Programme de la conférence
Vue d’ensemble et détails des sessions pour cette conférence. Veuillez sélectionner une date ou un lieu afin d’afficher uniquement les sessions correspondant à cette date ou à ce lieu. Cliquez sur une des sessions pour obtenir des détails sur celle-ci (avec résumés et téléchargement si disponibles).
Notez que tous les horaires indiqués se réfèrent au fuseau horaire de la conférence. L’heure actuelle de la conférence est : 04.09.2025 16:25:01 KST
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Vue d’ensemble des sessions |
Date: Lundi, 28.07.2025 | |||||||||||||||||||||||||||||
13:30 - 15:00 |
(145) Literary Theory Committee Salle: KINTEX 1 204 Présidence : Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France |
(146) Dwelling Between Life and Death Salle: KINTEX 1 205A Présidence : ChangGyu Seong, Mokwon University |
(147) Comics Studies and Graphic Narrative (1) Salle: KINTEX 1 205B Présidence : Stefan Buchenberger, Kanagawa University |
(148) Chungbuk National Univ. (1) Salle: KINTEX 1 206A Présidence : Heebon Park, Chungbuk National University |
(149) What is "the Beyond"? Salle: KINTEX 1 206B Présidence : Jun Soo Kang, anyang University |
(150) Global South Futurism Salle: KINTEX 1 207A Présidence : Guangyi Li, Chongqing University |
(151) AI, Decoloniality and Creative Translation (1) Salle: KINTEX 1 207B Présidence : Matthew Reynolds, University of Oxford |
(152) Approaching Nonhuman Narrative in World Literature (1) Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university |
(153) Comparative World Literature and New Techno Humanities Salle: KINTEX 1 208B Présidence : Seung Cho, Gachon University |
(154) Black Women on the Move: Transnational Negotiations of Identity and Community (1) Salle: KINTEX 1 209A Présidence : Tong He, Central China Normal University |
155 Salle: KINTEX 1 209B |
(156) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (1) Salle: KINTEX 1 210A Présidence : Yiping Wang, Sichuan University |
(157) Retour sur le comparatisme d’Étiemble : quel héritage, quelles perspectives? (1) Salle: KINTEX 1 210B Présidence : Tristan Mauffrey, Université Sorbonne Nouvelle |
(158) Han Kang, Bora Chung, and Cities Salle: KINTEX 1 211A Présidence : Jungman Park, Hankuk University of Foreign Studies |
(159) The Death of an Author Salle: KINTEX 1 211B Présidence : Byung-Yong Son, Kyungnam University |
(160) Oriental Literature in World Literature: Exchanges and Mutual Learning (1) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(161) Mutual Learning of Civilizations and Reconstruction of World Literature (1) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(162) Genre Imagination in Korean Literature Salle: KINTEX 1 213A Présidence : Hyungrae Cho, Dongguk Univ. |
(163) Korean Literature as Global Locality Salle: KINTEX 1 213B Présidence : Chunsik Kim, Dongguk University |
(164 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (1) Salle: KINTEX 1 302 Présidence : Fatiha TAIB, Mohammed V University 24th ICLA Monday Hybrid Session #164H (13:30~15:00) #186H (15:30~17:00) Join a Zoom meeting link : https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1 pw: 12345 |
(165) Body Image(s) of Women in Literature (1) Salle: KINTEX 1 306 Présidence : Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(166) Feminine Diaspora and Locality Salle: KINTEX 1 307 Présidence : Jaemin Yoon, Dongguk University |
(101) (Re)Imagining family (ECARE 1) Salle: KINTEX 2 305A Présidence : Junru Xiang, Xiangtan University |
(102) (Re)Interpreting Confucionism (ECARE 2) Salle: KINTEX 2 305B Présidence : ZHIWEI SUN, NTU |
(103) Autorial practice in translation and fiction (ECARE 3) Salle: KINTEX 2 306A Présidence : Yuyun Peng, Complutense University of Madrid |
(104) Body, gender, experience (ECARE 4) Salle: KINTEX 2 306B Présidence : Yan Huang, Hoseo University |
(105) Comparative Literature and AI (ECARE 5) Salle: KINTEX 2 307A Présidence : Sohan Sharif, Jahangirnagar University |
(452) Emergence of new narratives Salle: KINTEX 2 307B Présidence : Sunhwa Park, Konkuk University |
498 Salle: KINTEX 2 308A |
15:30 - 17:00 |
(167) Translation Studies (6) Salle: KINTEX 1 204 Présidence : Marlene Hansen Esplin, Brigham Young University |
(168) Comics Studies and Graphic Narrative (2) Salle: KINTEX 1 205A Présidence : Stefan Buchenberger, Kanagawa University |
169 Salle: KINTEX 1 205B |
(170) Chungbuk National Univ. (2) Salle: KINTEX 1 206A Présidence : Heebon Park, Chungbuk National University |
(171) Misreading the East Salle: KINTEX 1 206B Présidence : Jun Soo Kang, anyang University |
(172) Global Renaissances (1) Salle: KINTEX 1 207A Présidence : Gang Zhou, Louisiana State University |
(173) AI, Decoloniality and Creative Translation (2) Salle: KINTEX 1 207B Présidence : Matthew Reynolds, University of Oxford |
(174) Approaching Nonhuman Narrative in World Literature (2) Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university |
(175) Convergence of Literature and Technology Salle: KINTEX 1 208B Présidence : Seung Cho, Gachon University |
(176) Black Women on the Move: Transnational Negotiations of Identity and Community (2) Salle: KINTEX 1 209A Présidence : Tong He, Central China Normal University |
(177) Literary Theory Committee Salle: KINTEX 1 209B Présidence : Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France |
(178) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (2) Salle: KINTEX 1 210A Présidence : Yiping Wang, Sichuan University |
(179) Retour sur le comparatisme d’Étiemble : quel héritage, quelles perspectives? (2) Salle: KINTEX 1 210B Présidence : Tristan Mauffrey, Université Sorbonne Nouvelle |
(180) Morality, Ethics, and Text-to-Text Salle: KINTEX 1 211A Présidence : ChangGyu Seong, Mokwon University |
(181) Dealing with Memory Salle: KINTEX 1 211B Présidence : Sunhwa Park, Konkuk University |
(182) Oriental Literature in World Literature: Exchanges and Mutual Learning (2) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(183) Mutual Learning of Civilizations and Reconstruction of World Literature (2) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(184) East Asian Comparative Literature Salle: KINTEX 1 213A Présidence : Yangsu Kim, Dongguk Univ. |
185 Salle: KINTEX 1 213B |
(186 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (2) Salle: KINTEX 1 302 Présidence : LOBNA ABDEL GHANI ISMAIL, CAIRO UNIVERSITY |
(187) Body Image(s) of Women in Literature (2) Salle: KINTEX 1 306 Présidence : Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(188) Authorship and Technology (1) Salle: KINTEX 1 307 Présidence : Xi'an GUO, Fudan University |
(106) Salle: KINTEX 2 305A |
(107) Digital humanities (ECARE 7) Salle: KINTEX 2 305B Présidence : Debasmita Sarkar, Shri Ramasamy Memorial University Sikkim |
(108) East - West exchanges 1 (ECARE 8) Salle: KINTEX 2 306A Présidence : Xinchen Lu, East China Normal University |
(109) East - West exchanges 2 (ECARE 9) Salle: KINTEX 2 306B Présidence : Yushu Huang, Shanghai Jiao Tong University |
(110) Ecocriticism and the Anthropocene (ECARE 10) Salle: KINTEX 2 307A Présidence : Cynthia Yingjuan Lin, Peking University |
(453) Digital is Everywhere Salle: KINTEX 2 307B Présidence : Jungman Park, Hankuk University of Foreign Studies |
499 Salle: KINTEX 2 308A |
17:00 | ECARE Reception Salle: KINTEX 1 Grand Ballroom Présidence : Emanuelle Santos, University of Birmingham ICLA ECARE Committee ReceptionOpening Address Emanuelle Santos, Chair of ECARE Committee, University of Birmingham, UK Lucia Boldrinii, President of ICLA, Goldsmiths, University of London, UK Youngmin Kim, Congress Chair, 2025 ICLA Congress Seoul, South Korea Open Mike for NEXT.GEN Session Chairs |
Date: Mardi, 29.07.2025 | ||||||||||||||||||||||||||||||
9:00 - 10:40 |
Keynotes: Uchang Kim & David Damrosch Salle: KINTEX 1 Grand Ballroom Présidence : Hyungji Park, Yonsei University https://youtube.com/live/IfTVjPkFpG0?feature=share |
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11:00 - 12:30 |
(189) Translation Studies (1) Salle: KINTEX 1 204 Présidence : Marlene Hansen Esplin, Brigham Young University |
(190) South Asian Literatures and Cultures (1) Salle: KINTEX 1 205A Présidence : E.V. Ramakrishnan, Central University of Gujarat |
(191) Comics Studies and Graphic Narrative (3) Salle: KINTEX 1 205B Présidence : Stefan Buchenberger, Kanagawa University |
(192) Scriptural Reasoning and Comparative Studies (1) Salle: KINTEX 1 206A Présidence : Chengzhou He, Nanjing University |
(193) Factory of the present: literature, culture and criticism in the Global South Salle: KINTEX 1 206B Présidence : Rachel Esteves Lima, Federal University of Bahia |
(194) Global Renaissances (2) Salle: KINTEX 1 207A Présidence : Gang Zhou, Louisiana State University |
(195) Ghosts and SF (Canceled) Salle: KINTEX 1 207B Présidence : JIHEE HAN, Gyeongsang National University |
(196) Approaching Nonhuman Narrative in World Literature (3) Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university |
(197) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (1) Salle: KINTEX 1 208B Présidence : Yukari Yoshihara, University of Tsukuba |
(198) Literary Theory Committee Salle: KINTEX 1 209A Présidence : Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France |
(199) Existence Precedes Essence: (Post)Colonial Reconciliations (1) Salle: KINTEX 1 209B Présidence : Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India |
