Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview |
Date: Monday, 28/July/2025 | |||||||||||||||||||||||||||||
1:30pm - 3:00pm |
(145) Literary Theory Committee Location: KINTEX 1 204 Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France ICLA Research Committee Individual Submissions Formalism: From Manufacturing to Data Processing Freie Universität Berlin, Germany ICLA Research Committee Individual Submissions Games as a Creative Technology for Literary Writing University of Oslo, Norway ICLA Research Committee Individual Submissions Social Media Infrastructures and Consciousness Representation in the Contemporary American Novel Ghent University, Belgium ICLA Research Committee Individual Submissions Technologies of Fiction: How does literary theory account for the affordances of fictions? Université de Picardie-Jules Verne/ Institut universitaire de France, France |
(146) Dwelling Between Life and Death Location: KINTEX 1 205A Chair: ChangGyu Seong, Mokwon University Foreign Sessions (Foreign Students and Scholars Only) A General Overview of Northern and Southern Dynasties and Tang-era Silla Monks’ Eastward Pilgrimage for Buddhist Learning SICHUAN University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) A comparative study of ecological thoughts in children's literature between East and West -- A case study of China and Germany Southwest Jiaotong University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Dwelling Between Life and Death: A Study of "厝" in Minan Rurul Society Sichuan University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) “Fearless and Free”: Josephine Baker’s Transnational Performatives of Raced Femininity Central China Normal University, China, People's Republic of |
(147) Comics Studies and Graphic Narrative (1) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University ICLA Research Committee Individual Submissions Frank Miler’s Daredevil. The Transformation of a Superhero. Kanagawa University, Japan Open Group Individual Submissions Beyond Good and Evil: The Subversion of Heroic Archetypes in The Wicked + The Divine Catholic University of Lublin, Poland Open Group Individual Submissions First Impressions: Cover Art and Otherness in Metal Hurlant and Sharaz-De Lahore University of Management Sciences, Pakistan Open Group Individual Submissions The Fascist Superhero Lahore University of Management Sciences, Pakistan |
(148) Chungbuk National Univ. (1) Location: KINTEX 1 206A Chair: Heebon Park, Chungbuk National University Host Sessions (Korean Students and Scholars Only) From Drawing Rooms to Battlefields: Gender, Class, and Technology in the Adaptations of Pride and Prejudice Chungbuk National University(CBNU), Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Dual Devastation of Man and Nature Under the Guise of Civilization in Heart of Darkness by Joseph Conrad Chungbuk Nanional University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Male Dominated System and Deprived Motherhood in Top Girls Chungbuk National University, Korea, Republic of (South Korea) |
(149) What is "the Beyond"? Location: KINTEX 1 206B Chair: Jun Soo Kang, anyang University Foreign Sessions (Foreign Students and Scholars Only) Taiwan Literature as Kafkaesque? — A Case Study of L’abécédaire de la littérature: K comme Kafka National Taiwan University, Taiwan Foreign Sessions (Foreign Students and Scholars Only) What is "the Beyond"?: The Supernatural and the Quest for Irish Identity in Conor McPherson’s Plays Central China Normal University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Fast-Books: an Academy for the Writer and a Dose for the Fast-Reader Universitat Abat Oliba CEU - CEU Universities, Spain Foreign Sessions (Foreign Students and Scholars Only) Bureaucratic Fiction: Aesthetic Regimes of Administration in World Literature and Film Western University, Canada & University of Bonn, Germany |
(150) Global South Futurism Location: KINTEX 1 207A Chair: Guangyi Li, Chongqing University Group Session Global South Futurism
Open Group Individual Submissions Redefining Global Narratives from the South: Technology, Crisis and Identity in El Eternauta and Kentukis University of California, Riverside, United States of America Open Group Individual Submissions Explorations in Africanjujuism:The Unconscious and Materialism of Juju Chongqing University Open Group Individual Submissions "Between Inner Sage and Outer King": A Preliminary Exploration of Mou Zongsan’s Neo-Confucian Thought Hunan University, , Yuelu Academy,China Open Group Individual Submissions Possible Worlds: Afrofuturism, Postcolonial Temporality, and the Remapping of Black Futures Jagiellonian University, Poland |
(151) AI, Decoloniality and Creative Translation (1) Location: KINTEX 1 207B Chair: Matthew Reynolds, University of Oxford Open Group Individual Submissions Complementarities: Artificial Intelligence and Language Ontologies University of Oxford, United Kingdom Open Group Individual Submissions Leveraging LLM Tools for Decolonializing Translation in the College Literature Classroom Boise State University, United States of America Open Group Individual Submissions Arabic and Chinese Wine Poems: Culture and Ethos School of Oriental and African Studies, University of London, United Kingdom Open Group Individual Submissions Conversational AI as a Translation Companion: Exploring Collaborative Strategies in Translating Performative Poetry of Marico Carmona Universidad de Belgrano, Argentine Republic |
(152) Approaching Nonhuman Narrative in World Literature (1) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions Approaching Nonhuman Narrative in World Literature: The Strange Case of “My Life with a Wave,”by Octavio Paz University of Tennessee, USA, United States of America Open Group Individual Submissions Thing, Scale and Worldmaking: from Human Narrators, Nonhuman Narrators to “Scale Narrators” Guangdong University of Foreign Studies, China, People's Republic of Open Group Individual Submissions Nonhuman Agency and Ecological Justice: Reimagining Capitalism and Environmental Crisis in Gun Island Shanghai Jiao Tong University, Shanghai, China Open Group Individual Submissions The Nonhuman Narrative in Chen Qiufan’s Waste Tide Hanyang University, Korea, Republic of (South Korea) Open Group Individual Submissions Character Focalization and Nonhuman Ethics in The Velveteen Rabbit Shanghai Jiao Tong University, People's Republic of China Open Group Individual Submissions Androgyny and Non-Human Perspectives: A Comparative Analysis of Orlando and The Left Hand of Darkness through Donna Haraway’s Lens Universidade Estadual do Centro-Oeste, Brazil Open Group Individual Submissions Language, Seashells and Tropisms: Writing Ecosophical Subjectivities in Ponge and Sarraute University of Chicago, United States of America |
(153) Comparative World Literature and New Techno Humanities Location: KINTEX 1 208B Chair: Seung Cho, Gachon University Open Group Individual Submissions Ethical Literary Criticism: Oral Literature and the Formation Mechanism of Brain Text Guangdong University of Foreign Studies/Zhejiang University, China Open Group Individual Submissions Irony and the Philosophy of Happiness in Emma Hangzhou Normal University |
(154) Black Women on the Move: Transnational Negotiations of Identity and Community (1) Location: KINTEX 1 209A Chair: Tong He, Central China Normal University Open Group Individual Submissions Nella Larsen’s Quicksand (1928) and the Limitations of Transnational Identity Central China Normal University, China Open Group Individual Submissions Exoticism and Identity Negotiation: Oriental Objects in Nella Larsen’s Quicksand Through a Polycultural Lens Renmin University of China, China, People's Republic of Open Group Individual Submissions “Fearless and Free”: Josephine Baker’s Transnational Performatives of Raced Femininity Central China Normal University, China Open Group Individual Submissions Female Physical Transformation and Subjectivity Construction in Metamor- phosis Myths Guangdong University of Foreign Studies, China, People's Republic of |
155 Location: KINTEX 1 209B |
(156) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (1) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University Open Group Individual Submissions Future Life in Science Fiction: Digital Worlds and The “Birth” and “Death”of Digital Lifeforms Sichuan University, China, People's Republic of Open Group Individual Submissions Between Collision and Integration: The Evolution and Logic of the Relationship between Literature and Science University of Electronic Science and Technology of China Open Group Individual Submissions Resurrection, Dust, and Entanglement: Materiality of the Computational Universe in Greg Egan’s Permutation City Fudan University, China, People's Republic of Open Group Individual Submissions Between the Sacred and the Profane: Posthuman Existence and Mythological Narrative in "Klara and the Sun" / 圣俗之间:《克拉拉与太阳》中的后人类生存境遇与神话叙述 Hainan Normal School, China, People's Republic of Open Group Individual Submissions The Persistence and Breakthrough of Mind-Body Paradox: the Cultural Logic of Subjectivity in Contemporary Artificial Intelligence Science Fiction Narration Beijing Normal University, China, People's Republic of |
(157) Looking back at Étiemble’s comparativism: what legacy, what prospects? (1) Location: KINTEX 1 210B Chair: Tristan Mauffrey, Université Sorbonne Nouvelle Open Group Individual Submissions L’humanisme total, un décentrement vraiment général Université de Lille, France Open Group Individual Submissions La réception des pensées d’Étiemble en Chine Sichuan University (China), China, People's Republic of Open Group Individual Submissions "A l'impossible, il est vrai, chacun de nous, je l'espère, se sent tenu." Dans les archives d'Etiemble. Université Bordeaux Montaigne, France |
(158) Han Kang, Bora Chung, and Cities Location: KINTEX 1 211A Chair: Jungman Park, Hankuk University of Foreign Studies Open Free Individual Submissions An Ethical Encounter with Alterity in Han Kang’s The Vegetarian Macau University of Science and Technology, Macau S.A.R. (China) Open Free Individual Submissions The Cosmopolitan Fear and the Fantasy in Bora Chung’s Cursed Bunny: A Representation of How Horror Resides in Reality and Vice-Versa. Southeast University, Bangladesh, People's Republic of Open Free Individual Submissions An Eastern Nobel in a Western Context: The Question of Universality in the Reception of Han Kang’s Nobel Prize in Swedish and Western Media. Lund University, Sweden Foreign Sessions (Foreign Students and Scholars Only) Cities as Archives: Comparative Urbanism, Literary Practices, and the Everyday City University of Hong Kong, Hong Kong S.A.R. (China) |
(159) The Death of an Author Location: KINTEX 1 211B Chair: Byung-Yong Son, Kyungnam University Host Sessions (Korean Students and Scholars Only) A Comparative Study on Enlightenment and Nationalism through the Poems of Shin, Chae-ho(申采浩)and Lu Xun(魯迅) The Korean Society Of East-West Comparative Literature(한국동서비교문학학회), Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Reimagining Literary Criticism in the Age of AI: A Case Study of The Death of an Author China Foreign Affairs University, China, People's Republic of Host Sessions (Korean Students and Scholars Only) The Invisibility of Translator?: Towards an Alternative Strategy of Translation Dongguk University, Korea, Republic of (South Korea) |
(160) Oriental Literature in World Literature: Exchanges and Mutual Learning (1) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) Open Group Individual Submissions The Image of Girls in Chinese Fiction During the Republican Era University of Sydney, Australia Open Group Individual Submissions The Snow Leopard and Dolpo: Analyzing Two Tales of Adventure and Spirituality from the West and the East Balkumari College, Bharatpur-2, Chitwan, Nepal, Nepal Open Group Individual Submissions The Early Reception of T. S. Eliot in China: Under the influence of I. A. Richards, William Empson and others Shanghai Normal University, China, People's Republic of Open Group Individual Submissions Ezra Pound’s Conception of “Heroic Confucius” and the Vision for Reconstruction of Western Civilization Through Confucian Ideals Central South University, China, China, People's Republic of |
(161) Mutual Learning of Civilizations and Reconstruction of World Literature (1) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions Mutual Learning Among Civilizations and Reconstruction of World Literature Sichuan University, China Open Group Individual Submissions Comparison without Hegemony: Globalizing East-West Studies Harvard University Open Group Individual Submissions From Local Settings to Border Crossings Aarhus University, Denmark Open Group Individual Submissions The Communication Relationship of Literature: The Communication Form of Network Relationship Sichuan University, China Open Group Individual Submissions Beyond language: Chinese literary game and its dialogue with Western poetics and philosophy Sichuan University, China, People's Republic of |
(162) Genre Imagination in Korean Literature Location: KINTEX 1 213A Chair: Hyungrae Cho, Dongguk Univ. Host Sessions (Korean Students and Scholars Only) 「한국 웹소설이란 무엇인가」 Dongguk University Host Sessions (Korean Students and Scholars Only) 「혐오 시대의 '좋은 삶' 과 로맨스 : 한국 웹소설 이혼물에 나타난 젠더 갈등과 친밀성의 문제」 Jeonju University Host Sessions (Korean Students and Scholars Only) 「조선 왕조를 배경으로 한 SF소설 비교 연구 시론: 켄 리우의 '실크펑크' 와 정명섭의 '조선스팀펑크' 를 중심으로」, Dongguk University Host Sessions (Korean Students and Scholars Only) Volunteer translation for sponsored children KONKUK University, Korea, Republic of (South Korea) |
(163) Korean Literature as Global Locality Location: KINTEX 1 213B Chair: Chunsik Kim, Dongguk University Foreign Sessions (Foreign Students and Scholars Only) ld and new questions for literature in the digital age Goldsmiths, University of London Host Sessions (Korean Students and Scholars Only) Technological Objects and the Temporal Externalization of Memory: A Comparative Study of Elegy and Marjorie Prime Dongguk University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Global Affective Regime of the University and the Formation of the Korean Literary Institution: The Chair and the Racialized/Gendered Politics of English Literature and Its Colonial Legacy Donga University Open Group Individual Submissions Women Writers in the Globalization of Korean Literature 1: Dongguk University Seoul Campus, Korea, Republic of (South Korea); 2: Ewha Womans University, Korea, Republic of (South Korea) |
(164 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (1) Location: KINTEX 1 302 Chair: Fatiha TAIB, Mohammed V University 24th ICLA Monday Hybrid Session #164H (13:30~15:00) #186H (15:30~17:00) Join a Zoom meeting link : https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1 pw: 12345 ICLA Research Committee Individual Submissions Translating Korea: Perceptions of the Korean Peninsula in Arabic Periodicals (1880-1920) Ain Shams University ICLA Research Committee Individual Submissions The Translation of Contemporary South Korean Literature into Arabic Université Mohammed V ICLA Research Committee Individual Submissions The Arab Reception of South Korean Literature: Han Kang's Nobel Prize as a model The Regional Center of Education And Training Professions |
(165) Body Image(s) of Women in Literature (1) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions Reshaping Salome and the conflicts between soul and flesh in the Republic of China Sichuan University Open Group Individual Submissions Landscape and Feminist Desire in Pam Houston's Cowboys Are My Weakness Sichuan University, People's Republic of China Open Group Individual Submissions A Study of Body Image Writing and Changing of Female Sexual Minorities in Chinese Homosexuality literature Southwest University, China, People's Republic of China Open Group Individual Submissions Narrative of Women in Japanese Science Fiction: Space, Body, Isekai 1: Sichuan University, China; 2: Hubei Minzu University,China Open Group Individual Submissions The Representation of Female Bodily Disorders in American Literature Sichuan University, China, People's Republic of Open Group Individual Submissions The Body of Prostitutes in Yan Lianke’ Novels Sichuan University, China, People's Republic of Open Group Individual Submissions The Adornment of Female Body in Li Bihua's Sheng Si Qiao Sichuan University, China, People's Republic of Open Group Individual Submissions The Depiction of Female Body and Its Religious Meaning in Buddhist Avadana Literature Sichuan University, China, People's Republic of Open Group Individual Submissions Opportunities in Plight: Realistic Projection and Utopian Reconstruction of Women’s Body in Delany’s Early Science Fiction Experiments University of Electronic Science and Technology of China, China, People's Republic of |
(166) Dongguk Univ. : Feminine Diaspora and Locality Location: KINTEX 1 307 Chair: Jaemin Yoon, Dongguk University Foreign Sessions (Foreign Students and Scholars Only) Gender Studies and Comparative Literature Sorbonne Université Foreign Sessions (Foreign Students and Scholars Only) Ethics of Translation: When Translation Is an Art University of Chicago |
(101) (Re)Imagining family (ECARE 1) Location: KINTEX 2 305A Chair: Junru Xiang, Xiangtan University ECARE/NEXT GEN Individual Submissions Beyond ‘Mother India’ and ‘New Indian Woman’: Indian educated middle-class women in Partition Novels University of Science and Technology Beijing, Beijing, China, China, People's Republic of ECARE/NEXT GEN Individual Submissions Family Conflicts and Social Critique: A Comparative Reading of Arthur Miller’s Death of a Salesman and Ins Choi’s Kim's Convenience Chungbuk National University, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions Rediscovery of True Self on the Father-Seeking Journey——An Exploration of Jack Burns’ Journey of Growth in Until I Find You Xiangtan University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Bird and Tree: The Ethical Responses of Yeong-hye and In-hye to the Face in The Vegetarian 1: Zhaotong University,Xiaohong Li; 2: Pu’er University,Zhanji Yang |
