Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
Please note that all times are shown in the time zone of the conference. The current conference time is: 31st Aug 2025, 03:55:34pm KST
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Session Overview |
Date: Monday, 28/July/2025 | |||||||||||||||||||||||||||||
1:30pm - 3:00pm |
(145) Literary Theory Committee Location: KINTEX 1 204 Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France |
(146) Dwelling Between Life and Death Location: KINTEX 1 205A Chair: ChangGyu Seong, Mokwon University |
(147) Comics Studies and Graphic Narrative (1) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University |
(148) Chungbuk National Univ. (1) Location: KINTEX 1 206A Chair: Heebon Park, Chungbuk National University |
(149) What is "the Beyond"? Location: KINTEX 1 206B Chair: Jun Soo Kang, anyang University |
(150) Global South Futurism Location: KINTEX 1 207A Chair: Guangyi Li, Chongqing University |
(151) AI, Decoloniality and Creative Translation (1) Location: KINTEX 1 207B Chair: Matthew Reynolds, University of Oxford |
(152) Approaching Nonhuman Narrative in World Literature (1) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
(153) Comparative World Literature and New Techno Humanities Location: KINTEX 1 208B Chair: Seung Cho, Gachon University |
(154) Black Women on the Move: Transnational Negotiations of Identity and Community (1) Location: KINTEX 1 209A Chair: Tong He, Central China Normal University |
155 Location: KINTEX 1 209B |
(156) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (1) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University |
(157) Looking back at Étiemble’s comparativism: what legacy, what prospects? (1) Location: KINTEX 1 210B Chair: Tristan Mauffrey, Université Sorbonne Nouvelle |
(158) Han Kang, Bora Chung, and Cities Location: KINTEX 1 211A Chair: Jungman Park, Hankuk University of Foreign Studies |
(159) The Death of an Author Location: KINTEX 1 211B Chair: Byung-Yong Son, Kyungnam University |
(160) Oriental Literature in World Literature: Exchanges and Mutual Learning (1) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(161) Mutual Learning of Civilizations and Reconstruction of World Literature (1) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(162) Genre Imagination in Korean Literature Location: KINTEX 1 213A Chair: Hyungrae Cho, Dongguk Univ. |
(163) Korean Literature as Global Locality Location: KINTEX 1 213B Chair: Chunsik Kim, Dongguk University |
(164 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (1) Location: KINTEX 1 302 Chair: Fatiha TAIB, Mohammed V University 24th ICLA Monday Hybrid Session #164H (13:30~15:00) #186H (15:30~17:00) Join a Zoom meeting link : https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1 pw: 12345 |
(165) Body Image(s) of Women in Literature (1) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(166) Dongguk Univ. : Feminine Diaspora and Locality Location: KINTEX 1 307 Chair: Jaemin Yoon, Dongguk University |
(101) (Re)Imagining family (ECARE 1) Location: KINTEX 2 305A Chair: Junru Xiang, Xiangtan University |
(102) (Re)Interpreting Confucionism (ECARE 2) Location: KINTEX 2 305B Chair: ZHIWEI SUN, NTU |
(103) Autorial practice in translation and fiction (ECARE 3) Location: KINTEX 2 306A Chair: Yuyun Peng, Complutense University of Madrid |
(104) Body, gender, experience (ECARE 4) Location: KINTEX 2 306B Chair: Yan Huang, Hoseo University |
(105) Comparative Literature and AI (ECARE 5) Location: KINTEX 2 307A Chair: Sohan Sharif, Jahangirnagar University |
(452) Emergence of new narratives Location: KINTEX 2 307B Chair: Sunhwa Park, Konkuk University |
498 Location: KINTEX 2 308A |
3:30pm - 5:00pm |
(167) Translation Studies (6) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University |
(168) Comics Studies and Graphic Narrative (2) Location: KINTEX 1 205A Chair: Stefan Buchenberger, Kanagawa University |
169 Location: KINTEX 1 205B |
(170) Chungbuk National Univ. (2) Location: KINTEX 1 206A Chair: Heebon Park, Chungbuk National University |
(171) Misreading the East Location: KINTEX 1 206B Chair: Jun Soo Kang, anyang University |
(172) Global Renaissances (1) Location: KINTEX 1 207A Chair: Gang Zhou, Louisiana State University |
(173) AI, Decoloniality and Creative Translation (2) Location: KINTEX 1 207B Chair: Matthew Reynolds, University of Oxford |
(174) Approaching Nonhuman Narrative in World Literature (2) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
(175) Convergence of Literature and Technology Location: KINTEX 1 208B Chair: Seung Cho, Gachon University |
(176) Black Women on the Move: Transnational Negotiations of Identity and Community (2) Location: KINTEX 1 209A Chair: Tong He, Central China Normal University |
(177) Literary Theory Committee Location: KINTEX 1 209B Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France |
(178) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (2) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University |
(179) Looking back at Étiemble’s comparativism: what legacy, what prospects? (2) Location: KINTEX 1 210B Chair: Tristan Mauffrey, Université Sorbonne Nouvelle |
(180) Morality, Ethics, and Text-to-Text Location: KINTEX 1 211A Chair: ChangGyu Seong, Mokwon University |
(181) Dealing with Memory Location: KINTEX 1 211B Chair: Sunhwa Park, Konkuk University |
(182) Oriental Literature in World Literature: Exchanges and Mutual Learning (2) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(183) Mutual Learning of Civilizations and Reconstruction of World Literature (2) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(184) East Asian Comparative Literature Location: KINTEX 1 213A Chair: Yangsu Kim, Dongguk Univ. |
185 Location: KINTEX 1 213B |
(186 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (2) Location: KINTEX 1 302 Chair: LOBNA ABDEL GHANI ISMAIL, CAIRO UNIVERSITY |
(187) Body Image(s) of Women in Literature (2) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(188) Authorship and Technology (1) Location: KINTEX 1 307 Chair: Xi'an GUO, Fudan University |
(106) Location: KINTEX 2 305A |
(107) Digital humanities (ECARE 7) Location: KINTEX 2 305B Chair: Debasmita Sarkar, Shri Ramasamy Memorial University Sikkim |
(108) East - West exchanges 1 (ECARE 8) Location: KINTEX 2 306A Chair: Xinchen Lu, East China Normal University |
(109) East - West exchanges 2 (ECARE 9) Location: KINTEX 2 306B Chair: Yushu Huang, Shanghai Jiao Tong University |
(110) Ecocriticism and the Anthropocene (ECARE 10) Location: KINTEX 2 307A Chair: Cynthia Yingjuan Lin, Peking University |
(453) Digital is Everywhere Location: KINTEX 2 307B Chair: Jungman Park, Hankuk University of Foreign Studies |
499 Location: KINTEX 2 308A |
5:00pm | ECARE Reception Location: KINTEX 1 Grand Ballroom Chair: Emanuelle Santos, University of Birmingham ICLA ECARE Committee ReceptionOpening Address Emanuelle Santos, Chair of ECARE Committee, University of Birmingham, UK Lucia Boldrinii, President of ICLA, Goldsmiths, University of London, UK Youngmin Kim, Congress Chair, 2025 ICLA Congress Seoul, South Korea Open Mike for NEXT.GEN Session Chairs |
Date: Tuesday, 29/July/2025 | ||||||||||||||||||||||||||||||
9:00am - 10:40am |
Keynotes: Uchang Kim & David Damrosch Location: KINTEX 1 Grand Ballroom Chair: Hyungji Park, Yonsei University https://youtube.com/live/IfTVjPkFpG0?feature=share |
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11:00am - 12:30pm |
(189) Translation Studies (1) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University |
(190) South Asian Literatures and Cultures (1) Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat |
(191) Comics Studies and Graphic Narrative (3) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University |
(192) Scriptural Reasoning and Comparative Studies (1) Location: KINTEX 1 206A Chair: Chengzhou He, Nanjing University |
(193) Factory of the present: literature, culture and criticism in the Global South Location: KINTEX 1 206B Chair: Rachel Esteves Lima, Federal University of Bahia |
(194) Global Renaissances (2) Location: KINTEX 1 207A Chair: Gang Zhou, Louisiana State University |
(195) Ghosts and SF (Canceled) Location: KINTEX 1 207B Chair: JIHEE HAN, Gyeongsang National University |
(196) Approaching Nonhuman Narrative in World Literature (3) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
(197) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (1) Location: KINTEX 1 208B Chair: Yukari Yoshihara, University of Tsukuba |
(198) Literary Theory Committee Location: KINTEX 1 209A Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France |
(199) Existence Precedes Essence: (Post)Colonial Reconciliations (1) Location: KINTEX 1 209B Chair: Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India |
(200) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (3) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University |
(201) Travelling Nations: Romanian Literature as World Literature Revisited (1) Location: KINTEX 1 210B Chair: Andrei Terian, Lucian Blaga University of Sibiu |
(202) Patterning of Literature Location: KINTEX 1 211A Chair: ChangGyu Seong, Mokwon University |
(203) How Korean Readers Adopt Changes Location: KINTEX 1 211B Chair: Seonggyu Kim, Dongguk University |
