Owns this Song? Translating Musical Property in Nineteenth-Century London Christopher Parton
	Philosophical Approaches to Composition and Public Presentation Location: Lakeshore C Chair: Jeffrey Perry, Louisiana State University For a Semi-Public Musicology (or, Hindemith in the Playground) Giles Masters Xenakis’s Polytope of Persepolis: An Immersive Composition Khashayar Shahriyari Contending with Hegelian Dialectics in Sigfrid Karg-Elert’s Organ Works Emma Wimberg	Race and Defiant Self-Definition through Jazz Location: Lake Superior B Chair: Mark Lomanno Jazz Maroonage at the 1960 Newport Rebel Festival Ben Papsun Improvised Forms, Speculative Communities, Don Cherry’s Mu-bility Paul Nicholas Roth A Rising Star Confronts His Idol: Revisiting Miles Davis and Wynton Marsalis at Expo ‘86 John Vincent Fath	Transmission, Reception, and Aesthetic Experimentation in Russian and Turkish Music Location: Lakeshore B Chair: Inna Naroditskaya Opera Audiences in St. Petersburg, Russia (1825-1840) Daniil Zavlunov The Three Rachmaninoffs: Late-Romantic, Symbolist, & Post-Romantic Keenan A. Reesor Alaben voisen: A Turkish Song in Avignon (ca. 1630-1650) Ana Beatriz Mujica	The Baccusi Files: Digital Forensics of a New Corpus of Renaissance Imitation Masses Location: Greenway Ballroom C-H Chair(s): Remi Chiu Presenter(s): Richard Freedman, Alessandra Ignesti, Mark Janello, Megan Long, Peter Schubert, Remi Chiu
	Workshop in Research Techniques and Bibliography, led by Répertoire International de Littérature Musicale Location: Lake Minnetonka Chair(s): Ralph Whyte Presenter(s): Ralph Whyte
2:45pm - 3:30pm	SMT Business Meeting Location: Nicollet Ballroom C-D
3:30pm - 4:15pm	SMT Awards Ceremony Location: Nicollet Ballroom C-D
4:00pm - 5:30pm	Musical Landscapes Across the Americas Location: Northstar Ballroom A-B	Challenges and Opportunities Presented By Artificial Intelligence in Music Location: Greenway Ballroom B-I Chair(s): Lauren Elaine Wilson Discussant(s): Lauren Elaine Wilson Presentations of the Symposium “Here It Goes Again:” The Copyright Challenges of A.I.-Generated Music Dana Lauren DeVlieger Composing Capital and the Commodification of Copyright in Generative AI Models Emmie Head Music Patterns, Artificial Intelligence & Copyright Olufunmilayo B. Arewa	Contemporary Approaches to Critical Editions in Music – Session Two: Workshop Location: Greenway Ballroom E-F Chair(s): Dale Chapman Presenter(s): Amy Stillman, Patrick Warfield, Alexander Dean, Pamela Whitcomb	Mastering the Art of the Abstract Location: Boundary Waters Ballroom A-B Chair(s): Stella Zhizhi Li Presenter(s): Stella Zhizhi Li
	Music, Sound, and Medicalized Trauma in Global and Historical Contexts Location: Great Lakes A Chair(s): Erin Johnson-Williams, Michelle Meinhart Presentations of the Symposium The Socio-Cultural and Liturgical Response to the English Sweats or Sudor Anglicus, 1485-1551 Samantha Bassler Sonic Healing and Resistance: Music and Sound in Asian Healthcare Contexts Hippocrates Cheng Charting Trauma’s Embodied Imprints: The Endemic Era and its Sonic Cartographies of Medicalization Ailsa Lipscombe A Match Made in Medical Doubt: WWI Musico-Therapy and Shell Shock Briana Nave Collective Isolation and the Sonic Environment: Headphones at Waverly Tuberculosis Sanatorium Kristen Strandberg	Preserving Composers’ Work in the Digital Age Location: Lake Minnetonka Chair(s): Libby Larsen, Robert Fink Presenter(s): Jessica Grimmer, Stephanie Akau, Jennifer Jolley	Sound, Image, and Gesture in Composition and Performance (ca. 1425–1725) Location: Lakeshore A Chair(s): Virginia Lamothe Presentations of the Symposium Visual and Sounding Symmetries in the Chansons of Gilles Binchois (ca. 1400–60) Adam Knight Gilbert Didactics Beyond Depiction: Ratio, Sensus, and Jesuit Dialectic in Heinrich Biber’s Rosary Sonatas (ca. 1680) Malachai Komanoff Bandy “Figures” in Marin Marais’s Pièces de Caractère: A Musical Vocabulary of Characters and Actions Eric Tinkerhess	Sounds of the Contemporary City: Music and Musicking in Urban Spaces at the Turn of the Twenty-First Century Location: Lakeshore B Chair(s): Charissa Noble Presentations of the Symposium NEW GENRE PUBLIC OPERA: CRITICISM AND AESTHETICS IN "ANOTHER CITY." Kathryn L. Caton HEAR MỊ OUT: REMIXING ETHNICITY/CIVILIZATION IN V-POP Damjan Rakonjac MEDELLINIFICACIÓN: GENTRIFICATION, TOURISTIFICATION, AND THE URBAN AURAL SPHERE Juan Fernando Velasquez
	20th Century Musical Institutions Location: Lake Bemidji Chair: Rachel Vandagriff Beyond State Support: IRCAM and the Cultivation of Elite Patronage John Bateman Contested Modernisms: The Reception of the Darmstadt School in Soviet Latvia Daniel David Jordan Music Patron James Loeb Andrea Louise Olmstead	Concerts and Commerce in the 18th and 19th centuries Location: Great Lakes B Chair: Beverly Wilcox, California State University, Sacramento Music, Manners, and Money: The Bach-Abel Subscription Concerts, 1773-1780 Ann van Allen-Russell Virtuosity and Economics: Johann Christian Bach’s Symphonies Concertantes in Eighteenth-Century Public Concerts Baris Demirezer Visualizing Women’s Roles and Networks in the Concert Life of 1820s Vienna Mary Elizabeth Kirchdorfer	Italian Opera and Exoticism Location: Lake Superior A Chair: Laura Vasilyeva Counter-Reversal of Puccini’s Madama Butterfly as Operatic Critique in Huang Ruo’s M. Butterfly (2022) Seokyoung Kim (New) Realism in Puccini’s Madama Butterfly Jingyi Zhang Verdi’s Aida: A Case of Western Colonial Organology Ali Saniee Nia	Practices of Memory and Resistance Location: Greenway Ballroom C-H Chair: Lesley Hughes Memorializing (and Manipulating?) 9/11 Musical Memory Abigail Shupe "Y2K Turned Out All Right": Vaporwave Livestreams as Therapuetic Memory Practice Elisabeth Christine Roberts A New Collective Memory: The Sonic Battle Between Chiang Kai-shek Memorial Hall and Liberty Plaza Heather Kay Couture
	Seeing and Depicting Queerness Location: Lake Superior B Chair: Joseph Ortiz, University of Texas at El Paso “He’s Become a Part of Me”: Queering the Levi-Brahms Artistic Relationship Laurie McManus Alienness, Queerness, and the Sacred in Clones of Dr. Funkenstein (1976) Alejandro Cueto Gay Panic: Sonic Intensifiers of Queer Tragedy in Horrific Video Games Blaire Ziegenhagel	Women’s Music Networks in the United States: Illuminating Unseen Labor Location: Great Lakes C Chair(s): Kimberly Beck Hieb Presentations of the Symposium Women’s Clubs’ Nationalistic Promotion of American Women Composers Marian Wilson Kimber The Power of Women Mentoring Women: Agnes Woodward’s Whistling School and the Propagation of Whistling as an Art Maribeth Clark Henry Cowell, the National Federation of Music Clubs, and Musical Internationalism in the 1930s Danielle Fosler-Lussier