(102) (Re)Interpreting Confucionism (ECARE 2) Location: KINTEX 2 305B Chair: ZHIWEI SUN, NTU ECARE/NEXT GEN Individual Submissions An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title Central South University, China, People's Republic of ECARE/NEXT GEN Individual Submissions China as an Idea and Symbol: The Construction of the ideal country Huaxia Ordus in the “Eurasian Symphony” Nankai university, China, People's Republic of ECARE/NEXT GEN Individual Submissions Between the East and the West: Lim Boon Keng's Cross-Cultural Legacy and Foresight NTU, Singapore ECARE/NEXT GEN Individual Submissions Chinese Philosophy and Transformation of Media Narrative South China University of Technology, China, People's Republic of |
(103) Autorial practice in translation and fiction (ECARE 3) Location: KINTEX 2 306A Chair: Yuyun Peng, Complutense University of Madrid ECARE/NEXT GEN Individual Submissions Présentation de ma thèse de doctorat : La poétique de l’auto-traduction chez Samuel Beckett (soutenue à Paris 8 en 2024) Korea University, Korée, République ECARE/NEXT GEN Individual Submissions Autofiction as a Form of Resistance in Modern Women’s Writing: A Gynocritical Analysis of Tan-sil and Joo-young and Göç Temizliği Boğaziçi University, Turkiye ECARE/NEXT GEN Individual Submissions Technological Mediation and Disappropriation: Digital Tools and Narrative Transformation in Rivera Garza's Literary Practice Complutense University of Madrid, Spain ECARE/NEXT GEN Individual Submissions Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of |
(104) Body, gender, experience (ECARE 4) Location: KINTEX 2 306B Chair: Yan Huang, Hoseo University ECARE/NEXT GEN Individual Submissions Sylvia Plath's Literary Creation of the A Study of Body Image Sichuan University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Cultural Racialization of Women in War: Gender, Body, and Historical Memory in A Gesture Life(1999) and The Woman Warrior(1976) Chungbuk National University, Korea, Republic of (South Korea) |
(105) Comparative Literature and AI (ECARE 5) Location: KINTEX 2 307A Chair: Sohan Sharif, Jahangirnagar University ECARE/NEXT GEN Individual Submissions Translation Politics and Changing Practices of Translation with AI: Evolution or Devolution? Visva Bharati University, India ECARE/NEXT GEN Individual Submissions Can AI act as a Comparatist? Institute of Comparative Literature and Culture, Jahangirnagar University, Bangladesh, People’s Republic of ECARE/NEXT GEN Individual Submissions Accommodating Textual Anxieties: Authenticity and AI in Technelegy by Sasha Stiles Indian Institute of Technology Kanpur, India |
(452) Emergence of new narratives Location: KINTEX 2 307B Chair: Sunhwa Park, Konkuk University Open Group Individual Submissions Re-telling the Owl-lores of Bengal: The Screeching Myths of the Brown Fish Owl and the Barn Owl Jadavpur University, India Open Group Individual Submissions Influence of Buddhism in Modern Indian writings against socio-cultural discriminations The Assam Royal Global University, India Group Session Obituaries as ‘Biography with an Agenda’ in Fin-de-Siècle Hungary
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498 Location: KINTEX 2 308A |
3:30pm - 5:00pm |
(167) Translation Studies (6) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University ICLA Research Committee Individual Submissions Gained in Translation: Comparative Translation in the 21st Century Jahangirnagar University, Bangladesh, People's Republic of ICLA Research Committee Individual Submissions Langston Hughes Translates Nellie Campobello Brigham Young University, United States of America ICLA Research Committee Individual Submissions East-West Collaboration to Translate East-West Literature: the Case of Xie Hong Woosong University, South Korea ICLA Research Committee Individual Submissions Time and Gender in Translation: Dealing with euphemisms and invisibility of Urdu in the translation of futuristic gender discourse of Sibylle Berg ALIGARH MUSLIM UNIVERSITY, India ICLA Research Committee Individual Submissions Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of |
(168) Comics Studies and Graphic Narrative (2) Location: KINTEX 1 205A Chair: Stefan Buchenberger, Kanagawa University ICLA Research Committee Individual Submissions She is Judged! Tezuka Osamu’s Female Mephistopheles as Anti-heroine University of the Philippines, Philippines ICLA Research Committee Individual Submissions The Representation of Modern Female Heroes in Webtoons: A Case Study of Indonesian Works University of Tsukuba, Japan ICLA Research Committee Individual Submissions The Enemy’s Face – How the Presence of the Enemy Influences the “Hiroshima of Anger” and “Nagasaki of Prayers” Narratives in Cartoon Animation 1: National Museum of Japanese History, Japan (until March 31, 2025); 2: Niigata University, Japan (from April 1, 2025) Foreign Sessions (Foreign Students and Scholars Only) The Futuristic Legacy of Animal Fables: Tracing Animal Motifs in Chinese Science Fiction East China Normal University (ECNU), China, People's Republic of |
169 Location: KINTEX 1 205B |
(170) Chungbuk National Univ. (2) Location: KINTEX 1 206A Chair: Heebon Park, Chungbuk National University Host Sessions (Korean Students and Scholars Only) Social Factors and Maternal Influence on Children’s Character Development in J.B. Priestley’s An Inspector Calls and Arthur Miller’s Death of a Salesman Chungbuk National University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Symbolic Role of Nature and the Storm in Shakespeare's King Lear Chungbuk National University Host Sessions (Korean Students and Scholars Only) A comparative study of animality dramatized in Edward Albee's <Seascape> and <The Goat, or Who is Sylvia?> Chungbuk National University, Korea, Republic of (South Korea) |
(171) Misreading the East Location: KINTEX 1 206B Chair: Jun Soo Kang, anyang University Foreign Sessions (Foreign Students and Scholars Only) On Posthuman Subjectivity in Belyaev Tianjin Normal University Foreign Sessions (Foreign Students and Scholars Only) How does the media frame vasectomy: a political issue, a gender issue, or a medical issue? ——A comparative content analysis on vasectomy reportings in United States and China University of Maryland, United States of America Foreign Sessions (Foreign Students and Scholars Only) Misreading the East: AI, Aesthetic Misrecognition, and the Technological Hegemony over Bengali Literature Jahangirnagar University, Bangladesh, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Technologies de l’imaginaire : littérature viatique et conscience simulée dans la fabrique prémoderne du Japon 1: Aix-Marseille Université; 2: l’Institut national des langues et civilisations orientales (Inalco) Foreign Sessions (Foreign Students and Scholars Only) Emplotting Yin-Yang and Changes in Life: To What Extent is Eileen Chang’s The Book of Change a Yijing? Bejing Normal Hong Kong Baptist University, China, People's Republic of |
(172) Global Renaissances (1) Location: KINTEX 1 207A Chair: Gang Zhou, Louisiana State University Open Group Individual Submissions Reimagining the Renaissance: Chinese Intellectual Engagements with Western Historiography and the Birth of the “Chinese Renaissance” Chongqing University, China, People's Republic of Open Group Individual Submissions Has the Iranian Renaissance Already Happened? Monash University, Australia Open Group Individual Submissions Reframing the Renaissance: Don Quixote, the Catalan Renaixença, and the Harlem Renaissance in Dialogue Louisiana State University, United States of America Open Group Individual Submissions Global Renaissances 1: Louisiana State University; 2: Princeton University; 3: AUM University; 4: Monash University; 5: Louisiana State University; 6: National University of Singapore; 7: University of California at Davis |
(173) AI, Decoloniality and Creative Translation (2) Location: KINTEX 1 207B Chair: Matthew Reynolds, University of Oxford Open Group Individual Submissions “My Language has no School”: Decolonising AI Translation The English and Foreign Languages University, Hyderabad, India, India Open Group Individual Submissions Constraints as a Route to Creativity in AI Translation: the AIDCPT project University of Oxford, United Kingdom Open Group Individual Submissions Creative poetry translation mediated by AI: translating Nancy Naomi Carlson’s Piano in the Dark Universidad Nacional de Mar del Plata, Argentine Republic Open Group Individual Submissions The Multiverse. AI Poetry Translation in the Network System SOAS University of London, United Kingdom |
(174) Approaching Nonhuman Narrative in World Literature (2) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions Stray And A Cat’s Perspective On The Post-human Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions A Multi-scalar Cosmos: Nonhuman Narration in Calvino’s The Complete Cosmicomics Guangdong University of Foreign Studies, China, People's Republic of Open Group Individual Submissions Video Games as Literary Creation and Reception: Interactive Mythmaking with Monkey Player-Character in Black Myth: Wu Kong Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions Womb Envy and Fetal Anxiety: on Nutshell's Desire Flow of Body Shanghai Jiaotong University Open Group Individual Submissions “Deictic Scale Shifting”:An Extension of Anthropocene Narrative Theory Sichuan University, China, People's Republic of Open Group Individual Submissions Reimaging nature and culture through animal and interspecies writing: a comparative reading on Zhang Wei’s Songs from the Forest and Lin Zhao’s Tidal Atlas (2022) King's College London, United Kingdom; University of Hong Kong Open Group Individual Submissions Flowing with the Cosmos: Gu Cheng’s Poetry as Nonhuman Narrative University of Cambridge, United Kingdom |
(175) Convergence of Literature and Technology Location: KINTEX 1 208B Chair: Seung Cho, Gachon University ICLA Research Committee Individual Submissions Interpreting Ethical Chronotopes in Victorian War Poems Hangzhou Normal University, China, People's Republic of Open Group Individual Submissions Convergence of Literature and Technology: Ethics and Aesthetics of AI-generated literature Université de Picardie Jules Verne, France Open Group Individual Submissions Redemptive Allegory and Cyclical Redemption: A Comparative Study of William Faulkner’s *A Fable* and Mo Yan’s *Life And Death Are Wearing Me Out* Harbin Institute of Technology, China, People's Republic of Open Group Individual Submissions A Poor Man's 007: Alan Ford Between Spy Story and Superhero Comics Sapienza University of Rome, Italy |
(176) Black Women on the Move: Transnational Negotiations of Identity and Community (2) Location: KINTEX 1 209A Chair: Tong He, Central China Normal University Open Group Individual Submissions Identity Performance in the Narratives of Jamaica Kincaid Tokyo University of Foreign Studies, Japan Open Group Individual Submissions "Exile of Belonging": Transnational Identity Negotiation and Black Women’s Cultural Identity in Alice Walker’s Works Beijing Foreign Studies University, China Open Group Individual Submissions Everyday Politics of Transnational Community in Gayl Jones’ Mosquito Huazhong University of Science and Technology, China Open Group Individual Submissions Indigenous poets' counter-reading of Australian historical and cultural memory locally and internationally Faculty of Arts, University of Ljubljana, Slovenia |
(177) Literary Theory Committee Location: KINTEX 1 209B Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France ICLA Research Committee Individual Submissions AIsthesis Research Centre of the Slovenian Academy of Sciences and Arts, Slovenia ICLA Research Committee Individual Submissions The Love of Locomotives or Science Fiction Soviet Georgian Style Leibniz-Zentrum für Literatur- und Kulturforschung, Germany ICLA Research Committee Individual Submissions Surveillance: Cultural and Narrative Technologies Humboldt-Universitaet zu Berlin, Germany ICLA Research Committee Individual Submissions The Short Story Cycle Across Polytextual Theory and Literary Empirical Studies Ghent University, Belgium |
(178) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (2) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University Open Group Individual Submissions Anti-heroic figures, Dream Boxes, and the Search for the Essence of Human: A Cyborg Narrative in Contemporary Chinese Science Fiction Shenzhen University, China, People's Republic of Open Group Individual Submissions "In Terms of Worldly Things": The Viewpoint of Science Fiction University of Giessen, Germany Open Group Individual Submissions The Technological Allegory of the Cyborg in The Absent City University of Chinese Academy of Social Science, China, People's Republic of Open Group Individual Submissions Nostalgia, Acceleration, and Equilibrium: Technological Ethics and the Accelerated Human in “Flowers for Algernon” Sichuan University, China, People's Republic of Open Group Individual Submissions From the “Transform Nature” to “Create Newcomers”: Food Crisis and Ecological Criticism in the Works of Paolo Bacigalupi Sichuan University, China, People's Republic of |
(179) Looking back at Étiemble’s comparativism: what legacy, what prospects? (2) Location: KINTEX 1 210B Chair: Tristan Mauffrey, Université Sorbonne Nouvelle Open Group Individual Submissions A partir d'Abdelkébir Khatibi, Edouard Glissant et V.Y. Mudimbe. Une pensée autre de l'histoire culturelle postcoloniale. Université Sorbonne Nouvelle, France Open Group Individual Submissions Retour sur "l'épopée de l'épopée" Université Sorbonne Nouvelle, France Open Group Individual Submissions Repenser la langue avec et après Étiemble/Rethinking language with and after Étiemble Université Sorbonne Nouvelle, France |
(180) Morality, Ethics, and Text-to-Text Location: KINTEX 1 211A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title Central South University, China, People's Republic of Open Free Individual Submissions Queering the Bhanita: Exploring how Tagore transforms Vaishnava poetry, and Twichell translates Tagore St. Stephen's College, University of Delhi, India Open Free Individual Submissions A Comparative Study of the Morality and Ethics between Confucius Analects and the Bible Northwestern Polytechnical University, China, People's Republic of Open Free Individual Submissions From Source Text to Target Text: A Comparative Analysis of Anandamath in Translation, Ideology, and Cultural Context Jahangirnagar University, Bangladesh, People's Republic of Open Group Individual Submissions Demoness, Monk and Forbidden Desire: A Contemporary Interpretation of the ‘Demoness-monk seduction’ University of Freiburg, Germany |
(181) Dealing with Memory Location: KINTEX 1 211B Chair: Sunhwa Park, Konkuk University Host Sessions (Korean Students and Scholars Only) 횔덜린과 김춘수 신화시의 ‘예수’의 의미: 칼 바르트의 신학적 관점으로 Catholic Kwandong University Host Sessions (Korean Students and Scholars Only) Dealing with Memory: Response to Han Kang's question Yonsei University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Reading the signs in Fernando Pessoa’s Mensagem Hankuk University of Foreign Studies, Korea, Republic of (South Korea) |
(182) Oriental Literature in World Literature: Exchanges and Mutual Learning (2) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) Open Group Individual Submissions A Study on the Overseas Dissemination and Reception of Wen Fu Sichuan University, China, People's Republic of Open Group Individual Submissions Translation and Dissemination of China's Anti-Japanese War Literature in the English World and Its Construction of China's Image ---a Case Study of Stories of China at War Changsha University of Science and Technology, China, People's Republic of Open Group Individual Submissions Ideological-affective Dynamic in “Red Beans”: Exploring Chinese Modernity through the Lens of Translatability University of Arizona, United States of America Open Group Individual Submissions 한강 작품<<채식주의자>>에 대한 정신분석학적 해석 Hunan University, China, People's Republic of Open Group Individual Submissions Survival Dilemma and Identity Anxiety: The Marginal Writing of South Korean Author Kim Ae-ran's Novels Sichuan University, China, People's Republic of |
(183) Mutual Learning of Civilizations and Reconstruction of World Literature (2) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Free Individual Submissions The Paradox of Cosmopolitan Ideals: UNESCO and the Construction of World Literary Canons Post-World War II Northewestern Polytechnical University, China, People's Republic of China Open Group Individual Submissions Cross-cultural Dialogue and Game Meaning of Chinese Palindrome Guangdong University of Finance & Economics, China, People's Republic of Open Group Individual Submissions World Literature as a mosaic: towards a methodology of 文明互鉴 University of Macau, Macau S.A.R. (China) Open Group Individual Submissions Self-confidence, Understanding, Win-win — The Prospect of Post-Globalization in The Red Queen Xiangtan University, China, People's Republic of Open Group Individual Submissions The Travels of Marco Polo: A Cross-cultural Communication Perspective Sichuan University, China, People's Republic of |
(184) East Asian Comparative Literature Location: KINTEX 1 213A Chair: Yangsu Kim, Dongguk Univ. Host Sessions (Korean Students and Scholars Only) Discourses on the Korean Peninsula in 1980s Japanese and Zainichi Korean Media: Focusing on Sekai and Sanzenri Dongguk University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Adaptation of Yu Jin-oh's "Memories of Shanghai" and The League of Left-wing writers」 Dongguk University Host Sessions (Korean Students and Scholars Only) 동시대 한일관계의 재현 양상: 드라마 시리즈 <사랑 후에 오는 것들>과 원작 소설 겹쳐 읽기 Dongguk University |
185 Location: KINTEX 1 213B |
(186 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (2) Location: KINTEX 1 302 Chair: LOBNA ABDEL GHANI ISMAIL, CAIRO UNIVERSITY ICLA Research Committee Individual Submissions Exploring Arabic and Korean Post-Media Composites: A Comparative Reformist Perspective Cairo University ICLA Research Committee Individual Submissions The New Arab Travellers on YouTube: South Korea as a Destination Mohammed V University ICLA Research Committee Individual Submissions Towards South Korean Culture and Literature in the Digital Age: New Horizons for Contemporary Arab Comparative Studies Mohammed V University |
