Conference Agenda

Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).

 
 
Session Overview
Date: Monday, 28/July/2025
1:30pm
-
3:00pm
(145) Literary Theory Committee
Location: KINTEX 1 204
Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France
 

ICLA Research Committee Individual Submissions

Formalism: From Manufacturing to Data Processing

Susanne Strätling

Freie Universität Berlin, Germany




ICLA Research Committee Individual Submissions

Games as a Creative Technology for Literary Writing

Karin Kukkonen

University of Oslo, Norway




ICLA Research Committee Individual Submissions

Social Media Infrastructures and Consciousness Representation in the Contemporary American Novel

Marco Caracciolo

Ghent University, Belgium




ICLA Research Committee Individual Submissions

Technologies of Fiction: How does literary theory account for the affordances of fictions?

Anne Duprat

Université de Picardie-Jules Verne/ Institut universitaire de France, France

(146) Dwelling Between Life and Death
Location: KINTEX 1 205A
Chair: ChangGyu Seong, Mokwon University
 

Foreign Sessions (Foreign Students and Scholars Only)

A General Overview of Northern and Southern Dynasties and Tang-era Silla Monks’ Eastward Pilgrimage for Buddhist Learning

Jialing Li

SICHUAN University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

A comparative study of ecological thoughts in children's literature between East and West -- A case study of China and Germany

Pinjing Fu

Southwest Jiaotong University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Dwelling Between Life and Death: A Study of "厝" in Minan Rurul Society

GUO TIANZHEN

Sichuan University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

“Fearless and Free”: Josephine Baker’s Transnational Performatives of Raced Femininity

Fangfang Zhu

Central China Normal University, China, People's Republic of

(147) Comics Studies and Graphic Narrative (1)
Location: KINTEX 1 205B
Chair: Stefan Buchenberger, Kanagawa University
 

ICLA Research Committee Individual Submissions

Frank Miler’s Daredevil. The Transformation of a Superhero.

Stefan Buchenberger

Kanagawa University, Japan




Open Group Individual Submissions

Beyond Good and Evil: The Subversion of Heroic Archetypes in The Wicked + The Divine

Anna Oleszczuk

Catholic University of Lublin, Poland




Open Group Individual Submissions

First Impressions: Cover Art and Otherness in Metal Hurlant and Sharaz-De

Sofea Khan

Lahore University of Management Sciences, Pakistan




Open Group Individual Submissions

The Fascist Superhero

Tom Edward Sewel

Lahore University of Management Sciences, Pakistan

(148) Chungbuk National Univ. (1)
Location: KINTEX 1 206A
Chair: Heebon Park, Chungbuk National University
 

Host Sessions (Korean Students and Scholars Only)

From Drawing Rooms to Battlefields: Gender, Class, and Technology in the Adaptations of Pride and Prejudice

Minki Kim

Chungbuk National University(CBNU), Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

The Dual Devastation of Man and Nature Under the Guise of Civilization in Heart of Darkness by Joseph Conrad

Ozoda Jamolitdinovna Ablakulova

Chungbuk Nanional University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

The Male Dominated System and Deprived Motherhood in Top Girls

Muyassar Nagmatova

Chungbuk National University, Korea, Republic of (South Korea)

(149) What is "the Beyond"?
Location: KINTEX 1 206B
Chair: Jun Soo Kang, anyang University
 

Foreign Sessions (Foreign Students and Scholars Only)

Taiwan Literature as Kafkaesque? — A Case Study of L’abécédaire de la littérature: K comme Kafka

Alex Wai-Lok Lo

National Taiwan University, Taiwan




Foreign Sessions (Foreign Students and Scholars Only)

What is "the Beyond"?: The Supernatural and the Quest for Irish Identity in Conor McPherson’s Plays

Wenying Jiang

Central China Normal University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Fast-Books: an Academy for the Writer and a Dose for the Fast-Reader

Aurora Gomez-Rovira

Universitat Abat Oliba CEU - CEU Universities, Spain




Foreign Sessions (Foreign Students and Scholars Only)

Bureaucratic Fiction: Aesthetic Regimes of Administration in World Literature and Film

Alexandra Irimia

Western University, Canada & University of Bonn, Germany

(150) Global South Futurism
Location: KINTEX 1 207A
Chair: Guangyi Li, Chongqing University
 

Group Session

Global South Futurism

Guangyi Li




Open Group Individual Submissions

Redefining Global Narratives from the South: Technology, Crisis and Identity in El Eternauta and Kentukis

Yilun Fan

University of California, Riverside, United States of America




Open Group Individual Submissions

Explorations in Africanjujuism:The Unconscious and Materialism of Juju

kaiqing xie

Chongqing University




Open Group Individual Submissions

"Between Inner Sage and Outer King": A Preliminary Exploration of Mou Zongsan’s Neo-Confucian Thought

Ke Wang

Hunan University, , Yuelu Academy,China




Open Group Individual Submissions

Possible Worlds: Afrofuturism, Postcolonial Temporality, and the Remapping of Black Futures

Elżbieta Binczycka-Gacek

Jagiellonian University, Poland

(151) AI, Decoloniality and Creative Translation (1)
Location: KINTEX 1 207B
Chair: Matthew Reynolds, University of Oxford
 

Open Group Individual Submissions

Complementarities: Artificial Intelligence and Language Ontologies

Joseph Hankinson

University of Oxford, United Kingdom




Open Group Individual Submissions

Leveraging LLM Tools for Decolonializing Translation in the College Literature Classroom

Jennifer Brynn Black

Boise State University, United States of America




Open Group Individual Submissions

Arabic and Chinese Wine Poems: Culture and Ethos

WEN-CHIN OUYANG

School of Oriental and African Studies, University of London, United Kingdom




Open Group Individual Submissions

Conversational AI as a Translation Companion: Exploring Collaborative Strategies in Translating Performative Poetry of Marico Carmona

Maria Eugenia Rigane

Universidad de Belgrano, Argentine Republic

(152) Approaching Nonhuman Narrative in World Literature (1)
Location: KINTEX 1 208A
Chair: Biwu Shang, shanghai jiao tong university
 

Open Group Individual Submissions

Approaching Nonhuman Narrative in World Literature: The Strange Case of “My Life with a Wave,”by Octavio Paz

Rudyard Joel Alcocer

University of Tennessee, USA, United States of America




Open Group Individual Submissions

Thing, Scale and Worldmaking: from Human Narrators, Nonhuman Narrators to “Scale Narrators”

Jie Zheng

Guangdong University of Foreign Studies, China, People's Republic of




Open Group Individual Submissions

Nonhuman Agency and Ecological Justice: Reimagining Capitalism and Environmental Crisis in Gun Island

Xue Shi

Shanghai Jiao Tong University, Shanghai, China




Open Group Individual Submissions

The Nonhuman Narrative in Chen Qiufan’s Waste Tide

Juyeon Son

Hanyang University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Character Focalization and Nonhuman Ethics in The Velveteen Rabbit

Xinyue Yuan

Shanghai Jiao Tong University, People's Republic of China




Open Group Individual Submissions

Androgyny and Non-Human Perspectives: A Comparative Analysis of Orlando and The Left Hand of Darkness through Donna Haraway’s Lens

Mariana da Silva Santos

Universidade Estadual do Centro-Oeste, Brazil




Open Group Individual Submissions

Language, Seashells and Tropisms: Writing Ecosophical Subjectivities in Ponge and Sarraute

Yuting Cai

University of Chicago, United States of America

(153) Comparative World Literature and New Techno Humanities
Location: KINTEX 1 208B
Chair: Seung Cho, Gachon University
 

Open Group Individual Submissions

Ethical Literary Criticism: Oral Literature and the Formation Mechanism of Brain Text

Zhenzhao Nie

Guangdong University of Foreign Studies/Zhejiang University, China




Open Group Individual Submissions

Irony and the Philosophy of Happiness in Emma

Qiping Yin

Hangzhou Normal University

(154) Black Women on the Move: Transnational Negotiations of Identity and Community (1)
Location: KINTEX 1 209A
Chair: Tong He, Central China Normal University
 

Open Group Individual Submissions

Nella Larsen’s Quicksand (1928) and the Limitations of Transnational Identity

Tong He

Central China Normal University, China




Open Group Individual Submissions

Exoticism and Identity Negotiation: Oriental Objects in Nella Larsen’s Quicksand Through a Polycultural Lens

Jiaqi Wu

Renmin University of China, China, People's Republic of




Open Group Individual Submissions

“Fearless and Free”: Josephine Baker’s Transnational Performatives of Raced Femininity

Fangfang Zhu

Central China Normal University, China




Open Group Individual Submissions

Female Physical Transformation and Subjectivity Construction in Metamor- phosis Myths

Xin Zhang

Guangdong University of Foreign Studies, China, People's Republic of

155
Location: KINTEX 1 209B
(156) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (1)
Location: KINTEX 1 210A
Chair: Yiping Wang, Sichuan University
 

Open Group Individual Submissions

Future Life in Science Fiction: Digital Worlds and The “Birth” and “Death”of Digital Lifeforms

Yiping Wang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Between Collision and Integration: The Evolution and Logic of the Relationship between Literature and Science

Min He

University of Electronic Science and Technology of China




Open Group Individual Submissions

Resurrection, Dust, and Entanglement: Materiality of the Computational Universe in Greg Egan’s Permutation City

Guangzhao Lyu

Fudan University, China, People's Republic of




Open Group Individual Submissions

Between the Sacred and the Profane: Posthuman Existence and Mythological Narrative in "Klara and the Sun" / 圣俗之间:《克拉拉与太阳》中的后人类生存境遇与神话叙述

Muyuan Cao, Fan Luo

Hainan Normal School, China, People's Republic of




Open Group Individual Submissions

The Persistence and Breakthrough of Mind-Body Paradox: the Cultural Logic of Subjectivity in Contemporary Artificial Intelligence Science Fiction Narration

Mingming Su

Beijing Normal University, China, People's Republic of

(157) Looking back at Étiemble’s comparativism: what legacy, what prospects? (1)
Location: KINTEX 1 210B
Chair: Tristan Mauffrey, Université Sorbonne Nouvelle
 

Open Group Individual Submissions

L’humanisme total, un décentrement vraiment général

Emilie Picherot

Université de Lille, France




Open Group Individual Submissions

La réception des pensées d’Étiemble en Chine

Dan CHEN

Sichuan University (China), China, People's Republic of




Open Group Individual Submissions

"A l'impossible, il est vrai, chacun de nous, je l'espère, se sent tenu." Dans les archives d'Etiemble.

Céline Barral

Université Bordeaux Montaigne, France

(158) Han Kang, Bora Chung, and Cities
Location: KINTEX 1 211A
Chair: Jungman Park, Hankuk University of Foreign Studies
 

Open Free Individual Submissions

An Ethical Encounter with Alterity in Han Kang’s The Vegetarian

Mengni Kang

Macau University of Science and Technology, Macau S.A.R. (China)




Open Free Individual Submissions

The Cosmopolitan Fear and the Fantasy in Bora Chung’s Cursed Bunny: A Representation of How Horror Resides in Reality and Vice-Versa.

Nodi Islam

Southeast University, Bangladesh, People's Republic of




Open Free Individual Submissions

An Eastern Nobel in a Western Context: The Question of Universality in the Reception of Han Kang’s Nobel Prize in Swedish and Western Media.

Karin Nykvist

Lund University, Sweden




Foreign Sessions (Foreign Students and Scholars Only)

Cities as Archives: Comparative Urbanism, Literary Practices, and the Everyday

Klaudia Lee

City University of Hong Kong, Hong Kong S.A.R. (China)

(159) The Death of an Author
Location: KINTEX 1 211B
Chair: Byung-Yong Son, Kyungnam University
 

Host Sessions (Korean Students and Scholars Only)

A Comparative Study on Enlightenment and Nationalism through the Poems of Shin, Chae-ho(申采浩)and Lu Xun(魯迅)

Namyong Park

The Korean Society Of East-West Comparative Literature(한국동서비교문학학회), Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Reimagining Literary Criticism in the Age of AI: A Case Study of The Death of an Author

Yang Feng

China Foreign Affairs University, China, People's Republic of




Host Sessions (Korean Students and Scholars Only)

The Invisibility of Translator?: Towards an Alternative Strategy of Translation

Sue Jean Joe

Dongguk University, Korea, Republic of (South Korea)

(160) Oriental Literature in World Literature: Exchanges and Mutual Learning (1)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chair

Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

The Image of Girls in Chinese Fiction During the Republican Era

Yiwen Li

University of Sydney, Australia




Open Group Individual Submissions

The Snow Leopard and Dolpo: Analyzing Two Tales of Adventure and Spirituality from the West and the East

Sushil Ghimire

Balkumari College, Bharatpur-2, Chitwan, Nepal, Nepal




Open Group Individual Submissions

The Early Reception of T. S. Eliot in China: Under the influence of I. A. Richards, William Empson and others

Chen Lin

Shanghai Normal University, China, People's Republic of




Open Group Individual Submissions

Ezra Pound’s Conception of “Heroic Confucius” and the Vision for Reconstruction of Western Civilization Through Confucian Ideals

Lu Zhai

Central South University, China, China, People's Republic of

(161) Mutual Learning of Civilizations and Reconstruction of World Literature (1)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

Mutual Learning Among Civilizations and Reconstruction of World Literature

SHUNQING CAO, SHISHI LIU

Sichuan University, China




Open Group Individual Submissions

Comparison without Hegemony: Globalizing East-West Studies

David Norman Damrosch

Harvard University




Open Group Individual Submissions

From Local Settings to Border Crossings

Svend Erik Larsen

Aarhus University, Denmark




Open Group Individual Submissions

The Communication Relationship of Literature: The Communication Form of Network Relationship

Zhejun Zhang

Sichuan University, China




Open Group Individual Submissions

Beyond language: Chinese literary game and its dialogue with Western poetics and philosophy

Qing Yang

Sichuan University, China, People's Republic of

(162) Genre Imagination in Korean Literature
Location: KINTEX 1 213A
Chair: Hyungrae Cho, Dongguk Univ.
 

Host Sessions (Korean Students and Scholars Only)

「한국 웹소설이란 무엇인가」

Hyungrae Cho

Dongguk University




Host Sessions (Korean Students and Scholars Only)

「혐오 시대의 '좋은 삶' 과 로맨스 : 한국 웹소설 이혼물에 나타난 젠더 갈등과 친밀성의 문제」

Inhyeok Yu

Jeonju University




Host Sessions (Korean Students and Scholars Only)

「조선 왕조를 배경으로 한 SF소설 비교 연구 시론: 켄 리우의 '실크펑크' 와 정명섭의 '조선스팀펑크' 를 중심으로」,

Kim Ilhwan

Dongguk University




Host Sessions (Korean Students and Scholars Only)

Volunteer translation for sponsored children

Joowon Shin

KONKUK University, Korea, Republic of (South Korea)

(163) Korean Literature as Global Locality
Location: KINTEX 1 213B
Chair: Chunsik Kim, Dongguk University
 

Foreign Sessions (Foreign Students and Scholars Only)

ld and new questions for literature in the digital age

Lucia Boldrini

Goldsmiths, University of London




Host Sessions (Korean Students and Scholars Only)

Technological Objects and the Temporal Externalization of Memory: A Comparative Study of Elegy and Marjorie Prime

Ran Hee Lee

Dongguk University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

The Global Affective Regime of the University and the Formation of the Korean Literary Institution: The Chair and the Racialized/Gendered Politics of English Literature and Its Colonial Legacy

Doohyun Kwon

Donga University




Open Group Individual Submissions

Women Writers in the Globalization of Korean Literature

Seung-hye Mah1, Jin Yim2

1: Dongguk University Seoul Campus, Korea, Republic of (South Korea); 2: Ewha Womans University, Korea, Republic of (South Korea)

(164 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (1)
Location: KINTEX 1 302
Chair: Fatiha TAIB, Mohammed V University

24th ICLA Monday Hybrid Session #164H (13:30~15:00) #186H (15:30~17:00)

Join a Zoom meeting

link : https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1

pw: 12345

 

ICLA Research Committee Individual Submissions

Translating Korea: Perceptions of the Korean Peninsula in Arabic Periodicals (1880-1920)

Alaa Elewa

Ain Shams University




ICLA Research Committee Individual Submissions

The Translation of Contemporary South Korean Literature into Arabic

Hanane El Bakkali

Université Mohammed V




ICLA Research Committee Individual Submissions

The Arab Reception of South Korean Literature: Han Kang's Nobel Prize as a model

Larbi Qandil

The Regional Center of Education And Training Professions

(165) Body Image(s) of Women in Literature (1)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

Reshaping Salome and the conflicts between soul and flesh in the Republic of China

Yueqi Su

Sichuan University




Open Group Individual Submissions

Landscape and Feminist Desire in Pam Houston's Cowboys Are My Weakness

Jiayu Tan

Sichuan University, People's Republic of China




Open Group Individual Submissions

A Study of Body Image Writing and Changing of Female Sexual Minorities in Chinese Homosexuality literature

Xue Tang

Southwest University, China, People's Republic of China




Open Group Individual Submissions

Narrative of Women in Japanese Science Fiction: Space, Body, Isekai

Bingxin Duan1,2

1: Sichuan University, China; 2: Hubei Minzu University,China




Open Group Individual Submissions

The Representation of Female Bodily Disorders in American Literature

Yang Tang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Body of Prostitutes in Yan Lianke’ Novels

Weiwei Qi

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Adornment of Female Body in Li Bihua's Sheng Si Qiao

Yunke Qiao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Depiction of Female Body and Its Religious Meaning in Buddhist Avadana Literature

Li Juan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Opportunities in Plight: Realistic Projection and Utopian Reconstruction of Women’s Body in Delany’s Early Science Fiction Experiments

Qiongyao Jing

University of Electronic Science and Technology of China, China, People's Republic of

(166) Dongguk Univ. : Feminine Diaspora and Locality
Location: KINTEX 1 307
Chair: Jaemin Yoon, Dongguk University
 

Foreign Sessions (Foreign Students and Scholars Only)

Gender Studies and Comparative Literature

Anne Tomiche

Sorbonne Université




Foreign Sessions (Foreign Students and Scholars Only)

Ethics of Translation: When Translation Is an Art

Haun Saussy

University of Chicago

(101) (Re)Imagining family (ECARE 1)
Location: KINTEX 2 305A
Chair: Junru Xiang, Xiangtan University
 

ECARE/NEXT GEN Individual Submissions

Beyond ‘Mother India’ and ‘New Indian Woman’: Indian educated middle-class women in Partition Novels

Ziwei Yan

University of Science and Technology Beijing, Beijing, China, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Family Conflicts and Social Critique: A Comparative Reading of Arthur Miller’s Death of a Salesman and Ins Choi’s Kim's Convenience

Jeongwon Jo

Chungbuk National University, Korea, Republic of (South Korea)




ECARE/NEXT GEN Individual Submissions

Rediscovery of True Self on the Father-Seeking Journey——An Exploration of Jack Burns’ Journey of Growth in Until I Find You

Junru Xiang

Xiangtan University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Bird and Tree: The Ethical Responses of Yeong-hye and In-hye to the Face in The Vegetarian

Xiaohong Li1, Zhanji Yang2

1: Zhaotong University,Xiaohong Li; 2: Pu’er University,Zhanji Yang

(102) (Re)Interpreting Confucionism (ECARE 2)
Location: KINTEX 2 305B
Chair: ZHIWEI SUN, NTU
 

ECARE/NEXT GEN Individual Submissions

An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title

Wei Guo, Junkang Huang

Central South University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

China as an Idea and Symbol: The Construction of the ideal country Huaxia Ordus in the “Eurasian Symphony”

Yin Nan Song

Nankai university, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Between the East and the West: Lim Boon Keng's Cross-Cultural Legacy and Foresight

ZHIWEI SUN

NTU, Singapore




ECARE/NEXT GEN Individual Submissions

Chinese Philosophy and Transformation of Media Narrative

Yun LI

South China University of Technology, China, People's Republic of

(103) Autorial practice in translation and fiction (ECARE 3)
Location: KINTEX 2 306A
Chair: Yuyun Peng, Complutense University of Madrid
 

ECARE/NEXT GEN Individual Submissions

Présentation de ma thèse de doctorat : La poétique de l’auto-traduction chez Samuel Beckett (soutenue à Paris 8 en 2024)

Yoo-jung Kim

Korea University, Korée, République




ECARE/NEXT GEN Individual Submissions

Autofiction as a Form of Resistance in Modern Women’s Writing: A Gynocritical Analysis of Tan-sil and Joo-young and Göç Temizliği

Jiseon Kang

Boğaziçi University, Turkiye




ECARE/NEXT GEN Individual Submissions

Technological Mediation and Disappropriation: Digital Tools and Narrative Transformation in Rivera Garza's Literary Practice

Yuyun Peng

Complutense University of Madrid, Spain




ECARE/NEXT GEN Individual Submissions

Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today

Wenqing Wang

Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of

(104) Body, gender, experience (ECARE 4)
Location: KINTEX 2 306B
Chair: Yan Huang, Hoseo University
 

ECARE/NEXT GEN Individual Submissions

Sylvia Plath's Literary Creation of the A Study of Body Image

Wang Ran

Sichuan University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Cultural Racialization of Women in War: Gender, Body, and Historical Memory in A Gesture Life(1999) and The Woman Warrior(1976)

Yan Huang

Chungbuk National University, Korea, Republic of (South Korea)

(105) Comparative Literature and AI (ECARE 5)
Location: KINTEX 2 307A
Chair: Sohan Sharif, Jahangirnagar University
 

ECARE/NEXT GEN Individual Submissions

Translation Politics and Changing Practices of Translation with AI: Evolution or Devolution?

Debasmita De Sarkar

Visva Bharati University, India




ECARE/NEXT GEN Individual Submissions

Can AI act as a Comparatist?

Sohan Sharif

Institute of Comparative Literature and Culture, Jahangirnagar University, Bangladesh, People’s Republic of




ECARE/NEXT GEN Individual Submissions

Accommodating Textual Anxieties: Authenticity and AI in Technelegy by Sasha Stiles

Abhirami Ajith Kumar

Indian Institute of Technology Kanpur, India

(452) Emergence of new narratives
Location: KINTEX 2 307B
Chair: Sunhwa Park, Konkuk University
 

Open Group Individual Submissions

Re-telling the Owl-lores of Bengal: The Screeching Myths of the Brown Fish Owl and the Barn Owl

Camellia Paul

Jadavpur University, India




Open Group Individual Submissions

Influence of Buddhism in Modern Indian writings against socio-cultural discriminations

Prabuddha Ghosh

The Assam Royal Global University, India




Group Session

Obituaries as ‘Biography with an Agenda’ in Fin-de-Siècle Hungary

Mari Rethelyi

498
Location: KINTEX 2 308A
3:30pm
-
5:00pm
(167) Translation Studies (6)
Location: KINTEX 1 204
Chair: Marlene Hansen Esplin, Brigham Young University
 

ICLA Research Committee Individual Submissions

Gained in Translation: Comparative Translation in the 21st Century

Mashrur Shahid Hossain

Jahangirnagar University, Bangladesh, People's Republic of




ICLA Research Committee Individual Submissions

Langston Hughes Translates Nellie Campobello

Emron Esplin

Brigham Young University, United States of America




ICLA Research Committee Individual Submissions

East-West Collaboration to Translate East-West Literature: the Case of Xie Hong

Harold Wayne Swindall Jr, Jicheng Sun

Woosong University, South Korea




ICLA Research Committee Individual Submissions

Time and Gender in Translation: Dealing with euphemisms and invisibility of Urdu in the translation of futuristic gender discourse of Sibylle Berg

SYED SALMAN ABBAS

ALIGARH MUSLIM UNIVERSITY, India




ICLA Research Committee Individual Submissions

Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today

Wenqing Wang

Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of

(168) Comics Studies and Graphic Narrative (2)
Location: KINTEX 1 205A
Chair: Stefan Buchenberger, Kanagawa University
 

ICLA Research Committee Individual Submissions

She is Judged! Tezuka Osamu’s Female Mephistopheles as Anti-heroine

Maria Ana Micaela Chua Manansala

University of the Philippines, Philippines




ICLA Research Committee Individual Submissions

The Representation of Modern Female Heroes in Webtoons: A Case Study of Indonesian Works

Noriko Hiraishi

University of Tsukuba, Japan




ICLA Research Committee Individual Submissions

The Enemy’s Face – How the Presence of the Enemy Influences the “Hiroshima of Anger” and “Nagasaki of Prayers” Narratives in Cartoon Animation

Joachim Alt1,2

1: National Museum of Japanese History, Japan (until March 31, 2025); 2: Niigata University, Japan (from April 1, 2025)




Foreign Sessions (Foreign Students and Scholars Only)

The Futuristic Legacy of Animal Fables: Tracing Animal Motifs in Chinese Science Fiction

Luyao Yu

East China Normal University (ECNU), China, People's Republic of

169
Location: KINTEX 1 205B
(170) Chungbuk National Univ. (2)
Location: KINTEX 1 206A
Chair: Heebon Park, Chungbuk National University
 

Host Sessions (Korean Students and Scholars Only)

Social Factors and Maternal Influence on Children’s Character Development in J.B. Priestley’s An Inspector Calls and Arthur Miller’s Death of a Salesman

Trang Nguyen

Chungbuk National University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

The Symbolic Role of Nature and the Storm in Shakespeare's King Lear

Rustam Ziyodulloevich Asrorov

Chungbuk National University




Host Sessions (Korean Students and Scholars Only)

A comparative study of animality dramatized in Edward Albee's <Seascape> and <The Goat, or Who is Sylvia?>

Jeongwon Jo

Chungbuk National University, Korea, Republic of (South Korea)

(171) Misreading the East
Location: KINTEX 1 206B
Chair: Jun Soo Kang, anyang University
 

Foreign Sessions (Foreign Students and Scholars Only)

On Posthuman Subjectivity in Belyaev

Ziqi Liu

Tianjin Normal University




Foreign Sessions (Foreign Students and Scholars Only)

How does the media frame vasectomy: a political issue, a gender issue, or a medical issue? ——A comparative content analysis on vasectomy reportings in United States and China

Yuxiao Zhang

University of Maryland, United States of America




Foreign Sessions (Foreign Students and Scholars Only)

Misreading the East: AI, Aesthetic Misrecognition, and the Technological Hegemony over Bengali Literature

Hamayat Ullah Emon

Jahangirnagar University, Bangladesh, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Technologies de l’imaginaire : littérature viatique et conscience simulée dans la fabrique prémoderne du Japon

Ibtihel Ghourabi1,2

1: Aix-Marseille Université; 2: l’Institut national des langues et civilisations orientales (Inalco)




Foreign Sessions (Foreign Students and Scholars Only)

Emplotting Yin-Yang and Changes in Life: To What Extent is Eileen Chang’s The Book of Change a Yijing?

Yuchen Xie

Bejing Normal Hong Kong Baptist University, China, People's Republic of

(172) Global Renaissances (1)
Location: KINTEX 1 207A
Chair: Gang Zhou, Louisiana State University
 

Open Group Individual Submissions

Reimagining the Renaissance: Chinese Intellectual Engagements with Western Historiography and the Birth of the “Chinese Renaissance”

Xinyao Xiao

Chongqing University, China, People's Republic of




Open Group Individual Submissions

Has the Iranian Renaissance Already Happened?

Behnam Fomeshi

Monash University, Australia




Open Group Individual Submissions

Reframing the Renaissance: Don Quixote, the Catalan Renaixença, and the Harlem Renaissance in Dialogue

Carmela Mattza

Louisiana State University, United States of America




Open Group Individual Submissions

Global Renaissances

Gang Zhou1, Lital Levy2, Alaaeldin Mahmoud3, Behnam Fomeshi4, Carmela Mattza5, Andrew Hui6, Brenda Schildgen7

1: Louisiana State University; 2: Princeton University; 3: AUM University; 4: Monash University; 5: Louisiana State University; 6: National University of Singapore; 7: University of California at Davis

(173) AI, Decoloniality and Creative Translation (2)
Location: KINTEX 1 207B
Chair: Matthew Reynolds, University of Oxford
 

Open Group Individual Submissions

“My Language has no School”: Decolonising AI Translation

Deepshikha Behera

The English and Foreign Languages University, Hyderabad, India, India




Open Group Individual Submissions

Constraints as a Route to Creativity in AI Translation: the AIDCPT project

Matthew Reynolds

University of Oxford, United Kingdom




Open Group Individual Submissions

Creative poetry translation mediated by AI: translating Nancy Naomi Carlson’s Piano in the Dark

Karen Lorraine Cresci

Universidad Nacional de Mar del Plata, Argentine Republic




Open Group Individual Submissions

The Multiverse. AI Poetry Translation in the Network System

Cosima Bruno

SOAS University of London, United Kingdom

(174) Approaching Nonhuman Narrative in World Literature (2)
Location: KINTEX 1 208A
Chair: Biwu Shang, shanghai jiao tong university
 

Open Group Individual Submissions

Stray And A Cat’s Perspective On The Post-human

Isabel Escobar Rodriguez

Shanghai International Studies University, China, People's Republic of




Open Group Individual Submissions

A Multi-scalar Cosmos: Nonhuman Narration in Calvino’s The Complete Cosmicomics

Mengqing Gong

Guangdong University of Foreign Studies, China, People's Republic of




Open Group Individual Submissions

Video Games as Literary Creation and Reception: Interactive Mythmaking with Monkey Player-Character in Black Myth: Wu Kong

Kanjing He

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

Womb Envy and Fetal Anxiety: on Nutshell's Desire Flow of Body

Jiasi Dai

Shanghai Jiaotong University




Open Group Individual Submissions

“Deictic Scale Shifting”:An Extension of Anthropocene Narrative Theory

Tianxin Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Reimaging nature and culture through animal and interspecies writing: a comparative reading on Zhang Wei’s Songs from the Forest and Lin Zhao’s Tidal Atlas (2022)

Hoi Yan CHU

King's College London, United Kingdom; University of Hong Kong




Open Group Individual Submissions

Flowing with the Cosmos: Gu Cheng’s Poetry as Nonhuman Narrative

Ruoshui Zhang

University of Cambridge, United Kingdom

(175) Convergence of Literature and Technology
Location: KINTEX 1 208B
Chair: Seung Cho, Gachon University
 

ICLA Research Committee Individual Submissions

Interpreting Ethical Chronotopes in Victorian War Poems

Lizhen Chen

Hangzhou Normal University, China, People's Republic of




Open Group Individual Submissions

Convergence of Literature and Technology: Ethics and Aesthetics of AI-generated literature

Anca Mihalache

Université de Picardie Jules Verne, France




Open Group Individual Submissions

Redemptive Allegory and Cyclical Redemption: A Comparative Study of William Faulkner’s *A Fable* and Mo Yan’s *Life And Death Are Wearing Me Out*

Tiao Wang

Harbin Institute of Technology, China, People's Republic of




Open Group Individual Submissions

A Poor Man's 007: Alan Ford Between Spy Story and Superhero Comics

Umberto Rossi

Sapienza University of Rome, Italy

(176) Black Women on the Move: Transnational Negotiations of Identity and Community (2)
Location: KINTEX 1 209A
Chair: Tong He, Central China Normal University
 

Open Group Individual Submissions

Identity Performance in the Narratives of Jamaica Kincaid

Carlo Stranges

Tokyo University of Foreign Studies, Japan




Open Group Individual Submissions

"Exile of Belonging": Transnational Identity Negotiation and Black Women’s Cultural Identity in Alice Walker’s Works

Xiaoqiao Liu

Beijing Foreign Studies University, China




Open Group Individual Submissions

Everyday Politics of Transnational Community in Gayl Jones’ Mosquito

Chenchen Wang

Huazhong University of Science and Technology, China




Open Group Individual Submissions

Indigenous poets' counter-reading of Australian historical and cultural memory locally and internationally

Danica Cerce

Faculty of Arts, University of Ljubljana, Slovenia

(177) Literary Theory Committee
Location: KINTEX 1 209B
Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France
 

ICLA Research Committee Individual Submissions

AIsthesis

Rok Bencin

Research Centre of the Slovenian Academy of Sciences and Arts, Slovenia




ICLA Research Committee Individual Submissions

The Love of Locomotives or Science Fiction Soviet Georgian Style

Zaal Andronikashvili

Leibniz-Zentrum für Literatur- und Kulturforschung, Germany




ICLA Research Committee Individual Submissions

Surveillance: Cultural and Narrative Technologies

Stefan Willer

Humboldt-Universitaet zu Berlin, Germany




ICLA Research Committee Individual Submissions

The Short Story Cycle Across Polytextual Theory and Literary Empirical Studies

Mara Santi

Ghent University, Belgium

(178) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (2)
Location: KINTEX 1 210A
Chair: Yiping Wang, Sichuan University
 

Open Group Individual Submissions

Anti-heroic figures, Dream Boxes, and the Search for the Essence of Human: A Cyborg Narrative in Contemporary Chinese Science Fiction

Yuqin Jiang

Shenzhen University, China, People's Republic of




Open Group Individual Submissions

"In Terms of Worldly Things": The Viewpoint of Science Fiction

Simona Bartolotta

University of Giessen, Germany




Open Group Individual Submissions

The Technological Allegory of the Cyborg in The Absent City

Shuyue XU

University of Chinese Academy of Social Science, China, People's Republic of




Open Group Individual Submissions

Nostalgia, Acceleration, and Equilibrium: Technological Ethics and the Accelerated Human in “Flowers for Algernon”

Maojiang Zuo

Sichuan University, China, People's Republic of




Open Group Individual Submissions

From the “Transform Nature” to “Create Newcomers”: Food Crisis and Ecological Criticism in the Works of Paolo Bacigalupi

Haoran LUO

Sichuan University, China, People's Republic of

(179) Looking back at Étiemble’s comparativism: what legacy, what prospects? (2)
Location: KINTEX 1 210B
Chair: Tristan Mauffrey, Université Sorbonne Nouvelle
 

Open Group Individual Submissions

A partir d'Abdelkébir Khatibi, Edouard Glissant et V.Y. Mudimbe. Une pensée autre de l'histoire culturelle postcoloniale.

Tumba SHANGO LOKOHO

Université Sorbonne Nouvelle, France




Open Group Individual Submissions

Retour sur "l'épopée de l'épopée"

Tristan Mauffrey

Université Sorbonne Nouvelle, France




Open Group Individual Submissions

Repenser la langue avec et après Étiemble/Rethinking language with and after Étiemble

Claudine LE BLANC

Université Sorbonne Nouvelle, France

(180) Morality, Ethics, and Text-to-Text
Location: KINTEX 1 211A
Chair: ChangGyu Seong, Mokwon University
 

Open Free Individual Submissions

An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title

Wei Guo, Junkang Huang

Central South University, China, People's Republic of




Open Free Individual Submissions

Queering the Bhanita: Exploring how Tagore transforms Vaishnava poetry, and Twichell translates Tagore

Aadrit Banerjee

St. Stephen's College, University of Delhi, India




Open Free Individual Submissions

A Comparative Study of the Morality and Ethics between Confucius Analects and the Bible

Lin Peng

Northwestern Polytechnical University, China, People's Republic of




Open Free Individual Submissions

From Source Text to Target Text: A Comparative Analysis of Anandamath in Translation, Ideology, and Cultural Context

Nabila Haque

Jahangirnagar University, Bangladesh, People's Republic of




Open Group Individual Submissions

Demoness, Monk and Forbidden Desire: A Contemporary Interpretation of the ‘Demoness-monk seduction’

Jiayin Yang

University of Freiburg, Germany

(181) Dealing with Memory
Location: KINTEX 1 211B
Chair: Sunhwa Park, Konkuk University
 

Host Sessions (Korean Students and Scholars Only)

횔덜린과 김춘수 신화시의 ‘예수’의 의미: 칼 바르트의 신학적 관점으로

Juri ­Oh

Catholic Kwandong University




Host Sessions (Korean Students and Scholars Only)

Dealing with Memory: Response to Han Kang's question

JeeHee Kim

Yonsei University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Reading the signs in Fernando Pessoa’s Mensagem

Jieun Kim

Hankuk University of Foreign Studies, Korea, Republic of (South Korea)

(182) Oriental Literature in World Literature: Exchanges and Mutual Learning (2)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chair

Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

A Study on the Overseas Dissemination and Reception of Wen Fu

Jiansheng Lyu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Translation and Dissemination of China's Anti-Japanese War Literature in the English World and Its Construction of China's Image ---a Case Study of Stories of China at War

Jin Yan

Changsha University of Science and Technology, China, People's Republic of




Open Group Individual Submissions

Ideological-affective Dynamic in “Red Beans”: Exploring Chinese Modernity through the Lens of Translatability

Yufan Che

University of Arizona, United States of America




Open Group Individual Submissions

한강 작품<<채식주의자>>에 대한 정신분석학적 해석

SOUNGIL PARK

Hunan University, China, People's Republic of




Open Group Individual Submissions

Survival Dilemma and Identity Anxiety: The Marginal Writing of South Korean Author Kim Ae-ran's Novels

Shuying Li, Weirong Zhao

Sichuan University, China, People's Republic of

(183) Mutual Learning of Civilizations and Reconstruction of World Literature (2)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Free Individual Submissions

The Paradox of Cosmopolitan Ideals: UNESCO and the Construction of World Literary Canons Post-World War II

Song Liu, Jiaxin Lin

Northewestern Polytechnical University, China, People's Republic of China




Open Group Individual Submissions

Cross-cultural Dialogue and Game Meaning of Chinese Palindrome

Ping Du

Guangdong University of Finance & Economics, China, People's Republic of




Open Group Individual Submissions

World Literature as a mosaic: towards a methodology of 文明互鉴

Giorgio Sinedino

University of Macau, Macau S.A.R. (China)




Open Group Individual Submissions

Self-confidence, Understanding, Win-win — The Prospect of Post-Globalization in The Red Queen

Fenfang Zhou

Xiangtan University, China, People's Republic of




Open Group Individual Submissions

The Travels of Marco Polo: A Cross-cultural Communication Perspective

Jialin Yu

Sichuan University, China, People's Republic of

(184) East Asian Comparative Literature
Location: KINTEX 1 213A
Chair: Yangsu Kim, Dongguk Univ.
 

Host Sessions (Korean Students and Scholars Only)

Discourses on the Korean Peninsula in 1980s Japanese and Zainichi Korean Media: Focusing on Sekai and Sanzenri

YOUNGHO LEE

Dongguk University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

The Adaptation of Yu Jin-oh's "Memories of Shanghai" and The League of Left-wing writers」

Yangsu Kim

Dongguk University




Host Sessions (Korean Students and Scholars Only)

동시대 한일관계의 재현 양상: 드라마 시리즈 <사랑 후에 오는 것들>과 원작 소설 겹쳐 읽기

Changhoon Jeong

Dongguk University

185
Location: KINTEX 1 213B
(186 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (2)
Location: KINTEX 1 302
Chair: LOBNA ABDEL GHANI ISMAIL, CAIRO UNIVERSITY
 

ICLA Research Committee Individual Submissions

Exploring Arabic and Korean Post-Media Composites: A Comparative Reformist Perspective

Marie Thérèse ABDELMESSIH

Cairo University




ICLA Research Committee Individual Submissions

The New Arab Travellers on YouTube: South Korea as a Destination

Fadoua ELAABDI

Mohammed V University




ICLA Research Committee Individual Submissions

Towards South Korean Culture and Literature in the Digital Age: New Horizons for Contemporary Arab Comparative Studies

Fatiha TAIB

Mohammed V University

(187) Body Image(s) of Women in Literature (2)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

A Doll's House or Nora's House?

