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Conference Agenda

The Online Program of events for the 2025 AMS-SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview

Date: Thursday, 06/Nov/2025
7:30am - 12:00pm	AMS Board Meeting Location: Skyway A-B Closed meeting.
8:00am - 12:00pm	Eleventh New Beethoven Research Conference Location: Regency		SMT Board Meeting Location: Executive Boardroom Closed meeting.
9:00am - 10:30am	A Feminist Killjoy at the AMS (CWG Lecture) Location: Remote Session Chair(s): Jane Hatter Discussant(s): Suzanne Cusick, Rena Roussin Presenter(s): Laurie Stras	Encoding Conflict in Music Location: Remote Session “Whatever small part we could do”: Community and Grassroots Leadership in Benefit Concerts for Ukraine April Pauline Morris Sketches of "Stalingrad": The Genesis of Prokofiev’s Seventh Piano Sonata Nathan Seinen	Exploring Regional and Cultural Identity in the Twentieth Century Location: Remote Session Traditional Âşık/Alevi Musicians as Cultural Critics in Urban Life of Modern Turkey, 1960-1980 Özgür Balkılıç Reconfiguring Bel Canto: Operatic Voice, Cultural Negotiation, and Performance Economies in Postcolonial Lagos. Joshua Tolulope David 'Into your Sussex quietness I came': rediscovering the orchestral music of Avril Coleridge-Taylor Tom Edney
9:00am - 12:00pm	"Whose Brahms?" Reception and Uses of Nineteenth-Century Music Up to the Present Day Location: Lakeshore C	SMT Peer Learning Workshop: A Microcosm of Rhythm: Theorizing and Analyzing Groove-Based Music Location: Lake Harriet By invitation only.	SMT Peer Learning Workshop: Shark!: A Dive into Film Music Analysis Location: St. Croix By invitation only.
9:00am - 1:00pm	France: Musiques, Cultures, 1789-1918 Location: Lakeshore A
10:45am - 12:15pm	Analysis of Popular Music I Location: Lake Bemidji Chair: Megan Lavengood, George Mason University Hearing Alternative R&B in Frank Ocean's "Self Control" Brad Osborn Analyzing the Yodel in Popular Music Alyssa Barna Contrasting Verses in Indian Popular Music Hanisha Kulothparan, David Temperley	Expression in Vocal Music I Location: Boundary Waters Ballroom A-B Chair: Chelsea Burns, University of Texas at Austin “Be Bimbos, Ladies!” Vocality, Drag, and the Chappell Roan Persona Kasey Jai Lynch Non-Normativity as Queer Expression in Reneé Rapp’s Snow Angel (2023) Claire Terrell "Let the Vagina Have A Monologue": Exploring Persona in Janelle Monáe's Music Sarah Tobin	Joni Mitchell Location: Greenway Ballroom E-F Chair: Nancy Murphy, University of Michigan “Refuge of the Roads”: Portrayals of Musical Restlessness in Joni Mitchell’s Hejira Ellen Shaw An Analysis of Joni Mitchell’s Vocal Evolution Rebecca Moranis Evolving slash harmony in Joni Mitchell’s early piano-based songs Megan Lyons, Peter Kaminsky	Living in the Longer Now: Indigenous Music/Dance as History (AMS President's Endowed Plenary Lecture) Location: Remote Session Chair: Julie Emelyn Cumming, McGill University Presenter: Beverley Diamond, Memorial University of Newfoundland
	Meter Location: Greenway Ballroom D-G Chair: John Paul Ito, Carnegie Mellon University Temporal Contour & Metric Dissonance in Thomas Adès’ Piano Quintet Gabriella Vici Texture and Meter in Funk Music Timothy Koozin The Waltz Topic and 5/4 Time in Tchaikovsky’s Pathétique Kimberly Kawczinski	Pedagogy Location: Lakeshore B Chair: Timothy K Chenette The Commodification of the Music Theory and Aural Skills Core Curriculum Dave Easley Representation in Music Theory Pedagogy Authorship Kimberly Goddard Loeffert, John Peterson Teaching Timbre, Teaching Games: Video Game Music as a Pedagogical Asset Holly Bergeron-Dumaine	AMS Music and Marxism Study Group Meeting: A Conversation with Dr. Marie Thompson on Music/Reproduction/Crisis Location: Remote Session Chair(s): Eric Drott Discussant(s): Stephanie Doktor Presenter(s): Marie Thompson	Roundtable on Supporting and Uplifting the Transgender, Non-Binary, and Gender-Expansive Communities in Music Scholarship Location: Remote Session Chair(s): Jane Hatter Presenter(s): Morgan Bates, Christi Jay Wells, Stephan Pennington
	Musical Imperialisms: Forms of Domination and Ambition Location: Remote Session Chair: D Linda Pearse, Mount Allison University / McGill University Concerts, Commerce, and Colonialisation: Eighteenth-century London’s Concert Life and the Slave Trade Eric Joseph Coutts On idiom and the whiteness of free improvisation Floris Schuiling Views from the Wienerwald and the Making of Vienna as Musikstadt around 1900 Sadie Menicanin
11:00am - 1:00pm	Society for Seventeenth-Century Music Governing Board Meeting Location: Cedar Lake Closed meeting.