(187) Body Image(s) of Women in Literature (2) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions A Doll's House or Nora's House? Aarhus University, Denmark Open Group Individual Submissions The mutual interpretation of ancient Qixi female body intention in literature and images Sichuan University, China, People's Republic of Open Group Individual Submissions Diversity and Deconstruction —— Female Incomplete Body Image in American Novels from 2009 to 2016 Sichuan University, China, People's Republic of Open Group Individual Submissions A Comparative Study on the Motif of "Difficult Marriage Proposal" in the Folk Narrative Literature of the Korean Ethnic Group and the Manchu-Tungusic Ethnic Groups Beibu Gulf University, China, People's Republic of Open Group Individual Submissions Could Body Images of Women Be Perceived in the Book of Changes? -- A Gender Perspective of Margaret J. Pearson’s Interpretation Yuelu Academy, Hunan University, China, People's Republic of Open Group Individual Submissions Body as Construction of Subjectivity in Eudora Welty’s The Golden Apples Sichuan University Open Group Individual Submissions The Gamified Body: Animal Metaphors of the Female Body in Philip Roth’s Fiction Sichuan University, China, People's Republic of Open Group Individual Submissions Performance Metaphors for Female Body Imagery in Richard Yates' Fiction Southern Medical University, China, People's Republic of Open Group Individual Submissions Reimagining the Female Body: A Luce Irigarayan Analysis of Angela Carter's Novels Chongqing University, China, People's Republic of Open Group Individual Submissions Sylvia Plath's Literary Creation of the A Study of Body Image Sichuan University, China, People's Republic of |
(188) Authorship and Technology (1) Location: KINTEX 1 307 Chair: Xi'an GUO, Fudan University Open Group Individual Submissions Between Tech and Technê: An Alternative History of Early Chinese Authorship Boston University, United States of America Open Group Individual Submissions The Author-Persona and the Object-Technology: Invention of Reading Furniture and Literary Self-representation in Medieval China Yale University, United States of America Open Group Individual Submissions Copying as Writing: Reproductive Technology of Texts and Authorial Intentionality CUHK, Hong Kong S.A.R. (China) Open Group Individual Submissions The Author as Producer: Research on Lu Xun's Literary Thought in the 1930s Beijing Normal University, China, People's Republic of |
(106) Location: KINTEX 2 305A |
(107) Digital humanities (ECARE 7) Location: KINTEX 2 305B Chair: Debasmita Sarkar, Shri Ramasamy Memorial University Sikkim ECARE/NEXT GEN Individual Submissions Reimagining Neo-Confucian Diagrams: Insights from 3D Animation Linnaeus University, Sweden ECARE/NEXT GEN Individual Submissions Virulents and the Viral: Rhizomatic Horror in the Digital Age Shri Ramasamy Memorial University Sikkim, India ECARE/NEXT GEN Individual Submissions “Cartography of the Borderlands” in the Global South: Diaspora Identities and National Allegories in Borderland Spaces in Postcolonial Contexts University of Georgia, United States of America |
(108) East - West exchanges 1 (ECARE 8) Location: KINTEX 2 306A Chair: Xinchen Lu, East China Normal University ECARE/NEXT GEN Individual Submissions The Study of Faulkner in China from the Perspective of Comparative Literature Ocean University of China, China, People's Republic of ECARE/NEXT GEN Individual Submissions Aeromobility and Aviation Literature in China and in the West Hainan Normal University, China, People's Republic of China ECARE/NEXT GEN Individual Submissions Showcasing the Diversified Oriental Aesthetics: A Comparative Study of Theatrical Theories between Natyasastra and Xian Qing Ou Ji East China Normal University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Bob Dylan's Acceptance of the Chinese Classic I Ching(易经) School of Foreign Languages, Xiangtan University, China, People's Republic of |
(109) East - West exchanges 2 (ECARE 9) Location: KINTEX 2 306B Chair: Yushu Huang, Shanghai Jiao Tong University ECARE/NEXT GEN Individual Submissions A Comparative Study of Female Madness in Frog and Beloved from an Ethical Perspective Shanghai Jiao Tong University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Reconstructions and Reflections: A Comparative Study of the Historical Narratives in The Sound and the Fury and The Mountain Whisperer Northwestern Polytechnical University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Chinese's "Chic": Li Jianwu's Adaptation of Macbeth Zhejiang University, China, People's Republic of |
(110) Ecocriticism and the Anthropocene (ECARE 10) Location: KINTEX 2 307A Chair: Cynthia Yingjuan Lin, Peking University ECARE/NEXT GEN Individual Submissions The Call of the Wild ---- The Animal Ethics and Rhetoric of Ecological Novels HongKong Baptist University, Hong Kong S.A.R. (China) ECARE/NEXT GEN Individual Submissions Deconstruction of anthropocentrism and alternatives to post-humanism: Focusing on Agustina Bazterrica’s "Tender is the Flesh" Hankuk university of foreign studies, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions Urban Wildernesses: Searching for a Unity of Nature and Man in Can Xue’s Barefoot Doctor Peking University, China ECARE/NEXT GEN Individual Submissions Repositioning Human-nonhuman Binaries through Ecophobia: A Study of Classic of Mountains and Seas Hong Kong Baptist University, Hong Kong S.A.R. (China) |
(453) Digital is Everywhere Location: KINTEX 2 307B Chair: Jungman Park, Hankuk University of Foreign Studies Open Group Individual Submissions Le progrès technologique vu par Michel Houellebecq : utopie ou dystopie ? Centre de Recherches sur les Littératures et la Sociopoétique (CELIS), Université Clermont Auvergne, France Open Group Individual Submissions La technologie est-elle un défi pour l’approche des extraits littéraires en FLE ? Université Phenikaa, Viet Nam Open Group Individual Submissions Digital (dis-) Embodiment and the Rhetoric of Belonging: Reimagining Queer Chinese Diaspora in Cyberspace Western University, Canada Open Group Individual Submissions Digital Ramrajya: The Political Reimagining of an Ancient Ideal in the Age of Social Media Tsinghua University, China, People's Republic of ICLA Research Committee Individual Submissions From the Death of the Author to Digital Darwinism: Teaching with Artificial Intelligence, Digital Media, and the Resilience of Identity Independent Research, United States of America |
499 Location: KINTEX 2 308A |
5:00pm | ECARE Reception Location: KINTEX 1 Grand Ballroom Chair: Emanuelle Santos, University of Birmingham ICLA ECARE Committee ReceptionOpening Address Emanuelle Santos, Chair of ECARE Committee, University of Birmingham, UK Lucia Boldrinii, President of ICLA, Goldsmiths, University of London, UK Youngmin Kim, Congress Chair, 2025 ICLA Congress Seoul, South Korea Open Mike for NEXT.GEN Session Chairs |
Date: Tuesday, 29/July/2025 | ||||||||||||||||||||||||||||||
9:00am - 10:40am |
Keynotes: Uchang Kim & David Damrosch Location: KINTEX 1 Grand Ballroom Chair: Hyungji Park, Yonsei University https://youtube.com/live/IfTVjPkFpG0?feature=share |
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11:00am - 12:30pm |
(189) Translation Studies (1) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University ICLA Research Committee Individual Submissions Collaborative Translation of Indigenous Literature: Digitization and Preservation Sikkim University, India ICLA Research Committee Individual Submissions LLMs and Creative Translation: Decolonial Methods in Human-AI collaboration The English and Foreign Languages University, Hyderabad, India, India ICLA Research Committee Individual Submissions Digital Reading Now: How Does Meaning Travel The University of Amsterdam, Netherlands, The ICLA Research Committee Individual Submissions Convergences of Information Literacy and Translation Literacy Brigham Young University, United States of America |
(190) South Asian Literatures and Cultures (1) Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat ICLA Research Committee Individual Submissions Tracing Liminality: Performing Decolonization in South Asia Jadavpur University, India Open Group Individual Submissions Revisiting Tagore's Vishyasahitya: The Development and Contemporary Relevance of Comparative Literature Institute of Comparative Literature and Culture, Jahangirnagar University, Bangladesh, People's Republic of ICLA Research Committee Individual Submissions Decolonizing Literary Discourse: The Emergence of Comparative Literature in Post-Independence India Jadavpur University, India ICLA Research Committee Individual Submissions Politics of Categorization and Idea about ‘World Literature’: An Indian Perspective Visva-Bharati, India |
(191) Comics Studies and Graphic Narrative (3) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University ICLA Research Committee Individual Submissions M’quidech : l’héroïsme à l’algérienne Université ,Echahid Cheikh Larbi Tebessi.Tébessa. Algérie Open Group Individual Submissions Yearning for Girls and for Selkies: Lesbian coming-of-age in The Girl from the Sea and Laura Dean Keeps Breaking Up with Me UCL, United Kingdom ICLA Research Committee Individual Submissions Drawing the Ghosts Away: Graphic Narrative as a Medium for Trauma, Postmemory, and Healing in Feeding Ghosts Chungbuk National University, Korea, Republic of (South Korea) ICLA Research Committee Individual Submissions Cha Cha on the Bridge: AI Heroes Yonsei University, Republic of (South Korea) |
(192) Scriptural Reasoning and Comparative Studies (1) Location: KINTEX 1 206A Chair: Chengzhou He, Nanjing University ICLA Research Committee Individual Submissions A brief discussion on the tradition of Jewish classical exegesis Nanjing University, China, People's Republic of ICLA Research Committee Individual Submissions After / Behind the Mutual-interpretations of Logos and Dao: An Invitation Updated Renmin University of China, China, People's Republic of Group Session Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age
Open Group Individual Submissions Scriptures, Law, Humanity Aarhus University, Denmark |
(193) Factory of the present: literature, culture and criticism in the Global South Location: KINTEX 1 206B Chair: Rachel Esteves Lima, Federal University of Bahia Open Group Individual Submissions Between Disorder and Return: The Brazilian National Flag Remixed for the 21st Century Federal University of Bahia, Brazil Open Group Individual Submissions Beatriz Sarlo and Leyla Perrone-Moisés: Crossed paths University of São Paulo, Brazil Open Group Individual Submissions The Expanded Field of Literature and its Relationship with the Arts and Media Universidade Federal de Minas Gerais, Brésil Open Group Individual Submissions Vagues de résistance: littérature et insurrections contemporaines Federal University of Bahia, Brazil Open Group Individual Submissions Comparativism Today and the Foundation of the World Republic of Global-South Letters Universidade Federal de Juiz de Fora, Brazil |
(194) Global Renaissances (2) Location: KINTEX 1 207A Chair: Gang Zhou, Louisiana State University Open Group Individual Submissions The First Nahḍawī: Shaykh Ḥasan al-‘Aṭṭār as a Beacon of Indigenous Modernity The American University of the Middle East, Kuwait Open Group Individual Submissions Multiple Renaissances: A Thesis Louisiana State University, United States of America Open Group Individual Submissions Moderator UC Davis, United States of America Open Group Individual Submissions Global Renaissances National University of Singapore |
(195) Ghosts and SF (Canceled) Location: KINTEX 1 207B Chair: JIHEE HAN, Gyeongsang National University Foreign Sessions (Foreign Students and Scholars Only) Trauma, the Body, and Ghosts: On Corporeal Politics and the Resistance of Memory in Han Kang's Literature SICHUAN University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) The Life Paradox of Uploaded Consciousness: A Posthumanist Reading of Disembodied Digital Selves in Science Fiction Shanghai University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Chinese Space-themed Science Fiction: Rise, Western Influences and Cultural Roots Shanghai University, China, People's Republic of |
(196) Approaching Nonhuman Narrative in World Literature (3) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions Non-human Narratives in Amy Tan’s The Bonesetter’s Daughter and Lisa See’s The Tea Girl of Hummingbird Lane Beijing International Studies University, China, People's Republic of China Open Group Individual Submissions Encountering the Non-Human with Narrative Form: J. M. Coetzee’S The Lives Of Animals University of Electronic Science and Technology of China, China, People's Republic of Open Group Individual Submissions BEYOND THE FERMI PARADOX: ALIEN NARRATIVES AND CHINESE EPISTEMOLOGY IN LIU CIXIN’S SCIENCE FICTION Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions Pain, Pleasure, Preference: Consider the Lobster and Dilemmas of Animal Narratives Tongji University, China, People's Republic of Open Group Individual Submissions Redefining Humanity in the Posthuman Context: Emotional Narratives of AI in Klara and the Sun Harbin Engineering University, China, People's Republic of Open Group Individual Submissions Repositioning Human-nonhuman Binaries through Ecophobia: A Study of Classic of Mountains and Seas Hong Kong Baptist University, Hong Kong S.A.R. (China) Open Group Individual Submissions From Window to Heart: Human-machine Coexistence and Emotional Evolution in Klara and the Sun Ningxia University, China, People's Republic of Group Session Pain, Pleasure, Preference: Consider the Lobster and Dilemmas of Animal Narratives
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(197) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (1) Location: KINTEX 1 208B Chair: Yukari Yoshihara, University of Tsukuba Open Group Individual Submissions American Literature in the Cold War Transpacific: Limin Chu as a Case Study National Tsing Hua University, Taiwan, Taiwan Open Group Individual Submissions Canada’s Cold War Cultural Diplomacy and the Nicheness of CanLit Nihon University, Japan Open Group Individual Submissions Tradition in the Nuclear Age University of Tsukuba, Japan |
(198) Literary Theory Committee Location: KINTEX 1 209A Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France ICLA Research Committee Individual Submissions Towards a New Praxis: Literary Research after the Decolonial Turn University of Birmingham, United Kingdom ICLA Research Committee Individual Submissions “Je est un autre” – “I is Another”. A Poetics of Who is Who and the Question of Artificial Intelligence Ruhr-University of Bochum/Germany, France |
(199) Existence Precedes Essence: (Post)Colonial Reconciliations (1) Location: KINTEX 1 209B Chair: Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India Open Group Individual Submissions To Be or Not To Be: The Oppressions of Binary in the Act of Categorisation Delhi University, India Open Group Individual Submissions The Indic Gaze on ‘North-East’ India: Syllabi and Politics of Publication The English and Foreign Languages University, Hyderabad., India Open Group Individual Submissions Some Comments on What is Postcolonial about Postcolonial Literature University of Massachusetts, Amherst, United States of America Open Group Individual Submissions “A City for the Two of Us:” Queer Desire as Dialogic ‘Method’ The English and Foreign Languages University, Hyderabad, India Open Group Individual Submissions "My Autobiography of Carson McCullers": The Exploration of Queer Identity, Textual Innovation and Social Scrutiny Sichuan University, China |
(200) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (3) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University Open Group Individual Submissions On Ethics between Human and Robot in Science Fiction from the Perspective of Ontology Tianjin Normal University, China, People's Republic of Open Group Individual Submissions Questioning on the Existence of “the Perfect Machine” ——A Study on the Human-Machine Relationship in 2001: A Space Odyssey and The Intuitionist Northwestern Polytechnical University, China, People's Republic of Open Group Individual Submissions From Myth to The Absurd: Irrational World in Hyperion Sichuan University, China, People's Republic of Open Group Individual Submissions Ethical Interpretation of Artificial Intelligence in Science Fiction Novels: The Construction of an Ethical Community between Intelligent Robots and Humans in Machines Like Me and Professor Shalom’s Confusion Renmin University of China, China, People's Republic of China Open Group Individual Submissions Imaginative Practices through the Lens of Science Fiction Anthropology: The Case of Lenghu Mars Town Sichuan University, China, People's Republic of |
(201) Travelling Nations: Romanian Literature as World Literature Revisited (1) Location: KINTEX 1 210B Chair: Andrei Terian, Lucian Blaga University of Sibiu Open Group Individual Submissions For a Post-Imperial "Zukunftswissenschaft": Dora d’Istria and Hugo Meltzl, or how Mobilities Shaped Early Literary Comparatism Babeș-Bolyai University, Romania Open Group Individual Submissions Ideological World Literature Networks of Romanian Diaspora Writers Lucian Blaga University of Sibiu, Romania Open Group Individual Submissions Romanian Writers Abroad: Two Forms of Transnationalism (1918–2020) Lucian Blaga University of Sibiu, Romania Open Group Individual Submissions Queering the National: Intersectionality and Worlding in Moldovan-Romanian Double Diaspora's Literature Alexandru Ioan Cuza University of Iasi, Romania Open Group Individual Submissions “边缘”的新声:早期东南亚华文报刊中的新诗研究 Shanghai Normal University, China, People's Republic of |
