Index of Authors

A list of all persons who contribute to the sessions of this conference. Please select a letter below to list all persons with the corresponding last name. Select the presentation in the right-hand column to access session and presentation details.

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Author(s) Organization(s) Session
Acevedo, StefanieUniversity of ConnecticutThe Status of Music Cognition within Music Theory: A Gendered Problem?  Presenter
Acevedo-Arús, MarcosThe University of Texas at AustinLudomusicology
Akhavian, ArminFlorida State UniversityFilm, TV, Video Games
Arias-Runyan, ShelbyYale University, United States of AmericaPedagogies and Public Music Theory
Barbre, RenéeYale University, United States of AmericaCanons Old and New
Basso, PierreMcGill University, Canada; Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT)Historical Materials: Phrase, Meter, Scale
Belcher, OwenUniversity of Missouri-Kansas CityHarmonic Dualisms  Presenter
Beliveau, AnnieCUNY Graduate Center, United States of AmericaCadence and Closure
Bergeron-Dumaine, HollyUniversity of British ColumbiaCelebrating Queer Ear: Reflecting, Inviting In, and Looking Forward  Discussant
Integrating Timbre into the Undergraduate Music Theory Curriculum  Chair
Integrating Timbre into the Undergraduate Music Theory Curriculum  Discussant
Bernacki, NathanUniversity of British ColumbiaIrregular Meters, Globally Speaking  Presenter
Bernstein, ZacharyEastman School of Music“For Me, Music Has No Boundaries”: Analytical Perspectives on the Music of Unsuk Chin  Discussant
Time and Tonality in Music Since 1950
Bilidas, StefanieTexas Woman's UniversityGenre and Crossover in the 21st Century  Presenter
Bivens, SamRice University, United States of America19th-Century Opera  Presenter
Bourne, JanetUniversity of California, Santa BarbaraThe Status of Music Cognition within Music Theory: A Gendered Problem?  Presenter
Boyd, CliftonNew York UniversityRevisiting Formalism  Presenter
Brody, ChristopherUniversity of Louisville, United States of AmericaPhrase, Sentence, Period.
Buchler, MichaelFlorida State University, United States of AmericaQuotation and Reference
Burstein, L. PoundieHunter College and the Graduate Center, CUNYReconstructing Hexachordal Solmization: Opportunities and Limitations  Presenter
Cairns, ZacharyUniversity of Missouri - St. Louis, United States of AmericaTransformations and Interval Spaces
Capuzzo, GuyUNCG, United States of AmericaHarmonic Progressions, Harmonic Rhythm
Carlock, SamanthaIndiana UniversityConsidering Country Music
Carter, David S.Loyola Marymount University, United States of AmericaConsidering Country Music
Carter-Enyi, AaronMorehouse CollegeMentorship in Music Theory: Mentors and Mentees share their experiences  Chair
Chander, AdityaYale UniversityThe Status of Music Cognition within Music Theory: A Gendered Problem?  Chair
Chang, JosephMcGill UniversityAnalytical Methodologies for 8-Bit Chiptune Music  Presenter
Cheung, Hon KiUniversity of Texas at AustinMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Christianson, KarenPrinceton UniversityMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Chung, AndrewUniversity of North TexasRevisiting Formalism  Presenter
Clarke, SabrinaMeredith College, United States of AmericaTopic Formation and Use
Clawson-Cannestra, KaitlynUniversity of OregonPoster Session
Cobb, NathanEmory University, United States of AmericaInstruments and Orchestration
Cole, ChristaOberlin College & ConservatoryMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Conlee, JadeUniversity of Virginia, United States of AmericaRevisiting Formalism  Chair
Revisiting Formalism  Presenter
Costello, KevinQueens College, CUNYPay Attention!
