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Conference Agenda

The Online Program of events for the 2025 AMS-SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview

Date: Friday, 07/Nov/2025
12:00am - 12:30am	10th Annual AMS/SMT After Dark Location: Regency
7:15am - 8:45am	SMT Retired Members Breakfast Reception Location: Lake Nokomis		SMT Student Breakfast Reception Location: Northwoods
7:45am - 8:45am	AMS Student Chapter Representatives to Council Location: Lake Minnetonka Closed meeting.
8:00am - 9:45am	Joint Poster Session Location: Nicollet Ballroom A The West Coast Birth of the Cool: Decoding the Dave Brubeck Octet Jon De Lucia Cataloging and Documenting American Industrial Bands Bryan Proksch The Z-relation, Trichordal Substructure, and Complementation Kyle Cooper Quarles, Daniel Sieburth Computational Schenkerian Analysis: Past, Present, and Future Stephen Ni-Hahn Echoes of Nineteenth-Century Piano Improvisation Gilad Rabinovitch Is this GenAI or Human? An Experimental Pilot Study on Distinguishing Between AI-Generated and Human-Composed Music Evan Chan Tone-Clock Theory’s Expansion: An Analysis of Jenny McLeod’s Tone Clock Piece VIII Jonathan Lindhorst Groove on the Field: Microtiming “Feels” and Rhythmic Synchronization in Marching Percussion Zachary Lookenbill Learning Music Theory in a Makerspace Environment Paul V. Miller, Burton Hable Listening To See: Voice and Agency in Jeremy Dutcher’s “Sakomawit” Judith Ofcarcik Mapping Musical Structure onto Phonetic Choices: A Corpus Study of Jazz Scat Solos Joshua Rosner, Oriana Kilbourn-Ceron Temporal Symbolism Through Pentatonic-Chromatic Synthesis in Chen Qigang’s Reflet d’un temps disparu Tengyue Zhang Beyond One-Size-Fits-All: Differentiated Instruction in Contemporary Aural Skills Pedagogy Richard Drehoff Jr. Cognitive processes in music analysis: An investigation through protocol analysis and eye tracking Richard D. Ashley Through the Looking Glass: Exploring Musical-Parametrical Reflection in Kaija Saariaho’s Mirrors (1997) for Flute and Cello Kelsey Lussier The Gaming Mindset in the Theory Classroom: Utilizing Constructive Competition for the Practice and Assessment of Speed and Accuracy in Core Theory Classes Fred Hosken Tweety Catches the Groove: Repetition and Emergent Meter in Juvenile Song Sparrow (melospiza melodia) Vocalizations Alan Dodson, Gianco Angelozzi-Blanco Pattern Recognition and Music Theory Ability Nancy Rogers Teaching the New Common Practice Period: Embracing Modern Studio Production in the Theory and Aural Skills Curriculum Toby Rush Chitinous Dissonance: Twelve-tone Compositional Techniques in the Music of Blotted Science Zachary Simonds Authentic Gasps: A Corpus Study of Intentional Phonated Inhalations in Bad Bunny’s Post-Studio Production Tori Vilches Timbre and Periodicity in Boulez’s Orchestration of Frontispice by Maurice Ravel Reed Mullican "Tha Crossroads": Defining Melodic Rap Devin Ariel Guerrero Falling and Flying in John Powell’s “Test Drive” from How to Train Your Dragon (2010) Emily Warkentin ¿Puedes Oírme? (Can you hear me?): Recognizing Iberian/Latin American Voices in the Music Theory Classroom Rachel Mann Adventures in Functional Space, An Expanded Map of Harmonic Function John Bayne
8:00am - 10:00am	Rewriting the History of Nineteenth-Century Music for the Stage: the Parisian vaudeville Location: Minnehaha Chair(s): Hilary Poriss Presentations of the Symposium The Many Lives of a Dirty Little Song: Le beau Lycas aimait Thémire (Caveau 1778) Richard Sherr The Singularity of Vaudeville Katherine Hambridge How vaudeville became opérette, 1875–1890 Tommaso Sabbatini Music on the Stage of Desire: the fantaisie-opérette, 1890-1914 Mark Everist
8:30am - 10:30am	History of Theory II Location: Mirage Chair: Nathan Martin, University of Michigan Partimento and Harmony in Spain: Félix Máximo López’s Reglas Generales Bryan Espinosa Reimagining Harmonic Function without the Harmonieschritte : Otakar Šín and Czech Music Theory in the Twentieth Century. Kája Lill Karg-Elert vs. Grabner: conflicting harmony pedagogies at the Leipzig Conservatory, and what they reveal about our understanding of harmonic function David Alexander Byrne Theorizing Rhythm in the Sublunary World: Al-Fārābī and the Historicization of the Universalizing Impulse of Music Theory Giulia Accornero
9:00am - 10:30am	Form I Location: Greenway Ballroom E-F Chair: Christopher Segall, University of Cincinnati The Linking Function And The Two-Dimensional Sonata Form Ellen Bakulina Space Forms and Listening Strategies in Björk’s Sonic Utopia John H. Warren Lost and Found Keys, or First Theme Tonal Shifts in Post-Classical Sonata Form Expositions Yonatan Bar-Yoshafat	Liminal and Supernatural Topics Location: Lake Bemidji Chair: Dylan J Principi, Florida State University Trolls, Norwegian Identity, and the Musical Uncanny: Agathe Backer Grøndahl’s I Blaafjellet, Op. 44 Bjørnar Utne-Reitan In the Beast’s Footsteps: The Kaijū Subtopic in Monster Media Tanner Cassidy Social Media’s Role in the Emergence of Musical Topics Brittney Pflanz	Music and Games Location: Boundary Waters Ballroom A-B Chair: Peter Smucker, Stetson University DM as DJ?: Understanding the Dungeon Master as Player through Ludomusicality Haley Heinricks Musical Function and Meaning in the Japanese Role-Playing Game Alan Elkins Tracing Percussion Orchestration in Early NES Soundtracks (1983-1987): Understanding Coded Parameters Through FFT Analysis Joseph T Chang	“The Times They Are A-Changin’”: Musicking through Challenging Times Location: Greenway Ballroom D-G Chair(s): Bonnie Gordon Presenter(s): Bonnie Gordon, Charles Carson, Andrea Bohlman, Maribeth Clark, Loren Kajikawa