(202) Patterning of Literature Location: KINTEX 1 211A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions The Comparative Study on Shakespeare`s The Merry Wives of Windsor and Rescued by a Coquette Drama of Yuan Zaju-Focusing on Female Ethical Choices Harbin Engineering University, People's Republic of China Open Free Individual Submissions The Meaning of “Pattern”: The Logic of Perception in Peter Handke's “Die Wiederholung” Fudan University, China, People's Republic of Open Free Individual Submissions Varying Contours of Absurdity: Beckett, Pinter, and Sriranga The English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions Decoding ‘the counter-narrative’: Inter-artistic comparative discussion between John Milton’s epic poem 'Paradise Lost' and Alexandre Cabanel’s painting 'Fallen Angel' Jahangirnagar University, Dhaka, Bangladesh, |
(203) How Korean Readers Adopt Changes Location: KINTEX 1 211B Chair: Seonggyu Kim, Dongguk University Host Sessions (Korean Students and Scholars Only) <심청전>에 나타나는 ‘안도’의 지점과 그 의미 탐색 Mokpo National University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Voicing Women in Contemporary Korean Legal Culture: Women and Justice as Represented in Korean Pop Culture Sungkyunkwan University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Rewriting the Reader: From Novela Negra to Digital Detective Games Hankuk University of Foreign Studies, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Epistemological Significance of the Concept of "Stylization" in Kim Hyeon's Early Criticism Gyeongkuk National University, Korea, Republic of (South Korea) |
(204) Meaning of historicization of trauma and violence in Han Kang’s literary works. Location: KINTEX 1 212A Chair: Dae-Joong Kim, Kangwon National University Open Group Individual Submissions Ecofeminism and Psychological Trauma: An Ecofeminist Study of The Vegetarian Universidade do Minho, Portugal Open Group Individual Submissions Embracing the Wounds of the Past - Historical Violence and Inherited Family Trauma in The White Book by Han Kang University of Warsaw, Poland Open Group Individual Submissions The Limits and Dimensions of Poetry: A Study of the “Poetic” in Han Kang Poetry Sichuan University,China Open Group Individual Submissions Meaning of historicization of trauma and violence in Han Kang’s Kangwon National University, Korea, Republic of (South Korea) Open Group Individual Submissions Exploring Liminality in Historical Testimony: A Comparative Study of Han Kang and Breyten Breytenbach HUFS, Korea, Republic of (South Korea) |
(205) Mutual Learning of Civilizations and Reconstruction of World Literature (3) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions Reconstructing World Literature: Kazuo Ishiguro’s Transformation of Kafka in the Manuscript Tsinghua University, China, People's Republic of Open Group Individual Submissions On Rewriting World Art History in the Context of Globalization Sichuan University, China, People's Republic of Open Group Individual Submissions Linking Chinese Literature with the World: Sinologist Carlos Rojas as a Translator Sichuan University, China, People's Republic of Open Group Individual Submissions Research on the Cultural Communication of Bashu Academy under the Background of Civilization Mutual Learning Media and Cultural Industry Sichuan University, China, People's Republic of Open Group Individual Submissions Writing Chinese Secular Culture in Fuchsia Dunlop's Shark's Fin and Sichuan Pepper Sichuan University, China, People's Republic of |
206 Location: KINTEX 1 213A |
(207) JCLA-KCLA Joint Session Roundtable (1) Location: KINTEX 1 213B Chair: Sung-Won Cho, Seoul Women's University Host Sessions (Korean Students and Scholars Only) JCLA-KCLA Joint Session Roundtable Sookmyung Women's University Foreign Sessions (Foreign Students and Scholars Only) Recent Trends in Comparative Literature in Korea and Japan University of Tokyo Host Sessions (Korean Students and Scholars Only) about KCLA and Comparative Literature in South Korea Incheon National University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Recent Trends in Comparative Literature in Korea and Japan Kyushu University, Japan |
(208 H) Revisiting Narratology: From East Asian Perspectives Location: KINTEX 1 302 Chair: Shiho Maeshima, University of Tokyo Group Session Revisiting Narratology: From East Asian Perspectives
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(209) Body Image(s) of Women in Literature (3) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions Ageism, Sexism, and Abjection in “The Substance” by Coralie Fargeat (2024) UNICAMP/ICLA, Brazil Open Group Individual Submissions Reinterpreting the New Nora Myth in Mainland China: An Analysis of Like a Rolling Stone Nanjing University, People's Republic of China Open Group Individual Submissions Behind the Misogyny: Uglitic Appreciation of Womanhood and Reformism in Jonathan Swift’s Works Sichuan University, China, People's Republic of Open Group Individual Submissions The Self-Representation of Body Images in the Nonfiction Writing of Chinese Domestic Workers Shihezi University;Beijing Hǎoyù Family Service Company Open Group Individual Submissions The Normativity of Mental Illness Treatment in American Novels of the 1950s Sichuan University, China, People's Republic of Open Group Individual Submissions A Research of the Images of “Nursing Mothers” of Chinese Literature during the 1950s Xiamen University of Technology, People's Republic of China Open Group Individual Submissions The Distressed Body and the Enchanted Narrative in Xue Mo’s Novel Curses of the Kingdom of Xixia University of Arizona, United States of America Open Group Individual Submissions Images of the Impaired Female Body in US-American Novels (1990-2020) 1: Sichuan University, P.R. of China; 2: Sichuan University, P.R. of China Open Group Individual Submissions On the Perception of the Body in Han Jiang's Poetry 1: HuBei University, China, People's Republic of; 2: HuBei University, China, People's Republic of |
(210) Religion, Ethics and Literature (1) Location: KINTEX 1 307 Chair: Kitty Millet, San Francisco State University Group Session Literature as a Heretical Techne in Modernity
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(111) Film, drama and literature (ECARE 11) Location: KINTEX 2 305A Chair: HANEUL LEE, Yonsei University ECARE/NEXT GEN Individual Submissions Double Take: Fitzgerald’s Literary Translation of Chaplin’s Film Hokkaido University, Japan ECARE/NEXT GEN Individual Submissions Dramatizing Intellectuals Across Epochs: A Comparative Study of Tian Han’s Guan Hanqing and Mohan Rakesh’s Ashadh Ka Ek Din Tsinghua University, China, People's Republic of ECARE/NEXT GEN Individual Submissions The sensual poetics of heart: The interaction between language and image in Park Chan-wook's film Decision to Leave Yonsei University, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions Debating Postnational Narration: Gombrowicz in the Parisian theatre University of Oxford |
(112) Futurity, the environment and tech (ECARE 12) Location: KINTEX 2 305B Chair: Mingyang Liu, The University of Hong Kong ECARE/NEXT GEN Individual Submissions Le progrès technologique vu par Michel Houellebecq : utopie ou dystopie ? Centre de Recherches sur les Littératures et la Sociopoétique (CELIS), Université Clermont Auvergne, France ECARE/NEXT GEN Individual Submissions Imagining an Alternative Eco-Future: Technology, Ecology, and Bodies in The Ozone Layer Vanishes (1990) University of California, San Diego, United States of America ECARE/NEXT GEN Individual Submissions Visual Expression of China's Future: Affective Mechanisms and Societal Imaginary Symptomatology in the "Sino-topia" of Grand-Infrastructure The University of Hong Kong, Hong Kong S.A.R. (China) |
(113) Imagining space, movement and crossing (ECARE 13) Location: KINTEX 2 306A Chair: Meghan Elizabeth Hodges, Louisiana State University ECARE/NEXT GEN Individual Submissions Resistance and subversion from the space of the line : geocritical perspectives Université Sorbonne Paris Nord, France ECARE/NEXT GEN Individual Submissions Mapping Female Wanderlust: Spatial Cartographies, Urbanity, and the Feminine Journey in Film National University of Singapore, Singapore ECARE/NEXT GEN Individual Submissions When Worlds Collide (or Don't): Literature and Geography in the Nineteenth Century Louisiana State University, United States of America ECARE/NEXT GEN Individual Submissions Metropolis after Digital Narrativity: Istanbul by Korean Travelers Eskisehir Osmangazi University, Turkiye |
(114) Interactive fiction and digital platforms (ECARE 14) Location: KINTEX 2 306B Chair: Laura Madeleine Kinzig, Georg-August-University of Goettingen ECARE/NEXT GEN Individual Submissions From Ithaca to E-thaca: Rethinking Literary Hermeneutics in the Age of Interactive Fiction through 'A Web Odyssey' Georg-August-University of Goettingen, Germany ECARE/NEXT GEN Individual Submissions Working-class Girls Meet Their Prince Punk: The Rise of Internet Fiction as a Female-led Genre University of Oregon, United States of America ECARE/NEXT GEN Individual Submissions VR and the Self: A Multimodal and Accessible Model for Literary Learning University of Michigan, United States of America |
(115) Intermedial craft 1 (ECARE 15) Location: KINTEX 2 307A Chair: Masako Hashimoto, National Institute of Technology Numazu College ECARE/NEXT GEN Individual Submissions Housun and the Creative Woodblock Print Movement: The Fusion of Art, Literature, and Technology in Modern Japan National Institute of Technology Numazu College, Japan ECARE/NEXT GEN Individual Submissions Mythology, Chimaera Women and Golden Texts: Intermediality as Gender Critique in Indonesian Contemporary Art Nanyang Technological University, Singapore ECARE/NEXT GEN Individual Submissions Cross-Media Music Narrative in Joyce Carol Oates’ “Where Are You Going, Where Have You Been” the School of Foreign Studies of Zhongnan University of Economics and Law (ZUEL), China, People's Republic of ECARE/NEXT GEN Individual Submissions Intermedia Art: A Multimodal Analysis of Li Shun’s Art Exhibition “Capture the Light and Shadow” Hangzhou Normal University, China, People's Republic of |
Special Session I: UNESCO Memory of the World (MoW) Location: KINTEX 1 Grand Ballroom Chair: Youngmin Kim, Dongguk University 2025 ICLA CONGRESS SPECIAL SESSION1 - YouTube Special Session I: UNESCO Memory of the World (MoW) Memory of the World: A Cooperation between the ICLA and the UNESCO Documentary Heritage Programme
Part I: Podium Chair: Youngmin Kim Chair, Organizing Committee of the 2025 International AILC/ICLA Congress Speakers: 1) Jan Bos Chair, MoW International Advisory Committee (IAC). Title: What is the Memory of the World program and how does it relate to ICLA? Short description of talk: Vision, mission, short history and present activities of the Memory of the World program The Memory of the World International Register Memory of the World and ICLA: areas of common interest
2) Lucia Boldrini President, International Comparative Literature Association (AILC/ICLA, 2022-2025) Title: The Critical Eye of Comparative Literature Short description of talk: In my presentation I will consider not only the importance the ICLA’s partnership with the Memory of the World programme, but also how it can provide a necessarily critical eye, thanks to its long history of engaging in and with the criticism and self-criticism of the disciplines of comparative literature, world literature and translation, individually and in their combination, in their histories and their practices. This can bring nuance and complexity to apparently straightforward assumptions about the intrinsic value of activities such as literary comparison, or translation as bridge-building.
3) Lothar Jordan Chair, MoW Sub-Committee on Education and Research (SCEaR) Title: Memory of the World and Comparative Literature: How We Can Work Together.
Short description of talk: The Presentation introduces some fields of education and research that are interesting for both Comparative Literature and the UNESCO Memory of the World Programme (MoW) like the history of translators and translations, the reconstruction of Lost Memory, e.g. of dispersed libraries, the relation between oral literature and documentation, and some more.
4) E.V. Ramakrishnan Chair, AILC/ICLA Standing Research Committee on South Asian Literatures and Cultures Title: Translation as Palimpsest: From Textual Traces to Cultural Archives
Short description of talk: Oral cultures of memory conceive of 'texts' and 'archives' differently. While mediating between 'subcultures' and 'dominant cultures', interculturally or intra-culturally, translation often takes on the role of a legitimating agency, thereby misrepresenting the nature of cosmologies they (subcultures) are founded upon.
Part II: Signing Ceremony of an Agreement: MOU UNESCO Memory of the World Programme
Signees: UNESCO Memory of the World Jan Bos Chair, International Advisory Committee (IAC) Lothar Jordan Chair, Sub-Committee on Education and Research (SCEaR) Joie Springer Chair, Register Sub-Committee (RSC)
AILC/ICLA Lucia Boldrini AILC/ICLA President (2022-2025) Ipshita Chanda AILC/ICLA Secretary (2022-2025) Youngmin Kim Chair, Organizing Committee of the XXIV International AILC/ICLA Congress Special Sessions What is the Memory of the World program and how does it relate to ICLA? UNESCO Special Sessions The Critical Eye of Comparative Literature Goldsmiths, University of London Special Sessions Memory of the World and Comparative Literature: How We Can Work Together. UNESCO Special Sessions Translation as Palimpsest: From Textual Traces to Cultural Archives Central University of Gujarat, India. |
(454) Remembering and Forgetting Location: KINTEX 2 307B Chair: Jun Soo Kang, anyang University Open Group Individual Submissions An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title Central South University, China, People's Republic of Open Group Individual Submissions Reading The Sorrows of Young Werther in Early Twentieth-century China The University of Warwick, United Kingdom Open Group Individual Submissions Dilemma of Forgiveness: Between Remembering and Forgetting in Tan Twan Eng’s Novels Queen Mary University of London, United Kingdom Open Free Individual Submissions Sacrifice As An Archetype In The Characters Of Hector And Odysseus Emerging In Meghanada The English and Foreign Languages University, India ICLA Research Committee Individual Submissions Literary and Historical Dimensions of Pain and Trauma - Psychometrics and Metaphysical Entity 1: Bhupal Nobles' University Udaipur Rajasthan, India; 2: Department of English, School of Media Studies and Humanities, MRII of Research and Studies, New Delhi; 3: Techno India University, West Bengal; 4: Shri Shikshayatan College, Calcutta University; 5: W.R. Government College, Deomali Arunachal Pradesh; 6: Shri Shikshayatan College, Calcutta University; 7: REVA University, Bengaluru; 8: Gandhi Institute of Engineering and Technology, Odisha; 9: EFLU Regional Campus Shillong; 10: Hemchand Yadav University, Durg, (C.G.); 11: Hemchand Yadav University, Durg, (C.G.); 12: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 13: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 14: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 15: Institute of Law, Kurukshetra University, Haryana; 16: MRII of Research and Studies, New Delhi; 17: B.R.Ambedkar University, Delhi; 18: Central University of Rajasthan, Kishangarh, Ajmer, Rajasthan; 19: Jawaharlal Nehru University, New Delhi; 20: Faculty of Law and Justice, UNSW, Sydney; 21: University of Oxford, UK; 22: Manav Rachna International Institute of Research and Studies, New Delhi |
504 Location: KINTEX 2 308A |
1:30pm - 3:00pm |
(211) Translation Studies (2) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University ICLA Research Committee Individual Submissions Translating the Self: Maja Lee Langvad's Transnational Autofictional Narrative Identities Brigham Young University, United States of America ICLA Research Committee Individual Submissions Translating Posthuman’s Power: A Subversion-Containment Analysis of Human’s and GenAI’s Rewriting East China Normal University, China, People's Republic of ICLA Research Committee Individual Submissions The Mantle of a Multi-hyphenate Translator Ateneo de Manila University, Philippines ICLA Research Committee Individual Submissions Deleuze en Chine : traduire pour un savoir local Nanjing University, China, People's Republic of |
(212) South Asian Literatures and Cultures Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat ICLA Research Committee Individual Submissions Beyond the bloodshed: Poonchi life-writings of survival and re-consolidation Panjab University, India ICLA Research Committee Individual Submissions Disability & Struggle among Religious Minorities of India: Naseema Hazruk’s The Incredible Story & Preeti Monga’s The Other Senses University of Allahabad, India ICLA Research Committee Individual Submissions Beyond ‘Mother India’ and ‘New Indian Woman’: Indian educated middle-class women in Partition Novels University of Science and Technology Beijing, Beijing, China, China, People's Republic of |
(213) Comics Studies and Graphic Narrative (4) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University ICLA Research Committee Individual Submissions Heroes and Anti-Heroes in Polish Comic Book Westerns University of Warsaw, Poland Foreign Sessions (Foreign Students and Scholars Only) Moloch as Anti-Hero, Carl Solomon as Hero: Reconfiguring Howl in Graphic Form 1: RV University, Bengaluru, India; 2: St. Joseph's University, Bengaluru, India ICLA Research Committee Individual Submissions Asterix and the Postmoderns: History, Resistance, and Empire in the 20th Century University of São Paulo, Brazil |
(214) Scriptural Reasoning and Comparative Studies (2) Location: KINTEX 1 206A Chair: Chengzhou He, Nanjing University ICLA Research Committee Individual Submissions Confucianism and Its Contemporary Relevance to Ecological Thinking Nanjing University, China, People's Republic of ICLA Research Committee Individual Submissions Secret Resonance: An Exploration on the Relationships between Confucianism and Western Aesthetic Modernity Fudan University, China, People's Republic of ICLA Research Committee Individual Submissions Comparison and Integration: Confucius’ Gantong Theory , Marx's Practical Aesthetics and Kant's Thoughts of "Sensus Communis"—— An Attempt to Explore a New Kind of Aesthetics through Confucius, Marx and Kant Wuhan University, China, People's Republic of ICLA Research Committee Individual Submissions The Fragmentary Chinese History in Finnegans Wake Nanjing University, China, People's Republic of |