(204) Meaning of historicization of trauma and violence in Han Kang’s literary works. Location: KINTEX 1 212A Chair: Dae-Joong Kim, Kangwon National University |
(205) Mutual Learning of Civilizations and Reconstruction of World Literature (3) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
206 Location: KINTEX 1 213A |
(207) JCLA-KCLA Joint Session Roundtable (1) Location: KINTEX 1 213B Chair: Sung-Won Cho, Seoul Women's University |
(208 H) Revisiting Narratology: From East Asian Perspectives Location: KINTEX 1 302 Chair: Shiho Maeshima, University of Tokyo |
(209) Body Image(s) of Women in Literature (3) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(210) Religion, Ethics and Literature (1) Location: KINTEX 1 307 Chair: Kitty Millet, San Francisco State University |
(111) Film, drama and literature (ECARE 11) Location: KINTEX 2 305A Chair: HANEUL LEE, Yonsei University |
(112) Futurity, the environment and tech (ECARE 12) Location: KINTEX 2 305B Chair: Mingyang Liu, The University of Hong Kong |
(113) Imagining space, movement and crossing (ECARE 13) Location: KINTEX 2 306A Chair: Meghan Elizabeth Hodges, Louisiana State University |
(114) Interactive fiction and digital platforms (ECARE 14) Location: KINTEX 2 306B Chair: Laura Madeleine Kinzig, Georg-August-University of Goettingen |
(115) Intermedial craft 1 (ECARE 15) Location: KINTEX 2 307A Chair: Masako Hashimoto, National Institute of Technology Numazu College |
Special Session I: UNESCO Memory of the World (MoW) Location: KINTEX 1 Grand Ballroom Chair: Youngmin Kim, Dongguk University 2025 ICLA CONGRESS SPECIAL SESSION1 - YouTube Special Session I: UNESCO Memory of the World (MoW) Memory of the World: A Cooperation between the ICLA and the UNESCO Documentary Heritage Programme
Part I: Podium Chair: Youngmin Kim Chair, Organizing Committee of the 2025 International AILC/ICLA Congress Speakers: 1) Jan Bos Chair, MoW International Advisory Committee (IAC). Title: What is the Memory of the World program and how does it relate to ICLA? Short description of talk: Vision, mission, short history and present activities of the Memory of the World program The Memory of the World International Register Memory of the World and ICLA: areas of common interest
2) Lucia Boldrini President, International Comparative Literature Association (AILC/ICLA, 2022-2025) Title: The Critical Eye of Comparative Literature Short description of talk: In my presentation I will consider not only the importance the ICLA’s partnership with the Memory of the World programme, but also how it can provide a necessarily critical eye, thanks to its long history of engaging in and with the criticism and self-criticism of the disciplines of comparative literature, world literature and translation, individually and in their combination, in their histories and their practices. This can bring nuance and complexity to apparently straightforward assumptions about the intrinsic value of activities such as literary comparison, or translation as bridge-building.
3) Lothar Jordan Chair, MoW Sub-Committee on Education and Research (SCEaR) Title: Memory of the World and Comparative Literature: How We Can Work Together.
Short description of talk: The Presentation introduces some fields of education and research that are interesting for both Comparative Literature and the UNESCO Memory of the World Programme (MoW) like the history of translators and translations, the reconstruction of Lost Memory, e.g. of dispersed libraries, the relation between oral literature and documentation, and some more.
4) E.V. Ramakrishnan Chair, AILC/ICLA Standing Research Committee on South Asian Literatures and Cultures Title: Translation as Palimpsest: From Textual Traces to Cultural Archives
Short description of talk: Oral cultures of memory conceive of 'texts' and 'archives' differently. While mediating between 'subcultures' and 'dominant cultures', interculturally or intra-culturally, translation often takes on the role of a legitimating agency, thereby misrepresenting the nature of cosmologies they (subcultures) are founded upon.
Part II: Signing Ceremony of an Agreement: MOU UNESCO Memory of the World Programme
Signees: UNESCO Memory of the World Jan Bos Chair, International Advisory Committee (IAC) Lothar Jordan Chair, Sub-Committee on Education and Research (SCEaR) Joie Springer Chair, Register Sub-Committee (RSC)
AILC/ICLA Lucia Boldrini AILC/ICLA President (2022-2025) Ipshita Chanda AILC/ICLA Secretary (2022-2025) Youngmin Kim Chair, Organizing Committee of the XXIV International AILC/ICLA Congress |
(454) Remembering and Forgetting Location: KINTEX 2 307B Chair: Jun Soo Kang, anyang University |
504 Location: KINTEX 2 308A |
1:30pm - 3:00pm |
(211) Translation Studies (2) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University |
(212) South Asian Literatures and Cultures Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat |
(213) Comics Studies and Graphic Narrative (4) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University |
(214) Scriptural Reasoning and Comparative Studies (2) Location: KINTEX 1 206A Chair: Chengzhou He, Nanjing University |
(215) Diaspora of the Ghazal Location: KINTEX 1 206B Chair: JIHEE HAN, Gyeongsang National University |
(216) Linguistic and Cultural Negotiations in Contemporary Novels and Films Produced in Hong Kong, Japan, and North America Location: KINTEX 1 207A Chair: Jessica Tsui-yan Li, York University |
(217) Who Writes the Story? Location: KINTEX 1 207B Chair: Seung-hye Mah, Dongguk University Seoul Campus |
(218) Approaching Nonhuman Narrative in World Literature (4) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
(219) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (2) Location: KINTEX 1 208B Chair: Yukari Yoshihara, University of Tsukuba |
(220) Recent Trends in Comparative Literature in Korea and Japan Location: KINTEX 1 209A Chair: Yuriko Yamanaka, National Museum of Ethnology |
(221) Existence Precedes Essence: (Post)Colonial Reconciliations (2) Location: KINTEX 1 209B Chair: Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India |
(222) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (4) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University |
(223) Travelling Nations: Romanian Literature as World Literature Revisited (2) Location: KINTEX 1 210B Chair: Andrei Terian, Lucian Blaga University of Sibiu |
(224) Cultural Context and Translation Location: KINTEX 1 211A Chair: ChangGyu Seong, Mokwon University |
(225) From Homeland to Diaspora Location: KINTEX 1 211B Chair: Seonggyu Kim, Dongguk University |
(226) Métiers et techniques des œuvres plurimédiales: peut-on parler d'arts subalternes? Location: KINTEX 1 212A Chair: Romain Bionda, Université de Lausanne |
(227) Mutual Learning of Civilizations and Reconstruction of World Literature (4) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(228) Digital Comparative Literature (3) Location: KINTEX 1 213A |
(900) JCLA-KCLA Joint Session Roundtable (2) Location: KINTEX 1 213B Chair: Sung-Won Cho, Seoul Women's University |
(230 H) Crossing Borders Location: KINTEX 1 302 Chair: Kana Matsueda, Kyushu University |
(231) Body Image(s) of Women in Literature (4) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(232) Religion, Ethics and Literature (2) Location: KINTEX 1 307 Chair: Kitty Millet, San Francisco State University |
(116) Knowledge, language and transformation (ECARE 16) Location: KINTEX 2 305A Chair: JIA XI CEN, Guangdong University Of Foreign Studies |
(117) Limitations and possibilities in the Third space (ECARE 17) Location: KINTEX 2 305B Chair: Lúcia de Fátima Oleiro Bentes, Portuguese Public School |
(118) Literature, media and sensory experience (ECARE 18) Location: KINTEX 2 306A Chair: Yoon Ju Oh, Seoul National University |
(119) Literature and material culture (ECARE 19) Location: KINTEX 2 306B Chair: Chenxin Guo, The Chinese University of Hong Kong |
(120) Literature, memory, history (ECARE 20) Location: KINTEX 2 307A Chair: Di Yan, Northwestern Polytechnical University |
(455) Colorful Phases Location: KINTEX 2 307B Chair: Jun Soo Kang, anyang University |
505 Location: KINTEX 2 308A |
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4:30pm | Opening Ceremony Location: KINTEX 1 Grand Ballroom 2025 ICLA OPENING CEREMONY - YouTube70th AnniversaryThe 24th Congress of The International Comparative Literature Association
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Date: Wednesday, 30/July/2025 | ||||||||||||||||||||||||||||||
9:00am - 10:30am |
(233) Translation Studies (3) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University |
(234) South Asian Literatures and Cultures Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat |
(235) Comics Studies and Graphic Narrative (5) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University |
(236) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (1) Location: KINTEX 1 206A Chair: Jing Zhang, Renmin University of China |
(237) Digital Comparative Literature (1) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona |
(238) Translating ethics, space, and style (1) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds |
(239) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (1) Location: KINTEX 1 207B Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba |
(240) Approaching Nonhuman Narrative in World Literature Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
(241) East meets West: Travellers and Scholars writing about India, Japan and Korea (1) Location: KINTEX 1 208B Chair: zsuzsanna varga, University of Glasgow |
(242) Lafcadio Hearn and Asia (1) Location: KINTEX 1 209A Chair: Toshie Nakajima, The University of Toyama |
(243) Ethical Literary Criticism in the Age of Artificial Intelligence (1) Location: KINTEX 1 209B Chair: Sean Hand, University of Warwick |
(244) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (5) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University |
(245) Comparative Literature in Digital Age Location: KINTEX 1 210B Chair: Minji Choi, Hankuk university of foreign studies |
(246) Modernity, Human, and Nature Location: KINTEX 1 211A Chair: Eun-joo Lee, independent scholar |
(247) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (1) Location: KINTEX 1 211B Chair: Wen Jin, East China Normal University |
(248) Oriental Literature in World Literature: Exchanges and Mutual Learning (3) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chairs Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(249) Mutual Learning of Civilizations and Reconstruction of World Literature (5) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(250) Polyphony and Semiotics of Literary Symbols (1) Location: KINTEX 1 213A Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities Pre-recorded video by the chair, Dr. Inna Merkoulova https://drive.google.com/file/d/1a-KNgf8qlgny-T5QytwLDxnJMROULFLo/view?usp=sharing
https://disk.yandex.ru/i/gb7yFmCBt40LmA ICLA invite you to the Zoom. Theme: ICLA Session 250
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(251) The East Asian Literature from a Global Perspective (1) Location: KINTEX 1 213B Chair: Zhejun Zhang, Sichuan University,China |
(252 H) Exophonic writing in the Era of A.I. Location: KINTEX 1 302 Chair: Benedetta Cutolo, CUNY - The Graduate Center 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : |
(253) Intermediality and Comparative Literature (1) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University |
(254) Religion, Ethics and Literature (3) Location: KINTEX 1 307 Chair: Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad |
(121) Narrative form and scripture, old and new (ECARE 21) Location: KINTEX 2 305A Chair: Nainu Yang, National Kaohsiung Normal University |
(122) Narrative in the longue durée of capitalism (ECARE 22) Location: KINTEX 2 305B Chair: Karsten Klein, Saarland University |
(123) New comparative approaches (ECARE 23) Location: KINTEX 2 306A Chair: Yakun Liang, Shanxi University |
(124) New possibilities in digital reading (ECARE 24) Location: KINTEX 2 306B Chair: Congwei He, Sichuan University |
(125) Performance in the digital age (ECARE 25) Location: KINTEX 2 307A Chair: Ziyu Zhang, Wuhan University of Technology |
(456) Authorship and Technology (2) Location: KINTEX 2 307B Chair: Xi'an GUO, Fudan University |
(500 H) Translating Migration: The Movement of Texts and Individuals in World Literature (1) Location: KINTEX 2 308A Chair: Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : PW :12345 |
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11:00am - 12:30pm |
(255) Translation Studies (4) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University |
(256) South Asian Literatures and Cultures Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat |
(257) Comparative Literature in East Asia Location: KINTEX 1 205B Chair: Hui Nie, National University of Defense Technology |
(258) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (2) Location: KINTEX 1 206A Chair: Jing Zhang, Renmin University of China |
(259) Digital Comparative Literature (2) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona |
(260) Translating ethics, space, and style (2) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds |
(261) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (2) Location: KINTEX 1 207B Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba |
(262) Approaching Nonhuman Narrative in World Literature (6) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
(263) East meets West: Travellers and Scholars writing about India, Japan and Korea (2) Location: KINTEX 1 208B Chair: zsuzsanna varga, University of Glasgow |
(264) Lafcadio Hearn and Asia (2) Location: KINTEX 1 209A Chair: Toshie Nakajima, The University of Toyama |
(265) Ethical Literary Criticism in the Age of Artificial Intelligence (2) Location: KINTEX 1 209B Chair: Biwu Shang, shanghai jiao tong university |
266 H (ECARE 40) Location: KINTEX 1 210A Chair: Yuan-yang Wang, Duke University 24th ICLA Hybrid Session LINK : |
(267) Global Futurism (1) Beyond the Human—AI, Animality, and Posthuman Futures Location: KINTEX 1 210B Chair: You Wu, East China Normal University |
(268) Poetry of Myself Location: KINTEX 1 211A Chair: Eun-joo Lee, independent scholar |
(269) Literature, Arts & Media (1) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao |
(270) Oriental Literature in World Literature: Exchanges and Mutual Learning (4) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(271) Mutual Learning of Civilizations and Reconstruction of World Literature (6) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(272) Polyphony and Semiotics of Literary Symbols (2) Location: KINTEX 1 213A Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities ICLA invite you to the Zoom. Theme: ICLA Session 250
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(273) Language Contact in Literature Location: KINTEX 1 213B Chair: ChangGyu Seong, Mokwon University |
(274 H) The East Asian Literature from a Global Perspective (1) Location: KINTEX 1 302 Chair: Zhejun Zhang, Sichuan University,China 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : |
(275) Intermediality and Comparative Literature (2) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University |
(276) Religion, Ethics and Literature (4) Location: KINTEX 1 307 Chair: Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad |
(126) Philosophy, spirituality and literature (ECARE 26) Location: KINTEX 2 305A Chair: Sushil Ghimire, Balkumari College, Bharatpur-2, Chitwan, Nepal |
(127) Posthumanism and AI (ECARE 27) Location: KINTEX 2 305B Chair: Kyu Jeoung Lee, Oklahoma State University |
(128) Rethinking world literature (ECARE 28) Location: KINTEX 2 306A Chair: ASIT KUMAR BISWAL, University of Hyderabad |
(129) Tech, Ethics, Heidegger (ECARE 29) Location: KINTEX 2 306B Chair: Kehan Mei, University of Tibet |
(130) Technology, Companionship and ethics in Kazuo Ishiguro (ECARE 30) Location: KINTEX 2 307A Chair: Lixin Gao, Shanghai International Studies Universtiy |
(457) Authorship and Technology (3) Location: KINTEX 2 307B Chair: Xi'an GUO, Fudan University |
(501 H) Translating Migration: The Movement of Texts and Individuals in World Literature (2) Location: KINTEX 2 308A Chair: Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : |
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1:30pm - 3:00pm |
(277) Dongguk Univ: Korean Buddhist Literature Location: KINTEX 1 204 |
(278) South Asian Literatures and Cultures (5) Location: KINTEX 1 205A Chair: ChangGyu Seong, Mokwon University |
(279) Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia Location: KINTEX 1 205B Chair: E.V. Ramakrishnan, Central University of Gujarat |
(280) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (3) Location: KINTEX 1 206A Chair: Jing Zhang, Renmin University of China |
(281) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona |
(282) Translating ethics, space, and style (3) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds |
(283) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (3) Location: KINTEX 1 207B Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba |
(284) Approaching Nonhuman Narrative in World Literature Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
285 Location: KINTEX 1 208B |
(286) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (1) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(287) Location: KINTEX 1 209B |
(288) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (2) Location: KINTEX 1 210A Chair: Wen Jin, East China Normal University |
(289) Global Futurism (2) Translating the Future—Chinese Sci-Fi on the Global Stage Location: KINTEX 1 210B Chair: Dominic Hand, University of Oxford |
(290) Images and Memory Location: KINTEX 1 211A Chair: Seung Cho, Gachon University |