(200) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (3) Salle: KINTEX 1 210A Présidence : Yiping Wang, Sichuan University |
(201) Travelling Nations: Romanian Literature as World Literature Revisited (1) Salle: KINTEX 1 210B Présidence : Andrei Terian, Lucian Blaga University of Sibiu |
(202) Patterning of Literature Salle: KINTEX 1 211A Présidence : ChangGyu Seong, Mokwon University |
(203) How Korean Readers Adopt Changes Salle: KINTEX 1 211B Présidence : Seonggyu Kim, Dongguk University |
(204) Meaning of historicization of trauma and violence in Han Kang’s literary works. Salle: KINTEX 1 212A Présidence : Dae-Joong Kim, Kangwon National University |
(205) Mutual Learning of Civilizations and Reconstruction of World Literature (3) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
206 Salle: KINTEX 1 213A |
(207) JCLA-KCLA Joint Session Roundtable (1) Salle: KINTEX 1 213B Présidence : Sung-Won Cho, Seoul Women's University |
(208 H) Revisiting Narratology: From East Asian Perspectives Salle: KINTEX 1 302 Présidence : Shiho Maeshima, University of Tokyo |
(209) Body Image(s) of Women in Literature (3) Salle: KINTEX 1 306 Présidence : Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(210) Religion, Ethics and Literature (1) Salle: KINTEX 1 307 Présidence : Kitty Millet, San Francisco State University |
(111) Film, drama and literature (ECARE 11) Salle: KINTEX 2 305A Présidence : HANEUL LEE, Yonsei University |
(112) Futurity, the environment and tech (ECARE 12) Salle: KINTEX 2 305B Présidence : Mingyang Liu, The University of Hong Kong |
(113) Imagining space, movement and crossing (ECARE 13) Salle: KINTEX 2 306A Présidence : Meghan Elizabeth Hodges, Louisiana State University |
(114) Interactive fiction and digital platforms (ECARE 14) Salle: KINTEX 2 306B Présidence : Laura Madeleine Kinzig, Georg-August-University of Goettingen |
(115) Intermedial craft 1 (ECARE 15) Salle: KINTEX 2 307A Présidence : Masako Hashimoto, National Institute of Technology Numazu College |
Special Session I: UNESCO Memory of the World (MoW) Salle: KINTEX 1 Grand Ballroom Présidence : Youngmin Kim, Dongguk University 2025 ICLA CONGRESS SPECIAL SESSION1 - YouTube Special Session I: UNESCO Memory of the World (MoW) Memory of the World: A Cooperation between the ICLA and the UNESCO Documentary Heritage Programme
Part I: Podium Chair: Youngmin Kim Chair, Organizing Committee of the 2025 International AILC/ICLA Congress Speakers: 1) Jan Bos Chair, MoW International Advisory Committee (IAC). Title: What is the Memory of the World program and how does it relate to ICLA? Short description of talk: Vision, mission, short history and present activities of the Memory of the World program The Memory of the World International Register Memory of the World and ICLA: areas of common interest
2) Lucia Boldrini President, International Comparative Literature Association (AILC/ICLA, 2022-2025) Title: The Critical Eye of Comparative Literature Short description of talk: In my presentation I will consider not only the importance the ICLA’s partnership with the Memory of the World programme, but also how it can provide a necessarily critical eye, thanks to its long history of engaging in and with the criticism and self-criticism of the disciplines of comparative literature, world literature and translation, individually and in their combination, in their histories and their practices. This can bring nuance and complexity to apparently straightforward assumptions about the intrinsic value of activities such as literary comparison, or translation as bridge-building.
3) Lothar Jordan Chair, MoW Sub-Committee on Education and Research (SCEaR) Title: Memory of the World and Comparative Literature: How We Can Work Together.
Short description of talk: The Presentation introduces some fields of education and research that are interesting for both Comparative Literature and the UNESCO Memory of the World Programme (MoW) like the history of translators and translations, the reconstruction of Lost Memory, e.g. of dispersed libraries, the relation between oral literature and documentation, and some more.
4) E.V. Ramakrishnan Chair, AILC/ICLA Standing Research Committee on South Asian Literatures and Cultures Title: Translation as Palimpsest: From Textual Traces to Cultural Archives
Short description of talk: Oral cultures of memory conceive of 'texts' and 'archives' differently. While mediating between 'subcultures' and 'dominant cultures', interculturally or intra-culturally, translation often takes on the role of a legitimating agency, thereby misrepresenting the nature of cosmologies they (subcultures) are founded upon.
Part II: Signing Ceremony of an Agreement: MOU UNESCO Memory of the World Programme
Signees: UNESCO Memory of the World Jan Bos Chair, International Advisory Committee (IAC) Lothar Jordan Chair, Sub-Committee on Education and Research (SCEaR) Joie Springer Chair, Register Sub-Committee (RSC)
AILC/ICLA Lucia Boldrini AILC/ICLA President (2022-2025) Ipshita Chanda AILC/ICLA Secretary (2022-2025) Youngmin Kim Chair, Organizing Committee of the XXIV International AILC/ICLA Congress |
(454) Remembering and Forgetting Salle: KINTEX 2 307B Présidence : Jun Soo Kang, anyang University |
504 Salle: KINTEX 2 308A |
13:30 - 15:00 |
(211) Translation Studies (2) Salle: KINTEX 1 204 Présidence : Marlene Hansen Esplin, Brigham Young University |
(212) South Asian Literatures and Cultures Salle: KINTEX 1 205A Présidence : E.V. Ramakrishnan, Central University of Gujarat |
(213) Comics Studies and Graphic Narrative (4) Salle: KINTEX 1 205B Présidence : Stefan Buchenberger, Kanagawa University |
(214) Scriptural Reasoning and Comparative Studies (2) Salle: KINTEX 1 206A Présidence : Chengzhou He, Nanjing University |
(215) Diaspora of the Ghazal Salle: KINTEX 1 206B Présidence : JIHEE HAN, Gyeongsang National University |
(216) Linguistic and Cultural Negotiations in Contemporary Novels and Films Produced in Hong Kong, Japan, and North America Salle: KINTEX 1 207A Présidence : Jessica Tsui-yan Li, York University |
(217) Who Writes the Story? Salle: KINTEX 1 207B Présidence : Seung-hye Mah, Dongguk University Seoul Campus |
(218) Approaching Nonhuman Narrative in World Literature (4) Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university |
(219) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (2) Salle: KINTEX 1 208B Présidence : Yukari Yoshihara, University of Tsukuba |
(220) Recent Trends in Comparative Literature in Korea and Japan Salle: KINTEX 1 209A Présidence : Yuriko Yamanaka, National Museum of Ethnology |
(221) Existence Precedes Essence: (Post)Colonial Reconciliations (2) Salle: KINTEX 1 209B Présidence : Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India |
(222) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (4) Salle: KINTEX 1 210A Présidence : Yiping Wang, Sichuan University |
(223) Travelling Nations: Romanian Literature as World Literature Revisited (2) Salle: KINTEX 1 210B Présidence : Andrei Terian, Lucian Blaga University of Sibiu |
(224) Cultural Context and Translation Salle: KINTEX 1 211A Présidence : ChangGyu Seong, Mokwon University |
(225) From Homeland to Diaspora Salle: KINTEX 1 211B Présidence : Seonggyu Kim, Dongguk University |
(226) Métiers et techniques des œuvres plurimédiales: peut-on parler d'arts subalternes? Salle: KINTEX 1 212A Présidence : Romain Bionda, Université de Lausanne |
(227) Mutual Learning of Civilizations and Reconstruction of World Literature (4) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(228) Digital Comparative Literature (3) Salle: KINTEX 1 213A |
(900) JCLA-KCLA Joint Session Roundtable (2) Salle: KINTEX 1 213B Présidence : Sung-Won Cho, Seoul Women's University |
(230 H) Crossing Borders Salle: KINTEX 1 302 Présidence : Kana Matsueda, Kyushu University |
(231) Body Image(s) of Women in Literature (4) Salle: KINTEX 1 306 Présidence : Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) |
(232) Religion, Ethics and Literature (2) Salle: KINTEX 1 307 Présidence : Kitty Millet, San Francisco State University |
(116) Knowledge, language and transformation (ECARE 16) Salle: KINTEX 2 305A Présidence : JIA XI CEN, Guangdong University Of Foreign Studies |
(117) Limitations and possibilities in the Third space (ECARE 17) Salle: KINTEX 2 305B Présidence : Lúcia de Fátima Oleiro Bentes, Portuguese Public School |
(118) Literature, media and sensory experience (ECARE 18) Salle: KINTEX 2 306A Présidence : Yoon Ju Oh, Seoul National University |
(119) Literature and material culture (ECARE 19) Salle: KINTEX 2 306B Présidence : Chenxin Guo, The Chinese University of Hong Kong |
(120) Literature, memory, history (ECARE 20) Salle: KINTEX 2 307A Présidence : Di Yan, Northwestern Polytechnical University |
(455) Colorful Phases Salle: KINTEX 2 307B Présidence : Jun Soo Kang, anyang University |
505 Salle: KINTEX 2 308A |
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16:30 | Opening Ceremony Salle: KINTEX 1 Grand Ballroom |
Date: Mercredi, 30.07.2025 | ||||||||||||||||||||||||||||||
9:00 - 10:30 |
(233) Translation Studies (3) Salle: KINTEX 1 204 Présidence : Marlene Hansen Esplin, Brigham Young University |
(234) South Asian Literatures and Cultures Salle: KINTEX 1 205A Présidence : E.V. Ramakrishnan, Central University of Gujarat |
(235) Comics Studies and Graphic Narrative (5) Salle: KINTEX 1 205B Présidence : Stefan Buchenberger, Kanagawa University |