(215) Diaspora of the Ghazal Location: KINTEX 1 206B Chair: JIHEE HAN, Gyeongsang National University Open Group Individual Submissions Adapting the Ghazal to English and German: Zeina Hashem Beck and Jan Wagner United Arab Emirates University, United Arab Emirates Open Group Individual Submissions Yalli Yalli or Yali Hali: A Reading of Cheongsanbyeolgok as a Korean Ghazal Gyeongsang National University, Korea, Republic of (South Korea) Open Group Individual Submissions Diverse Musical Influences: Ghazal Performance in Pakistan: Gyeongsang National university,korea, Republic of (South korea). Open Group Individual Submissions Translating the Nonverbal in Diasporic Ghazals: A Cultural Turn Approach UAE University, United Arab Emirates |
(216) Linguistic and Cultural Negotiations in Contemporary Novels and Films Produced in Hong Kong, Japan, and North America Location: KINTEX 1 207A Chair: Jessica Tsui-yan Li, York University Open Group Individual Submissions Ghost Narrative and the Politics of Recognition: the Intervention Writing of Amy Tan's The Bonesetter's Daughter Sun Yat-sen University, Guangzhou, China, China, People's Republic of Open Group Individual Submissions Traversing and transforming cultural memory: the “pure language” and future invisibility in Li Kotomi’s An Island Where Red Spider Lilies Bloom Middlebury College, United States of America ICLA Research Committee Individual Submissions Eileen Chang’s The Greatest Wedding on Earth (1962) York University, Canada ICLA Research Committee Individual Submissions Transcultural Identity: Chinese Opera in Chinese American Literature York University, Canada ICLA Research Committee Individual Submissions The Good Death in Ann Hui's "A Simple Life" Oberlin College, United States of America |
(217) Who Writes the Story? Location: KINTEX 1 207B Chair: Seung-hye Mah, Dongguk University Seoul Campus Foreign Sessions (Foreign Students and Scholars Only) “They Declared War on Fish!” An Eighteenth-century Algerian Malḥūn (Folk Poem) on the 1770 Danish-Norwegian Bombardment of Algiers University of Virginia, United States of America Foreign Sessions (Foreign Students and Scholars Only) Who Writes the Story? AI, Authorship, and Reader Meaning in Digital Narrative Assumption College San Lorenzo, Philippines Foreign Sessions (Foreign Students and Scholars Only) Reconstructing the relationship between “periphery and center” in literature: Exploring the cultural identity of Hong Kong through Novels of Young Hong Kong Drifters writers Beijing Normal-Hong Kong Baptist University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) "Two Mothers Contending for a Son" Narrative in the German-Speaking World in the 20th Century: With a Focus on Klabund's Adaptation of The Chalk Circle Southwest Jiaotong University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Annotations of Some Difficult Phrases and words in the Southwestern Mandarin Documents by Missionaries Sichuan University, China, People's Republic of |
(218) Approaching Nonhuman Narrative in World Literature (4) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions Ontology and Agency: Corpses in Edgar Allan Poe’s Short Stories Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions Making the world of connections visible: nonhuman narrative as world literature Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions The Past and Present of Posthuman Mimetic Desire — An Investigation of a Textual Sequence: Oedipus Rex, The Beast in the Jungle and The Beast Renmin University of China, China, People's Republic of China Open Group Individual Submissions Divine or Demonic?: Reshaping the Image of the Dragon in The Night Eaters Nanjing Normal University, China, People's Republic of Open Group Individual Submissions A Study on the Thing Narrative Function of Lists in Joyce's Ulysses Beijing Normal University, China, People's Republic of Open Group Individual Submissions Towards a Nonhumanist World Literature: Precarious Nonhuman Cosmopolitanisms in Satyajit Ray’s Short Stories Independent Researcher, India Open Group Individual Submissions Translation of Nonhuman Narrative in the Early Period of the Republic of China: On Zhou Shoujuan's Translation of "The Mysterious Bride" Beijing Foreign Studies University, China, People's Republic of |
(219) Cold War East Eurasian Cultural Diplomacy and the Geopolitics of Literature (2) Location: KINTEX 1 208B Chair: Yukari Yoshihara, University of Tsukuba Open Group Individual Submissions Hoki Ishihara and Cultural Cold War University of Tsukuba, Japan Open Group Individual Submissions Working in Cold War cultural networks: Momoko Ishii and Her Library Projects Senshu University, Japan Open Group Individual Submissions Mobilizing Émigré Literature: The Chekhov Publishing House and the Geopolitics of Tamizdat Kyoto Prefectural University, Japan |
(220) Recent Trends in Comparative Literature in Korea and Japan Location: KINTEX 1 209A Chair: Yuriko Yamanaka, National Museum of Ethnology Host Sessions (Korean Students and Scholars Only) JCLA-KCLA Joint Session Roundtable Gyeongkuk National University, Korea Host Sessions (Korean Students and Scholars Only) JCLA-KCLA Joint Session Roundtable Hankuk University of Foreign Studies, Korea Foreign Sessions (Foreign Students and Scholars Only) Recent Trends in Comparative Literature in Korea and Japan Nagoya University of Foreign Studies, Japan Host Sessions (Korean Students and Scholars Only) JCLA-KCLA Joint Session Roundtable Hankuk University of Foreign Studies Foreign Sessions (Foreign Students and Scholars Only) Recent Trends in Comparative Literature in Korea and Japan Tsukuba University, Japan |
(221) Existence Precedes Essence: (Post)Colonial Reconciliations (2) Location: KINTEX 1 209B Chair: Anupama Kuttikat, The English and Foreign Languages University, Hyderabad, India Open Group Individual Submissions Essence Succeeds Existence: Understanding Literary "Representations" School of Oriental and African Studies, United Kingdom Open Group Individual Submissions “Hyphenated Voices and Postcolonial Tensions: Reexamining Identity and Categorization in American Literature” SUNY Binghamton, United States of America Open Group Individual Submissions “Do we talk about…literary creation or about sensationalist personalities?” : How to read “Francophone” Literatures! The English and Foreign Languages University, Hyderabad, India, India Open Group Individual Submissions Reconstructing Fluid Identity through Mobility: The Dynamics of Movements in Mongo Beti's Fiction East China Normal University, China, People's Republic of Open Group Individual Submissions Can Literature ‘Represent’ ‘the Postcolonial’?: A Comparison of the Critical Comments of Indulekha EFLU, Hyderabad, India |
(222) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (4) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University Open Group Individual Submissions Buddha’s Milky Way: Nichiren Buddhism and the Imagination of a Science-Informed Future by Miyazawa Kenji Nanjing University, China, People's Republic of Open Group Individual Submissions Travels of “The Time Machine” in the Cosmopolitan Society: The Future Imagination in The World in 800,000 Years Xi'an Technological University, China, People's Republic of Open Group Individual Submissions “Turning the Wheel”: Kim Stanley Robinson’s Buddhist Transcendence of the Cycle of History in The Years of Rice and Salt Shandong University, China, People's Republic of Open Group Individual Submissions Mapping Uncertainty: Dialogues between SF and Future Foresight Slovak Academy of Sciences, Slovak Republic |
(223) Travelling Nations: Romanian Literature as World Literature Revisited (2) Location: KINTEX 1 210B Chair: Andrei Terian, Lucian Blaga University of Sibiu Open Group Individual Submissions The Politics of Multilingualism in Acta Comparationis Litterarum Universarum Babeș-Bolyai University, Romania Open Group Individual Submissions The Class Consciousness of Romanian Emigrant Realists: From Proletarians and Socialist Vagabonds to Apolitical Seasonal Workers Lucian Blaga University of Sibiu, Romania Open Group Individual Submissions Symbolic Diaspora: German Literature from Romania as World Literature Lucian Blaga University of Sibiu, Romania Open Group Individual Submissions Romanian Serial Authors in Areal and Transareal Contexts: Toward an Anticanonical Concept of World Literature Lucian Blaga University of Sibiu, Romania |
(224) Cultural Context and Translation Location: KINTEX 1 211A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions Ethics Behind the Choices: Opposition and Coexistence between Clones and Communities in Never Let Me Go Harbin Engineering University, China Open Free Individual Submissions Cultural Context and Translation of Nizami’s Sikandarnama: A Comparative Study of Sayeed Alaol’s Adaptation and Captain H. Wilberforce Clarke’s Literal Translation. Jahangirnagar University, Bangladesh, People's Republic of Open Free Individual Submissions Translation Politics and Changing Practices of Translation with AI: Evolution or Devolution? Visva Bharati University, India |
(225) From Homeland to Diaspora Location: KINTEX 1 211B Chair: Seonggyu Kim, Dongguk University Host Sessions (Korean Students and Scholars Only) 구미호와 뱀파이어의 현대적 변용과 사회적 의미 - <트와일라잇> 시리즈와 한국 드라마 <구미호뎐>을 중심으로 Korea University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) From Homeland to Diaspora: The Singular Geographical and Cultural Vision of Kim Yong Ik Kyungnam University, Korea, Republic of (South Korea) |
(226) Métiers et techniques des œuvres plurimédiales: peut-on parler d'arts subalternes? Location: KINTEX 1 212A Chair: Romain Bionda, Université de Lausanne Group Session Métiers et techniques des œuvres plurimédiales: peut-on parler d'arts subalternes ?
Open Group Individual Submissions Fabriques du visible : métiers subalternes, dispositifs éditoriaux et économie politique de la visibilité University of Lausanne |
(227) Mutual Learning of Civilizations and Reconstruction of World Literature (4) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions The Images of Lu Xun in the English-speaking World Beijing International Studies University, China, People's Republic of Open Group Individual Submissions World literature in French: Conceptual Evolution, Research Approaches, and Theoretical Ecology East China Normal University, China, People's Republic of Open Group Individual Submissions The Arabic origins of Gabriel García Márquez’s novels Sichuan University, China, People's Republic of Open Group Individual Submissions A Study of the English Translation of The Great Preface from the Perspective of Hermeneutic Variation Sichuan University, China, People's Republic of Open Group Individual Submissions Dialogue with Faust: the theme of the “new man” in Doctor Zhivago Sichuan University, China, People's Republic of |
(228) Digital Comparative Literature (3) Location: KINTEX 1 213A ICLA Research Committee Individual Submissions Literary Evolution in the Digital Age: How Social Niches Shape Literary Reception on Goodreads 1: University of Verona; 2: RWTH Aachen University ICLA Research Committee Individual Submissions Multilingual stylometry: The influence of language, translation, and corpus composition on authorship attribution accuracy 1: Trier Center for Digital Humanities, Trier University, Germany; 2: Institute of Czech Literature, Czech Academy of Sciences, Czech Republic ICLA Research Committee Individual Submissions Un nouvel outil numérique de visualisation de textes pour la littéraire comparée Université Paris 8, France |
(900) JCLA-KCLA Joint Session Roundtable (2) Location: KINTEX 1 213B Chair: Sung-Won Cho, Seoul Women's University Host Sessions (Korean Students and Scholars Only) JCLA-KCLA Joint Session Roundtable 1: Sookmyung Women's University; 2: Seoul Women's University |
(230 H) Crossing Borders Location: KINTEX 1 302 Chair: Kana Matsueda, Kyushu University Open Free Individual Submissions L'Écriture entre Image et Technologie: perspectives comparatistes Universidade Federal de Minas Gerais (UFMG), Conselho Nacional de Desenvolvimento Cientifico e Tecnologico (CNPq).Brésil Open Free Individual Submissions Perception and Semiotic Interpretation as Otherness in Medieval Texts-Images through St. Bernard of Clairvaux Independent Scholar, Helsinki-Finland Open Free Individual Submissions Wordsworth’s Text-Images of Tintern Abbey: Sacred-Industrial-Romantic Place in Wilderness and Sublime Independent Scholar, Finland Open Free Individual Submissions Crossing Borders of Japanese WWII Repatriate-Writers: Japan, Korea and Russia Kyushu University, Japan |
(231) Body Image(s) of Women in Literature (4) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions Towards a Theoretical Framework for Analyses of Body Images of Women in Literature Sichuan University, China Open Group Individual Submissions Love and the Female Body in Times of War: A Reflection on the Reconfiguration of the “Revolution plus Love” in Modern Chinese Literature The University of Arizona, United States of America Open Group Individual Submissions Memento Mori and Fetishism of Head in Hedda Gabler and Salomé Fudan University, China, People's Republic of Open Group Individual Submissions The Unconscious Enlightenment Through Sensualizing Morality Accomplished by Female Body: The Reversed Disciplining Hidden in Pamela; Or, Virtue Rewarded Wuhan University, China, People's Republic of Open Group Individual Submissions Women, Body, Medium——On Lady Chatterley's Lover and Xi Bao Sichuan university, China, People's Republic of Open Group Individual Submissions Wet bodies: The Blue Humanities and Corporeal Theorizing Sungkyunkwan University, Korea, Republic of (South Korea) Open Group Individual Submissions Ethics, Bound-Foot Fetish, and Sexual Desire Projection: The Triple Body Metaphors of “Cai Fei” University of Electronic Science and Technology of China, China, People's Republic of |
(232) Religion, Ethics and Literature (2) Location: KINTEX 1 307 Chair: Kitty Millet, San Francisco State University ICLA Research Committee Individual Submissions Obituaries as ‘Biography with an Agenda’ in Fin-de-Siècle Hungary Louisiana State University, United States of America ICLA Research Committee Individual Submissions The Snow Leopard and Dolpo: Analyzing Two Tales of Adventure and Spirituality from the West and the East Balkumari College, Bharatpur-2, Chitwan, Nepal, Nepal ICLA Research Committee Individual Submissions "Bianwen": transformation et métamorphose des représentations bouddhiques dans l'autofiction de Lucien Bodard Université de Clermont Auvergne, France |
(116) Knowledge, language and transformation (ECARE 16) Location: KINTEX 2 305A Chair: JIA XI CEN, Guangdong University Of Foreign Studies ECARE/NEXT GEN Individual Submissions A Translation That Never Ends: Anne Carson’s NOX and the Reconfiguration of Epistemology in the Age of AI CUNY - The Graduate Center, United States of America ECARE/NEXT GEN Individual Submissions Disaster and Rescue of Affection: Hypnosis and the Cuture of Electricity in Wu Jianren’s The Fantastic Story of Electricity The Chinese University of Hong Kong, Hong Kong ECARE/NEXT GEN Individual Submissions Knowledge, Theology, and Modernity: Rational Thought in Godwin and Cyrano’s Early Lunar Science Fiction Guangdong University Of Foreign Studies, China ECARE/NEXT GEN Individual Submissions Can fiction be knowledge? A study of Brazilian poet João Cabral de Melo Neto Unicamp, Brazil |
(117) Limitations and possibilities in the Third space (ECARE 17) Location: KINTEX 2 305B Chair: Lúcia de Fátima Oleiro Bentes, Portuguese Public School ECARE/NEXT GEN Individual Submissions The Fixed “Fever” and Transnational “Third Space” In Severance of Ling Ma Renmin University of China, China, People's Republic of ECARE/NEXT GEN Individual Submissions Problematizing the Third Space: A Study of Home Fire and Disgraced University of Georgia, United States of America ECARE/NEXT GEN Individual Submissions Spaces of War in Iman Humaydan Younes’s "B as in Beirut": On a Poetic of ‘in-between space’ Portuguese Public School, Portugal ECARE/NEXT GEN Individual Submissions Intercivilizational Dialogue between China and Germany: An Interpretation of the "Third Space" in the Novels of German-Chinese Writer Luo Lingyuan Shanghai International Studies University, China, People's Republic of |
(118) Literature, media and sensory experience (ECARE 18) Location: KINTEX 2 306A Chair: Yoon Ju Oh, Seoul National University ECARE/NEXT GEN Individual Submissions The Environmentalization of Electronic Media and the Sensory Aesthetic Turn in World Literature Capital Normal University 首都师范大学, China, People's Republic of ECARE/NEXT GEN Individual Submissions Sensory Experience, Media Technology and Discourse Networks: On the Gramophone and the Literary Movement (1911-1927) Fudan University, China, People's Republic of ECARE/NEXT GEN Individual Submissions The Oral Reading of DICTEE as a Shamanistic Ritual Seoul National University, Korea, Republic of (South Korea) |
(119) Literature and material culture (ECARE 19) Location: KINTEX 2 306B Chair: Chenxin Guo, The Chinese University of Hong Kong ECARE/NEXT GEN Individual Submissions Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature English and Foreign Languages University, Hyderabad, India ECARE/NEXT GEN Individual Submissions Material Objects, Natural History, and Culinary Culture: Exploring Cultural Tensions in Late Qing Lingnan through the Paintings and Poetry of Ju Chao 居巢 and Ju Lian 居廉 The Chinese University of Hong Kong, China, People's Republic of |
(120) Literature, memory, history (ECARE 20) Location: KINTEX 2 307A Chair: Di Yan, Northwestern Polytechnical University ECARE/NEXT GEN Individual Submissions A striving pursuit of literary redress: revisiting the lives of “comfort women” in Mary Lynn Bracht’s White Chrysanthemum SOAS, University of London, UK ECARE/NEXT GEN Individual Submissions Between Conformity and Dissent: Remembering the Deportation of 1944 in early post-Soviet Fiction across the North Caucasus University of Regensburg, Germany ECARE/NEXT GEN Individual Submissions A Study on the Rewriting of Caribbean History in V. S. Naipaul’s The Loss of El Dorado Northwestern Polytechnical University, People's Republic of China ECARE/NEXT GEN Individual Submissions Poetry and truth of turning Heroes: the portrayal of Zhu Fusheng's image in newspapers and drum lyrics Shangqiu Normal University, China, People's Republic of |