(291) Literature, Arts & Media (2) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao Intermedial studies and ‘New Materialisms’ Jørgen Bruhn, Linnaeus University E-Mail: jorgen.bruhn@lnu.se Most theoretical models of intermediality are inherently epistemological: media studies, including intermedial studies, basically investigates, criticizes and historicizes all the different ways of perceiving the world by way of different apparatus or communicative entities which may be more or less technical, advanced and complex. However, in recent decades a new set of questions has occurred, approaching the world not only epistemologically but also ontologically: such questions are often subsumed under the heading of New Materialism(s): ontological ideas relating to process philosophy and studies of emergent qualities have become more and more prominent in Media- as well as Literary – and Gender Studies. Such an ontological frame is of special relevance to Comparative Literature, where it raises important questions on the nature, practice, and relevance of comparison, and indeed of the notion of literature itself. As the integration of such non-substantialist approaches within intermedial studies and comparative literature is still in its early stages, these theoretical-methodological relations deserve closer academic attention. The general aim of this panel is therefore to investigate in depth the possible relations between intermedial studies and new materialist methodologies. Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope Hanyu Xie University of Macao, China, People's Republic of; yc47743@um.edu.mo Kalaf Epalanga is a contemporary writer, musician and poet, an African emigrant who settled in Europe during his youth for better education, and as a result of the civil war in Angola. Over the last decades, he experienced the cultural reality of Lisbon and Berlin. Like a 21st century flâneur, Epalanga and his music are present in the center and on the outskirts of Lisbon. The Portuguese press see him as a “cultural agitator”, who demonstrates on behalf of African culture or, in a broader sense, on behalf of black cultures around the world. The present study has as object Epalanga’s novel Whites can dance too (Também os brancos sabem dançar), which could be seen as a “musical novel”, based on the concept of “melophrasis” developed by Rodney Edgecombe (1993) and Therese Vilmar (2020) in response to the idea of “musicalized fiction” by Werner Wolf (1999). In the novel, Epalanga creates a thought-provoking narrative, woven together with the history of African music, including genres like Kuduro and Kizomba, and exploring its complex interactions with canonical genres such as Fado and Rap. Additionally, the author guides the reader through the complex feelings and subjectivity of the characters, providing an experience of their diverse emotions through metamusic. Epalanga thus constructs a unique musical land (a safe space) through words. It is important to note that these music-centered or music-based narratives are intertwined with ancient colonial memories, as well as contemporary narratives that highlight the suffering of the African diaspora on the European continent. In this musical land of the novel, the three main characters are on very different life trajectories, but they all cross paths at some point because of music and, at the end of the story, each of them finds in music a kind of redemption or sanctuary of their own. This narrative conception results in a remarkable contrast between darkness and luminosity, which evokes the clashes in the social arrangement of white and black voices (Achile Mbembe, 2003; Michel Foucault, 1997), and the proposition of a world-space that houses “non-hegemonic” voices. This contrast between darkness and light inspired me to explore the idea of literary music as a “safe space”. What I propose to discuss in this study is not music in its strict and concrete sense, but rather music as a possible verbal and aesthetic experience for the literary reader, for the reader of Os brancos também podem dançar, in short, a music that “can be read”. What is the “song” really about? How can this “musical romance” inspire new perspectives on issues of ethnicity today? How do the rhythm of ideas, frustrations and hopes intertwine with the mixed beat of rap, kuduro and fado? In seeking these answers, I also seek a new path of reflection on the construction of ethnic identities and the forms of existence and resistance of marginalized groups in today’s world. Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations yaqi Liang Media and Cultural Industry Sichuan University, China, People's Republic of; 2021321030060@stu.scu.edu.cn Chinese academies emerged in the Tang Dynasty, and their functions gradually evolved from book repair and collection to reading and learning. Their service targets ranged from individuals to the general public, and they could cultivate talents and spread culture. The civilization of Bashu Academies not only benefited from the exchange and mutual learning between ancient BaShu culture and other cultures, but also from the "Southern Silk Road" that has lasted for thousands of years and crossed centuries. As a trade and cultural inheritance road, it inherits not only a culture, but also a spiritual force. The Academies culture in the Bashu Academies has shaped the urban character of "openness, innovation and creativity" and the humanistic characteristics of "broad mindedness and friendliness". Communication can make civilization colorful, mutual learning can enrich civilization, and communication and mutual learning can make civilization full of vitality and creativity. Exchange and mutual learning help promote the integration of civilizations from all over the world, and forge a magnificent force for the development and progress of human society. This points out the direction for promoting the development of world civilization and provides a good strategy for resolving conflicts between civilizations. Civilizations communicate through diversity, learn from each other through communication, and develop through mutual learning. The exchange and mutual learning among different countries, ethnic groups, and cultures in the world can enhance the humanistic foundation of a community with a shared future for mankind, spread and exchange each other's cultures, and promote the mutual learning of civilizations. The academies in the Bashu Academies can become a distinctive medium for cultural dissemination, relying on new academies and utilizing forms such as new media and intelligent media to tell the "Chinese story" well, promoting the true transformation of Chinese civilization from "going out" to "going in" on the global stage. Bashu Academies is a "magnet" that uses advanced cultural dissemination concepts to gather and integrate excellent cultures from ancient, modern, Chinese, and foreign cultures as a "iron"; The Academies is also a "neighborhood". It uses advanced cultural communication concepts to stimulate and amplify the charm of various cultures and vigorously spread them, so that the Academies will become a characteristic platform and an important channel to promote folk friendly cooperation in cultural exchanges along the "the Belt and Road". In effective communication, enhance cultural confidence internally and increase the influence of Chinese culture externally. Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories Jayshree Singh, Priyanka Solanki Literary animal studies - delving into the roots of human-animal interactions examine how animals are portrayed in different literary works in context of cultural attitudes, and ethical issues, is the study of animals and their representation in literature (Ortiz-Robles 55). Emerging as an interdisciplinary field, human/animal studies encompass a wide range of disciplines that make up the so-called "new humanities," which are concerned with human behavior and culture (Gottschalk11). The discussion draws from a wide range of fields, including but not limited to: “primatology, ethics, genetics, cognitive science, literature, history, philosophy, and cultural studies” (Singer 1). The classified and digitalized illustrations of Animals in the Human Societies worldwide by way of tangible or intangible depiction for consciousness-raising towards their predicament or for extracting the allegorical aesthetics use medium of language and form in creative writings, while visuals are either in digitalized generative images or as sculptures to denote perceptual observation, selection of sensitivity for the sake of perceptual defense to sensitize the readers and viewers. Their existing signifiers signify a set of dominant power relations or religion-ethical connotations of society towards animalism or for animals. Literature, Arts and Media have shown how the 'Animals in Question' are the agents through their mode of action to compete for legitimacy and authority and it is the medium of writing or the pictorial depiction categorically function either as a manner of Liar's Paradox or a counterpoint to humans' humanity. The research area of study attempts to analyze the ’gaze’ that sorts the trajectories, strategies of the internal and external stimuli and draws a brilliant analytical parallel picture of cultural, social, and hegemonic origin and influence by way of totalitarianism, imperialism, capitalism, and materialism. The eco-system both fragmented and diversified epitomize ‘the deepest tensions, social conflicts, rituals, taboos, and myths of humanity’s struggle to come to terms with its physical environment ‘through the bewildering, skeptical world of fictional’ (Orwell, xii).) animal fables in order to transform and restructure society. Otto Keller's enormous two-volume book "Die Antike-Tierwelt" from 1913 (reprinted 1963) served as the only thorough compilation of data on specific animal species in the ancient sources for over a century (Campbell 27). Scholars like Liliane Bodson and Richard Sorabji began to radically alter this perception and identification. Their goals are comparably metaphorical to bring paradigm shift for understanding both digitalized and non-digitalized, protected or non-protected archival visual representation of animals in order to pave for humanitarian conflict resolution towards prehistoric and modern arguments, and to make the prehistoric data speak to larger issues and concerns in classical research (Sorabji 36). |