	200 Years of Italian Opera in the United States: 1825–2025 Location: Great Lakes B Chair(s): Davide Ceriani Presentations of the Symposium Composing Italian opera in 1820s New York: European fantasies in Manuel García’s L’amante astuto Francesco Milella González Luna Lorenzo Da Ponte’s Longing to Return as a Librettist Francesco Zimei “In the Fairyland of Roast Beef and Plum Pudding”: The 1833 Controversy on Italian Opera Giuseppe Gerbino	Listening for the Holocaust in Polish/Jewish Musical Culture Location: Lake Superior A Chair(s): Lisa C Vest Discussant(s): Daniel Elphick Presentations of the Symposium “Mozart was Never More Beautiful”: The Politics of the Classical Canon in the Warsaw Ghetto Jules Riegel Roman Palester, Jewish Aid, and the Aporias of the Holocaust Mackenzie Pierce Musical Recollections of the Polish Past in Mieczysław Weinberg’s Symphony No. 8, Polish Flowers Nicolette van den Bogerd	Musicology Pedagogy for the Future: Incorporating Experiential Learning through Public Musicology Location: Great Lakes A Chair(s): Scott Harris Presenter(s): Laurie Alltop, Anna Kijas, Melissa Krakow, Paige Pendleton, Karen Uslin, Reba Wissner, Madison Witzke, Erin Fowler	Ravel at 150: Enduring Insights and New Initiatives Location: Regency Chair(s): Michael Puri, Gurminder Kaur Bhogal Discussant(s): Steven Huebner Presenter(s): Jennifer Beavers, Damian Blättler, Jessie Fillerup, Campbell Shiflett, Rachana Vajjhala
	French Court Musics in the 17th and 18th Centuries Location: Lake Superior B Chair: Jim Cassaro The Cantatas of Philippe II d’Orléans Rediscovered: Rethinking the Early History of the Cantate française Don Fader Dyeing Timbres and Painting Passions in Couperin’s “Folies françoises” SARASWATHI SHUKLA Poisonous Personae: Operatic Sorceresses and Witchcraft in Late Seventeenth-Century France Anna Somerville	Gendering Asian Musical Instruments and Forms Location: Greenway Ballroom B-I Chair: Charles Stratford The Female Gendering of the Sarangi Zehra Jabeen Shah Sounding Gendered Trauma: The Voice of Female Ghost in Black Metal Song “Li Gui” Qian Sun From Courtesans to Clickbait: Gender, Power, and the Persistent Marginalization of Women in China’s Pipa Tradition Yuxin Mei	Hip-Hop Identities: Negotiating Boundaries of Race and Nationality Location: Boundary Waters Ballroom C-D Chair: Dan DiPiero Negotiating Whiteness in 1990s Hip-Hop: Eminem, Insane Clown Posse, and Detroit Horrorcore Matt Yuknas “Watashi wa star:" Fusion, Rebirth, and Hip-Hop Identity in Megan (2024) Tamyka Jordon-Conlin, Yiqing Ma “You man love the Americans too much”: Reading, hearing and renegotiating America in Black-British rap music Lizzie Bowes	In Fashion: Musical Women in the Long 18th Century Location: Greenway Ballroom C-H Chair: Alexandra Amati, Harvard University The Self-Fashioning of Musical Women, 1760–1800 Rebecca Cypess Musical Parties Public and Private: Observing Music in the Journal of Miss Jane Ewbank of York, 1803–1805 Rachel Elizabeth Cowgill Vittoria Tesi: the Conception of the Black Diva in Italian Opera, 1715–1775 Emmanuela Wroth
	Medieval and Early Modern Chant Traditions Location: Great Lakes C Chair: John MacInnis, Dordt University Discussant: Giovanni Zanovello Our Lady of Guadalupe of Mexico and King Ferdinand VI of Spain: The Politics of Liturgy in Spanish Chant Sources Carlos Gámez Hernández Khabuvy, anenaiki: singing nonsense 12th-17th century Greek and Russian Orthodox chant Anastasia Shmytova Sounding the Dead: Wills, Chant, and Hybrid Commemorations in Early Modern Venetian Crete Simeon Willcox Brown	Music, Sexual Performance, and Ethno-Porn Location: Lakeshore C Chair: Elizabeth Wollman Earwitness Accounts of Sexuality and Other Ethnopornographic Tales Cibele M. Moura Lost to the An(n)als of History: Whatever Happened to the First X-Rated Musical Film? Nolan Stolz “The Freak who Sings in the Tubs”: Camp Performance and Gay Empowerment in New York’s Continental Bathhouse Courtney Rae Nichols	Silence and Sound in Urban Environments Location: Lake Minnetonka Chair: Kirsten Paige “In My Merry Oldsmobile”: The Affectual Ecology of the Musical Car, 1905–1958 John Clement Wood Peter Handford’s Steamscapes Jonathan Hicks The City’s Deepest Image of Itself: The Sounds of Los Angeles Between the Fires Michele Yamamoto	Sounding Disability Location: Lakeshore B Chair: Jeannette D. Jones Discussant: David VanderHamm, Johnson County Community College Music and visual disability in the early modern Hispanic world: The tradition of blind organists Ascensión Mazuela-Anguita Rendering Disability: Experiencing the Sonically Disabled Film Body Andrew Tubbs Traces of d/Deaf History: Listening to Henri Gaillard's 1918 Laboratoire de la Parole Recording Sarah Fuchs
	Soundtrack Semantics Location: Lakeshore A Chair: David Clem Discussant: Berthold Hoeckner “Music for the Eyes” Sebastiano Arturo Luciani and the Roots of Italian Film Music Studies Before and After Synchronized Sound Tommaso Saturnia Complicating “Icelandic Sound” in Film and TV Composition Jeremy J. Peters Hidden Choirs: Choralism in Hollywood Film Epic Soundtracks Eugenia Siegel Conte	Transatlantic Contrafacta: Musical Circulations in Colonial Mexico/New Spain and Territorial New Mexico Location: Northstar Ballroom B Chair(s): Sarah Eyerly Presentations of the Symposium Contrafacta for Evangelization and Devotion in Colonial Mexico: Three Case Studies Antonio Ruiz-Caballero Second Responsories at Eighteenth-Century Mexico City Cathedral Dianne Goldman Migrant Melodies Across Borders: Contrafactum Practices in 19th-Century Catholic New Mexico Javier Marín-López	Writing about Music Otherwise Location: Northstar Ballroom A Chair(s): Martha Feldman, Elisabeth Le Guin Presenter(s): Martha Feldman, Elisabeth Le Guin, Jessica Bissett Perea, Ramona Naddaff, Fumi Okiji
9:00am - 12:00pm	SMT Graduate Student Workshop: Analyzing Antiphony: Theorizing Music-Text Relations for the Digital Episteme Location: St. Croix By invitation only.		SMT Graduate Student Workshop: Hearing Technologies Location: Lake Harriet By invitation only.