(236) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (1) Salle: KINTEX 1 206A Présidence : Jing Zhang, Renmin University of China |
(237) Digital Comparative Literature (1) Salle: KINTEX 1 206B Présidence : Simone Rebora, University of Verona |
(238) Translating ethics, space, and style (1) Salle: KINTEX 1 207A Présidence : Richard Mark Hibbitt, University of Leeds |
(239) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (1) Salle: KINTEX 1 207B Présidence : Felipe Chaves Gonçalves Pinto, University of Tsukuba |
(240) Approaching Nonhuman Narrative in World Literature Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university |
(241) East meets West: Travellers and Scholars writing about India, Japan and Korea (1) Salle: KINTEX 1 208B Présidence : zsuzsanna varga, University of Glasgow |
(242) Lafcadio Hearn and Asia (1) Salle: KINTEX 1 209A Présidence : Toshie Nakajima, The University of Toyama |
(243) Ethical Literary Criticism in the Age of Artificial Intelligence (1) Salle: KINTEX 1 209B Présidence : Sean Hand, University of Warwick |
(244) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (5) Salle: KINTEX 1 210A Présidence : Yiping Wang, Sichuan University |
(245) Comparative Literature in Digital Age Salle: KINTEX 1 210B Présidence : Minji Choi, Hankuk university of foreign studies |
(246) Modernity, Human, and Nature Salle: KINTEX 1 211A Présidence : Eun-joo Lee, independent scholar |
(247) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (1) Salle: KINTEX 1 211B Présidence : Wen Jin, East China Normal University |
(248) Oriental Literature in World Literature: Exchanges and Mutual Learning (3) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chairs Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(249) Mutual Learning of Civilizations and Reconstruction of World Literature (5) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(250) Polyphony and Semiotics of Literary Symbols (1) Salle: KINTEX 1 213A Présidence : Inna Gennadievna Merkoulova, State Academic University for the Humanities ICLA invite you to the Zoom. Theme: ICLA Session 250
ID: 874 5619 8809 |
(251) The East Asian Literature from a Global Perspective (1) Salle: KINTEX 1 213B Présidence : Zhejun Zhang, Sichuan University,China |
(252 H) Exophonic writing in the Era of A.I. Salle: KINTEX 1 302 Présidence : Benedetta Cutolo, CUNY - The Graduate Center 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : PW : 12345 |
(253) Intermediality and Comparative Literature (1) Salle: KINTEX 1 306 Présidence : Chang Chen, Nanjing University |
(254) Religion, Ethics and Literature (3) Salle: KINTEX 1 307 Présidence : Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad |
(121) Narrative form and scripture, old and new (ECARE 21) Salle: KINTEX 2 305A Présidence : Nainu Yang, National Kaohsiung Normal University |
(122) Narrative in the longue durée of capitalism (ECARE 22) Salle: KINTEX 2 305B Présidence : Karsten Klein, Saarland University |
(123) New comparative approaches (ECARE 23) Salle: KINTEX 2 306A Présidence : Yakun Liang, Shanxi University |
(124) New possibilities in digital reading (ECARE 24) Salle: KINTEX 2 306B Présidence : Congwei He, Sichuan University |
(125) Performance in the digital age (ECARE 25) Salle: KINTEX 2 307A Présidence : Ziyu Zhang, Wuhan University of Technology |
(456) Authorship and Technology (2) Salle: KINTEX 2 307B Présidence : Xi'an GUO, Fudan University |
(500 H) Translating Migration: The Movement of Texts and Individuals in World Literature (1) Salle: KINTEX 2 308A Présidence : Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : PW :12345 |
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11:00 - 12:30 |
(255) Translation Studies (4) Salle: KINTEX 1 204 Présidence : Marlene Hansen Esplin, Brigham Young University |
(256) South Asian Literatures and Cultures Salle: KINTEX 1 205A Présidence : E.V. Ramakrishnan, Central University of Gujarat |
(257) Comparative Literature in East Asia Salle: KINTEX 1 205B Présidence : Hui Nie, National University of Defense Technology |
(258) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (2) Salle: KINTEX 1 206A Présidence : Jing Zhang, Renmin University of China |
(259) Digital Comparative Literature (2) Salle: KINTEX 1 206B Présidence : Simone Rebora, University of Verona |
(260) Translating ethics, space, and style (2) Salle: KINTEX 1 207A Présidence : Richard Mark Hibbitt, University of Leeds |
(261) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (2) Salle: KINTEX 1 207B Présidence : Felipe Chaves Gonçalves Pinto, University of Tsukuba |
(262) Approaching Nonhuman Narrative in World Literature (6) Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university |
(263) East meets West: Travellers and Scholars writing about India, Japan and Korea (2) Salle: KINTEX 1 208B Présidence : zsuzsanna varga, University of Glasgow |
(264) Lafcadio Hearn and Asia (2) Salle: KINTEX 1 209A Présidence : Toshie Nakajima, The University of Toyama |
(265) Ethical Literary Criticism in the Age of Artificial Intelligence (2) Salle: KINTEX 1 209B Présidence : Biwu Shang, shanghai jiao tong university |
266 H (ECARE 40) Salle: KINTEX 1 210A Présidence : Yuan-yang Wang, Duke University 24th ICLA Hybrid Session LINK : PW : 470656 |
(267) Global Futurism (1) Beyond the Human—AI, Animality, and Posthuman Futures Salle: KINTEX 1 210B Présidence : You Wu, East China Normal University |
(268) Poetry of Myself Salle: KINTEX 1 211A Présidence : Eun-joo Lee, independent scholar |
(269) Literature, Arts & Media (1) Salle: KINTEX 1 211B Présidence : Hanyu Xie, University of Macao |
(270) Oriental Literature in World Literature: Exchanges and Mutual Learning (4) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) |
(271) Mutual Learning of Civilizations and Reconstruction of World Literature (6) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(272) Polyphony and Semiotics of Literary Symbols (2) Salle: KINTEX 1 213A Présidence : Inna Gennadievna Merkoulova, State Academic University for the Humanities ICLA invite you to the Zoom. Theme: ICLA Session 250
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(273) Language Contact in Literature Salle: KINTEX 1 213B Présidence : ChangGyu Seong, Mokwon University |
(274 H) The East Asian Literature from a Global Perspective (1) Salle: KINTEX 1 302 Présidence : Zhejun Zhang, Sichuan University,China 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : |
(275) Intermediality and Comparative Literature (2) Salle: KINTEX 1 306 Présidence : Chang Chen, Nanjing University |
(276) Religion, Ethics and Literature (4) Salle: KINTEX 1 307 Présidence : Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad |
(126) Philosophy, spirituality and literature (ECARE 26) Salle: KINTEX 2 305A Présidence : Sushil Ghimire, Balkumari College, Bharatpur-2, Chitwan, Nepal |
(127) Posthumanism and AI (ECARE 27) Salle: KINTEX 2 305B Présidence : Kyu Jeoung Lee, Oklahoma State University |
(128) Rethinking world literature (ECARE 28) Salle: KINTEX 2 306A Présidence : ASIT KUMAR BISWAL, University of Hyderabad |
(129) Tech, Ethics, Heidegger (ECARE 29) Salle: KINTEX 2 306B Présidence : Kehan Mei, University of Tibet |
(130) Technology, Companionship and ethics in Kazuo Ishiguro (ECARE 30) Salle: KINTEX 2 307A Présidence : Lixin Gao, Shanghai International Studies Universtiy |
(457) Authorship and Technology (3) Salle: KINTEX 2 307B Présidence : Xi'an GUO, Fudan University |
(501 H]) Translating Migration: The Movement of Texts and Individuals in World Literature (2) Salle: KINTEX 2 308A Présidence : Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : PW :12345 |
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13:30 - 15:00 |
(277) Dongguk Univ: Korean Buddhist Literature Salle: KINTEX 1 204 |
(278) South Asian Literatures and Cultures (5) Salle: KINTEX 1 205A Présidence : ChangGyu Seong, Mokwon University |
(279) Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia Salle: KINTEX 1 205B Présidence : E.V. Ramakrishnan, Central University of Gujarat |
(280) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (3) Salle: KINTEX 1 206A Présidence : Jing Zhang, Renmin University of China |
(281) Salle: KINTEX 1 206B Présidence : Simone Rebora, University of Verona |
(282) Translating ethics, space, and style (3) Salle: KINTEX 1 207A Présidence : Richard Mark Hibbitt, University of Leeds |
(283) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (3) Salle: KINTEX 1 207B Présidence : Felipe Chaves Gonçalves Pinto, University of Tsukuba |
(284) Approaching Nonhuman Narrative in World Literature Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university |
285 Salle: KINTEX 1 208B |
(286) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (1) Salle: KINTEX 1 209A Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(287) Salle: KINTEX 1 209B |
(288) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (2) Salle: KINTEX 1 210A Présidence : Wen Jin, East China Normal University |
(289) Global Futurism (2) Translating the Future—Chinese Sci-Fi on the Global Stage Salle: KINTEX 1 210B Présidence : Dominic Hand, University of Oxford |
(290) Images and Memory Salle: KINTEX 1 211A Présidence : Seung Cho, Gachon University |