(292) Oriental Literature in World Literature: Exchanges and Mutual Learning (5) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(293) Mutual Learning of Civilizations and Reconstruction of World Literature (7) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(294) Polyphony and Semiotics of Literary Symbols (3) Location: KINTEX 1 213A Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities ICLA invite you to the Zoom. Theme: ICLA Session 250
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(295) The East Asian Literature from a Global Perspective (3) Location: KINTEX 1 213B Chair: Zhejun Zhang, Sichuan University,China |
(296 H) Comparative Literature and Digital Literary Studies in Georgia Location: KINTEX 1 302 Chair: Irma Ratiani, Iv. Javakhishvili Tbilisi State University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : |
(297) Intermediality and Comparative Literature (3) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University |
(298) Religion, Ethics and Literature (5) Location: KINTEX 1 307 Chair: Kitty Millet, San Francisco State University |
(131) Text and tech (ECARE 31) Location: KINTEX 2 305A Chair: Yichen Zhu, Fudan University |
(132) The Comics frontier (ECARE 32) Location: KINTEX 2 305B Chair: Sara Mizannojehdehi, Concordia University |
(133) The web novel frontier (ECARE 33) Location: KINTEX 2 306A Chair: Yimeng Xu, The University of Hong Kong |
(134) Translation and agency (ECARE 34) Location: KINTEX 2 306B Chair: Juanjuan Wu, Tsinghua University |
(135) Translation and circulation (ECARE 35) Location: KINTEX 2 307A Chair: Kai Lin, University of Alberta |
Special Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination Location: KINTEX 1 Grand Ballroom Chair: Matthew Reynolds, University of Oxford 2025 ICLA SPECIAL SESSION 2 - YouTubeSpecial Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination#5: Wednesday, 7.30, 13:30 am - 15:00 pm
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(458) Next Generations of Literary and Artistic Narratives Location: KINTEX 2 307B Chair: You Wu, East China Normal University |
(502 H) Translating Migration: The Movement of Texts and Individuals in World Literature (3) Location: KINTEX 2 308A Chair: Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : |
3:30pm - 5:00pm |
(299) DUHA: Korean-Wave Location: KINTEX 1 204 Chair: Dae-Joong Kim, Kangwon National University |
(300) South Asian Literatures and Cultures (6) Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat |
(301) Translation and Cultural Transfer in Soviet and Cold War Contexts Location: KINTEX 1 205B Chair: Peter Budrin, Queen Mary University of London |
(302) How to modernize Location: KINTEX 1 206A Chair: Minji Choi, Hankuk university of foreign studies |
(303) Digital Comparative Literature (4) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona |
(304) Translating ethics, space, and style (4) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds |
(305) Translating the Other: The Process and Re-Creation (4) Location: KINTEX 1 207B Chair: Minjeon Go, Dankook University |
(306) Reading through the Colorful Lens Location: KINTEX 1 208A Chair: ChangGyu Seong, Mokwon University |
307 Location: KINTEX 1 208B |
(308) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (2) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
309 Location: KINTEX 1 209B |
(310) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (3) Location: KINTEX 1 210A Chair: Wen Jin, East China Normal University |
311 Location: KINTEX 1 210B |
(312) Space, Human, and Movie Location: KINTEX 1 211A Chair: Hyun Kyung Park, Namseoul University |
(313) Literature, Arts & Media (3) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao |
(314) Oriental Literature in World Literature: Exchanges and Mutual Learning (6) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(315) Mutual Learning of Civilizations and Reconstruction of World Literature (8) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(316) Shaping the Literary Canon Location: KINTEX 1 213A Chair: Seonggyu Kim, Dongguk University |
(317) The East Asian Literature from a Global Perspective (4) Location: KINTEX 1 213B Chair: Zhejun Zhang, Sichuan University,China |
(318H) Translation Studies (5) Location: KINTEX 1 302 Chair: Marlene Hansen Esplin, Brigham Young University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : |
(319) Intermediality and Comparative Literature (4) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University |
(320) Comparative African Literatures Location: KINTEX 1 307 Chair: JIHEE HAN, Gyeongsang National University |
(136) Translation, cultural exchanges and tech (ECARE 36) Location: KINTEX 2 305A Chair: Jing Hu, Nankai University |
(137) Trauma, body, resistance (ECARE 37) Location: KINTEX 2 305B Chair: Redwan Ahmed, Jahangirnagar University |
(138) Technology can Do so Many Things Location: KINTEX 2 306A Chair: Seung Cho, Gachon University |
(139) Comparative Literature in Action Location: KINTEX 2 306B Chair: Jun Soo Kang, anyang University |
(140) Disney Tells Many Interesting Things Location: KINTEX 2 307A Chair: Hyosun Lee, Underwood College, Yonsei University |
Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award Location: KINTEX 1 Grand Ballroom 2025 ICLA SPECIAL SESSION 3 - YouTube Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award
Chair: KWAK Hyo Hwan, Ph.D. (Poet, Former President of Literature Translation Institute of Korea)
Speakers:
1. KWAK Hyo Hwan, Ph.D. (Poet, Former President of Literature Translation Institute of Korea) “From 'Globalization of Korean Literature' to 'Korean Literature as World Literature' - The Future of Korean Literature After Han Kang Wins Nobel Prize” Author Han Kang has been selected as the winner of the 2024 Nobel Prize in Literature. It is a sudden blessing that has come less than 10 years since The Vegetarian was published in the UK in 2015 and won the Booker International Prize the following year, drawing attention from the world of literature. As stated in the reason for selection by the Swedish Academy, Han Kang’s work “achieved powerful poetic prose that confronts historical trauma and reveals the fragility of human life,” the long and extensive world of Han Kang’s works was evaluated. In The Vegetarian, she captivatingly portrayed the violence of norms and customs that bind the family and society through the heroine who refuses to eat meat and tries to become a tree, and in The Boy Comes and We Don’t Say Goodbye, she excelled in dealing with the vulnerability of individuals who were sacrificed in the horrific tragedies caused by great power through the May 18 Gwangju Democratization Movement and the Jeju April 3 Incident, thereby achieving even deeper literary achievements. However, considering that the Nobel Prize in Literature is more of an award for merit that encompasses the author’s entire literary world and literary life rather than a prize for a work, this award cannot be anything but a surprising event. This Nobel Prize in Literature is not only an award for author Han Kang, but also an award for Korean literature and translation. The aspiration of Korean literature in the periphery to move to the center has been fulfilled by going beyond ‘introducing Korean literature overseas’ and ‘globalizing Korean literature’ to ‘Korean literature as world literature’ and ‘Korean literature read together by people around the world’. Now, Korean literature has opened a path for communication without time difference by being simultaneous with world literature, and has reached a turning point where it has transitioned from being a receiver of world literature to a sender. The power of translation, which has enabled readers around the world to read Korean literature without language and cultural barriers, has played an absolute role in this. And the Korean Literature Translation Institute and Daesan Cultural Foundation have made a great contribution to supporting this for a long time and systematically. Now, after receiving the Nobel Prize in Literature, it is time to calmly look at the process and meaning of receiving the Nobel Prize in Literature and what Korean literature should do. This is because the Nobel Prize in Literature is an important gateway that Korean literature must pass through, not a goal. Therefore, in this lecture, we will examine the process of Korean literature advancing to world literature, the role and achievements of translation at its core, Korean literary works that have attracted attention in the world literary community, and what Korean literature needs to prepare as world literature.