9:30am - 4:00pm	Contemporary Issues in Music & Copyright Law: A CLE Special Session Location: Skyway A-B Chair: Katherine Leo Chair: Serona Elton, University of Miami
10:15am - 12:15pm	Politics and Representations of Identity in Music Location: Minnehaha Chair: Gundula Kreuzer Interpolating Tradition, Resisting Power: Okinawan Hip-Hop and the Politics of Musical Hybridity Qifang Hu ‘Roman salutes’ and ethnic makeup in Clemente’s Fracassi’s Aida (1953) Candida Billie Mantica Jennie June's Fairie Songs James Raymond Ace “Tricolor Music”: Verdi’s I Lombardi in 1848 Douglas Ipson
10:45am - 12:00pm	Coffee Break Location: Exhibit Hall Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served.
10:45am - 12:15pm	Analysis of Popular Music II Location: Lake Bemidji Chair: Brad Osborn “Loads of Random Major Chords”: Triadic Progression as Motive in the Music of Cardiacs Brett Clement Harmonic tension and temporality in loop-based popular music Ian Quinn, Aditya Chander, Stefanie Acevedo “I’m sorry y’all, I often drift – I’m talking gift” Microrhythmic analysis of rap – categorization, malleability and structural bothness. Kjell Andreas Oddekalv	Braille and Beyond: Making Music Theory Accessible through Inclusive Design Location: Greenway Ballroom E-F Chair: Toby Rush, University of Dayton Chair: Dave Easley	Memory, Affect, and Attention Location: Lakeshore C Chair: Andrew Goldman, Indiana University Musical features shape semantic content of music-evoked autobiographical memories Cara Turnbull Materializing Affect in Sound: Ethnography, Nostalgia, and Kinesthetic Memory in the Arab Diaspora Issa Aji Investigating the impact of textural dynamics on performers’ listening behaviors and coordination Madeline Anne Kushan	American Orchestral History: the Composers, the Programming, and the Performers Location: Boundary Waters Ballroom C-D Chair(s): Colin T. Roust Presentations of the Symposium Howard Hanson and the Pitfalls of American National Identity Matt E. Anderson Orchestral Programming and American Identity in the Great Depression and World War II Denise E. Finnegan-Hill Frances Blaisdell: Trailblazing Flutist in the Face of Orchestral Gender Discrimination Eden E. P. Miller
	Changing the Topic: New Paradigms for Topic Theory Location: Greenway Ballroom D-G Organizer(s): Johanna Frymoyer Chair(s): Johanna Frymoyer Discussant(s): Peter Burkholder Presentations of the Symposium Topics aren’t Icons Bryan Parkhurst Topic Theory and/as Iconography Nathan Martin Extraction, Commodification, Circulation: Topical Representation and Modernity Stephen Rumph (Game)playing with Signs: Topical Learning and Present-Day Listeners Johanna Frymoyer	Emerging Directions in Music Theory Publication Location: Boundary Waters Ballroom A-B Organizer(s): Aaron Carter-Ényì, Ji Yeon Lee Chair(s): Aaron Carter-Ényì, Ji Yeon Lee Discussant(s): J. Daniel Jenkins Presentations of the Symposium Modeling Musical Analysis (Oxford University Press, 2025) Kimberly Goddard Loeffert, John Peterson “Music Theory in the Plural,” - Music Theory Online Edwin Li, Chris Stover, Anna Yu Wang SMT-V Táhirih Motazedian	Form, Voice, and Canonicity: Taking Dolly Parton’s Songwriting Seriously Location: Great Lakes A Chair(s): Lydia Hamessley Presentations of the Symposium Form Is Like a Fingerprint: Dolly Parton’s Songwriting Craft Jocelyn Neal Women’s Voices, Women’s Lives: Dolly Parton’s Singing and Storytelling Across Genre Jacqueline Warwick, Cameron Bennett Hall of Famous: Dolly Parton and the New Pantheon Eric Weisbard	Integrating Disciplinary Silos in Our Teaching Location: Northstar Ballroom A Chair(s): Sarah Lahasky Discussant(s): Daniel Barolsky Presenter(s): Louis Epstein, Cullyn Murphy, Tony Perman, Daniel Barolsky, Sarah Lahasky