Coury-Hall, M. A.independent scholar (New York City, New York)Transformations and Interval Spaces
Crompton, JonathonColumbia University, United States of AmericaMode and Its Philosophies in the 18th and Early 19th Centuries
Cummins, CameronUniversity of Central FloridaLudomusicology
Cupps, J.P.Washington University in St. Louis21st-Century Genre Cues and Behaviors
Davis, SeanSwarthmore College, United States of AmericaFilm, TV, Video Games
De Souza, JonathanUniversity of Western Ontario, CanadaJazz Harmony and Tonality
Desinord, RichardGeorgetown UniversityThe Other Cadence: Plagal Mechanisms in Historical and Contemporary Practice  Presenter
Devaney, JohannaBrooklyn CollegePoster Session
Dolan, Emily I.Brown UniversitySMT Plenary - Music and Technology: Constructed Pasts, Contested Presents, and Speculative Futures
Donaldson, JamesIndiana University“For Me, Music Has No Boundaries”: Analytical Perspectives on the Music of Unsuk Chin  Presenter
Dreyer, GiaHunter College CUNY, United States of AmericaVoice and Identity
Drott, EricThe University of Texas at AustinSMT Plenary - Music and Technology: Constructed Pasts, Contested Presents, and Speculative Futures
Duarte, SeraphimKennesaw State University, United States of AmericaPoster Session
Duker, PhilipUniversity of Delaware, United States of AmericaPedagogies and Public Music Theory
Easley, DaveOklahoma City UniversityMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Chair
Echevarria, RafaelDurham University, United KingdomFormenlehre
Edwards, SionNorthwestern University, United States of AmericaCadence and Closure
Espinosa, BryanSam Houston State University, United States of AmericaPhrase, Sentence, Period.
Ewell, PhilipCUNY Hunter CollegeMentorship in Music Theory: Mentors and Mentees share their experiences  Discussant
Farbood, MaryNew York UniversityThe Status of Music Cognition within Music Theory: A Gendered Problem?  Presenter
Farr, JacobThe University of KansasPop Formal Functions
Faulkner, JacksonIndiana University, United States of AmericaChromaticism and Closure in the Renaissance
Felter, CollinUniversity of California, IrvineJazz Harmony and Tonality
Feng, JuyuanHarvard University, United States of AmericaGlobal Circulations
Foonberg, AvinoamUniversity of Cincinnati, College-Conservatory of MusicPoster Session
Fossum, DaveArizona State UniversityIrregular Meters, Globally Speaking  Presenter
Frederick, LeahUniversity of Colorado BoulderTech Tips and Best Practices for Publications, Presentations, and Pedagogy  Discussant
Gain, RachelYale UniversityChoreography
Galik, RyanEastman School of Music, United States of AmericaPay Attention!
Ganade D'Acol, MitiaOberling College and Conservatory, United States of AmericaBodies in Motion
Gao, YiyuanSchool of Music, Nanjing University of the Arts, Nanjing, ChinaPitch, Language, Tone
Garza, JoseTexas State University, United States of AmericaPoster Session
Gawboy, AnnaThe Ohio State University, United States of AmericaPerformance- and Practitioner-Centered Theories
Geyer, BenMount Holyoke College, United States of AmericaJazz Harmony and Tonality
Gillen, MaeveEastman School of MusicCelebrating Queer Ear: Reflecting, Inviting In, and Looking Forward  Discussant
Gollmar, GraceUniversity of Texas at AustinGenre and Crossover in the 21st Century  Presenter
Grant, Roger MathewWesleyan UniversityGlobal Circulations  Presenter
Greenberg, YoelHebrew University, JerusalemCentering Boccherini from the Periphery: Reassessing Form, Style, and Method in Eighteenth-Century Music  Presenter
Grider, KillianUniversity of Michigan, United States of AmericaNew and Hybrid Pop Forms
Grunkemeyer, JoeyIndiana UniversityTopic Formation and Use
Gruver, LaineNorthwestern UniversityFilm, TV, Video Games
Hamilton, RobertEastman School of MusicCanons Old and New
Hanenberg, ScottWilfrid Laurier UniversityCelebrating Queer Ear: Reflecting, Inviting In, and Looking Forward  Discussant
Hangen Vázquez, IrénMcGill University, CanadaBodies in Motion
Hannaford, MarcUniversity of Michigan, United States of AmericaA Practice-Based Introduction to George Russell’s Lydian Chromatic Concept of Tonal Organization  Chair
Hannan, CalderIndiana University, United States of America21st-Century Genre Cues and Behaviors
Harrison, DanielYale University, emeritusThe Other Cadence: Plagal Mechanisms in Historical and Contemporary Practice  Chair
Heggie, CarolineIndependent Scholar, United KingdomPoster Session
Heilig, JohnIndiana UninversityInstruments and Orchestration
Heinricks, HaleyHarvard University, United States of AmericaInstruments and Orchestration