2. KIM Chunsik (Dongguk U) “Nobel Prize in Literature, and After” This essay critically reflects on the global significance of Korean literature in the wake of Han Kang’s Nobel Prize in Literature. Drawing on the author’s personal experiences as a visiting scholar at UC Berkeley (2004) and a participant in an academic conference in India (2009), the paper explores the tension between center and periphery as a persistent framework in literary and cultural discourse. These episodes underscore how Korean literature has historically occupied a marginal position in global literary hierarchies, yet how such marginality also fosters critical reflections on identity, representation, and power. The essay highlights the Swedish Academy’s appraisal of Human Acts as revealing “historical trauma and the fragility of human life,” arguing that this speaks not only to Han Kang’s literary sensibility but also to the core concerns of contemporary Korean literature. Using the concept of the “politics of mourning,” as theorized by Judith Butler, the author contends that Korean literature engages in an ethical task: to retrieve the voices of the dead and reframe trauma as a shared human condition. Literature thereby becomes a medium that bridges the abyss between human dignity and violence, past suffering and present vulnerability. Ultimately, the author rejects the triumphalist view that Han Kang’s award marks Korean literature’s arrival at the “center” of world literature. Instead, it affirms a longer, ethical trajectory in which Korean literature, shaped by historical wounds and peripheral positions, has always already been global. The essay argues that the true value of Korean literature lies not in global market expansion, but in its sustained engagement with planetary concerns violence, mourning, and coexistence through ethical and imaginative inquiry
3. CHO Hyung-yup (Korea U) “Significance of Han Kang's Nobel Prize in Literature and Her Status in World Literature History”
1. The significance of Han Kang's Nobel Prize in Literature Han Kang's Nobel Prize in Literature can be seen as a great feat for the Republic of Korea, achieved through the combination of four factors: Han Kang's creative ability, the power of Korean literature that made it possible, the translator's ability, and institutional support from the government and the private sector. 2. Han Kang's literary achievements Han Kang's literary achievements are summarized in the expression “powerful poetic prose that confronts historical trauma and reveals the fragility of human life” that the Swedish Academy announced as the reason for her selection when it announced her winning the Nobel Prize in Literature on October 10, 2024. If I were to interpret this reason for her selection in my own way, I would say that “confronting historical trauma” is a “realistic thematic consciousness,” “revealing the fragility of human life” is a “modernist formal experiment,” and “powerful poetic prose” is an “organic style experiment.” So I think that author Han Kang's creative ability is obtained by successfully fusing these three things that are difficult to coexist. In other words, author Han Kang's literary achievements were obtained by independently fusing realistic thematic consciousness such as feminism, ecology, and historical trauma with modernistic formal experiments such as fantasy, aesthetics, composition, and point of view. In fact, realism and modernism are heterogeneous and conflicting literary trends that are difficult to coexist with. I think that the stylistic experiment called 'poetic prose' played a decisive role in fusing these two poles. 3. Han Kang's status in Korean and world literary history So I think that the core characteristic of Han Kang's literature is that he exquisitely fused these three items by putting ‘realistic thematic consciousness’ and ‘modernistic formal experiments’ in a crucible and using the catalyst called ‘organic stylistic experiments.’ Another important point here is that the methodology of stylistic experimentation based on ‘physical sensibility and organic imagination’ is partly an inheritance of the tradition of romanticism and symbolism accepted from Western literature, but also partly an inheritance of our country’s ‘traditional aesthetics’, ‘Korean aesthetics’ and ‘shamanistic native culture’. In the end, Han Kang can be evaluated as having creatively developed a dimension by accepting the three contradictory and conflicting literary lineages of modern Korean literature, realism, modernism, romanticism, and symbolism, which were influenced by world literature, while absorbing Korea’s traditional aesthetics and native culture and creatively fusing them. Therefore, I think that the status of Han Kang’s works in the history of Korean literature and world literature is that he returns the newly developed high-level achievements to Korean literature and world literature, which provided him with literary nutrients.
Discussants:
CHO Hyungrae (Dongguk U) JEONG Gi-Seok (Dongguk U) KIM Eun-seok (Dongguk U)
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459 Location: KINTEX 2 307B |
(503 H) Buddhism and its role Modernism in Asia Location: KINTEX 2 308A Chair: Sunhwa Park, Konkuk University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : |
Date: Thursday, 31/July/2025 | |||||||||||||||||||||||||||||
9:00am - 10:40am |
Keynotes: Zhenzhao Nie & Wen-chin Ouyang Location: KINTEX 1 Grand Ballroom Chair: Byung-Yong Son, Kyungnam University |
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11:00am - 12:30pm |
(321) Who is Afraid of Fiction? (1) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle |
(322) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (1) Location: KINTEX 1 205A Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa |
(323) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (1) Location: KINTEX 1 205B Chair: Daniela Spina, CHAM - Centre for Humanities |
(324) Location: KINTEX 1 206A |
(325) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (1) Location: KINTEX 1 206B Chair: Xi Liu, Xi'an Jiaotong-Liverpool University |
(326) Exploring the Trans Location: KINTEX 1 207A |
(327) Western Literary Encounters Asia Location: KINTEX 1 207B Chair: Hyosun Lee, Underwood College, Yonsei University |
(328) Rethinking Historical Trauma and Memory in Comparative Literature Location: KINTEX 1 208A Chair: Younghee Son, Kyungpook National University |
(329) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (1) Location: KINTEX 1 208B Chair: Takayoshi Yamamura, Hokkaido University |
(330) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (3) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(331) Marginal Encounters: South Korea and the Globe in the 20th and 21st Century Literature, Film and Culture Location: KINTEX 1 209B Chair: Janeth Manriquez Ruiz, University of Notre Dame |
(332) What is literature if not a book? An intermedial approach to literature in a digitized society Location: KINTEX 1 210A Chair: ChangGyu Seong, Mokwon University |
(333) Global Futurism (3) Ecological and Planetary Imaginaries Location: KINTEX 1 210B Session Chairs: Yusheng Du (Nanjing University of Information Science & Technology); Qilin Cao (Tongji University) |
(334) Juxtaposition, Transposition, Heterotopia, and Communication Location: KINTEX 1 211A Chair: Seung-hye Mah, Dongguk University Seoul Campus |
(335) Literature, Arts & Media (4) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao |
(336) Oriental Literature in World Literature: Exchanges and Mutual Learning (7) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(337) Mutual Learning of Civilizations and Reconstruction of World Literature (9) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(338) Shark's Fin and Sichuan Pepper Location: KINTEX 1 213A Chair: JIHEE HAN, Gyeongsang National University |
(339) Japanese Pop Culture beyond Borders Location: KINTEX 1 213B Chair: Seonggyu Kim, Dongguk University |
(340 H) Language Contact in Literature: Europe (1) Location: KINTEX 1 302 Chair: Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 |
(341) Intermediality and Comparative Literature (5) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University |
(342) Comparative History of East Asian Literatures (1) Location: KINTEX 1 307 Chair: Haun Saussy, University of Chicago |
(141) Progression and Regression: Technologies and Power in the Literary Imagination (1) Location: KINTEX 2 305A Chair: Rui Qian, Nanyang Technological University |
(142) Transmedia, and Comparative Literature Location: KINTEX 2 305B Chair: Byung-Yong Son, Kyungnam University |
(143) What did they Say? Location: KINTEX 2 306A Chair: Jun Soo Kang, anyang University |
(144) French and Australian Songlines Location: KINTEX 2 306B Chair: Minji Choi, Hankuk university of foreign studies |