	Reich at 89 Location: Greenway Ballroom C-H Chair(s): Eric Isaacson Presentations of the Symposium Lingering Horrors: Trauma in Reich’s Different Trains, “After the War” Martin Ross Reich’s Philosopher: Ludwig Wittgenstein’s influence on Reich and his Reception in Music Theory Kristen Wallentinsen The Evolution of Reich’s Tritone Bop Eric Isaacson Musical Translation and Recontextualization of Gerhard Richter’s Film Moving Picture (946-3) in Steve Reich’s Reich/Richter Nevena Stanić Reich and Rock: Evaluating a Conjunction Sumanth Gopinath Steve Reich and Intergenerational Discourse in American New Music William Robin	Defining Femininity and Female Power through Music Location: Lakeshore A Chair: Mary Simonson Singing Femininity in a Mennonite Voice Katie Graber Only A Woman Knows How to Treat a Woman Right: Chappell Roan and the Queering of Femininity Madalyn Rose Pridemore Revenge Anthems: Violence and Gender in Country Music Alexis K Baril	In the Shadow of the Holocaust Location: Lake Superior A Chair: Tina Frühauf The Singing Survivor: The Voice, Affect, and Testimony after 1945 Abby Anderton Music and the Politics of Migration in the Cyprus Detention Camps, 1946-1948 Yuval Tessman-Bar-On Ursula Mamlok’s Diary, 1937-1944: The Odyssey of a Young Jewish Composer Barry Wiener	Instrumental and Sonic Masculinities Location: Regency Chair: Emanuele Senici, University of Rome La Sapienza Manifesting the Black “Middlebrow” and Negotiating Sounded Masculinity: Pianists Don Shirley, Rachmaninoff, and Liberace Pheaross Graham “Semper Fi, Do or Die”: Hegemonic Masculinity in a Homosocial Musical Zane Larson Knob Interfaces, Masculinity, and the Politics of Control Erik Broess
	Keyboard Technologies: Inscription and Replay Location: Lakeshore B Chair: Jason Rosenholtz-Witt, University of Kentucky Reviving the Ghost in the Machine: The Steinway Spirio and the New Era of Mechanical Performance Allison Wente Redefining "Old" Organ Tablature Travis Deck Whaley Rudolf Serkin’s Rolls with the Punches Melanie Lowe	Chinese and Chinese-American Operatics Location: Great Lakes B Chair: Peng Liu Cantonese Opera, Historical Reality vs. Contemporary Popular Perception: "Jyutkek Daklongpou" and Its Forgotten Predecessors Yi Ching {Kevin} Tam Sound, Erasure and Archive of the Invisible: Chinese Theater in 19th Century California Nancy Rao	Memory and Meaning in Medieval and Early Modern Music Location: Great Lakes C Chair: Andrew H. Weaver, Catholic University of America The Quiet After the Cannons: Sounds of Peace After the Thirty Years’ War Barbara Dietlinger The Friend Who Got Around: Medieval Theater, Church Music, and a Rather Inappropriate Song Emily Zazulia Concerts that Shaped the Canon: Early Performances of Medieval and Renaissance Music Benjamin Ory	Sonic Redface Location: Lake Superior B Chair: Katie Rios, Mercer University Redwoods and Redface: "Playing Indian" in the Forests of California Beth E. Levy The "Primitive" Within: Sonic Redface and American Musical Identity Stephen Andrew Stacks Salvage Tourism and the 1928 Minneapolis Performance of Winona, “Minnesota’s own grand opera,” by Alberto Bimboni and Perry Williams Gretchen Peters
	The Perils and Promises of Timbrephilia Location: Greenway Ballroom B-I Chair(s): Joseph Auner Discussant(s): Joseph Auner Presentations of the Symposium In Defense of Timbrelessness Emily I. Dolan Sounding Like Russians; Or, In Search of the “Russian Sound” Alexander F. Hardan Timbre and psychoacoustic labor: Lutherie at the nexus of language, materiality, and affect Juliet Glazer	Why Worcester? Location: Northstar Ballroom B Chair(s): Jared Hartt Presentations of the Symposium Worcester I Eric Nemarich Worcester III Johanna-Pauline Thöne Worcester II Karen Desmond
10:45am - 12:45pm	Black American Composers and Coded Meanings Location: Mirage Chair: Stephanie Doktor, Temple University Julia Perry's Metamodernist Drift Ryan Dohoney Minimalism, Repetition, and Irreverence in the Music of Julius Eastman Lauren Shepherd Florence Price's Epic Endings Kaitlyn Clawson-Cannestra Florence Price’s “Monologue for the Working Class” and the Sounds of Solidarity Alexis Nickole Lowder		Psychiatry, Psychoanalysis and the Music of Troubled Minds Location: Lake Minnetonka Chair: Erin Michelle Brooks, State University of New York at Potsdam Psychoanalysis and the self in Emmanuel Ghent's early computer music improvisations Brian A. Miller Nervous Geniuses: Kurt Singer’s Diseases of the Musical Profession and the German-American Exchange of Neurasthenia Briana Nave Arvo Pärt’s Tintinnabulation as Intervention in Grief Studies Andrew Shenton Melancholy, Psychiatry, and the Romantic Artist: Franz Richarz on the Death of Robert Schumann Sonja Wermager
11:00am - 12:00pm	Project Spectrum Meeting Location: Executive Boardroom Closed meeting.
11:00am - 12:30pm	AMS Board Meet & Greet 2 Location: Exhibit Hall
12:30pm - 1:30pm	AMS Career Development Grants in American Music: Check-in 1 Location: Executive Boardroom Closed meeting.