Hilewicz, OritJacobs School of Music, Indiana UniversityTime and Tonality in Music Since 1950
Hirschy, NormanOxford University PressCelebrating Queer Ear: Reflecting, Inviting In, and Looking Forward  Discussant
Hottle, RachelFlorida State University, United States of AmericaPop Formal Functions
Howie, TylerOberlin College ConservatoryGenre and Crossover in the 21st Century  Presenter
Hu, RuixueEastman School of MusicHistorical Materials: Phrase, Meter, Scale
Ingram, ThomasUniversity of MichiganChromaticism and Closure in the Renaissance
Iverson, JenniferUniversity of ChicagoGenre and Crossover in the 21st Century  Chair
Jones, EvanFlorida State UniversityTech Tips and Best Practices for Publications, Presentations, and Pedagogy  Chair
Jonker, AlexandreaCrane School of Music, SUNY PotsdamTransformations and Interval Spaces
Keep, DavidHope CollegeMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
King, AmyNorthwestern University, United States of AmericaPoster Session
Knoedler, JohnUniversity of MichiganTech Tips and Best Practices for Publications, Presentations, and Pedagogy  Discussant
Korkontzelos, LillyUniversity of MichiganVoice and Identity
Krell, RyanCCM - The University of Cincinnati, United States of AmericaTime and Tonality in Music Since 1950
Lavengood, MeganGeorge Mason UniversityTech Tips and Best Practices for Publications, Presentations, and Pedagogy  Discussant
Lee, Gui HwanJames Madison University“For Me, Music Has No Boundaries”: Analytical Perspectives on the Music of Unsuk Chin  Presenter
Lee, Ji YeonUniversity of Houston“For Me, Music Has No Boundaries”: Analytical Perspectives on the Music of Unsuk Chin  Chair
“For Me, Music Has No Boundaries”: Analytical Perspectives on the Music of Unsuk Chin  Presenter
Mentorship in Music Theory: Mentors and Mentees share their experiences  Chair
Lill, KájaUniversity of Missouri Kansas CityHarmonic Dualisms  Chair
Harmonic Dualisms  Presenter
Lloyd, ZacharyFlorida State UniversityCelebrating Queer Ear: Reflecting, Inviting In, and Looking Forward  Discussant
Long, Megan KaesOberlin College Conservatory of MusicReconstructing Hexachordal Solmization: Opportunities and Limitations  Presenter
Lookenbill, ZacharyUniversity of ArkansasPoster Session
Loui, PsycheNortheastern UniversityThe Status of Music Cognition within Music Theory: A Gendered Problem?  Presenter
Lussier, KelseyMcGill University, CanadaGroove is in the Heart
Lynch, KaseyUniversity of Oregon, United States of AmericaConsidering Country Music
Mach, AshEastman School of MusicTimbre Studies
Malley, RonnieUniversity of ChicagoEpistemic Strings: Thinking Music Theory through the Oud, Sitar, and Guitar  Presenter
Margulis, ElizabethPrinceton UniversityThe Status of Music Cognition within Music Theory: A Gendered Problem?  Presenter
Markey, VKennesaw State University, United States of AmericaPoster Session
Mason-Nguyen, PamelaUniversity of California, Santa Barbara, United States of AmericaGlobal Circulations
Matos-Tovar, LuisFlorida State UniversityLudomusicology
McGartland, AidanMcGill University, CanadaTimbre Studies
McKemie, DanielSUNY OneontaPoster Session
Mengozzi, StefanoUniversity of MichiganReconstructing Hexachordal Solmization: Opportunities and Limitations  Presenter
Mielcarek, MaxwellUniversity of Massachusetts Amherst, United States of AmericaPitch-Class, Positional, and Pantuvarali Spaces
Milius, EmilyPeabody InstituteMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Miller, NatalieWestern University, CanadaPay Attention!
Mino, KarlaKennesaw State University, United States of AmericaPoster Session
Monfredo, ClareHunter College, United States of AmericaPerformance- and Practitioner-Centered Theories
Moranis, RebeccaThe Graduate Center, CUNYChoreography
Motazedian, TáhirihVassar CollegeThe Other Cadence: Plagal Mechanisms in Historical and Contemporary Practice  Presenter
Murphy, ScottThe University of KansasThe Other Cadence: Plagal Mechanisms in Historical and Contemporary Practice  Presenter
Osborn, BradUniversity of Kansas, United States of AmericaMeters, Perceived and Otherwise
Oudin, MaelMcGill University, Montreal, Canada; Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Montreal, CanadaTimbre Studies
Palfy, CoraWashington & Jefferson CollegeThe Status of Music Cognition within Music Theory: A Gendered Problem?  Chair
Park, JoonUniversity of Illinois Chicago, United States of AmericaPoster Session
Pau, AndrewOberlin College & Conservatory, United States of AmericaPhrase, Sentence, Period.
