Index of Titles

A complete list of all conference contributions. Use the alphabetical filter or the search box below to find specific submissions. Click on any contribution to view its session details.

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Contribution Title Author(s) Session
Tech Tips and Best Practices for Publications, Presentations, and Pedagogy
Diaz, JenniferTech Tips and Best Practices for Publications, Presentations, and Pedagogy
Technology, the Time of Musical Labor, and the Time of Musical Listening
Drott, EricSMT Plenary - Music and Technology: Constructed Pasts, Contested Presents, and Speculative Futures
Tempo Variability in Country Music: Patterns and Change Over Time
Carter, David S. (1); von Appen, Ralf (2)Considering Country Music
Temporal Determinacy and Negative Affordance in Wii Sports Resort (2009)
Cummins, CameronLudomusicology
The C(o)untry Costume: Chappell Roan and Queering Genre in “The Giver”
Lynch, KaseyConsidering Country Music
The Choreomusical Motive and Mexican Sones
Tinajero Perez, AndreaChoreography
The Contours of Timbre in Rebecca Saunders's Fury II
Mach, AshTimbre Studies
The Eternal In the Sonata's Act: Leading-Tone Inversion, Combinatorial Logic, and Sonata Teleology in Bruckner's Sixth Symphony
Walch, FlorianSonata Forms
The Neo-Phrygian Quartet: Beethoven’s Op. 131
Crompton, JonathonMode and Its Philosophies in the 18th and Early 19th Centuries
The Note at Infinity
Tymoczko, DmitriVoice Leading
The Other Cadence: Plagal Mechanisms in Historical and Contemporary Practice
Motazedian, TáhirihThe Other Cadence: Plagal Mechanisms in Historical and Contemporary Practice
The Problem of Development in English Fantasy Form: Interventions in National Music by Vaughan Williams, Cobbett, and Britten
Sugawara, RinaAlternative Formal Constructions
The Status of Music Cognition within Music Theory: A Gendered Problem?
Palfy, CoraThe Status of Music Cognition within Music Theory: A Gendered Problem?
The Stepping-Up Principle: Assessments that Challenge and Encourage Students to Progress
Shafer England, Jennifer (1); Duker, Philip (2)Pedagogies and Public Music Theory
The Unpublished Analyses of Schoenberg’s Works in His Fundamentals of Musical Composition
Stoecker, PhilipPedagogies and Public Music Theory
The use of Recontextualized Timbral Invariance and Genre Shifts in Dual Metal and Emo Verse-Chorus Teleological Structures in "Schizophrenia Legacy”
Foonberg, AvinoamPoster Session
The Voiceless in Raven Chacon’s Voiceless Mass: Specters and Spectral Analysis
Dreyer, GiaVoice and Identity
Theorizing Alberto Ginastera’s Compositional Grammar: Transtextuality and Bearbeitung
Saenz, Juan PatricioQuotation and Reference
Theorizing Polymeter: Afro-Cuban Batá Drumming & “In-Fix” Phrasing
Reynolds, AtticusMeters, Perceived and Otherwise
Tight-Verse/Loose-Chorus: Country's Crooked Chorus
Carlock, SamanthaConsidering Country Music
Timbre, Perception, and Musical Form in Tan Dun’s Water Concerto (1998)
Wang, AnqiPoster Session
Tonal Expectations? On Cadential Trajectories and Half Cadences in Petrucci’s First Books of Frottole
Praskurnin, VladChromaticism and Closure in the Renaissance
Topicalizing the Monumental: Transitioning from “Heroic as Genre” to “Heroic as Topic”
Grunkemeyer, JoeyTopic Formation and Use
Transformations of the Omnibus Progression at the Turn of the Twentieth Century
Piché, Marie-ÈveHarmonic Progressions, Harmonic Rhythm
Two Halves and a Hole: Non-Congruent Sonata Form in Scarlatti and Schumann
Segall, ChristopherFormenlehre