(455) Colorful Phases Location: KINTEX 2 307B Chair: Jun Soo Kang, anyang University Open Free Individual Submissions Construction, Deconstruction and Reconstruction in Translation: A Study of Translation from the Perspective of Bangladesh Green University of Bangladesh, Bangladesh, People's Republic of Open Free Individual Submissions Cantonese Pirates according to Jorge Luis Borges Lingnan University, Hong Kong S.A.R. (China) Open Free Individual Submissions Memory, Mourning, and Resistance: Marilyn Nelson’s A Wreath for Emmett Till and African American Sonnet Kongju National University, Korea, Republic of (South Korea) |
505 Location: KINTEX 2 308A |
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4:30pm | Opening Ceremony Location: KINTEX 1 Grand Ballroom 2025 ICLA OPENING CEREMONY - YouTube70th AnniversaryThe 24th Congress of The International Comparative Literature Association
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Date: Wednesday, 30/July/2025 | ||||||||||||||||||||||||||||||
9:00am - 10:30am |
(233) Translation Studies (3) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University ICLA Research Committee Individual Submissions THE CHANGING CONNOTATION OF TRANSLATION : PERSPECTIVES AND CHALLENGES IN TRANSLATING LITERATURE Jadavpur University, India ICLA Research Committee Individual Submissions POS Tagging and Grammatical Structures in Tamil Lyrics by a Prominent Lyricist: A Natural Language Processing and Friedman's Model Analysis 1: Department of Computing Technologies, SRM institute of science and technology, Kattankulathur, Chengalpattu, 603203, Tamilnadu, India; 2: Department of Tamil, Central University of TamilNadu, Thiruvarur, 610 005, Tamilnadu, India; 3: Department of English, Jammal Mohammed College (Autonomous), TVS Tolgate, Tiruchirappalli, 620014, Tamilnadu, India ICLA Research Committee Individual Submissions A Statistical Analysis of Vallinam and Idaiyinam Grammar in Tamil Pulavarkal from the 3rd Century BC to the 3rd Century AD. 1: Department of Tamil, Central University of TamilNadu, Thiruvarur, 610 005, Tamilnadu, India; 2: Department of Computing Technologies, SRM institute of science and technology; 3: Department of English, Jammal Mohammed College (Autonomous), TVS Tolgate, Tiruchirappalli, 620014, Tamilnadu, India ICLA Research Committee Individual Submissions Revisiting Shakuntalam's translations: Rethinking cultural translation in a digitized world Rajdhani College, Delhi University, India |
(234) South Asian Literatures and Cultures Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat ICLA Research Committee Individual Submissions Manjushree Thapa : the Voice from Nepal in South Asian Diasporic Studies Jadavpur University, India ICLA Research Committee Individual Submissions Politics of Pathos as Social Commentary in Mahakavi Laxmi Prasad Devkota’s Muna Madan Tribhuvan University, Nepal ICLA Research Committee Individual Submissions Cross-Border Adaptations: The South Asian Context Jadavpur University, India |
(235) Comics Studies and Graphic Narrative (5) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University ICLA Research Committee Individual Submissions “Homages: Graphic Narratives of the War Heroes of Gallup, New Mexico” University of New Mexico-Gallup, United States of America Open Group Individual Submissions (De)colonized Superheroes: Interrogating the ‘Third World’ in Filipino Superhero Komiks University of the Philippines, Diliman, United Arab Emirates Open Group Individual Submissions Iberia Inc, the Americanization of the figure of the hero in Spain Universidad de Alcala, Spain |
(236) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (1) Location: KINTEX 1 206A Chair: Jing Zhang, Renmin University of China Open Group Individual Submissions A Re-understanding of the Centennial History of Chinese Translation of Ancient Greek Tragedy Beijing Language and Culture University, China, People's Republic of Open Group Individual Submissions To navigate difficult pasts through cosmopolitanism? Afrikaans literature and the South African transition University of the Free State, South Africa Open Group Individual Submissions Western Origin of “Synthesis” in Yuan Kejia’s Poetics of “Modernizing Chinese New Poetry” Shandong University, China, People's Republic of |
(237) Digital Comparative Literature (1) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona ICLA Research Committee Individual Submissions Digital World Literature Dongguk University, Korea, Republic of (South Korea) ICLA Research Committee Individual Submissions Crisis of Subjectivity in Technological Networks: Bruno Latour and Impersonal Generation in Digital Age Tsinghua University, China, People's Republic of ICLA Research Committee Individual Submissions Digital Humanities and Publishing Scholarship in the Humanities Sichuan University |
(238) Translating ethics, space, and style (1) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds Open Group Individual Submissions Between Self and Other: Symbolist Writers and the Art of Translation ULB, Belgique Open Group Individual Submissions Fridriech Schleiermacher's Oscillation and the Ethics in Translation Ewha Womans University, Korea, Republic of (South Korea) Open Group Individual Submissions The Translators’ Dilemma: Ethics and Aesthetics of Translating Native Literature into World Literature Sikkim University, India Open Group Individual Submissions Where is Allemonde? Debussy’s Pelléas et Mélisande and the Ethics of Cosmopolitan Hospitality in Turn-of-the-century France University of Oxford, United Kingdom |
(239) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (1) Location: KINTEX 1 207B Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba Open Group Individual Submissions Indirect Translation as an Act of Reform: An Attempt to Translate Jules Verne’s Works into Japanese The University of Tokyo, Japan Open Group Individual Submissions The Journey of a French Detective Novel in Meiji Japan: Tracing the Indirect Translation of Gaboriau’s Le Crime d’Orcival University of Tsukuba, Japan Open Group Individual Submissions Gender Norms Across the West, Japan, and China: The Struggles of Chinese Female Translators in Indirect Translation via Japanese during the Early Twentieth Century University of York, United Kingdom Open Group Individual Submissions Translating Christian Ideals: The Meiji Bible and the Negotiation of Religious Language in Japan Tsukuba University, Japan |
(240) Approaching Nonhuman Narrative in World Literature Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions “Harmless vagaries of a madman”: a comparative study of cannibalism writings of Jonathan Swift, Mark Twain and Lu Xun Shenzhen University, China, People's Republic of Open Group Individual Submissions Visualizing Confidante Culture through Animation Art: Re-examination of Guqin Memory in "Feelings of Mountains and Waters" (ShanShuiQing) Renmin University of China, China, People's Republic of Open Group Individual Submissions The Feline Gaze and Anglo-East Asian Exchanges in Natsume Sōseki’s I am a Cat Central Connecticut State University, United States of America Open Group Individual Submissions Towards an Envisioned Human-Nonhuman Community: The “New Human” Narrative and Ethical Choice in Wang Jinkang’s The Artificial Human East China Normal University, China, People's Republic of Open Group Individual Submissions Meteorology, Apocalypse and Slow Violence: Climate Writings in Gerard Manley Hopkins’s Late Poems Suzhou University of Technology, China, People's Republic of Open Group Individual Submissions Reading D. H. Lawrence’s Vegetal Poetics in the Anthropocene central china normal university, China, People's Republic of |
(241) East meets West: Travellers and Scholars writing about India, Japan and Korea (1) Location: KINTEX 1 208B Chair: zsuzsanna varga, University of Glasgow Open Group Individual Submissions Reworlding Asia from the Below: Affective Mobilities in British Women’s Travel Narrative on Aisa Tsinghua University, China, People's Republic of Open Group Individual Submissions Soundscapes of Otherness: Polish and Serbian Travel Accounts of India, 1859–1914 Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions Eastward Bound: Vicente Blasco Ibáñez in La vuelta al mundo de un novelista Stockton University, United States of America Open Group Individual Submissions Fragment and Frame: Barthes, Buruma, and the Evolving Gaze on Japan Amsterdam University |
(242) Lafcadio Hearn and Asia (1) Location: KINTEX 1 209A Chair: Toshie Nakajima, The University of Toyama Open Group Individual Submissions The inner universe of Lafcadio Hearn : What could be understood from the writing survey of the Hearn Library University of Toyama, Japon Open Group Individual Submissions Shadows of Japan and Haunting Echoes in Virginia: The Clifton Waller Barrett Collection and Lafcadio Hearn’s Legacy The University of Kitakyshu, Japan Open Group Individual Submissions Between Borders: The Shifting Perspectives of Lafcadio Hearn and Yanagi Muneyoshi Tokoha Universtiy Open Group Individual Submissions Lafcadio Hearn and Yone Noguchi: Perspectives on Japan and Japanese Culture The University of Toyama, Japon Open Group Individual Submissions Lafcadio Hearn as a Mediator for Japanese Writers Adopting French Literature Yamaguchi University Open Group Individual Submissions Lafcadio Hearn as a Mediator for Japanese Writers Adopting French Literature Yamaguchi University, Japan |
(243) Ethical Literary Criticism in the Age of Artificial Intelligence (1) Location: KINTEX 1 209B Chair: Sean Hand, University of Warwick Open Group Individual Submissions Technology and Loneliness: Ethics of Artificial Friends in Kazuo Ishiguro’s Klara and the Sun Hong Kong Baptist University, Hong Kong S.A.R. (China) Open Group Individual Submissions Ethical Identity and Ethical Literary Criticism in the Age of Artificial Intelligence Zhejiang University, China, People's Republic of Open Group Individual Submissions Blurring Boundaries: Human-Machine Entanglements in Philip K. Dick’s Do Androids Dream of Electric Sheep? and Ian McEwan's Machines Like Me Dankook University, Korea, Republic of (South Korea) Open Group Individual Submissions Humanistic Concerns of Slaughterhouse-Five in a posthuman framework Northwestern Polytechnical University, People's Republic of China Open Group Individual Submissions Gender, Technology and Post-Modernism: Reading Han Song’s Exorcism University of New South Wales, Australia Open Group Individual Submissions The Regression Towards Inhumanity: The Ethical Implications in Tom McCarthy’s Virtual Realist Fiction Shanghai Jiao Tong University, China, People's Republic of |
(244) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (5) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University Open Group Individual Submissions Narratives of "Homeland" and Writing of Destiny: A Cross-Cultural Comparison of The Wandering Earth and The Songs of Distant Earth 1: Sichuan University, China; 2: Sichuan University, China Open Group Individual Submissions The national salvation strategy in Sakyo Komatsu's “Japan Sinks”: Technology and Cultural Relics 1: Sichuan University, China; 2: Hubei Minzu University, China Open Group Individual Submissions Multi-Agent Dialogic Mechanisms in AI Narratives of Science Fiction: A Perspective from Embodied Cognitive Linguistics College of Foreign Languages and Cultures, Sichuan University |
(245) Comparative Literature in Digital Age Location: KINTEX 1 210B Chair: Minji Choi, Hankuk university of foreign studies ICLA Research Committee Individual Submissions Digital Methods and Peripheral Literary Exchange: Portuguese-Chinese Translation Networks The Chinese University of Hong Kong, Hong Kong S.A.R. (China) ICLA Research Committee Individual Submissions Places, Narratives, and Attitudes: A Computational Analysis of the Local vs. the Global in Modern Arabic Literature American University of Sharjah, United Arab Emirates ICLA Research Committee Individual Submissions One Sphere Two Systems: The Digital Politics of the Chinese Diaspora Florida State University, United States of America Open Free Individual Submissions Relevance of Adaptation of Fiction: A Study Independent Scholar, India Open Free Individual Submissions The Representation of the 'Stranger' in Ukrainian Literature at the End of the Nineteenth Century: An Analysis of Olha Kobilyanska's Short Story ‘Nature’ Kitasato University, Japan |
(246) Modernity, Human, and Nature Location: KINTEX 1 211A Chair: Eun-joo Lee, independent scholar Open Free Individual Submissions The Call of the Wild ---- The Animal Ethics and Rhetoric of Ecological Novels HongKong Baptist University, Hong Kong S.A.R. (China) Open Free Individual Submissions Mirrors of Modernity: The Secularization of Visual Discourse in The Celestial Shadow of the Shanghai Dust Fudan University, China, People's Republic of China Open Free Individual Submissions Facing Nature: Examining the (Im)Permeable Boundaries between Self and Nature in the Poetry of Luís de Camões and Carlos Drummond de Andrade. University of Birmingham, United Kingdom Open Free Individual Submissions Possibilities of Life, Possibilities of Death: A Comparative Reading of 'Daytripper' and 'Chronicle of a Death Foretold' The English and Foreign Languages University, Hyderabad, India Foreign Sessions (Foreign Students and Scholars Only) Possession: A Romance as Ethical Reflection Hangzhou Normal University, China, China, People's Republic of |
(247) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (1) Location: KINTEX 1 211B Chair: Wen Jin, East China Normal University Open Group Individual Submissions Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue East China Normal University |
(248) Oriental Literature in World Literature: Exchanges and Mutual Learning (3) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chairs Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) Open Group Individual Submissions On the Inevitability of the “Succeeding Translation” of Wen-Hsin Tiao-Lung: Comparison of the Four English Translations of “ The Tsan” as an Example Sichuan University, China, People's Republic of Open Group Individual Submissions A Study on the Evolution of Japanese War-Supporting Poetry Southwest Jiaotong University, People's Republic of China Open Group Individual Submissions "Newspeak" or "Hearsay" ?Analysis of the Outward Transmission and Return of Jiandeng Xinhua Sichuan University, China Open Group Individual Submissions The Subjectivity of Translators of Ancient Chinese Literary Thoughts Sichuan University, China, People's Republic of Open Group Individual Submissions The Image of Emperor Qianlong as Seen Through the Eyes of Korean Joseon Dynasty Envoys on the Yanxing Missions yanbianuniversity, China, People's Republic of |
(249) Mutual Learning of Civilizations and Reconstruction of World Literature (5) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions Spatialization of viewing and meaning: The White-haired Girl in English-speaking World Sichuan University, China, People's Republic of Open Group Individual Submissions Reproduction or Reconstruction: Histories of Chinese Literature in the Francophone World Southwest Jiaotong University, China, People's Republic of Open Group Individual Submissions Studies on Chinese Painting and Calligraphy Appreciation and Collection in the Anglophone World Sichuan University Open Group Individual Submissions From "Heavenly Kingdom" to "Way of Humanity": Three Dimensions of Translating the Concept of Tian in The Analects Hunan University, China, People's Republic of Open Group Individual Submissions The Sonnet as World Literature Sichuan University, China |
(250) Polyphony and Semiotics of Literary Symbols (1) Location: KINTEX 1 213A Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities Pre-recorded video by the chair, Dr. Inna Merkoulova https://drive.google.com/file/d/1a-KNgf8qlgny-T5QytwLDxnJMROULFLo/view?usp=sharing
https://disk.yandex.ru/i/gb7yFmCBt40LmA ICLA invite you to the Zoom. Theme: ICLA Session 250
Open Group Individual Submissions The symbolic mode University of Bologna, Italy Open Group Individual Submissions Comparing the Status of Odin and Ali Kishi: Polyphonic Motifs in Folkloric Texts ADA University and Baku Slavic University, Azerbaijan Open Group Individual Submissions Semiotics and polyphony of theatrical enunciation State Academic University for the Humanities and Media Project ARTIST, Russian Federation |
(251) The East Asian Literature from a Global Perspective (1) Location: KINTEX 1 213B Chair: Zhejun Zhang, Sichuan University,China Open Group Individual Submissions A Preliminary Study on the Multiplicity of "Similarity and Difference Factors" and Communication Relations in Comparative Literature Sichuan University, China Open Group Individual Submissions Cultural Interaction and Collective Identity between 19th Century Korean Literati and Qing Dynasty Literati ——Taking Dong Wenhuan's "Autumn Thoughts Singing and Poetry" as the starting point Yanbian unversity, China, People's Republic of Open Group Individual Submissions Research on the Relationship between Yasui Sokken's Zuozhuan Jishi and Textology of Qing Dynasty The College of Literature and Journalism of Sichuan University, China, People's Republic of Open Group Individual Submissions The Female Perspective in the Japanese Translation of Zhang Jie's Works HARBIN INSTITUTE OF TECHNOLOGY,WEIHAI Open Group Individual Submissions The Reception of Records on Entering Shu in Japan and Japanese Modern Literati's Travel Accounts of China Sichuan University, China Open Group Individual Submissions The Transmission and Variation of Yang Guifei's Image in Japanese Literature 四川大学, China, People's Republic of |
(252 H) Exophonic writing in the Era of A.I. Location: KINTEX 1 302 Chair: Benedetta Cutolo, CUNY - The Graduate Center 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : Group Session Exophonic writing in the Era of A.I.