Svend Erik Larsen

Aarhus University, Denmark




Open Group Individual Submissions

The mutual interpretation of ancient Qixi female body intention in literature and images

Aiwei Huang, Fei Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Diversity and Deconstruction —— Female Incomplete Body Image in American Novels from 2009 to 2016

Yuqi Chang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Comparative Study on the Motif of "Difficult Marriage Proposal" in the Folk Narrative Literature of the Korean Ethnic Group and the Manchu-Tungusic Ethnic Groups

hai feng che

Beibu Gulf University, China, People's Republic of




Open Group Individual Submissions

Could Body Images of Women Be Perceived in the Book of Changes? -- A Gender Perspective of Margaret J. Pearson’s Interpretation

Weirong Li

Yuelu Academy, Hunan University, China, People's Republic of




Open Group Individual Submissions

Body as Construction of Subjectivity in Eudora Welty’s The Golden Apples

Ying Liu

Sichuan University




Open Group Individual Submissions

The Gamified Body: Animal Metaphors of the Female Body in Philip Roth’s Fiction

Yu Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Performance Metaphors for Female Body Imagery in Richard Yates' Fiction

Bei Tang

Southern Medical University, China, People's Republic of




Open Group Individual Submissions

Reimagining the Female Body: A Luce Irigarayan Analysis of Angela Carter's Novels

Danlian Zhao

Chongqing University, China, People's Republic of




Open Group Individual Submissions

Sylvia Plath's Literary Creation of the A Study of Body Image

Wang Ran

Sichuan University, China, People's Republic of

(188) Authorship and Technology (1)
Location: KINTEX 1 307
Chair: Xi'an GUO, Fudan University
 

Open Group Individual Submissions

Between Tech and Technê: An Alternative History of Early Chinese Authorship

Zhuming Yao

Boston University, United States of America




Open Group Individual Submissions

The Author-Persona and the Object-Technology: Invention of Reading Furniture and Literary Self-representation in Medieval China

Xiaojing Miao

Yale University, United States of America




Open Group Individual Submissions

Copying as Writing: Reproductive Technology of Texts and Authorial Intentionality

Chao Ling

CUHK, Hong Kong S.A.R. (China)




Open Group Individual Submissions

The Author as Producer: Research on Lu Xun's Literary Thought in the 1930s

Mingming Su

Beijing Normal University, China, People's Republic of

(106)
Location: KINTEX 2 305A
(107) Digital humanities (ECARE 7)
Location: KINTEX 2 305B
Chair: Debasmita Sarkar, Shri Ramasamy Memorial University Sikkim
 

ECARE/NEXT GEN Individual Submissions

Reimagining Neo-Confucian Diagrams: Insights from 3D Animation

Maria Hasfeldt Long

Linnaeus University, Sweden




ECARE/NEXT GEN Individual Submissions

Virulents and the Viral: Rhizomatic Horror in the Digital Age

Debasmita Sarkar

Shri Ramasamy Memorial University Sikkim, India




ECARE/NEXT GEN Individual Submissions

“Cartography of the Borderlands” in the Global South: Diaspora Identities and National Allegories in Borderland Spaces in Postcolonial Contexts

Xinyang Li

University of Georgia, United States of America

(108) East - West exchanges 1 (ECARE 8)
Location: KINTEX 2 306A
Chair: Xinchen Lu, East China Normal University
 

ECARE/NEXT GEN Individual Submissions

The Study of Faulkner in China from the Perspective of Comparative Literature

Jiashang Liang

Ocean University of China, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Aeromobility and Aviation Literature in China and in the West

Jie Zhang

Hainan Normal University, China, People's Republic of China




ECARE/NEXT GEN Individual Submissions

Showcasing the Diversified Oriental Aesthetics: A Comparative Study of Theatrical Theories between Natyasastra and Xian Qing Ou Ji

Xinchen Lu

East China Normal University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Bob Dylan's Acceptance of the Chinese Classic I Ching(易经)

Quntao Wu

School of Foreign Languages, Xiangtan University, China, People's Republic of

(109) East - West exchanges 2 (ECARE 9)
Location: KINTEX 2 306B
Chair: Yushu Huang, Shanghai Jiao Tong University
 

ECARE/NEXT GEN Individual Submissions

A Comparative Study of Female Madness in Frog and Beloved from an Ethical Perspective

Yushu Huang

Shanghai Jiao Tong University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Reconstructions and Reflections: A Comparative Study of the Historical Narratives in The Sound and the Fury and The Mountain Whisperer

YUQI HUANG

Northwestern Polytechnical University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Chinese's "Chic": Li Jianwu's Adaptation of Macbeth

Minglu Zhu

Zhejiang University, China, People's Republic of

(110) Ecocriticism and the Anthropocene (ECARE 10)
Location: KINTEX 2 307A
Chair: Cynthia Yingjuan Lin, Peking University
 

ECARE/NEXT GEN Individual Submissions

The Call of the Wild ---- The Animal Ethics and Rhetoric of Ecological Novels

ChunPing PANG

HongKong Baptist University, Hong Kong S.A.R. (China)




ECARE/NEXT GEN Individual Submissions

Deconstruction of anthropocentrism and alternatives to post-humanism: Focusing on Agustina Bazterrica’s "Tender is the Flesh"

Minji Choi

Hankuk university of foreign studies, Korea, Republic of (South Korea)




ECARE/NEXT GEN Individual Submissions

Urban Wildernesses: Searching for a Unity of Nature and Man in Can Xue’s Barefoot Doctor

Cynthia Yingjuan Lin

Peking University, China




ECARE/NEXT GEN Individual Submissions

Repositioning Human-nonhuman Binaries through Ecophobia: A Study of Classic of Mountains and Seas

Meilin LIU

Hong Kong Baptist University, Hong Kong S.A.R. (China)

(453) Digital is Everywhere
Location: KINTEX 2 307B
Chair: Jungman Park, Hankuk University of Foreign Studies
 

Open Group Individual Submissions

Le progrès technologique vu par Michel Houellebecq : utopie ou dystopie ?

Ruike Han

Centre de Recherches sur les Littératures et la Sociopoétique (CELIS), Université Clermont Auvergne, France




Open Group Individual Submissions

La technologie est-elle un défi pour l’approche des extraits littéraires en FLE ?

Kim Thanh NGUYEN THI

Université Phenikaa, Viet Nam




Open Group Individual Submissions

Digital (dis-) Embodiment and the Rhetoric of Belonging: Reimagining Queer Chinese Diaspora in Cyberspace

Wai Chi Wong

Western University, Canada




Open Group Individual Submissions

Digital Ramrajya: The Political Reimagining of an Ancient Ideal in the Age of Social Media

Yang He

Tsinghua University, China, People's Republic of




ICLA Research Committee Individual Submissions

From the Death of the Author to Digital Darwinism: Teaching with Artificial Intelligence, Digital Media, and the Resilience of Identity

Rena Kim

Independent Research, United States of America

499
Location: KINTEX 2 308A
5:00pm ECARE Reception
Location: KINTEX 1 Grand Ballroom
Chair: Emanuelle Santos, University of Birmingham

ICLA ECARE Committee Reception

Opening Address

Emanuelle Santos, Chair of ECARE Committee, University of Birmingham, UK

Lucia Boldrinii, President of ICLA, Goldsmiths, University of London, UK

Youngmin Kim, Congress Chair, 2025 ICLA Congress Seoul, South Korea

Open Mike for NEXT.GEN Session Chairs


Date: Tuesday, 29/July/2025
9:00am
-
10:40am
Keynotes: Uchang Kim & David Damrosch
Location: KINTEX 1 Grand Ballroom
Chair: Hyungji Park, Yonsei University

https://youtube.com/live/IfTVjPkFpG0?feature=share

11:00am
-
12:30pm
(189) Translation Studies (1)
Location: KINTEX 1 204
Chair: Marlene Hansen Esplin, Brigham Young University
 

ICLA Research Committee Individual Submissions

Collaborative Translation of Indigenous Literature: Digitization and Preservation

Saswati Saha

Sikkim University, India




ICLA Research Committee Individual Submissions

LLMs and Creative Translation: Decolonial Methods in Human-AI collaboration

Deepshikha Behera

The English and Foreign Languages University, Hyderabad, India, India




ICLA Research Committee Individual Submissions

Digital Reading Now: How Does Meaning Travel

Xinyi Li

The University of Amsterdam, Netherlands, The




ICLA Research Committee Individual Submissions

Convergences of Information Literacy and Translation Literacy

Marlene Hansen Esplin

Brigham Young University, United States of America

(190) South Asian Literatures and Cultures (1)
Location: KINTEX 1 205A
Chair: E.V. Ramakrishnan, Central University of Gujarat
 

ICLA Research Committee Individual Submissions

Tracing Liminality: Performing Decolonization in South Asia

Subhayu Chatterjee

Jadavpur University, India




Open Group Individual Submissions

Revisiting Tagore's Vishyasahitya: The Development and Contemporary Relevance of Comparative Literature

Sohan Sharif

Institute of Comparative Literature and Culture, Jahangirnagar University, Bangladesh, People's Republic of




ICLA Research Committee Individual Submissions

Decolonizing Literary Discourse: The Emergence of Comparative Literature in Post-Independence India

Tias Basu

Jadavpur University, India




ICLA Research Committee Individual Submissions

Politics of Categorization and Idea about ‘World Literature’: An Indian Perspective

Soma Mukherjee

Visva-Bharati, India

(191) Comics Studies and Graphic Narrative (3)
Location: KINTEX 1 205B
Chair: Stefan Buchenberger, Kanagawa University
 

ICLA Research Committee Individual Submissions

M’quidech : l’héroïsme à l’algérienne

Safa DJEBLI

Université ,Echahid Cheikh Larbi Tebessi.Tébessa. Algérie




Open Group Individual Submissions

Yearning for Girls and for Selkies: Lesbian coming-of-age in The Girl from the Sea and Laura Dean Keeps Breaking Up with Me

Sigrid Verena Thomsen

UCL, United Kingdom




ICLA Research Committee Individual Submissions

Drawing the Ghosts Away: Graphic Narrative as a Medium for Trauma, Postmemory, and Healing in Feeding Ghosts

QINGERILI SI

Chungbuk National University, Korea, Republic of (South Korea)




ICLA Research Committee Individual Submissions

Cha Cha on the Bridge: AI Heroes

Kyunghwa Lee

Yonsei University, Republic of (South Korea)

(192) Scriptural Reasoning and Comparative Studies (1)
Location: KINTEX 1 206A
Chair: Chengzhou He, Nanjing University
 

ICLA Research Committee Individual Submissions

A brief discussion on the tradition of Jewish classical exegesis

Xin Xu

Nanjing University, China, People's Republic of




ICLA Research Committee Individual Submissions

After / Behind the Mutual-interpretations of Logos and Dao: An Invitation Updated

Huilin Yang

Renmin University of China, China, People's Republic of




Group Session

Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age

Hui Zhang, Yuanyuan Hua, Jing Zhang




Open Group Individual Submissions

Scriptures, Law, Humanity

Svend Erik Larsen

Aarhus University, Denmark

(193) Factory of the present: literature, culture and criticism in the Global South
Location: KINTEX 1 206B
Chair: Rachel Esteves Lima, Federal University of Bahia
 

Open Group Individual Submissions

Between Disorder and Return: The Brazilian National Flag Remixed for the 21st Century

Ana Lígia Leite e Aguiar

Federal University of Bahia, Brazil




Open Group Individual Submissions

Beatriz Sarlo and Leyla Perrone-Moisés: Crossed paths

Claudia Amigo Pino

University of São Paulo, Brazil




Open Group Individual Submissions

The Expanded Field of Literature and its Relationship with the Arts and Media

Marcia Arbex

Universidade Federal de Minas Gerais, Brésil




Open Group Individual Submissions

Vagues de résistance: littérature et insurrections contemporaines

Rachel Esteves Lima

Federal University of Bahia, Brazil




Open Group Individual Submissions

Comparativism Today and the Foundation of the World Republic of Global-South Letters

Anderson Bastos Martins

Universidade Federal de Juiz de Fora, Brazil

(194) Global Renaissances (2)
Location: KINTEX 1 207A
Chair: Gang Zhou, Louisiana State University
 

Open Group Individual Submissions

The First Nahḍawī: Shaykh Ḥasan al-‘Aṭṭār as a Beacon of Indigenous Modernity

Alaaeldin Mahmoud

The American University of the Middle East, Kuwait




Open Group Individual Submissions

Multiple Renaissances: A Thesis

Gang Zhou

Louisiana State University, United States of America




Open Group Individual Submissions

Moderator

Brenda Deen Schildgen

UC Davis, United States of America




Open Group Individual Submissions

Global Renaissances

Andrew Hui

National University of Singapore

(195) Ghosts and SF (Canceled)
Location: KINTEX 1 207B
Chair: JIHEE HAN, Gyeongsang National University
 

Foreign Sessions (Foreign Students and Scholars Only)

Trauma, the Body, and Ghosts: On Corporeal Politics and the Resistance of Memory in Han Kang's Literature

Jialing Li

SICHUAN University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

The Life Paradox of Uploaded Consciousness: A Posthumanist Reading of Disembodied Digital Selves in Science Fiction

Jiadong Jin, Fuguang Miao

Shanghai University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Chinese Space-themed Science Fiction: Rise, Western Influences and Cultural Roots

Fuguang Miao, Jiadong Jin

Shanghai University, China, People's Republic of

(196) Approaching Nonhuman Narrative in World Literature (3)
Location: KINTEX 1 208A
Chair: Biwu Shang, shanghai jiao tong university
 

Open Group Individual Submissions

Non-human Narratives in Amy Tan’s The Bonesetter’s Daughter and Lisa See’s The Tea Girl of Hummingbird Lane

Qiping Liu

Beijing International Studies University, China, People's Republic of China




Open Group Individual Submissions

Encountering the Non-Human with Narrative Form: J. M. Coetzee’S The Lives Of Animals

Yafei Li

University of Electronic Science and Technology of China, China, People's Republic of




Open Group Individual Submissions

BEYOND THE FERMI PARADOX: ALIEN NARRATIVES AND CHINESE EPISTEMOLOGY IN LIU CIXIN’S SCIENCE FICTION

Siqi Zhao

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

Pain, Pleasure, Preference: Consider the Lobster and Dilemmas of Animal Narratives

Wan Xiaomeng

Tongji University, China, People's Republic of




Open Group Individual Submissions

Redefining Humanity in the Posthuman Context: Emotional Narratives of AI in Klara and the Sun

Lili Wang

Harbin Engineering University, China, People's Republic of




Open Group Individual Submissions

Repositioning Human-nonhuman Binaries through Ecophobia: A Study of Classic of Mountains and Seas

Meilin LIU

Hong Kong Baptist University, Hong Kong S.A.R. (China)




Open Group Individual Submissions

From Window to Heart: Human-machine Coexistence and Emotional Evolution in Klara and the Sun

Xiaojuan Zhang

Ningxia University, China, People's Republic of




Group Session

Pain, Pleasure, Preference: Consider the Lobster and Dilemmas of Animal Narratives

Wan Xiaomeng

(197) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (1)
Location: KINTEX 1 208B
Chair: Yukari Yoshihara, University of Tsukuba
 

Open Group Individual Submissions

American Literature in the Cold War Transpacific: Limin Chu as a Case Study

Yi-hung Liu

National Tsing Hua University, Taiwan, Taiwan




Open Group Individual Submissions

Canada’s Cold War Cultural Diplomacy and the Nicheness of CanLit

Myles Kent Chilton

Nihon University, Japan




Open Group Individual Submissions

Tradition in the Nuclear Age

Hajime Saito

University of Tsukuba, Japan

(198) Literary Theory Committee
Location: KINTEX 1 209A
Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France
 

ICLA Research Committee Individual Submissions

Towards a New Praxis: Literary Research after the Decolonial Turn

Emanuelle Santos

University of Birmingham, United Kingdom




ICLA Research Committee Individual Submissions

“Je est un autre” – “I is Another”. A Poetics of Who is Who and the Question of Artificial Intelligence

Sieghild Bogumil-Notz

Ruhr-University of Bochum/Germany, France

(199) Existence Precedes Essence: (Post)Colonial Reconciliations (1)
Location: KINTEX 1 209B
Chair: Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India
 

Open Group Individual Submissions

To Be or Not To Be: The Oppressions of Binary in the Act of Categorisation

Vedika Mishra

Delhi University, India




Open Group Individual Submissions

The Indic Gaze on ‘North-East’ India: Syllabi and Politics of Publication

Rovino Livi, Candle Vanrempuii

The English and Foreign Languages University, Hyderabad., India




Open Group Individual Submissions

Some Comments on What is Postcolonial about Postcolonial Literature

Chinmay Manoj Pandharipande

University of Massachusetts, Amherst, United States of America




Open Group Individual Submissions

“A City for the Two of Us:” Queer Desire as Dialogic ‘Method’

Uma Madhu

The English and Foreign Languages University, Hyderabad, India




Open Group Individual Submissions

"My Autobiography of Carson McCullers": The Exploration of Queer Identity, Textual Innovation and Social Scrutiny

Wang Zhan

Sichuan University, China

(200) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (3)
Location: KINTEX 1 210A
Chair: Yiping Wang, Sichuan University
 

Open Group Individual Submissions

On Ethics between Human and Robot in Science Fiction from the Perspective of Ontology

CHAO LYU

Tianjin Normal University, China, People's Republic of




Open Group Individual Submissions

Questioning on the Existence of “the Perfect Machine” ——A Study on the Human-Machine Relationship in 2001: A Space Odyssey and The Intuitionist

Xin Guo

Northwestern Polytechnical University, China, People's Republic of




Open Group Individual Submissions

From Myth to The Absurd: Irrational World in Hyperion

Ziyan Wang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Ethical Interpretation of Artificial Intelligence in Science Fiction Novels: The Construction of an Ethical Community between Intelligent Robots and Humans in Machines Like Me and Professor Shalom’s Confusion

Shaoming Duan

Renmin University of China, China, People's Republic of China




Open Group Individual Submissions

Imaginative Practices through the Lens of Science Fiction Anthropology: The Case of Lenghu Mars Town

Youyi Jiang

Sichuan University, China, People's Republic of

(201) Travelling Nations: Romanian Literature as World Literature Revisited (1)
Location: KINTEX 1 210B
Chair: Andrei Terian, Lucian Blaga University of Sibiu
 

Open Group Individual Submissions

For a Post-Imperial "Zukunftswissenschaft": Dora d’Istria and Hugo Meltzl, or how Mobilities Shaped Early Literary Comparatism

Mihnea Bâlici

Babeș-Bolyai University, Romania




Open Group Individual Submissions

Ideological World Literature Networks of Romanian Diaspora Writers

Vlad Pojoga, Maria Chiorean

Lucian Blaga University of Sibiu, Romania




Open Group Individual Submissions

Romanian Writers Abroad: Two Forms of Transnationalism (1918–2020)

Snejana Ung

Lucian Blaga University of Sibiu, Romania




Open Group Individual Submissions

Queering the National: Intersectionality and Worlding in Moldovan-Romanian Double Diaspora's Literature

Andreea Mironescu

Alexandru Ioan Cuza University of Iasi, Romania




Open Group Individual Submissions

“边缘”的新声:早期东南亚华文报刊中的新诗研究

Tian Tian Luo

Shanghai Normal University, China, People's Republic of

(202) Patterning of Literature
Location: KINTEX 1 211A
Chair: ChangGyu Seong, Mokwon University
 

Open Free Individual Submissions

The Comparative Study on Shakespeare`s The Merry Wives of Windsor and Rescued by a Coquette Drama of Yuan Zaju-Focusing on Female Ethical Choices

Xiaoshu Wang, Heyu Xue

Harbin Engineering University, People's Republic of China




Open Free Individual Submissions

The Meaning of “Pattern”: The Logic of Perception in Peter Handke's “Die Wiederholung”

Huixin Xie

Fudan University, China, People's Republic of




Open Free Individual Submissions

Varying Contours of Absurdity: Beckett, Pinter, and Sriranga

Shreya Ghosh

The English and Foreign Languages University, Hyderabad, India




Open Free Individual Submissions

Decoding ‘the counter-narrative’: Inter-artistic comparative discussion between John Milton’s epic poem 'Paradise Lost' and Alexandre Cabanel’s painting 'Fallen Angel'

Aynun Zaria

Jahangirnagar University, Dhaka, Bangladesh,

(203) How Korean Readers Adopt Changes
Location: KINTEX 1 211B
Chair: Seonggyu Kim, Dongguk University
 

Host Sessions (Korean Students and Scholars Only)

<심청전>에 나타나는 ‘안도’의 지점과 그 의미 탐색

JIYOUNG KANG

Mokpo National University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Voicing Women in Contemporary Korean Legal Culture: Women and Justice as Represented in Korean Pop Culture

Sohyeon Park

Sungkyunkwan University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Rewriting the Reader: From Novela Negra to Digital Detective Games

Chae Hyun Kim

Hankuk University of Foreign Studies, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

The Epistemological Significance of the Concept of "Stylization" in Kim Hyeon's Early Criticism

Mijin Lee

Gyeongkuk National University, Korea, Republic of (South Korea)

(204) Meaning of historicization of trauma and violence in Han Kang’s literary works.
Location: KINTEX 1 212A
Chair: Dae-Joong Kim, Kangwon National University
 

Open Group Individual Submissions

Ecofeminism and Psychological Trauma: An Ecofeminist Study of The Vegetarian

Rasib Mahmood, Orlando Alfred Arnold Grossegesse

Universidade do Minho, Portugal




Open Group Individual Submissions

Embracing the Wounds of the Past - Historical Violence and Inherited Family Trauma in The White Book by Han Kang

Justyna Agata Najbar-Miller

University of Warsaw, Poland




Open Group Individual Submissions

The Limits and Dimensions of Poetry: A Study of the “Poetic” in Han Kang Poetry

Yuanyuan Fan

Sichuan University,China




Open Group Individual Submissions

Meaning of historicization of trauma and violence in Han Kang’s

Dae-Joong Kim

Kangwon National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Exploring Liminality in Historical Testimony: A Comparative Study of Han Kang and Breyten Breytenbach

Jihie Moon

HUFS, Korea, Republic of (South Korea)

(205) Mutual Learning of Civilizations and Reconstruction of World Literature (3)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

Reconstructing World Literature: Kazuo Ishiguro’s Transformation of Kafka in the Manuscript

Anni Shen

Tsinghua University, China, People's Republic of




Open Group Individual Submissions

On Rewriting World Art History in the Context of Globalization

Caizhen LI

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Linking Chinese Literature with the World: Sinologist Carlos Rojas as a Translator

Jing Zhao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Research on the Cultural Communication of Bashu Academy under the Background of Civilization Mutual Learning

yaqi Liang

Media and Cultural Industry Sichuan University, China, People's Republic of




Open Group Individual Submissions

Writing Chinese Secular Culture in Fuchsia Dunlop's Shark's Fin and Sichuan Pepper

Zimeng Zan

Sichuan University, China, People's Republic of

206
Location: KINTEX 1 213A
(207) JCLA-KCLA Joint Session Roundtable (1)
Location: KINTEX 1 213B
Chair: Sung-Won Cho, Seoul Women's University
 

Host Sessions (Korean Students and Scholars Only)

JCLA-KCLA Joint Session Roundtable

Hyung-jin LEE

Sookmyung Women's University




Foreign Sessions (Foreign Students and Scholars Only)

Recent Trends in Comparative Literature in Korea and Japan

Katsuya Sugawara

University of Tokyo




Host Sessions (Korean Students and Scholars Only)

about KCLA and Comparative Literature in South Korea

Sang-wook Nam

Incheon National University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Recent Trends in Comparative Literature in Korea and Japan

TSUYOSHI NAMIGATA

Kyushu University, Japan

(208 H) Revisiting Narratology: From East Asian Perspectives
Location: KINTEX 1 302
Chair: Shiho Maeshima, University of Tokyo
 

Group Session

Revisiting Narratology: From East Asian Perspectives

Shiho Maeshima, Atsuko Sakaki, Jin-su Park, Akiko Takeuchi, Young-hee An, Eliko Kosaka

(209) Body Image(s) of Women in Literature (3)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

Ageism, Sexism, and Abjection in “The Substance” by Coralie Fargeat (2024)

Marcio Seligmann-Silva

UNICAMP/ICLA, Brazil




Open Group Individual Submissions

Reinterpreting the New Nora Myth in Mainland China: An Analysis of Like a Rolling Stone

Shiyu Jiao

Nanjing University, People's Republic of China




Open Group Individual Submissions

Behind the Misogyny: Uglitic Appreciation of Womanhood and Reformism in Jonathan Swift’s Works

Yunshi Wu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Self-Representation of Body Images in the Nonfiction Writing of Chinese Domestic Workers

Bingxin Zhou

Shihezi University;Beijing Hǎoyù Family Service Company




Open Group Individual Submissions

The Normativity of Mental Illness Treatment in American Novels of the 1950s

Li Zhang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Research of the Images of “Nursing Mothers” of Chinese Literature during the 1950s

Xiuwen He

Xiamen University of Technology, People's Republic of China




Open Group Individual Submissions

The Distressed Body and the Enchanted Narrative in Xue Mo’s Novel Curses of the Kingdom of Xixia

Dian Li

University of Arizona, United States of America




Open Group Individual Submissions

Images of the Impaired Female Body in US-American Novels (1990-2020)

Peina Zhuang1, Steven Tötösy de Zepetnek2

1: Sichuan University, P.R. of China; 2: Sichuan University, P.R. of China




Open Group Individual Submissions

On the Perception of the Body in Han Jiang's Poetry

Du Qiu1, Ye Yuqi2

1: HuBei University, China, People's Republic of; 2: HuBei University, China, People's Republic of

(210) Religion, Ethics and Literature (1)
Location: KINTEX 1 307
Chair: Kitty Millet, San Francisco State University
 

Group Session

Literature as a Heretical Techne in Modernity

Kitty Millet, Maria Rethelyi, Iphshita Chanda, Michal Ben-Horin, John Hawley, Kyra Sutton

(111) Film, drama and literature (ECARE 11)
Location: KINTEX 2 305A
Chair: HANEUL LEE, Yonsei University
 

ECARE/NEXT GEN Individual Submissions

Double Take: Fitzgerald’s Literary Translation of Chaplin’s Film

You Wu

Hokkaido University, Japan




ECARE/NEXT GEN Individual Submissions

Dramatizing Intellectuals Across Epochs: A Comparative Study of Tian Han’s Guan Hanqing and Mohan Rakesh’s Ashadh Ka Ek Din

Yang He

Tsinghua University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

The sensual poetics of heart: The interaction between language and image in Park Chan-wook's film Decision to Leave

HANEUL LEE

Yonsei University, Korea, Republic of (South Korea)




ECARE/NEXT GEN Individual Submissions

Debating Postnational Narration: Gombrowicz in the Parisian theatre

Gosia Koroluk

University of Oxford

(112) Futurity, the environment and tech (ECARE 12)
Location: KINTEX 2 305B
Chair: Mingyang Liu, The University of Hong Kong
 

ECARE/NEXT GEN Individual Submissions

Le progrès technologique vu par Michel Houellebecq : utopie ou dystopie ?

Ruike Han

Centre de Recherches sur les Littératures et la Sociopoétique (CELIS), Université Clermont Auvergne, France




ECARE/NEXT GEN Individual Submissions

Imagining an Alternative Eco-Future: Technology, Ecology, and Bodies in The Ozone Layer Vanishes (1990)

Qiyan Chen

University of California, San Diego, United States of America




ECARE/NEXT GEN Individual Submissions

Visual Expression of China's Future: Affective Mechanisms and Societal Imaginary Symptomatology in the "Sino-topia" of Grand-Infrastructure

Mingyang Liu

The University of Hong Kong, Hong Kong S.A.R. (China)

(113) Imagining space, movement and crossing (ECARE 13)
Location: KINTEX 2 306A
Chair: Meghan Elizabeth Hodges, Louisiana State University
 

ECARE/NEXT GEN Individual Submissions

Resistance and subversion from the space of the line : geocritical perspectives

Amandine Guyot

Université Sorbonne Paris Nord, France




ECARE/NEXT GEN Individual Submissions

Mapping Female Wanderlust: Spatial Cartographies, Urbanity, and the Feminine Journey in Film

Zihan Zou

National University of Singapore, Singapore




ECARE/NEXT GEN Individual Submissions

When Worlds Collide (or Don't): Literature and Geography in the Nineteenth Century

Meghan Elizabeth Hodges

Louisiana State University, United States of America




ECARE/NEXT GEN Individual Submissions

Metropolis after Digital Narrativity: Istanbul by Korean Travelers

Alaner Imamoglu

Eskisehir Osmangazi University, Turkiye

(114) Interactive fiction and digital platforms (ECARE 14)
Location: KINTEX 2 306B
Chair: Laura Madeleine Kinzig, Georg-August-University of Goettingen
 

ECARE/NEXT GEN Individual Submissions

From Ithaca to E-thaca: Rethinking Literary Hermeneutics in the Age of Interactive Fiction through 'A Web Odyssey'

Laura Madeleine Kinzig

Georg-August-University of Goettingen, Germany




ECARE/NEXT GEN Individual Submissions

Working-class Girls Meet Their Prince Punk: The Rise of Internet Fiction as a Female-led Genre

Jeongon Choi

University of Oregon, United States of America




ECARE/NEXT GEN Individual Submissions

VR and the Self: A Multimodal and Accessible Model for Literary Learning

Ivan Enrique Parra Garcia

University of Michigan, United States of America

(115) Intermedial craft 1 (ECARE 15)
Location: KINTEX 2 307A
Chair: Masako Hashimoto, National Institute of Technology Numazu College
 

ECARE/NEXT GEN Individual Submissions

Housun and the Creative Woodblock Print Movement: The Fusion of Art, Literature, and Technology in Modern Japan

Masako Hashimoto

National Institute of Technology Numazu College, Japan




ECARE/NEXT GEN Individual Submissions

Mythology, Chimaera Women and Golden Texts: Intermediality as Gender Critique in Indonesian Contemporary Art

Syakirah Aqilah Binte Sanusi

Nanyang Technological University, Singapore




ECARE/NEXT GEN Individual Submissions

Cross-Media Music Narrative in Joyce Carol Oates’ “Where Are You Going, Where Have You Been”

Yuki Liu

the School of Foreign Studies of Zhongnan University of Economics and Law (ZUEL), China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Intermedia Art: A Multimodal Analysis of Li Shun’s Art Exhibition “Capture the Light and Shadow”

Ruhui Wang

Hangzhou Normal University, China, People's Republic of

Special Session I: UNESCO Memory of the World (MoW)
Location: KINTEX 1 Grand Ballroom
Chair: Youngmin Kim, Dongguk University

2025 ICLA CONGRESS SPECIAL SESSION1 - YouTube

Special Session I: UNESCO Memory of the World (MoW)

Memory of the World: A Cooperation between the ICLA and the UNESCO Documentary Heritage Programme

 

Part I: Podium 

Chair: Youngmin Kim

Chair, Organizing Committee of the 2025 International AILC/ICLA Congress
Chair, AILC/ICLA Standing Research Committee on Translation Studies

Speakers:

1) Jan Bos

Chair, MoW International Advisory Committee (IAC).

Title:

What is the Memory of the World program and how does it relate to ICLA?

Short description of talk:

Vision, mission, short history and present activities of the Memory of the World program

The Memory of the World International Register

Memory of the World and ICLA: areas of common interest

 

2) Lucia Boldrini

President, International Comparative Literature Association (AILC/ICLA, 2022-2025)

Title:

The Critical Eye of Comparative Literature

Short description of talk:

In my presentation I will consider not only the importance the ICLA’s partnership with the Memory of the World programme, but also how it can provide a necessarily critical eye, thanks to its long history of engaging in and with the criticism and self-criticism of the disciplines of comparative literature, world literature and translation, individually and in their combination, in their histories and their practices. This can bring nuance and complexity to apparently straightforward assumptions about the intrinsic value of activities such as literary comparison, or translation as bridge-building. 

 

3) Lothar Jordan

Chair, MoW Sub-Committee on Education and Research (SCEaR)

Title:

Memory of the World and Comparative Literature: How We Can Work Together.

 

Short description of talk:

The Presentation introduces some fields of education and research that are interesting for both Comparative Literature and the UNESCO Memory of the World Programme (MoW) like the history of translators and translations, the reconstruction of Lost Memory, e.g. of dispersed libraries, the relation between oral literature and documentation, and some more.

 

4) E.V. Ramakrishnan

Chair, AILC/ICLA Standing Research Committee on South Asian Literatures and Cultures

Title:

Translation as Palimpsest: From Textual Traces to Cultural Archives

 

Short description of talk:

Oral cultures of memory conceive of 'texts' and 'archives' differently. While mediating between 'subcultures' and 'dominant cultures', interculturally or intra-culturally, translation often takes on the role of a legitimating agency, thereby misrepresenting the nature of cosmologies they (subcultures) are founded upon.

 

Part II: Signing Ceremony of an Agreement: MOU

UNESCO Memory of the World Programme

 

Signees:

UNESCO Memory of the World

Jan Bos

Chair, International Advisory Committee (IAC)

Lothar Jordan

Chair, Sub-Committee on Education and Research (SCEaR)

Joie Springer

Chair, Register Sub-Committee (RSC)

 

AILC/ICLA

Lucia Boldrini

AILC/ICLA President (2022-2025)

Ipshita Chanda

AILC/ICLA Secretary (2022-2025)

Youngmin Kim

Chair, Organizing Committee of the XXIV International AILC/ICLA Congress
Chair, AILC/ICLA Standing Research Committee on Translation Studies 

 

Special Sessions

What is the Memory of the World program and how does it relate to ICLA?

Jan Bos

UNESCO




Special Sessions

The Critical Eye of Comparative Literature

Lucia Boldrini

Goldsmiths, University of London




Special Sessions

Memory of the World and Comparative Literature: How We Can Work Together.

Lothar Jordan

UNESCO




Special Sessions

Translation as Palimpsest: From Textual Traces to Cultural Archives

E.V. Ramakrishnan

Central University of Gujarat, India.

(454) Remembering and Forgetting
Location: KINTEX 2 307B
Chair: Jun Soo Kang, anyang University
 

Open Group Individual Submissions

An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title

Wei Guo, Junkang Huang

Central South University, China, People's Republic of




Open Group Individual Submissions

Reading The Sorrows of Young Werther in Early Twentieth-century China

Qian Liu

The University of Warwick, United Kingdom




Open Group Individual Submissions

Dilemma of Forgiveness: Between Remembering and Forgetting in Tan Twan Eng’s Novels

Shenghao Hu

Queen Mary University of London, United Kingdom




Open Free Individual Submissions

Sacrifice As An Archetype In The Characters Of Hector And Odysseus Emerging In Meghanada

Sweata Saha

The English and Foreign Languages University, India




ICLA Research Committee Individual Submissions

Literary and Historical Dimensions of Pain and Trauma - Psychometrics and Metaphysical Entity

Jayshree Singh1, Madhu Sharma2, Ispita Chakrabarty3, Basundhara Raj Dasgupta4, Gankhu Sumnyan5, Prajna Sen6, Aishwarya Thapa7, Aruna Sri Vidyadhari8, Anagha Rajan9, Monika Tolani10, Neelu Shrivastava11, Darshika Moondra12, Bhumika Sharma13, Rudransh Singh Rathore14, Tripti Chaudhary15, Hemlata Dalal16, Yashita Gupta17, Samra Ejaz18, Neha Arora19, Aishwarya Singh20, Salvatore Tolone Azzariti21, Shivani Vashisht22

1: Bhupal Nobles' University Udaipur Rajasthan, India; 2: Department of English, School of Media Studies and Humanities, MRII of Research and Studies, New Delhi; 3: Techno India University, West Bengal; 4: Shri Shikshayatan College, Calcutta University; 5: W.R. Government College, Deomali Arunachal Pradesh; 6: Shri Shikshayatan College, Calcutta University; 7: REVA University, Bengaluru; 8: Gandhi Institute of Engineering and Technology, Odisha; 9: EFLU Regional Campus Shillong; 10: Hemchand Yadav University, Durg, (C.G.); 11: Hemchand Yadav University, Durg, (C.G.); 12: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 13: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 14: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 15: Institute of Law, Kurukshetra University, Haryana; 16: MRII of Research and Studies, New Delhi; 17: B.R.Ambedkar University, Delhi; 18: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 19: Jawaharlal Nehru University, New Delhi; 20: Faculty of Law and Justice, UNSW, Sydney; 21: University of Oxford, UK; 22: Manav Rachna International Institute of Research and Studies, New Delhi

504
Location: KINTEX 2 308A
1:30pm
-
3:00pm
(211) Translation Studies (2)
Location: KINTEX 1 204
Chair: Marlene Hansen Esplin, Brigham Young University
 

ICLA Research Committee Individual Submissions

Translating the Self: Maja Lee Langvad's Transnational Autofictional Narrative Identities

Julie Allen

Brigham Young University, United States of America




ICLA Research Committee Individual Submissions

Translating Posthuman’s Power: A Subversion-Containment Analysis of Human’s and GenAI’s Rewriting

Zhenhao Zhong

East China Normal University, China, People's Republic of




ICLA Research Committee Individual Submissions

The Mantle of a Multi-hyphenate Translator

Arra Dianne Beatingo Marcelo

Ateneo de Manila University, Philippines




ICLA Research Committee Individual Submissions

Deleuze en Chine : traduire pour un savoir local

Long Ao

Nanjing University, China, People's Republic of

(212) South Asian Literatures and Cultures
Location: KINTEX 1 205A
Chair: E.V. Ramakrishnan, Central University of Gujarat
 

ICLA Research Committee Individual Submissions

Beyond the bloodshed: Poonchi life-writings of survival and re-consolidation

Arun Jot Kaur

Panjab University, India




ICLA Research Committee Individual Submissions

Disability & Struggle among Religious Minorities of India: Naseema Hazruk’s The Incredible Story & Preeti Monga’s The Other Senses

Kumar Parag

University of Allahabad, India




ICLA Research Committee Individual Submissions

Beyond ‘Mother India’ and ‘New Indian Woman’: Indian educated middle-class women in Partition Novels

Ziwei Yan

University of Science and Technology Beijing, Beijing, China, China, People's Republic of

(213) Comics Studies and Graphic Narrative (4)
Location: KINTEX 1 205B
Chair: Stefan Buchenberger, Kanagawa University
 

ICLA Research Committee Individual Submissions

Heroes and Anti-Heroes in Polish Comic Book Westerns

Marek Paryz

University of Warsaw, Poland




Foreign Sessions (Foreign Students and Scholars Only)

Moloch as Anti-Hero, Carl Solomon as Hero: Reconfiguring Howl in Graphic Form

Abhishek Chatterjee1, Shilpa Sajeev2

1: RV University, Bengaluru, India; 2: St. Joseph's University, Bengaluru, India




ICLA Research Committee Individual Submissions

Asterix and the Postmoderns: History, Resistance, and Empire in the 20th Century

BEATRIZ SEELAENDER

University of São Paulo, Brazil

(214) Scriptural Reasoning and Comparative Studies (2)
Location: KINTEX 1 206A
Chair: Chengzhou He, Nanjing University
 

ICLA Research Committee Individual Submissions

Confucianism and Its Contemporary Relevance to Ecological Thinking

Chengzhou He

Nanjing University, China, People's Republic of




ICLA Research Committee Individual Submissions

Secret Resonance: An Exploration on the Relationships between Confucianism and Western Aesthetic Modernity

yunhua LIU

Fudan University, China, People's Republic of




ICLA Research Committee Individual Submissions

Comparison and Integration: Confucius’ Gantong Theory , Marx's Practical Aesthetics and Kant's Thoughts of "Sensus Communis"—— An Attempt to Explore a New Kind of Aesthetics through Confucius, Marx and Kant

Yuli Wang

Wuhan University, China, People's Republic of




ICLA Research Committee Individual Submissions

The Fragmentary Chinese History in Finnegans Wake

Congrong Dai

Nanjing University, China, People's Republic of

(215) Diaspora of the Ghazal
Location: KINTEX 1 206B
Chair: JIHEE HAN, Gyeongsang National University
 

Open Group Individual Submissions

Adapting the Ghazal to English and German: Zeina Hashem Beck and Jan Wagner

Doris Hambuch

United Arab Emirates University, United Arab Emirates




Open Group Individual Submissions

Yalli Yalli or Yali Hali: A Reading of Cheongsanbyeolgok as a Korean Ghazal

JIHEE HAN

Gyeongsang National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Diverse Musical Influences: Ghazal Performance in Pakistan:

AIZAZ UL HAQ

Gyeongsang National university,korea, Republic of (South korea).




Open Group Individual Submissions

Translating the Nonverbal in Diasporic Ghazals: A Cultural Turn Approach

Raja Lahiani

UAE University, United Arab Emirates

(216) Linguistic and Cultural Negotiations in Contemporary Novels and Films Produced in Hong Kong, Japan, and North America
Location: KINTEX 1 207A
Chair: Jessica Tsui-yan Li, York University
 

Open Group Individual Submissions

Ghost Narrative and the Politics of Recognition: the Intervention Writing of Amy Tan's The Bonesetter's Daughter

Wenjun DING

Sun Yat-sen University, Guangzhou, China, China, People's Republic of




Open Group Individual Submissions

Traversing and transforming cultural memory: the “pure language” and future invisibility in Li Kotomi’s An Island Where Red Spider Lilies Bloom

Chialan Sharon Wang

Middlebury College, United States of America




ICLA Research Committee Individual Submissions

Eileen Chang’s The Greatest Wedding on Earth (1962)

Jessica Tsui-yan Li

York University, Canada




ICLA Research Committee Individual Submissions

Transcultural Identity: Chinese Opera in Chinese American Literature

Jack Hang-tat Leong

York University, Canada




ICLA Research Committee Individual Submissions

The Good Death in Ann Hui's "A Simple Life"

Hsiu-Chuang Deppman

Oberlin College, United States of America

(217) Who Writes the Story?
Location: KINTEX 1 207B
Chair: Seung-hye Mah, Dongguk University Seoul Campus
 

Foreign Sessions (Foreign Students and Scholars Only)

“They Declared War on Fish!” An Eighteenth-century Algerian Malḥūn (Folk Poem) on the 1770 Danish-Norwegian Bombardment of Algiers

Nizar F. Hermes

University of Virginia, United States of America




Foreign Sessions (Foreign Students and Scholars Only)

Who Writes the Story? AI, Authorship, and Reader Meaning in Digital Narrative

AARON MICAH ESTEBAN

Assumption College San Lorenzo, Philippines




Foreign Sessions (Foreign Students and Scholars Only)

Reconstructing the relationship between “periphery and center” in literature: Exploring the cultural identity of Hong Kong through Novels of Young Hong Kong Drifters writers

RUIYING HU

Beijing Normal-Hong Kong Baptist University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

"Two Mothers Contending for a Son" Narrative in the German-Speaking World in the 20th Century: With a Focus on Klabund's Adaptation of The Chalk Circle

Nana Jian

Southwest Jiaotong University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Annotations of Some Difficult Phrases and words in the Southwestern Mandarin Documents by Missionaries

Fan houli

Sichuan University, China, People's Republic of

(218) Approaching Nonhuman Narrative in World Literature (4)
Location: KINTEX 1 208A
Chair: Biwu Shang, shanghai jiao tong university
 

Open Group Individual Submissions

Ontology and Agency: Corpses in Edgar Allan Poe’s Short Stories

Kang Wu

Shanghai International Studies University, China, People's Republic of




Open Group Individual Submissions

Making the world of connections visible: nonhuman narrative as world literature

Li Zou

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

The Past and Present of Posthuman Mimetic Desire — An Investigation of a Textual Sequence: Oedipus Rex, The Beast in the Jungle and The Beast

Tingting Hu

Renmin University of China, China, People's Republic of China




Open Group Individual Submissions

Divine or Demonic?: Reshaping the Image of the Dragon in The Night Eaters

Yun Lan

Nanjing Normal University, China, People's Republic of




Open Group Individual Submissions

A Study on the Thing Narrative Function of Lists in Joyce's Ulysses

Yihan Chu

Beijing Normal University, China, People's Republic of




Open Group Individual Submissions

Towards a Nonhumanist World Literature: Precarious Nonhuman Cosmopolitanisms in Satyajit Ray’s Short Stories

Dhee Sankar

Independent Researcher, India




Open Group Individual Submissions

Translation of Nonhuman Narrative in the Early Period of the Republic of China: On Zhou Shoujuan's Translation of "The Mysterious Bride"

Li Sun

Beijing Foreign Studies University, China, People's Republic of

(219) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (2)
Location: KINTEX 1 208B
Chair: Yukari Yoshihara, University of Tsukuba
 

Open Group Individual Submissions

Hoki Ishihara and Cultural Cold War

Yukari Yoshihara

University of Tsukuba, Japan




Open Group Individual Submissions

Working in Cold War cultural networks: Momoko Ishii and Her Library Projects

Hiromi Ochi

Senshu University, Japan




Open Group Individual Submissions

Mobilizing Émigré Literature: The Chekhov Publishing House and the Geopolitics of Tamizdat

Atsushi Goto

Kyoto Prefectural University, Japan

(220) Recent Trends in Comparative Literature in Korea and Japan
Location: KINTEX 1 209A
Chair: Yuriko Yamanaka, National Museum of Ethnology
 

Host Sessions (Korean Students and Scholars Only)

JCLA-KCLA Joint Session Roundtable

Mijin Lee

Gyeongkuk National University, Korea




Host Sessions (Korean Students and Scholars Only)

JCLA-KCLA Joint Session Roundtable

Moonjung Park

Hankuk University of Foreign Studies, Korea




Foreign Sessions (Foreign Students and Scholars Only)

Recent Trends in Comparative Literature in Korea and Japan

Toshiko Ellis

Nagoya University of Foreign Studies, Japan




Host Sessions (Korean Students and Scholars Only)

JCLA-KCLA Joint Session Roundtable

Hyonhui Choe

Hankuk University of Foreign Studies




Foreign Sessions (Foreign Students and Scholars Only)

Recent Trends in Comparative Literature in Korea and Japan

Noriko Hiraishi

Tsukuba University, Japan

(221) Existence Precedes Essence: (Post)Colonial Reconciliations (2)
Location: KINTEX 1 209B
Chair: Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India
 

Open Group Individual Submissions

Essence Succeeds Existence: Understanding Literary "Representations"

Smitha Susan Varghese

School of Oriental and African Studies, United Kingdom




Open Group Individual Submissions

“Hyphenated Voices and Postcolonial Tensions: Reexamining Identity and Categorization in American Literature”

Grace Ann Miller

SUNY Binghamton, United States of America




Open Group Individual Submissions

“Do we talk about…literary creation or about sensationalist personalities?” : How to read “Francophone” Literatures!