(291) Literature, Arts & Media (2) Salle: KINTEX 1 211B Présidence : Hanyu Xie, University of Macao Intermedial studies and ‘New Materialisms’ Jørgen Bruhn, Linnaeus University E-Mail: jorgen.bruhn@lnu.se Most theoretical models of intermediality are inherently epistemological: media studies, including intermedial studies, basically investigates, criticizes and historicizes all the different ways of perceiving the world by way of different apparatus or communicative entities which may be more or less technical, advanced and complex. However, in recent decades a new set of questions has occurred, approaching the world not only epistemologically but also ontologically: such questions are often subsumed under the heading of New Materialism(s): ontological ideas relating to process philosophy and studies of emergent qualities have become more and more prominent in Media- as well as Literary – and Gender Studies. Such an ontological frame is of special relevance to Comparative Literature, where it raises important questions on the nature, practice, and relevance of comparison, and indeed of the notion of literature itself. As the integration of such non-substantialist approaches within intermedial studies and comparative literature is still in its early stages, these theoretical-methodological relations deserve closer academic attention. The general aim of this panel is therefore to investigate in depth the possible relations between intermedial studies and new materialist methodologies. Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope Hanyu Xie University of Macao, China, People's Republic of; yc47743@um.edu.mo Kalaf Epalanga is a contemporary writer, musician and poet, an African emigrant who settled in Europe during his youth for better education, and as a result of the civil war in Angola. Over the last decades, he experienced the cultural reality of Lisbon and Berlin. Like a 21st century flâneur, Epalanga and his music are present in the center and on the outskirts of Lisbon. The Portuguese press see him as a “cultural agitator”, who demonstrates on behalf of African culture or, in a broader sense, on behalf of black cultures around the world. The present study has as object Epalanga’s novel Whites can dance too (Também os brancos sabem dançar), which could be seen as a “musical novel”, based on the concept of “melophrasis” developed by Rodney Edgecombe (1993) and Therese Vilmar (2020) in response to the idea of “musicalized fiction” by Werner Wolf (1999). In the novel, Epalanga creates a thought-provoking narrative, woven together with the history of African music, including genres like Kuduro and Kizomba, and exploring its complex interactions with canonical genres such as Fado and Rap. Additionally, the author guides the reader through the complex feelings and subjectivity of the characters, providing an experience of their diverse emotions through metamusic. Epalanga thus constructs a unique musical land (a safe space) through words. It is important to note that these music-centered or music-based narratives are intertwined with ancient colonial memories, as well as contemporary narratives that highlight the suffering of the African diaspora on the European continent. In this musical land of the novel, the three main characters are on very different life trajectories, but they all cross paths at some point because of music and, at the end of the story, each of them finds in music a kind of redemption or sanctuary of their own. This narrative conception results in a remarkable contrast between darkness and luminosity, which evokes the clashes in the social arrangement of white and black voices (Achile Mbembe, 2003; Michel Foucault, 1997), and the proposition of a world-space that houses “non-hegemonic” voices. This contrast between darkness and light inspired me to explore the idea of literary music as a “safe space”. What I propose to discuss in this study is not music in its strict and concrete sense, but rather music as a possible verbal and aesthetic experience for the literary reader, for the reader of Os brancos também podem dançar, in short, a music that “can be read”. What is the “song” really about? How can this “musical romance” inspire new perspectives on issues of ethnicity today? How do the rhythm of ideas, frustrations and hopes intertwine with the mixed beat of rap, kuduro and fado? In seeking these answers, I also seek a new path of reflection on the construction of ethnic identities and the forms of existence and resistance of marginalized groups in today’s world. Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations yaqi Liang Media and Cultural Industry Sichuan University, China, People's Republic of; 2021321030060@stu.scu.edu.cn Chinese academies emerged in the Tang Dynasty, and their functions gradually evolved from book repair and collection to reading and learning. Their service targets ranged from individuals to the general public, and they could cultivate talents and spread culture. The civilization of Bashu Academies not only benefited from the exchange and mutual learning between ancient BaShu culture and other cultures, but also from the "Southern Silk Road" that has lasted for thousands of years and crossed centuries. As a trade and cultural inheritance road, it inherits not only a culture, but also a spiritual force. The Academies culture in the Bashu Academies has shaped the urban character of "openness, innovation and creativity" and the humanistic characteristics of "broad mindedness and friendliness". Communication can make civilization colorful, mutual learning can enrich civilization, and communication and mutual learning can make civilization full of vitality and creativity. Exchange and mutual learning help promote the integration of civilizations from all over the world, and forge a magnificent force for the development and progress of human society. This points out the direction for promoting the development of world civilization and provides a good strategy for resolving conflicts between civilizations. Civilizations communicate through diversity, learn from each other through communication, and develop through mutual learning. The exchange and mutual learning among different countries, ethnic groups, and cultures in the world can enhance the humanistic foundation of a community with a shared future for mankind, spread and exchange each other's cultures, and promote the mutual learning of civilizations. The academies in the Bashu Academies can become a distinctive medium for cultural dissemination, relying on new academies and utilizing forms such as new media and intelligent media to tell the "Chinese story" well, promoting the true transformation of Chinese civilization from "going out" to "going in" on the global stage. Bashu Academies is a "magnet" that uses advanced cultural dissemination concepts to gather and integrate excellent cultures from ancient, modern, Chinese, and foreign cultures as a "iron"; The Academies is also a "neighborhood". It uses advanced cultural communication concepts to stimulate and amplify the charm of various cultures and vigorously spread them, so that the Academies will become a characteristic platform and an important channel to promote folk friendly cooperation in cultural exchanges along the "the Belt and Road". In effective communication, enhance cultural confidence internally and increase the influence of Chinese culture externally. Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories Jayshree Singh, Priyanka Solanki Literary animal studies - delving into the roots of human-animal interactions examine how animals are portrayed in different literary works in context of cultural attitudes, and ethical issues, is the study of animals and their representation in literature (Ortiz-Robles 55). Emerging as an interdisciplinary field, human/animal studies encompass a wide range of disciplines that make up the so-called "new humanities," which are concerned with human behavior and culture (Gottschalk11). The discussion draws from a wide range of fields, including but not limited to: “primatology, ethics, genetics, cognitive science, literature, history, philosophy, and cultural studies” (Singer 1). The classified and digitalized illustrations of Animals in the Human Societies worldwide by way of tangible or intangible depiction for consciousness-raising towards their predicament or for extracting the allegorical aesthetics use medium of language and form in creative writings, while visuals are either in digitalized generative images or as sculptures to denote perceptual observation, selection of sensitivity for the sake of perceptual defense to sensitize the readers and viewers. Their existing signifiers signify a set of dominant power relations or religion-ethical connotations of society towards animalism or for animals. Literature, Arts and Media have shown how the 'Animals in Question' are the agents through their mode of action to compete for legitimacy and authority and it is the medium of writing or the pictorial depiction categorically function either as a manner of Liar's Paradox or a counterpoint to humans' humanity. The research area of study attempts to analyze the ’gaze’ that sorts the trajectories, strategies of the internal and external stimuli and draws a brilliant analytical parallel picture of cultural, social, and hegemonic origin and influence by way of totalitarianism, imperialism, capitalism, and materialism. The eco-system both fragmented and diversified epitomize ‘the deepest tensions, social conflicts, rituals, taboos, and myths of humanity’s struggle to come to terms with its physical environment ‘through the bewildering, skeptical world of fictional’ (Orwell, xii).) animal fables in order to transform and restructure society. Otto Keller's enormous two-volume book "Die Antike-Tierwelt" from 1913 (reprinted 1963) served as the only thorough compilation of data on specific animal species in the ancient sources for over a century (Campbell 27). Scholars like Liliane Bodson and Richard Sorabji began to radically alter this perception and identification. Their goals are comparably metaphorical to bring paradigm shift for understanding both digitalized and non-digitalized, protected or non-protected archival visual representation of animals in order to pave for humanitarian conflict resolution towards prehistoric and modern arguments, and to make the prehistoric data speak to larger issues and concerns in classical research (Sorabji 36). |