12:30pm - 2:00pm	AMS/MLA RISM Committee Meeting Location: Cedar Lake Closed meeting.	Fellowship and Scholarship Opportunities at the University of Leuven (Belgium) Location: Great Lakes C	SMT Committee on Disability and Accessibility Brown Bag Lunch Location: Lake Nokomis	SMT Committee on Feminist Issues and Gender Equity Brown Bag Lunch Location: Lake Harriet
	Society for Seventeenth-Century Music Informal Business Meeting Location: Boundary Waters Ballroom A-B	AMS Ludomusicology Study Group Business Meeting Location: Northstar Ballroom B	AMS MDSG Business Meeting with Short Papers, 2025: New Directions in Choreomusicology Location: Lake Superior A Chair(s): Rachel Gain Presentations of the Symposium Rhythmic Motives and “Las amarillas”: A Choreomusical Case Study Andrea Tinajero Perez Accentuation Patterns and their Impact on Steps in Scottish Highland Dance Stefanie Bilidas The Gurdjieff Movements Between Ritual and Reconstruction Brian Fairley	AMS Music and Marxism Study Group Business Meeting Location: Greenway Ballroom C-H
	Brown Bag Lunch - An AMS Childhood and Youth Study Group Social Location: Lakeshore A	Celebrating Diversity: An Eileen Southern Travel Fund and Howard Mayer Brown Fellowship Reunion Location: Boundary Waters Ballroom C-D Chair(s): Samuel Dorf, Ryan Bañagale Presenter(s): Anna Gatdula, Carol Oja, Marcus Pyle, Marysol Quevedo	SMT Russian and Soviet Music Interest Group Meeting Location: Lake Superior B	SMT Improvisation & Post-1945 Music Analysis Interest Groups Meeting Location: Lakeshore B
	SMT Music and Psychoanalysis Interest Group Meeting Location: Lakeshore C	SMT Jazz & Hip-Hop and Rap Interest Groups Meeting Location: Greenway Ballroom D-G	SMT Music Notation and Visualization Interest Group Meeting Location: Lake Bemidji	SMT Global Interculturalism and Musical Peripheries Interest Group Meeting Location: Greenway Ballroom E-F
	Music of the Long Thirteenth Century: Genre, Kind, and Culture Location: Minnehaha Chair(s): Mark Everist Presenter(s): Nicholas Bleisch, Mary Channen Caldwell, Mark Everist, Áine Palmer, Jennifer Saltzstein, Christelle Cazaux, Stefano Milonia, Uri Jacob, Luca Gatti, Gaël Saint-Cricq, Anne-Zoé Rillon-Marne	Music, Protest, and Systems of Representation in Latin America, the Caribbean, and the Iberian Peninsula Location: Greenway Ballroom B-I Chair(s): Javier Marin-López Presentations of the Symposium The Prohibition of Afro-Brazilian Sacred Music and Its Afterlives Cibele M. Moura Sound, Perversion, and Insurrection in Cristóbal de Molina’s Account of the Chiapas War of Castes 1867-1870 Ana P. Sánchez-Rojo The Audible Ineffable: Mobilizing Grief during Mexico City’s ‘Glitter Revolution’ Anthony W. Rasmussen “Cómo un fantasma se aparece”: Ghost Smuggling Ballads as Repositories of Haunting, Transgenerational Trauma, and Religiopolitical Migrant Resilience Teresita D. Lozano +57: Perreo, musicology, and the limits of aesthetic and political action Juan Fernando Velasquez	New Work in LGBTQ Music Studies Location: Great Lakes B Chair(s): Lee K. Tyson Presentations of the Symposium Queer Shaped Notes: Experiencing political and social transformation through Sacred Harp Singing Christopher Hodges ‘On the other side of a television screen’”: The t4t affective world of I Saw the TV Glow (2024) Dan Arthur Levy Fabulatory Loudness: Archiving Transfeminine Performance in the Americas Alejandrina Medina On A Lesbian Relationship with the Electric Guitar: How Queer, Female Guitarists Destabilize and Reimagine the Instrument’s Material and Symbolic Lives Erin Fitzpatrick
12:30pm - 2:30pm	Mozart Society of America Study Session & Business Meeting Location: Northstar Ballroom A
1:00pm - 2:00pm	Knitting Circle Location: St. Croix
1:00pm - 3:00pm	SMT CV Review Session Location: Northwoods		SMT CV Review Session Waiting Room Location: Northwoods
2:15pm - 3:45pm	Aspects of Sound, Silence and Meditation in the Keyboard Music of Tōru Takemitsu (1930-1996) Location: Regency	Song Form Location: Lakeshore C Chair: David Forrest, Texas Tech University Grooving until you can’t: formal process and embodiment in early British Grindcore Florian Walch How Are Verse Melodies Different than Chorus Melodies?: A Katy Perry Corpus Study Brian Edward Jarvis Form and the Song Persona Drew Nobile	Techniques and Technologies Location: Lake Bemidji Chair: Jonathan De Souza, University of Western Ontario “Keys to the Lamborghini”: Picking Transformations and Embodiment in Rock Guitar Instructional Videos of the early 1990s Juan Luis Rivera Mixed Signals: Exploring the Production Mix in Hip-Hop Jackson Sean Faulkner Music’s Problem for AI, and AI’s problem for Music Christopher White	(Re)sounding Europe: Borders, Boundaries, Belonging Location: Great Lakes B Chair(s): Peter J. Schmelz Presenter(s): Laura Emmery, Ivana Prica, Iryna Tukova, Leah Batstone, Gabrielle Cornish, Antoni Michnik, Kevin C. Karnes, Peter J. Schmelz, Jānis Daugavietis, Nana Sharikadze, Maia Sigua
	Constructing Identity in Rhiannon Giddens and Michael Abels's Omar (2022) Location: Mirage Organizer(s): Andrew Pau, Sylvie Tran, Christa Cole Chair(s): Jan Miyake Discussant(s): n/a n/a Presentations of the Symposium "Here We Have Our Place": The Musical Construction of African Identity in Omar Andrew Pau Musical Representations of Assimilation and the Antebellum South in Omar Sylvie Tran The Role of the Chorus in Omar Christa Cole	New Horizons with Historical Notations Location: Northstar Ballroom B Chair(s): Jeannette D Jones, Evan A. MacCarthy Presenter(s): Marcel Camprubí, María de la Luz Enríquez Rubio, Andrew Hicks, Thomas Forrest Kelly, Marc Lewon, Ana Beatriz Mujica, Emily Zazulia	Non-Academic Jobs after a Music Degree Location: Lake Superior A Chair(s): Julie Emelyn Cumming Presenter(s): Jessica Abbazio, Esther Criscuola de Laix, Tami Morse, Anna-Lise Santella	Searching for "lo inaudito" in the Sound Archive Location: Great Lakes A Chair(s): Velia Ivanova Discussant(s): Jairo Moreno Presentations of the Symposium Finding What Is Lost: The Intangible Archive of València’s Falles Festival Rachel Horner Dispossession of Archives, Archives of Dispossession María Alejandra Privado Mexican Rarities, De-Sedimentation, and the Promise of a Sound Archive of Postnational Memory Alejandro L. Madrid