Anupama Kuttikat

The English and Foreign Languages University, Hyderabad, India, India




Open Group Individual Submissions

Reconstructing Fluid Identity through Mobility: The Dynamics of Movements in Mongo Beti's Fiction

Fei Xie

East China Normal University, China, People's Republic of




Open Group Individual Submissions

Can Literature ‘Represent’ ‘the Postcolonial’?: A Comparison of the Critical Comments of Indulekha

Rafid C

EFLU, Hyderabad, India

(222) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (4)
Location: KINTEX 1 210A
Chair: Yiping Wang, Sichuan University
 

Open Group Individual Submissions

Buddha’s Milky Way: Nichiren Buddhism and the Imagination of a Science-Informed Future by Miyazawa Kenji

Chao Liu, Ziyan Liu

Nanjing University, China, People's Republic of




Open Group Individual Submissions

Travels of “The Time Machine” in the Cosmopolitan Society: The Future Imagination in The World in 800,000 Years

Yan Shi

Xi'an Technological University, China, People's Republic of




Open Group Individual Submissions

“Turning the Wheel”: Kim Stanley Robinson’s Buddhist Transcendence of the Cycle of History in The Years of Rice and Salt

Runfeng Wu

Shandong University, China, People's Republic of




Open Group Individual Submissions

Mapping Uncertainty: Dialogues between SF and Future Foresight

Johannes Kaminski

Slovak Academy of Sciences, Slovak Republic

(223) Travelling Nations: Romanian Literature as World Literature Revisited (2)
Location: KINTEX 1 210B
Chair: Andrei Terian, Lucian Blaga University of Sibiu
 

Open Group Individual Submissions

The Politics of Multilingualism in Acta Comparationis Litterarum Universarum

Alex Goldiş

Babeș-Bolyai University, Romania




Open Group Individual Submissions

The Class Consciousness of Romanian Emigrant Realists: From Proletarians and Socialist Vagabonds to Apolitical Seasonal Workers

Stefan Baghiu

Lucian Blaga University of Sibiu, Romania




Open Group Individual Submissions

Symbolic Diaspora: German Literature from Romania as World Literature

Ovio Olaru

Lucian Blaga University of Sibiu, Romania




Open Group Individual Submissions

Romanian Serial Authors in Areal and Transareal Contexts: Toward an Anticanonical Concept of World Literature

Andrei Terian

Lucian Blaga University of Sibiu, Romania

(224) Cultural Context and Translation
Location: KINTEX 1 211A
Chair: ChangGyu Seong, Mokwon University
 

Open Free Individual Submissions

Ethics Behind the Choices: Opposition and Coexistence between Clones and Communities in Never Let Me Go

Tianxiang Chen

Harbin Engineering University, China




Open Free Individual Submissions

Cultural Context and Translation of Nizami’s Sikandarnama: A Comparative Study of Sayeed Alaol’s Adaptation and Captain H. Wilberforce Clarke’s Literal Translation.

Obaydullah Nikari

Jahangirnagar University, Bangladesh, People's Republic of




Open Free Individual Submissions

Translation Politics and Changing Practices of Translation with AI: Evolution or Devolution?

Debasmita De Sarkar

Visva Bharati University, India

(225) From Homeland to Diaspora
Location: KINTEX 1 211B
Chair: Seonggyu Kim, Dongguk University
 

Host Sessions (Korean Students and Scholars Only)

구미호와 뱀파이어의 현대적 변용과 사회적 의미 - <트와일라잇> 시리즈와 한국 드라마 <구미호뎐>을 중심으로

Hoonjee Jun

Korea University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

From Homeland to Diaspora: The Singular Geographical and Cultural Vision of Kim Yong Ik

Byung-Yong Son

Kyungnam University, Korea, Republic of (South Korea)

(226) Métiers et techniques des œuvres plurimédiales: peut-on parler d'arts subalternes?
Location: KINTEX 1 212A
Chair: Romain Bionda, Université de Lausanne
 

Group Session

Métiers et techniques des œuvres plurimédiales: peut-on parler d'arts subalternes ?

Romain Bionda, Marie Kondrat, Irène Le Roy Ladurie, Melina Marchetti




Open Group Individual Submissions

Fabriques du visible : métiers subalternes, dispositifs éditoriaux et économie politique de la visibilité

Boris Colinas

University of Lausanne

(227) Mutual Learning of Civilizations and Reconstruction of World Literature (4)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

The Images of Lu Xun in the English-speaking World

Che Zheng

Beijing International Studies University, China, People's Republic of




Open Group Individual Submissions

World literature in French: Conceptual Evolution, Research Approaches, and Theoretical Ecology

Lu GAN

East China Normal University, China, People's Republic of




Open Group Individual Submissions

The Arabic origins of Gabriel García Márquez’s novels

Luyuan Gao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Study of the English Translation of The Great Preface from the Perspective of Hermeneutic Variation

Qianru Sun

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Dialogue with Faust: the theme of the “new man” in Doctor Zhivago

QINQIN CHEN

Sichuan University, China, People's Republic of

(228) Digital Comparative Literature (3)
Location: KINTEX 1 213A
 

ICLA Research Committee Individual Submissions

Literary Evolution in the Digital Age: How Social Niches Shape Literary Reception on Goodreads

Gabriele Vezzani1,2

1: University of Verona; 2: RWTH Aachen University




ICLA Research Committee Individual Submissions

Multilingual stylometry: The influence of language, translation, and corpus composition on authorship attribution accuracy

Christof Schöch1, Artjoms Šeļa2, Evgeniia Fileva1, Julia Dudar1

1: Trier Center for Digital Humanities, Trier University, Germany; 2: Institute of Czech Literature, Czech Academy of Sciences, Czech Republic




ICLA Research Committee Individual Submissions

Un nouvel outil numérique de visualisation de textes pour la littéraire comparée

Claude Patricia Tardif

Université Paris 8, France

(900) JCLA-KCLA Joint Session Roundtable (2)
Location: KINTEX 1 213B
Chair: Sung-Won Cho, Seoul Women's University
 

Host Sessions (Korean Students and Scholars Only)

JCLA-KCLA Joint Session Roundtable

Hyung-jin LEE1, Sung-won Cho2

1: Sookmyung Women's University; 2: Seoul Women's University

(230 H) Crossing Borders
Location: KINTEX 1 302
Chair: Kana Matsueda, Kyushu University
 

Open Free Individual Submissions

L'Écriture entre Image et Technologie: perspectives comparatistes

Marcia Arbex

Universidade Federal de Minas Gerais (UFMG), Conselho Nacional de Desenvolvimento Cientifico e Tecnologico (CNPq).Brésil




Open Free Individual Submissions

Perception and Semiotic Interpretation as Otherness in Medieval Texts-Images through St. Bernard of Clairvaux

Hee Sook LEE-NIINIOJA

Independent Scholar, Helsinki-Finland




Open Free Individual Submissions

Wordsworth’s Text-Images of Tintern Abbey: Sacred-Industrial-Romantic Place in Wilderness and Sublime

Hee Sook LEE-NIINIOJA

Independent Scholar, Finland




Open Free Individual Submissions

Crossing Borders of Japanese WWII Repatriate-Writers: Japan, Korea and Russia

Kana Matsueda

Kyushu University, Japan

(231) Body Image(s) of Women in Literature (4)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

Towards a Theoretical Framework for Analyses of Body Images of Women in Literature

Steven Totosy de Zepetnek

Sichuan University, China




Open Group Individual Submissions

Love and the Female Body in Times of War: A Reflection on the Reconfiguration of the “Revolution plus Love” in Modern Chinese Literature

Yifei Cui

The University of Arizona, United States of America




Open Group Individual Submissions

Memento Mori and Fetishism of Head in Hedda Gabler and Salomé

Yifan Zhang

Fudan University, China, People's Republic of




Open Group Individual Submissions

The Unconscious Enlightenment Through Sensualizing Morality Accomplished by Female Body: The Reversed Disciplining Hidden in Pamela; Or, Virtue Rewarded

Xi Chen

Wuhan University, China, People's Republic of




Open Group Individual Submissions

Women, Body, Medium——On Lady Chatterley's Lover and Xi Bao

Sanyu Yi

Sichuan university, China, People's Republic of




Open Group Individual Submissions

Wet bodies: The Blue Humanities and Corporeal Theorizing

Simon Curtis Estok

Sungkyunkwan University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Ethics, Bound-Foot Fetish, and Sexual Desire Projection: The Triple Body Metaphors of “Cai Fei”

Tao Nie

University of Electronic Science and Technology of China, China, People's Republic of

(232) Religion, Ethics and Literature (2)
Location: KINTEX 1 307
Chair: Kitty Millet, San Francisco State University
 

ICLA Research Committee Individual Submissions

Obituaries as ‘Biography with an Agenda’ in Fin-de-Siècle Hungary

Mari Rethelyi

Louisiana State University, United States of America




ICLA Research Committee Individual Submissions

The Snow Leopard and Dolpo: Analyzing Two Tales of Adventure and Spirituality from the West and the East

Sushil Ghimire

Balkumari College, Bharatpur-2, Chitwan, Nepal, Nepal




ICLA Research Committee Individual Submissions

"Bianwen": transformation et métamorphose des représentations bouddhiques dans l'autofiction de Lucien Bodard

Yuhao YANG

Université de Clermont Auvergne, France

(116) Knowledge, language and transformation (ECARE 16)
Location: KINTEX 2 305A
Chair: JIA XI CEN, Guangdong University Of Foreign Studies
 

ECARE/NEXT GEN Individual Submissions

A Translation That Never Ends: Anne Carson’s NOX and the Reconfiguration of Epistemology in the Age of AI

Benedetta Cutolo

CUNY - The Graduate Center, United States of America




ECARE/NEXT GEN Individual Submissions

Disaster and Rescue of Affection: Hypnosis and the Cuture of Electricity in Wu Jianren’s The Fantastic Story of Electricity

Yihe Zhang

The Chinese University of Hong Kong, Hong Kong




ECARE/NEXT GEN Individual Submissions

Knowledge, Theology, and Modernity: Rational Thought in Godwin and Cyrano’s Early Lunar Science Fiction

JIA XI CEN

Guangdong University Of Foreign Studies, China




ECARE/NEXT GEN Individual Submissions

Can fiction be knowledge? A study of Brazilian poet João Cabral de Melo Neto

Lucas Bezerra Facó

Unicamp, Brazil

(117) Limitations and possibilities in the Third space (ECARE 17)
Location: KINTEX 2 305B
Chair: Lúcia de Fátima Oleiro Bentes, Portuguese Public School
 

ECARE/NEXT GEN Individual Submissions

The Fixed “Fever” and Transnational “Third Space” In Severance of Ling Ma

Sisi Meng

Renmin University of China, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Problematizing the Third Space: A Study of Home Fire and Disgraced

Prapti kakati

University of Georgia, United States of America




ECARE/NEXT GEN Individual Submissions

Spaces of War in Iman Humaydan Younes’s "B as in Beirut": On a Poetic of ‘in-between space’

Lúcia de Fátima Oleiro Bentes

Portuguese Public School, Portugal




ECARE/NEXT GEN Individual Submissions

Intercivilizational Dialogue between China and Germany: An Interpretation of the "Third Space" in the Novels of German-Chinese Writer Luo Lingyuan

Lisha HUANG

Shanghai International Studies University, China, People's Republic of

(118) Literature, media and sensory experience (ECARE 18)
Location: KINTEX 2 306A
Chair: Yoon Ju Oh, Seoul National University
 

ECARE/NEXT GEN Individual Submissions

The Environmentalization of Electronic Media and the Sensory Aesthetic Turn in World Literature

Xiaoming YI

Capital Normal University 首都师范大学, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Sensory Experience, Media Technology and Discourse Networks: On the Gramophone and the Literary Movement (1911-1927)

Huixin Xie

Fudan University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

The Oral Reading of DICTEE as a Shamanistic Ritual

Yoon Ju Oh

Seoul National University, Korea, Republic of (South Korea)

(119) Literature and material culture (ECARE 19)
Location: KINTEX 2 306B
Chair: Chenxin Guo, The Chinese University of Hong Kong
 

ECARE/NEXT GEN Individual Submissions

Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature

Hemasoundari Rajadurai

English and Foreign Languages University, Hyderabad, India




ECARE/NEXT GEN Individual Submissions

Material Objects, Natural History, and Culinary Culture: Exploring Cultural Tensions in Late Qing Lingnan through the Paintings and Poetry of Ju Chao 居巢 and Ju Lian 居廉

Chenxin Guo

The Chinese University of Hong Kong, China, People's Republic of

(120) Literature, memory, history (ECARE 20)
Location: KINTEX 2 307A
Chair: Di Yan, Northwestern Polytechnical University
 

ECARE/NEXT GEN Individual Submissions

A striving pursuit of literary redress: revisiting the lives of “comfort women” in Mary Lynn Bracht’s White Chrysanthemum

Seoung Yun {Vanessa} Lee

SOAS, University of London, UK




ECARE/NEXT GEN Individual Submissions

Between Conformity and Dissent: Remembering the Deportation of 1944 in early post-Soviet Fiction across the North Caucasus

Elisa Mucciarelli

University of Regensburg, Germany




ECARE/NEXT GEN Individual Submissions

A Study on the Rewriting of Caribbean History in V. S. Naipaul’s The Loss of El Dorado

Di Yan

Northwestern Polytechnical University, People's Republic of China




ECARE/NEXT GEN Individual Submissions

Poetry and truth of turning Heroes: the portrayal of Zhu Fusheng's image in newspapers and drum lyrics

xiao xiao

Shangqiu Normal University, China, People's Republic of

(455) Colorful Phases
Location: KINTEX 2 307B
Chair: Jun Soo Kang, anyang University
 

Open Free Individual Submissions

Construction, Deconstruction and Reconstruction in Translation: A Study of Translation from the Perspective of Bangladesh

Elham Hossain

Green University of Bangladesh, Bangladesh, People's Republic of




Open Free Individual Submissions

Cantonese Pirates according to Jorge Luis Borges

Yunfei Bai

Lingnan University, Hong Kong S.A.R. (China)




Open Free Individual Submissions

Memory, Mourning, and Resistance: Marilyn Nelson’s A Wreath for Emmett Till and African American Sonnet

Seoyoung Park

Kongju National University, Korea, Republic of (South Korea)

505
Location: KINTEX 2 308A
 
4:30pm Opening Ceremony
Location: KINTEX 1 Grand Ballroom

2025 ICLA OPENING CEREMONY - YouTube

70th Anniversary

The 24th Congress of The International Comparative Literature Association
제24회 세계비교문학협회 총회

Opening Ceremony

JULY 29 16:30

KINTEX

Grand Ballroom

 

Program

16:30

Pre-ceremony Performance by Kim Deok-Soo Samulnori Troupe

17:00

Opening Video Screening

17:03

Introduction of Distinguished Guests

17:05

Opening and Congratulatory Remarks

17:30 ~ 18:15

Lecture of Nobel Laureate JMG Le Clezio

18:15

Korean Traditional Music Performance by Professor Park Ae-ri with Poppin' Hyunjoon

18:30

Special Lecture by the President of Dongguk University

19:00

Reception


Date: Wednesday, 30/July/2025
9:00am
-
10:30am
(233) Translation Studies (3)
Location: KINTEX 1 204
Chair: Marlene Hansen Esplin, Brigham Young University
 

ICLA Research Committee Individual Submissions

THE CHANGING CONNOTATION OF TRANSLATION : PERSPECTIVES AND CHALLENGES IN TRANSLATING LITERATURE

Suchorita Chattopadhyay

Jadavpur University, India




ICLA Research Committee Individual Submissions

POS Tagging and Grammatical Structures in Tamil Lyrics by a Prominent Lyricist: A Natural Language Processing and Friedman's Model Analysis

Saviour Prakash Gnana Prakasam Louis Raja.1, Ramesh Ganesan2, Christina Martha GL3

1: Department of Computing Technologies, SRM institute of science and technology, Kattankulathur, Chengalpattu, 603203, Tamilnadu, India; 2: Department of Tamil, Central University of TamilNadu, Thiruvarur, 610 005, Tamilnadu, India; 3: Department of English, Jammal Mohammed College (Autonomous), TVS Tolgate, Tiruchirappalli, 620014, Tamilnadu, India




ICLA Research Committee Individual Submissions

A Statistical Analysis of Vallinam and Idaiyinam Grammar in Tamil Pulavarkal from the 3rd Century BC to the 3rd Century AD.

Ramesh Ganesan1, Saviour Prakash Gnana Prakasam Louis Raja2, Christina Martha GL3

1: Department of Tamil, Central University of TamilNadu, Thiruvarur, 610 005, Tamilnadu, India; 2: Department of Computing Technologies, SRM institute of science and technology; 3: Department of English, Jammal Mohammed College (Autonomous), TVS Tolgate, Tiruchirappalli, 620014, Tamilnadu, India




ICLA Research Committee Individual Submissions

Revisiting Shakuntalam's translations: Rethinking cultural translation in a digitized world

Sachida Nand Jha

Rajdhani College, Delhi University, India

(234) South Asian Literatures and Cultures
Location: KINTEX 1 205A
Chair: E.V. Ramakrishnan, Central University of Gujarat
 

ICLA Research Committee Individual Submissions

Manjushree Thapa : the Voice from Nepal in South Asian Diasporic Studies

Suchorita Chattopadhyay

Jadavpur University, India




ICLA Research Committee Individual Submissions

Politics of Pathos as Social Commentary in Mahakavi Laxmi Prasad Devkota’s Muna Madan

Khum Prasad Sharma

Tribhuvan University, Nepal




ICLA Research Committee Individual Submissions

Cross-Border Adaptations: The South Asian Context

Sayantan Dasgupta

Jadavpur University, India

(235) Comics Studies and Graphic Narrative (5)
Location: KINTEX 1 205B
Chair: Stefan Buchenberger, Kanagawa University
 

ICLA Research Committee Individual Submissions

“Homages: Graphic Narratives of the War Heroes of Gallup, New Mexico”

Tracy Lassiter

University of New Mexico-Gallup, United States of America




Open Group Individual Submissions

(De)colonized Superheroes: Interrogating the ‘Third World’ in Filipino Superhero Komiks

Paul Jeffrey delos Reyes Peñaflor

University of the Philippines, Diliman, United Arab Emirates




Open Group Individual Submissions

Iberia Inc, the Americanization of the figure of the hero in Spain

Francisco Saez de Adana

Universidad de Alcala, Spain

(236) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (1)
Location: KINTEX 1 206A
Chair: Jing Zhang, Renmin University of China
 

Open Group Individual Submissions

A Re-understanding of the Centennial History of Chinese Translation of Ancient Greek Tragedy

Rongnyu CHEN

Beijing Language and Culture University, China, People's Republic of




Open Group Individual Submissions

To navigate difficult pasts through cosmopolitanism? Afrikaans literature and the South African transition

Cilliers Van den Berg

University of the Free State, South Africa




Open Group Individual Submissions

Western Origin of “Synthesis” in Yuan Kejia’s Poetics of “Modernizing Chinese New Poetry”

Bai Yangben

Shandong University, China, People's Republic of

(237) Digital Comparative Literature (1)
Location: KINTEX 1 206B
Chair: Simone Rebora, University of Verona
 

ICLA Research Committee Individual Submissions

Digital World Literature

Youngmin Kim

Dongguk University, Korea, Republic of (South Korea)




ICLA Research Committee Individual Submissions

Crisis of Subjectivity in Technological Networks: Bruno Latour and Impersonal Generation in Digital Age

Shengke Deng

Tsinghua University, China, People's Republic of




ICLA Research Committee Individual Submissions

Digital Humanities and Publishing Scholarship in the Humanities

Steven Totosy de Zepetnek

Sichuan University

(238) Translating ethics, space, and style (1)
Location: KINTEX 1 207A
Chair: Richard Mark Hibbitt, University of Leeds
 

Open Group Individual Submissions

Between Self and Other: Symbolist Writers and the Art of Translation

Clément Dessy

ULB, Belgique




Open Group Individual Submissions

Fridriech Schleiermacher's Oscillation and the Ethics in Translation

SEEYOUNG PARK

Ewha Womans University, Korea, Republic of (South Korea)




Open Group Individual Submissions

The Translators’ Dilemma: Ethics and Aesthetics of Translating Native Literature into World Literature

Saswati Saha, Abrona Lee Pandi Aden

Sikkim University, India




Open Group Individual Submissions

Where is Allemonde? Debussy’s Pelléas et Mélisande and the Ethics of Cosmopolitan Hospitality in Turn-of-the-century France

Philip Ross Bullock

University of Oxford, United Kingdom

(239) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (1)
Location: KINTEX 1 207B
Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba
 

Open Group Individual Submissions

Indirect Translation as an Act of Reform: An Attempt to Translate Jules Verne’s Works into Japanese

Mio Saito

The University of Tokyo, Japan




Open Group Individual Submissions

The Journey of a French Detective Novel in Meiji Japan: Tracing the Indirect Translation of Gaboriau’s Le Crime d’Orcival

Zixin LIAN

University of Tsukuba, Japan




Open Group Individual Submissions

Gender Norms Across the West, Japan, and China: The Struggles of Chinese Female Translators in Indirect Translation via Japanese during the Early Twentieth Century

Mengjin Xue

University of York, United Kingdom




Open Group Individual Submissions

Translating Christian Ideals: The Meiji Bible and the Negotiation of Religious Language in Japan

Brenna Shea Tanner

Tsukuba University, Japan

(240) Approaching Nonhuman Narrative in World Literature
Location: KINTEX 1 208A
Chair: Biwu Shang, shanghai jiao tong university
 

Open Group Individual Submissions

“Harmless vagaries of a madman”: a comparative study of cannibalism writings of Jonathan Swift, Mark Twain and Lu Xun

Jiazhao Lin

Shenzhen University, China, People's Republic of




Open Group Individual Submissions

Visualizing Confidante Culture through Animation Art: Re-examination of Guqin Memory in "Feelings of Mountains and Waters" (ShanShuiQing)

Chunning Guo

Renmin University of China, China, People's Republic of




Open Group Individual Submissions

The Feline Gaze and Anglo-East Asian Exchanges in Natsume Sōseki’s I am a Cat

Dharshani Lakmali Jayasinghe

Central Connecticut State University, United States of America




Open Group Individual Submissions

Towards an Envisioned Human-Nonhuman Community: The “New Human” Narrative and Ethical Choice in Wang Jinkang’s The Artificial Human

You Wu

East China Normal University, China, People's Republic of




Open Group Individual Submissions

Meteorology, Apocalypse and Slow Violence: Climate Writings in Gerard Manley Hopkins’s Late Poems

Xianming Gao

Suzhou University of Technology, China, People's Republic of




Open Group Individual Submissions

Reading D. H. Lawrence’s Vegetal Poetics in the Anthropocene

CHAO Xie

central china normal university, China, People's Republic of

(241) East meets West: Travellers and Scholars writing about India, Japan and Korea (1)
Location: KINTEX 1 208B
Chair: zsuzsanna varga, University of Glasgow
 

Open Group Individual Submissions

Reworlding Asia from the Below: Affective Mobilities in British Women’s Travel Narrative on Aisa

Juanjuan Wu

Tsinghua University, China, People's Republic of




Open Group Individual Submissions

Soundscapes of Otherness: Polish and Serbian Travel Accounts of India, 1859–1914

Tomasz Jerzy Ewertowski

Shanghai International Studies University, China, People's Republic of




Open Group Individual Submissions

Eastward Bound: Vicente Blasco Ibáñez in La vuelta al mundo de un novelista

Gorica Majstorovic

Stockton University, United States of America




Open Group Individual Submissions

Fragment and Frame: Barthes, Buruma, and the Evolving Gaze on Japan

Simla Dogangun

Amsterdam University

(242) Lafcadio Hearn and Asia (1)
Location: KINTEX 1 209A
Chair: Toshie Nakajima, The University of Toyama
 

Open Group Individual Submissions

The inner universe of Lafcadio Hearn : What could be understood from the writing survey of the Hearn Library

Toshie Nakajima

University of Toyama, Japon




Open Group Individual Submissions

Shadows of Japan and Haunting Echoes in Virginia: The Clifton Waller Barrett Collection and Lafcadio Hearn’s Legacy

Rodger Steele Williamson

The University of Kitakyshu, Japan




Open Group Individual Submissions

Between Borders: The Shifting Perspectives of Lafcadio Hearn and Yanagi Muneyoshi

Ayako Nasuno

Tokoha Universtiy




Open Group Individual Submissions

Lafcadio Hearn and Yone Noguchi: Perspectives on Japan and Japanese Culture

Mariko Mizuno

The University of Toyama, Japon




Open Group Individual Submissions

Lafcadio Hearn as a Mediator for Japanese Writers Adopting French Literature

Mami Fujiwara

Yamaguchi University




Open Group Individual Submissions

Lafcadio Hearn as a Mediator for Japanese Writers Adopting French Literature

Mami Fujiwara

Yamaguchi University, Japan

(243) Ethical Literary Criticism in the Age of Artificial Intelligence (1)
Location: KINTEX 1 209B
Chair: Sean Hand, University of Warwick
 

Open Group Individual Submissions

Technology and Loneliness: Ethics of Artificial Friends in Kazuo Ishiguro’s Klara and the Sun

Jenna Xinyi Niu

Hong Kong Baptist University, Hong Kong S.A.R. (China)




Open Group Individual Submissions

Ethical Identity and Ethical Literary Criticism in the Age of Artificial Intelligence

Ren Jie

Zhejiang University, China, People's Republic of




Open Group Individual Submissions

Blurring Boundaries: Human-Machine Entanglements in Philip K. Dick’s Do Androids Dream of Electric Sheep? and Ian McEwan's Machines Like Me

Minjeon Go

Dankook University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Humanistic Concerns of Slaughterhouse-Five in a posthuman framework

Di Yan

Northwestern Polytechnical University, People's Republic of China




Open Group Individual Submissions

Gender, Technology and Post-Modernism: Reading Han Song’s Exorcism

Yimin Xu

University of New South Wales, Australia




Open Group Individual Submissions

The Regression Towards Inhumanity: The Ethical Implications in Tom McCarthy’s Virtual Realist Fiction

Yu Jihuan

Shanghai Jiao Tong University, China, People's Republic of

(244) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (5)
Location: KINTEX 1 210A
Chair: Yiping Wang, Sichuan University
 

Open Group Individual Submissions

Narratives of "Homeland" and Writing of Destiny: A Cross-Cultural Comparison of The Wandering Earth and The Songs of Distant Earth

Yina Cao1, Hongfan Zhang2

1: Sichuan University, China; 2: Sichuan University, China




Open Group Individual Submissions

The national salvation strategy in Sakyo Komatsu's “Japan Sinks”: Technology and Cultural Relics

Bingxin Duan1,2

1: Sichuan University, China; 2: Hubei Minzu University, China




Open Group Individual Submissions

Multi-Agent Dialogic Mechanisms in AI Narratives of Science Fiction: A Perspective from Embodied Cognitive Linguistics

Rongshan Tan

College of Foreign Languages and Cultures, Sichuan University

(245) Comparative Literature in Digital Age
Location: KINTEX 1 210B
Chair: Minji Choi, Hankuk university of foreign studies
 

ICLA Research Committee Individual Submissions

Digital Methods and Peripheral Literary Exchange: Portuguese-Chinese Translation Networks

Mengyuan Zhou

The Chinese University of Hong Kong, Hong Kong S.A.R. (China)




ICLA Research Committee Individual Submissions

Places, Narratives, and Attitudes: A Computational Analysis of the Local vs. the Global in Modern Arabic Literature

Mai Zaki, Emad Mohamed

American University of Sharjah, United Arab Emirates




ICLA Research Committee Individual Submissions

One Sphere Two Systems: The Digital Politics of the Chinese Diaspora

Feng Lan

Florida State University, United States of America




Open Free Individual Submissions

Relevance of Adaptation of Fiction: A Study

SAI CHANDRA MOULI TIMIRI

Independent Scholar, India




Open Free Individual Submissions

The Representation of the 'Stranger' in Ukrainian Literature at the End of the Nineteenth Century: An Analysis of Olha Kobilyanska's Short Story ‘Nature’

Jun MITA

Kitasato University, Japan

(246) Modernity, Human, and Nature
Location: KINTEX 1 211A
Chair: Eun-joo Lee, independent scholar
 

Open Free Individual Submissions

The Call of the Wild ---- The Animal Ethics and Rhetoric of Ecological Novels

ChunPing PANG

HongKong Baptist University, Hong Kong S.A.R. (China)




Open Free Individual Submissions

Mirrors of Modernity: The Secularization of Visual Discourse in The Celestial Shadow of the Shanghai Dust

Shiyun Qiu

Fudan University, China, People's Republic of China




Open Free Individual Submissions

Facing Nature: Examining the (Im)Permeable Boundaries between Self and Nature in the Poetry of Luís de Camões and Carlos Drummond de Andrade.

Jacob Dodd

University of Birmingham, United Kingdom




Open Free Individual Submissions

Possibilities of Life, Possibilities of Death: A Comparative Reading of 'Daytripper' and 'Chronicle of a Death Foretold'

Shreya Ghosh

The English and Foreign Languages University, Hyderabad, India




Foreign Sessions (Foreign Students and Scholars Only)

Possession: A Romance as Ethical Reflection

JIA JIN

Hangzhou Normal University, China, China, People's Republic of

(247) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (1)
Location: KINTEX 1 211B
Chair: Wen Jin, East China Normal University
 

Open Group Individual Submissions

Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue

Wen Jin, Jang Wook Huh, Cheng Yiyang, Ji Gao, Dongqing Wang, Shuangzhi Li, Shuyue Liu, Zengxin Ni

East China Normal University

(248) Oriental Literature in World Literature: Exchanges and Mutual Learning (3)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chairs

Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

On the Inevitability of the “Succeeding Translation” of Wen-Hsin Tiao-Lung: Comparison of the Four English Translations of “ The Tsan” as an Example

Lu Gan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Study on the Evolution of Japanese War-Supporting Poetry

Jun-jie REN

Southwest Jiaotong University, People's Republic of China




Open Group Individual Submissions

"Newspeak" or "Hearsay" ?Analysis of the Outward Transmission and Return of Jiandeng Xinhua

Yu Zhang

Sichuan University, China




Open Group Individual Submissions

The Subjectivity of Translators of Ancient Chinese Literary Thoughts

Ying LIU

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Image of Emperor Qianlong as Seen Through the Eyes of Korean Joseon Dynasty Envoys on the Yanxing Missions

dongri xu

yanbianuniversity, China, People's Republic of

(249) Mutual Learning of Civilizations and Reconstruction of World Literature (5)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

Spatialization of viewing and meaning: The White-haired Girl in English-speaking World

Wan-Ting YU

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Reproduction or Reconstruction: Histories of Chinese Literature in the Francophone World

Lei CHENG

Southwest Jiaotong University, China, People's Republic of




Open Group Individual Submissions

Studies on Chinese Painting and Calligraphy Appreciation and Collection in the Anglophone World

Changyu Wang

Sichuan University




Open Group Individual Submissions

From "Heavenly Kingdom" to "Way of Humanity": Three Dimensions of Translating the Concept of Tian in The Analects

Zhao hui Li

Hunan University, China, People's Republic of




Open Group Individual Submissions

The Sonnet as World Literature

Yu Ming

Sichuan University, China

(250) Polyphony and Semiotics of Literary Symbols (1)
Location: KINTEX 1 213A
Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities

Pre-recorded video by the chair, Dr. Inna Merkoulova

https://drive.google.com/file/d/1a-KNgf8qlgny-T5QytwLDxnJMROULFLo/view?usp=sharing

 

https://disk.yandex.ru/i/gb7yFmCBt40LmA

ICLA invite you to the Zoom.

Theme: ICLA Session 250
Time: 2025/ 07/ 30   09:00 Seoul Time
to join Zoom


https://pcu-ac-kr.zoom.us/j/87456198809?pwd=C5DmPVeMcKPaJkcEkwIFjhvgjjaEh0.1

ID: 874 5619 8809
Password: 402103

 

Open Group Individual Submissions

The symbolic mode

Anna Maria Lorusso

University of Bologna, Italy




Open Group Individual Submissions

Comparing the Status of Odin and Ali Kishi: Polyphonic Motifs in Folkloric Texts

Rahilya Geybullayeva

ADA University and Baku Slavic University, Azerbaijan




Open Group Individual Submissions

Semiotics and polyphony of theatrical enunciation

Inna Gennadievna Merkoulova, Marina Gennadievna Merkoulova

State Academic University for the Humanities and Media Project ARTIST, Russian Federation

(251) The East Asian Literature from a Global Perspective (1)
Location: KINTEX 1 213B
Chair: Zhejun Zhang, Sichuan University,China
 

Open Group Individual Submissions

A Preliminary Study on the Multiplicity of "Similarity and Difference Factors" and Communication Relations in Comparative Literature

Yiyue Wu

Sichuan University, China




Open Group Individual Submissions

Cultural Interaction and Collective Identity between 19th Century Korean Literati and Qing Dynasty Literati ——Taking Dong Wenhuan's "Autumn Thoughts Singing and Poetry" as the starting point

Xuemei Piao

Yanbian unversity, China, People's Republic of




Open Group Individual Submissions

Research on the Relationship between Yasui Sokken's Zuozhuan Jishi and Textology of Qing Dynasty

Zilong Mai

The College of Literature and Journalism of Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Female Perspective in the Japanese Translation of Zhang Jie's Works

DAN HAN

HARBIN INSTITUTE OF TECHNOLOGY,WEIHAI




Open Group Individual Submissions

The Reception of Records on Entering Shu in Japan and Japanese Modern Literati's Travel Accounts of China

Xintong Song

Sichuan University, China




Open Group Individual Submissions

The Transmission and Variation of Yang Guifei's Image in Japanese Literature

Hongting Zhou

四川大学, China, People's Republic of

(252 H) Exophonic writing in the Era of A.I.
Location: KINTEX 1 302
Chair: Benedetta Cutolo, CUNY - The Graduate Center

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

252H(09:00)
274H(11:00)
296H (13:30)
318H (15:30)

LINK :
https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1

PW : 12345

 

Group Session

Exophonic writing in the Era of A.I.

Benedetta Cutolo, Anna Bourges-Celaries




Open Group Individual Submissions

L’écriture exophonique à l’ère de l’IA : une étude sur l’usage des outils de traduction automatique par des apprenants de coréen en France

Heiwon WON

Université Lyon 3, France




Open Group Individual Submissions

Voices from the Outside: The Accidental in Exophony, Diasporic Crossings, and AI

Ye Ram Kim

The University of Chicago, United States of America




Open Group Individual Submissions

The Devil Wears ... a Purple Blouse. On the Intertwinement of Domestic and Supernatural Villainy in the Vanessa series (1982-91)

Barbara M. Eggert1,2

1: Merz Akademie, Germany; 2: AG Comicforschung / Gesellschaft für Medienwissenschaft




ICLA Research Committee Individual Submissions

Forgotten Figures: Viewing Past and Present Chronicles of Taiwanese Indigenous and African American Cinema, Novels, and Graphic Novels

Kate Wanchi Huang

Comparative Literature, University of California Riverside, USA, United States of America

(253) Intermediality and Comparative Literature (1)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Optional or Necessary? – Theatre and Intermediality

Svend Erik Larsen

Aarhus University, Denmark




Open Group Individual Submissions

Reconstructing Beckett: Kris Verdonck’s Posthuman Performance in a Cross-Media Perspective

Yanshi Li1, Xiao Dong2

1: Taiyuan University of Technology, China, People's Republic of; 2: Communication of Shanxi




Open Group Individual Submissions

Puppet And Human: The “Presenting Sign” Of the Contemporary Puppetry

Wei Meng

南京大学,中华人民共和国

(254) Religion, Ethics and Literature (3)
Location: KINTEX 1 307
Chair: Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad
 

ICLA Research Committee Individual Submissions

Tuvia Ruebner's Haiku: Translating the Far as Agency of Intimate Memory

Michal Ben-Horin

Bar-Ilan University, Israel




ICLA Research Committee Individual Submissions

Returning to Tradition?: An Ethical Reading of I. B. Singer’s The Magician of Lublin

Anruo Bao

Shanghai International Studies University, China, People's Republic of




ICLA Research Committee Individual Submissions

Nonhuman Narrative in Lu Xun's The Old Tales Retold

Minrui Li

Huazhong Agricultural University, China, People's Republic of




ICLA Research Committee Individual Submissions

Kitsch Christianity and Irony in Yi Kwangsu's The Heartless

John Park

New College of Florida, United States of America




ICLA Research Committee Individual Submissions

The Heresy of Literary Creation

Kitty Millet

San Francisco State University, United States of America

(121) Narrative form and scripture, old and new (ECARE 21)
Location: KINTEX 2 305A
Chair: Nainu Yang, National Kaohsiung Normal University
 

ECARE/NEXT GEN Individual Submissions

Gaming and Time Travel: The New Narrative of Cyberpunk in William Gibson’s The Peripheral

Nainu Yang

National Kaohsiung Normal University, Taiwan




ECARE/NEXT GEN Individual Submissions

Narrative Situations in The Grapes of Wrath

Yang Yu

Beijing Foreign Studies University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

The influence of Climate conditions on the Number of symbols in World Writing Systems.