(292) Oriental Literature in World Literature: Exchanges and Mutual Learning (5) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(293) Mutual Learning of Civilizations and Reconstruction of World Literature (7) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(294) Polyphony and Semiotics of Literary Symbols (3) Salle: KINTEX 1 213A Présidence : Inna Gennadievna Merkoulova, State Academic University for the Humanities ICLA invite you to the Zoom. Theme: ICLA Session 250
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(295) The East Asian Literature from a Global Perspective (3) Salle: KINTEX 1 213B Présidence : Zhejun Zhang, Sichuan University,China |
(296 H) Comparative Literature and Digital Literary Studies in Georgia Salle: KINTEX 1 302 Présidence : Irma Ratiani, Iv. Javakhishvili Tbilisi State University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : |
(297) Intermediality and Comparative Literature (3) Salle: KINTEX 1 306 Présidence : Chang Chen, Nanjing University |
(298) Religion, Ethics and Literature (5) Salle: KINTEX 1 307 Présidence : Kitty Millet, San Francisco State University |
(131) Text and tech (ECARE 31) Salle: KINTEX 2 305A Présidence : Yichen Zhu, Fudan University |
(132) The Comics frontier (ECARE 32) Salle: KINTEX 2 305B Présidence : Sara Mizannojehdehi, Concordia University |
(133) The web novel frontier (ECARE 33) Salle: KINTEX 2 306A Présidence : Yimeng Xu, The University of Hong Kong |
(134) Translation and agency (ECARE 34) Salle: KINTEX 2 306B Présidence : Juanjuan Wu, Tsinghua University |
(135) Translation and circulation (ECARE 35) Salle: KINTEX 2 307A Présidence : Kai Lin, University of Alberta |
Special Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination Salle: KINTEX 1 Grand Ballroom Présidence : Matthew Reynolds, University of Oxford |
(458) Next Generations of Literary and Artistic Narratives Salle: KINTEX 2 307B Présidence : You Wu, East China Normal University |
(502 H) Translating Migration: The Movement of Texts and Individuals in World Literature (3) Salle: KINTEX 2 308A Présidence : Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : |
15:30 - 17:00 |
(299) DUHA: Korean-Wave Salle: KINTEX 1 204 Présidence : Dae-Joong Kim, Kangwon National University |
(300) South Asian Literatures and Cultures (6) Salle: KINTEX 1 205A Présidence : E.V. Ramakrishnan, Central University of Gujarat |
(301) Translation and Cultural Transfer in Soviet and Cold War Contexts Salle: KINTEX 1 205B Présidence : Peter Budrin, Queen Mary University of London |
(302) How to modernize Salle: KINTEX 1 206A Présidence : Minji Choi, Hankuk university of foreign studies |
(303) Digital Comparative Literature (4) Salle: KINTEX 1 206B Présidence : Simone Rebora, University of Verona |
(304) Translating ethics, space, and style (4) Salle: KINTEX 1 207A Présidence : Richard Mark Hibbitt, University of Leeds |
(305) Translating the Other: The Process and Re-Creation (4) Salle: KINTEX 1 207B Présidence : Minjeon Go, Dankook University |
(306) Reading through the Colorful Lens Salle: KINTEX 1 208A Présidence : ChangGyu Seong, Mokwon University |
307 Salle: KINTEX 1 208B |
(308) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (2) Salle: KINTEX 1 209A Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
309 Salle: KINTEX 1 209B |
(310) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (3) Salle: KINTEX 1 210A Présidence : Wen Jin, East China Normal University |
311 Salle: KINTEX 1 210B |
(312) Space, Human, and Movie Salle: KINTEX 1 211A Présidence : Hyun Kyung Park, Namseoul University |
(313) Literature, Arts & Media (3) Salle: KINTEX 1 211B Présidence : Hanyu Xie, University of Macao |
(314) Oriental Literature in World Literature: Exchanges and Mutual Learning (6) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(315) Mutual Learning of Civilizations and Reconstruction of World Literature (8) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(316) Shaping the Literary Canon Salle: KINTEX 1 213A Présidence : Seonggyu Kim, Dongguk University |
(317) The East Asian Literature from a Global Perspective (4) Salle: KINTEX 1 213B Présidence : Zhejun Zhang, Sichuan University,China |
(318H) Translation Studies (5) Salle: KINTEX 1 302 Présidence : Marlene Hansen Esplin, Brigham Young University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : |
(319) Intermediality and Comparative Literature (4) Salle: KINTEX 1 306 Présidence : Chang Chen, Nanjing University |
(320) Comparative African Literatures Salle: KINTEX 1 307 Présidence : JIHEE HAN, Gyeongsang National University |
(136) Translation, cultural exchanges and tech (ECARE 36) Salle: KINTEX 2 305A Présidence : Jing Hu, Nankai University |
(137) Trauma, body, resistance (ECARE 37) Salle: KINTEX 2 305B Présidence : Redwan Ahmed, Jahangirnagar University |
(138) Technology can Do so Many Things Salle: KINTEX 2 306A Présidence : Seung Cho, Gachon University |
(139) Comparative Literature in Action Salle: KINTEX 2 306B Présidence : Jun Soo Kang, anyang University |
(140) Disney Tells Many Interesting Things Salle: KINTEX 2 307A Présidence : Hyosun Lee, Underwood College, Yonsei University |
Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award Salle: KINTEX 1 Grand Ballroom 2025 ICLA SPECIAL SESSION 3 - YouTube Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award
Chair: KWAK Hyo Hwan, Ph.D. (Poet, Former President of Literature Translation Institute of Korea)
Speakers:
1. KWAK Hyo Hwan, Ph.D. (Poet, Former President of Literature Translation Institute of Korea) “From 'Globalization of Korean Literature' to 'Korean Literature as World Literature' - The Future of Korean Literature After Han Kang Wins Nobel Prize” Author Han Kang has been selected as the winner of the 2024 Nobel Prize in Literature. It is a sudden blessing that has come less than 10 years since The Vegetarian was published in the UK in 2015 and won the Booker International Prize the following year, drawing attention from the world of literature. As stated in the reason for selection by the Swedish Academy, Han Kang’s work “achieved powerful poetic prose that confronts historical trauma and reveals the fragility of human life,” the long and extensive world of Han Kang’s works was evaluated. In The Vegetarian, she captivatingly portrayed the violence of norms and customs that bind the family and society through the heroine who refuses to eat meat and tries to become a tree, and in The Boy Comes and We Don’t Say Goodbye, she excelled in dealing with the vulnerability of individuals who were sacrificed in the horrific tragedies caused by great power through the May 18 Gwangju Democratization Movement and the Jeju April 3 Incident, thereby achieving even deeper literary achievements. However, considering that the Nobel Prize in Literature is more of an award for merit that encompasses the author’s entire literary world and literary life rather than a prize for a work, this award cannot be anything but a surprising event. This Nobel Prize in Literature is not only an award for author Han Kang, but also an award for Korean literature and translation. The aspiration of Korean literature in the periphery to move to the center has been fulfilled by going beyond ‘introducing Korean literature overseas’ and ‘globalizing Korean literature’ to ‘Korean literature as world literature’ and ‘Korean literature read together by people around the world’. Now, Korean literature has opened a path for communication without time difference by being simultaneous with world literature, and has reached a turning point where it has transitioned from being a receiver of world literature to a sender. The power of translation, which has enabled readers around the world to read Korean literature without language and cultural barriers, has played an absolute role in this. And the Korean Literature Translation Institute and Daesan Cultural Foundation have made a great contribution to supporting this for a long time and systematically. Now, after receiving the Nobel Prize in Literature, it is time to calmly look at the process and meaning of receiving the Nobel Prize in Literature and what Korean literature should do. This is because the Nobel Prize in Literature is an important gateway that Korean literature must pass through, not a goal. Therefore, in this lecture, we will examine the process of Korean literature advancing to world literature, the role and achievements of translation at its core, Korean literary works that have attracted attention in the world literary community, and what Korean literature needs to prepare as world literature.