	Socio-technical Histories of Digital Music Location: Lake Superior B Chair(s): Paula Harper Presentations of the Symposium Melodrama, Silent Film, and the Foundations of Generative AI Music Ravi Krishnaswami “Shitpost Modernism” and the (mis)reading of combinatorial internet aesthetics Alex Tripp Calculable Surfaces: Topic Theory and History of the "Digital Musical Object" Allison Jerzak	Symbolism and Intermediality in Early Music: New Work Inspired by the Research of Anne Walters Robertson Location: Greenway Ballroom D-G Chair(s): Catherine Saucier Discussant(s): Mary Channen Caldwell Presenter(s): Lawrence Earp, Michael Anderson, Michelle Urberg, Dawn De Rycke, M. Jennifer Bloxam	Making Use of Jazz on Screen Location: Lake Minnetonka Chair: Anthony Casamassima "'Shut Those Motherf----s Up!’: Jazz, Identity, and Resistance in Mike Figgis’ s Stormy Monday" Ken Prouty Duke Ellington’s A Drum Is A Woman: A Counterargument to Paul Whiteman’s Gentrification of Jazz Hannah Krall “Swing it, Professor: Jazz, Schools, and the Hollywood Film in the Mid 20th Century” David Ake	Capturing Music: Notational Privilege and Practice Location: Lakeshore A Chair: Ginger Dellenbaugh Notation as Common Practice Lynette Bowring Doctoring the Staff & Doctoring Beethoven: Possibilities and Pitfalls in Transcribing Patricia Kopatchinskaja’s Aesthetics in Ludwig van Beethoven’s Concerto for Violin in D Major, op. 61: 1. Allegro ma non troppo Jessica Ray King ‘Capture in notation’: Ornette Coleman, transcription and il/legibility Malte Kobel
	Operatic Cultures of the 17th and 18th Centuries Location: Boundary Waters Ballroom C-D Chair: Bertil van Boer Maritime geographies of the Hamburg Opera: The case of Antonio Gualandi Kaleb J. Koslowski Antonio Salieri's "Tarare"/"Axur," Heinrich Wilhelm Haugwitz, and Opera Politics in Post-Napoleonic Habsburg Moravia Martin Nedbal Rethinking Operatic Comedy: Busenello, Goldoni, and dramma giocoso Maria Anne Purciello	Sacred Music and the Performance of Power Location: Lakeshore B Chair: Melinda Latour Afro-European Music, Religion and Performance in the Early Modern Kingdom of Kongo Janie Cole Amo Christum: Music for a Divine Marriage Katherine Jane Sucha Translation as Musical Reclamation: Oratorio Adaptation and Sephardic Acoustic Identity in Eighteenth-Century Amsterdam Paul Gustav Feller-Simmons	Singing Memory: Traditional and Folk Musicking in the British Isles Location: Greenway Ballroom C-H Chair: Trevor R. Nelson, Wichita State University Discussant: Christopher Scheer, Utah State University Decolonial Listening across Offa’s Dyke: English Music, Colonialism, and Cymru/Wales Nalini Ghuman “All Lovers of Cornwall:” Defining the Cornish Celtic Folk through Song in the Late Nineteenth and Early Twentieth Centuries Nicholas Alexander Booker Singing the Past, Shaping the Present: Female Voices and the Festival as Archive Larissa N Mulder	Structure and Effect in Beethoven Location: Great Lakes C Chair: Stephen Husarik, University of Arkansas - Fort Smith Discussant: Sanna Pederson, University of Oklahoma "An die ferne Geliebte" between Death and Resurrection: Beethoven, Lobkowitz, and mourning in Vienna around 1800 Birgit Lodes Is counting a joke? Beethoven’s sketches for the Scherzo of Quartet Op. 127 Wanyi Li “Menial” Beethoven: Beethoven’s Four-Hand Grand Fugue and the Consequences of Musical Labor Elaine Sisman
	Transatlantic Musical Cultures Location: Greenway Ballroom B-I Chair: Elaine Fitz Gibbon, Haverford College Mozart in the Midwest: Music-Making for German Milwaukee, 1843-1900 Amanda Ruppenthal Stein Canadian Foreign Policy and Transatlantic Cultural-Musical Exchanges during the 1970s Carolyne Sumner Transatlantic Musical Culture and Nationalism: George Frederick Bristow, Nineteenth-Century Americanist Composer Katherine K. Preston
2:15pm - 4:15pm	Femininity and Female Archetypes Location: Minnehaha Chair: Nancy Newman "Blues Is A Woman": Situating Feminist Desire in Fantasy Concerts Anne Elise Koppes “The Woman Who Sings”: Femininity, Authenticity, and Russification in late Soviet Estrada Allison Brooks-Conrad Beyond the Eternal Feminine: Orientalism, Gender, and Timbre in Mel Bonis's Femmes de Légende Kathryn Felt “Tehran Tokyo”: Re-Presentation of Femininity in Iranian Pop Music Mohammad Moridvand
2:15pm - 5:30pm	Don't Wake the Balrog! Navigating Copyright Issues in Publication Location: Boundary Waters Ballroom A-B Organizer(s): Clare Sher Ling Eng Chair(s): Clare Sher Ling Eng Discussant(s): Brent Auerbach, Trevor de Clercq, Rush Hicks, J. Daniel Jenkins, Kara Yoo Leaman, Mark Spicer Presentations of the Symposium Introduction to US and European Copyright Laws' Roles in Academic Music Publications Lauren Wilson The role of libraries and librarians Lina Sheahan Transforming video examples Scott Murphy Asian languages and copyright research Clare Sher Ling Eng Creating an open educational resource Victoria Malawey		Teaching Music Theory Through Times of Disaster and Trauma Location: Greenway Ballroom E-F Organizer(s): Lyn Ellen Burkett, Jeffrey Perry, Amy Carr-Richardson, Mark Richardson, Evan Jones Chair(s): Lyn Ellen Burkett, Jeffrey Perry, Amy Carr-Richardson, Mark Richardson Presentations of the Symposium Practicing Nimble Pedagogy Lyn Ellen Burkett Musical Ensembles and Disaster Pedagogy Amy Carr-Richardson Faculty Governance in the Face of Natural Disasters Jeffrey Perry Music Theory as "Home Room" Mark D. Richardson Trauma, Instructional Response, and Institutional Memory Evan Jones