Open Group Individual Submissions L’écriture exophonique à l’ère de l’IA : une étude sur l’usage des outils de traduction automatique par des apprenants de coréen en France Université Lyon 3, France Open Group Individual Submissions Voices from the Outside: The Accidental in Exophony, Diasporic Crossings, and AI The University of Chicago, United States of America Open Group Individual Submissions The Devil Wears ... a Purple Blouse. On the Intertwinement of Domestic and Supernatural Villainy in the Vanessa series (1982-91) 1: Merz Akademie, Germany; 2: AG Comicforschung / Gesellschaft für Medienwissenschaft ICLA Research Committee Individual Submissions Forgotten Figures: Viewing Past and Present Chronicles of Taiwanese Indigenous and African American Cinema, Novels, and Graphic Novels Comparative Literature, University of California Riverside, USA, United States of America |
(253) Intermediality and Comparative Literature (1) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Optional or Necessary? – Theatre and Intermediality Aarhus University, Denmark Open Group Individual Submissions Reconstructing Beckett: Kris Verdonck’s Posthuman Performance in a Cross-Media Perspective 1: Taiyuan University of Technology, China, People's Republic of; 2: Communication of Shanxi Open Group Individual Submissions Puppet And Human: The “Presenting Sign” Of the Contemporary Puppetry 南京大学,中华人民共和国 |
(254) Religion, Ethics and Literature (3) Location: KINTEX 1 307 Chair: Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad ICLA Research Committee Individual Submissions Tuvia Ruebner's Haiku: Translating the Far as Agency of Intimate Memory Bar-Ilan University, Israel ICLA Research Committee Individual Submissions Returning to Tradition?: An Ethical Reading of I. B. Singer’s The Magician of Lublin Shanghai International Studies University, China, People's Republic of ICLA Research Committee Individual Submissions Nonhuman Narrative in Lu Xun's The Old Tales Retold Huazhong Agricultural University, China, People's Republic of ICLA Research Committee Individual Submissions Kitsch Christianity and Irony in Yi Kwangsu's The Heartless New College of Florida, United States of America ICLA Research Committee Individual Submissions The Heresy of Literary Creation San Francisco State University, United States of America |
(121) Narrative form and scripture, old and new (ECARE 21) Location: KINTEX 2 305A Chair: Nainu Yang, National Kaohsiung Normal University ECARE/NEXT GEN Individual Submissions Gaming and Time Travel: The New Narrative of Cyberpunk in William Gibson’s The Peripheral National Kaohsiung Normal University, Taiwan ECARE/NEXT GEN Individual Submissions Narrative Situations in The Grapes of Wrath Beijing Foreign Studies University, China, People's Republic of ECARE/NEXT GEN Individual Submissions The influence of Climate conditions on the Number of symbols in World Writing Systems. Jahangirnagar University, Bangladesh, People's Republic of |
(122) Narrative in the longue durée of capitalism (ECARE 22) Location: KINTEX 2 305B Chair: Karsten Klein, Saarland University ECARE/NEXT GEN Individual Submissions Overseas Trade, Jews and the Imperial Imagination in The Jew of Malta capital normal university, China, People's Republic of ECARE/NEXT GEN Individual Submissions Parallax and Existence: An Interpretation of Ae-ran Kim’s “There Is Night There, and Songs Here” from the Perspective of Existentialism Shanghai Jiao Tong University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Dematerialized Money and Technological Change: (Economic) Speculation in the AI Age in Cosmopolis and Fear Index Saarland University, Germany ECARE/NEXT GEN Individual Submissions Expressive Montage in Ragtime: Characterization of the Confused Mainstream Group Northwestern Polytechnical University, China, People's Republic of |
(123) New comparative approaches (ECARE 23) Location: KINTEX 2 306A Chair: Yakun Liang, Shanxi University ECARE/NEXT GEN Individual Submissions Beyond Borders and States: Corporate Hegemony as the New Frontiers of Comparative Literature 1: Institute of Comparative Literature and Culture, Jahangirnagar University, Dhaka, Bangladesh; 2: Institute of Business Administration, Jahangirnagar University, Dhaka, Bangladesh ECARE/NEXT GEN Individual Submissions Analysis of the Interpretation Logic and Methods Based on the Analysis of Buddhist Scripture Texts from the Perspective of Hermeneutics 山西大学,中华人民共和国 |
(124) New possibilities in digital reading (ECARE 24) Location: KINTEX 2 306B Chair: Congwei He, Sichuan University ECARE/NEXT GEN Individual Submissions When the reader picks up the pen! AI ‘role playing’ stories and critical analysis of the author-reader dynamics in digital literature Jahangirnagar University, Dhaka, Bangladesh ECARE/NEXT GEN Individual Submissions The Challenges and Possibilities in the Post-Digital Age: Literature in the shifting media Visva Bharati University, India ECARE/NEXT GEN Individual Submissions Digital Social Reading on Chinese Podcast App Xiaoyuzhou FM Sichuan University, China, People's Republic of |
(125) Performance in the digital age (ECARE 25) Location: KINTEX 2 307A Chair: Ziyu Zhang, Wuhan University of Technology ECARE/NEXT GEN Individual Submissions From Jinjiang to the Global Stage: Reimagining Chuānyuè (time travel) as a Bridge Between Cultures, Genres, and Times University of Virginia, United States of America ECARE/NEXT GEN Individual Submissions Integration, Alienation and Reconstruction: A Cross-cultural Interpretation of Brecht's Dramatic Concepts from the Perspective of Comparative Literature Wuhan University of Technology, China, People's Republic of ECARE/NEXT GEN Individual Submissions Care and Kinship: Staging the more-than-human in Canadian and Greenlandic theatre Harvard University |
(456) Authorship and Technology (2) Location: KINTEX 2 307B Chair: Xi'an GUO, Fudan University Open Group Individual Submissions The Apocryphal Techniques and Author Concepts: The Study of Apocryphal Confucian Classics in the Early Qing Dynasty and the Confirmation of Author Identity Fujian Normal University, China, People's Republic of Open Group Individual Submissions Shanghai Mechanical Printing Capitalism in Relation to Changing Concepts of Authorship in Modern Chinese Literature Suzhou University of Science and Technology, China, People's Republic of Open Group Individual Submissions Is It Time to Discuss the Added Value of a Biotranslator ? Translator’s Authorship Enhanced or Diminished by Machine-Assisted Translation Fudan University, China |
(500 H) Translating Migration: The Movement of Texts and Individuals in World Literature (1) Location: KINTEX 2 308A Chair: Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : PW :12345 Open Group Individual Submissions Mirok Li and Exilic Literature: Beyond Borders – Mediating East Asian Literature within World Literature Korea University, Korea, Republic of (South Korea) Open Group Individual Submissions Traduire le déplacement : migrations, langues et récits dans les œuvres de trois autrices iraniennes en France Université Paris 1 Panthéon Sorbonne, France Open Group Individual Submissions Translating Migration in "Balada de los Apalaches," by Melanie Márquez Adams University of Tennessee, USA, United States of America Open Group Individual Submissions The Place of Migration in Literary Translation Studies: A Provocation Harvard University, United States of America |
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11:00am - 12:30pm |
(255) Translation Studies (4) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University ICLA Research Committee Individual Submissions A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry Federal University of Juiz de Fora - UFJF, Brazil ICLA Research Committee Individual Submissions An Exploration of the ‘Perspectives’ and ‘Ethics’ of Translation as a Cross-Cultural Encounter: Comparative Analysis of the English Translations of Madhavikutty’s Short Story, “ജനൽപ്പടിയിലെ വിളക്ക്”. The English and Foreign Languages University, Hyderabad, India ICLA Research Committee Individual Submissions Black Translation as a Site of Reparation: Translation, Healing and Global South SRI SRI UNIVERSITY, India ICLA Research Committee Individual Submissions Translation and Reparation Université de Caen Normandie, France ICLA Research Committee Individual Submissions Eco-Technical Turn in Translation Studies: Translation in the Feedback Loops of Ecology and Technology Dongguk University, Korea, Republic of (South Korea) |
(256) South Asian Literatures and Cultures Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat ICLA Research Committee Individual Submissions Ensemble: Toward Resonant Comparisions Nanyang Technological University, Singapore ICLA Research Committee Individual Submissions Decolonizing Climate Narratives: Amitav Ghosh'sGun Islandand South Asian Oratures of Environmental Crisis Shandong University, China, People's Republic of ICLA Research Committee Individual Submissions From “Reading” to “Listening”: Collaborative Translation, Inclusivity and Indigenous Oral Literature Sikkim University, India |
(257) Comparative Literature in East Asia Location: KINTEX 1 205B Chair: Hui Nie, National University of Defense Technology Open Group Individual Submissions The Formation of Catholic Biji Novels in Late Ming China: A Preliminary Study to the Genre of Li Jiugong’s Lixiu Yijian 华东师范大学, China, People's Republic of Open Group Individual Submissions The Cultural Perspectives and Ideological Concepts of Panking: A French-educated intellectual National University of Defense Technology, China, People's Republic of Open Group Individual Submissions A Study on the Love of Thomas Aquinas from the Perspective of the New Psychology of Love Sichuan University, China, People's Republic of Open Group Individual Submissions Ekphrasis in the Oral Tradition---The Mongolian Epic as an Example Inner Mongolia Normal University, China, People's Republic of |
(258) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (2) Location: KINTEX 1 206A Chair: Jing Zhang, Renmin University of China Open Group Individual Submissions A Mobility Study of Herzog Sichuan University, China, People's Republic of Open Group Individual Submissions A Theological Debate in the Three-Body Problem Renmin University Open Group Individual Submissions Historicity, Reality Perception, and Publicness: Theoretical Reflections on Theater and Cinema in the Age of AI Beijing Language and Culture University, China, People's Republic of Open Group Individual Submissions Eros as the grounds for comparison: a new Global Modernism University of Sydney |
(259) Digital Comparative Literature (2) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona ICLA Research Committee Individual Submissions The Power Not to Think: LLMs as Poetic Impotential Machines Kobe University, Japan ICLA Research Committee Individual Submissions Vocational but Vernacular: Forestry Policies and Sinophone Malaysian Literature The University of Hong Kong, Hong Kong S.A.R. (China) ICLA Research Committee Individual Submissions The Net-like Narrative Structure of The Dream of Red Mansions: A “Corpus” Statistic Analysis Based on the Text Mining of Character Appellations Tianjin Normal University, People's Republic of China ICLA Research Committee Individual Submissions Digitally Mapping Decolonial Thought: Ahmad Hassan Al-Zayyat’s Al-Risala and the Postcolonial Arab Identity Qatar University, Qatar |
(260) Translating ethics, space, and style (2) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds Open Group Individual Submissions Self-translation and Style: Jhumpa Lahiri's Volgare Swansea University, United Kingdom Open Group Individual Submissions Normative Presumptive Factuality Intersecting the Context of Subjectivity - Civil Disobedience and Relativism 1: Bhupal Nobles' University Udaipur Rajasthan, India; 2: Woxsen School of Law, Woxsen University, Telangana, Andhara Pradesh Open Group Individual Submissions A Migrating/Translating Self: Ha Jin and Jhumpa Lahiri Hanyang University, Korea, Republic of (South Korea) Open Group Individual Submissions Literary translingualism between non-places and third space Universite de Poitiers, FoReLLIS, France Open Group Individual Submissions Self-Translation as an Act of Self-Reading: A Comparative Perspective on the Ethics of Self-Translation English and Foreign Languages University, Hyderabad, India, India |
(261) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (2) Location: KINTEX 1 207B Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba Open Group Individual Submissions Aesthetics of Sincerity and the English Translation of Mieko Kawakami’s Heaven University of Tsukuba, Japan Open Group Individual Submissions A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry Federal University of Juiz de Fora - UFJF, Brazil Open Group Individual Submissions Self-Translation Practice in Indonesia and Japan: Case Study of Laksmi Pamuntjak and Yoko Tawada University of Tsukuba, Japan Open Group Individual Submissions Bridging the Linguistic Divide: A Multimodal Approach to Translating the Soul of Tanka Tsukuba University, Japan |
(262) Approaching Nonhuman Narrative in World Literature (6) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university |
(263) East meets West: Travellers and Scholars writing about India, Japan and Korea (2) Location: KINTEX 1 208B Chair: zsuzsanna varga, University of Glasgow Open Group Individual Submissions Appropriation, Recontextualization and Fictionalization: A Postcolonial Study of Hermann Hesse’s Siddhartha Universidade do Minho, Portugal Open Group Individual Submissions Representing the Other While Revealing the Self: Italian Contemporary Intellectuals on Japanese Culture University of Macerata, Italy Open Group Individual Submissions A Hungarian Lady in India: Rózsa Hajnoczy in Santiniketan University of Glasgow, United Kingdom |
(264) Lafcadio Hearn and Asia (2) Location: KINTEX 1 209A Chair: Toshie Nakajima, The University of Toyama |
(265) Ethical Literary Criticism in the Age of Artificial Intelligence (2) Location: KINTEX 1 209B Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions The Ethical Anxiety in Chinese Suspension and Riddle Games Guangzhou College of Commerce, China, People's Republic of Open Group Individual Submissions Premeditation and Betrayal: On Affective Encoding and Logical Conflicts in Ian McEwan’s Machines Like Me Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions Back to the Future: Ethical and Ideological Paradoxes in Machine Writing Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions The Ethics of Reading Revisited in the Age of Artificial Intelligence Zhejiang University, China, People's Republic of Open Group Individual Submissions Title: Risks and Opportunities in Three-Dimensional Interactions: World Literature in the Era of Digital Intelligence Sichuan University, China, People's Republic of Open Group Individual Submissions The Illusion World : literary community and post-human era Sichuan University, China, People's Republic of |
266 H (ECARE 40) Location: KINTEX 1 210A Chair: Yuan-yang Wang, Duke University 24th ICLA Hybrid Session LINK : ECARE/NEXT GEN Individual Submissions Locked in, Streamed out: How Live-streaming Reshapes Our Perceptions of Surveillance in Everyday Performance The University of Chicago, United States of America ECARE/NEXT GEN Individual Submissions Consumerism, Cyborgs and Diaspora: Fishiness in Larissa Lai’s Salt Fish Girl Peking University, People's Republic of China ECARE/NEXT GEN Individual Submissions Translator, Listener: Collaborator, Voice, and Corporeality of A Record of the Black Slaves’ Plea to Heaven Duke University, United States of America ECARE/NEXT GEN Individual Submissions Memento Mori and Fetishism of Head in Hedda Gabler and Salomé Fudan University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Evaluating ChatGPT-4's Effectiveness in Translating the Emirati Dialect in Short Stories into English United Arab Emirates University, United Arab Emirates |
(267) Global Futurism (1) Beyond the Human—AI, Animality, and Posthuman Futures Location: KINTEX 1 210B Chair: You Wu, East China Normal University Open Group Individual Submissions The Life Paradox of Uploaded Consciousness: A Posthumanist Reading of Disembodied Digital Selves in Science Fiction Shanghai University Open Group Individual Submissions The Futuristic Legacy of Animal Fables: Tracing Animal Motifs in Chinese Science Fiction East China Normal University (ECNU) Open Group Individual Submissions Ethical Reflections on the Future AI-Generated Literary Creation xi'an Jiaotong University, China, People's Republic of Open Group Individual Submissions Creative Fungibility: Drawing Parallels Between Virtual Production, AI Filmmaking, and Comic Book Creation United International College Hong Kong Baptist / University of Beijing |
(268) Poetry of Myself Location: KINTEX 1 211A Chair: Eun-joo Lee, independent scholar Open Free Individual Submissions An Influence Study of William Blake on W.B. Yeats’s Poetic works Wuhan University of Technology, China Open Free Individual Submissions Going for Refuge: Zen in Pound’s Seven Lakes Canto Shanghai International Studies University, China, People's Republic of Open Free Individual Submissions “I too call myself I”: Interrogating the Genre of ‘Personal’ Poetry The English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions Cycles of Continuity: Death and Rebirth in the Poetry of Jibanananda Das and Ko Un Jahangirnagar University, Bangladesh, People's Republic of |
(269) Literature, Arts & Media (1) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao ICLA Research Committee Individual Submissions Individual Experience and Affective Engagement in VR Films The University of Hong Kong, Hong Kong S.A.R. (China) Group Session Male Gaze and Sexual Violence : A Comparative Study of I, Phoolan Devi and The Bandit Queen
ICLA Research Committee Individual Submissions Life Finds a Way: A New Materialist-Intermedial Approach to the Jurassic Park Franchise Università dell'Aquila, Italy |
(270) Oriental Literature in World Literature: Exchanges and Mutual Learning (4) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) Open Group Individual Submissions Han Kang’s Poetics of Violence and the Exploration of Human Nature Sichuan University, China, People's Republic of Open Group Individual Submissions A Study on the English Translation of Yuewei Caotang Biji from the Perspective of Translation Semiotics: A Case Study of Victor H. Mair’ Translation of The Great Fire Cracks No Filial Son’s Home Sun Yat-sen University, China, People's Republic of Open Group Individual Submissions A Brief Discussion on the Occurrence of "Patricide" in Oriental Literature and Its Modern Identity Implications: Take "Cries in the Drizzle" and "The Red-Haired Woman" as examples Sichuan University, China, People's Republic of Open Group Individual Submissions Mapping the Contours of Culture: “Aesthetic Foreign Concessions” in Tanizaki Jun’ichirō’s Works Purdue University, United States of America Open Group Individual Submissions The Origin of Wenxindiaolong(文心雕龙) in Korean Peninsula Sichuan University, China, People's Republic of Open Group Individual Submissions A Study on the Translation and Dissemination of the Dunhuang Manuscript “Qinfuyin” in the English-speaking World Sichuan University, China, People's Republic of |