2. KIM Chunsik (Dongguk U) “Nobel Prize in Literature, and After” This essay critically reflects on the global significance of Korean literature in the wake of Han Kang’s Nobel Prize in Literature. Drawing on the author’s personal experiences as a visiting scholar at UC Berkeley (2004) and a participant in an academic conference in India (2009), the paper explores the tension between center and periphery as a persistent framework in literary and cultural discourse. These episodes underscore how Korean literature has historically occupied a marginal position in global literary hierarchies, yet how such marginality also fosters critical reflections on identity, representation, and power. The essay highlights the Swedish Academy’s appraisal of Human Acts as revealing “historical trauma and the fragility of human life,” arguing that this speaks not only to Han Kang’s literary sensibility but also to the core concerns of contemporary Korean literature. Using the concept of the “politics of mourning,” as theorized by Judith Butler, the author contends that Korean literature engages in an ethical task: to retrieve the voices of the dead and reframe trauma as a shared human condition. Literature thereby becomes a medium that bridges the abyss between human dignity and violence, past suffering and present vulnerability. Ultimately, the author rejects the triumphalist view that Han Kang’s award marks Korean literature’s arrival at the “center” of world literature. Instead, it affirms a longer, ethical trajectory in which Korean literature, shaped by historical wounds and peripheral positions, has always already been global. The essay argues that the true value of Korean literature lies not in global market expansion, but in its sustained engagement with planetary concerns violence, mourning, and coexistence through ethical and imaginative inquiry
3. CHO Hyung-yup (Korea U) “Significance of Han Kang's Nobel Prize in Literature and Her Status in World Literature History”
1. The significance of Han Kang's Nobel Prize in Literature Han Kang's Nobel Prize in Literature can be seen as a great feat for the Republic of Korea, achieved through the combination of four factors: Han Kang's creative ability, the power of Korean literature that made it possible, the translator's ability, and institutional support from the government and the private sector. 2. Han Kang's literary achievements Han Kang's literary achievements are summarized in the expression “powerful poetic prose that confronts historical trauma and reveals the fragility of human life” that the Swedish Academy announced as the reason for her selection when it announced her winning the Nobel Prize in Literature on October 10, 2024. If I were to interpret this reason for her selection in my own way, I would say that “confronting historical trauma” is a “realistic thematic consciousness,” “revealing the fragility of human life” is a “modernist formal experiment,” and “powerful poetic prose” is an “organic style experiment.” So I think that author Han Kang's creative ability is obtained by successfully fusing these three things that are difficult to coexist. In other words, author Han Kang's literary achievements were obtained by independently fusing realistic thematic consciousness such as feminism, ecology, and historical trauma with modernistic formal experiments such as fantasy, aesthetics, composition, and point of view. In fact, realism and modernism are heterogeneous and conflicting literary trends that are difficult to coexist with. I think that the stylistic experiment called 'poetic prose' played a decisive role in fusing these two poles. 3. Han Kang's status in Korean and world literary history So I think that the core characteristic of Han Kang's literature is that he exquisitely fused these three items by putting ‘realistic thematic consciousness’ and ‘modernistic formal experiments’ in a crucible and using the catalyst called ‘organic stylistic experiments.’ Another important point here is that the methodology of stylistic experimentation based on ‘physical sensibility and organic imagination’ is partly an inheritance of the tradition of romanticism and symbolism accepted from Western literature, but also partly an inheritance of our country’s ‘traditional aesthetics’, ‘Korean aesthetics’ and ‘shamanistic native culture’. In the end, Han Kang can be evaluated as having creatively developed a dimension by accepting the three contradictory and conflicting literary lineages of modern Korean literature, realism, modernism, romanticism, and symbolism, which were influenced by world literature, while absorbing Korea’s traditional aesthetics and native culture and creatively fusing them. Therefore, I think that the status of Han Kang’s works in the history of Korean literature and world literature is that he returns the newly developed high-level achievements to Korean literature and world literature, which provided him with literary nutrients.
Discussants:
CHO Hyungrae (Dongguk U) JEONG Gi-Seok (Dongguk U) KIM Eun-seok (Dongguk U)
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459 Salle: KINTEX 2 307B |
(503 H) Buddhism and its role Modernism in Asia Salle: KINTEX 2 308A Présidence : Sunhwa Park, Konkuk University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : |
Date: Jeudi, 31.07.2025 | |||||||||||||||||||||||||||||
9:00 - 10:40 |
Keynotes: Zhenzhao Nie & Wen-chin Ouyang Salle: KINTEX 1 Grand Ballroom Présidence : Byung-Yong Son, Kyungnam University |
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11:00 - 12:30 |
(321) Who is Afraid of Fiction? (1) Salle: KINTEX 1 204 Présidence : Francoise Lavocat, Sorbonne Nouvelle |
(322) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (1) Salle: KINTEX 1 205A Présidence : Massimo Fusillo, Scuola Normale Superiore, Pisa |
(323) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (1) Salle: KINTEX 1 205B Présidence : Daniela Spina, CHAM - Centre for Humanities |
(324) Salle: KINTEX 1 206A |
(325) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (1) Salle: KINTEX 1 206B Présidence : Xi Liu, Xi'an Jiaotong-Liverpool University |
(326) Exploring the Trans Salle: KINTEX 1 207A |
(327) Western Literary Encounters Asia Salle: KINTEX 1 207B Présidence : Hyosun Lee, Underwood College, Yonsei University |
(328) Rethinking Historical Trauma and Memory in Comparative Literature Salle: KINTEX 1 208A Présidence : Younghee Son, Kyungpook National University |
(329) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (1) Salle: KINTEX 1 208B Présidence : Takayoshi Yamamura, Hokkaido University |
(330) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (3) Salle: KINTEX 1 209A Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(331) Marginal Encounters: South Korea and the Globe in the 20th and 21st Century Literature, Film and Culture Salle: KINTEX 1 209B Présidence : Janeth Manriquez Ruiz, University of Notre Dame |
(332) What is literature if not a book? An intermedial approach to literature in a digitized society Salle: KINTEX 1 210A Présidence : ChangGyu Seong, Mokwon University |
(333) Global Futurism (3) Ecological and Planetary Imaginaries Salle: KINTEX 1 210B Session Chairs: Yusheng Du (Nanjing University of Information Science & Technology); Qilin Cao (Tongji University) |
(334) Juxtaposition, Transposition, Heterotopia, and Communication Salle: KINTEX 1 211A Présidence : Seung-hye Mah, Dongguk University Seoul Campus |
(335) Literature, Arts & Media (4) Salle: KINTEX 1 211B Présidence : Hanyu Xie, University of Macao |
(336) Oriental Literature in World Literature: Exchanges and Mutual Learning (7) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(337) Mutual Learning of Civilizations and Reconstruction of World Literature (9) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(338) Shark's Fin and Sichuan Pepper Salle: KINTEX 1 213A Présidence : JIHEE HAN, Gyeongsang National University |
(339) Japanese Pop Culture beyond Borders Salle: KINTEX 1 213B Présidence : Seonggyu Kim, Dongguk University |
(340 H) Language Contact in Literature: Europe (2) Salle: KINTEX 1 302 Présidence : Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 |
(341) Intermediality and Comparative Literature (5) Salle: KINTEX 1 306 Présidence : Chang Chen, Nanjing University |
(342) Comparative History of East Asian Literatures (1) Salle: KINTEX 1 307 Présidence : Haun Saussy, University of Chicago |
(141) Progression and Regression: Technologies and Power in the Literary Imagination (1) Salle: KINTEX 2 305A Présidence : Rui Qian, Nanyang Technological University |
(142) Transmedia, and Comparative Literature Salle: KINTEX 2 305B Présidence : Byung-Yong Son, Kyungnam University |
(143) What did they Say? Salle: KINTEX 2 306A Présidence : Jun Soo Kang, anyang University |
(144) French and Australian Songlines Salle: KINTEX 2 306B Présidence : Minji Choi, Hankuk university of foreign studies |
(431) Voyage of Images Salle: KINTEX 2 307A Présidence : S Peter Lee, Gyeongsang National University |
Special Session IV: Roundtable Celebrating 70th Anniversary of the ICLA Salle: KINTEX 1 Grand Ballroom “Bridging Seventy Years of Comparative Literary Dialogue: Past, Present, and Future of the ICLA.” Chairs: Lucia Boldrini, Goldsmiths, UK, President of the ICLA (2022-2025) Speakers: Sandra L. Bermann, Princeton U, USA: President of the ICLA (2019-2022) Q&A: |
460 Salle: KINTEX 2 307B |
13:30 - 15:00 |
(343) Who is Afraid of Fiction? (2) Salle: KINTEX 1 204 Présidence : Francoise Lavocat, Sorbonne Nouvelle |
(344) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (2) Salle: KINTEX 1 205A Présidence : Massimo Fusillo, Scuola Normale Superiore, Pisa |
(345) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (2) Salle: KINTEX 1 205B Présidence : Daniela Spina, CHAM - Centre for Humanities |
(346) Salle: KINTEX 1 206A |
(347) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (2) Salle: KINTEX 1 206B Présidence : Xi Liu, Xi'an Jiaotong-Liverpool University |