4:00pm - 6:00pm	K-Pop: Inside, Outside, New and Old Location: Mirage Chair: Jeongin Lee “You make it feel me good": K-pop English and Gestalt Listening Across Borders Jacob Reed Korean Wind: A Trend Toward Tradition in Modern K-Pop? Seth J Coluzzi “You can call me SUGA, or Agust D, or Yoongi”: An Examination of K-pop Artist Min Yoongi's Vocal Personas Natalie R. Hedberg "Narratives of Modernization in Korean Pop Ballads from the 1990s and Early 2000s" Mi Kyung Hwang	Music and the Fight for Civil Rights Location: Boundary Waters Ballroom C-D Chair: Stephen Andrew Stacks, North Carolina Central University “Together We Sing”: Ulysses Kay’s Cantatas and the Interracial Music Council Andrew Moenning Henry Ford, Marian Anderson, and the Political Stakes of Performance David Catchpole Chasing Ghosts in Princeton, New Jersey: Paul Robeson, Dorothy Maynor, and Westminster Choir College in the 1930s Monica Alice Hershberger The Lynching at Peekskill: Paul Robeson and Early Cold War Black Radical Politics Aldwyn Hogg Jr	Popular Music and the Global Caribbean Location: Greenway Ballroom D-G Chair: Maria Ryan Lukewarm Liminality: A Reggae Band Challenges Switzerland’s Sense of Self Florian Conzetti Transcultural Identity Construction in Caribbean Popular Music: A Comparative Analysis of Shenseea and Stefflon Don Holland Rhodd-Lee Contradictions of U.S. Imperialism and Rebel Soundscapes: Julio Cueva, Tito Enríquez, Bebo Valdés, and Jazz in the Caribbean Benjamin Matthew Barson Black middle-class contributions to Carnival music in late-nineteenth century Trinidad Patrick Murphy
4:30pm - 6:00pm	SMT Plenary: Queering the Pitch—Thirty Years On Location: Nicollet Ballroom C-D Chair: Stephan Pennington, Tufts University Presenter: James Currie, University at Buffalo Presenter: Nadine Hubbs, University of Michigan Presenter: Vivian Luong, University of Oklahoma
6:00pm - 7:00pm	AMS Business Meeting Location: Nicollet Ballroom A-B
6:00pm - 8:00pm	University of Oregon Reception Location: Lake Nokomis
6:45pm - 8:45pm	University of Michigan Reception (Musicology and Music Theory) Location: Lake Superior B		University of Pennsylvania Music Department Reception Location: Lake Superior A
7:00pm - 7:30pm	AMS Awards Ceremony Location: Nicollet Ballroom A-B
7:30pm - 8:30pm	Joint Awards Reception Location: Lakeshore A-B-C
7:30pm - 9:30pm	AMS-SMT Trivia Night Location: Great Lakes C
7:45pm - 9:45pm	Closing the Gap Between Musical and Philosophical Hermeneutics Location: Greenway Ballroom C-H Chair(s): Dylan Principi Presenter(s): Thomas Christensen, Sumanth Gopinath, Holly Watkins		Popular Music and/as Resistance Location: Greenway Ballroom B-I Chair(s): Matt Yuknas, Paul David Flood Presentations of the Symposium The Rhetorics of Rhymes & Revolutions A.D. Carson Algorithmic Resistance: Playlisting, Protest Music, and the Politics of Visibility Joyce Li Yue Embodying Resistance, Constructing Authenticity, Inciting Agency: The Queer Genius of Doechii’s Grammy Performance Claire Terrell, Molly Reid Raminten Caberet Show: An Indonesian Drag Venue as a Concrete Utopia Hannah Standiford Monetochka and IC3PEAK: Delicate Voices of Russian Subversion Aleksandra (Sasha) Drozzina
8:00pm - 10:00pm	Stanford University Party Location: St. Croix		The University of Texas at Austin Reception Location: Lake Harriet
9:30pm - 11:30pm	Cornell Reception Location: Lake Bemidji	Indiana University Jacobs School of Music Reception Location: Boundary Waters Ballroom C-D	McGill University Reception Location: Lake Superior A	Princeton University Alumni and Friends Party Location: Skyway A-B
9:30pm - 11:30pm	UCLA Musicology Reception Location: Greenway Ballroom D-G	University of California, Berkeley Alumni Reception Location: Lake Superior B	Yale Party Location: Boundary Waters Ballroom A-B
10:00pm - 11:59pm	AMS LGBTQ Study Group Party Location: Regency