11:45am - 12:30pm	AMS Student Grantees Meet & Greet Location: Lake Nokomis By invitation only.
12:00pm - 1:30pm	Joint New Attendee Reception Location: Northwoods
12:30pm - 2:00pm	AMS Career Development Grants in American Music: Orientation Location: Executive Boardroom Closed meeting.		SMT Music Informatics Interest Group Meeting Location: Lake Bemidji
1:00pm - 2:00pm	AMS Buddy Program Meet-up Location: Lake Harriet		SMT Conference Guides Location: Skyway A-B
1:15pm - 2:00pm	AMS Explore: Orientation Location: Lake Nokomis Closed meeting.
2:15pm - 3:45pm	African Pianism: A Celebration of African Composers Location: Regency	Disability in Musical Topics and Form Location: Greenway Ballroom E-F Chair: Shersten Johnson, University of St. Thomas “Silent Hearing” in Marc Applebaum’s Darmstadt Kindergarten Drake Edward Eshleman How Sign Language Analyzes Musical Form Anabel Maler Dissonant Depictions: Topics and the Troping of Autism Tiffany Ta	History of Theory I Location: Mirage Chair: Deborah Ellen Burton, Boston University Reimagining Marches Harmoniques: Maurice Ravel’s Innovative Transformation of Historical Techniques Li Ai Reviving Politics, Ritualizing Music - The Rehabilitation of Xiong Penglai within the History of Chinese Music Theory MingJun X Wilson The Silence of the Archive: Challenges in the Global History of Portuguese Music Theory, 1500–1755 Juan Patricio Saenz	Music Theory and Spirituality Location: Lakeshore B Chair: Laura Emmery, Emory University The Rhythmicon and Henry Cowell’s Theosophical Neoplatonism Anna Maria Gawboy "It's About Time": George Russell and Fourth Way Metaphysics Mark Micchelli Seeing (Heavenly) Harmony: Music-Theoretical Mythmaking in Mrs. F. J. Hughes’s Harmonies of Tones and Colours Developed by Evolution (1883) Stephanie Venturino
	Between Finger Spans and Harmonic Theory: Reconstructing the Meroë Doublepipes Location: Minnehaha Chair(s): Lidia Chang, Bobby Giglio Presenter(s): Stefan Hagel	Developing a Student-Centered Approach to Classroom Learning Location: Boundary Waters Ballroom C-D Chair(s): Ashley Marian Pribyl, Sidney Boquiren Presenter(s): Ashley Pribyl, Sidney Boquiren	Hybridity, restructure and renewal: Anthony Braxton at 80 Location: Boundary Waters Ballroom A-B Organizer(s): Amy Bauer, Isaac Otto Hayes, Clay Downham Chair(s): Bauer Amy Presentations of the Symposium A/semanticity and plastic constraint: Anthony Braxton’s new notations Isaac Otto Hayes Anthony Braxton's Ghost Trance Music as Meta-tradition Amy Bauer Anthony Braxton’s Paradox of Universalism Clay Downham	Musical Sites of Trauma, Critique, and Healing in the U.S.-Mexico Borderlands Location: Greenway Ballroom D-G Chair(s): Nadine Hubbs Presentations of the Symposium Aztec Dance Spaces: Healing and the Ethics of Scholarship in a Fraught Moment Kristina Nielsen Imagining Healing in New Mexico’s Experimental Feminist Sound Art Ana Alonso-Minutti Yo vine from “Just Across the Rio Grande”: The Texas Sweethearts, Intergenerational Migrant Trauma, and Intercultural Healing Teresita D. Lozano