4:00pm - 5:30pm	Analysis of Vocal Music Location: Mirage Chair: Alexander Martin, Stetson University Suspended Textures in Lili Boulanger's Songs Stephen Rodgers Chant Allusion in 1880-1920 French Art Songs Matthew Allan Bilik Machaut's Monophonic Lais Justin Lavacek	Celebrating Scandinavian and Somali Music with the Nordstär Ensemble Location: Northstar Ballroom A	East and West Location: Regency Chair: Nancy Rao, Rutgers University Pentatonicism, Serialism, Hindemithian “Harmonic Fluctuation,” and Referential Collection Patterns in Zhongrong Luo’s “Picking Lotus Flowers at the Riverside” Jack Boss Sonata Genre and Korean Influence: Eastern and Western in Isang Yun’s First Symphony Anne Delfin Circles of Fragile Branches in East Asian Fifth-Relations Liam Hynes-Tawa	Form in Popular Music Location: Lake Bemidji Chair: Alyssa Barna Bridge Function in Recent Popular Music Wes Khurana Corpus of Chaos: Headbanging to Conventional Form Cues in Meshuggah’s Unconventional Songs Stephen S. Hudson “The Bridge of Our Lives”: The Anthem Bridge as the Emotional Climax in Modern Pop Hannah Grace Laws
	“Crepi il lupo”: Critiquing Labor, Class, and DEIA in the Early Careers of Opera Singers Location: Great Lakes C Chair(s): Megan Steigerwald Ille Presentations of the Symposium Pay to Play: Class, Labour, and the Hidden Costs of an Opera Career Margaret Cormier “Other Duties as Assigned”: Abuse, Labor, and Surviving the American Opera Industry’s Resident Artist Programs Anna Valcour Meeting “The Other’s” Need: An Analytic Framework to Evaluate DEI Initiatives in American Opera Companies as Acts of Care Danielle Buonaiuto	Editing Musicology and Theory Journals: How Can We Improve the System Together? Location: Lakeshore B Chair(s): Trudi Ann Wright Discussant(s): Ryan Bañagale, Nicole Biamonte, Melanie Lowe Presenter(s): Daniel Barolsky, Johanna Devaney, Jake Johnson, Jessica Sternfeld, Elizabeth Wollman	City Soundscapes Location: Greenway Ballroom C-H Chair: Winnie W. C. Lai, Dartmouth College Industrialized Cityscape in Ralph Vaughan Williams’ "A London Symphony" Emily MacCallum "The Sound of a Positive Dollar:" The Chicago Bucket Boys and Contestations of Public Spaces Within Chicago's Street Music Ordinance Debates Christopher Copley Community, Race, and Politics Downtown Sean Keenan	Jazz Philosophies and Perspectives Location: Lake Minnetonka Chair: Scott Gleason Death, Denial, and Desire: Absolute Silence in Alice Coltrane’s Musical Metaphysics (1968-1972) Luke Martin Five Ways of Listening to Miles Davis’s Aura (1989): New Sources and Perspectives Mikkel Vad Sounding Like Money: Regressive Listening, Bad Faith, and the Reproduction of “Goodbye Pork Pie Hat” Varun Chandrasekhar
	Music in the Early Modern Luso-Hispanic World Location: Greenway Ballroom B-I Chair: John Romey Nahua Notions of the Sacred in Seventeenth-Century Christmas Villancicos Ireri Chávez Bárcenas Manuel de Sumaya, ambivalent criollismo, and re-adaptation William Traylor Cândido Inácio da Silva (1799/1800-1838): Composer of Songs, Master of Slaves Marcelo Campos Hazan	Perspectives on 19th-Century Sacred Music Location: Lakeshore C Chair: Eftychia Papanikolaou German Sincerity vs. Italian Vitality: Haydn's Masses in the Eyes of His Early Biographers Robert B. Wrigley A Berliozian Aesthetic of Sacred Music Jennifer Walker English Hymnody from Leipzig Conservatory Professors: William Bradbury’s Album Book from Germany Joanna Pepple	Race, Nation, and Identity Location: Lake Superior A Chair: Elea Proctor, The Ohio State University So Long, Farewell: The Musical Politics of Westminster Abbey Independence Services, 1962–1966 Trevor R. Nelson Canonic Variations: Samuel Coleridge-Taylor and the Black Atlantic Matthew Gelbart White and Black Blues: The 1990 Eurovision Song Contest and the Prospect of European (Racial) Integration Paul David Flood	Soviet Legacies Location: Great Lakes B Chair: Olga Haldey Fraud, Cultural Politics, and Early Soviet Bureaucracy at the Tbilisi Opera House Céleste Pagniello Mazowsze and the Modernization of Polish Culture: Folk Music, Socialist Realism, and Postwar Reconstruction Sven Joseph Nikolay Medtner and the Development of Soviet Music Patrick Hutcheson Domico
	Storytelling Through Dance Location: Boundary Waters Ballroom C-D Chair: Daniel Callahan, Boston College Eighteenth-Century Dance Topics in Lin-Manuel Miranda’s Hamilton: Historical Allusions and Social Critique Jessica Castleberry Farewell Dances: A Viennese Company Ball on the Eve of the “Anschluss” Dietmar Friesenegger The Mulatas de Fuego Onscreen: A Global Enactment of Afro-Cuban Dance Cary Penate	Embodiment and Musical Gendering Location: Lakeshore A Chair: Christina Baade Sonic Bleeding: Menstruation in Pop Music and the Disruption of Reproductive Time Echo Lee Davidson The Conservatory-to-Cult Pipeline in Literary Fiction and Social Media Shannon Draucker “I sing like a girl”: Madonna and the voicing of gendered temporalities in the neoliberal era Hannah Rosa Schiller	Structure and Representation in 20th Century Film Music Location: Great Lakes A Chair: Rika Asai Cinematic Structures as Musical Structures in Chantal Akerman’s Early Films Orit Hilewicz Theater and Pantomime Representations in Marcel Carné’s Children of Paradise (1945) Mark Brill Music, Sound and Silence: Contrasting Religious Discourse Through Parallel Adaptations by Scorsese (2016) and Shinoda (1971) Charles Stewart Edholm	Technology, Timbre, and Trans Identities Location: Greenway Ballroom D-G Chair: Emily Wilbourne Transhuman Timbres: Mimetic Engagement with Glitch Aesthetics in Three Songs by TAMAGOTCHI MASSACRE Frances L. Pinkham Hearing The TV Glow: Sonic/Somatechnic Possibilities for Queer Becoming in Jane Schoenbrun’s I Saw the TV Glow Elizabeth Sweet-Breu “Like the World Fading into View After a Dream:” Spectral Houses, Music, Memory and the Trans* Gothic in The House in Fata Morgana (2012) Aria Christopher Greene