(348) Gesar and Shakespeare Salle: KINTEX 1 207A Présidence : Byung-Yong Son, Kyungnam University |
(349) Literature Meets Lens Salle: KINTEX 1 207B Présidence : Dong-Wook Noh, Sahmyook University |
(350) Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature Salle: KINTEX 1 208A Présidence : Kai-su Wu, Tamkang University |
(351) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (2) Salle: KINTEX 1 208B Présidence : Takayoshi Yamamura, Hokkaido University |
(352) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (4) Salle: KINTEX 1 209A Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(353) Translating (from) the Margins. Rethinking East-Central European Literatures within the World Canon (1990-2020) Salle: KINTEX 1 209B Présidence : Oana Fotache Dubalaru, University of Bucharest |
(354) Journey of Life Salle: KINTEX 1 210A Présidence : ChangGyu Seong, Mokwon University |
(355) Web, Game, and Transmedia Salle: KINTEX 1 210B Présidence : Ji hun Kang, Dongguk university |
(356) Intersectional Lives Salle: KINTEX 1 211A Présidence : Jinim Park, Pyongtaek university |
(357) Literature, Arts & Media (5) Salle: KINTEX 1 211B Présidence : Hanyu Xie, University of Macao A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays Yirong Shi, North University of China, China, People's Republic of; sisyhi@126.com The Chinese experimental opera adaptations of Shakespeare’s plays have become a unique phenomenon of cross-cultural exchange, which not only demonstrates the deep fusion of Chinese and Western theatre cultures, but also promotes the combination of the traditional art of xiqu with modern aesthetic concepts. By analyzing the experimental Peking opera “King Lear”, the experimental opera “Who is Macbeth?” and the experimental kunqu “I, Hamlet”, this article discusses the unique value and significance of these works in cross-cultural exchange. These works bring audiences a refreshing theater-going experience through unique Chinese-style performances, post-modern presentations of traditional opera elements, and deep linkage between Chinese and Western culture and thinking—firstly, the performance structure, stage design and vocal style employ rich Chinese representations in their adaptations of Shakespeare’s plays; secondly, the metatheatrical devices, such as solo performer and play-within-play structure, express their postmodern reinterpretations of traditional xiqu; thirdly, the Eastern and Western character linkage and similar identity exploration show the cultural connection and common value in different backgrounds. Through the unique Chinese-style performance, the post-modern presentation, and the deep linkage between Chinese and Western theaters, Chinese experimental opera brings the audience a brand new experience and provides a useful path for the innovative practice of xiqu. Tangled Between Belonging and Unbelonging: A Comparative Study of Migration and Identity in Select Short Stories of Jhumpa Lahiri’s Roman Stories M. Ashiqur Rahaman Sourav This article aims to analyze the interplay of migration, boundary, identity and alienation through giving a close eye on the characters of ‘The Boundary’ and ‘The Reentry’, two stories from the book Roman Stories by Jhumpa Lahiri. Contrapuntal reading with postcolonial lens, particularly the concept of ‘hybridity’ of Homi K. Bhabha, has been offered to explore how the characters navigate through the liminal ‘third space’ between their native and adopted culture. Lahiri’s projection of Rome serves as a pivotal point of understanding the city as a metaphor for both inclusion and exclusion. The unnamed narrator of “The Boundary” negotiates between both physical and metaphorical borders which addresses the struggle of belonging and alienation. In "The Reentry," the protagonist’s return to Rome highlights the dissonance between memory and reality, reflecting the psychological complexities of reintegration. In both the stories Rome has been depicted as a space that shapes the identities and puts forth the dual shades of the city as it becomes a space of both estrangement and reconciliation. Bhabha’s theory illuminates the characters’ struggles with cultural adaptation and the search for home, revealing the fragmented and hybrid nature of diasporic identity. A Study of Amy Tan’ s Novels from the Perspective of Intermediality Dantong Qian With the advent of the digital age, the emergence of multiple media has gradually made "intermediality" a significant focus in literary and artistic studies, providing a new research perspective for Chinese American literature. Based on the intermedial theories of Werner Wolf, this paper explores the intermedial reference and intermedial transposition in the renowned The Joy Luck Club and The Bonesetter's Daughter by Chinese American writer Amy Tan. Among them, through the intermedial reference to the structure of polyphony, the novels demonstrate profound cultural connotations, achieving a unity of intermedial form and content. Meanwhile, the two novels have been adapted into a film and an opera respectively. This intermedial transposition reflects the interaction of multi-dimensional intermediality and highlights the important role in enhancing the international communication of Chinese culture. Then, this paper further reveals the unique value of intermediality in Chinese American literature as represented by Amy Tan's works, exploring its significance in fostering exchanges and mutual learning among civilizations and enhancing the global influence of Chinese culture. |
(358) Oriental Literature in World Literature: Exchanges and Mutual Learning (8) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) |
(359) Mutual Learning of Civilizations and Reconstruction of World Literature (10) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(360) Dying in Language Salle: KINTEX 1 213A Présidence : Hyosun Lee, Underwood College, Yonsei University |
361 Salle: KINTEX 1 213B |
(362 H) Language Contact in Literature: Europe (2) Salle: KINTEX 1 302 Présidence : Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 |
(363) Intermediality and Comparative Literature (6) Salle: KINTEX 1 306 Présidence : Chang Chen, Nanjing University |
(364) Comparative History of East Asian Literatures (2) Salle: KINTEX 1 307 Présidence : Haun Saussy, University of Chicago |
(432) Progression and Regression: Technologies and Power in the Literary Imagination (2) Salle: KINTEX 2 305A Présidence : Rui Qian, Nanyang Technological University |
(433) From Han Kang to Han Kang Salle: KINTEX 2 305B Présidence : JIHEE HAN, Gyeongsang National University |
(434) Beyond the Arabian Night Salle: KINTEX 2 306A Présidence : Seung-hye Mah, Dongguk University Seoul Campus |
(435) The Cinematic Past and the Literary Present Salle: KINTEX 2 306B Présidence : Narie Jung, Sungkyunkwan University |
(436) Portrait of Ghosts Salle: KINTEX 2 307A Présidence : Jun Soo Kang, anyang University |
461 Salle: KINTEX 2 307B |
|
15:30 - 16:20 |
Keynote: Sandra Bermann Salle: KINTEX 1 Grand Ballroom Présidence : JIHEE HAN, Gyeongsang National University |
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16:30 | General Assembly Salle: KINTEX 1 Grand Ballroom |
Date: Vendredi, 01.08.2025 | ||||||||||||||||||||||||||||
9:00 - 10:30 |
(365) Who is Afraid of Fiction? (3) Salle: KINTEX 1 204 Présidence : Francoise Lavocat, Sorbonne Nouvelle |
(366) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (1) Salle: KINTEX 1 205A Présidence : Yuriko Yamanaka, National Museum of Ethnology |
(367) Global Auerbach (1) Salle: KINTEX 1 205B Présidence : Robert Doran, University of Rochester |
(368) Salle: KINTEX 1 206A |
(369) Untranslatability and Translation Salle: KINTEX 1 206B Présidence : Seonggyu Kim, Dongguk University |
(370) Transformations of literature in media evolution: Representation and time (1) Salle: KINTEX 1 207A Présidence : Richard Müller, Institute of Czech Literature, Czech Academy of Sciences |
(371) Understanding the Other Salle: KINTEX 1 207B Présidence : Jun Soo Kang, anyang University |
(372) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (1) Salle: KINTEX 1 208A Présidence : Zahra Moharramipour, The International Research Center for Japanese Studies |
(373) Biofiction across the world: comparison, circulation, and conceptualisations (1) Salle: KINTEX 1 208B Présidence : Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London) ; Laura Cernat (KU Leuven) |
(374) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (5) Salle: KINTEX 1 209A Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(375) Comparative Literature in the Philippines (1) Salle: KINTEX 1 209B Présidence : Lily Rose Tope, University of the Philippines Co-Chair: Ruth Pison (University of the Philippines Diliman); Micaela Chua Manansala (University of the Philippines Diliman) |
(377) Cross-Cultural Dialogue Between China and Central and Eastern Europe (1) Salle: KINTEX 1 210B Présidence : Yading Liu, SiChuan University |
(378) Crossing the Borders Between the Self and the Other (1) Salle: KINTEX 1 211A Présidence : Kejun XU, Shanghai Jiao Tong University |
(379) Literary Anthropology and Digital-Intelligence Civilization (1) Salle: KINTEX 1 211B Présidence : Xinyu Yuan, University of Chinese Academy of Social Sciences |
(389) Protest Cultures (1) Salle: KINTEX 1 212A Présidence : Haun Saussy, University of Chicago |
(381) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (1) Salle: KINTEX 1 212B Présidence : Alexandra Lopes, Universidade Católica Portuguesa |
382 Salle: KINTEX 1 213A |
383 Salle: KINTEX 1 213B |
(384 H) The Network of Genetic Salle: KINTEX 1 302 Présidence : Kexin Xiang, City University of Hong Kong 384H(09:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(385) Precarious Mediations: Queer Bodies in Virtual Spaces (1) Salle: KINTEX 1 306 Présidence : Elizabeth Richmond-Garza, University of Texas at Austin |