	Opera as Worldmaking Location: Northstar Ballroom B Chair(s): Claudio Vellutini Presentations of the Symposium Generating the Globe Through Abandoned Dido Jessica Gabriel Peritz A New Musical Cosmography: Freedom, Nation, & Song in <The Travellers> (1806) Devon J Borowski Theater In and Of the Mind: The Resonant Worlds of Radio Opera Danielle Simon	Adapting Musical Performance for the Screen Location: Greenway Ballroom C-H Chair: Paul Sommerfeld Discussant: Julie Hubbert "Filming a Stage Performance is Not a Form of Art": Opera’s Divided Screen Cultures Christopher Morris "I Detest Opera Done on the Small Screen": Maria Callas on Television Emanuele Senici Paradise as Paradox: The Fauré Requiem in American Television Heather de Savage	Beyond the Score Location: Lakeshore C Chair: Sarah Iker Against Muteness but Beyond Sound: Republican Shanghai’s Forgotten Gestural Musicology Gus Dalan Holley Tactile Acousmatic: Between Braille Sounds and the Vernacular of Flesh YuHao Chen (Photo)Graphic Scores Thomas Metcalf	Innovation and Symbolism in Early Modern Motets Location: Lakeshore A Chair: Daniel Bennett Page At the Intersection of Oïl and Oc: What Dialects Reveal About ‘Hybrid’ Ars antiqua Motets Saagar Asnani Cuckoldry and Compositional Innovation in a Motet on St Lawrence Jared C Hartt "Prince of Some Versatility": Symbolic Elements to Carlo Gesualdo’s Marian Worship in Sacrae Cantiones Wing Heng Victor Yuen
	Jewish Musical Theater and Song Location: Northstar Ballroom A Chair: Ronit Seter "A First-Class Yiddisha Tone": Investigating the Jewish Novelty Songs of Irving Berlin Anya Smith ‘Synagogue on stage! God, how far art is from reality!’: Valentina Serova, Jewry, and opera in late imperial Russia Nicholas Ong “I belong in…”: Fiddler on the Roof and Cold War-Era Zionism Dan Blim	Manuscript Histories Location: Great Lakes A Mendicants Making Music in Seventeenth-Century Venetian Crete: a Manuscript and the Case for Microhistory Marco Donato Tomassi Newly Discovered Polyphony from the Winchester Troper Jack Benedict Wheaton Stebbing Mons superat saltus and Hildegard's Song Texts Honey Meconi	Music and the Cold War: Cultural Anxieties and Diplomacies Location: Greenway Ballroom B-I How Broadway Got Its “Belt”: Ethel Merman, Belting, and Cold War American Identity John Kapusta Hungary’s Rajkó Ensemble at home abroad: Socialist Cultural Diplomacy or Capitalist Commodity? Lynn M. Hooker Nuclear anxiety in the reception of Marcel Landowski’s opera Le Fou (1956) Jonathan Goldman	Natural Landscapes and Sound Ecologies Location: Lake Minnetonka Chair: Dave Wilson Singing a Song of Survival: The Role of Recent Sound Art Installations in Promoting Empathetic Attunement to Avian-Human Sound Ecologies and Pathologies Bethany Brinson Wild Rose: Environmental ideology and acoustic community in New York's Hudson Valley in the early twentieth century Joshua Groffman Mevlevi Alphabetics c. 1800: Musicology as Media Ecology in the Work of Abdülbaki Nasır Dede Peter McMurray
	Rock Narratives Location: Lake Superior B Chair: Jack Sheinbaum Sounding the Rural: Productions of Space and Class in American Rock Music Graham Elias Peterson A Hero and a Queen: Narratives of Time Travel and Queerness in “Bohemian Rhapsody” Marcelo Gabriel Rebuffi Exploring the Dark Side of ABBA: The "Mini-Musical" The Girl with the Golden Hair (1977) Albrecht Gaub	Video Game Franchises and Musical Recontextualization: An Intergenerational Approach Location: Lake Superior A Chair(s): Madison Drace Presentations of the Symposium “Nice Song. Funny Too. Wrote It Yourself?”: Diegetic Musicking, Relationships, and “Artless Singing” in Final Fantasy VII: Rebirth (2024) Madison Drace Kingdom Hearts: Melody of Memory and the Memory of Melody Pamela Mason-Nguyen The Transformation, Re-Negotiation, and Enclosure of Crush 40’s “Live & Learn” Across Sega, Paramount, and the Sonic the Hedgehog Franchise Molly Hennig
3:15pm - 4:30pm	Coffee Break Location: Exhibit Hall Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served.