Peloso, AnnaIndiana University Bloomington, Jacobs School of MusicGroove is in the Heart
Perez Tabares, CarlosOberlin College & Conservatory, United States of America19th-Century Opera
Piché, Marie-ÈveUniversity of Michigan, United States of AmericaHarmonic Progressions, Harmonic Rhythm
Praskurnin, VladCUNY Graduate CenterChromaticism and Closure in the Renaissance
Rabinovitch, GiladQueens Colege, United States of America;
Queens College, CUNY		Reconstructing Hexachordal Solmization: Opportunities and Limitations  Chair
Reconstructing Hexachordal Solmization: Opportunities and Limitations  Presenter
Ramani, ShrutiUniversity of British ColumbiaIrregular Meters, Globally Speaking  Presenter
Rao, RaoUniversity of KansasMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Redmond, JaredIndependent Scholar/Composer“For Me, Music Has No Boundaries”: Analytical Perspectives on the Music of Unsuk Chin  Presenter
Reed, JacobUniversity of Chicago, United States of AmericaPerformance- and Practitioner-Centered Theories
Reenan, SamUniversity of CincinnatiRevisiting Formalism  Presenter
Sonata Forms
Rehding, AlexHarvard UniversityEpistemic Strings: Thinking Music Theory through the Oud, Sitar, and Guitar  Discussant
Reymore, LindseyArizona State UniversityIntegrating Timbre into the Undergraduate Music Theory Curriculum  Discussant
Reynolds, AtticusUniversity of California, Irvine, United States of AmericaMeters, Perceived and Otherwise
Rhie, KayUCLA“For Me, Music Has No Boundaries”: Analytical Perspectives on the Music of Unsuk Chin  Presenter
Ricci, AdamUNC Greensboro, United States of AmericaMeters, Perceived and Otherwise
Rivera, JuanUniversity of ChicagoEpistemic Strings: Thinking Music Theory through the Oud, Sitar, and Guitar  Presenter
Rivera, Luis ArmandoUnivesrity of Michigan, United States of AmericaFormenlehre
Rodgers, StephenUniversity of Oregon, United States of AmericaSong Cycles and Concept Albums
Rodriguez, J. BenjaminShepherd School of Music at Rice University, United States of AmericaPitch-Class, Positional, and Pantuvarali Spaces
Root, JenaBrown UniversityMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Roshal, LevIndiana University, United States of America19th-Century Opera
Rosner, JoshuaMcGill UniversityIntegrating Timbre into the Undergraduate Music Theory Curriculum  Discussant
Rossetti, GregoryRutgers UniversityAnalytical Methodologies for 8-Bit Chiptune Music  Presenter
Rusch, RenéUniversity of Michigan, United States of AmericaSonata Forms
Rush, TobyUniversity of DaytonTech Tips and Best Practices for Publications, Presentations, and Pedagogy  Discussant
Saenz, Juan PatricioHarvard UniversityQuotation and Reference
Salem, JosephUniversity of Victoria, CanadaHarmonic Progressions, Harmonic Rhythm
Sánchez-Kisielewska, OlgaUniversity of Chicago, United States of AmericaCentering Boccherini from the Periphery: Reassessing Form, Style, and Method in Eighteenth-Century Music  Chair
Centering Boccherini from the Periphery: Reassessing Form, Style, and Method in Eighteenth-Century Music  Presenter
Sanders-Fast, ConnorUniversity of Illinois Chicago, United States of AmericaCadence and Closure
Schartmann, AndrewNew England ConservatoryAnalytical Methodologies for 8-Bit Chiptune Music  Chair
Scherzinger, MartinNew York UniversityRevisiting Formalism  Presenter
Schossberger, BarakHebrew University, Jerusalem, IsraelPastoral and Nature Topics
Schubert, PeterMcGill UniversityReconstructing Hexachordal Solmization: Opportunities and Limitations  Presenter
Schweitzer, BenjaminCUNY Graduate Center, United States of AmericaQuotation and Reference
Schwitzgebel, EmilyUniversity of South CarolinaThe Status of Music Cognition within Music Theory: A Gendered Problem?  Chair
Segall, ChristopherUniversity of CincinnatiFormenlehre
Serrano, DanielUniversity of Music and Performing Arts Vienna, AustriaPastoral and Nature Topics
Shafer England, JenniferMontana State University, United States of AmericaPedagogies and Public Music Theory
Shafner, NoahMcGill UniversityMode and Its Philosophies in the 18th and Early 19th Centuries
Shannon, AlexanderUniversity of AlabamaPitch-Class, Positional, and Pantuvarali Spaces
Shepherd, LauernUniversity of Nebraska-LincolnMusic Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Sherrill, PaulUniversity of Utah, United States of AmericaVoice Leading