4:00pm - 6:00pm	Generative AI and New Frontiers in Musicology Location: Lake Superior B Chair: Alison Maggart, The University of Texas at Austin Voices Beyond the Human: AI-Singing and Posthuman Musicking on Bilibili ZIXUAN WANG Responsible Performance Practice, Generative AI and Interpretation Thomas Irvine Cyberspace, Threads, and AI Music: Music’s Role in Taiwan’s 2024 Blue Bird Movement An-Ni Wei Musicology "at the Frontier of Human Knowledge": AI (Mis)alignments in Humanity's Last Exam William Bennett
4:30pm - 6:30pm	Transcultural Historical Musicology Location: Minnehaha Chair: Brett Boutwell Echoes from the Bengal Tiger: Towards a Transcultural (Micro)historical Musicology Samuel B. Cushman The Music of Johann Sebastian Bach in Ghana: History, Performance Practices, and Concert Programming Erinn E. Knyt The Cosmopolitan Ear Juliana M. Pistorius Spanish Estudiantinas and the Global Rise of Plectral Ensembles in the Belle Epoque Michael Christoforidis
5:45pm - 6:45pm	Prospective Graduate Student Fair Location: Nicollet Ballroom B-C
5:45pm - 7:45pm	University of Kansas School of Music Reception Location: Cedar Lake
6:00pm - 7:30pm	Tufts Friends and Alumni Reception Location: Lake Nokomis
6:00pm - 8:00pm	RIPM and RILM Reception Location: Lake Harriet		University of Cincinnati CCM Reception Location: Skyway A-B
6:15pm - 8:15pm	Rice University Reception Location: Greenway Ballroom C-H
6:30pm - 8:30pm	Florida State University Musicology and Music Theory Joint Reception Location: St. Croix	Friends of Stony Brook Location: Lake Superior B	W. W. Norton Reception Location: Lake Superior A
6:45pm - 7:45pm	AMS Explore: Debrief Location: Executive Boardroom Closed meeting.		Joint Student Reception Location: Northwoods
7:00pm - 8:30pm	Taken in Stride: The Mundanity of Ambulation Location: Music Box Theatre	SMT Music Theory Pedagogy Interest Group Meeting Location: Greenway Ballroom E-F	SMT Composition Interest Group Meeting Location: Regency	Satie is Dead, Long Live Satie Location: Mirage Chair(s): Samuel Dorf, Megan Sarno Discussant(s): Campbell Shiflett Presenter(s): Jillian Rogers, Noel Verzosa
7:00pm - 9:00pm	New York University Reception Location: Boundary Waters Ballroom A-B		University of Illinois Reception Location: Lakeshore C
7:00pm - 9:15pm	Dear Lara (film screening) Lara St. John¹, Patrick Hamm² 1: N/A; 2: N/A Location: Lakeshore A
7:30pm - 9:30pm	AMS Music and Media Study Group and SMT Film and Multimedia Interest Group: Poster Session and Business Meeting Location: Lake Bemidji Chair(s): Daniel Bishop, Clair Nguyen Presentations of the Symposium Exploring the Alograve Scene and Algorithmic Music Wenshi Chen The Paradigm Shift in Music and Music Scholarship Created by Recording Technology: A Change in the Dialectical Process for Modern Music Scholarship Greg Martin The Mando with No Name: Exploring Morricone, Göransson and New Musical Soundscapes of the Old West Caleb Rebarchak Coloring Sound: Intertextual Expressions of Music, Meaning, and Identity in Kyary Pamyu Pamyu's Music Videos Sam Falotico A Dance Party in the Desert: Rhythmic Play in Super Mario Bros. Wonder Adam Rizzo Musical Gestures and Expression in Bridgerton: Love, Humor, and Introspection in Film Scoring Joyce Li Yue Degree of Audiovisual Congruence Shapes Listener Engagement with Short-Form Media Natalie Miller		Birds, Bats, and Broken Ice: Rethinking the “Human” of “More-than-Human Musicking” (Roundtable and ESG Business Meeting) Location: Minnehaha Chair(s): Cana McGhee, Elizabeth Frickey, Kirsten Barker Presentations of the Symposium Sounding Nature, Transcending Sentiments: An Ecomusicological Perspective on Ancient Chinese Guqin Music Haiqiong Deng Atmospheric Sovereignty: Reclaiming Multi-Species Relations in Hawai‘i Exotica Jade Conlee PawkieTalkie: Human-Pet Ventriloquism, Pet Voice, and Narrating the Domesticated Animal in Internet Audiovisual Media Kate Galloway Bat Fest(s): Situating Science and the More-than-Human Julianne Graper Breaking the Ice: Percussive Encounters with Glacial Soundscapes Konstantine Vlasis
8:00pm - 10:00pm	Brandeis University and University of Pittsburgh Joint Reception Location: Greenway Ballroom D-G
9:00pm - 11:00pm	Columbia University Reception Location: Lake Harriet	Society for American Music Reception Location: Greenway Ballroom B-I	University of Chicago Reception Location: Boundary Waters Ballroom C-D
9:30pm - 11:30pm	Case Western Reserve University Reception Location: Skyway A-B	CUNY Graduate Center Reception Location: Lake Superior A	Not Another Cocktail Party! (An AMS-SMT Dance Party) Location: Regency	Society for Christian Scholarship in Music Annual Reception Location: Lake Nokomis
9:30pm - 11:30pm	University of North Texas Reception Location: Lake Superior B	Voices and Viols Jam Location: Lake Minnetonka