Mahathir Muhammad, Sohan Sharif

Jahangirnagar University, Bangladesh, People's Republic of

(122) Narrative in the longue durée of capitalism (ECARE 22)
Location: KINTEX 2 305B
Chair: Karsten Klein, Saarland University
 

ECARE/NEXT GEN Individual Submissions

Overseas Trade, Jews and the Imperial Imagination in The Jew of Malta

Bo Li

capital normal university, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Parallax and Existence: An Interpretation of Ae-ran Kim’s “There Is Night There, and Songs Here” from the Perspective of Existentialism

Meiqi Wu

Shanghai Jiao Tong University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Dematerialized Money and Technological Change: (Economic) Speculation in the AI Age in Cosmopolis and Fear Index

Karsten Klein

Saarland University, Germany




ECARE/NEXT GEN Individual Submissions

Expressive Montage in Ragtime: Characterization of the Confused Mainstream Group

Shijia Du

Northwestern Polytechnical University, China, People's Republic of

(123) New comparative approaches (ECARE 23)
Location: KINTEX 2 306A
Chair: Yakun Liang, Shanxi University
 

ECARE/NEXT GEN Individual Submissions

Beyond Borders and States: Corporate Hegemony as the New Frontiers of Comparative Literature

Sohan Sharif1, Mahtab Jabin Anto2

1: Institute of Comparative Literature and Culture, Jahangirnagar University, Dhaka, Bangladesh; 2: Institute of Business Administration, Jahangirnagar University, Dhaka, Bangladesh




ECARE/NEXT GEN Individual Submissions

Analysis of the Interpretation Logic and Methods Based on the Analysis of Buddhist Scripture Texts from the Perspective of Hermeneutics

Yakun Liang

山西大学,中华人民共和国

(124) New possibilities in digital reading (ECARE 24)
Location: KINTEX 2 306B
Chair: Congwei He, Sichuan University
 

ECARE/NEXT GEN Individual Submissions

When the reader picks up the pen! AI ‘role playing’ stories and critical analysis of the author-reader dynamics in digital literature

Aynun Zaria

Jahangirnagar University, Dhaka, Bangladesh




ECARE/NEXT GEN Individual Submissions

The Challenges and Possibilities in the Post-Digital Age: Literature in the shifting media

Debasmita De Sarkar

Visva Bharati University, India




ECARE/NEXT GEN Individual Submissions

Digital Social Reading on Chinese Podcast App Xiaoyuzhou FM

Congwei He

Sichuan University, China, People's Republic of

(125) Performance in the digital age (ECARE 25)
Location: KINTEX 2 307A
Chair: Ziyu Zhang, Wuhan University of Technology
 

ECARE/NEXT GEN Individual Submissions

From Jinjiang to the Global Stage: Reimagining Chuānyuè (time travel) as a Bridge Between Cultures, Genres, and Times

Song Huang

University of Virginia, United States of America




ECARE/NEXT GEN Individual Submissions

Integration, Alienation and Reconstruction: A Cross-cultural Interpretation of Brecht's Dramatic Concepts from the Perspective of Comparative Literature

Ziyu Zhang

Wuhan University of Technology, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Care and Kinship: Staging the more-than-human in Canadian and Greenlandic theatre

Felicia Cucuta

Harvard University

(456) Authorship and Technology (2)
Location: KINTEX 2 307B
Chair: Xi'an GUO, Fudan University
 

Open Group Individual Submissions

The Apocryphal Techniques and Author Concepts: The Study of Apocryphal Confucian Classics in the Early Qing Dynasty and the Confirmation of Author Identity

Wan Huang

Fujian Normal University, China, People's Republic of




Open Group Individual Submissions

Shanghai Mechanical Printing Capitalism in Relation to Changing Concepts of Authorship in Modern Chinese Literature

Wen Xu

Suzhou University of Science and Technology, China, People's Republic of




Open Group Individual Submissions

Is It Time to Discuss the Added Value of a Biotranslator ? Translator’s Authorship Enhanced or Diminished by Machine-Assisted Translation

Zhenyao QIN

Fudan University, China

(500 H) Translating Migration: The Movement of Texts and Individuals in World Literature (1)
Location: KINTEX 2 308A
Chair: Chun-Chieh Tsao, University of Texas at Austin

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

500H(09:00)
501H(11:00)
502H(13:30)
503H(15:30)

LINK :
https://us06web.zoom.us/j/83123070553?pwd=Yo6xcSCgNilEY7AC0jnBRlv8bBACYL.1

PW :12345

 

Open Group Individual Submissions

Mirok Li and Exilic Literature: Beyond Borders – Mediating East Asian Literature within World Literature

Heejin Seok

Korea University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Traduire le déplacement : migrations, langues et récits dans les œuvres de trois autrices iraniennes en France

Arezou DADVAR

Université Paris 1 Panthéon Sorbonne, France




Open Group Individual Submissions

Translating Migration in "Balada de los Apalaches," by Melanie Márquez Adams

Rudyard Joel Alcocer

University of Tennessee, USA, United States of America




Open Group Individual Submissions

The Place of Migration in Literary Translation Studies: A Provocation

Spencer Lee-Lenfield

Harvard University, United States of America

 
11:00am
-
12:30pm
(255) Translation Studies (4)
Location: KINTEX 1 204
Chair: Marlene Hansen Esplin, Brigham Young University
 

ICLA Research Committee Individual Submissions

A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry

Mariana Souza. Mello Alves de, Carolina Magaldi. Alves

Federal University of Juiz de Fora - UFJF, Brazil




ICLA Research Committee Individual Submissions

An Exploration of the ‘Perspectives’ and ‘Ethics’ of Translation as a Cross-Cultural Encounter: Comparative Analysis of the English Translations of Madhavikutty’s Short Story, “ജനൽപ്പടിയിലെ വിളക്ക്”.

Megha Sathianarayanan Kombil

The English and Foreign Languages University, Hyderabad, India




ICLA Research Committee Individual Submissions

Black Translation as a Site of Reparation: Translation, Healing and Global South

Rindon Kundu

SRI SRI UNIVERSITY, India




ICLA Research Committee Individual Submissions

Translation and Reparation

Martina Kopf

Université de Caen Normandie, France




ICLA Research Committee Individual Submissions

Eco-Technical Turn in Translation Studies: Translation in the Feedback Loops of Ecology and Technology

Youngmin Kim

Dongguk University, Korea, Republic of (South Korea)

(256) South Asian Literatures and Cultures
Location: KINTEX 1 205A
Chair: E.V. Ramakrishnan, Central University of Gujarat
 

ICLA Research Committee Individual Submissions

Ensemble: Toward Resonant Comparisions

Jimin Lee

Nanyang Technological University, Singapore




ICLA Research Committee Individual Submissions

Decolonizing Climate Narratives: Amitav Ghosh'sGun Islandand South Asian Oratures of Environmental Crisis

Cui Chen

Shandong University, China, People's Republic of




ICLA Research Committee Individual Submissions

From “Reading” to “Listening”: Collaborative Translation, Inclusivity and Indigenous Oral Literature

Saswati Saha

Sikkim University, India

(257) Comparative Literature in East Asia
Location: KINTEX 1 205B
Chair: Hui Nie, National University of Defense Technology
 

Open Group Individual Submissions

The Formation of Catholic Biji Novels in Late Ming China: A Preliminary Study to the Genre of Li Jiugong’s Lixiu Yijian

Xiangyan Jiang

华东师范大学, China, People's Republic of




Open Group Individual Submissions

The Cultural Perspectives and Ideological Concepts of Panking: A French-educated intellectual

Hui Nie, Jue Cai

National University of Defense Technology, China, People's Republic of




Open Group Individual Submissions

A Study on the Love of Thomas Aquinas from the Perspective of the New Psychology of Love

Zhe Guan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Ekphrasis in the Oral Tradition---The Mongolian Epic as an Example

Jingsi A

Inner Mongolia Normal University, China, People's Republic of

(258) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (2)
Location: KINTEX 1 206A
Chair: Jing Zhang, Renmin University of China
 

Open Group Individual Submissions

A Mobility Study of Herzog

Xiaoping Wang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Theological Debate in the Three-Body Problem

Jing Zhang

Renmin University




Open Group Individual Submissions

Historicity, Reality Perception, and Publicness: Theoretical Reflections on Theater and Cinema in the Age of AI

Liangyu Hu

Beijing Language and Culture University, China, People's Republic of




Open Group Individual Submissions

Eros as the grounds for comparison: a new Global Modernism

Angelina Saule

University of Sydney

(259) Digital Comparative Literature (2)
Location: KINTEX 1 206B
Chair: Simone Rebora, University of Verona
 

ICLA Research Committee Individual Submissions

The Power Not to Think: LLMs as Poetic Impotential Machines

Alberto Parisi

Kobe University, Japan




ICLA Research Committee Individual Submissions

Vocational but Vernacular: Forestry Policies and Sinophone Malaysian Literature

Nicholas Y. H. Wong

The University of Hong Kong, Hong Kong S.A.R. (China)




ICLA Research Committee Individual Submissions

The Net-like Narrative Structure of The Dream of Red Mansions: A “Corpus” Statistic Analysis Based on the Text Mining of Character Appellations

Yue Wang

Tianjin Normal University, People's Republic of China




ICLA Research Committee Individual Submissions

Digitally Mapping Decolonial Thought: Ahmad Hassan Al-Zayyat’s Al-Risala and the Postcolonial Arab Identity

Eid Mohamed

Qatar University, Qatar

(260) Translating ethics, space, and style (2)
Location: KINTEX 1 207A
Chair: Richard Mark Hibbitt, University of Leeds
 

Open Group Individual Submissions

Self-translation and Style: Jhumpa Lahiri's Volgare

Richard Robinson

Swansea University, United Kingdom




Open Group Individual Submissions

Normative Presumptive Factuality Intersecting the Context of Subjectivity - Civil Disobedience and Relativism

Jayshree Singh1, Salvatore Tolone Azzariti2

1: Bhupal Nobles' University Udaipur Rajasthan, India; 2: Woxsen School of Law, Woxsen University, Telangana, Andhara Pradesh




Open Group Individual Submissions

A Migrating/Translating Self: Ha Jin and Jhumpa Lahiri

Jae Eun Yoo

Hanyang University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Literary translingualism between non-places and third space

AURELIE MOIOLI

Universite de Poitiers, FoReLLIS, France




Open Group Individual Submissions

Self-Translation as an Act of Self-Reading: A Comparative Perspective on the Ethics of Self-Translation

Siddhi M S

English and Foreign Languages University, Hyderabad, India, India

(261) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (2)
Location: KINTEX 1 207B
Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba
 

Open Group Individual Submissions

Aesthetics of Sincerity and the English Translation of Mieko Kawakami’s Heaven

David Andrew Schlies

University of Tsukuba, Japan




Open Group Individual Submissions

A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry

Mariana Souza. Mello Alves de, Carolina Magaldi. Alves

Federal University of Juiz de Fora - UFJF, Brazil




Open Group Individual Submissions

Self-Translation Practice in Indonesia and Japan: Case Study of Laksmi Pamuntjak and Yoko Tawada

Lina Rosliana

University of Tsukuba, Japan




Open Group Individual Submissions

Bridging the Linguistic Divide: A Multimodal Approach to Translating the Soul of Tanka

Valeriia Iankovskaia

Tsukuba University, Japan

(262) Approaching Nonhuman Narrative in World Literature (6)
Location: KINTEX 1 208A
Chair: Biwu Shang, shanghai jiao tong university
(263) East meets West: Travellers and Scholars writing about India, Japan and Korea (2)
Location: KINTEX 1 208B
Chair: zsuzsanna varga, University of Glasgow
 

Open Group Individual Submissions

Appropriation, Recontextualization and Fictionalization: A Postcolonial Study of Hermann Hesse’s Siddhartha

Orlando Alfred Arnold Grossegesse, Rasib Mahmood

Universidade do Minho, Portugal




Open Group Individual Submissions

Representing the Other While Revealing the Self: Italian Contemporary Intellectuals on Japanese Culture

Michela Meschini

University of Macerata, Italy




Open Group Individual Submissions

A Hungarian Lady in India: Rózsa Hajnoczy in Santiniketan

zsuzsanna varga

University of Glasgow, United Kingdom

(264) Lafcadio Hearn and Asia (2)
Location: KINTEX 1 209A
Chair: Toshie Nakajima, The University of Toyama
(265) Ethical Literary Criticism in the Age of Artificial Intelligence (2)
Location: KINTEX 1 209B
Chair: Biwu Shang, shanghai jiao tong university
 

Open Group Individual Submissions

The Ethical Anxiety in Chinese Suspension and Riddle Games

Wanghua Li

Guangzhou College of Commerce, China, People's Republic of




Open Group Individual Submissions

Premeditation and Betrayal: On Affective Encoding and Logical Conflicts in Ian McEwan’s Machines Like Me

Run Xiao

Shanghai International Studies University, China, People's Republic of




Open Group Individual Submissions

Back to the Future: Ethical and Ideological Paradoxes in Machine Writing

Xinye Hu

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

The Ethics of Reading Revisited in the Age of Artificial Intelligence

Gexin Yang

Zhejiang University, China, People's Republic of




Open Group Individual Submissions

Title: Risks and Opportunities in Three-Dimensional Interactions: World Literature in the Era of Digital Intelligence

Yina Cao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Illusion World : literary community and post-human era

Haifeng Cao

Sichuan University, China, People's Republic of

266 H (ECARE 40)
Location: KINTEX 1 210A
Chair: Yuan-yang Wang, Duke University

24th ICLA Hybrid Session
WED 07/30/2025 (in Korea)
266H (11:00)

LINK :
https://us05web.zoom.us/j/89306186325?pwd=Y3HbObW8il4jgDvX4BgybKXabT0ViW.1

PW : 470656

 

ECARE/NEXT GEN Individual Submissions

Locked in, Streamed out: How Live-streaming Reshapes Our Perceptions of Surveillance in Everyday Performance

Xinyue Yi

The University of Chicago, United States of America




ECARE/NEXT GEN Individual Submissions

Consumerism, Cyborgs and Diaspora: Fishiness in Larissa Lai’s Salt Fish Girl

Kainan Zhao

Peking University, People's Republic of China




ECARE/NEXT GEN Individual Submissions

Translator, Listener: Collaborator, Voice, and Corporeality of A Record of the Black Slaves’ Plea to Heaven

Yuan-yang Wang

Duke University, United States of America




ECARE/NEXT GEN Individual Submissions

Memento Mori and Fetishism of Head in Hedda Gabler and Salomé

Yifan Zhang

Fudan University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Evaluating ChatGPT-4's Effectiveness in Translating the Emirati Dialect in Short Stories into English

Mohammed Al-Batineh, Moza Obaid Al Tenaijy, Hala Sharkas

United Arab Emirates University, United Arab Emirates

(267) Global Futurism (1) Beyond the Human—AI, Animality, and Posthuman Futures
Location: KINTEX 1 210B
Chair: You Wu, East China Normal University
 

Open Group Individual Submissions

The Life Paradox of Uploaded Consciousness: A Posthumanist Reading of Disembodied Digital Selves in Science Fiction

Jiadong Jin

Shanghai University




Open Group Individual Submissions

The Futuristic Legacy of Animal Fables: Tracing Animal Motifs in Chinese Science Fiction

Luyao Yu

East China Normal University (ECNU)




Open Group Individual Submissions

Ethical Reflections on the Future AI-Generated Literary Creation

chenlin wei

xi'an Jiaotong University, China, People's Republic of




Open Group Individual Submissions

Creative Fungibility: Drawing Parallels Between Virtual Production, AI Filmmaking, and Comic Book Creation

Damien Rinaldo Tomaselli

United International College Hong Kong Baptist / University of Beijing

(268) Poetry of Myself
Location: KINTEX 1 211A
Chair: Eun-joo Lee, independent scholar
 

Open Free Individual Submissions

An Influence Study of William Blake on W.B. Yeats’s Poetic works

Linhong Bai, Dan Zhou

Wuhan University of Technology, China




Open Free Individual Submissions

Going for Refuge: Zen in Pound’s Seven Lakes Canto

Wenya Huang

Shanghai International Studies University, China, People's Republic of




Open Free Individual Submissions

“I too call myself I”: Interrogating the Genre of ‘Personal’ Poetry

Shreya Ghosh

The English and Foreign Languages University, Hyderabad, India




Open Free Individual Submissions

Cycles of Continuity: Death and Rebirth in the Poetry of Jibanananda Das and Ko Un

Sohan Sharif

Jahangirnagar University, Bangladesh, People's Republic of

(269) Literature, Arts & Media (1)
Location: KINTEX 1 211B
Chair: Hanyu Xie, University of Macao
 

ICLA Research Committee Individual Submissions

Individual Experience and Affective Engagement in VR Films

Yuqing Liu

The University of Hong Kong, Hong Kong S.A.R. (China)




Group Session

Male Gaze and Sexual Violence : A Comparative Study of I, Phoolan Devi and The Bandit Queen

URWASHI KUMARI




ICLA Research Committee Individual Submissions

Life Finds a Way: A New Materialist-Intermedial Approach to the Jurassic Park Franchise

Mattia Petricola

Università dell'Aquila, Italy

(270) Oriental Literature in World Literature: Exchanges and Mutual Learning (4)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chair

Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

Han Kang’s Poetics of Violence and the Exploration of Human Nature

Wei Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Study on the English Translation of Yuewei Caotang Biji from the Perspective of Translation Semiotics: A Case Study of Victor H. Mair’ Translation of The Great Fire Cracks No Filial Son’s Home

Da Xue

Sun Yat-sen University, China, People's Republic of




Open Group Individual Submissions

A Brief Discussion on the Occurrence of "Patricide" in Oriental Literature and Its Modern Identity Implications: Take "Cries in the Drizzle" and "The Red-Haired Woman" as examples

Tongrui Zhao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Mapping the Contours of Culture: “Aesthetic Foreign Concessions” in Tanizaki Jun’ichirō’s Works

Xiaoyang Guo

Purdue University, United States of America




Open Group Individual Submissions

The Origin of Wenxindiaolong(文心雕龙) in Korean Peninsula

Weirong Zhao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Study on the Translation and Dissemination of the Dunhuang Manuscript “Qinfuyin” in the English-speaking World

Chen Li

Sichuan University, China, People's Republic of

(271) Mutual Learning of Civilizations and Reconstruction of World Literature (6)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

The Construction and Writing of the East Asian Community by Liu Linxi Who was a Literatus in the Late Joseon Dynasty of Korea

Fu Chunming

Suqian University, China, People's Republic of




Open Group Individual Submissions

From Difference to Variation: Rewriting the History of Civilization from the Perspective of Variation Theory

Hongyan Du

Southwest Jiaotong University, China, People's Republic of




Open Group Individual Submissions

Chinese Elements in the “Formal Construction” of Japanese Arts and Literature: A Case Study of the Development and Variation of “Shin-Gyō-Sō” in the Japanese Artistic Sphere

xiliang wang

sichuan university, China, People's Republic of




Open Group Individual Submissions

A Study of Anna Seghers' Writing on the Chinese Revolution in the 1920s and 1930s

Xiaojin Wei

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Re-examining the Literary Historical Value of Chinese Huiwen Poetry ——Taking Su Hui’s “Xuan Ji Map” as an Example

Jingyuan Guo

Sichuan University, China

(272) Polyphony and Semiotics of Literary Symbols (2)
Location: KINTEX 1 213A
Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities

ICLA invite you to the Zoom.

Theme: ICLA Session 250
Time: 2025/ 07/ 30   09:00 Seoul Time
to join Zoom


https://pcu-ac-kr.zoom.us/j/87456198809?pwd=C5DmPVeMcKPaJkcEkwIFjhvgjjaEh0.1

ID: 874 5619 8809
Password: 402103

 

Open Group Individual Submissions

Comparing the Status of Odin and Ali Kishi: Polyphonic Motifs in Folkloric Texts

Rahilya Geybullayeva

ADA University, Azerbaijan




Open Group Individual Submissions

Adam Mickiewicz’s poem “Aryman i Oromaz” through a polyphonic lens of good and bad

RAFIK MANAF OGLU NOVRUZOV

BAku SLAVIC University, Azerbaijan

(273) Language Contact in Literature
Location: KINTEX 1 213B
Chair: ChangGyu Seong, Mokwon University
 

Open Group Individual Submissions

From (Mono-)hybridity to Double Hybridity: (Auto)translations in/from French in the 19th Century Romanian Novels

Simina-Maria Terian, David Morariu

Lucian Blaga Univerity of Sibiu, Romania




ICLA Research Committee Individual Submissions

Entre l’unilinguisme français et la littérature européenne : le cas de Germaine de Staël

Jin Yan

École normale supérieure de Paris, France




ICLA Research Committee Individual Submissions

Distortion of Perspectives: Linguistic, Personal and Historical Influences on the Perception of Ilze Berzins’ Autobiographical Novel “Happy Girl”

Vita Kalnbērziņa, Ildze Šķestere

University of Latvia, Latvia




ICLA Research Committee Individual Submissions

The Validity and Limitations of Life Narratives as Historical Documents

Hiba Bindh Kareem

Maulana Azad National Urdu University, India

(274 H) The East Asian Literature from a Global Perspective (1)
Location: KINTEX 1 302
Chair: Zhejun Zhang, Sichuan University,China

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

252H(09:00)
274H(11:00)
296H (13:30)
318H (15:30)

LINK :
https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1

PW : 12345

 

Open Group Individual Submissions

A Study on Lee Kyung Son Recognition of Chinese New Literature in the 1930s in Shanghai and the Chinese Play <Taiwan>

JiaoLing Jin

HARBIN INSTITUTE OF TECHNOLOGY, WEIHAI, China, People's Republic of




Open Group Individual Submissions

Misplaced Capital Writing: Lin 'an and Chang 'an in Japanese Five-Mountain Literature

Yu Luo

Chongqing University, China, People's Republic of




Open Group Individual Submissions

Research on the Study Notes in Gozan Bungaku

Yihui Bao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Mythos of Tan Jun(檀君) and Tan Jun(壇君)in Korea

Zhejun Zhang

Sichuan University, China




Open Group Individual Submissions

Wenxin Diaolong in the Historical Works of Chinese Literature in Modern Japan

Shuting Kou

Sichuan University ,China, China, People's Republic of

(275) Intermediality and Comparative Literature (2)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Virtual Simulation, Science Fiction Digital Games, and the Construction of Cyborg Theoretical Frameworks

Yuqin Jiang

Shenzhen University, P.R.China




Open Group Individual Submissions

The Intervening Power of Literature and Art: Intermedia performativity in Station Eleven and its TV Adaptation

Lanlan Du

Nanjing University, China, People's Republic of




Open Group Individual Submissions

Black Myth: Wu Kong as a Game-Novel

Zhenzhen Liu

Nanjing University, China, People's Republic of

(276) Religion, Ethics and Literature (4)
Location: KINTEX 1 307
Chair: Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad
 

ICLA Research Committee Individual Submissions

Reconstructing the Gospel Passion Narrative: The Religious Interpretation of Ivan’s Spiritual Transformation in Anton Chekhov’s “The Student”

Iris Xu

Middlebury College, United States of America




ICLA Research Committee Individual Submissions

CAT WORDS, IDIOMS, PHRASES: SIGNIFICANCE AND IMPACT ON HUMAN CREATIVITY

SK Bose

Manav Rachna University, India




ICLA Research Committee Individual Submissions

Poetry as “Heresy” in Modernity: A Phenomenology of Suffering and Resistance in “Regimes” of Progressive Literary Movements from India

ASIT KUMAR BISWAL

University of Hyderabad, India

(126) Philosophy, spirituality and literature (ECARE 26)
Location: KINTEX 2 305A
Chair: Sushil Ghimire, Balkumari College, Bharatpur-2, Chitwan, Nepal
 

ECARE/NEXT GEN Individual Submissions

The Symposium and Zhuangzi: Mutual Illumination of Chinese and Western Aesthetics and Philosophy from a Comparative Literature Perspective

Pingruolan Wu

Northwestern Polytechnical University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Yeats and Sri Aurobindo : Discursive and Harmonious Worldviews

Shailesh Tukaram Bagadane

Gokhale Education Society's Jawhar College University of Mumbai, India




ECARE/NEXT GEN Individual Submissions

The Snow Leopard and Dolpo: Analyzing Two Tales of Adventure and Spirituality from the West and the East

Sushil Ghimire

Balkumari College, Bharatpur-2, Chitwan, Nepal, Nepal




ECARE/NEXT GEN Individual Submissions

Death and Rebirth in Jibanananda Das’s Rupasi Bangla and Louise Glück’s The Wild Iris: A Comparative Analysis

Sohan Sharif

Institute of Comparative Literature and Culture Jahangirnagar University, Bangladesh, People's Republic of

(127) Posthumanism and AI (ECARE 27)
Location: KINTEX 2 305B
Chair: Kyu Jeoung Lee, Oklahoma State University
 

ECARE/NEXT GEN Individual Submissions

Cha Cha on the Bridge: AI Heroes

Kyunghwa Lee

Yonsei University, Korea, Republic of (South Korea)




ECARE/NEXT GEN Individual Submissions

Samantha, not Sam, Eve, not Adam: Feminist Posthumanism as the Posthumanism for All?

Yoon Chung

Yonsei University, Korea, Republic of (South Korea)




ECARE/NEXT GEN Individual Submissions

“Machines” and Miscommunication: A Comparative Analysis of American and Korean Science Fiction

Kyu Jeoung Lee

Oklahoma State University, United States of America




ECARE/NEXT GEN Individual Submissions

“We all complete.”: Posthumanist Reflections on Never Let Me Go

Narae Min

Chungbuk National University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Nonhuman Entanglements: Rethinking Anthropocentrism and Subjectivity in Korean Speculative Fiction

CAIYI JIN, MIRI YOO

Seoul National University, Korea, Republic of (South Korea)

(128) Rethinking world literature (ECARE 28)
Location: KINTEX 2 306A
Chair: ASIT KUMAR BISWAL, University of Hyderabad
 

ECARE/NEXT GEN Individual Submissions

TO WORLD LITERATURE: SYMBOLIC-IMAGETIC BODIES IN CLARICE LISPECTOR AND PARK WAN SEO.

Melissa Rubio dos Santos

Federal University of Rio Grande do Sul (UFRGS), Brazil




ECARE/NEXT GEN Individual Submissions

A Baroque Universality? Alejo Carpentier on Magical Realism and World Literature.

Antonios Sarris

University of Cyprus, Cyprus




ECARE/NEXT GEN Individual Submissions

The Gaze of “Other” Disciplines: An Evaluation of the Composition of Volumes of Comparative Literature Scholarship in the 21st Century

ASIT KUMAR BISWAL

University of Hyderabad, India




ECARE/NEXT GEN Individual Submissions

Indigenous Life and Culture in Bengali Fiction: A Critical Analysis of Shaukat Ali’s Kapil Das Murmur’s Last Task and Alaudddin Al Azad’s Karnaphuli.

Nabila Haque

Jahangirnagar University, Bangladesh, People's Republic of

(129) Tech, Ethics, Heidegger (ECARE 29)
Location: KINTEX 2 306B
Chair: Kehan Mei, University of Tibet
 

ECARE/NEXT GEN Individual Submissions

Graphical Heidegger: 'Weltgeviert' Explained

Arne Merilai

University of Tartu, Estonia




ECARE/NEXT GEN Individual Submissions

Technology and Loneliness: Ethics of Artificial Friends in Kazuo Ishiguro’s Klara and the Sun

Jenna Xinyi Niu

Hong Kong Baptist University, Hong Kong S.A.R. (China)




ECARE/NEXT GEN Individual Submissions

Tao and Sein: A Cross-Cultural and Cross-Civilizational Dialogue between Laozi and Martin Heidegger

Kehan Mei

University of Tibet, China, People's Republic of

(130) Technology, Companionship and ethics in Kazuo Ishiguro (ECARE 30)
Location: KINTEX 2 307A
Chair: Lixin Gao, Shanghai International Studies Universtiy
 

ECARE/NEXT GEN Individual Submissions

Tropes of Othering in Flannery O'Connor's "The Artificial Nigger" and Kazuo Ishiguro's "Never Let Me Go"

Zidong Li

Tokyo University of Foreign Studies, Japan




ECARE/NEXT GEN Individual Submissions

Disadvantaged yet Dignified: Reaffirming Humanity through Companionship in Kazuo Ishiguro’s Klara and the Sun

Yiqun Xiao

Kyoto University, Japan




ECARE/NEXT GEN Individual Submissions

Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled

Lixin Gao

Shanghai International Studies Universtiy, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Ethics Behind Choices: Opposition and Coexistence between Clones and Communities in Never Let Me Go

Tianxiang Chen

Harbin Engineering University, People's Republic of China

(457) Authorship and Technology (3)
Location: KINTEX 2 307B
Chair: Xi'an GUO, Fudan University
 

Open Group Individual Submissions

Mallarmé's tékhnē : An 'au-delà' in Authorship Theories

Jing Zhao

Renmin University of China, China, People's Republic of




Open Group Individual Submissions

Can a AI-Author pass the Turing Test? -- The Experiments and Reflexions of Clemens Setz and Daniel Kehlmann about AI-Authorship

Lin Cheng

Guangdong University of Foreign Studies, China, People's Republic of




Open Group Individual Submissions

探索人工智慧和區塊鏈的交匯點:數位時代創意寫作的機會和挑戰 (Navigating the Intersection of Artificial Intelligence and Blockchain: Opportunities and Challenges for Creative Writing in the Digital Age)

Yui TONG

Hong Kong Baptist University, Hong Kong S.A.R. (China)

(501 H) Translating Migration: The Movement of Texts and Individuals in World Literature (2)
Location: KINTEX 2 308A
Chair: Chun-Chieh Tsao, University of Texas at Austin

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

500H(09:00)
501H(11:00)
502H(13:30)
503H(15:30)

LINK :
https://us06web.zoom.us/j/83123070553?pwd=Yo6xcSCgNilEY7AC0jnBRlv8bBACYL.1

PW :12345

 

Open Group Individual Submissions

From Censorship to Canonization: Ulysses in the Making

Chun-Chieh Tsao

University of Texas at Austin, United States of America




Open Group Individual Submissions

Polyphony and Cultural Translation: Narratives of Displacement in Postwar East Asia, 1945–1952

Satoru Hashimoto

Johns Hopkins University, United States of America




Open Group Individual Submissions

The Untranslated Other in Pai Hsien-yung’s diasporic literature “Love’s Lone Flower”

Tzu-yu Lin

University College London, United Kingdom

 
1:30pm
-
3:00pm
(277) Dongguk Univ: Korean Buddhist Literature
Location: KINTEX 1 204
 

Host Sessions (Korean Students and Scholars Only)

The Birth of Modern Korean Literature and Buddhism – Seokjeon, Manhae, and Midang’s Buddism(한국현대 문학의 탄생과 -석전, 만해, 미당의 불교)

Chunsik Kim

Dongguk University




Host Sessions (Korean Students and Scholars Only)

「'승려' 를 이야기하는 방법: 승려 행장에서 나타나는 꿈 화소의 양상과 기능」

Jin-kyung Choi

Dongguk University

(278) South Asian Literatures and Cultures (5)
Location: KINTEX 1 205A
Chair: ChangGyu Seong, Mokwon University
 

ICLA Research Committee Individual Submissions

Bangla Science Fiction: Extending the Horizons of a Genre in working out World Literature

Kunal Chattopadhyay

Comparative Literature Association of India (CLAI), India




ICLA Research Committee Individual Submissions

Colonial Indian Novel-- National Or Supranational: Illustrating A History Of Literary Systems Using The "Horizon Of Expectations As A Tool Through Fakir Mohan Senapati's Six Acres And A Third (1896) and O. Chandumenon's Indulekha (1889)

Shreya Dash

The English and Foreign Languages University, Hyderabad, India, India




Group Session

Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia

E.V. Ramakrishnan, Sayantan Dasgupta




ICLA Research Committee Individual Submissions

'Muhyidhin Mala' and the Imagination of ummah (community) in early 17th century Kerala.

Sherin Basheer Saheera

The English and Foreign Languages University, India

(279) Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia
Location: KINTEX 1 205B
Chair: E.V. Ramakrishnan, Central University of Gujarat
 

Open Group Individual Submissions

Narrative Resistance in Fictionalised Autobiography: A Critical Study of Anita Desai’s Clear Light of the Day and Arundhati Roy’s The God of Small Things

Urvi Sharma

Amity University, Punjab, India




Open Group Individual Submissions

The Broken and Forgotten: Fractured Histories and Uncharted Margins of Partition.

Aparna Lanjewar Bose

The English and Foreign Languages University, India




Open Group Individual Submissions

Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi

Maria Bhuiyan1, Imtiaz Bhuiyan2

1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia




Open Group Individual Submissions

Parsi Thatre and Its Sonosphere

T S Satyanath

University of Delhi, India

(280) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (3)
Location: KINTEX 1 206A
Chair: Jing Zhang, Renmin University of China
(281)
Location: KINTEX 1 206B
Chair: Simone Rebora, University of Verona
(282) Translating ethics, space, and style (3)
Location: KINTEX 1 207A
Chair: Richard Mark Hibbitt, University of Leeds
 

Open Group Individual Submissions

Samuel Beckett’s Translingualism as a Framework for Bilingual Literary Creation

Yoo-jung Kim

Korea University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Polyphonic Resistance and Secret Utopias: Technology and Language in the works of Cathy Park Hong and Theresa Hak Kyung Cha

Neethi Alexander

Indian Institute of Technology Mandi, India




Open Group Individual Submissions

“Different and yet the Same, the Same and yet Different”: Translation as Metaphor for Colonialism in Levy Hideo’s Japanese Prose

Thomas Brook

Otemon Gakuin University, Japan

(283) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (3)
Location: KINTEX 1 207B
Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba
 

Open Group Individual Submissions

Feminist Translation: a comparative approach to translations of "Shōjo", by Mariko Ōhara

Natália Rosa

University of Tsukuba, Japan




Open Group Individual Submissions

Friendship as the Basis for Individual Happiness and Political Peace in Japanese Children's Literature

Christiane Kazue Nagao

National University of Quilmes, Argentine Republic




Foreign Sessions (Foreign Students and Scholars Only)

Dialogic possibilities in translation: the collaborative translation of Ishikawa Takuboku’s tanka into Portuguese

Felipe Chaves Gonçalves Pinto

University of Tsukuba, Japan

(284) Approaching Nonhuman Narrative in World Literature
Location: KINTEX 1 208A
Chair: Biwu Shang, shanghai jiao tong university
 

Open Group Individual Submissions

The Critique of Romanticism in Kierkegaard and the Image of the Plant: Irony, Lilies, and Romantic Poetry

Guanlin LIU

Fudan University, China, People's Republic of




Open Group Individual Submissions

Beyond Bestiary: Identification and Dis-identification between Animals and Humans in Julio Cortázar’s and Guadalupe Nettel’s Short Stories

Yilin Wang

University College London, United Kingdom

285
Location: KINTEX 1 208B
(286) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (1)
Location: KINTEX 1 209A
Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
 

Group Session

Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West

Jianxun JI, Hyebin Lim, Dong Han, Guo Zhang




Open Group Individual Submissions

Proverbs or Sacred Words? Linguistic Practice and Cultural Adaptation of Westerners in China During the Late Ming and Early Qing Dynasties

Wenting HU

Shanghai International Studies University, China, People's Republic of




Open Group Individual Submissions

Reimagining Railway Modernity through Tradition: Railway Games and Sino-Japanese Cultural Exchange in the 1930s

Aolan Mi

Tsinghua University, China, People's Republic of




Open Group Individual Submissions

Travels of Souvenirs Entomologiques: from Fabre to Osugi Sakae to Lu Xun

XiaoQiao Liu

Beijing Foreign Studies University, China, People's Republic of




Open Group Individual Submissions

The Dilemmas of Modernity in Mrs Dalloway and Fortress Besieged: Temporal Discipline, War Violence and the Crisis of Spiritual Ecology

Zhuoting Zhao

Northwestern Polytechnical University, China, People's Republic of

(287)
Location: KINTEX 1 209B
(288) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (2)
Location: KINTEX 1 210A
Chair: Wen Jin, East China Normal University
 

Open Group Individual Submissions

A Cog in a Global Machine: Reification in Chinese and American High-Tech Narratives

Rui Qian

Nanyang Technological University, Singapore




Open Group Individual Submissions

The absence of the Absolute and Piping of Heaven: An Interpretation of Zhang Zao's Kafka to Felice

Hongze Liu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Pilgrimage for Self-Expression: The Archetypal Imagination of China in British Romantic Poetry

Xinchen Lu

East China Normal University, China, People's Republic of




Open Group Individual Submissions

Affective Consumption: Branding, Alternative Media, and Transnational Community in Pattern Recognition

Yidan HU

University of Edinburgh, United Kingdom

(289) Global Futurism (2) Translating the Future—Chinese Sci-Fi on the Global Stage
Location: KINTEX 1 210B
Chair: Dominic Hand, University of Oxford
 

Open Group Individual Submissions

Navigating Narrative Galaxies: Translating the Complexities of Chinese Science Fiction

Yifeng Sun

University of Macau, Macau S.A.R. (China)




Open Group Individual Submissions

The International Reach of Chinese Web Science Fiction: Exploring Fan Culture Dynamics

Xin Huang

Shanghai Jiao Tong University, China, People's Republic of China




Open Group Individual Submissions

Chinese Space-themed Science Fiction: Rise, Western Influences and Cultural Roots

Fuguang Miao

Shanghai University




Open Group Individual Submissions

“Chinese Imagination” Goes Global: The Translation and Dissemination of Chinese Science Fiction to the West

You Wu

East China Normal University, China, People's Republic of

(290) Images and Memory
Location: KINTEX 1 211A
Chair: Seung Cho, Gachon University
 

Open Free Individual Submissions

“Tree” and “Illusory Flower in the Sky” - A Comparison of Images in Heidegger's and Buddhist Discourses on “Being”

Yakun Liang

Shanxi University, China, People's Republic of

(291) Literature, Arts & Media (2)
Location: KINTEX 1 211B
Chair: Hanyu Xie, University of Macao

Intermedial studies and ‘New Materialisms’

Jørgen Bruhn, Linnaeus University

E-Mail: jorgen.bruhn@lnu.se

Most theoretical models of intermediality are inherently epistemological: media studies, including intermedial studies, basically investigates, criticizes and historicizes all the different ways of perceiving the world by way of different apparatus or communicative entities which may be more or less technical, advanced and complex.

However, in recent decades a new set of questions has occurred, approaching the world not only epistemologically but also ontologically: such questions are often subsumed under the heading of New Materialism(s): ontological ideas relating to process philosophy and studies of emergent qualities have become more and more prominent in Media- as well as Literary – and Gender Studies. Such an ontological frame is of special relevance to Comparative Literature, where it raises important questions on the nature, practice, and relevance of comparison, and indeed of the notion of literature itself.

As the integration of such non-substantialist approaches within intermedial studies and comparative literature is still in its early stages, these theoretical-methodological relations deserve closer academic attention. The general aim of this panel is therefore to investigate in depth the possible relations between intermedial studies and new materialist methodologies.

Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope

Hanyu Xie

University of Macao, China, People's Republic of; yc47743@um.edu.mo

Kalaf Epalanga is a contemporary writer, musician and poet, an African emigrant who settled in Europe during his youth for better education, and as a result of the civil war in Angola. Over the last decades, he experienced the cultural reality of Lisbon and Berlin. Like a 21st century flâneur, Epalanga and his music are present in the center and on the outskirts of Lisbon. The Portuguese press see him as a “cultural agitator”, who demonstrates on behalf of African culture or, in a broader sense, on behalf of black cultures around the world. The present study has as object Epalanga’s novel Whites can dance too (Também os brancos sabem dançar), which could be seen as a “musical novel”, based on the concept of “melophrasis” developed by Rodney Edgecombe (1993) and Therese Vilmar (2020) in response to the idea of “musicalized fiction” by Werner Wolf (1999). In the novel, Epalanga creates a thought-provoking narrative, woven together with the history of African music, including genres like Kuduro and Kizomba, and exploring its complex interactions with canonical genres such as Fado and Rap. Additionally, the author guides the reader through the complex feelings and subjectivity of the characters, providing an experience of their diverse emotions through metamusic. Epalanga thus constructs a unique musical land (a safe space) through words. It is important to note that these music-centered or music-based narratives are intertwined with ancient colonial memories, as well as contemporary narratives that highlight the suffering of the African diaspora on the European continent. In this musical land of the novel, the three main characters are on very different life trajectories, but they all cross paths at some point because of music and, at the end of the story, each of them finds in music a kind of redemption or sanctuary of their own. This narrative conception results in a remarkable contrast between darkness and luminosity, which evokes the clashes in the social arrangement of white and black voices (Achile Mbembe, 2003; Michel Foucault, 1997), and the proposition of a world-space that houses “non-hegemonic” voices. This contrast between darkness and light inspired me to explore the idea of literary music as a “safe space”. What I propose to discuss in this study is not music in its strict and concrete sense, but rather music as a possible verbal and aesthetic experience for the literary reader, for the reader of Os brancos também podem dançar, in short, a music that “can be read”. What is the “song” really about? How can this “musical romance” inspire new perspectives on issues of ethnicity today? How do the rhythm of ideas, frustrations and hopes intertwine with the mixed beat of rap, kuduro and fado? In seeking these answers, I also seek a new path of reflection on the construction of ethnic identities and the forms of existence and resistance of marginalized groups in today’s world.

Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations

yaqi Liang

Media and Cultural Industry Sichuan University, China, People's Republic of; 2021321030060@stu.scu.edu.cn

Chinese academies emerged in the Tang Dynasty, and their functions gradually evolved from book repair and collection to reading and learning. Their service targets ranged from individuals to the general public, and they could cultivate talents and spread culture. The civilization of Bashu Academies not only benefited from the exchange and mutual learning between ancient BaShu culture and other cultures, but also from the "Southern Silk Road" that has lasted for thousands of years and crossed centuries. As a trade and cultural inheritance road, it inherits not only a culture, but also a spiritual force. The Academies culture in the Bashu Academies has shaped the urban character of "openness, innovation and creativity" and the humanistic characteristics of "broad mindedness and friendliness". Communication can make civilization colorful, mutual learning can enrich civilization, and communication and mutual learning can make civilization full of vitality and creativity. Exchange and mutual learning help promote the integration of civilizations from all over the world, and forge a magnificent force for the development and progress of human society. This points out the direction for promoting the development of world civilization and provides a good strategy for resolving conflicts between civilizations. Civilizations communicate through diversity, learn from each other through communication, and develop through mutual learning. The exchange and mutual learning among different countries, ethnic groups, and cultures in the world can enhance the humanistic foundation of a community with a shared future for mankind, spread and exchange each other's cultures, and promote the mutual learning of civilizations.

The academies in the Bashu Academies can become a distinctive medium for cultural dissemination, relying on new academies and utilizing forms such as new media and intelligent media to tell the "Chinese story" well, promoting the true transformation of Chinese civilization from "going out" to "going in" on the global stage. Bashu Academies is a "magnet" that uses advanced cultural dissemination concepts to gather and integrate excellent cultures from ancient, modern, Chinese, and foreign cultures as a "iron"; The Academies is also a "neighborhood". It uses advanced cultural communication concepts to stimulate and amplify the charm of various cultures and vigorously spread them, so that the Academies will become a characteristic platform and an important channel to promote folk friendly cooperation in cultural exchanges along the "the Belt and Road". In effective communication, enhance cultural confidence internally and increase the influence of Chinese culture externally.

Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories

Jayshree Singh, Priyanka Solanki
Bhupal Nobles' University Udaipur Rajasthan, India; dr.jayshree.singh@gmail.com

Literary animal studies - delving into the roots of human-animal interactions examine how animals are portrayed in different literary works in context of cultural attitudes, and ethical issues, is the study of animals and their representation in literature (Ortiz-Robles 55). Emerging as an interdisciplinary field, human/animal studies encompass a wide range of disciplines that make up the so-called "new humanities," which are concerned with human behavior and culture (Gottschalk11). The discussion draws from a wide range of fields, including but not limited to: “primatology, ethics, genetics, cognitive science, literature, history, philosophy, and cultural studies” (Singer 1). The classified and digitalized illustrations of Animals in the Human Societies worldwide by way of tangible or intangible depiction for consciousness-raising towards their predicament or for extracting the allegorical aesthetics use medium of language and form in creative writings, while visuals are either in digitalized generative images or as sculptures to denote perceptual observation, selection of sensitivity for the sake of perceptual defense to sensitize the readers and viewers. Their existing signifiers signify a set of dominant power relations or religion-ethical connotations of society towards animalism or for animals. Literature, Arts and Media have shown how the 'Animals in Question' are the agents through their mode of action to compete for legitimacy and authority and it is the medium of writing or the pictorial depiction categorically function either as a manner of Liar's Paradox or a counterpoint to humans' humanity. The research area of study attempts to analyze the ’gaze’ that sorts the trajectories, strategies of the internal and external stimuli and draws a brilliant analytical parallel picture of cultural, social, and hegemonic origin and influence by way of totalitarianism, imperialism, capitalism, and materialism. The eco-system both fragmented and diversified epitomize ‘the deepest tensions, social conflicts, rituals, taboos, and myths of humanity’s struggle to come to terms with its physical environment ‘through the bewildering, skeptical world of fictional’ (Orwell, xii).) animal fables in order to transform and restructure society. Otto Keller's enormous two-volume book "Die Antike-Tierwelt" from 1913 (reprinted 1963) served as the only thorough compilation of data on specific animal species in the ancient sources for over a century (Campbell 27). Scholars like Liliane Bodson and Richard Sorabji began to radically alter this perception and identification. Their goals are comparably metaphorical to bring paradigm shift for understanding both digitalized and non-digitalized, protected or non-protected archival visual representation of animals in order to pave for humanitarian conflict resolution towards prehistoric and modern arguments, and to make the prehistoric data speak to larger issues and concerns in classical research (Sorabji 36).

 

Group Session

Intermedial studies and ‘New Materialisms’

Jørgen Bruhn




ICLA Research Committee Individual Submissions

Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope

Hanyu Xie

University of Macao, China, People's Republic of




ICLA Research Committee Individual Submissions

Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations

yaqi Liang

Media and Cultural Industry Sichuan University, China, People's Republic of




ICLA Research Committee Individual Submissions

Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories

Jayshree Singh, Priyanka Solanki

Bhupal Nobles' University Udaipur Rajasthan, India

(292) Oriental Literature in World Literature: Exchanges and Mutual Learning (5)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chair

Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

The Image of Chinese Women in Western Anthropocene Novels ——A Case Study of Chang-rae Lee’s On Such a Full Sea

Qiannan Yang

SIchuan University, China, People's Republic of




Open Group Individual Submissions

Chinese placenames in Korean Gasa : the construction of literary imagination and symbolic meaning

Haishu An

Yanbian University, China, People's Republic of




Open Group Individual Submissions

Tu Fu's Influence on American Poems: The Cases Study in the New Poetry Movement, the Mid-and-late 20th Century and Contemporary Era

jingmin xu

郑州大学, China, People's Republic of




Open Group Individual Submissions

A Girl Without a Name: Women’s Self-realization in City of Broken Promises

Shuaidong Zhang

Sichuan Uinverisity, China, People's Republic of




Open Group Individual Submissions

The Oriental Dreams in Fantasy Novels: The Cross-cultural Variations and Derivations of Contemporary Chinese Fantasy Novels under the Influence of Western Fantasy Trends

Xiao Jun Gao

Sichuan University, China, People's Republic of

(293) Mutual Learning of Civilizations and Reconstruction of World Literature (7)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

A Comparative Study of the Ecological Writings in William Faulkner and Jia Pingwa

Chunfang Yi

Northwestern Polytechnical University, China, People's Republic of




Open Group Individual Submissions

On the Writing of Civilization History in Digital Games

Qifei Wang

Taiyuan Normal University, China, People's Republic of




Open Group Individual Submissions

From national literature to world literature: Shen Yanbing's early conception and practice of world literature

YILIN TANG

City University of Hong Kong, Hong Kong S.A.R. (China)




Open Group Individual Submissions

The Symbolic Code in Bone Divination Rituals: An Analysis of the Correlations among Sanxingdui Symbols, Ba-Shu Graphical Symbols and Early Ancient Yi Script

Laze Jiaba

四川大学, China, People's Republic of




Open Group Individual Submissions

Eliminating Opposition and Promoting Dialogue: Mutual Learning of Civilizations in Overseas Pre-Qin Thought Research

Zhoulu Wang

University of Electronic Science and Technology of China, China, People's Republic of

(294) Polyphony and Semiotics of Literary Symbols (3)
Location: KINTEX 1 213A
Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities

ICLA invite you to the Zoom.

Theme: ICLA Session 250
Time: 2025/ 07/ 30   09:00 Seoul Time
to join Zoom


https://pcu-ac-kr.zoom.us/j/87456198809?pwd=C5DmPVeMcKPaJkcEkwIFjhvgjjaEh0.1

ID: 874 5619 8809
Password: 402103

 

Open Group Individual Submissions

Refilling Homer’s Cup: A Study of 'Circe' and 'The Song of Achilles'

Ashi Thakran

Central University of Haryana, India




Open Group Individual Submissions

Jongmyo Shrine as a Semiotic Space: A Lotmanian Approach

Jin Young Lee, Sung Do Kim

Korea University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Memory's Forked Paths and the Restructuring of Symbolic Systems

Ruiqian Qu

Capital Normal University, Chine

(295) The East Asian Literature from a Global Perspective (3)
Location: KINTEX 1 213B
Chair: Zhejun Zhang, Sichuan University,China
 

Open Group Individual Submissions

A Comparative Study of the Concept of “Teaching through Non-Teaching” in Chinese and Western Traditions— Focusing on Mencius and Socrates

Lishi Hu

Hunan University, China, People's Republic of




Open Group Individual Submissions

Affective Narrative Genres in Cross-Cultural Contexts: A Comparative Study of East Asian and Western Texts through Hogan’s Theory of Emotional Systems

FEI TAN

Sun Yat-sen University, China, People's Republic of




Open Group Individual Submissions

On the Dual Dimensions of Early Buddhism and the Interpretation of the Book of Songs

Dan Xie

The College of Literature and Journalism,Sichuan University, China, People's Republic of




Open Group Individual Submissions

On the Polyphony of Wang Wenxing's novel Family Catastrophe

Tong Xuanran

Xiamen University, China, People's Republic of




Open Group Individual Submissions

Stephen Owen's Research on Tang Poetry

Xing Xu

Shanghai International Studies University, China, People's Republic of

(296 H) Comparative Literature and Digital Literary Studies in Georgia
Location: KINTEX 1 302
Chair: Irma Ratiani, Iv. Javakhishvili Tbilisi State University

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

252H(09:00)
274H(11:00)
296H (13:30)
318H (15:30)

LINK :
https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1

PW : 12345

 

Open Group Individual Submissions

Formation and Development of Comparative Studies in Georgia

Irma Ratiani, Gaga Lomidze, Lili Metreveli

Georgian Comparative Literature Association (GCLA)




Open Group Individual Submissions

Perspectives and Challenges in the Creation and Digital Analysis of Georgian Literary Corpora

Irakli Khvedelidze

Georgian Comparative Literature Association (GCLA)




Open Group Individual Submissions

Quantitative-Statistical Analysis of the Semantics of Color in The Knight in the Panther's Skin

Maka Elbakidze, Irakli Khvedelidze

Georgian Comparative Literature Association (GCLA)




Open Group Individual Submissions

Digitizing Georgian-French Cultural Exchanges: Archival Methods and Accessibility

Tatia Oboladze, Rusudan Turnava, Nino Gagoshashvili

Georgian Comparative Literature Association (GCLA)




Open Group Individual Submissions

Digital Analysis of the Symbols in the Life of Saint Nino

Nino Gagoshashvili

Georgian Comparative Literature Association (GCLA)




Open Group Individual Submissions

A Quantitative Analysis of Versification Parameters in The Knight in the Panther’s Skin Based on Nestan-Darejan’s Two Letters

Salome Lomouri, Tamar Barbakadze

Georgian Comparative Literature Association (GCLA)

(297) Intermediality and Comparative Literature (3)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Intermedial Performativity and Contemporary Chinese Performance Arts

Chengzhou He

Nanjing University, China, People's Republic of




Open Group Individual Submissions

Interaction Between Film and Theater: A Case Study of New/ Gates Dragon Inn.

Rong Ou

Hangzhou Normal University, China, People's Republic of




Open Group Individual Submissions

Lost in Projection: A Critique of Contemporary Resonance and the Erosion of Jingju in Contemporary Legend Theatre’s Julius Caesar

Wei Feng

Shandong University, China, People's Republic of




Open Group Individual Submissions

Intermedia Art: A Multimodal Analysis of Li Shun's Art Exhibition “Capture the Light and Shadow"

Ruhui Wang1, Hao Wang2

1: Hangzhou Normal University, China, People's Republic of; 2: Wenzhou-Kean University, China, People's Republic of

(298) Religion, Ethics and Literature (5)
Location: KINTEX 1 307
Chair: Kitty Millet, San Francisco State University
 

ICLA Research Committee Individual Submissions

An Interpretation of Perpetrator Trauma in Louise Erdrich’s Larose

SHUANGSHUANG LI

Tsinghua University, China, People's Republic of




ICLA Research Committee Individual Submissions

Angels and Roombas: a Bloody Post-Human Parallel

Purba Basak

Jadavpur University, India




ICLA Research Committee Individual Submissions

How religilon can contribute to literature

Sun Sook Kim

The institute for Science of Mind, Korea, Republic of (South Korea)




ICLA Research Committee Individual Submissions

The Western Plight and Survival Ethics in The Grapes of Wrath

Sasa Zhao

Northwestern Polytechnical University, China, People's Republic of




ICLA Research Committee Individual Submissions

A SINGULAR LOVE IN 56 LANGUAGE-FORMS : LITERATURE AS TRANSFORMATIVE ETHICS

Ipshita Chanda

The English & Foreign Languages UNiversity, Hyderabad IN, India

(131) Text and tech (ECARE 31)
Location: KINTEX 2 305A
Chair: Yichen Zhu, Fudan University
 

ECARE/NEXT GEN Individual Submissions

Adaptation Beyond the Text: Uttara as a hypertext of Uratiya

Shiblul Haque Shuvon

Jahangirnagar University, Bangladesh, People's Republic of




ECARE/NEXT GEN Individual Submissions

The Tension Between Intuition and Craft: Media Technology and Genre Transition in Close Reading

Yichen Zhu

Fudan University, China, People's Republic of

(132) The Comics frontier (ECARE 32)
Location: KINTEX 2 305B
Chair: Sara Mizannojehdehi, Concordia University
 

ECARE/NEXT GEN Individual Submissions

Where to Draw the Line: Exploring the Intersections of Comics Journalism, Oral History, and Memoir

Sara Mizannojehdehi

Concordia University, Canada




ECARE/NEXT GEN Individual Submissions

Asterix and the Postmoderns: History, Resistance, and Empire in the 20th Century

BEATRIZ SEELAENDER

University of São Paulo, Brazil




ECARE/NEXT GEN Individual Submissions

Priya Comic Series: A Voice of Protest Against Gender Violence & Fundamentalism

Dwaipayan Roy

NIT Mizoram, India




ECARE/NEXT GEN Individual Submissions

Creative Fungibility: Drawing Parallels Between Virtual Production, AI Filmmaking, and Comic Book Creation

Damien Rinaldo Tomaselli

UIC - United International College Hong Kong Baptist / University of Beijing, China, People's Republic of

(133) The web novel frontier (ECARE 33)
Location: KINTEX 2 306A
Chair: Yimeng Xu, The University of Hong Kong
 

ECARE/NEXT GEN Individual Submissions

Digital Ethnography on the Soft Power Building of the Online Platform Webnovel’s Literary Translation

Yankun Kong

Communication University of China, People's Republic of China




ECARE/NEXT GEN Individual Submissions

Hoarding in Survival Fantasy: Chinese Women’s Affective Labor in Web Novel Platforms During the COVID-19 Pandemic

Yansha He

The University of Hong Kong, Hong Kong S.A.R. (China)




ECARE/NEXT GEN Individual Submissions

The Docile Husband: A Critical Discourse Analysis of Soft Masculinity in Digital Culture

Yimeng Xu

The University of Hong Kong, Hong Kong S.A.R. (China)




ECARE/NEXT GEN Individual Submissions

Considering the Social Significance of the Isekai Genre

Jessy ESCANDE

Waseda University, Japan

(134) Translation and agency (ECARE 34)
Location: KINTEX 2 306B
Chair: Juanjuan Wu, Tsinghua University
 

ECARE/NEXT GEN Individual Submissions

On Translator’s Subjectivity Through the Paratexts of Three Chinese Translations of Ulysses

Keqi Yao

Nanjing University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Translator Behavior in Chinese Folk Language Translation: A Case Study of The Mountain Whisperer

Xuebing Wang

Northwestern Polytechnical University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Affective Translation, Poetic Capital, and Cosmopolitan Modernism in the Ayscough/Lowell Translation Project on Tang Poetry

Juanjuan Wu

Tsinghua University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

A Comparative Study on Translator Autonomy in Korean-Chinese/Chinese-Korean Children's Literature Title Translations - Focusing on Revised Target Texts after Source Text ‘Transformation’-

JIAWEI DING

Zhejiang Gongshang University, China

(135) Translation and circulation (ECARE 35)
Location: KINTEX 2 307A
Chair: Kai Lin, University of Alberta
 

ECARE/NEXT GEN Individual Submissions

On Philology in Three Dimensions and Its Interaction with World Literature Studies

Jingyu Zhuang

Fujian Normal University, China, People's Republic of




ECARE/NEXT GEN Individual Submissions

Translating Queerness Across Censorships: The Fan Translation of Pioneer Summer: A Novel from Russia to China

Kai Lin

University of Alberta, Canada




ECARE/NEXT GEN Individual Submissions

Translation as Rewriting-the (Re)constructed Female Images in Outlaws of the Marsh

Zichen Zhao

RMIT University, Australia

Special Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination
Location: KINTEX 1 Grand Ballroom
Chair: Matthew Reynolds, University of Oxford

2025 ICLA SPECIAL SESSION 2 - YouTube

Special Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination

#5: Wednesday, 7.30, 13:30 am - 15:00 pm 
Location: KINTEX 1, Grand Ballroom 

Session Chair: Matthew Reynolds (University of Oxford, UK)

Speakers: Each speaker will give a 5 minute lightning talk about the paper or project.

Alberto Parisi (Kobe University, Japan)
The Power Not to Think: LLMs as Poetic Impotential Machines

Matthew Reynolds (University of Oxford, UK)
Constraints as a Route to Creativity in AI Translation: the AIDCPT project

Deepshikha Behera (EFL University, India)
“My Language has no School”: Decolonising AI Translation

Nicholas Y. H. Wong (The University of Hong Kong)
Vocational but Vernacular: Forestry Policies and Sinophone Malaysian Literature

Christof Schöch (Trier University)
Multilingual Stylometry: The Influence of Language, Translation, and Corpus Composition on Authorship Attribution Accuracy

Simone Rebora (University of Verona, Italy)
Digital Social Reading and Comparative Literature: Three Case Studies

Translation and the Eco-Techno Turn: Individuation Across Organic and Inorganic Realms
Youngmin Kim (Dongguk University, Korea)

Joseph Hankinson (University of Oxford, UK)
Complementarities: Artificial Intelligence and Language Ontologies

Wen-Chin Ouyang (SOAS, University of London, UK)
Arabic and Chinese Wine Poems: Culture and Ethos

Cosima Bruno (SOAS, University of London, UK)
The Multiverse: AI Poetry Translation in the Network System

Shengke Deng (Tsinghua University, China)
Crisis of Subjectivity in Technological Networks: Bruno Latour and Impersonal Generation in Digital Age

Steven Tötösy de Zepetnek (Sichuan University, China)
Digital Humanities and Publishing Scholarship in the Humanities

 

Special Sessions

Special Session II: Roundtable Celebrating 70th Anniversary of the ICLA

Lucia Boldrini1, Anne Duprat2, Ipshita Chanda3, Sandra Bermann4, Anne Tomiche5, Hiraishi Noriko6, Haun Saussy7, Márcio Seligmann-Silva8, E.V. Ramarkrishnan9, Marc Maufort10, Chengzhou He11, Emanuelle Santos12, Matthew Reynolds13, Stefan Helgesson14

1: Goldsmiths, UK; 2: Picardie-Jules Verne University, France; 3: EFLU, India; 4: Princeton U; 5: U of Sorbonne, France; 6: Tsukuba U, Japan; 7: U of Chicago, USA; 8: UNICAMP, Brazil; 9: Central U of Gujarat, India; 10: Editor of Recherche littéraire, USA; 11: Nanjing University, China; 12: U of Birmingham, UK; 13: Oxford U; 14: Stockholm U

(458) Next Generations of Literary and Artistic Narratives
Location: KINTEX 2 307B
Chair: You Wu, East China Normal University
 

Open Free Individual Submissions

AI and Machine Translation in Indian Comparative Literature: Challenges, Opportunities, and Global Impact.

Soumojit Ghosh

Visva-Bharati, India




Open Free Individual Submissions

Narrative Worlds of K-pop Idol Fan Fiction: A Comparative Digital Humanities Approach to Domestic and Global Fandoms

Hohyun Lyu, Seung-eun Lee, Eugene Chung

Korea University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Reclaiming Black Futures: Afrofuturism as a Transformative Response to Afropessimism.

Temitope Dorcas Adetoyese

University of Texas at Austin, United States of America

(502 H) Translating Migration: The Movement of Texts and Individuals in World Literature (3)
Location: KINTEX 2 308A
Chair: Chun-Chieh Tsao, University of Texas at Austin

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

500H(09:00)
501H(11:00)
502H(13:30)
503H(15:30)

LINK :
https://us06web.zoom.us/j/83123070553?pwd=Yo6xcSCgNilEY7AC0jnBRlv8bBACYL.1

PW :12345

 

Open Group Individual Submissions

Self-translation as World Making: River of Fire and the Migrant Translator’s ‘Burden’

Zaynab Fatima Ali

Seneca Polytechnic, Canada




Open Group Individual Submissions

Translating Self, Performing Migrancy: Ha Jin’s Transnational Poetics in A Distant Center

Yuan Liu1, Bo Li2

1: University of Glasgow; 2: Lingnan University




Open Group Individual Submissions

Songs of the River: Migration and the Fluidity of Meaning in the Translations of ‘Bhatiali’ and ‘Bhawaiya’

Priyanka Chakraborty

Sister Nivedita University, India

3:30pm
-
5:00pm
(299) DUHA: Korean-Wave
Location: KINTEX 1 204
Chair: Dae-Joong Kim, Kangwon National University
 

Host Sessions (Korean Students and Scholars Only)

Poet Lee Sang as the Central Driving Force of the Korean Wave

Wonjae Choi

Dongguk University Convergence Hallyu Academy




Host Sessions (Korean Students and Scholars Only)

Poet Lee Sang is me

Jiyeon Park

PaTI

(300) South Asian Literatures and Cultures (6)
Location: KINTEX 1 205A
Chair: E.V. Ramakrishnan, Central University of Gujarat
 

ICLA Research Committee Individual Submissions

Revisiting the Past : Diasporic Dilemma in Anita Rau Badami's Can You Hear the Nightbird Call ? and Sorayya Khan's Five Queen's Road

NEERAJ KUMAR

MAGADH UNIVERSITY BODH GAYA, INDIA, India




ICLA Research Committee Individual Submissions

Class Struggle and Socio-economic disparities: A Marxist analysis of Interpreter of Maladies and Boori Maa

Muhammad Ali

Umt, Pakistan




ICLA Research Committee Individual Submissions

Creating ' History', Forging Resistance: Reading Mahasweta' s Devi' s ' Major Literary Works

URWASHI KUMARI

MAGADH UNIVERSITY BODHGAYA, INDIA, India




Group Session

Flesh of the World: Phenomenology of Body in Norona’s Thottappan

Libin Andrews

(301) Translation and Cultural Transfer in Soviet and Cold War Contexts
Location: KINTEX 1 205B
Chair: Peter Budrin, Queen Mary University of London
 

Group Session

Translation and Cultural Transfer in Soviet and Cold War Contexts

Peter Budrin, Artem Serebrennikov, Benjamin Musachio

(302) How to modernize
Location: KINTEX 1 206A
Chair: Minji Choi, Hankuk university of foreign studies
 

Open Group Individual Submissions

"Translating Freedom: Identity, Power, and Cultural Translation in Lea Ypi's Free"

Katja Grupp

IU International University, Germany




ICLA Research Committee Individual Submissions

Vladimir Jankélévitch et le piano: D'après les souvenirs d'Anne Queffélec.

Ai Yasunaga

Shizuoka University, Japon




Open Free Individual Submissions

How to modernize Realist Poetic: the Inspiration of the History of Bakhtin’s Acceptance for the Transformation of Chinese Realist Poetics

Hang Yu

Guangxi Normal University, China, People's Republic of

(303) Digital Comparative Literature (4)
Location: KINTEX 1 206B
Chair: Simone Rebora, University of Verona
 

ICLA Research Committee Individual Submissions

Digital Social Reading and Comparative Literature: Three Case Studies

Simone Rebora

University of Verona, Italy




Open Group Individual Submissions

Documentation, Textual Authority, and the Digital Afterlife of Dracula

Hyun Kyung Jung

Seoul National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Fan Fiction as Paratext: An Intervention of Real Audiences in the Narrative Process of Storyworld

Yunqian Wang

Gent University, Belgium




Open Group Individual Submissions

Empathy, Curiosity, and Critique: An AI-driven Mapping of Reader Responses to Asian American Literature via ChatGPT

Shuyue Liu1, Changkang Li2

1: School of Cultures, Languages and Area Studies, University of Nottingham, Nottingham, The United Kingdom; 2: School of Electronic Information Engineering, Beihang University, Beijing, The People’s Republic of China

(304) Translating ethics, space, and style (4)
Location: KINTEX 1 207A
Chair: Richard Mark Hibbitt, University of Leeds
 

Open Group Individual Submissions

At Home in Japan: Hospitality and Translation in Bruno Taut’s Architectural Writings

Stefano Evangelista

Oxford University, United Kingdom




Open Group Individual Submissions

Gender and Nation in Translation: A comparative study of British and American English translations of Hsieh Pingying’s Autobiography

Qingquan Qiao

Hunan Normal University, China, People's Republic of




Open Group Individual Submissions

Translation, Allusion, and Graphic Illustration: the Unstable Spatio-Temporality of the World Republic of Translated Letters

Jongsook Lee

Seoul National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Language and Space in Sarah Bernstein’s Study for Obedience

Richard Mark Hibbitt

University of Leeds, United Kingdom

(305) Translating the Other: The Process and Re-Creation (4)
Location: KINTEX 1 207B
Chair: Minjeon Go, Dankook University
 

Open Group Individual Submissions

Nazım Hikmet’s 'Kız Çocuğu': Tracing Its Origins and Journey into Japanese Translation

Gokhan DAGDEVIR

University of Tsukuba, Japan




Open Group Individual Submissions

Exploring the English Translation of ‘Talks at the Yen'an Forum on Literature and Art”

Haili Deng

Shenzhen University, China, People's Republic of




Open Group Individual Submissions

Comparative Analysis of Natural Themes in Zhuang Mythology and the Works of Aboriginal Writers from the Perspective of Cultural Ecology——Taking Buluotuo Book of Songs and the Works of Erdrich and Silko as Examples

WEN XUAN ZHU

Guangxi Minzu University, China, People's Republic of

(306) Reading through the Colorful Lens
Location: KINTEX 1 208A
Chair: ChangGyu Seong, Mokwon University
 

Open Free Individual Submissions

Bernard Stiegler, noetic necromass and the crisis of the savoirs

joff p. n. bradley

Teikyo University Tokyo, Japan




Open Free Individual Submissions

Contemporary Dystopian Speculative Fictions: Intersection of Labor, Technology, and Surveillance

Hamidah Allogmany

Taibah university, Saudi Arabia




Open Free Individual Submissions

Resisting the Algorithm: The Enduring Power of Close Reading

Arun Dharmadath Mannathukandy

CHRIST ( Deemed to be University), Bangalore, India.




Open Free Individual Submissions

L’ambivalence de la technologie pensée et mise en fiction dans Les Liens artificiels de Nathan Devers et Les Tout-puissants Mirwais Ahmadzai

José Domingues de Almeida

Institut de Littérature Comparée Margarida Losa/Un. de Porto (Portugal) APLC, Portugal




Open Free Individual Submissions

Cross cultural reception between Bengali Baul Geet and the Blues Music.

Sweata Saha

The English and Foreign Languages University, India

307
Location: KINTEX 1 208B
(308) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (2)
Location: KINTEX 1 209A
Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
 

Open Group Individual Submissions

Using Fuzzy-Set Qualitative Comparative Analysis as a tool for the explanation of literary genre history

Christopher Schelletter

Sophia University, Japan




Open Group Individual Submissions

A Comparative Study on the Historical Consciousness of "Seeing" in Chinese and Korean New Wave Cinema during the Globalization Transition Period

XIAOMAN LIU

SEOUL NATIONAL UNIVERSITY, Korea, Republic of (South Korea)




Open Group Individual Submissions

Cultural Hybridity in Missionary Novels: Re-interpret Joseph de Prémare’s Dream of a Pilgrim in Cross-Cultural Context

XIN ZHOU

Freie Universität Berlin, Germany




Open Group Individual Submissions

A Comparative Study on the Proletarian Cinema Organizations in China and Korea

XIANGQING SONG

Sungshin Women's University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Toward a Comparative Theory of Knowledge: Zhu Xi’s Investigation of Things and Hermeneutic Intuition

Tsaiyi Wu

Shanghai Normal University, China, People's Republic of

309
Location: KINTEX 1 209B
(310) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (3)
Location: KINTEX 1 210A
Chair: Wen Jin, East China Normal University
 

Open Group Individual Submissions

How Mutual Understanding and Communication Become Possible—After the Leak of Computer Viruses

Siqi Ren

University of St Andrews




Open Group Individual Submissions

Mixed race Images and cross-cultural problems in Francis Spufford's Golden Hill and Rebecca F. Kuang's Babel

Cheng Jin

JiLin University, China, People's Republic of




Open Group Individual Submissions

Staging Chineseness: Ethnic Performativity and Narrative Perspectives in 21st-Century Chinatown Novels

Shuyue Liu

School of Cultures, Languages and Area Studies, University of Nottingham, Nottingham, The United Kingdom

311
Location: KINTEX 1 210B
(312) Space, Human, and Movie
Location: KINTEX 1 211A
Chair: Hyun Kyung Park, Namseoul University
 

Open Free Individual Submissions

Subterranean and Skyscraper Apocalypses: A Comparative Study of Spatial Ideology in Han Song’s Metro Narratives and J.G. Ballard’s Disaster Fiction

Honghu ZHANG

The University of Hong Kong, Hong Kong S.A.R. (China)




Open Free Individual Submissions

Stillness, Death and the Parasitic Work of Art: 'The Oval Portrait' and 'The Vulture and the Little Girl'

Shreya Ghosh

The English and Foreign Languages University, Hyderabad, India




Open Free Individual Submissions

Gendered Motivations Behind Screen Depictions in Late Medieval China’s Boudoir-themed Lyrics—Centered on Among the Flowers 花間集

Chenxin Guo

The Chinese University of Hong Kong, China, People's Republic of

(313) Literature, Arts & Media (3)
Location: KINTEX 1 211B
Chair: Hanyu Xie, University of Macao
 

ICLA Research Committee Individual Submissions

Reinventing Contemporary Exhibition Space: Novels, Domestic Space and Cinematic Cartography

Keni LI

university of glasgow, United Kingdom




ICLA Research Committee Individual Submissions

Polyphonic Resistance and Secret Utopias: Technology and Language in the works of Cathy Park Hong and Theresa Hak Kyung Cha

Neethi Alexander

Indian Institute of Technology Mandi, India




ICLA Research Committee Individual Submissions

“To Be Technologically Up-to-Date”: Media Anxiety and the Cinematic Quality in Paul Auster’s The Book of Illusions

Kaili Wang

Nanjing University, China, People's Republic of

(314) Oriental Literature in World Literature: Exchanges and Mutual Learning (6)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chair

Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

A Corner of Sino-Indian Cultural Variation: The Multiple Evolutions of the Wish-Fulfilling Tree Belief

Min Gao

The College of Literature and Journalism,Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Study on the English Translation of Chinese Classical Poems by Wu Jingxiong and the Issue of Translator's Identity

Hailong Ji

Central South University, China, People's Republic of




Open Group Individual Submissions

A comparative study of ecological thoughts in children's literature between East and West -- A case study of China and Germany

Pinjing Fu

Southwest Jiaotong University, China, People's Republic of




Open Group Individual Submissions

A Comparison of the Aesthetic Characteristics of Suzhou Tan-Ci and Pansori

Shuiyong Chi1, Yu Han2

1: Shandong University, China; 2: Central China Normal University, China




Open Group Individual Submissions

Cross-Cultural Dialogue and Critical Practice in Landscape Poetics: A Study Centered on Scenic Discourse in the Literary Supplement of Xin Shu Newspaper in Wartime Chongqing

Chunyan Xu

Sichuan University, China, People's Republic of

(315) Mutual Learning of Civilizations and Reconstruction of World Literature (8)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

Connection & Division: An Ethical Reading of the Traditional Interpretation of Pearl S. Buck as a Cultural Bridge

Juhong Shi

Lanzhou University, China, People's Republic of




Open Group Individual Submissions

Re-writing the History of Woman: From the Perspective of World Literature

Meilin Cao

Xihua University, China, People's Republic of




Open Group Individual Submissions

The Mutual Learning of Eastern and Western Civilizations and the Rewriting of World Civilization History: Centered on the Contemporary Value of Confucian Classics

Shujie Xue

Sichuan University, China, People's Republic of




Open Group Individual Submissions

An Analysis of Wang Meng's Literary Sign View From the Perspective of Mutual Learning of Civilizations

Xue Zhang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Mythological Encoding of Blood and Power: The Patriarchal-Patricide Paradigm in the Narratives of Houji and Oedipus

Xinmeng Guo

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Study of Writing the History of Chinese Civilization with Chinese Characters as Clues

YUHAN LI

Sichuan University, China, People's Republic of

(316) Shaping the Literary Canon
Location: KINTEX 1 213A
Chair: Seonggyu Kim, Dongguk University
 

Open Free Individual Submissions

Reading Aloud in Charlotte Brontë’s Novels: Shaping the Literary Canon

Natalia Tuliakova

University of Helsinki, Finland




Open Free Individual Submissions

从文学文化角度切入:与中国银龄群体共同营造“未来花园”

Chunlan Shen

清华大学未来实验室, China, People's Republic of




Open Free Individual Submissions

Culture of remembrance of women victims of Soviet repression

Salome Pataridze

Ilia State University, Georgia




Open Free Individual Submissions

Dialogue between Literature and Science by Female Writers: Sawako Ariyoshi’s Compound Pollution and Rachael Carson’s Silent Spring

Maki Eguchi

University of Tsukuba, Japan

(317) The East Asian Literature from a Global Perspective (4)
Location: KINTEX 1 213B
Chair: Zhejun Zhang, Sichuan University,China
 

Open Group Individual Submissions

Reimagining Violence: Sensation, Bodily Deformation and Female Trauma in Can Xue’s The Last Lover and Han Kang’s The Vegetarian

Yi He

University of New South Wales, Australia




Open Group Individual Submissions

Parallax and Existence: An Interpretation of Ae-ran Kim’s “There Is Night There, and Songs Here” from the Perspective of Existentialism

Meiqi Wu

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

The Application of the book “Wen Zhang Gui Fan” in the Education of Chinese Classics Studies in the Meiji Era: An Example from the Lecture Notes of Kato Fukusai, a Student at the Nishogakusha

Xiaomeng Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Discussion of the Japanese Yappari sekai wa bungaku de dekite iru and the View of World Literature

Yi Xu

Sichuan University, China, People's Republic of

(318H) Translation Studies (5)
Location: KINTEX 1 302
Chair: Marlene Hansen Esplin, Brigham Young University

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

252H(09:00)
274H(11:00)
296H (13:30)
318H (15:30)

LINK :
https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1

PW : 12345

 

ICLA Research Committee Individual Submissions

Cultural Appropriation and Identity Reconstruction: The Translational Journey of One Thousand and One Nights in Modern China

Que Kong

Peking University, United Kingdom




ICLA Research Committee Individual Submissions

Can AI Truly Capture the Complexity of Women’s Voices in Bengali Literature?

Mahtab Jabin Anto, Sohan Sharif

Jahangirnagar University, Bangladesh, People's Republic of




ICLA Research Committee Individual Submissions

Teaching LLM-Assisted Translation in the College Literature Classroom

Jennifer Brynn Black

Boise State University, United States of America




ICLA Research Committee Individual Submissions

Fluidity in the ‘In-comparative’ Framework of Comparative Literature: Understanding the many ‘crises’ of the Discipline

Rindon Kundu

SRI SRI UNIVERSITY, India

(319) Intermediality and Comparative Literature (4)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

The corporeality and agency of the ‘Eight-brokens’ from the perspective of global art communication

Weiyi Wu

Nanjing University, China, People's Republic of




Open Group Individual Submissions

“Poet-Painter of China”: E. E. Cummings’ Intermedial Prosody and Transpacific Modernism

Bowen Wang

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

Exploring Cross-Media Communication of "Journey to the West" in Animated Films

Shenqiang Liu

Yangzhou University, China, People's Republic of




Open Group Individual Submissions

Medicine, Morality, and Modernity: Reimagining Great Expectations in Post-War Hong Kong

Yizhou Feng

University of Exeter, United Kingdom

(320) Comparative African Literatures
Location: KINTEX 1 307
Chair: JIHEE HAN, Gyeongsang National University
 

ICLA Research Committee Individual Submissions

"Bridging Narratives: Exploring Comparative African Literatures in a Global Context"

Tinhinane YAHI

ONJCSPPA Tizi-Ouzou, Algérie




Open Group Individual Submissions

The Outsider’s Dispassion: A Comparative Study of Meursault in The Stranger and Mustafa Saeed in Season of Migration to the North

Shiblul Haque Shuvon

Jahangirnagar University, Bangladesh, People's Republic of




ICLA Research Committee Individual Submissions

The ‘oral’ in the ‘written’: The novels of Flora Nwapa

Mrittika Ghosh

Institute of Engineering & Management Kolkata, India




ICLA Research Committee Individual Submissions

A study of “The Masque of Africa" from the Postcolonial Ecocriticism perspective

Lijun Zhao

Northwestern Polytechnical University, China, People's Republic of

(136) Translation, cultural exchanges and tech (ECARE 36)
Location: KINTEX 2 305A
Chair: Jing Hu, Nankai University
 

ECARE/NEXT GEN Individual Submissions

A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry

Mariana Souza. Mello Alves de, Carolina Magaldi. Alves

Federal University of Juiz de Fora - UFJF, Brazil




ECARE/NEXT GEN Individual Submissions

Translation and/as Hospitable Reading in Tony Hillerman’s Diné/Navajo crime novels

Michael Syrotinski

University of Glasgow, United Kingdom




ECARE/NEXT GEN Individual Submissions

A study of the translation and influence of the Book of Changes in the Portuguese-speaking world

Jing Hu

Nankai University, China, People's Republic of China

(137) Trauma, body, resistance (ECARE 37)
Location: KINTEX 2 305B
Chair: Redwan Ahmed, Jahangirnagar University
 

ECARE/NEXT GEN Individual Submissions

Experiential History as Resistance: Ken Liu’s The Man Who Ended History and the Politics of Memory

Seungyun Oh

Seoul National University, Korea, Republic of (South Korea)




ECARE/NEXT GEN Individual Submissions

The Anatomy of Silence: Absence as Narrative in "Comfort Women" Literature

Shreyashi Sharma, Dr. Rakhee Kalita Moral

Cotton University, India




ECARE/NEXT GEN Individual Submissions

Beyond Boundaries: Gender Fluidity and Stereotypical Marginalization in Amruta Patil’s Kari

Megha Sathianarayanan Kombil

The English and Foreign Languages University, Hyderabad, India




ECARE/NEXT GEN Individual Submissions

Wounds of Partition: A Comparative Discussion between Krishan Chander’s “پشاور ایکسپریس” (Peshawar Express) (1948) and Syed Waliullah’s “The Escape” (1950)

Redwan Ahmed

Jahangirnagar University, Bangladesh, People's Republic of

(138) Technology can Do so Many Things
Location: KINTEX 2 306A
Chair: Seung Cho, Gachon University
 

Open Free Individual Submissions

From QR Code to Stone: halfway through, the Acts of Reading rethought

Raquel Abi-Sâmara

University of Macau, Macau S.A.R. (China)




Open Free Individual Submissions

Absent Writers and Uncritical Readers: Large Language Models and the Ends of Invention

Daniel Dooghan

University of Tampa, United States of America




Open Free Individual Submissions

Digital Technologies and Literature/Music: Pros and Cons

Takayuki Yokota-Murakami

Osaka University, Japan




Open Group Individual Submissions

Changing Times: The Campus Novel as a Global Genre

Sarah Ahmad Ghazali

Universiti Brunei Darussalam, Brunei Darussalam




Open Free Individual Submissions

Technologies of erasure: a material (re)turn in contemporary experimental women’s writing

Liedeke Plate1, Kiene Brillenburg Wurth2

1: Radboud University, Netherlands, The; 2: Utrecht University, Netherlands, The

(139) Comparative Literature in Action
Location: KINTEX 2 306B
Chair: Jun Soo Kang, anyang University
 

Open Free Individual Submissions

Dilemma of Orphan Chao and its Development from the Perspective of Ethical Literary Criticism —— An Investigation Centered on “Second-Generation Remnants”

YUAN ZHAO

School of Literature and Journalism, Sichuan University, China, People's Republic of




Open Free Individual Submissions

Dilemma of Forgiveness: Between Remembering and Forgetting in Tan Twan Eng’s Novels

Shenghao Hu

Queen Mary University of London, United Kingdom




Open Free Individual Submissions

An Inquiry into Aesthetical Ethics and the Subjectivity of AI Aesthetics

Songlin Wang

Ningbo University, China, China, People's Republic of




Open Free Individual Submissions

Comparative Literature in Action: Joint Authorship and Cultural Collaboration in the Work of Understanding

Ronald Schleifer

University of Oklahoma, United States of America




Open Group Individual Submissions

Modernism and Zen Buddhism: Representations of Eastern thought in the Early 20th Century by Japanese in the USA

Madoka Hori

Osaka Metropolitan University, Japan




Foreign Sessions (Foreign Students and Scholars Only)

Dream images of India: Hermann Hesse and his Romantic sources

Bernard Franco

Sorbonne Université, France

(140) Disney Tells Many Interesting Things
Location: KINTEX 2 307A
Chair: Hyosun Lee, Underwood College, Yonsei University
 

Open Free Individual Submissions

Cross-Dressing, Gender Transgression, And Empowerment in Disney’s “Mulan” (1998) And Yoshiki Tanaka’s “Fly, Wind, Across the Vast Expanse” (1991)

Hideko Taniguchi

Kyushu University, Japan




Open Free Individual Submissions

Self-Reliance or Radical Individualism: On Disney’s Characterization of Mulan

Xiujuan Yao

Tianjin Chengjian University, China, People's Republic of




Open Free Individual Submissions

Montage and metaphor: Eisenstein, Modesto Carone, and the dynamics of meaning

Palmireno Moreira Neto

State University of Campinas, Brazil




Open Free Individual Submissions

Trauma, Forgiveness, and Reconciliation: Aftershock from Book to Screen

Yan Lu

Huron University, Canada




Foreign Sessions (Foreign Students and Scholars Only)

Writing the River: A Comparative Study of River Narratives in Victorian British and Modern Chinese Literature

Peiyao Wu

King’s College London, United Kingdom

Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award
Location: KINTEX 1 Grand Ballroom

2025 ICLA SPECIAL SESSION 3 - YouTube

Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award

 

Chair:

KWAK Hyo Hwan, Ph.D.

(Poet, Former President of Literature Translation Institute of Korea)

 

Speakers:

 

1. KWAK Hyo Hwan, Ph.D. (Poet, Former President of Literature Translation Institute of Korea)

“From 'Globalization of Korean Literature' to 'Korean Literature as World Literature' - The Future of Korean Literature After Han Kang Wins Nobel Prize”

Author Han Kang has been selected as the winner of the 2024 Nobel Prize in Literature. It is a sudden blessing that has come less than 10 years since The Vegetarian was published in the UK in 2015 and won the Booker International Prize the following year, drawing attention from the world of literature. As stated in the reason for selection by the Swedish Academy, Han Kang’s work “achieved powerful poetic prose that confronts historical trauma and reveals the fragility of human life,” the long and extensive world of Han Kang’s works was evaluated. In The Vegetarian, she captivatingly portrayed the violence of norms and customs that bind the family and society through the heroine who refuses to eat meat and tries to become a tree, and in The Boy Comes and We Don’t Say Goodbye, she excelled in dealing with the vulnerability of individuals who were sacrificed in the horrific tragedies caused by great power through the May 18 Gwangju Democratization Movement and the Jeju April 3 Incident, thereby achieving even deeper literary achievements. However, considering that the Nobel Prize in Literature is more of an award for merit that encompasses the author’s entire literary world and literary life rather than a prize for a work, this award cannot be anything but a surprising event. This Nobel Prize in Literature is not only an award for author Han Kang, but also an award for Korean literature and translation. The aspiration of Korean literature in the periphery to move to the center has been fulfilled by going beyond ‘introducing Korean literature overseas’ and ‘globalizing Korean literature’ to ‘Korean literature as world literature’ and ‘Korean literature read together by people around the world’. Now, Korean literature has opened a path for communication without time difference by being simultaneous with world literature, and has reached a turning point where it has transitioned from being a receiver of world literature to a sender. The power of translation, which has enabled readers around the world to read Korean literature without language and cultural barriers, has played an absolute role in this. And the Korean Literature Translation Institute and Daesan Cultural Foundation have made a great contribution to supporting this for a long time and systematically. Now, after receiving the Nobel Prize in Literature, it is time to calmly look at the process and meaning of receiving the Nobel Prize in Literature and what Korean literature should do. This is because the Nobel Prize in Literature is an important gateway that Korean literature must pass through, not a goal. Therefore, in this lecture, we will examine the process of Korean literature advancing to world literature, the role and achievements of translation at its core, Korean literary works that have attracted attention in the world literary community, and what Korean literature needs to prepare as world literature.