3:15pm - 4:45pm	AMS Board Meet & Greet 1 Location: Exhibit Hall
4:00pm - 5:30pm	20th-Century Ideas I Location: Mirage Chair: Daphne Leong, University of Colorado Boulder Luciano Berio’s Multidimensional Concept of Harmony Christoph Neidhöfer Theorizing Benjamin Britten’s “Twelve-Note Thinking” Aidan McGartland (Dis)unity of Musical Space in the Late Works of György Ligeti Clifton Callender	Groove Location: Greenway Ballroom E-F Chair: Timothy Koozin, University of Houston A New Quantitative Approach to Headbanging at the Frontiers of Groove Calder Hannan Analyzing Groove Embodiment in Erykah Badu’s “On & On” Kaylene Chan “Rhythmic Venom” or Comfortable Groove? On Microtiming in Colombian Currulao Lina Tabak	Sets and Solfège Location: Lake Bemidji Chair: Paul Sherrill Uncovering Howard Hanson's Proto-Set Theory Pedagogy Jacob Ludwig, Evan Martschenko Families of set classes arising from a cellular automaton in mod-12 and other modular spaces Evan Jones Unified Solfège Equations Nathan Lam	Beyond Misinformation: Early Nineteenth-Century Dubious Sources and the Historical Post-Truth Location: Northstar Ballroom B Chair(s): Frederick Reece Presentations of the Symposium The “Crimes” of Frédéric Kalkbrenner: Celebrity Fraud and Parasocial Relationships Shaena B. Weitz Reputation, Myth, and Fiction in the Nineteenth-Century Reception of Salieri’s _Axur, re d’Ormus_ Kristin Franseen Beethoven’s Bust and Phrenology from 1812 to the Present Hester Bell Jordan
	New Perspectives in Canadian Jewish Music Location: Minnehaha Chair(s): Emily Richmond Pollock, Jeremiah Lockwood Presentations of the Symposium Putting His Story Back on the Record: Mike G. Lawrence’s Management of the Colonial Tavern as Canadian Jewish Music History Samantha M. Cooper “How Do We Share It With The Generations?”: Investigating Ruth Rubin’s Lecture-Recitals at Montreal’s Jewish Public Library Miriam Borden, Zeke Levine “The Nationalists Wish We Didn’t Exist”: The Diasporist Songs of Geoff Berner Nathan Friedman	Puccinian Endings, One Hundred Years On: Rotation, Focalization, and Climax in Suor Angelica, Gianni Schicchi, and Turandot Location: Great Lakes A Organizer(s): Jonathan Guez Chair(s): Jonathan Guez Discussant(s): Arman Schwartz Presentations of the Symposium Reconsidering Suor Angelica Andrew Davis Focalizing Gianni Schicchi Jonathan Guez Climax Structure in Large-Scale: On the Ending of Puccini’s Turandot, Act 1 Ji Yeon Lee	Sonic Specters: Cross-Cultural Hauntings, Collective Grief, and Musicking Trauma Location: Greenway Ballroom D-G Chair(s): Jenny Olivia Johnson Discussant(s): Jenny Olivia Johnson Presentations of the Symposium “Oh Freedom”: Rememory and the Afterlives of Slavery through Collective Singing at Mt. Vernon Jordan Matthew Hugh Sam Rocío Dúrcal: la Llorona española Ramona Gonzalez South Vietnamese Specters & More “Significant Ghosts”: The Voice of Khánh Ly Between Saigons Ashley Dao	Cultural Imaginings in Global Organology Location: Greenway Ballroom B-I Chair: Ralph Whyte Discussant: LIDIA CHANG Reimagining Tango in China: Free Bass Accordion and the Marginalization of the Bandoneón Lanxin{Nancy} Xu Excavating Alzina’s Codiapi: Filipino Boat-lutes in the Colonial Visayas Isabella Mahal Ortega The Politics of Lizzo’s Sasha Flute Tamika Sakayi Sterrs-Howard
	Gender and Embodiment in Chopin Location: Regency Chair: Jennifer Ronyak, University of Music and Performing Arts Graz Discussant: Jeffrey Kallberg, University of Pennsylvania Chopin as Pierrot: Letters, Puppets, and the Theater of Queer Pianism Theodora Serbanescu-Martin Chopin, Delacroix, and Improvisational Auditory-Visual Timbre MyungJin Oh Kobiece kroki (Feminine Steps): Expressions of Gender and Voice in Chopin’s Mazurkas Amanda Nicole Wolschleger	Motets as Mediums of Power and Sovereignty Location: Lakeshore A Chair: Barbara Dietlinger, University of North Texas Political Power and Resistance in an Early Modern Motet Print: Defining the Holy Roman Empire in the Novus thesaurus musicus (1568) Andrew H. Weaver The motets of John Mundy: Humanism, crypto-Catholicism, and memory in late-Elizabethan England Daniel Bennett Page Sounding Sovereignty: Occasional Motets in the Early Modern Transition Simon Frisch	Music, Education, and Care Location: Lake Minnetonka Chair: Louis Epstein Music and a politics of care: Collaborative songwriting in US social service and community mental health settings Erica Cao “Not born to be a musician, but to be an excellent worker”: Class, Gender, and the Étude in the Early Nineteenth Century Gareth Cordery The Chipko Movement: Women, Environment, and Gendered Care in Northern India Anchal Khansili	Opera Staging for Effect: Lights, Masks, and Magic Location: Boundary Waters Ballroom C-D Chair: Harris Saunders Sound in New Light: Staging Magical Operas in Early-Nineteenth-Century Hamburg Miguel Arango Calle Curating the Past: Contemporary Stagings of Early Baroque Opera and the Challenge to the Work Concept Mauro Calcagno Gian Francesco Malipiero's Tre commedie goldoniane (1926): Visions of Staging in Fascist Italy Sebastian Mario Richter
	Sound Worlds: Music, Nostalgia and Augmenting Reality in Video Games Location: Lake Superior A Discussant: Dana Plank Ready Player One: Embodiment and Identity Performance in Multiplayer Virtual/Augmented Reality Rhythm/Dance Games Ashley Ann Greathouse The Aesthetics of Virtual and Physical Environments in Japanese BGM James Gui Memory and Nostalgia in the Sound Worlds of Video Game Demakes Hayden Harper	Theorizing and Mythologizing Whiteness Location: Greenway Ballroom C-H Chair: Chase Castle, University of Delaware Resonances of the Sacred: Coldplay, Gospel Stylisation, and Music’s Meanings Matthew Williams White Mythologies in Messiaen Edmund Mendelssohn “This is why we can’t have nice things:” White Feminism and the Cultural Value of Taylor Swift Maureen Rafter	Teaching Electronic Dance Music in Core Theory: Practical Applications and Critical Pedagogy Location: Boundary Waters Ballroom A-B Organizer(s): Jeremy Smith Chair(s): Hannah Benoit Presentations of the Symposium Form in Electronic Dance Music: A Pedagogical Approach Hannah Benoit EDM as Timbre Learning Lab Megan Lavengood Teaching Rhythmic Theory Through Electronic Dance Music Jeremy W. Smith	The “New Woman” and Popular Song in World War II China and Japan Location: Lakeshore C Chair(s): Stella Zhizhi Li Presentations of the Symposium “When Will You Return?”: The Voice(s) of the Greater East Asia Co-Prosperity Sphere Annie Y. Liu Voicing Modernity: Singsong Girls, Shidaiqu, and the Feminine Pulse of Old Shanghai Shuang Wang Jazz Queens in Women’s Magazines: Negotiating Femininity in Occupied Japan Stella Zhizhi Li
	The Prince of Porn: The Racialized Politics of Minneapolis's Music and Sex Culture During the 1980s (Critical Race Lecture) Location: Northstar Ballroom A Chair(s): Allie Martin, Diane Oliva Presenter(s): Elliott Powell	Theorizing Popular Music in the Interregnum: Stylistic Shifts in an Era of Upheaval Location: Lake Superior B Chair(s): Ryan Dohoney Presentations of the Symposium Timbre and Reconstructed Nostalgia in 2020s Popular Music Emily Schwitzgebel Dissolving Limits; or, How Studio Production Fixes a Sustainability Problem Caleb Herrmann Texture and the Political in Bon Iver’s Kanye-Influenced Music Audrey Slote
4:00pm - 6:00pm	Iranian Musical Encounters and Meanings Location: Lakeshore B Chair: Armaghan Fakhraeirad Politics of (Dis)connection: Iranian Musicians, Social Media, and Diasporic Encounters Siavash Mohebbi From Silence to Sound: Iranian Women Musicking under Suppression and after Migration Kimia Fakharinia ‘I, too, was once a musician’: The double-marginalisation of Iranian Migrant Musicians in Canada Michelle Assay Secularizing Social Identity Through Performing Khayyami Hamidreza Fallahi
4:30pm - 6:00pm	Joint Interest Groups and Affiliates Fair Location: Great Lakes B-C
5:00pm - 5:45pm	AMS Presidential Reception Location: Lake Nokomis By invitation only.