(431) Voyage of Images Location: KINTEX 2 307A Chair: S Peter Lee, Gyeongsang National University |
Special Session IV: Roundtable Celebrating 70th Anniversary of the ICLA Location: KINTEX 1 Grand Ballroom “Bridging Seventy Years of Comparative Literary Dialogue: Past, Present, and Future of the ICLA.” Chairs: Lucia Boldrini, Goldsmiths, UK, President of the ICLA (2022-2025) Speakers: Sandra L. Bermann, Princeton U, USA: President of the ICLA (2019-2022) Q&A: |
460 Location: KINTEX 2 307B |
1:30pm - 3:00pm |
(343) Who is Afraid of Fiction? (2) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle |
(344) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (2) Location: KINTEX 1 205A Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa |
(345) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (2) Location: KINTEX 1 205B Chair: Daniela Spina, CHAM - Centre for Humanities |
(346) Location: KINTEX 1 206A |
(347) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (2) Location: KINTEX 1 206B Chair: Xi Liu, Xi'an Jiaotong-Liverpool University |
(348) Gesar and Shakespeare Location: KINTEX 1 207A Chair: Byung-Yong Son, Kyungnam University |
(349) Literature Meets Lens Location: KINTEX 1 207B Chair: Dong-Wook Noh, Sahmyook University |
(350) Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature Location: KINTEX 1 208A Chair: Kai-su Wu, Tamkang University |
(351) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (2) Location: KINTEX 1 208B Chair: Takayoshi Yamamura, Hokkaido University |
(352) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (4) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(353) Translating (from) the Margins. Rethinking East-Central European Literatures within the World Canon (1990-2020) Location: KINTEX 1 209B Chair: Oana Fotache Dubalaru, University of Bucharest |
(354) Journey of Life Location: KINTEX 1 210A Chair: ChangGyu Seong, Mokwon University |
(355) Web, Game, and Transmedia Location: KINTEX 1 210B Chair: Ji hun Kang, Dongguk university |
(356) Intersectional Lives Location: KINTEX 1 211A Chair: Jinim Park, Pyongtaek university |
(357) Literature, Arts & Media (5) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao "Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games Jia Song Nanjing University, China, People's Republic of; mf1908058@smail.nju.edu.cn In 2024, the game "Black Myth: Wukong" produced by Game Science Corporation has sparked a global craze among players and discussions among researchers, reflecting the cross-media performative nature of video games as a new form of productive force. This work is based on the traditional Chinese literary classic "Journey to the West" and integrates elements of Chinese traditional culture. In the construction of cross-media narratives, it demonstrates the performative aesthetic characteristics of the digital, virtual, interactive and generative in the field of humanities from the perspective of cultural exchange and mutual learning. Eastern fantasy stories have been rejuvenated under the creative influence of emerging audio-visual technologies, thereby recreating heroic myths closely related to modern people and generating transcendent life-political significance in immersive user games. Exploring the performative traits of video games will further contribute to exploratory thinking about the community with a shared future for mankind in the era of globalization. |
(358) Oriental Literature in World Literature: Exchanges and Mutual Learning (8) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(359) Mutual Learning of Civilizations and Reconstruction of World Literature (10) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(360) Dying in Language Location: KINTEX 1 213A Chair: Hyosun Lee, Underwood College, Yonsei University |
361 Location: KINTEX 1 213B |
(362 H) Language Contact in Literature: Europe (2) Location: KINTEX 1 302 Chair: Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 |
(363) Intermediality and Comparative Literature (6) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University |
(364) Comparative History of East Asian Literatures (2) Location: KINTEX 1 307 Chair: Haun Saussy, University of Chicago |
(432) Progression and Regression: Technologies and Power in the Literary Imagination (2) Location: KINTEX 2 305A Chair: Rui Qian, Nanyang Technological University |
(433) From Han Kang to Han Kang Location: KINTEX 2 305B Chair: JIHEE HAN, Gyeongsang National University |
(434) Beyond the Arabian Night Location: KINTEX 2 306A Chair: Seung-hye Mah, Dongguk University Seoul Campus |
(435) The Cinematic Past and the Literary Present Location: KINTEX 2 306B Chair: Narie Jung, Sungkyunkwan University |
(436) Portrait of Ghosts Location: KINTEX 2 307A Chair: Jun Soo Kang, anyang University |
461 Location: KINTEX 2 307B |
|
3:30pm - 4:20pm |
Keynote: Sandra Bermann Location: KINTEX 1 Grand Ballroom Chair: JIHEE HAN, Gyeongsang National University |
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4:30pm | General Assembly Location: KINTEX 1 Grand Ballroom 2025 ICLA Congress General Assembly |
Date: Friday, 01/Aug/2025 | ||||||||||||||||||||||||||||
9:00am - 10:30am |
(365) Who is Afraid of Fiction? (3) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle |
(366) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (1) Location: KINTEX 1 205A Chair: Yuriko Yamanaka, National Museum of Ethnology |
(367) Global Auerbach (1) Location: KINTEX 1 205B Chair: Robert Doran, University of Rochester |
(368) Location: KINTEX 1 206A |
(369) Untranslatability and Translation Location: KINTEX 1 206B Chair: Seonggyu Kim, Dongguk University |
(370) Transformations of literature in media evolution: Representation and time (1) Location: KINTEX 1 207A Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences |
(371) Understanding the Other Location: KINTEX 1 207B Chair: Jun Soo Kang, anyang University |
(372) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (1) Location: KINTEX 1 208A Chair: Zahra Moharramipour, The International Research Center for Japanese Studies |
(373) Biofiction across the world: comparison, circulation, and conceptualisations (1) Location: KINTEX 1 208B Chair: Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London) ; Laura Cernat (KU Leuven) |
(374) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (5) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(375) Comparative Literature in the Philippines (1) Location: KINTEX 1 209B Chair: Lily Rose Tope, University of the Philippines Co-Chair: Ruth Pison (University of the Philippines Diliman); Micaela Chua Manansala (University of the Philippines Diliman) |
(377) Cross-Cultural Dialogue Between China and Central and Eastern Europe (1) Location: KINTEX 1 210B Chair: Yading Liu, SiChuan University |
(378) Crossing the Borders Between the Self and the Other (1) Location: KINTEX 1 211A Chair: Kejun XU, Shanghai Jiao Tong University |
(379) Literary Anthropology and Digital-Intelligence Civilization (1) Location: KINTEX 1 211B Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences |
(389) Protest Cultures (1) Location: KINTEX 1 212A Chair: Haun Saussy, University of Chicago |
(381) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (1) Location: KINTEX 1 212B Chair: Alexandra Lopes, Universidade Católica Portuguesa |
382 Location: KINTEX 1 213A |
383 Location: KINTEX 1 213B |
(384 H) The Network of Genetic Location: KINTEX 1 302 Chair: Kexin Xiang, City University of Hong Kong 384H(09:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(385) Precarious Mediations: Queer Bodies in Virtual Spaces (1) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin |
(386) Comparative History of East Asian Literatures (3) Location: KINTEX 1 307 Chair: S Peter Lee, Gyeongsang National University |
(437) Literary Thought Location: KINTEX 2 305A Chair: Robert Young, ICLA Literary Theory Committee |
(438) Decentred Subjects Location: KINTEX 2 305B Chair: Minji Choi, Hankuk university of foreign studies |
(439) Bridge to Korean Culture Location: KINTEX 2 306A Chair: Hyungji Park, Yonsei University |
(440) Literature, Culture, and Identity Location: KINTEX 2 306B Chair: ChangGyu Seong, Mokwon University |
(441) Digital (dis-) Embodiment Location: KINTEX 2 307A Chair: Juri Oh, Catholic Kwandong University |
462 Location: KINTEX 2 307B |
|
11:00am - 12:30pm |
(387) Who is Afraid of Fiction? (4) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle |
(388) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (2) Location: KINTEX 1 205A Chair: Yuriko Yamanaka, National Museum of Ethnology |
(389) Global Auerbach (2) Location: KINTEX 1 205B Chair: Robert Doran, University of Rochester |
(390) Location: KINTEX 1 206A |