 

 

 

 

 

 

 

 

 

 

2. KIM Chunsik (Dongguk U)

“Nobel Prize in Literature, and After”

This essay critically reflects on the global significance of Korean literature in the wake of Han Kang’s Nobel Prize in Literature. Drawing on the author’s personal experiences as a visiting scholar at UC Berkeley (2004) and a participant in an academic conference in India (2009), the paper explores the tension between center and periphery as a persistent framework in literary and cultural discourse. These episodes underscore how Korean literature has historically occupied a marginal position in global literary hierarchies, yet how such marginality also fosters critical reflections on identity, representation, and power.

The essay highlights the Swedish Academy’s appraisal of Human Acts as revealing “historical trauma and the fragility of human life,” arguing that this speaks not only to Han Kang’s literary sensibility but also to the core concerns of contemporary Korean literature. Using the concept of the “politics of mourning,” as theorized by Judith Butler, the author contends that Korean literature engages in an ethical task: to retrieve the voices of the dead and reframe trauma as a shared human condition. Literature thereby becomes a medium that bridges the abyss between human dignity and violence, past suffering and present vulnerability. Ultimately, the author rejects the triumphalist view that Han Kang’s award marks Korean literature’s arrival at the “center” of world literature. Instead, it affirms a longer, ethical trajectory in which Korean literature, shaped by historical wounds and peripheral positions, has always already been global. The essay argues that the true value of Korean literature lies not in global market expansion, but in its sustained engagement with planetary concerns violence, mourning, and coexistence through ethical and imaginative inquiry

 

 

 

 

 

3. CHO Hyung-yup (Korea U)

“Significance of Han Kang's Nobel Prize in Literature and Her Status in World Literature History”

 

1. The significance of Han Kang's Nobel Prize in Literature

Han Kang's Nobel Prize in Literature can be seen as a great feat for the Republic of Korea, achieved through the combination of four factors: Han Kang's creative ability, the power of Korean literature that made it possible, the translator's ability, and institutional support from the government and the private sector.

2. Han Kang's literary achievements

Han Kang's literary achievements are summarized in the expression “powerful poetic prose that confronts historical trauma and reveals the fragility of human life” that the Swedish Academy announced as the reason for her selection when it announced her winning the Nobel Prize in Literature on October 10, 2024.

If I were to interpret this reason for her selection in my own way, I would say that “confronting historical trauma” is a “realistic thematic consciousness,” “revealing the fragility of human life” is a “modernist formal experiment,” and “powerful poetic prose” is an “organic style experiment.” So I think that author Han Kang's creative ability is obtained by successfully fusing these three things that are difficult to coexist. In other words, author Han Kang's literary achievements were obtained by independently fusing realistic thematic consciousness such as feminism, ecology, and historical trauma with modernistic formal experiments such as fantasy, aesthetics, composition, and point of view. In fact, realism and modernism are heterogeneous and conflicting literary trends that are difficult to coexist with. I think that the stylistic experiment called 'poetic prose' played a decisive role in fusing these two poles.

3. Han Kang's status in Korean and world literary history

So I think that the core characteristic of Han Kang's literature is that he exquisitely fused these three items by putting ‘realistic thematic consciousness’ and ‘modernistic formal experiments’ in a crucible and using the catalyst called ‘organic stylistic experiments.’ Another important point here is that the methodology of stylistic experimentation based on ‘physical sensibility and organic imagination’ is partly an inheritance of the tradition of romanticism and symbolism accepted from Western literature, but also partly an inheritance of our country’s ‘traditional aesthetics’, ‘Korean aesthetics’ and ‘shamanistic native culture’.

In the end, Han Kang can be evaluated as having creatively developed a dimension by accepting the three contradictory and conflicting literary lineages of modern Korean literature, realism, modernism, romanticism, and symbolism, which were influenced by world literature, while absorbing Korea’s traditional aesthetics and native culture and creatively fusing them.

Therefore, I think that the status of Han Kang’s works in the history of Korean literature and world literature is that he returns the newly developed high-level achievements to Korean literature and world literature, which provided him with literary nutrients.

 

Discussants:

 

CHO Hyungrae (Dongguk U)

JEONG Gi-Seok (Dongguk U)

KIM Eun-seok (Dongguk U)

 

 

Special Sessions

After the Nobel Prize in Literature: Korean Literature and World Literature

Chunsik Kim

Dongguk University

459
Location: KINTEX 2 307B
(503 H) Buddhism and its role Modernism in Asia
Location: KINTEX 2 308A
Chair: Sunhwa Park, Konkuk University

24th ICLA Hybrid Session

WED 07/30/2025 (in Korea)

500H(09:00)
501H(11:00)
502H(13:30)
503H(15:30)

LINK :
https://us06web.zoom.us/j/83123070553?pwd=Yo6xcSCgNilEY7AC0jnBRlv8bBACYL.1

PW :12345

 

Open Group Individual Submissions

“Notorious” Vloggers: Content Creation and Modern Tibetan Society

Zhuoga Qimei

non-affiliated independent scholar




Open Group Individual Submissions

“The Harmonious Confluence of the Six Roots (六根圆通)”: Reading Lengyan jing (The Sūraṅgama Sūtra楞严经) with Michel Serres’s Philosophy of Mingled Bodies

XIN NING

Jilin University, China, People's Republic of




Open Group Individual Submissions

Influence of Buddhism in Modern Indian writings against socio-cultural discriminations

Prabuddha Ghosh

The Assam Royal Global University, India




Open Group Individual Submissions

On the Efficacy of Buddhist Miraculous Tales(靈驗記): A Study Beginning with the Dunhuang Manuscript The Story of Daoming’s Return from the Dead(道明還魂記)

Jialing Li

SICHUAN University, China, People's Republic of


Date: Thursday, 31/July/2025
9:00am
-
10:40am
Keynotes: Zhenzhao Nie & Wen-chin Ouyang
Location: KINTEX 1 Grand Ballroom
Chair: Byung-Yong Son, Kyungnam University
11:00am
-
12:30pm
(321) Who is Afraid of Fiction? (1)
Location: KINTEX 1 204
Chair: Francoise Lavocat, Sorbonne Nouvelle
 

ICLA Research Committee Individual Submissions

Bad Readers of Deceptive Fictions

Brian Richardson

University of Maryland, United States of America




Open Group Individual Submissions

Fear of comics – fear of fiction?

Charlotte Krauss

Université de Poitiers, France




Open Group Individual Submissions

Fiction narrative et fiction normative

Otto Pfersmann

Ecole des Hautes Etudes en Sciences Sociales, France

(322) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (1)
Location: KINTEX 1 205A
Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa
 

Open Group Individual Submissions

Augmented Literature Through Locative Media: Trans-mediality, Locative Media, Trans-materiality

Mirko Lino

University of L'Aquila, Italy




Open Group Individual Submissions

Between Gods and Goblins: Japan’s Colonial Fantasy in Propaganda Animated Film "Momotaro: Sacred Sailors" (1945)

Yorimitsu Hashimoto

Osaka University, Japan




Open Group Individual Submissions

Experiencing the Novel: Hypertext on Erfahrung and Erlebnis

Jeongin Ko

Yonsei University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Less Than an Author, More Than a Tool: AI in Literary Writing

Daniel Raffini

Sapienza University of Rome, Italy




ICLA Research Committee Individual Submissions

The Book as Catalyst of Intermediality Peter Greenaway re-mediates Shakespeare

Massimo Fusillo

Scuola Normale Superiore, Pisa, Italy

(323) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (1)
Location: KINTEX 1 205B
Chair: Daniela Spina, CHAM - Centre for Humanities
 

Open Group Individual Submissions

Growing up in a garden: Anglo-Indian adolescence and (post-)imperial Englishness in Rumer Godden’s The River (1946)

Effie Yiannopoulou

Aristotle University of Thessaloniki, Greece




Open Group Individual Submissions

About friendship and mentorship in two coming-of-age novels set in Sri Lanka and Goa: Reef by Romesh Gunesekera (1994) and O Último Olhar de Manú Miranda by Orlando da Costa (2000)

Daniela Spina

CHAM - Centre for Humanities, Portugal




Open Group Individual Submissions

On the Blue Gender Dilemma in Jack London's South Pacific Novel "The Seed of McCoy" / 论杰克·伦敦南太平洋小说《麦考伊的种子》中的“蓝色性别困境”

Fan Luo, Muyuan Cao

Hainan Normal School, China, People's Republic of

(324)
Location: KINTEX 1 206A
(325) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (1)
Location: KINTEX 1 206B
Chair: Xi Liu, Xi'an Jiaotong-Liverpool University
 

Open Free Individual Submissions

The Matriarchal Utopia? Reimagining Human Reproduction in Chinese and Western science fiction

Ye Lin

Frontiers, China, People's Republic of




Open Group Individual Submissions

Reworking of human ethics in contemporary Chinese SF crisis narratives

Danxue Zhou

Xi'an Jiaotong-Liverpool University




Open Group Individual Submissions

Reworking of human ethics in contemporary Chinese SF crisis narratives

Yue Zhou

Xi'an Jiaotong-Liverpool University




Open Group Individual Submissions

Technological Advancement, Gender Roles,and Female Agency in Female-authored Chinese Science Fiction

Xi Liu

Xi'an Jiaotong-Liverpool University

(326) Exploring the Trans
Location: KINTEX 1 207A
 

Foreign Sessions (Foreign Students and Scholars Only)

Scandal, Prestige, and Soft Power: The Transnational Afterlife of the Prix Goncourt

Francesc Galera

Universitat Autònoma de Barcelona, Spain

(327) Western Literary Encounters Asia
Location: KINTEX 1 207B
Chair: Hyosun Lee, Underwood College, Yonsei University
 

Foreign Sessions (Foreign Students and Scholars Only)

"Abyss Zone", "Leviathan Ships", "Shipwrecks": On the Ecological Imagery in Alexander Belyaev’s Marine Science Fiction

ZIQI LIU

Tianjin Normal University




Foreign Sessions (Foreign Students and Scholars Only)

Western Literary Encounters in Indian Literary Studies: A Perspective from Sisir Kumar Das’s ‘Indian Ode to the West Wind’

Saberee Mandal

Visva-Bharati, Santiniketan, West Bengal, India, India




Foreign Sessions (Foreign Students and Scholars Only)

The Embodiment of Confucianism in Chinese and Vietnamese Folk Stories -- Take the "Fish-Dragon" Stories as an Example

Xinyue Liu, Quntao Wu

Xiangtan University, China, People's Republic of

(328) Rethinking Historical Trauma and Memory in Comparative Literature
Location: KINTEX 1 208A
Chair: Younghee Son, Kyungpook National University
 

Open Free Individual Submissions

Rethinking Historical Trauma and Memory in Comparative Literature

Younghee Son, Jaehwan Han, Joungim Park, Chang-ae Oh, Insuk BAE

Kyungpook National University, Korea, Republic of (South Korea)

(329) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (1)
Location: KINTEX 1 208B
Chair: Takayoshi Yamamura, Hokkaido University
 

Open Group Individual Submissions

The new literary pilgrimage phenomenon inspired by the Japanese manga and anime Bungo Stray Dogs

Aki NISHIOKA

Ritsumeikan University, Japan




Open Group Individual Submissions

The transnational development and tourism surrounding Chinese detective novels

Kyungjae Jang

Hiroshima University, Japan




Open Group Individual Submissions

The transmedia and transnational spread of Korean webtoons

Sueun Kim

Hankuk University of Foreign Studies, Korea, Republic of (South Korea)




Group Session

From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature

Takayoshi Yamamura, Aki Nishioka, Kyungjae Jang, Sueun Kim




Open Group Individual Submissions

Transnational Adaptations and Contents Tourism Surrounding the Three Kingdoms

Takayoshi Yamamura

Hokkaido University, Japan

(330) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (3)
Location: KINTEX 1 209A
Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
 

Open Group Individual Submissions

The Embodiment of Confucianism in Chinese and Vietnamese Folk Tales: A Case Study of the "Fish-Dragon" Story Complexes in Both Countries

Xinyue Liu

Xiangtan University, China, People's Republic of




Open Group Individual Submissions

View Akutagawa Ryunosuke’s Kirishitanmono from the Field of Comparative Literature: on His Novel Death of a Christian

Wang Peng

Henan University, China, People's Republic of




Open Group Individual Submissions

The generation, flow and development of the "Third World Literature" theory in East Asia

Yufan Xin

Ocean University of China, China, People's Republic of




Open Group Individual Submissions

Thoreau’s Cross-Cultural Journey: Bridging East and West within World Literature

Yunyan He

Guangxi Minzu University, PRC




Open Group Individual Submissions

Mythological Perspective on the Cultural Origins of the Korean Ethnic Group

Jingtong Xu

Jiangsu Normal University, China, People's Republic of

(331) Marginal Encounters: South Korea and the Globe in the 20th and 21st Century Literature, Film and Culture
Location: KINTEX 1 209B
Chair: Janeth Manriquez Ruiz, University of Notre Dame
 

Open Group Individual Submissions

Taking Control: Is That Even an Option? Global Imbalances and Citizen Agency in South Korean TV Series.

Mara Santi

Ghent University, Belgium




Group Session

Marginal Encounters: South Korea and the Globe in Contemporary Culture

Janeth Manriquez Ruiz, Inha Park




Open Group Individual Submissions

Tripping on guilt: How 'workplace cli-fi' negotiates guilt in a planetary perspective

Agnethe Brounbjerg Bennedsgaard

Aarhus University, Denmark

(332) What is literature if not a book? An intermedial approach to literature in a digitized society
Location: KINTEX 1 210A
Chair: ChangGyu Seong, Mokwon University
 

Open Group Individual Submissions

The Return of Voice: Intelligent Story Production in Audiobooks and the Alienation Crisis

Yunqian Wang

Gent University, Belgium




Open Group Individual Submissions

Infinite Possibilities of Video Games in Media Convergence: Literariness, “Story-Universe” and “Infant-Universe”

Fanyu Yin

NanJing University, China, People's Republic of




Open Group Individual Submissions

A Multimodal Audiobook? Transforming Printed Multimodal Novels into Audiobooks

Anna Klishevich

Justus Liebig University Giessen, Germany




Open Group Individual Submissions

Airlines, Archives, and Aesthetics: El clan Braniff as an Intermedial Counter-History

Pascual Ariel Brodsky Soria

University of Southern California, United States of America

(333) Global Futurism (3) Ecological and Planetary Imaginaries
Location: KINTEX 1 210B

Session Chairs: Yusheng Du (Nanjing University of Information Science & Technology); Qilin Cao (Tongji University)

 

Open Group Individual Submissions

“Mars is a Mirror”: Martian Fiction in Modern China

Qilin Cao

Tongji University, China, People's Republic of China




Open Group Individual Submissions

The Blue Humanities: the future is wet

Simon Curtis Estok

Sungkyunkwan University, Korea, Republic of (South Korea)




Open Group Individual Submissions

The Capitalocene Poetics of Universalism: Will Alexander’s Global Futures

Dominic Hand

University of Oxford




Open Group Individual Submissions

The Philosophical Futurism of Foucault's Aesthetics of Existence

Yusheng Du

Nanjing University of Information Science & Technology, China, People's Republic of




Open Group Individual Submissions

Tree-lined roads that lead to the future: a case study using The Overstory

Narie Jung

Sungkyunkwan University, Korea, Republic of (South Korea)

(334) Juxtaposition, Transposition, Heterotopia, and Communication
Location: KINTEX 1 211A
Chair: Seung-hye Mah, Dongguk University Seoul Campus
 

Open Free Individual Submissions

The Station as Heterotopia: A Contemporary Chinese Odyssey

Dingding Zhao

Xi'an Jiaotong University




Open Free Individual Submissions

Juxtaposition, Identity, and Politics: Narrative and Aesthetics in 'Bhimayana: Experiences of Untouchability' and 'Persepolis'

Shreya Ghosh

The English and Foreign Languages University, Hyderabad, India




Open Free Individual Submissions

In/fidelity in transposition: Alan Moore’s “Watchmen” in Brandon Vietti’s Adaptation

Redwan Ahmed

Jahangirnagar University, Bangladesh, People's Republic of




Open Free Individual Submissions

Comic studies and Graphic narrative and also how the idea of communication changes over time

SINJINI GHOSH

Visva Bharati University, India




Open Group Individual Submissions

Politics of Pathos as Social Commentary in Mahakavi Laxmi Prasad Devkota’s Muna Madan

Khum Prasad Sharma

Tribhuvan University, Nepal

(335) Literature, Arts & Media (4)
Location: KINTEX 1 211B
Chair: Hanyu Xie, University of Macao
 

ICLA Research Committee Individual Submissions

The Shift Towards Materialism in Korean Horror Films: Representing Trans-corporeality in "Feng Shui" Narratives and Its Underlying Historical Trauma

FEI DENG

The University of Hong Kong, China




ICLA Research Committee Individual Submissions

Lizard King Meets the Beats: A Comparative Study on the Poetry of Jim Morrison in the shadow of the Beats

Dwaipayan Roy

NIT Mizoram, India




ICLA Research Committee Individual Submissions

Re-imagining Japan in India: Studying Nationalism, Memory and Transnational Alliances through Indian Literary Narratives

Arpita Sen

University of Delhi, India




ICLA Research Committee Individual Submissions

Living Comparative Literature: One stage at a time

Akshar Tekchandani

University of Delhi, India

(336) Oriental Literature in World Literature: Exchanges and Mutual Learning (7)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chair

Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

From India to China: The Mutual Transformation between the Nezha Myth and Religion as well as History

Cong Dai

The College of Literature and Journalism,Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Dissemination of the "Two Mothers Contending for a Son" Narrative in the German-Speaking World in the 20th Century: With a Focus on Klabund's Adaptation of The Chalk Circle

Nana Jian

Southwest Jiaotong University, Chengdu Sichuan China




Open Group Individual Submissions

Cultural Transference and Literary Colonization: The Case of Han Kang's 'We Do Not Part' in The New Yorker’s 'Heavy Snow' Adaptation

MENGRU WANG

Sichuan University, China




Open Group Individual Submissions

On the Obscuration and Reconstruction of the Eastern Perspective in World Historical Fiction Studies: A Case Study of Chinese Historical Fiction

Xinrui Li

Sichuan University, China




Open Group Individual Submissions

The European Renaissance in Hu Shi's Diary

Jingyan Liu

Hunan University, China, People's Republic of

(337) Mutual Learning of Civilizations and Reconstruction of World Literature (9)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays

Yirong Shi

North University of China, China, People's Republic of




Open Group Individual Submissions

The Evolution of Liang Qichao’s Views on Civilization and Literary Values

Qingqing Wang

Lanzhou University of Finance and Economic, China, People's Republic of




Open Group Individual Submissions

Two Directions of “Language Negation”: A Comparative Study of Maurice Blanchot’s View of Literary Language and Ancient Chinese Literary Theory’s Discourse of “Setting up an Image to Express Meanings”

Anru Qian

College of Literature and Journalism, Sichuan University




Open Group Individual Submissions

The Eastern Origins of Ancient Greek Civilization

Jing Fan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Review of the writing of the History of Chinese Civilization

WANGYANG KANG

Sichuan University, China, People's Republic of

(338) Shark's Fin and Sichuan Pepper
Location: KINTEX 1 213A
Chair: JIHEE HAN, Gyeongsang National University
 

Open Free Individual Submissions

Comparative Research in Uzbek Literary Studies

Gulnoz Khallieva, Shaxnoza Yuldoshova

Uzbek State World Languages University, Uzbekistan




Open Free Individual Submissions

The Orient in Angela Carter’s Postmodern Gothic Fairy Tales

Jie Lei

Shenzhen Polytechnic University, China, People's Republic of




Open Free Individual Submissions

Writing Chinese Secular Culture in Fuchsia Dunlop's Shark's Fin and Sichuan Pepper

Zimeng Zan

Sichuan University, China, People's Republic of




Open Free Individual Submissions

Deconstructing Diaspora: Urban Nostalgia and Uneven Modernity in Tash Aw's Five Star Billionaire

Tingxuan Liu

University of Warwick, United Kingdom




Open Free Individual Submissions

Chandalika : Tagore’s Subversive Dramatization of Ananda’s Ascetic Way of Life found in “Sardulkarna-Abadan”

EIKO OHIRA

Otsuma Women's University, Japan

(339) Japanese Pop Culture beyond Borders
Location: KINTEX 1 213B
Chair: Seonggyu Kim, Dongguk University
 

Open Free Individual Submissions

“Morgan O-Yuki” Stories as Counter Narratives of “Madame Butterfly”

Sachi Nakachi

Tsuru University, Japan




Open Free Individual Submissions

The Influences of Many Countries on Dragon Ball and the Modifications of English Animated Version: Japanese Pop Culture beyond Borders

Yasuko Natsume

Otsuma Women's University, Japan




Open Free Individual Submissions

What is Tojisha-hihyo? –New Possibilities for Comparative Literature

Makoto Yokomichi

Kyoto Prefectural University, Japan

(340 H) Language Contact in Literature: Europe (1)
Location: KINTEX 1 302
Chair: Marianna Deganutti, Slovak Academy of Sciences
 

ICLA Research Committee Individual Submissions

Linguistic landscapes: how multilinguals’ experience with languages influences heterolingual writing, a case study of Cia Rinne’s poetry

Natasha Jane Kennedy

University of Brighton, United Kingdom




Open Group Individual Submissions

A Poet among Languages: The Multilingual Identity of Karolina Pavlova

Adrian Wanner

Penn State University, United States of America




Open Group Individual Submissions

Exploring Borders in the environmental art project Rájácummá – Kiss from the Border

Johanna DOMOKOS

Károli University, Hungary




Open Group Individual Submissions

Staging linguistic contact in contemporary Basque literature: Frédéric Aribit and Itxaro Borda

Mathias Verger

Université Paris 8 Saint Denis, France




Open Group Individual Submissions

The Use of Multiple languages and Scripts in Varvara Nedeoglo's Poetry and the Translation Challenges It Presents

Lyudmila Razumova

King's College London, UK

(341) Intermediality and Comparative Literature (5)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Transmedial Encounters: Marxist Thought and Political Emotion in German Leftist Cultural Production

Yejun Zou

Sun Yat-sen University, China, People's Republic of




Open Group Individual Submissions

Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled

Lixin Gao

Shanghai International Studies Universtiy, China, People's Republic of




Open Group Individual Submissions

American Fiction as Meta-adaptation: Intermediality and the Performance of the ‘Racial’ Self

Jing Jia

Nanjing University, China, People's Republic of




Open Group Individual Submissions

The Gaze of Painting: Visual Ethics and Identity Pursuit in the novel The Goldfinch

Xinxin Zhang

Central China Normal University

(342) Comparative History of East Asian Literatures (1)
Location: KINTEX 1 307
Chair: Haun Saussy, University of Chicago
 

Group Session

Proposal for Group Session by ICLA Research Committee on “Scriptural Reasoning and Comparative Literature”

Chengzhou He, Jing Jia




ICLA Research Committee Individual Submissions

Literary Cartography, World-Mapping, and Fantastic Encounters in Early Modern East Asian Fictional Writings

Julie Xinzhu Chen

Columbia University, United States of America




ICLA Research Committee Individual Submissions

Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature

Hemasoundari Rajadurai

English and Foreign Languages University, Hyderabad, India




Group Session

A Comparative Study on Enlightenment and Nationalism through the Poems of Shin, Chae-ho(申采浩)and Lu Xun(魯迅)

Namyong Park

(141) Progression and Regression: Technologies and Power in the Literary Imagination (1)
Location: KINTEX 2 305A
Chair: Rui Qian, Nanyang Technological University
 

Open Group Individual Submissions

Progression and Regression: Technologies and Power in the Literary Imagination

Rui Qian, Zengxin Ni, Xiang Gao, Jimin Lee

Nanyang Technological University

(142) Transmedia, and Comparative Literature
Location: KINTEX 2 305B
Chair: Byung-Yong Son, Kyungnam University
 

Open Group Individual Submissions

Electronic Fiction, Transmedia, and Comparative Literature

Maria Bhuiyan

Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of




Open Group Individual Submissions

From “Solitary” to “Solidary”: An Ethical-Ecological Approach to Wordsworth’s “I Wandered Lonely as a Cloud”

Di Wu

Hangzhou Normal University




Open Free Individual Submissions

Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi

Maria Bhuiyan1, Imtiaz Bhuiyan2

1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia




Open Free Individual Submissions

Digital Narratives and Authorship: Electronic Fiction and Transmedia Storytelling in Comparative Literature

Maria Bhuiyan

Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of




Open Free Individual Submissions

AI, Stylistic Emulation, and Hypothetical Literary Comparisons

Maria Bhuiyan1, Imtiaz Bhuiyan2

1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia

(143) What did they Say?
Location: KINTEX 2 306A
Chair: Jun Soo Kang, anyang University
 

Open Free Individual Submissions

Feminism, Race and Gender-neutral Language Translational Traps in Bernadine Evaristo’s Girl, Woman, Other

Stephanie Schwerter

Université Polytechnique Hauts-de-France, France




Open Free Individual Submissions

On Translator’s Subjectivity Through the Paratexts of Three Chinese Translations of Ulysses

Keqi Yao

Nanjing University, China, People's Republic of




Open Free Individual Submissions

Reading Gender in Children's Graphic Novels Through Plurality in Comparative Literature

Sweata Saha

The English and Foreign Languages University, India

(144) French and Australian Songlines
Location: KINTEX 2 306B
Chair: Minji Choi, Hankuk university of foreign studies
 

Open Free Individual Submissions

Contact Languages and Urban Resistance: Multilingual Practices in Contemporary French Rap

Olivier Sales

Florida International University, États Unis




Open Free Individual Submissions

Étude de la musicalité visuelle en tant qu'approche multimédia dans les expérimentations poétiques de Mallarmé

Seong Woo HEO

Korea University, Korea, Republic of (South Korea)




Open Free Individual Submissions

Art not for the sake of Art: A study of Australian songlines and its resonance in the contemporary times

Kirti Nakhare

S.I.W.S. College, India




Host Sessions (Korean Students and Scholars Only)

Sijo in Translation

Jinim Park

Pyongtaek University

(431) Voyage of Images
Location: KINTEX 2 307A
Chair: S Peter Lee, Gyeongsang National University
 

Open Free Individual Submissions

“To Get along with the Sea”: Technologies of (Re-)mediating Darkness in Beyond the Blue: Kuroshio’s Voyage

Julian Chih-wei Yang

National Taitung University, Taiwan




Open Free Individual Submissions

Reconstructing women's experience in transmedia narratives: a multidimensional perspective on film adaptations of contemporary feminist literature

Bei Tang

Southern Medical University, China, People's Republic of




Open Free Individual Submissions

(Re)Mapping the Virtual and the Imaginary: Site-Specific Video Installations and Digitally Mediated Heterotopias

Deok Yu Elizabeth Wang

University College London, United Kingdom




Open Free Individual Submissions

Poetics/prosthetics of imagination: Poetry, Cinema, and Artificial Intelligence in Jean Epstein

Ennuri Jo

University of Pennsylvania, United States of America

Special Session IV: Roundtable Celebrating 70th Anniversary of the ICLA
Location: KINTEX 1 Grand Ballroom

“Bridging Seventy Years of Comparative Literary Dialogue: Past, Present, and Future of the ICLA.”

Chairs:

Lucia Boldrini, Goldsmiths, UK, President of the ICLA (2022-2025)
Anne Duprat, Picardie-Jules Verne University, France, Secretary of the ICLA (2022-2025)
Ipshita Chanda, EFLU, India, Secretary of the ICLA (2022-2025)

Speakers:

Sandra L. Bermann, Princeton U, USA: President of the ICLA (2019-2022)
Anne Tomiche, Sorbonne, France, Vice-President of the ICLA
Hiraishi Noriko, Tssukuba, Japan, Vice-President of the ICLA
Haun Saussy, Chicago, USA, Vice-President of the ICLA
Macio Seligmann-Silva, UNICAMP, Brazil, Vice-President of the ICLA
E.V.Ramarkrishnan, Central University of Gujarat, India,
Marc Maufort, Editor of Recherche littéraire, USA
He Chengzhou, Nanjing University, China,
Emanuelle Santos, Chair of the ECARE/NEXT GEN, University of Birmingham, UK
Matthew Reynolds, Chair of Research Committees, Oxford University, UK
Stefan Helgesson, Chair of the Nominating Committee, Stockholm University, Sweden
Youngmin Kim, Congress Chair of 2025 ICLA Congress Seoul, Dongguk University, Korea

Q&A:

460
Location: KINTEX 2 307B
1:30pm
-
3:00pm
(343) Who is Afraid of Fiction? (2)
Location: KINTEX 1 204
Chair: Francoise Lavocat, Sorbonne Nouvelle
 

Open Group Individual Submissions

La fiction romanesque comme antidote au dogmatisme au siècle des Lumières

Michèle Bokobza Kahan

Université de Tel Aviv, Israël




Open Group Individual Submissions

The Double Threat of Fiction: Escapism and Documentation

Maria Crina Bud

Université Sorbonne Nouvelle, France




Open Group Individual Submissions

Résistance à l’immersion fictionnelle et effondrement de l’espace poétique : les hétérotopies littéraires chez GE Fei

Yiting WO

Université Sorbonne Nouvelle-Paris 3, France




Open Group Individual Submissions

Attitudes Toward Fiction in Ancient Greek and Chinese Philosophy: Implications for AI Ethics in Western and Chinese Societies

Xiaofang LIU

Shanghai International Studies University, China, People's Republic of

(344) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (2)
Location: KINTEX 1 205A
Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa
 

Open Group Individual Submissions

AI, Stylistic Emulation, and Hypothetical Literary Comparisons

Maria Bhuiyan1, Imtiaz Bhuiyan2

1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia




Open Group Individual Submissions

Music of <The Nine Cloud Dream> and the Cloudy Dreamy Music

Jiin Ko

Yonsei University, Korea, Republic of (South Korea)

(345) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (2)
Location: KINTEX 1 205B
Chair: Daniela Spina, CHAM - Centre for Humanities
 

Open Group Individual Submissions

Pramoedya’s Buru Quartet as Postcolonial Bildungsroman: The Emergence of Indigenous Elites in East Indies

Menglu Jin

Tsinghua University, China, People's Republic of




Open Group Individual Submissions

Colonial and postcolonial ambiguities in Luís Cardoso’s Crónica de uma Travessia

Duarte Drumond Braga

University of Lisbon School of Arts, Portugal




Open Group Individual Submissions

Disciplining South Asian Childhoods: A Study of Post-independence Novels from India

Manvi Tandon

The University of Texas at Austin, United States of America

(346)
Location: KINTEX 1 206A
(347) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (2)
Location: KINTEX 1 206B
Chair: Xi Liu, Xi'an Jiaotong-Liverpool University
 

Open Group Individual Submissions

Rediscovering Labour - A Study of Contemporary Chinese Science Fiction Literature in the Post-Liu Cixin Generation

Jinhua LI

THE HONG KONG POLYTECHNIC UNIVERSITY, Hong Kong S.A.R. (China)




Open Group Individual Submissions

Reconstructing Humanistic Ideals in Solarpunk: On the Cultural Politics Implications of Zhang Ran’s When the Sun Falls

Weiming Gao

University of Freiburg




Open Group Individual Submissions

How to Cross Boundaries: Gender and Cyborg in Contemporary Chinese Science Fiction

Ran Li

Shanghai International Studies University, China, People's Republic of




Open Group Individual Submissions

The Algorithmic Other in Cognitive Assemblages: Chen Qiufan's "The Algorithms for Life" and the Localization Dilemma of the Posthuman Subject in China

Yi Yuan

Capital Normal University, China, People's Republic of

(348) Gesar and Shakespeare
Location: KINTEX 1 207A
Chair: Byung-Yong Son, Kyungnam University
 

Foreign Sessions (Foreign Students and Scholars Only)

The Canonization of The Epic of Gesar

Wang Yan

Northwest Minzu University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Tsubouchi Shōyō’s Comparativism and the Techne of Shakespeare Translation

Daniel Gallimore

Kwansei Gakuin University, Japan




Foreign Sessions (Foreign Students and Scholars Only)

Exploring the Translatability of the Costume Culture: Case Studies of Dream of the Red Chamber

RUIYING HU

Beijing Normal-Hong Kong Baptist University, China, People's Republic of

(349) Literature Meets Lens
Location: KINTEX 1 207B
Chair: Dong-Wook Noh, Sahmyook University
 

Foreign Sessions (Foreign Students and Scholars Only)

When Poetry Meets Lens: The Cinematic Experiment of Lyrical Literature

Mei Yang

Sichuan University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Research on the Development Pathway of Deep Learning-Based Dialogue Generation Models for Literary Characters: A Case Study ofHarry Potterin Children Literature

RUIYING HU, DUO FENG, BO ZHANG

Beijing Normal-Hong Kong Baptist University




Foreign Sessions (Foreign Students and Scholars Only)

Nietzsche As Photographer, Camera, and Images — A Photographic Interpretation of Nietzsche’s Theory

Zhu Zhang

Sun Yat-Sen University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Cultural Nationalism or Chinese Representation? Chinese Diplomat Chen Jitong's Literary Practices on French Newspaper (1884–1890)

Ri HONG

Sun Yat-sen University, China, People's Republic of

(350) Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature
Location: KINTEX 1 208A
Chair: Kai-su Wu, Tamkang University
 

Group Session

Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature

Kai-su Wu, Liying Wang, Lijun Wang, Jingyun Xiao




Open Group Individual Submissions

Portraits by Self and Other: The Large-scale Release of Chinese Women’s Literary Series and its Text-Image Interplay in the 1990s

Yunyi Wang

School of Chinese, The University of Hong Kong, Hong Kong S.A.R. (China)




Open Group Individual Submissions

The Eroticized Chinese Body in Intercultural Works: Articulating Dichotomy and Hybridization in Shan Sa’s Les Conspirateurs and Preljocaj’s The Fresco

Song Huang

University of Virginia, United States of America

(351) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (2)
Location: KINTEX 1 208B
Chair: Takayoshi Yamamura, Hokkaido University
(352) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (4)
Location: KINTEX 1 209A
Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
 

Open Group Individual Submissions

Research on Korean Books of Dongpo’s Poems and Essays Collected in Japan

Jieling Li

Hainan Normal University, China, People's Republic of




Open Group Individual Submissions

The Convergence of Signs and the Metaphor of Divisionism: A Reinterpretation of Lévi-Strauss's Methodology in Japanese Studies

Yuanyuan Shi

Shanghai University, China, People's Republic of




Open Group Individual Submissions

Rethinking "OVERCOME BY MODERNITY"

Yaxiong Guo

Shanghai Normal University, China, People's Republic of




Open Group Individual Submissions

A Study on the Comparison of the Images of China and Japan in the Parting Poems and Essays Written by the Korean Literati who Send their Envoy Friends and Relatives to Travel in East Asia

Yang Huimin

Suqian University, China, People's Republic of




Open Group Individual Submissions

The Eranos conference and the Western Transmission of Zen Buddhism:Taking Suzuki’s Interpretation of “emptiness”as an example

Kunlan Wang

Fudan University, China, People's Republic of

(353) Translating (from) the Margins. Rethinking East-Central European Literatures within the World Canon (1990-2020)
Location: KINTEX 1 209B
Chair: Oana Fotache Dubalaru, University of Bucharest
 

Open Group Individual Submissions

Extrapolating False Geographies: The Case of 1930s Romanian Fiction in English Translation

Stephen Henighan

University of Guelph, Canada




Open Group Individual Submissions

“The Aliens Next Door.” A sketch of translations from 20th c Slavic writers into Romanian

Oana Fotache Dubalaru

University of Bucharest, Romania




Open Group Individual Submissions

L’autonomiste et la consécration. La trajectoire d’internationalisation de Mircea Cărtărescu

Magdalena RADUTA

University of Bucharest, Romania




Open Group Individual Submissions

Quelques remarques sur une géographie imaginaire des traductions littéraires au seuil du IIIe millénaire

Laura Dumitrescu

Faculté de Lettres, Université de Bucarest, Roumanie

(354) Journey of Life
Location: KINTEX 1 210A
Chair: ChangGyu Seong, Mokwon University
 

Open Free Individual Submissions

The Lyrics of Lament: Genres of Grief in the Voices of “Heers” in Amrita Pritam’s 'Ajj Aakhaan Waris Shah Nu' ('Today I Invoke Waris Shah') and “Rudalis” in Usha Ganguli’s dramatization of Mahasweta Devi’s 'Rudali'

Aratrika Bondopadhyay

The English and Foreign Languages University, India




Open Free Individual Submissions

Rediscovery of True Self on the Father-Seeking Journey——An Exploration of Jack Burns’ Journey of Growth in Until I Find You

Junru Xiang

Xiangtan University, China, People's Republic of




Open Free Individual Submissions

Circulation of Life: Reflection on the Archetype of Water in Walden and Travels in Hunan

Shijia Du

Northwestern Polytechnical University, China, People's Republic of

(355) Web, Game, and Transmedia
Location: KINTEX 1 210B
Chair: Ji hun Kang, Dongguk university
 

Host Sessions (Korean Students and Scholars Only)

The Emotional Language of “Shachiku”: Narrating Precarity through 2channel Experience Post

JungHwa Lee

Global Institute for Japanese Studies, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Reception of Japanese Subcultures in Early Korean Game Magazines

SUNGHO HA

Korea University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

A Data-Driven Analysis of the Fantasy Genre on Korean and Japanese Web Novel Platforms.

Yoomin NAM

Korea University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

From Shōwa to Heisei: A Comparative Study of Zainichi Korean Discourse during Japan’s Transitional Era – Focusing on Chunggu and Asahi Shimbun Database –

Jaemin Shin

Korea Univ., Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

Comparative analysis of the film <Grave Of The Fireflies> and the novel <Grave Of The Fireflies>

JUNGKYUN HAN

korea university, Korea, Republic of (South Korea)

(356) Intersectional Lives
Location: KINTEX 1 211A
Chair: Jinim Park, Pyongtaek university
 

Open Free Individual Submissions

Research on the "Michiko-style" in "The Pure Land of Suffering: My Minamata Disease".

Jinying Yang

东北师范大学, China, People's Republic of




Open Free Individual Submissions

The Modern Writing of Women's Dilemma-Taking Under the Tree,Vegetarian,and Brick Lane as Examples

Xinyu Luo

长安大学人文学院, China, People's Republic of




Open Free Individual Submissions

Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature

Hemasoundari Rajadurai

English and Foreign Languages University, Hyderabad, India




Open Free Individual Submissions

Fluid Identities and Intersectional Lives: A Queer Reading of The Adventures of Huckleberry Finn

Zahra Munir, Zhao Sasa

Northwestern Polytechnical University, China, People's Republic of

(357) Literature, Arts & Media (5)
Location: KINTEX 1 211B
Chair: Hanyu Xie, University of Macao

"Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games

Jia Song Nanjing University, China, People's Republic of; mf1908058@smail.nju.edu.cn

In 2024, the game "Black Myth: Wukong" produced by Game Science Corporation has sparked a global craze among players and discussions among researchers, reflecting the cross-media performative nature of video games as a new form of productive force. This work is based on the traditional Chinese literary classic "Journey to the West" and integrates elements of Chinese traditional culture. In the construction of cross-media narratives, it demonstrates the performative aesthetic characteristics of the digital, virtual, interactive and generative in the field of humanities from the perspective of cultural exchange and mutual learning. Eastern fantasy stories have been rejuvenated under the creative influence of emerging audio-visual technologies, thereby recreating heroic myths closely related to modern people and generating transcendent life-political significance in immersive user games. Exploring the performative traits of video games will further contribute to exploratory thinking about the community with a shared future for mankind in the era of globalization.

 

ICLA Research Committee Individual Submissions

"Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games

Jia Song

Nanjing University, China, People's Republic of




ICLA Research Committee Individual Submissions

A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays

Yirong Shi

North University of China, China, People's Republic of




ICLA Research Committee Individual Submissions

Tangled Between Belonging and Unbelonging: A Comparative Study of Migration and Identity in Select Short Stories of Jhumpa Lahiri’s Roman Stories

M. Ashiqur Rahaman Sourav

Green University of Bangladesh




ICLA Research Committee Individual Submissions

A Study of Amy Tan’ s Novels from the Perspective of Intermediality

Dantong Qian

Northwestern Polytechnical University, the People's Republic of China

(358) Oriental Literature in World Literature: Exchanges and Mutual Learning (8)
Location: KINTEX 1 212A
Chair: Lu Zhai, Central South University, China

Change in Session Chair

Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University)

 

Open Group Individual Submissions

Group Mirror Image: The Writing of 'Misogyny' in KIM JI-YOUNG, BORN 1982

Ruyue Tan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The first exploration of the exchange between Lu Yi, the literati of the Korean Dynasty, and Bo Ming, the Mongolian literati of the Qing Dynasty

Xin Yang

延边大学, China, People's Republic of




Open Group Individual Submissions

A Comparative Study on Tao Yuanming’s and Wordsworth’s Concerns for Society

Cha Zhang

Sichuan Normal University, China, People's Republic of




Open Group Individual Submissions

The Translation and Dissemination of Chinese Farewell Poetry in the West from the Culture-oriented Perspective

Ding Yan

Inner Mongolia University of Science and Technology, China, People's Republic of




Open Group Individual Submissions

The Net-like Narrative Structure of The Dream of Red Mansions: A “Corpus” Statistic Analysis Based on the Text Mining of Character Appellations

Yue Wang

Tianjin Normal University, China, People's Republic of




Open Group Individual Submissions

The Evolution of the Style of Chinese Poetry in the Joseon Dynasty

Yu Han1, Shuiyong Chi2

1: Central China Normal University, China, People's Republic of; 2: Shandong University, China.