6:00pm - 7:00pm	12-Step Recovery Meeting Location: St. Croix
6:30pm - 7:45pm	Joint Welcome Reception Location: Nicollet Ballroom
7:00pm - 9:00pm	UNC Chapel Hill Reception Location: Lakeshore C
7:15pm - 8:45pm	SMT Scholars for Social Responsibility Interest Group Meeting Location: Greenway Ballroom E-F		SMT Dance and Movement & Performance and Analysis Interest Groups Meeting Location: Mirage
7:30pm - 9:30pm	8-Bit Chiptunes, Retro-Aesthetics, and Nostalgia Location: Lake Superior A Chair(s): James Heazlewood-Dale, Thomas Yee Presentations of the Symposium Kawaii and Mukokuseki in Pokémon Gold/Silver/Crystal’s ‘Kimono Girls' Marcis Bravo Crushing Bit: Lo-Bit Techniques Beyond Chiptunes Graham Ellinghausen A Wild Topic Appeared! Pokémon’s Encounter Topic Brandon Scribner Pixelated Sound, Cinematic Style: Chiptune Tropes in a Game-less Game Movie. Gabe Bustamante Dangerous 8-bit Waves in Nintendo Entertainment Systems JRPGS Luis Matos-Tovar	AMS Global East Asian Music Research Annual Business Meeting Location: Lake Bemidji	Histories of Hidden and Vernacular Theories of Music Location: Greenway Ballroom D-G Chair(s): Giulia Accornero, Siavash Sabetrohani, Daniel Walden, William O'Hara Discussant(s): Thomas Christensen, Anna Gawboy, Michael Gallope, Olivia Lucas, Robert Gjerdingen Presentations of the Symposium Can a rehearsal be an archive? Ornette Coleman and the limits of theorising an errant practice Malte Kobel Theorizing Similarity in Latvian Melodies and Ethnographic Marginalia Anna Aldins “Cosmic Rhythm”: Music Theory and Non-Objective Painting Fred Cruz Nowell	Musical Explorations of Jewish Past(s) Location: Minnehaha Chair(s): Inbar Shifrin Discussant(s): Amy Wlodarski Presentations of the Symposium More than “Mere Cantillation:” Joseph Levin Saalschütz’s Reception of Johann Nikolaus Forkel’s History of Hebrew Music Melani Shahin The Bible is Here: On the Performance of Biblical-Themed Operas in British Mandate Palestine (1923–1927) Irit Youngerman From “Master-ess of the Harpsichord” to “Lute Mother of the Netherlands”: Gusta Goldschmidt, Resistance, and Postwar Reintegration in Historical Performance Practice Kailan Rubinoff \Musical Works on Trauma, Mourning, and Remembrance: October 7th and Seltenreich’s The Prisoner’s Dilemma Ronit Seter
8:00pm - 10:00pm	Minnesota Party (University of Minnesota, Carleton College, St. Olaf College) Location: Lake Harriet
8:30pm - 11:59pm	10th Annual AMS/SMT After Dark Location: Regency
9:30pm - 11:30pm	Northwestern University Reception Location: Skyway A-B