Simonds, ZacharyCUNY Graduate Center, United States of AmericaPoster Session
Slote, AudreyUniversity of Chicago, United States of AmericaGroove is in the Heart
Smith, OscarUniversity of British ColumbiaIrregular Meters, Globally Speaking  Presenter
Star, AllysonIndiana University, United States of AmericaNew and Hybrid Pop Forms
Stemen, JonahUniversity of Michigan, United States of AmericaTopic Formation and Use
Stoecker, PhilipHofstra University, United States of AmericaPedagogies and Public Music Theory
Stover, ChrisGriffith UniversityA Practice-Based Introduction to George Russell’s Lydian Chromatic Concept of Tonal Organization  Chair
Straus, JosephCUNY Graduate CenterMentorship in Music Theory: Mentors and Mentees share their experiences  Discussant
Sugawara, RinaUniversity of Chicago, United States of AmericaAlternative Formal Constructions
Sulaiman, MichelleUniversity of OregonPoster Session
Sullivan, JamesMichigan State UniversityCelebrating Queer Ear: Reflecting, Inviting In, and Looking Forward  Chair
Sutcliffe, W. DeanUniversity of AucklandCentering Boccherini from the Periphery: Reassessing Form, Style, and Method in Eighteenth-Century Music  Presenter
Tabak, LinaIndiana UniversityIrregular Meters, Globally Speaking  Presenter
Tagore, PramanthaUniversity of Chicago, United States of AmericaEpistemic Strings: Thinking Music Theory through the Oud, Sitar, and Guitar  Chair
Epistemic Strings: Thinking Music Theory through the Oud, Sitar, and Guitar  Presenter
Tasber, KellinIU Bloomington, United States of America21st-Century Genre Cues and Behaviors
Tatar, JeremyCarleton CollegeMentorship in Music Theory: Mentors and Mentees share their experiences  Discussant
Tenzer, MichaelUniversity of British ColumbiaIrregular Meters, Globally Speaking  Chair
Irregular Meters, Globally Speaking  Presenter
Thomas, IsabelleThe Ohio State UniversityBodies in Motion
Tinajero Perez, AndreaThe Ohio State University, United States of AmericaChoreography
Tobin, SarahUniversity of Michigan, United States of AmericaVoice and Identity
Torrente, AlvaroUniversidad Complutense de Madrid, SpainHistorical Materials: Phrase, Meter, Scale
Tran, SylvieMichigan State UniversityPastoral and Nature Topics
Tymoczko, DmitriPrinceton University, United States of AmericaVoice Leading
Ukaewen, Sunday OluwaseunHarvard University, United States of AmericaPitch, Language, Tone
Venturino, StephanieYale School of MusicHarmonic Dualisms  Presenter
Vilches, ToriIndiana University, United States of AmericaNew and Hybrid Pop Forms
Vivian, SamanthaUniversity of KentuckyPoster Session
von Appen, RalfUniversity of Music and Performing Arts, ViennaConsidering Country Music
Walch, FlorianWest Virginia University, United States of AmericaSonata Forms
Wang, AnqiRutgers University, United States of AmericaPoster Session
Weaver, CharlesYale University, The Juilliard School, United States of AmericaPitch, Language, Tone
White, ChrisUniversity of Massachusetts AmherstSMT Plenary - Music and Technology: Constructed Pasts, Contested Presents, and Speculative Futures
WHITE, NICHOLASUniversity of Minnesota, United States of AmericaSong Cycles and Concept Albums
Williams, ChrisDuke University, United States of AmericaVoice Leading
Wilson, AustinFlorida State University, United States of AmericaAlternative Formal Constructions
Music Theory Examples from Artists with Disabilities: A Crowdsourcing Session  Discussant
Wirshba, Carle J.Rutgers University, United States of AmericaPop Formal Functions
Wu, Yi-Cheng DanielSoochow University, China, People's Republic ofSong Cycles and Concept Albums
Xu, JiayiIndiana University Bloomington, United States of AmericaMode and Its Philosophies in the 18th and Early 19th Centuries
Xue, BaiPeabody Institute of The Johns Hopkins UniversityAlternative Formal Constructions
Yee, ThomasThe University of Texas at San AntonioAnalytical Methodologies for 8-Bit Chiptune Music  Presenter
Yu Wang, AnnaPrinceton UniversityRevisiting Formalism  Presenter
Yunek, JeffKennesaw State University, United States of AmericaPoster Session
Yust, JasonBoston University, United States of AmericaCanons Old and New
Zhang, TengyueCUNY Graduate CenterPoster Session
Zhao, XijunNew York University, United States of AmericaPoster Session