(359) Mutual Learning of Civilizations and Reconstruction of World Literature (10)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

Counterpoint Writing of Gender, Race and Identity ——From Mi Li:A Chinese Fairy Tale To K

Xiaoxiao Zhou

Wuhan Sports University, China, People's Republic of




Open Group Individual Submissions

Translating Byron in ‘May Fourth’ China, 1919-1927: Poetic Rewriting and Literary Modernity

Kexin Du

School of Languages and Communication Studies, Beijing Jiaotong University, Haidian District, Beijing, People’s Republic of China




Open Group Individual Submissions

Research on Miao image from the perspective of mutual learning of civilizations —— With The West China Missionary News (1899-1943) as the center

Ya lin Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Civilizational Mutual Learning: The Discourse Paradigm of Chinese Literary Theory and the World Literary Significance of Subjectivity in Digital Ink Art

Ke Xu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

What is in Kerouac’s Variation of Han Shan? — A Recluse, Christ-like Figure and Transcendentalist

Xinchen Lu

East China Normal University, China, People's Republic of




Open Group Individual Submissions

Bob Dylan's Acceptance of the Chinese Classic I Ching(易经)

Quntao Wu

School of Foreign Languages, Xiangtan University, China, People's Republic of

(360) Dying in Language
Location: KINTEX 1 213A
Chair: Hyosun Lee, Underwood College, Yonsei University
 

Open Free Individual Submissions

Dying in Language: World Literature through the Prism of Untranslatability

MUSTAPH Ait KHAROUACH

lusail university, Morocco




Open Free Individual Submissions

The Death of Resilience? On Tierracide in Contemporary Philosophy and Literature

Peter Arnds

Trinity College Dublin, Ireland




Open Free Individual Submissions

Beyond the Limits of Individual Existence: The Notion of Inward Transcendence in the West

Zhu Wang

Sichuan University, People's Republic of China




Open Free Individual Submissions

Things-Centered Fiction: Theorizing a New Form

Chi-she Li

National Taiwan University, Taiwan




Open Free Individual Submissions

Translating Gorman’s “Black Girl Magic”: Aesthetics, Politics, and Ethics in the Translation of a Viral Inaugural Performance

Britta C. Jung

Mary Immaculate College, University of Limerick, Ireland

361
Location: KINTEX 1 213B
(362 H) Language Contact in Literature: Europe (2)
Location: KINTEX 1 302
Chair: Marianna Deganutti, Slovak Academy of Sciences
 

Group Session

Language Contact in Literature: Europe

Eugenia Kelbert, Marianna Deganutti




Open Group Individual Submissions

Literature of the enthnolinguistic enclave as a borderline tradition: the case of Griko

Evgeniya Litvin1,2

1: University of Salento, Italy; 2: MSCA doctoral fellowship




ICLA Research Committee Individual Submissions

Language Contact and Roberto Bazlen’s Legacy in Adelphi’s “Mitteleuropa” Catalogue.

Davide Gnoato

ifk, Austria




ICLA Research Committee Individual Submissions

Poetical and Institutional Nomadism – Figures of In-Betweenness in the Hungarian Émigré and Transborder Literature

Mónika Dánél

Eötvös Loránd University, Hungary




ICLA Research Committee Individual Submissions

Born multilingual: language choice in early Romani literature

Sofiya Zahova

Vigdís International Centre for Multilingualism and Intercultural Understanding, University of Iceland, Iceland

(363) Intermediality and Comparative Literature (6)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

The Poetics of Action: Intermedial Performativity in Frank O’hara’s Poetry

Chang Chen

Nanjing University, China, People's Republic of




Open Group Individual Submissions

Performativity connotations and theatrical effects of Bob Dylan's poetry

yan zhao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Lure of the Stage: The Emergence of Allen Ginsberg’s Poetry Performance

Minglu Zhu

Zhejiang University, China, People's Republic of

(364) Comparative History of East Asian Literatures (2)
Location: KINTEX 1 307
Chair: Haun Saussy, University of Chicago
 

Group Session

Literary History of Asia: Connections, Translations, Reinventions

Haun Saussy




ICLA Research Committee Individual Submissions

Kung Fu as a Knot: The Way of Survival in Men We Reaped

Yue Du

Sichuan University, China, People's Republic of




ICLA Research Committee Individual Submissions

Rethinking Left Internationalism: Debate on Collective Hamlet, Politics of Class and Nation, and Manchuria’s Revolution in the 1930s

Yuanfang Zhang

Huron College, Canada




ICLA Research Committee Individual Submissions

Beyond East-West Binaries: Reading Sarojini Naidu in Colonial Korea

Ji Hyea Hwang

Yonsei University, Korea, Republic of (South Korea)

(432) Progression and Regression: Technologies and Power in the Literary Imagination (2)
Location: KINTEX 2 305A
Chair: Rui Qian, Nanyang Technological University
 

Open Group Individual Submissions

Technology, Race, and Utopia in Contemporary African American Science Fiction

Zhang Wenwen

Ningbo University, China, People's Republic of




Open Group Individual Submissions

The Role of the 'Spaceship Earth' Metaphor in Shaping 1960s and Modern Environmental Discourse

Asako Nobuoka

Toyo University, Japan




Open Group Individual Submissions

Space Technology and Power: An Analysis of the Spatial Characteristics of Julian Barnes' Novel 'The Noise of Time'

WEN KUNYI

Hainan Normal University, China, People's Republic of




Open Group Individual Submissions

Dickens' "Condition of England" Novels and the Technological Revolution in Victorian Britain

Chen Nuo

Capital Normal University, China, People's Republic of

(433) From Han Kang to Han Kang
Location: KINTEX 2 305B
Chair: JIHEE HAN, Gyeongsang National University
 

Open Free Individual Submissions

From Handke to Han Kang: How the Nobel Prize in Literature Survived

Paul Tenngart

Lund University, Sweden




Open Free Individual Submissions

Han Kang’s Vegetarianism

Changnam Lee

Institute for American and European studies, Daegu, South Korea




Open Free Individual Submissions

A comparative study of feminist themes between the novels of Korean writer Han Jiang and Chinese writer Zhang Ailing

Ying-hui Pan

Shandong University of Aeronautics, China, People's Republic of




Open Free Individual Submissions

Reimagining Violence: Sensation, Bodily Deformation and Female Trauma in Can Xue’s The Last Lover and Han Kang’s The Vegetarian

Yi He

University of New South Wales, Australia

(434) Beyond the Arabian Night
Location: KINTEX 2 306A
Chair: Seung-hye Mah, Dongguk University Seoul Campus
 

Open Free Individual Submissions

When Less is Not More: Arabic Pleonasm's Journey West. A comparative Approach

Raja Lahiani

UAE University, United Arab Emirates




Open Free Individual Submissions

Memory, History, and Identity in A donde tú vayas, iré by Victoria Dana

Rosa Escalante

Jefferson Community and technical college, United States of America




Open Free Individual Submissions

Trends and Development of Comparative Literature in Bangladesh

MD MUSFIKUR RAHMAN

Gauhati University, India




Open Free Individual Submissions

The image of a lover waiting for the beloved as an image depicting unrequited love: a state of being in poetic systems across language-cultures

Sweata Saha

The English and Foreign Languages University, India

(435) The Cinematic Past and the Literary Present
Location: KINTEX 2 306B
Chair: Narie Jung, Sungkyunkwan University
 

Open Free Individual Submissions

The Interdisciplinary Creation of the Mummy in Jane Loudon’s The Mummy! A Tale of the Twenty-Second Century

Masami Usui

Doshisha University, Kyoto, Japan, Japan




Open Free Individual Submissions

The Cinematic Past and the Literary Present of Yan Geling’s Novel The Flowers of War (2012)

PINGFAN ZHANG

Zhejiang Gongshang University, China, People's Republic of




Open Free Individual Submissions

Entre Richard Wagner et Émile Zola : Tannhäuser mis en scène par Robert Carsen

Shinzo Hayashi

Université de Fukuoka, Japon

(436) Portrait of Ghosts
Location: KINTEX 2 307A
Chair: Jun Soo Kang, anyang University
 

Open Free Individual Submissions

GENDERED GOLD AND GOLDEN GHOSTS: GOTHIC HEROINES OF NINETEENTH CENTURY BENGAL

Camellia Paul

Jadavpur University, India




Open Free Individual Submissions

Question of Crisis in Early Bengali Film Discourse: Tracing Film Criticisms of the 1930s and the 1940s

Dattatreya Ghosh

Jadavpur University, India




Open Free Individual Submissions

«Portrait du moine athonite à travers le prisme de trois récits de voyageurs français au Mt Athos au tournant des années 1920: histoire de genre ou histoire de privilège lié aux catégories sexuelles?»

Jean-Michel Sourd

Diocesan Boys’School, HK




Open Free Individual Submissions

American ‘Goddess of Mercy’ in the Nanjing Massacre: Minnie Vautrin and the Afterlife of Her Wartime Diary

PINGFAN ZHANG

Zhejiang Gongshang University, China, People's Republic of

461
Location: KINTEX 2 307B
 
3:30pm
-
4:20pm
Keynote: Sandra Bermann
Location: KINTEX 1 Grand Ballroom
Chair: JIHEE HAN, Gyeongsang National University
4:30pm General Assembly
Location: KINTEX 1 Grand Ballroom

2025 ICLA Congress General Assembly

2025 ICLA Congress - YouTube


Date: Friday, 01/Aug/2025
9:00am
-
10:30am
(365) Who is Afraid of Fiction? (3)
Location: KINTEX 1 204
Chair: Francoise Lavocat, Sorbonne Nouvelle
 

Open Group Individual Submissions

Tender Rhetorics and Rhetorics of Realism: Stimulants and Sedatives Against the Fear of Fiction

Henning Hufnagel

University of Zurich, Switzerland




Open Group Individual Submissions

What harm does fiction do to women?

Francoise Lavocat

Sorbonne Nouvelle, France




Open Group Individual Submissions

“Stopping Me to Take Martin Chuzzlewit for State-Security Purposes”: the Troubles and “Suspicious” Reading Fiction-While-Walking in Anna Burns’ Milkman

Yian Zhu

Tongji University, China

(366) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (1)
Location: KINTEX 1 205A
Chair: Yuriko Yamanaka, National Museum of Ethnology
 

Open Group Individual Submissions

Transformations of Heidi—Comparison of Johanna Spyri's original novel and the animation series "Heidi, Girl of the Alps"

Takashi Kawashima

Kyoto University, Japan




Open Group Individual Submissions

Image of Europe through Japanese Animation: A Case Study of the Reception of Heidi, Girl of the Alps in Iran

Yuriko Yamanaka

National Museum of Ethnology, Japan




Open Group Individual Submissions

British Classic to Japanese Animation: The Adaptation of F. H. Burnett’s A Little Princess

Kaori Chiba

Heidi Children's Literature Society of Japan

(367) Global Auerbach (1)
Location: KINTEX 1 205B
Chair: Robert Doran, University of Rochester
 

Open Group Individual Submissions

A Postmodern Hugh of St. Victor? The paradoxes of Auerbach's Weltliteratur

Giorgio Sinedino

University of Macau, Macau S.A.R. (China)




Open Group Individual Submissions

After Philology: Auerbach, Soroush, and the Literary

Abolfazl Ahangari

Tsinghua University




Open Group Individual Submissions

Auerbach, Ranciere, and the Democratic Politics of World Art

Robert Doran

University of Rochester, United States of America

(368)
Location: KINTEX 1 206A
(369) Untranslatability and Translation
Location: KINTEX 1 206B
Chair: Seonggyu Kim, Dongguk University
 

Open Free Individual Submissions

The Problem of Untranslatability and Lotman's Myth

SOYEON PARK

KOREA UNIVERSITY, Korea, Republic of (South Korea)




Open Free Individual Submissions

The Study of English Translation of The Genial Seed

Buyong Lee

Kangwon National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Glocalization: Rooted Cosmopolitanism in Sherwood Anderson’s Small-Town Bidwell

HONGZHA AGA

Si Chuan University, China, People's Republic of

(370) Transformations of literature in media evolution: Representation and time (1)
Location: KINTEX 1 207A
Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences
 

Open Group Individual Submissions

The new literary forms of encyclopaedism: totalising knowledge in the digital age

Laurence Dahan-Gaida

université de Franche Comté, France




Open Group Individual Submissions

Poetry and its Mediality among Other Media

Josef Hrdlička

Charles University, Faculty of Arts, Czech Republic




Open Group Individual Submissions

Writing with/out reading – “Distant reading” as a poetic instrument

Johanne Mohs

Technische Universität Berlin, Germany

(371) Understanding the Other
Location: KINTEX 1 207B
Chair: Jun Soo Kang, anyang University
 

Foreign Sessions (Foreign Students and Scholars Only)

Understanding the Other: A Study of Tagore’s Chaturanga and A Wife’s Letter

Sanjukta Pal

The English and Foreign Language University, India




Foreign Sessions (Foreign Students and Scholars Only)

An Embodied-cognitive Probe into the English Translation of“The Art of War”by Michael Nylan

Zhongzhong Zhang

Sichuan University, China, People's Republic of




Foreign Sessions (Foreign Students and Scholars Only)

Narrativizing Subalternity: Study of Select Fictional Works of Mahasweta Devi

Sanjukta Pal

The English and Foreign Language University, India




Foreign Sessions (Foreign Students and Scholars Only)

The urban eclogue through windows and its failure: The dialectic of inside and outside in “Parisian Tableaux” of Les Fleurs du mal

Jiawen Wang

University of Chicago, United States of America




Foreign Sessions (Foreign Students and Scholars Only)

Poetic Opposition in Beckett’s Novels: A Structural Analysis of Binary Tension

Jingwen Shu

上海师范大学, China, People's Republic of

(372) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (1)
Location: KINTEX 1 208A
Chair: Zahra Moharramipour, The International Research Center for Japanese Studies
 

Open Group Individual Submissions

A Turning Point in Japan’s “Oriental” Art History: Perspectives on Persian Art in the 1920s

Zahra Moharramipour

The International Research Center for Japanese Studies, Japan




Open Group Individual Submissions

Feeling the Cosmic Rhythm: St. Denis’s “Oriental” Dance and its Resonance in Japan

Yorimitsu Hashimoto

Osaka University, Japan




Open Group Individual Submissions

The Aesthetics of the 'Orient' by Nyoiti Sakurazawa (George Ohsawa): Focusing on his Livre des fleurs

Junko NIMURA

Kansei Gakuin University, Japan




Open Group Individual Submissions

The Return to the 'Orients' in Japanese Art around 1920: Focusing on the Magazines Shirakaba and Toa Geijutsu

Koya Hirose

Miyagi University of Education, Japan

(373) Biofiction across the world: comparison, circulation, and conceptualisations (1)
Location: KINTEX 1 208B
Chair: Lucia Boldrini, Goldsmiths University of London

Revision

Session Chairs: Lucia Boldrini (Goldsmiths University of London) ; Laura Cernat (KU Leuven)

 

Open Group Individual Submissions

The Outsider Female Writer as a Worlding Force in the Biofictions of Anchee Min and Caryl Phillips

Laura Cernat

KU Leuven, Belgium




Open Group Individual Submissions

Through the red trees: the clash between biofiction and the proletarian novel in "Como un árbol rojo"

Francisco Javier Siredey Escobar

University of Washington, United States of America

(374) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (5)
Location: KINTEX 1 209A
Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
 

Open Group Individual Submissions

The Century-old comparative reflection on Chinese classical drama and Shakespeare's plays

Weifang Li

Henan University, China, People's Republic of




Open Group Individual Submissions

Faulkner's Fingerprints: Faulkner's Influence on Pai Hsien-yung

Yanyu Zhou

Nanjing University, China, People's Republic of




Open Group Individual Submissions

The Vegetarian: Ecofeminism and East Asian Feminisms

Xiangnan Liang

Renmin University of China, People's Republic of China




Open Group Individual Submissions

Reconstructing the Yin-Zhou Dynasty Institutions: A Study from the Perspective of Sociology of Religion by Léon Vandermeersch

Yuan Yuan

Nanjing University, China, People's Republic of




Open Group Individual Submissions

The Community in Rewi Alley’s Beijing-themed Poems

Wei Li

Baoji University of Arts and Sciences, China, People's Republic of

(375) Comparative Literature in the Philippines (1)
Location: KINTEX 1 209B
Chair: Lily Rose Tope, University of the Philippines

Co-Chair: Ruth Pison (University of the Philippines Diliman); Micaela Chua Manansala (University of the Philippines Diliman)

 

Open Group Individual Submissions

Reading law as literature and literature as law in the Philippines

Christine V. Lao

University of the Philippines Diliman, Philippines




Open Group Individual Submissions

Towards the Higaonon Skyworld: T.S. Sungkit, Mindanawon Writing, and Domains of Knowledge in Philippines Literatures

Lakan Ma Mg Daza Umali

University of the Philippines Diliman, Philippines




Open Group Individual Submissions

Rewriting Hemingway: Translation to Filipino as a site for interrogating sexual politics in two short stories

Francis Eduard Llamas Ang

UP Diliman, Philippines

(377) Cross-Cultural Dialogue Between China and Central and Eastern Europe (1)
Location: KINTEX 1 210B
Chair: Yading Liu, SiChuan University
 

Open Group Individual Submissions

Cultural Resonance and Cross-Cultural Transmission: Ureltu’s Literary Journey in Russian Translations

Zengli Hu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Prosaics of Bakhtin’s Theories and charactrastics of russian literature, Liu Kun

Liu Kun

Heilongjiang University, China, People's Republic of




Open Group Individual Submissions

Lu Xun’s Translations in A Collection of Foreign Novels

Heng Fu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The First "Sinologist" of the Czech Lands, Karel Slavíček, and the 18th-Century Correspondencebetween China and Europe

Jiewei Xie

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Dostoevsky and the “Eastern Question”

Lingyu Wang

Heilongjiang University, China, People's Republic of

(378) Crossing the Borders Between the Self and the Other (1)
Location: KINTEX 1 211A
Chair: Kejun XU, Shanghai Jiao Tong University
 

Open Group Individual Submissions

Interiority in Contrast: Psychological Realism in Eileen Chang’s Fiction in the 1940s

Kejun XU

Shanghai Jiao Tong University, China, People's Republic of China




Open Group Individual Submissions

Cigarettes, Gender and Subjectivity: The Dual Visual Intoxication of Self-representation in Chinese Media Culture around the 1930s.

Yujie Cao

Fudan University, China, People's Republic of




Open Group Individual Submissions

Famous character, City and Modernity in Late Qing Shanghai Newspaper Publication:A Study of “Yang Yuelou Case” in Shen Bao

weiwei fang

Shanghai Normal University, China, People's Republic of




Open Group Individual Submissions

The "Invisible" as a Modern Imaginary of Technological Threats: A case study of The Invisible Man’s Cinematic Adaptations

Yafei Huang

Chongqing University, China, People's Republic of

(379) Literary Anthropology and Digital-Intelligence Civilization (1)
Location: KINTEX 1 211B
Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences
 

Open Group Individual Submissions

A preliminary study on The mythological thinking of Ba-Shu myths from the perspective of quantum theory

yang li

Sichuan Academy of Social Sciences, China, People's Republic of




Open Group Individual Submissions

佛学与AI的生命叙述

Dejia Wan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

From Axe to Black Jade Gui: Restating the Heritage of China's Creation Myth by the Quadruple Evidence Method

Qicui Tang

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

Political Performances on Interstellar Stage: On the Wallfacer Project in Three-Body from a Social Performance Perspective

Jixue Xia

Central China Normal University, China, People's Republic of




Open Group Individual Submissions

The Canonization of the Epic of Gesar

Yan Wang

Northwest Minzu University, China, People's Republic of




Open Group Individual Submissions

A Study of Girard's Theory of Violence and Literary Criticism Practice

Ning Zhang

Inner Mongolia Minzu University, China, People's Republic of




Open Group Individual Submissions

Digital Fandom and Gift Economy

Xiqing Zheng

Chinese Academy of Social Sciences, China, People's Republic of

(389) Protest Cultures (1)
Location: KINTEX 1 212A
Chair: Haun Saussy, University of Chicago
 

Open Group Individual Submissions

“The fragrance of flowers can be more appealing outside the garden wall”: Literature on Hollyhock and the interaction of civilisations

Yuhui Lin

四川大学, China, People's Republic of




Open Group Individual Submissions

An Archive of Protest: Reading Dalit Literature

Subhas Yadav

University of Notre Dame, United States of America




Open Group Individual Submissions

Beyond work-to-rule? Passive resistance and de-attachment from work in contemporary novel (comparative perspective)

Olga Szmidt

Jagiellonian University




Open Group Individual Submissions

From Collective Critique to Individual Experience: Zhao Chuan's Theatrical Evolution and the Shifting Landscape of Civil Engagement

Guicheng Liu

Peking University, China, People's Republic of

(381) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (1)
Location: KINTEX 1 212B
Chair: Alexandra Lopes, Universidade Católica Portuguesa
 

Open Group Individual Submissions

From Post-Translation to Deadly Untranslatability

Marcio Seligmann-Silva

UNICAMP/ICLA, Brazil




Open Group Individual Submissions

geographies of exile: maps, memoirs & imagination in translation

Alexandra Lopes

Universidade Católica Portuguesa, Portugal




Open Group Individual Submissions

Translation and Hospitality: Between Hostility and Hope

Loredana Polezzi

Stony Brook University




Open Group Individual Submissions

Translators’ writing tools in contemporary literary fictions

Marta Pacheco Pinto

School of Arts and Humanities, University of Lisbon, Portugal




Open Group Individual Submissions

Masquerade and Authorship: Pseudotranslation in Montesquieu and Voltaire

Rita Bueno Maia

Universidade Católica Portuguesa, Portugal

382
Location: KINTEX 1 213A
383
Location: KINTEX 1 213B
(384 H) The Network of Genetic
Location: KINTEX 1 302
Chair: Kexin Xiang, City University of Hong Kong

384H(09:00)
406H(11:00)
428H(13:30)
485H(15:30)

LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1

PW : 12345

 

Open Free Individual Submissions

Rewriting Madama Butterfly: Shifting Focalization and Power Relations in M. Butterfly

Kexin Xiang1,2

1: City University of Hong Kong, Hong Kong S.A.R. (China); 2: Shanghai Jiao Tong University, Shanghai (China)




Foreign Sessions (Foreign Students and Scholars Only)

“Exploring ‘Comparative ‘haiku’: Textual Healing and Cross-cultural Wellbeing in Modern Korean Sijo Poetry and Modern ‘South-Asian haiku’”

Jarin Tasneem Shoilee

Jahangirnagar University, Bangladesh, People's Republic of




Open Group Individual Submissions

South Korea meets Bangladesh: The Network of Genetic and Typological Inter-animation

Mashrur Shahid Hossain, Jarin Tasneem Shoilee, Redwan Ahmed, Aynun Zaria

Jahangirnagar University, Bangladesh, People's Republic of




Open Group Individual Submissions

Three biofictions in English, French, and Chinese: A Comparative Approach to Narration

Stephen Zhongqing Wu

Hainan Vocational University of Science and Technology, China, People's Republic of




ICLA Research Committee Individual Submissions

The Uncanniness of Film: On the Aesthetics of Cinematic Objectification in Double Suicide (1969) and Demons (1971)

Xuechun Lyu

University of Rochester, United States of America

(385) Precarious Mediations: Queer Bodies in Virtual Spaces (1)
Location: KINTEX 1 306
Chair: Elizabeth Richmond-Garza, University of Texas at Austin
 

Group Session

Precarious Mediations: Queer Bodies in Virtual Spaces

Elizabeth Richmond-Garza




ICLA Research Committee Individual Submissions

Bless the Beasts and the Children: Posthuman Reflections on the War in Ukraine

Thomas Jesús Garza

University of Texas at Austin, United States of America




ICLA Research Committee Individual Submissions

“The Sun had already departed”: On Love, Loneliness, Lordlings, Robots, and Our Absent Queer Selves

Weston Leo Richey

The University of Texas at Austin, United States of America




Group Session

Androcentric Milieu and the Insurgent Female Psyche: A Comparative Study of Githa Hariharan's The Thousand Faces of Night and Margaret Atwood's The Edible Woman

NEERAJ KUMAR

(386) Comparative History of East Asian Literatures (3)
Location: KINTEX 1 307
Chair: S Peter Lee, Gyeongsang National University
 

ICLA Research Committee Individual Submissions

Old Tales Retold: The Representation of Cao Xueqin and The Dream of the Red Chamber in the Hong Kong Novel The Drunkard by Liu Yichang

Chi Xie

University of Leeds, United Kingdom




ICLA Research Committee Individual Submissions

Three Chinese Translations of "The Lighthouse Keeper": Literary Reception and Sino-Japanese Interaction in the Early 20th Century

Hesha Cheng

Shanghai International Studies University, China, China, People's Republic of




ICLA Research Committee Individual Submissions

Navigating Abjection, Hate, and Forgiveness in the 21st Century: Insights from Han Kang’s Human Acts and Julia Kristeva’s Hatred and Forgiveness"

S Peter Lee

Gyeongsang National University, Korea, Republic of (South Korea)




ICLA Research Committee Individual Submissions

Connections Across the Eastern Sea: Intra-Asia Women Travelers Reinventing China and Japan (1900-1940)

Oriane Chevalier

Université Clermont Auvergne, France

(437) Literary Thought
Location: KINTEX 2 305A
Chair: Robert Young, ICLA Literary Theory Committee
 

Group Session

ICLA Literary Theory Committee

Robert Young




ICLA Research Committee Individual Submissions

"A Bundle of Letters" — An Exploration of Schiller's Stylistic Concepts and Aesthetic Ideals Through the Epistolary Form

Jinjun Chen

Peking University, China, People's Republic of




ICLA Research Committee Individual Submissions

On Commitment : Raymond Williams’ Reception and Invention of Mao Zedong’s Literary Thought

Haili Deng

Shenzhen University, China, People's Republic of

(438) Decentred Subjects
Location: KINTEX 2 305B
Chair: Minji Choi, Hankuk university of foreign studies
 

Open Free Individual Submissions

Persona, Relationality, Decentred Subjects: Digital Editions as Life-Writing Projects

Sandra Mayer

Austrian Academy of Sciences, Austria




Open Free Individual Submissions

Ethnographic Poetics, Culture and Art in Virtual Eco-System with the Liability of Newness

Jayshree Singh1, Salvatore Tolone Azzariti2, Aishwarya Singh3

1: Department of English, Bhupal Nobles' University Udaipur Rajasthan, India; 2: Woxsen School of Law, Woxsen University, Telangana, Andhara Pradesh; 3: Faculty of Law and Justice, University of New South Wales, Sydney




Open Free Individual Submissions

Transhumanistic Sym-poiesis through the speculative post-apocalyptic and analogue steampunk literature of Ai Jiang and Noah Medlock

Anita Purcell-Sjölund1, Zita Farkas2

1: Dalarna University, Sweden; 2: Dalarna University, Sweden

(439) Bridge to Korean Culture
Location: KINTEX 2 306A
Chair: Hyungji Park, Yonsei University
 

Open Free Individual Submissions

Exorcism of Soul and Occultism: The Soul Guardians and Supernatural

HYUNHEE SONG

Jeonbuk National University, Korea, Republic of (South Korea)




Open Free Individual Submissions

A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry

Mariana Souza. Mello Alves de, Carolina Magaldi. Alves

Federal University of Juiz de Fora - UFJF, Brazil




Open Free Individual Submissions

Breaking the Curse: Addressing Trauma, Melancholia and Maturation through Children’s Literature in Korean Drama “It’s Okay to Not be Okay”

Janice Robertson

Alumnus of University of South Africa, South Africa

(440) Literature, Culture, and Identity
Location: KINTEX 2 306B
Chair: ChangGyu Seong, Mokwon University
 

Open Free Individual Submissions

Threads of Meaning: The Semiotics of Fashion in Literature, Culture, and Identity

Bianca Terracciano

Sapienza University of Rome, Italy




Open Free Individual Submissions

E. P. Thompson’s Reinterpretation of Morris’s Romanticism: Focusing on the “Postscript” in the 1977 Edition of William Morris: From Romantic to Revolutionary

meijun guo

The University of Chinese Academy of Social Sciences, China, People's Republic of




Open Free Individual Submissions

Anonymity, Attribution, and Appropriation in Pacific Island Myth and Cultural History

Michael David Heitkemper Yates

Rikkyo University, Japan

(441) Digital (dis-) Embodiment
Location: KINTEX 2 307A
Chair: Juri ­Oh, Catholic Kwandong University
 

Open Free Individual Submissions

Analyzing The Advanced Isolation of "Developed" Technology Through Science Fiction

Praniti Gulyani

UC Berkeley, United States of America




Open Free Individual Submissions

Digital (dis-) Embodiment and the Rhetoric of Belonging: Reimagining Queer Chinese Diaspora in Cyberspace

Wai Chi Wong

Western University, Canada




Open Free Individual Submissions

The Intersection of Literature and Artificial Intelligence: A Comparative Study of Narrative Evolution in the Digital Age

PETER NJENGA KAMAU, ELIZABETH NJERI NJUGUNA, KENNEDY MAINA GATHONI

Paula Solutions Ltd, Kenya

462
Location: KINTEX 2 307B
 
11:00am
-
12:30pm
(387) Who is Afraid of Fiction? (4)
Location: KINTEX 1 204
Chair: Francoise Lavocat, Sorbonne Nouvelle
 

Open Group Individual Submissions

The ratio of fiction: looking for a safety threshold

Barbara Bisetto

University of Verona, Italy




Open Group Individual Submissions

A True(ish) (Hi)Story: The (B)Onus of Historical Fiction in Classical Reception

BEATRIZ SEELAENDER

University of São Paulo, Brazil




Open Group Individual Submissions

L’art du témoignage et le rejet de la fiction – les critiques de la fiction chez Claude Lanzmann

Akihiro Kubo

Kwansei Gakuin University, Japon




Open Group Individual Submissions

Renegotiating Frontiers of Fact and Fiction in Ma Boyong’s "Historical Possibility Novels"

Danqi Lu

University of Hong Kong, Hong Kong S.A.R. (China)

(388) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (2)
Location: KINTEX 1 205A
Chair: Yuriko Yamanaka, National Museum of Ethnology
 

Open Group Individual Submissions

Translations of Sans famille in Early 20th Century Japan: On the Source of the Popularity of the Work

Kimiko WATANABE

Osaka University, Japan




Open Group Individual Submissions

Kitaro's Journey - From Child-rearing Ghost Folklore to Picture-story Shows, Manga, and Animation

Aki NISHIOKA

Ritsumeikan University, Japan




Open Group Individual Submissions

The World Beyond in KASHIWABA Sachiko’s The Marvelous Village Veiled in Mist and MIYAZAKI Hayao’s “Spirited Away”

Motoko Sato

Chiba University, Japan

(389) Global Auerbach (2)
Location: KINTEX 1 205B
Chair: Robert Doran, University of Rochester
 

Open Group Individual Submissions

Auerbach's Legacy and Non-European Realism

Kinya Nishi

Konan University, Japan




Open Group Individual Submissions

Global Auerbach and Weltliteratur in the Postmodern Regimes of Art

Yuting Hu

Duke University, United States of America




Open Group Individual Submissions

The Materiality of aesthetic historicism: From Vico, Auerbach to Hayden White

Xiaoyan Guo

Lanzhou University, China, People's Republic of




Open Group Individual Submissions

The Radiances of World Literature: Erich Auerbach’s Literary Humanism for an Other World in the Making

Mariam Popal

University of Bayreuth, Germany

(390)
Location: KINTEX 1 206A
(391) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (2)
Location: KINTEX 1 206B
Chair: Zahra Moharramipour, The International Research Center for Japanese Studies
 

Open Group Individual Submissions

Interaction Between Multiple Identity and the Fluid Perceptions of the Mind-Body: Kawabata Yasunari’s Dance Novels in the 1930s

Masaho Kumazawa

Tokyo University of Foreign Studies, Japan




Open Group Individual Submissions

Representations and Adaptations of the Nanyo by East Asian Writers: Literary Interpretations of the Nanyo and Toyo

JIHU PARK

Kyushu University, Japan




Open Group Individual Submissions

The Transformation of Taiwan Narratives in Japanese Literature from the Prewar to Postwar Periods: Insights from Khu Eng-Han's Koen (1955)

Anqi Sun

The University of Tokyo, Japan

(392) Transformations of literature in media evolution: Representation and time (2)
Location: KINTEX 1 207A
Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences
 

Open Group Individual Submissions

Stream of consciousness, time and music in two novels in dialogue with Beethoven’s Eroica

DANIEL ARRIETA DOMINGUEZ

KYOTO UNIVERSITY OF FOREIGN STUDIES, Japan




Open Group Individual Submissions

Moviesque and Picturesque: The Perspective of Urban Space in A Day at Ninety-Nine Degree Fahrenheit

Yaqi Wang

Ocean University of China, China, People's Republic of

(393) Bridging and Morphing Temporal and Geographical Cultures
Location: KINTEX 1 207B
Chair: Seunghyun Hwang, Incheon National University
 

Open Group Individual Submissions

From Elsinore to Ulaanbaatar: Socio-cultural Reflections in the Mongolian Translation of Hamlet

BAYARMAA DAVAAJAV

Incheon National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Digital Natives and Digitization of Analog Materials: A Retro Culture Phenomenon in Ernest Cline's Ready Player One (2011) and Ready Player Two (2018)

Hyovin Ahn

Incheon National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Sonic Diaspora: Decoding Korean Identity in Transnational Literature

Ye-Rin Jung

Yonsei University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Speaking Anxiety in Uzbek EFL Students Learning English: Integrating Popular Culture to Reduce Classroom Anxiety

ANVARKHON JAVHAROV

INCHEON NATIONAL UNIVERSITY, Korea, Republic of (South Korea)




Open Group Individual Submissions

Imagined Destinations: Southeast Asia in the Korean Drama Imaginary

Sarah Ahmad Ghazali

Universiti Brunei Darussalam, Brunei Darussalam

394
Location: KINTEX 1 208A
(395) Biofiction across the world: comparison, circulation, and conceptualisations (2)
Location: KINTEX 1 208B
Chair: Lucia Boldrini, Goldsmiths University of London

Revision

Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven)

 

Open Group Individual Submissions

Biofiction About Zelda Fitzgerald and Ernest Hemingway: Writer and Writer’s Wife in Z: A Novel of Zelda Fitzgerald and The Paris Wife

Youngmi Kim

Seoul National University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Repetition and Difference: The Writing of "Boléro" in Jean Echenoz's Ravel

Mingrui Li

Sichuan University, China, People's Republic of

(396) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (6)
Location: KINTEX 1 209A
Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
(397) Comparative Literature in the Philippines (2)
Location: KINTEX 1 209B
Chair: Lily Rose Tope, University of the Philippines

Co-chair: Ruth Pison (University of Philippines Diliman) ; Christine Lao (University of Philippines Diliman)

 

Open Group Individual Submissions

Lost Futures and Screens: Exploring fantasy and desire in two Southeast Asian short stories

Ysabelle Cruz Bartolome

University of the Philippines Diliman, Philippines




Open Group Individual Submissions

Tropical Fantasy-Productions of Filipino diasporic novels for Young Readers

Marikit Tara Alto Uychoco

University of the Philippines, Diliman, Philippines




Open Group Individual Submissions

Dances of Desire: Masculinity and the Nation in Alamat’s Music Videos

Julie Barcelon Jolo

University of the Philippines Diliman, Philippines




Open Group Individual Submissions

‘for the moment, they sang together’ Notes on Transpositions of Wilfrido Nolledo’s But for the Lovers

Augusto Xavier Ledesma

University of the Philippines, Philippines

398
Location: KINTEX 1 210A
(399) Cross-Cultural Dialogue Between China and Central and Eastern Europe (2)
Location: KINTEX 1 210B
Chair: Yading Liu, SiChuan University
 

Open Group Individual Submissions

Searching for Meaning in the Suffering: The Depictions of Suffering in One Man's Destiny and To Live

Shanshan Su

Sichuan University, China, People's Republic of




Open Group Individual Submissions

V. Alekseyev’s Interpretation of Literature and Dao in Confucianism

Shuangyu Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Interpretation of “Virtue” by the Contemporary Russian Sinologist A.I. Kobzev

Baohui Tong

SiChuan university, China, People's Republic of




Open Group Individual Submissions

A Study on the Construction of Chinese Cultural Images in D.N. Voskresensky's Russian Version of The Scholars

xia shi

Harbin Normal University, China, People's Republic of




Open Group Individual Submissions

Research on Confucian Culture in the Russian Encyclopedia of Chinese Spiritual Culture

Yading Liu

Sichuan University

(400) Crossing the Borders Between the Self and the Other (2)
Location: KINTEX 1 211A
Chair: Kejun XU, Shanghai Jiao Tong University
 

Open Group Individual Submissions

Modern Elegant Gatherings for Movie Spectacles: A Study on Yingxi Fiction of Great World Entertainment Center

SHAO DONG

HKMU, Hong Kong S.A.R. (China)




Open Group Individual Submissions

Sentimental Writing in Autobiographical Novels of Republican-era Overseas Students — Memories of France in Su Xuelin’s Thorny Heart (1929) and Xu Zhongnian’s My Beauty Faraway (1946)

Xinying YANG

Institut National des Langues et Civilisations Orientales (INALCO)




Open Group Individual Submissions

Foreign Country, Distant Region, and Motherland: Women’s Travel Narratives of the Northwest Frontier

DI LIU

CIty University of HongKong, Hong Kong S.A.R. (China)




Open Group Individual Submissions

Children on the Move: Supplementary Learning Materials for School Children in Republican China (1926–1939)

Fanghao Chen

Shanghai Normal University, China, People's Republic of

(401) Literary Anthropology and Digital-Intelligence Civilization (2)
Location: KINTEX 1 211B
Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences
 

Open Free Individual Submissions

Sound, Technology, and Archival Documentation: An Alternative Perspective on Music through an Engagement with Work Songs

Shubhasree Bhattacharyya

O. P. Jindal Global University, India




Open Free Individual Submissions

Exploring the Bhairava Raga in Ragamala Paintings

Himani Kapoor

School of Open Learning, India

(402) Protest Cultures (2)
Location: KINTEX 1 212A
Chair: Haun Saussy, University of Chicago
 

Open Group Individual Submissions

Censorship of Genocidal Narratives: The Case of Adania Shibli’s Minor Detail

Urvi Sharma

Amity University, Punjab, India




Open Group Individual Submissions

Resistance's Many Faces: Preserving the Memory of Belarusian Protests

Olga Solovyeva

Nicolaus Copernicus University in Toruń, United States of America




Open Group Individual Submissions

From red hands to the red middle finger: Serbian protestscape cca. 2024-25

Tatjana Aleksić

University of Michigan, United States of America




Open Group Individual Submissions

Memory and the Landscape: Remembering Protest in the Karbi Youth Festival of North East India

Debashree Dattaray

Jadavpur University, India

(403) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (2)
Location: KINTEX 1 212B
Chair: Alexandra Lopes, Universidade Católica Portuguesa
 

Open Group Individual Submissions

An Imperfect Archive of Nowtime. On Contamination and Relationality in Daniel Blaufuks’ The Days are Numbered

Verena Lindemann Lino

Universidade Católica Portuguesa, Portugal




Open Group Individual Submissions

Nevermore: Hospitality in the Inhospitable

Michelle Woods

SUNY New Paltz




Open Group Individual Submissions

Reimagining Translational Hospitality in Memoirs and Letters

Joana Moura

Universidade Católica Portuguesa, Portugal




Open Group Individual Submissions

Hospitality in a Hostile Future: The Role of Translation in Suzette Haden Elgin’s Feminist Dystopia Native Tongue

Diana Gonçalves

Universidade Católica Portuguesa, Portugal




Open Group Individual Submissions

Queering Translation: Maternity and Hospitality in Chilean Narratives

Inger Flem Soto

University of Southern California, United States of America

(404) Korean Literature: Old and New
Location: KINTEX 1 213A
Chair: ChangGyu Seong, Mokwon University
 

Host Sessions (Korean Students and Scholars Only)

경주 지리서의 20세기 초 한일 재편 양상 - 『동경잡기』를 중심으로

Soungsu Kim

Korea University, Korea, Republic of (South Korea)




Host Sessions (Korean Students and Scholars Only)

죽음과 애도의 기술(技術)- 한국의 서사무가부터 세월호 문학까지를 대상으로

Minkyeong Kim, Soyeon Jeong, JungHwi Choo, Namji Kim

Korea University, Korea, Republic of (South Korea)

405
Location: KINTEX 1 213B
(406 H) Comparative History of Literatures in European Languages Series (2)
Location: KINTEX 1 302
Chair: Stefan Helgesson, University of Stockholm

384H(09:00)

406H(11:00)
428H(13:30)
485H(15:30)

LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1

PW : 12345

 

ICLA Research Committee Individual Submissions

“300 Pages to Heaven: European Literatures in the Post-European World.”