(391) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (2) Location: KINTEX 1 206B Chair: Zahra Moharramipour, The International Research Center for Japanese Studies |
(392) Transformations of literature in media evolution: Representation and time (2) Location: KINTEX 1 207A Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences |
(393) Bridging and Morphing Temporal and Geographical Cultures Location: KINTEX 1 207B Chair: Seunghyun Hwang, Incheon National University |
394 Location: KINTEX 1 208A |
(395) Biofiction across the world: comparison, circulation, and conceptualisations (2) Location: KINTEX 1 208B Chair: Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven) |
(396) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (6) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(397) Comparative Literature in the Philippines (2) Location: KINTEX 1 209B Chair: Lily Rose Tope, University of the Philippines Co-chair: Ruth Pison (University of Philippines Diliman) ; Christine Lao (University of Philippines Diliman) |
398 Location: KINTEX 1 210A |
(399) Cross-Cultural Dialogue Between China and Central and Eastern Europe (2) Location: KINTEX 1 210B Chair: Yading Liu, SiChuan University |
(400) Crossing the Borders Between the Self and the Other (2) Location: KINTEX 1 211A Chair: Kejun XU, Shanghai Jiao Tong University |
(401) Literary Anthropology and Digital-Intelligence Civilization (2) Location: KINTEX 1 211B Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences |
(402) Protest Cultures (2) Location: KINTEX 1 212A Chair: Haun Saussy, University of Chicago |
(403) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (2) Location: KINTEX 1 212B Chair: Alexandra Lopes, Universidade Católica Portuguesa |
(404) Korean Literature: Old and New Location: KINTEX 1 213A Chair: ChangGyu Seong, Mokwon University |
405 Location: KINTEX 1 213B |
(406 H) Comparative History of Literatures in European Languages Series (2) Location: KINTEX 1 302 Chair: Stefan Helgesson, University of Stockholm 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(407) Precarious Mediations: Queer Bodies in Virtual Spaces (2) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin |
(408) Comparative History of East Asian Literatures (4) Location: KINTEX 1 307 Chair: S Peter Lee, Gyeongsang National University |
442 Location: KINTEX 2 305A |
443 Location: KINTEX 2 305B |
(444) Chinese Translator Location: KINTEX 2 306A Chair: Minyoung Cha, Dankook university CLA 2025 Session 444 ID: 892 9990 3126 |
(445) Navigating Identity and Humanity Location: KINTEX 2 306B Chair: Sunghyun Kim, Seoul National University of Science and Technology |
(446) The Mother of Korean Literature Location: KINTEX 2 307A Chair: Seiwoong Oh, Rider University |
463 Location: KINTEX 2 307B |
1:30pm - 3:00pm |
(409) Who is Afraid of Fiction? (5) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle |
(410) Talking about nuclear experiences: Atomic bomb literature as World literature Location: KINTEX 1 205A Chair: Go Koshino, Keio University |
(411) The Potential of Unexpected Comparisons in Japan Studies Location: KINTEX 1 205B Chair: Oliver William Eccles, University College London |
412 Location: KINTEX 1 206A |
(413) Tales of Near and Far Location: KINTEX 1 206B Chair: ChangGyu Seong, Mokwon University |
(414) Transformations of literature in media evolution: Representation and time (3) Location: KINTEX 1 207A Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences |
415 Location: KINTEX 1 207B |
416 Location: KINTEX 1 208A |
(417) Biofiction across the world: comparison, circulation, and conceptualisations (3) Location: KINTEX 1 208B Chair: Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven) |
(418) Folklore and Lyrical Expression Location: KINTEX 1 209A Chair: Hyungji Park, Yonsei University |
(419 H) Comparative Literature in the Philippines (3) Location: KINTEX 1 209B Chair: Lily Rose Tope, University of the Philippines Co-chair: Ruth Pison (University of the Philippines Diliman); Julie Jolo (University of Philippines Diliman) 419H Zoom Link:- https://pcu-ac-kr.zoom.us/j/81076098650?pwd=t83Lx4E2aZy1Esjm6rnSXvWxbzbUG3.1 |
420 Location: KINTEX 1 210A |
(421) Cross-Cultural Dialogue Between China and Central and Eastern Europe (3) Location: KINTEX 1 210B Chair: Yading Liu, SiChuan University |
(422) Crossing the Borders Between the Self and the Other (3) Location: KINTEX 1 211A Chair: Kejun XU, Shanghai Jiao Tong University |
(423) Literary Anthropology and Digital-Intelligence Civilization (3) Location: KINTEX 1 211B Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences |
(424) Protest Cultures (3) Location: KINTEX 1 212A Chair: Haun Saussy, University of Chicago |
(425) Mutual Learning of Civilizations and Reconstruction of World Literature (11) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University |
(426) Image Replacement and Foreign Narratives Location: KINTEX 1 213A Chair: Dong-Wook Noh, Sahmyook University |
427 Location: KINTEX 1 213B |
(428H) The Dialectics of Selfhood Location: KINTEX 1 302 Chair: Shenhao Bai, Columbia University 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(429) Precarious Mediations: Queer Bodies in Virtual Spaces (3) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin |
(430) Comparative History of East Asian Literatures (5) Location: KINTEX 1 307 Chair: S Peter Lee, Gyeongsang National University |
447 Location: KINTEX 2 305A |
(448) What T.S. Eliot Says Location: KINTEX 2 305B Chair: Sunghyun Kim, Seoul National University of Science and Technology |
(449) From the “West-East” Perspective Location: KINTEX 2 306A Chair: Minyoung Cha, Dankook university |
(450) Question of the Foreigner Location: KINTEX 2 306B Chair: Jun Soo Kang, anyang University |
(451) Spectrum of World Literature Location: KINTEX 2 307A Chair: Seiwoong Oh, Rider University |
464 Location: KINTEX 2 307B |
3:30pm - 5:00pm |
(466) AI: Another Way of Reading Location: KINTEX 1 204 Chair: Hyungji Park, Yonsei University |
(467) Beyond the Boundaries Location: KINTEX 1 205A Chair: Minyoung Cha, Dankook university |
(468) Imagination and Anthropocene Location: KINTEX 1 205B Chair: Hyun Kyung Park, Namseoul University |
(469) A New Mode of Contemporary Language Location: KINTEX 1 206A Chair: Seonggyu Kim, Dongguk University |
(470 H) Aliens Over Society Location: KINTEX 1 206B Chair: Byung-Yong Son, Kyungnam University |
(471) Perspective of Transnational Literary Community Location: KINTEX 1 207A Chair: Lianggong Luo, Central China Normal University |
(472) The Search for Female Identity Location: KINTEX 1 207B Chair: Ling-Chi Huang, National Tsing Hua University, Taiwan |
(473) A Comparative Study of the Genre Location: KINTEX 1 208A Chair: Robert Kusek, Jagiellonian University in Krakow |
(474) Poetic Rewriting and Literary Modernity Location: KINTEX 1 208B Chair: Sue Jean Joe, Dongguk University |
(475) Transnational Literary Fields Location: KINTEX 1 209A Chair: Anna Saprykina, University of Siegen |
(476) Technology and the Dissemination of Poetry Location: KINTEX 1 209B Chair: Adelaide Russo, Louisiana State Universiry |
(477) (Im)Possible Travels Location: KINTEX 1 210A Chair: Jungman Park, Hankuk University of Foreign Studies |
(478) New Cultural Identity Location: KINTEX 1 210B Chair: Minji Choi, Hankuk university of foreign studies |
(479) Transcultural Memories Location: KINTEX 1 211A Chair: Eun-joo Lee, independent scholar |
(480) Intercivilizational Dialogue Location: KINTEX 1 211B Chair: Dong-Wook Noh, Sahmyook University |
481 Location: KINTEX 1 212A |
(482) Towards a New Praxis Location: KINTEX 1 212B Chair: Juri Oh, Catholic Kwandong University |
(483) Translatable or Not? Location: KINTEX 1 213A Chair: Hyosun Lee, Underwood College, Yonsei University |
484 Location: KINTEX 1 213B |
(485 H) Comparative History of Literatures in European Languages Series (1) Location: KINTEX 1 302 Chair: Stefan Helgesson, University of Stockholm 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(486) Intermediality and Comparative Literature (7) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University |
(487) Intermediality and Comparative Literature (8) Location: KINTEX 1 307 Chair: Gyu Seob Shin, Seoul national University |
488 Location: KINTEX 2 305A |
(489) in a Korean Colouring Book Location: KINTEX 2 305B Chair: Sunghyun Kim, Seoul National University of Science and Technology |
(490) Between Traditions and Futures Location: KINTEX 2 306A Chair: ChangGyu Seong, Mokwon University |
(491) Similarities and Differences Location: KINTEX 2 306B Chair: Seoyoung Noh, dongguk university |
(492) From Colonial to Postcolonialism Location: KINTEX 2 307A Chair: Minjeon Go, Dankook University |
493 Location: KINTEX 2 307B |
5:00pm | Closing Ceremony Location: KINTEX 1 204 |