(386) Comparative History of East Asian Literatures (3) Salle: KINTEX 1 307 Présidence : S Peter Lee, Gyeongsang National University |
(437) Literary Thought Salle: KINTEX 2 305A Présidence : Robert Young, ICLA Literary Theory Committee |
(438) Decentred Subjects Salle: KINTEX 2 305B Présidence : Minji Choi, Hankuk university of foreign studies |
(439) Bridge to Korean Culture Salle: KINTEX 2 306A Présidence : Hyungji Park, Yonsei University |
(440) Literature, Culture, and Identity Salle: KINTEX 2 306B Présidence : ChangGyu Seong, Mokwon University |
(441) Digital (dis-) Embodiment Salle: KINTEX 2 307A Présidence : Juri Oh, Catholic Kwandong University |
462 Salle: KINTEX 2 307B |
|
11:00 - 12:30 |
(387) Who is Afraid of Fiction? (4) Salle: KINTEX 1 204 Présidence : Francoise Lavocat, Sorbonne Nouvelle |
(388) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (2) Salle: KINTEX 1 205A Présidence : Yuriko Yamanaka, National Museum of Ethnology |
(389) Global Auerbach (2) Salle: KINTEX 1 205B Présidence : Robert Doran, University of Rochester |
(390) Salle: KINTEX 1 206A |
(391) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (2) Salle: KINTEX 1 206B Présidence : Zahra Moharramipour, The International Research Center for Japanese Studies |
(392) Transformations of literature in media evolution: Representation and time (2) Salle: KINTEX 1 207A Présidence : Richard Müller, Institute of Czech Literature, Czech Academy of Sciences |
(393) Bridging and Morphing Temporal and Geographical Cultures Salle: KINTEX 1 207B Présidence : Seunghyun Hwang, Incheon National University |
394 Salle: KINTEX 1 208A |
(395) Biofiction across the world: comparison, circulation, and conceptualisations (2) Salle: KINTEX 1 208B Présidence : Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven) |
(396) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (6) Salle: KINTEX 1 209A Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(397) Comparative Literature in the Philippines (2) Salle: KINTEX 1 209B Présidence : Lily Rose Tope, University of the Philippines Co-chair: Ruth Pison (University of Philippines Diliman) ; Christine Lao (University of Philippines Diliman) |
398 Salle: KINTEX 1 210A |
(399) Cross-Cultural Dialogue Between China and Central and Eastern Europe (2) Salle: KINTEX 1 210B Présidence : Yading Liu, SiChuan University |
(400) Crossing the Borders Between the Self and the Other (2) Salle: KINTEX 1 211A Présidence : Kejun XU, Shanghai Jiao Tong University |
(401) Literary Anthropology and Digital-Intelligence Civilization (2) Salle: KINTEX 1 211B Présidence : Xinyu Yuan, University of Chinese Academy of Social Sciences |
(402) Protest Cultures (2) Salle: KINTEX 1 212A Présidence : Haun Saussy, University of Chicago |
(403) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (2) Salle: KINTEX 1 212B Présidence : Alexandra Lopes, Universidade Católica Portuguesa |
(404) Korean Literature: Old and New Salle: KINTEX 1 213A Présidence : ChangGyu Seong, Mokwon University |
405 Salle: KINTEX 1 213B |
(406 H) Comparative History of Literatures in European Languages Series (2) Salle: KINTEX 1 302 Présidence : Stefan Helgesson, University of Stockholm 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(407) Precarious Mediations: Queer Bodies in Virtual Spaces (2) Salle: KINTEX 1 306 Présidence : Elizabeth Richmond-Garza, University of Texas at Austin |
(408) Comparative History of East Asian Literatures (4) Salle: KINTEX 1 307 Présidence : S Peter Lee, Gyeongsang National University |
442 Salle: KINTEX 2 305A |
443 Salle: KINTEX 2 305B |
(444) Chinese Translator Salle: KINTEX 2 306A Présidence : Minyoung Cha, Dankook university CLA 2025 Session 444 |
(445) Navigating Identity and Humanity Salle: KINTEX 2 306B Présidence : Sunghyun Kim, Seoul National University of Science and Technology |
(446) The Mother of Korean Literature Salle: KINTEX 2 307A Présidence : Seiwoong Oh, Rider University |
463 Salle: KINTEX 2 307B |
13:30 - 15:00 |
(409) Who is Afraid of Fiction? (5) Salle: KINTEX 1 204 Présidence : Francoise Lavocat, Sorbonne Nouvelle |
(410) Talking about nuclear experiences: Atomic bomb literature as World literature Salle: KINTEX 1 205A Présidence : Go Koshino, Keio University |
(411) The Potential of Unexpected Comparisons in Japan Studies Salle: KINTEX 1 205B Présidence : Oliver William Eccles, University College London |
412 Salle: KINTEX 1 206A |
(413) Tales of Near and Far Salle: KINTEX 1 206B Présidence : ChangGyu Seong, Mokwon University |
(414) Transformations of literature in media evolution: Representation and time (3) Salle: KINTEX 1 207A Présidence : Richard Müller, Institute of Czech Literature, Czech Academy of Sciences |
415 Salle: KINTEX 1 207B |
416 Salle: KINTEX 1 208A |
(417) Biofiction across the world: comparison, circulation, and conceptualisations (3) Salle: KINTEX 1 208B Présidence : Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven) |
(418) Folklore and Lyrical Expression Salle: KINTEX 1 209A Présidence : Hyungji Park, Yonsei University |
(419 H) Comparative Literature in the Philippines (3) Salle: KINTEX 1 209B Présidence : Lily Rose Tope, University of the Philippines |
420 Salle: KINTEX 1 210A |
(421) Cross-Cultural Dialogue Between China and Central and Eastern Europe (3) Salle: KINTEX 1 210B Présidence : Yading Liu, SiChuan University |
(422) Crossing the Borders Between the Self and the Other (3) Salle: KINTEX 1 211A Présidence : Kejun XU, Shanghai Jiao Tong University |
(423) Literary Anthropology and Digital-Intelligence Civilization (3) Salle: KINTEX 1 211B Présidence : Xinyu Yuan, University of Chinese Academy of Social Sciences |
(424) Protest Cultures (3) Salle: KINTEX 1 212A Présidence : Haun Saussy, University of Chicago |
(425) Mutual Learning of Civilizations and Reconstruction of World Literature (11) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University |
(426) Image Replacement and Foreign Narratives Salle: KINTEX 1 213A Présidence : Dong-Wook Noh, Sahmyook University |
427 Salle: KINTEX 1 213B |
(428H) The Dialectics of Selfhood Salle: KINTEX 1 302 Présidence : Shenhao Bai, Columbia University
406H(11:00) 428H(13:30) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(429) Precarious Mediations: Queer Bodies in Virtual Spaces (3) Salle: KINTEX 1 306 Présidence : Elizabeth Richmond-Garza, University of Texas at Austin |
(430) Comparative History of East Asian Literatures (5) Salle: KINTEX 1 307 Présidence : S Peter Lee, Gyeongsang National University |
447 Salle: KINTEX 2 305A |
(448) What T.S. Eliot Says Salle: KINTEX 2 305B Présidence : Sunghyun Kim, Seoul National University of Science and Technology |
(449) From the “West-East” Perspective Salle: KINTEX 2 306A Présidence : Minyoung Cha, Dankook university |
(450) Question of the Foreigner Salle: KINTEX 2 306B Présidence : Jun Soo Kang, anyang University |
(451) Spectrum of World Literature Salle: KINTEX 2 307A Présidence : Seiwoong Oh, Rider University |
464 Salle: KINTEX 2 307B |
15:30 - 17:00 |
(466) AI: Another Way of Reading Salle: KINTEX 1 204 Présidence : Hyungji Park, Yonsei University |
(467) Beyond the Boundaries Salle: KINTEX 1 205A Présidence : Minyoung Cha, Dankook university |
(468) Imagination and Anthropocene Salle: KINTEX 1 205B Présidence : Hyun Kyung Park, Namseoul University |
(469) A New Mode of Contemporary Language Salle: KINTEX 1 206A Présidence : Seonggyu Kim, Dongguk University |
(470 H) Aliens Over Society Salle: KINTEX 1 206B Présidence : Byung-Yong Son, Kyungnam University |
(471) Perspective of Transnational Literary Community Salle: KINTEX 1 207A Présidence : Lianggong Luo, Central China Normal University |
(472) The Search for Female Identity Salle: KINTEX 1 207B Présidence : Ling-Chi Huang, National Tsing Hua University, Taiwan |
(473) A Comparative Study of the Genre Salle: KINTEX 1 208A Présidence : Robert Kusek, Jagiellonian University in Krakow |
(474) Poetic Rewriting and Literary Modernity Salle: KINTEX 1 208B Présidence : Sue Jean Joe, Dongguk University |
(475) Transnational Literary Fields Salle: KINTEX 1 209A Présidence : Anna Saprykina, University of Siegen |
(476) Technology and the Dissemination of Poetry Salle: KINTEX 1 209B Présidence : Adelaide Russo, Louisiana State Universiry |
(477) (Im)Possible Travels Salle: KINTEX 1 210A Présidence : Jungman Park, Hankuk University of Foreign Studies |
(478) New Cultural Identity Salle: KINTEX 1 210B Présidence : Minji Choi, Hankuk university of foreign studies |
(479) Transcultural Memories Salle: KINTEX 1 211A Présidence : Eun-joo Lee, independent scholar |
(480) Intercivilizational Dialogue Salle: KINTEX 1 211B Présidence : Dong-Wook Noh, Sahmyook University |
481 Salle: KINTEX 1 212A |
(482) Towards a New Praxis Salle: KINTEX 1 212B Présidence : Juri Oh, Catholic Kwandong University |
(483) Translatable or Not? Salle: KINTEX 1 213A Présidence : Hyosun Lee, Underwood College, Yonsei University |
484 Salle: KINTEX 1 213B |
(485 H) Comparative History of Literatures in European Languages Series (1) Salle: KINTEX 1 302 Présidence : Stefan Helgesson, University of Stockholm 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 |
(486) Intermediality and Comparative Literature (7) Salle: KINTEX 1 306 Présidence : Chang Chen, Nanjing University |
(487) Intermediality and Comparative Literature (8) Salle: KINTEX 1 307 Présidence : Gyu Seob Shin, Seoul national University |
488 Salle: KINTEX 2 305A |
(489) in a Korean Colouring Book Salle: KINTEX 2 305B Présidence : Sunghyun Kim, Seoul National University of Science and Technology |
(490) Between Traditions and Futures Salle: KINTEX 2 306A Présidence : ChangGyu Seong, Mokwon University |
(491) Similarities and Differences Salle: KINTEX 2 306B Présidence : Seoyoung Noh, dongguk university |
(492) From Colonial to Postcolonialism Salle: KINTEX 2 307A Présidence : Minjeon Go, Dankook University |
493 Salle: KINTEX 2 307B |
17:00 | Closing Ceremony Salle: KINTEX 1 204 |