Piotr Florczyk

University of Washington, Seattle, United States of America




ICLA Research Committee Individual Submissions

“Oceanic laberinths: Fishing techniques, multilingual literature, and the challenge of European policy frameworks”

Marta Puxan-Oliva

Universitat de les Illes Balears, Spain




ICLA Research Committee Individual Submissions

Reading Protagonists Within a Morphic Network – Towards a Latourian Approach –/Lire les Protagonistes en Plein Réseau Morphique – Vers une Lecture Latourienne –

Bohyun Kim

Kyonggi University, South Korea




ICLA Research Committee Individual Submissions

Silent Strength and Mystical Transcendence: Ecofeminist Resistance in Whale and One Hundred Years of Solitude

Young-hyun Lee

Kangwon National University, Korea, Republic of (South Korea)

(407) Precarious Mediations: Queer Bodies in Virtual Spaces (2)
Location: KINTEX 1 306
Chair: Elizabeth Richmond-Garza, University of Texas at Austin
 

ICLA Research Committee Individual Submissions

Rethinking Technology in Alien: The Intertwined Imaginaries of Queer Bodies and Mechanized Reproduction

Jun Zhang

Institute of Philosophy, KU Leuven, Belgium




ICLA Research Committee Individual Submissions

Inventing Imperial Feminists: Lin Yutang’s Mediation Between Traditional Chinese and Modern Readers

Miaomiao Xu

University of Massachusetts Amherst, United States of America




ICLA Research Committee Individual Submissions

“I completely and absolutely presided over me”: Contouring postfeminist female protagonist in Chinese romantic TV drama

Hanlei Yang

University of Sydney, Australia




ICLA Research Committee Individual Submissions

Fragmentary Resistances: Queer Precarity in Non-human Worlds in Kim de l’Horizon’s Blutbuch and Camille Cornu’s Photosynthèses

Flora Roussel

LaSalle College, Canada

(408) Comparative History of East Asian Literatures (4)
Location: KINTEX 1 307
Chair: S Peter Lee, Gyeongsang National University
 

ICLA Research Committee Individual Submissions

Oral Presenters and the Circulation of Buddhist Literatures in Asia: From Ancient India to China

Tianran Wang

LMU, Germany




ICLA Research Committee Individual Submissions

Of Many Sources: Notes Towards a Plural Literary History of Two Indian Poetic Movements

ASIT KUMAR BISWAL

University of Hyderabad, India




ICLA Research Committee Individual Submissions

Rewriting Borders: Hideo Levy’s I-Novel and the East Asian Turn in Comparative Literature

Xiyi Zhang

Tokyo University of Foreign Studies, Japan




ICLA Research Committee Individual Submissions

The Buddhist “World” as the Concept for Rearrangement of Worldviews: Japanese Literature as a Case Study

Makoto Tokumori

University of Tokyo, Japan

442
Location: KINTEX 2 305A
443
Location: KINTEX 2 305B
(444) Chinese Translator
Location: KINTEX 2 306A
Chair: Minyoung Cha, Dankook university

CLA 2025 Session 444
Time: 2025. 08/ 01 (Fri) 11:00 am Seoul Time
Zoom meeting
https://pcu-ac-kr.zoom.us/j/89299903126?pwd=tPQwaOoyyTDH0lsIclZReSjlPpjXWh.1

ID: 892 9990 3126
Password: 12345

 

Open Free Individual Submissions

The Image of Girls in Chinese Fiction During the Republican Era

Yiwen Li

University of Sydney, Australia




Open Free Individual Submissions

A Further Study of the Images of China from Pearl Buck, Bill Porter to Peter Hessler

Xiaoyu Liu

JLU, People's Republic of China




Open Free Individual Submissions

Zhou Shoujuan as Translator of Italian Fiction

Daniele Beltrame

University for Foreigners of Perugia, Italy

(445) Navigating Identity and Humanity
Location: KINTEX 2 306B
Chair: Sunghyun Kim, Seoul National University of Science and Technology
 

Open Free Individual Submissions

Subject/ification to Interpretation in Representing Rape through Second-Person Narrative: A Trans-Medial Comparative Critique of a VR Documentary and a Novel on U.S. Military Comfort Women

Eun-joo Lee

independent scholar, Korea, Republic of (South Korea)




Open Free Individual Submissions

From Thatcherism to Lockdown: Cultural Comparison in Alan Bennett’s TV Monologue Series Talking Heads

Heebon Park

Chungbuk National University, Korea, Republic of (South Korea)




Open Free Individual Submissions

Navigating Identity and Humanity in the Age of AI: Thomas Gibbons’ Uncanny Valley and Martin Crimp’s Not One of These People

Suna Chung

Mokpo catholic University, Korea, Republic of (South Korea)

(446) The Mother of Korean Literature
Location: KINTEX 2 307A
Chair: Seiwoong Oh, Rider University
 

Open Free Individual Submissions

The Mother of Korean Literature Struggling with Freud : Park Wan-seo’s Reading of Sigmund Freud

You-Kyung Lee

Seoul National Univeristy, Korea, Republic of (South Korea)




Open Free Individual Submissions

Polyphonic Resistance and Secret Utopias: Technology and Language in the works of Cathy Park Hong and Theresa Hak Kyung Cha

Neethi Alexander

Indian Institute of Technology Mandi, India




Open Free Individual Submissions

The Oral Reading of DICTEE as a Shamanistic Ritual

Yoon Ju Oh

Seoul National University, Korea, Republic of (South Korea)




Open Free Individual Submissions

The in-betweenness in Places: Exploring the Gumiho and Dakshin Rai in an ecopostcolonial mnemoscape

Neepa Sarkar

Independent, India

463
Location: KINTEX 2 307B
1:30pm
-
3:00pm
(409) Who is Afraid of Fiction? (5)
Location: KINTEX 1 204
Chair: Francoise Lavocat, Sorbonne Nouvelle
 

Open Group Individual Submissions

Fiction and artistic value in modern Japan: literature and cultural identity discourses

Marie-Noëlle Beauvieux

Meiji Gakuin University, Japon




Open Group Individual Submissions

Who is afraid of reading Dalit fiction

Purba Basak

Jadavpur University, India




Foreign Sessions (Foreign Students and Scholars Only)

Fiction as Impersonation

Alison James

University of Chicago, United States of America




Open Group Individual Submissions

« De garde » et « en garde » pour les humanités médicales

Margarida Esperança Pina

Faculdade de Ciências Sociais e Humanas /Instituto de Estudos de Literatura e Tradição - Universidade Nova de Lisboa, Portugal

(410) Talking about nuclear experiences: Atomic bomb literature as World literature
Location: KINTEX 1 205A
Chair: Go Koshino, Keio University
 

Open Group Individual Submissions

A-bomb literature and the representation of Nuclear-reality: Selected Indian texts

Prabuddha Ghosh

The Assam Royal Global University, India




Open Group Individual Submissions

Atomic Bomb in Soviet Science Fiction

Go Koshino

Keio University, Japan




Open Group Individual Submissions

Talking about nuclear experiences: Atomic bomb literature as World literature

Irina Holca

Tokyo University of Foreign Studies, Japan




Open Group Individual Submissions

Atomic Bomb in Postwar German Poetry

Akane Nishioka

JCLA, Japan




Open Group Individual Submissions

Too Bright to See: On the Motifs of Atomic Bombing in Czech and Slovak Postwar Poetry

Lukas Bruna

Jissen Women's University, Japan

(411) The Potential of Unexpected Comparisons in Japan Studies
Location: KINTEX 1 205B
Chair: Oliver William Eccles, University College London
 

Group Session

The Potential of Unexpected Comparisons in Japan Studies

Julia Meghan Walton, Oliver William Eccles, Harry Izue Izumoto




Open Group Individual Submissions

What is the meaning of Shunryu Suzuki’s coming to the West? An inquiry on Jane Hirshfield

Victor Felipe Sabino Bautista

University of the Philippines-Diliman, Philippines

412
Location: KINTEX 1 206A
(413) Tales of Near and Far
Location: KINTEX 1 206B
Chair: ChangGyu Seong, Mokwon University
 

Foreign Sessions (Foreign Students and Scholars Only)

Représenter le culturel à l’ère numérique : entre lecture rapprochée et lecture distante

Loubna Ouardirhi

Université Sidi Mohammed ben Abdellah Maroc, Maroc




Foreign Sessions (Foreign Students and Scholars Only)

Technological Ethics in A Tale for the Time Being

Zhenling Li

Shenzhen University, China, People's Republic of




ICLA Research Committee Individual Submissions

Michel Clouscard, Christopher Caudwell, and Comparative Social Ontologies of Love

Matthew Herzog

Jeonbuk National University, Korea, Republic of (South Korea)

(414) Transformations of literature in media evolution: Representation and time (3)
Location: KINTEX 1 207A
Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences
 

Open Group Individual Submissions

Attention in multilinear fiction and interferences of simultaneity and sequentiality: Searching for the new epic

Richard Müller

Institute of Czech Literature, Czech Academy of Sciences, Czech Republic




Open Group Individual Submissions

Literature and Gaming: Transformative Interactions in Media Evolution

Naomi Iliana Mandel

The Hebrew University of Jerusalem, Israel




Open Group Individual Submissions

The Media that Invade Us: Stiegler’s Temporal Industrial Objects and Toussaint’s Ironic Techniques of Existence

Josef Sebek

Faculty of Arts, Charles University, Prague, Czech Republic

415
Location: KINTEX 1 207B
416
Location: KINTEX 1 208A
(417) Biofiction across the world: comparison, circulation, and conceptualisations (3)
Location: KINTEX 1 208B
Chair: Lucia Boldrini, Goldsmiths University of London

Revision 

Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven)

 

Open Group Individual Submissions

A Power of Biofiction: A Case Study of SHIBA Ryōtarō’s Ryōma ga Yuku (Ryōma Goes His Way)

Kumiko Hoshi

Aichi Gakuin University, Japan




Open Group Individual Submissions

Biofiction, montage, and the deconstruction of the 'heroic biography' in Konrad Bayer's "Der Kopf des Vitus Bering"

Reinhard M. Moeller

Johann Wolfgang Goethe University Frankfurt am Main, Germany




Open Group Individual Submissions

Novel Laboratories of Biofiction: Life-Writing in Michel Butor's Degrés (1960)

Meike Robaard

Emory University, United States of America

(418) Folklore and Lyrical Expression
Location: KINTEX 1 209A
Chair: Hyungji Park, Yonsei University
 

Open Free Individual Submissions

The Postcolonial Nonhuman Animal in Contemporary Philippine Novels in English

Alexandra Francesca Abas Bichara

University of the Philippines Diliman




Open Free Individual Submissions

Indian and Western Comparative Perspectives on Semiotics

Zameerpal Kaur Sandhu Bajwa

Central University of Punjab, VPO Ghudda, Dist. Bathinda, India




Open Free Individual Submissions

Folklore and Lyrical Expression: On the Literary Reinterpretation of the Shijing in the History of Literature during the Republic of China

Dan Wang

复旦大学,中华人民共和国




Open Free Individual Submissions

A study on the secularization of the image of redhead in medieval English literature

JIN YU

the Hong Kong Polytechnic University, Hong Kong S.A.R. (China)

(419 H) Comparative Literature in the Philippines (3)
Location: KINTEX 1 209B
Chair: Lily Rose Tope, University of the Philippines

Co-chair: Ruth Pison (University of the Philippines Diliman); Julie Jolo (University of Philippines Diliman)

419H

Zoom Link:-

https://pcu-ac-kr.zoom.us/j/81076098650?pwd=t83Lx4E2aZy1Esjm6rnSXvWxbzbUG3.1

Conference ID: 810 7609 8650
Password: 12345

 

Open Group Individual Submissions

The Heart of the Technique of Comparison: A Transculturation of Jean Genet’s Querrelle of Brest, and Rainer Werner Fassbinder’s film adaptation, Querelle, and Jon Cuyson’s moving images and short film, Kerel.

Jose Mari Cuartero

University of the Philippines-Diliman, Philippines




Open Group Individual Submissions

Commodifying the Sacred: Art and Literature as the Ephemeral Products of Capitalism in Southeast Asia

Joseph Tanquintic Salazar

University of the Philippines, Philippines




Open Group Individual Submissions

Reading Water: Conversion, Medicine, and Ritual

Anna Melinda Ursula Testa - De Ocampo

University of the Philippines Diliman, Philippines




Open Group Individual Submissions

Contradictions and complexities in teaching Martial Law poetry in the Philippines

Mary Grace Concepcion

University of the Philippines Diliman, Philippines

420
Location: KINTEX 1 210A
(421) Cross-Cultural Dialogue Between China and Central and Eastern Europe (3)
Location: KINTEX 1 210B
Chair: Yading Liu, SiChuan University
 

Open Group Individual Submissions

A Study on Zhou Zuoren’s Translation of Two Chekhov Short Stories

Ke Tang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The epic "Manas" and its translation in Russia

Jingfan Liu

SiChuan University, China, People's Republic of




Open Group Individual Submissions

A Study of Russian Sinologist Lukyanov's Translations of the Chinese Canons

Miao Yu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Title:Chinese Poetry in Prague: A Poetic Interpretation to Heal the Psychological Trauma of War

Zhe Yuan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Dissemination and Research of the Epic Gesar in Russia

Kangli Xu

Sichuan University, China, People's Republic of

(422) Crossing the Borders Between the Self and the Other (3)
Location: KINTEX 1 211A
Chair: Kejun XU, Shanghai Jiao Tong University
 

Open Group Individual Submissions

An Experimental Study of Liang Qichao's Utopian Imagination and Modern Consciousness--From the Future of New China to My Travel Impressions in Europe

Qiu Fangjin

Shanghai International Studies University, China, People's Republic of




Open Group Individual Submissions

The Cultural Perspectives and Ideological Concepts of Panking: A French-educated intellectual

Hui Nie, Jue Cai

National University of Defense Technology, China, People's Republic of




Open Group Individual Submissions

Imagining Northern Europe: A Semiotics of Communication Study of Foreign Lands

Jingwen Yin

Sichuan University, China, People's Republic of China

(423) Literary Anthropology and Digital-Intelligence Civilization (3)
Location: KINTEX 1 211B
Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences
 

Open Group Individual Submissions

The Study of Chinese Science Fiction Poetry Creation in the Post-human Era

YAPING JIANG

上海外国语大学, China, People's Republic of




Open Group Individual Submissions

New Horizons in Chinese Literary Anthropology: Research on the Origins of Literature and the Formation of Civilization Genes

Jia Tan

Chinese Academy of Social Science, China, People's Republic of




Open Group Individual Submissions

A Study on the Shennong–Dog Fetching Grain Seeds Myth in Hunan, China

Xinyu Yuan

University of Chinese Academy of Social Sciences, China, People's Republic of




Open Group Individual Submissions

From "Gu" to "Wild Goose" to "Black-necked Crane": Cultural Translation and Ecological Aesthetics in the Bird Cognition of the Liangshan Yi People

Laze Jiaba

四川大学, China, People's Republic of




Open Group Individual Submissions

The Landscape of Chongqing in Robert Payne’s crosscultural narratives

Yunxia Wang

Shanghai Jiaotong University, China, People's Republic of

(424) Protest Cultures (3)
Location: KINTEX 1 212A
Chair: Haun Saussy, University of Chicago
 

Open Group Individual Submissions

A Study of the Protest Culture and Emancipatory Nature of Bob Dylan's Art

yan zhao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Translation and/as Hospitable Reading in Tony Hillerman’s Diné/Navajo crime novels

Michael Syrotinski

University of Glasgow, United Kingdom




Open Group Individual Submissions

Parallel Polis Across Contexts: The Evolution of Protest Cultures in Divergent Times

Adam Kola

Nicolaus Copernicus University, Poland




Open Group Individual Submissions

Protest performances: Participatory experiments in China and India

Aurélien Bellucci

American University of Paris, France

(425) Mutual Learning of Civilizations and Reconstruction of World Literature (11)
Location: KINTEX 1 212B
Chair: Qing Yang, Sichuan University
 

Open Group Individual Submissions

The Communication and Mutual Learning of Literary Rituals in East Asia: A Case Study of the Lanting Culture of “Qushui Liushang”

Ying Zhao

Sichuan University, China




Open Group Individual Submissions

The Study of Faulkner in China from the Perspective of Comparative Literature

Jiashang Liang

Ocean University of China, China, People's Republic of




Open Group Individual Submissions

A Study on Cultural Self-Awareness in Joseph Conrad’s Exotic Writing

Nan Li

Renmin University of China, China, People's Republic of




Open Group Individual Submissions

Translation, Patronage, and New Knowledge: Introduction of “World Literature” by Editorial Board of Wenxue Xunkan (Literature Trimonthly)

Yunrui Lin

Tsinghua University, China, People's Republic of




Open Group Individual Submissions

The Eastern Origins of Ancient Greek Civilization

Jing Fan

Sichuan University, China, People's Republic of

(426) Image Replacement and Foreign Narratives
Location: KINTEX 1 213A
Chair: Dong-Wook Noh, Sahmyook University
 

Open Free Individual Submissions

What if multimodal reading was part of advanced technology? Books, pop-up's, works of art and museums.

Cláudia Pereira

UNIVERSIDADE DE ÉVORA, Portugal




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Image Replacment and Foreign Narratives: English-Speaking World’s Study of Wartime Xinmenhua (New Door Paintings) in China

Fan Zhang

Sichuan University, China, People's Republic of




Open Free Individual Submissions

Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled

Lixin Gao

Shanghai International Studies Universtiy, China, People's Republic of




Open Free Individual Submissions

The Gaze of Painting: Visual Ethics and Identity Pursuit in the novle The Goldfinch

Xinxin Zhang

Central China Normal University, China, People's Republic of

427
Location: KINTEX 1 213B
(428H) The Dialectics of Selfhood
Location: KINTEX 1 302
Chair: Shenhao Bai, Columbia University

384H(09:00)

406H(11:00)
428H(13:30)
485H(15:30)

LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1

PW : 12345

 

Open Group Individual Submissions

Kantatare Projapati (Butterfly on the Barbed Wire) : Ila Mitra , Partition Narrative, Freedom Movement, Communist Politics

Soma Marik1,2

1: RKSM Vivekananda Vidyabhavan, India; 2: CLAI




Open Group Individual Submissions

The Dialectics of Selfhood in Colm Tóibín’sThe Master: A Deweyan Reading of Henry James’s Identity Reconstruction

Shenhao Bai

Teachers College, Columbia University, United States of America




Open Free Individual Submissions

Sketching the World of “Catkin LuXun”: A Study in Memory-History Writing by Lee Weiyi, Nie Hualing and Chia Jooming

Hiu Lam Mak

The Chinese University of Hong Kong, Hong Kong S.A.R. (China)




Open Group Individual Submissions

The transformation of ekphrasis in French travel literature: traditions and innovations.

Olha Victorivna Romanova

Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Ukraine




ICLA Research Committee Individual Submissions

The New Translation Ethics in the Age of AI and Large Language Models

Stephen Zhongqing Wu

Hainan Vocational University of Science and Technology, China, People's Republic of

(429) Precarious Mediations: Queer Bodies in Virtual Spaces (3)
Location: KINTEX 1 306
Chair: Elizabeth Richmond-Garza, University of Texas at Austin
 

ICLA Research Committee Individual Submissions

“Unhappy Princes and Melancholy Puppets: The Queer Nostalgia of Wilde’s Extrahuman Bodies”

Elizabeth Richmond-Garza

University of Texas at Austin, United States of America




ICLA Research Committee Individual Submissions

Queer-ing Campus, Queer-ing Social Media: Examining the role of social media in the lives of Delhi University’s queer students

Aadrit Banerjee

St. Stephen's College, University of Delhi, India




ICLA Research Committee Individual Submissions

“Before écriture féminine there was Nüshu!”: Woman-Words in the World

Mashrur Shahid Hossain

Jahangirnagar University, Bangladesh, People's Republic of




ICLA Research Committee Individual Submissions

Isolated Identities, Liminal Bodies: A Comparative Analysis of Female Appetites from Han Kang’s The Vegetarian (2007) to Asako Yuzuki’s Butter (2024)

Tanya Kaur

Panjab University, India

(430) Comparative History of East Asian Literatures (5)
Location: KINTEX 1 307
Chair: S Peter Lee, Gyeongsang National University
 

ICLA Research Committee Individual Submissions

The story about Molon Toyin traveling to hells to save his mother as an example of the unsolved history of the genre in Mongolian and Buddhist literature

Magda Szpindler

University of Warsaw, Poland




ICLA Research Committee Individual Submissions

The Forgotten Threads of Rhetoric: Tracing East-West Encounters from Mohists to Jesuits and Meiji Intellectuals

Linda Chu

The Chinese University of Hong Kong, Hong Kong S.A.R. (China)




ICLA Research Committee Individual Submissions

Two Perspectives on Romantic Adventures: Achiever in The Cloud Dream of the Nine vs. Challenger in The Trickster of Seville and the Stone Guest

Songjoo Na

The Korean Association of East-West Comparative Literature /HUFS, Korea, Republic of (South Korea)




ICLA Research Committee Individual Submissions

The Body as a Site of Racial, Ethnic, Gendered, and Sexual Conflicts in Ali Bader’s The Infidel Woman and Zadie Smith’s On Beauty

Islam Fadhil Abdulsahib

Al-bayan University, Iraq

447
Location: KINTEX 2 305A
(448) What T.S. Eliot Says
Location: KINTEX 2 305B
Chair: Sunghyun Kim, Seoul National University of Science and Technology
 

Open Free Individual Submissions

The Early Reception of T. S. Eliot in China: Under the influence of I. A. Richards, William Empson and others

Chen Lin

Shanghai Normal University, China, People's Republic of




Open Free Individual Submissions

A Record on The Gramophone: Intertextuality and soundscape in “The Waste Land”

Soelve Ingeburg Curdts

Heinrich-Heine-Universität Düsseldorf, Germany




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Aesthetics as Anaesthetics: A Reading into Nirālā’s Psyche of Relieving Pain through Writing Poetry

Prabha Shankar Dwivedi

Banaras Hindu University, Varanasi, India, India




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A Digital Literary Comparison of Antonio Machado and T. S. Eliot

Hye-Yoon Chung, Sung-Hyun Jang

Korea University, Korea, Republic of (South Korea)

(449) From the “West-East” Perspective
Location: KINTEX 2 306A
Chair: Minyoung Cha, Dankook university
 

Open Free Individual Submissions

Research on Miao image from the perspective of mutual learning of civilizations —— With The West China Missionary News (1899-1943) as the center

Ya lin Li

Sichuan University, China, People's Republic of




Open Free Individual Submissions

From the “West-East” perspective to the “West-Russia (Eurasia)-East” perspective: An investigation of the study of Chinese literary history in the Soviet version of “History of World Literature” from the perspective of Russian Oriental Studies

Qun Li

Hunan University, China, People's Republic of




Open Free Individual Submissions

A Comparative Analysis of Trauma Depiction in One Hundred Years of Solitude and Big Breasts and Wide Hips

Li Xinrui1, Yang Huiying2

1: Northwestern Polytechnical University, China, People's Republic of; 2: Northwestern Polytechnical University, China, People's Republic of Korea




Open Free Individual Submissions

Re-mapping Gothic London in the Age of Postmodernity: Waterscapes in Neo-Victorian Fiction

Yichun Zhang

CMII, UCL, United Kingdom

(450) Question of the Foreigner
Location: KINTEX 2 306B
Chair: Jun Soo Kang, anyang University
 

Open Free Individual Submissions

Sovereignty Hospitality and Vengeance: Question of the Foreigner in Beowulf

BOYAO WANG

Tsinghua University, China, People's Republic of




Open Free Individual Submissions

La maternisation de l'ancien régime: l'étude du Chevalier des Touches de Barbey d’Aurevilly

Pimchanok Sripawadkul

Chulalongkorn University, Thailand

(451) Spectrum of World Literature
Location: KINTEX 2 307A
Chair: Seiwoong Oh, Rider University
 

Open Free Individual Submissions

Shifting Paradigms: R/Evolution of Literary Canons and Hierarchies in a Globalized Context

Alassane Abdoulaye Dia

Université Numérique Cheikh Hamidou Kane, Senegal




Open Free Individual Submissions

Travel (of) Literature and the Question of Hospitality; Spectrum of World Literature

MUSTAPH Ait KHAROUACH

lusail university, Qatar.




Open Free Individual Submissions

Bombay in Goan Portuguese-Language Short Stories

Paul Michael Melo e Castro

University of Glasgow, United Kingdom




Open Free Individual Submissions

WRITING THE FEMALE SYMBOLIC-IMAGETIC BODY IN CLARICE LISPECTOR AND CHUN KYUNGJA: READINGS ON THE ÉCRITURE OF TRANSNATIONAL FEMALE BODY AND SPACE.

Melissa Rubio dos Santos

Federal University of Rio Grande do Sul (UFRGS), Brazil




Open Free Individual Submissions

Le rôle du narrateur et le worldbuilding dans la fantasy historique française

Shuko Rauber

Université Toyo, Japon

464
Location: KINTEX 2 307B
3:30pm
-
5:00pm
(466) AI: Another Way of Reading
Location: KINTEX 1 204
Chair: Hyungji Park, Yonsei University
 

Open Free Individual Submissions

The Role of Artificial Intelligence in Comparative Literature: A New Frontier

PETER NJENGA KAMAU

Paula Solutions Ltd, Kenya




Open Free Individual Submissions

Mechanism or Subjectivity: The Production of AI Literature

Tongsheng Zhang

Lanzhou University, China, People's Republic of




Open Free Individual Submissions

AI Dystopias and the Cry for Our Endangered Humanity in Klara and the Sun by Kazuo Ishiguro and The Mushroom by Mohamed Al-Agami

LOBNA ABDEL GHANI ISMAIL

CAIRO UNIVERSITY, Egypt

(467) Beyond the Boundaries
Location: KINTEX 1 205A
Chair: Minyoung Cha, Dankook university
 

Open Free Individual Submissions

Gender and Childbirth in Feminist science fiction :Focusing on the Work of Sayaka Murata

Kang Hyebin

Iryo Sosei University, Japan




Open Free Individual Submissions

Beyond Boundaries: Comparative Insights into SF Urban Peripheries

Mingying Zhou

Shenzhen University, China, People's Republic of




Open Free Individual Submissions

A Comparison of Universe perspectives between The Three-Body Problem and Foundation

Xinglong Han

Northwestern Polytechnical University.

(468) Imagination and Anthropocene
Location: KINTEX 1 205B
Chair: Hyun Kyung Park, Namseoul University
 

Open Free Individual Submissions

Imagination and Music : The Shaping of Literary Imagination in British Romantic Poetry and Prose

Midhat Shah

Louisiana State University, United States of America




Open Free Individual Submissions

Comparative Study of Punjabi Poets Dhani Ram Chatrik and Nand Lal Noorpuri: A Literary and Socio-cultural Perspective

Mandeep Singh, Zameerpal Kaur Sandhu Bajwa

Central University of Punjab, VPO Ghudda, Dist. Bathinda, India




Open Free Individual Submissions

“Deictic Scale Shifting”:An Extension of Anthropocene Narrative Theory

Tianxin Li

Sichuan University, China, People's Republic of

(469) A New Mode of Contemporary Language
Location: KINTEX 1 206A
Chair: Seonggyu Kim, Dongguk University
 

Open Free Individual Submissions

Non-anthropomorphized Narration: A New Mode of Contemporary Fiction

Chi-she Li

National Taiwan University, Taiwan




Open Free Individual Submissions

Critiquing Poetry: Reassessing the power of language-body

Toshiko Ellis

Nagoya University of Foreign Studies, Japan

(470 H) Aliens Over Society
Location: KINTEX 1 206B
Chair: Byung-Yong Son, Kyungnam University
 

Open Free Individual Submissions

Individual, Family, and Society: Multiple Identity Dilemmas of Mulattos in The Vanishing Half

Dongxu Tang

College of Foreign Languages and Cultures, Sichuan University, China, People's Republic of




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Aliens Over Texas: A Comparative Literary Analysis of An Aerial Sighting in Texas Originating In Medieval European Manuscripts

Evelyn McCune

Texas Tech University, United States of America




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"Marvelous real" of Latin American Magic Realism and Mutual learning among Civilizations

Mengmeng Yao

Henan University of Economics and Law, China, People's Republic of




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Cultural Representations of the Ship of the Slaves’ Arrival in 1619 and the Ship of Pilgrims’ Landing in 1620 in the current realities of US immigrants

Temitope Dorcas Adetoyese

University of Texas at Austin, United States of America

(471) Perspective of Transnational Literary Community
Location: KINTEX 1 207A
Chair: Lianggong Luo, Central China Normal University
 

Open Free Individual Submissions

The construction of Black symbolism in the works of Conceição Evaristo and Rosana Paulino

Natalia Candido

Uerj, Brazil




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Revisiting Harlem Renaissance Movement: A Perspective of Transnational Literary Community

Lianggong Luo

Central China Normal University, China, People's Republic of




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When Worlds Collide (or Don't): Literature and Geography in the Nineteenth Century

Meghan Elizabeth Hodges

Louisiana State University, United States of America




Open Free Individual Submissions

Folklore as Resistance: Cultural Identity and Empowerment in Contemporary African-American and Iraqi Novels

Haydar Jabr Koban

Al-Bayan University, Iraq

(472) The Search for Female Identity
Location: KINTEX 1 207B
Chair: Ling-Chi Huang, National Tsing Hua University, Taiwan
 

Open Free Individual Submissions

Memory and Heterotopia: Ruin Writing in Rose Macaulay's The World My Wilderness

Mengqin Liu

Sichuan University, China




Open Free Individual Submissions

Behind the Misogyny: Uglitic Appreciation of Womanhood and Reformism in Jonathan Swift’s Works

Yunshi Wu

Sichuan University, China, People's Republic of




Open Free Individual Submissions

The Use and Comparison of Chinese Classical Poetry in Women's Poetry of Ming-Qing Dynasties and Joseon

Ling-Chi Huang

台灣清華大學中國文學系, Taiwan




Open Free Individual Submissions

The Search for Female Identity in the Works of Isabel Allende and Ding Ling

Yuyun Peng

Complutense University of Madrid, Spain

(473) A Comparative Study of the Genre
Location: KINTEX 1 208A
Chair: Robert Kusek, Jagiellonian University in Krakow
 

Open Free Individual Submissions

Introduction to a theory and transformation of literary genres utilising chaos theory

Fernando Darío González Grueso

Tamkang University, Taiwan




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Un nouvel outil de visualisation de textes pour la littéraire comparée

Claude Patricia Tardif

Université Paris 8, France




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A New Bloodland: Unearthing Central European History of Violence in South African Literature

Robert Kusek

Jagiellonian University in Krakow, Poland




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A Comparative Study of the Ecological Writings in William Faulkner and Jia Pingwa

Chunfang Yi

Northwestern Polytechnical University, China, People's Republic of

(474) Poetic Rewriting and Literary Modernity
Location: KINTEX 1 208B
Chair: Sue Jean Joe, Dongguk University
 

Open Free Individual Submissions

Translating Byron in ‘May Fourth’ China, 1919-1927: Poetic Rewriting and Literary Modernity

Kexin Du

School of Languages and Communication Studies, Beijing Jiaotong University, Haidian District, Beijing, People’s Republic of China




Open Free Individual Submissions

The Folklore and Lyricism: On the Literary Reimagination of The Book of Songs (Shijing) in Republican-Era Chinese Literary Historiography

Dan Wang

复旦大学, China, People's Republic of




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A Comparative Analysis of Cityscapes in the Poetry of Ezekiel, Kolatkar, Daruwalla, and Mahapatra

Satyananda Maharana

Godavarish Mahavidyalaya, Banpur, India

(475) Transnational Literary Fields
Location: KINTEX 1 209A
Chair: Anna Saprykina, University of Siegen
 

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Transmedia Storytelling and Landscape Production: Contemporary Multimodal Metamorphoses of the White Snake Legend

Dong Zhao

Beijing Foreign Studies University, China, People's Republic of




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Meddling with the Mahabharata and Romanticizing the Ramayana: Indian Epics and Hindu Identity Online

Sucheta Kanjilal

University of Tampa, United States of America




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Transnational Literary Fields: Boundary Work and Exchange Between Russia, France, and Germany

Anna Saprykina

University of Siegen, Allemagne




Open Free Individual Submissions

Literature Can Create and Change “Beautiful Women”: The Rationale Behind the Selection of “World Beauties” in Japan

Kumiko NAGAI

The University of Tokyo, Japan

(476) Technology and the Dissemination of Poetry
Location: KINTEX 1 209B
Chair: Adelaide Russo, Louisiana State Universiry
 

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Social Media as a Cultural Archive: Examining the Narratives of Lord Sri Ram

Priyalekha Nimnaga Sadanandan

University of Calicut, India




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VACHANA LITERATURE AND SUFISM

Nagaratna V Parande

Rani Channamma University, Belagavi, Karnataka, India, India




Open Free Individual Submissions

Technology and the Dissemination of Poetry

Adelaide Russo

Louisiana State Universiry, United States of America

(477) (Im)Possible Travels
Location: KINTEX 1 210A
Chair: Jungman Park, Hankuk University of Foreign Studies
 

Open Free Individual Submissions

Amnesia and Authenticity: The Nixonian Conservative Turn and Remapping(s) of American Identity

Tristan Graney

Texas Christian University, United States of America




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(Im)Possible Travels: the East in Latin American Modernist Chronicles

Subhas Yadav

University of Notre Dame, United States of America




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mutual method learning of The French school and the American school

songlin zhang

Shangqiu Normal University, China, People's Republic of




Open Free Individual Submissions

The Normativity of Mental Illness Treatment in American Novels of the 1950s

Li Zhang

Sichuan University, China, People's Republic of

(478) New Cultural Identity
Location: KINTEX 1 210B
Chair: Minji Choi, Hankuk university of foreign studies
 

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Czesław Miłosz, Kim Hyesoon, and the Poetics of Remembering the Dead

Lynn Suh

Hankuk University of Foreign Studies, Korea, Republic of (South Korea)




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A Study on Korean Wave Cultural Content and New Cultural Identity

Jun Soo Kang

anyang University, Korea, Republic of (South Korea)




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They Call me ‘Artist’? They Call me ‘Idol’?: Originality, Authenticity, and Fandom in the World of Artificial Intelligence

Parvathy S Babu

English and Foreign Languages University, Hyderabad, India




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Migration and Diaspora in East Asian Literature: Global Networks and Identity Formation

Xu Qing

Changsha University of Technology and Science, China, People's Republic of

(479) Transcultural Memories
Location: KINTEX 1 211A
Chair: Eun-joo Lee, independent scholar
 

Open Free Individual Submissions

The Chinese Nobel Complex and Transcultural Memories

Michael Ka-chi Cheuk

Hong Kong Metropolitan University, Hong Kong S.A.R. (China)




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Doing What Could Not Be Done: The Way of Comparative Literature In Memory of Professor Yue Daiyun

Pei Zhang

PekingUniversity, China, People's Republic of




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Separation Italian style: Zhou Shoujuan’s translation of two short-stories by Salvatore Farina and Matilde Serao

Barbara Bisetto

University of Verona, Italy




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Facets of Translation: Verlaine in China

Dinu Luca

National Taiwan Normal University, Taiwan

(480) Intercivilizational Dialogue
Location: KINTEX 1 211B
Chair: Dong-Wook Noh, Sahmyook University
 

Open Free Individual Submissions

The Historical Novel Genre in Mongolian Literature on the Example of Injannasi’s Köke Sudur in relation to Chinese and Western Understandings of Historical Fiction

Hasi Gaowa

Inner Mongolia University, China, People's Republic of




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Royal Women of Indian Princely States: A Catalyst

Jayshree Singh

Bhupal Nobles' University Udaipur Rajasthan, India

481
Location: KINTEX 1 212A
(482) Towards a New Praxis
Location: KINTEX 1 212B
Chair: Juri ­Oh, Catholic Kwandong University
 

Open Free Individual Submissions

Aspects of the fictional unusual in short stories by Chung Bora, Mónica Ojeda and Giovanna Rivero from the perspective of World Literature

Raquel da Silva Ortega

Universidade Estadual de Santa Cruz, Brazil




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The Tropological Writing of Mexican American Mobility Politics: With Under the Feet of Jesus as the Focus

Pingping Shi

National University of Defense Technology, China, People's Republic of




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Les histoires de Pu Songling : bien plus que des contes

Eric Nicolas Bonvin

Fudan University, Chine




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Towards a New Praxis: Literary Research after the Decolonial Turn

Emanuelle Santos

University of Birmingham, United Kingdom

(483) Translatable or Not?
Location: KINTEX 1 213A
Chair: Hyosun Lee, Underwood College, Yonsei University
 

Open Free Individual Submissions

Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today

Wenqing Wang

Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of




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The Light and Dark of Myth: The Supernatural Sublime in Rick Riordan’s The Lightning Thief

Li-Juan Su

NCCU, Taiwan




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Translation-based Reception of the Soviet in Bengali Periodicals in the post-World War II era [1945-1965]

Sounak Dutta

Visva Bharati University, India

484
Location: KINTEX 1 213B
(485 H) Comparative History of Literatures in European Languages Series (1)
Location: KINTEX 1 302
Chair: Stefan Helgesson, University of Stockholm

384H(09:00)

406H(11:00)
428H(13:30)
485H(15:30)

LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1

PW : 12345

 

ICLA Research Committee Individual Submissions

Spotlight on Peripheries and Networks: New Perspectives in the Study of European Literatures

Helga Mitterbauer

Université libre de Bruxelles, Belgium




ICLA Research Committee Individual Submissions

Reading Europhone Modernisms of the South – Then and Now

Stefan Helgesson

University of Stockholm, Sweden




ICLA Research Committee Individual Submissions

Postdiasporic Dispersion and Post-European Condition

Fatima Festić

University of Amsterdam, Netherlands, The




ICLA Research Committee Individual Submissions

Life Writing in the Context of Post-European World

Atinati Mamatsashvili

Ilia State University, Georgia

(486) Intermediality and Comparative Literature (7)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

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Russian Sinologist Li Fuqing's Research on the Characters of The Three Kingdoms from the Cross-media Perspective跨媒介视角下俄罗斯汉学家李福清三国人物形象研究

Jialu Zheng

Comparative Literature and Cross Cultural Studies,School of International Studies,Hangzhou Normal University,China.




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The Ways of Tao Conditioned by Nature: the Interpretation and Translation of Su Shi’s Art Spirit in American Art History

Lingjuan JI

Hanghzou Normal University, China, People's Republic of




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Fairy Tale and Animated Film: Historical Memory in Modern Transformation

Shuhuan Chen

Tongji University, China, People's Republic of




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The Study of the Secular Transmission and Transformation of “The Everlasting Regret” in the Edo Period from an Inter-media Perspective

Jiang Yi

杭州师范大学, China, People's Republic of

(487) Intermediality and Comparative Literature (8)
Location: KINTEX 1 307
Chair: Gyu Seob Shin, Seoul national University
 

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The Book of Jacob: Intermedia Narrative and Historical Reconstruction- From Tokarczuk's Novel to Garbaczewski's Experimental Theater

Xuanzi Zou

Nanjing University, China, People's Republic of




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Intermedial Musical Narrative and Cultural Identity: A Semiotic Analysis of Philadelphia, Here I Come!

Yanfang Liu

Shanxi Normal University, China, People's Republic of




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“I Will Play the Male Characters”: Intermediality and Transgender Performance in the Hebei Bangzi-Film Woman, Demon, Human (1987)

Fu Wang

Nanjing University, China, People's Republic of




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Narrative Development across Cultural and Historical Contexts: A Case Study of the Korean Versions of the Homecoming Husband

Saida KHALMIRZAEVA

Okayama University, Japan




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A Study on the Archetype of East-West Literature

Gyu Seob Shin

Seoul National University, Korea (Republic of)

488
Location: KINTEX 2 305A
(489) in a Korean Colouring Book
Location: KINTEX 2 305B
Chair: Sunghyun Kim, Seoul National University of Science and Technology
 

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Literary Border-Crossing of Juhea Kim’s Beasts of a Little Land

Seiwoong Oh1, Sunmi Oh2

1: Rider University, United States of America; 2: Drexel University, United States of America




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Doris Lessing's and Shin Gyeongsook's Mother: Motherhood in The Fifth Child and Please Look After Mom

Sunhwa Park

Konkuk University, Korea, Republic of (South Korea)




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Queer lovers in the West and East: four authors, C.P. Cavafy, E.M. Forster, Ki Hyeong-do, Park Sang-young.

Yoonjoung Choi

Durham University, United Kingdom




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The Library of Travel: Post-Orientalism and the Library Trope in a Korean Colouring Book

Dhee Sankar

Independent Researcher, India

(490) Between Traditions and Futures
Location: KINTEX 2 306A
Chair: ChangGyu Seong, Mokwon University
 

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Rewriting Shakespeare by Gurnah or "Measure for Measure" as "Gravel Heart"

Dilnoza Ruzmatova

Uzbekistan State World Languages University, Uzbekistan




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Between Traditions and Futures: Literary Reinventions in a Connected World

Tinhinane YAHI

Tina YAHI, Algérie




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A Study on the Love of Thomas Aquinas from the Perspective of the New Psychology of Love

Zhe Guan

Sichuan University, China, People's Republic of China




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Setting the Mood: Tyler Wu's Pornographic Narratives

Frederico Duarte Vidal

University of Hong Kong, Portugal

(491) Similarities and Differences
Location: KINTEX 2 306B
Chair: Seoyoung Noh, dongguk university
 

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Writing Home from Abroad: Analyzing National Imagination and Self-Representation in Modern Chinese Female Autobiography, 'Flowering Exile' (1952)

Hiu-ting Winnie CHAN

Saint Francis University, Hong Kong S.A.R. (China)




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Similarities and Differences about Fox Stories in Chinese and Japanese Zhiguai Novels——Taking Strange Stories from a Chinese Studio and Yasōkidan as Examples

Ruowen Zhou

Hong Kong Baptist University, Hong Kong S.A.R. (China)




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Emigre Life and Spatial Ethics: Russian Diaspora Drama in France During the First Half of the 20th Century

Jiayi Ma

Central China Normal University, China, People's Republic of

(492) From Colonial to Postcolonialism
Location: KINTEX 2 307A
Chair: Minjeon Go, Dankook University
 

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Conversations with Postcolonial Indigenous Literatures: The Potential of Comparative Poetics as a Relational Tool.

MARC MAUFORT

Universite Libre de Bruxelles (ULB), Belgium




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A Postcolonial Reading of Natsume Soseki’s: Anticolonial Inclinations and Their Limitations

Héctor Benjamín Uclés Flores

Osaka University, Japan




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Anticolonial Aesthetics and the Sociological Imagination

James Daniel Elam

University of Hong Kong, Hong Kong S.A.R. (China)




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Towards a Nonhumanist World Literature: Precarious Nonhuman Cosmopolitanisms in Satyajit Ray’s Short Stories

Dhee Sankar

Independent Researcher, India

493
Location: KINTEX 2 307B
5:00pm Closing Ceremony
Location: KINTEX 1 204