(271) Mutual Learning of Civilizations and Reconstruction of World Literature (6) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions The Construction and Writing of the East Asian Community by Liu Linxi Who was a Literatus in the Late Joseon Dynasty of Korea Suqian University, China, People's Republic of Open Group Individual Submissions From Difference to Variation: Rewriting the History of Civilization from the Perspective of Variation Theory Southwest Jiaotong University, China, People's Republic of Open Group Individual Submissions Chinese Elements in the “Formal Construction” of Japanese Arts and Literature: A Case Study of the Development and Variation of “Shin-Gyō-Sō” in the Japanese Artistic Sphere sichuan university, China, People's Republic of Open Group Individual Submissions A Study of Anna Seghers' Writing on the Chinese Revolution in the 1920s and 1930s Sichuan University, China, People's Republic of Open Group Individual Submissions Re-examining the Literary Historical Value of Chinese Huiwen Poetry ——Taking Su Hui’s “Xuan Ji Map” as an Example Sichuan University, China |
(272) Polyphony and Semiotics of Literary Symbols (2) Location: KINTEX 1 213A Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities ICLA invite you to the Zoom. Theme: ICLA Session 250
Open Group Individual Submissions Comparing the Status of Odin and Ali Kishi: Polyphonic Motifs in Folkloric Texts ADA University, Azerbaijan Open Group Individual Submissions Adam Mickiewicz’s poem “Aryman i Oromaz” through a polyphonic lens of good and bad BAku SLAVIC University, Azerbaijan |
(273) Language Contact in Literature Location: KINTEX 1 213B Chair: ChangGyu Seong, Mokwon University Open Group Individual Submissions From (Mono-)hybridity to Double Hybridity: (Auto)translations in/from French in the 19th Century Romanian Novels Lucian Blaga Univerity of Sibiu, Romania ICLA Research Committee Individual Submissions Entre l’unilinguisme français et la littérature européenne : le cas de Germaine de Staël École normale supérieure de Paris, France ICLA Research Committee Individual Submissions Distortion of Perspectives: Linguistic, Personal and Historical Influences on the Perception of Ilze Berzins’ Autobiographical Novel “Happy Girl” University of Latvia, Latvia ICLA Research Committee Individual Submissions The Validity and Limitations of Life Narratives as Historical Documents Maulana Azad National Urdu University, India |
(274 H) The East Asian Literature from a Global Perspective (1) Location: KINTEX 1 302 Chair: Zhejun Zhang, Sichuan University,China 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : Open Group Individual Submissions A Study on Lee Kyung Son Recognition of Chinese New Literature in the 1930s in Shanghai and the Chinese Play <Taiwan> HARBIN INSTITUTE OF TECHNOLOGY, WEIHAI, China, People's Republic of Open Group Individual Submissions Misplaced Capital Writing: Lin 'an and Chang 'an in Japanese Five-Mountain Literature Chongqing University, China, People's Republic of Open Group Individual Submissions Research on the Study Notes in Gozan Bungaku Sichuan University, China, People's Republic of Open Group Individual Submissions The Mythos of Tan Jun(檀君) and Tan Jun(壇君)in Korea Sichuan University, China Open Group Individual Submissions Wenxin Diaolong in the Historical Works of Chinese Literature in Modern Japan Sichuan University ,China, China, People's Republic of |
(275) Intermediality and Comparative Literature (2) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Virtual Simulation, Science Fiction Digital Games, and the Construction of Cyborg Theoretical Frameworks Shenzhen University, P.R.China Open Group Individual Submissions The Intervening Power of Literature and Art: Intermedia performativity in Station Eleven and its TV Adaptation Nanjing University, China, People's Republic of Open Group Individual Submissions Black Myth: Wu Kong as a Game-Novel Nanjing University, China, People's Republic of |
(276) Religion, Ethics and Literature (4) Location: KINTEX 1 307 Chair: Ipshita Chanda, The English & Foreign Languages UNiversity, Hyderabad ICLA Research Committee Individual Submissions Reconstructing the Gospel Passion Narrative: The Religious Interpretation of Ivan’s Spiritual Transformation in Anton Chekhov’s “The Student” Middlebury College, United States of America ICLA Research Committee Individual Submissions CAT WORDS, IDIOMS, PHRASES: SIGNIFICANCE AND IMPACT ON HUMAN CREATIVITY Manav Rachna University, India ICLA Research Committee Individual Submissions Poetry as “Heresy” in Modernity: A Phenomenology of Suffering and Resistance in “Regimes” of Progressive Literary Movements from India University of Hyderabad, India |
(126) Philosophy, spirituality and literature (ECARE 26) Location: KINTEX 2 305A Chair: Sushil Ghimire, Balkumari College, Bharatpur-2, Chitwan, Nepal ECARE/NEXT GEN Individual Submissions The Symposium and Zhuangzi: Mutual Illumination of Chinese and Western Aesthetics and Philosophy from a Comparative Literature Perspective Northwestern Polytechnical University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Yeats and Sri Aurobindo : Discursive and Harmonious Worldviews Gokhale Education Society's Jawhar College University of Mumbai, India ECARE/NEXT GEN Individual Submissions The Snow Leopard and Dolpo: Analyzing Two Tales of Adventure and Spirituality from the West and the East Balkumari College, Bharatpur-2, Chitwan, Nepal, Nepal ECARE/NEXT GEN Individual Submissions Death and Rebirth in Jibanananda Das’s Rupasi Bangla and Louise Glück’s The Wild Iris: A Comparative Analysis Institute of Comparative Literature and Culture Jahangirnagar University, Bangladesh, People's Republic of |
(127) Posthumanism and AI (ECARE 27) Location: KINTEX 2 305B Chair: Kyu Jeoung Lee, Oklahoma State University ECARE/NEXT GEN Individual Submissions Cha Cha on the Bridge: AI Heroes Yonsei University, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions Samantha, not Sam, Eve, not Adam: Feminist Posthumanism as the Posthumanism for All? Yonsei University, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions “Machines” and Miscommunication: A Comparative Analysis of American and Korean Science Fiction Oklahoma State University, United States of America ECARE/NEXT GEN Individual Submissions “We all complete.”: Posthumanist Reflections on Never Let Me Go Chungbuk National University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Nonhuman Entanglements: Rethinking Anthropocentrism and Subjectivity in Korean Speculative Fiction Seoul National University, Korea, Republic of (South Korea) |
(128) Rethinking world literature (ECARE 28) Location: KINTEX 2 306A Chair: ASIT KUMAR BISWAL, University of Hyderabad ECARE/NEXT GEN Individual Submissions TO WORLD LITERATURE: SYMBOLIC-IMAGETIC BODIES IN CLARICE LISPECTOR AND PARK WAN SEO. Federal University of Rio Grande do Sul (UFRGS), Brazil ECARE/NEXT GEN Individual Submissions A Baroque Universality? Alejo Carpentier on Magical Realism and World Literature. University of Cyprus, Cyprus ECARE/NEXT GEN Individual Submissions The Gaze of “Other” Disciplines: An Evaluation of the Composition of Volumes of Comparative Literature Scholarship in the 21st Century University of Hyderabad, India ECARE/NEXT GEN Individual Submissions Indigenous Life and Culture in Bengali Fiction: A Critical Analysis of Shaukat Ali’s Kapil Das Murmur’s Last Task and Alaudddin Al Azad’s Karnaphuli. Jahangirnagar University, Bangladesh, People's Republic of |
(129) Tech, Ethics, Heidegger (ECARE 29) Location: KINTEX 2 306B Chair: Kehan Mei, University of Tibet ECARE/NEXT GEN Individual Submissions Graphical Heidegger: 'Weltgeviert' Explained University of Tartu, Estonia ECARE/NEXT GEN Individual Submissions Technology and Loneliness: Ethics of Artificial Friends in Kazuo Ishiguro’s Klara and the Sun Hong Kong Baptist University, Hong Kong S.A.R. (China) ECARE/NEXT GEN Individual Submissions Tao and Sein: A Cross-Cultural and Cross-Civilizational Dialogue between Laozi and Martin Heidegger University of Tibet, China, People's Republic of |
(130) Technology, Companionship and ethics in Kazuo Ishiguro (ECARE 30) Location: KINTEX 2 307A Chair: Lixin Gao, Shanghai International Studies Universtiy ECARE/NEXT GEN Individual Submissions Tropes of Othering in Flannery O'Connor's "The Artificial Nigger" and Kazuo Ishiguro's "Never Let Me Go" Tokyo University of Foreign Studies, Japan ECARE/NEXT GEN Individual Submissions Disadvantaged yet Dignified: Reaffirming Humanity through Companionship in Kazuo Ishiguro’s Klara and the Sun Kyoto University, Japan ECARE/NEXT GEN Individual Submissions Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled Shanghai International Studies Universtiy, China, People's Republic of ECARE/NEXT GEN Individual Submissions Ethics Behind Choices: Opposition and Coexistence between Clones and Communities in Never Let Me Go Harbin Engineering University, People's Republic of China |
(457) Authorship and Technology (3) Location: KINTEX 2 307B Chair: Xi'an GUO, Fudan University Open Group Individual Submissions Mallarmé's tékhnē : An 'au-delà' in Authorship Theories Renmin University of China, China, People's Republic of Open Group Individual Submissions Can a AI-Author pass the Turing Test? -- The Experiments and Reflexions of Clemens Setz and Daniel Kehlmann about AI-Authorship Guangdong University of Foreign Studies, China, People's Republic of Open Group Individual Submissions 探索人工智慧和區塊鏈的交匯點:數位時代創意寫作的機會和挑戰 (Navigating the Intersection of Artificial Intelligence and Blockchain: Opportunities and Challenges for Creative Writing in the Digital Age) Hong Kong Baptist University, Hong Kong S.A.R. (China) |
(501 H) Translating Migration: The Movement of Texts and Individuals in World Literature (2) Location: KINTEX 2 308A Chair: Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : Open Group Individual Submissions From Censorship to Canonization: Ulysses in the Making University of Texas at Austin, United States of America Open Group Individual Submissions Polyphony and Cultural Translation: Narratives of Displacement in Postwar East Asia, 1945–1952 Johns Hopkins University, United States of America Open Group Individual Submissions The Untranslated Other in Pai Hsien-yung’s diasporic literature “Love’s Lone Flower” University College London, United Kingdom |
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1:30pm - 3:00pm |
(277) Dongguk Univ: Korean Buddhist Literature Location: KINTEX 1 204 Host Sessions (Korean Students and Scholars Only) The Birth of Modern Korean Literature and Buddhism – Seokjeon, Manhae, and Midang’s Buddism(한국현대 문학의 탄생과 -석전, 만해, 미당의 불교) Dongguk University Host Sessions (Korean Students and Scholars Only) 「'승려' 를 이야기하는 방법: 승려 행장에서 나타나는 꿈 화소의 양상과 기능」 Dongguk University |
(278) South Asian Literatures and Cultures (5) Location: KINTEX 1 205A Chair: ChangGyu Seong, Mokwon University ICLA Research Committee Individual Submissions Bangla Science Fiction: Extending the Horizons of a Genre in working out World Literature Comparative Literature Association of India (CLAI), India ICLA Research Committee Individual Submissions Colonial Indian Novel-- National Or Supranational: Illustrating A History Of Literary Systems Using The "Horizon Of Expectations As A Tool Through Fakir Mohan Senapati's Six Acres And A Third (1896) and O. Chandumenon's Indulekha (1889) The English and Foreign Languages University, Hyderabad, India, India Group Session Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia
ICLA Research Committee Individual Submissions 'Muhyidhin Mala' and the Imagination of ummah (community) in early 17th century Kerala. The English and Foreign Languages University, India |
(279) Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia Location: KINTEX 1 205B Chair: E.V. Ramakrishnan, Central University of Gujarat Open Group Individual Submissions Narrative Resistance in Fictionalised Autobiography: A Critical Study of Anita Desai’s Clear Light of the Day and Arundhati Roy’s The God of Small Things Amity University, Punjab, India Open Group Individual Submissions The Broken and Forgotten: Fractured Histories and Uncharted Margins of Partition. The English and Foreign Languages University, India Open Group Individual Submissions Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi 1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia Open Group Individual Submissions Parsi Thatre and Its Sonosphere University of Delhi, India |
(280) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (3) Location: KINTEX 1 206A Chair: Jing Zhang, Renmin University of China |
(281) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona |
(282) Translating ethics, space, and style (3) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds Open Group Individual Submissions Samuel Beckett’s Translingualism as a Framework for Bilingual Literary Creation Korea University, Korea, Republic of (South Korea) Open Group Individual Submissions Polyphonic Resistance and Secret Utopias: Technology and Language in the works of Cathy Park Hong and Theresa Hak Kyung Cha Indian Institute of Technology Mandi, India Open Group Individual Submissions “Different and yet the Same, the Same and yet Different”: Translation as Metaphor for Colonialism in Levy Hideo’s Japanese Prose Otemon Gakuin University, Japan |
(283) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (3) Location: KINTEX 1 207B Chair: Felipe Chaves Gonçalves Pinto, University of Tsukuba Open Group Individual Submissions Feminist Translation: a comparative approach to translations of "Shōjo", by Mariko Ōhara University of Tsukuba, Japan Open Group Individual Submissions Friendship as the Basis for Individual Happiness and Political Peace in Japanese Children's Literature National University of Quilmes, Argentine Republic Foreign Sessions (Foreign Students and Scholars Only) Dialogic possibilities in translation: the collaborative translation of Ishikawa Takuboku’s tanka into Portuguese University of Tsukuba, Japan |
(284) Approaching Nonhuman Narrative in World Literature Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions The Critique of Romanticism in Kierkegaard and the Image of the Plant: Irony, Lilies, and Romantic Poetry Fudan University, China, People's Republic of Open Group Individual Submissions Beyond Bestiary: Identification and Dis-identification between Animals and Humans in Julio Cortázar’s and Guadalupe Nettel’s Short Stories University College London, United Kingdom |
285 Location: KINTEX 1 208B |
(286) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (1) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association Group Session Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West
Open Group Individual Submissions Proverbs or Sacred Words? Linguistic Practice and Cultural Adaptation of Westerners in China During the Late Ming and Early Qing Dynasties Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions Reimagining Railway Modernity through Tradition: Railway Games and Sino-Japanese Cultural Exchange in the 1930s Tsinghua University, China, People's Republic of Open Group Individual Submissions Travels of Souvenirs Entomologiques: from Fabre to Osugi Sakae to Lu Xun Beijing Foreign Studies University, China, People's Republic of Open Group Individual Submissions The Dilemmas of Modernity in Mrs Dalloway and Fortress Besieged: Temporal Discipline, War Violence and the Crisis of Spiritual Ecology Northwestern Polytechnical University, China, People's Republic of |
(287) Location: KINTEX 1 209B |
(288) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (2) Location: KINTEX 1 210A Chair: Wen Jin, East China Normal University Open Group Individual Submissions A Cog in a Global Machine: Reification in Chinese and American High-Tech Narratives Nanyang Technological University, Singapore Open Group Individual Submissions The absence of the Absolute and Piping of Heaven: An Interpretation of Zhang Zao's Kafka to Felice Sichuan University, China, People's Republic of Open Group Individual Submissions A Pilgrimage for Self-Expression: The Archetypal Imagination of China in British Romantic Poetry East China Normal University, China, People's Republic of Open Group Individual Submissions Affective Consumption: Branding, Alternative Media, and Transnational Community in Pattern Recognition University of Edinburgh, United Kingdom |
(289) Global Futurism (2) Translating the Future—Chinese Sci-Fi on the Global Stage Location: KINTEX 1 210B Chair: Dominic Hand, University of Oxford Open Group Individual Submissions Navigating Narrative Galaxies: Translating the Complexities of Chinese Science Fiction University of Macau, Macau S.A.R. (China) Open Group Individual Submissions The International Reach of Chinese Web Science Fiction: Exploring Fan Culture Dynamics Shanghai Jiao Tong University, China, People's Republic of China Open Group Individual Submissions Chinese Space-themed Science Fiction: Rise, Western Influences and Cultural Roots Shanghai University Open Group Individual Submissions “Chinese Imagination” Goes Global: The Translation and Dissemination of Chinese Science Fiction to the West East China Normal University, China, People's Republic of |
(290) Images and Memory Location: KINTEX 1 211A Chair: Seung Cho, Gachon University Open Free Individual Submissions “Tree” and “Illusory Flower in the Sky” - A Comparison of Images in Heidegger's and Buddhist Discourses on “Being” Shanxi University, China, People's Republic of |
(291) Literature, Arts & Media (2) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao Intermedial studies and ‘New Materialisms’ Jørgen Bruhn, Linnaeus University E-Mail: jorgen.bruhn@lnu.se Most theoretical models of intermediality are inherently epistemological: media studies, including intermedial studies, basically investigates, criticizes and historicizes all the different ways of perceiving the world by way of different apparatus or communicative entities which may be more or less technical, advanced and complex. However, in recent decades a new set of questions has occurred, approaching the world not only epistemologically but also ontologically: such questions are often subsumed under the heading of New Materialism(s): ontological ideas relating to process philosophy and studies of emergent qualities have become more and more prominent in Media- as well as Literary – and Gender Studies. Such an ontological frame is of special relevance to Comparative Literature, where it raises important questions on the nature, practice, and relevance of comparison, and indeed of the notion of literature itself. As the integration of such non-substantialist approaches within intermedial studies and comparative literature is still in its early stages, these theoretical-methodological relations deserve closer academic attention. The general aim of this panel is therefore to investigate in depth the possible relations between intermedial studies and new materialist methodologies. Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope Hanyu Xie University of Macao, China, People's Republic of; yc47743@um.edu.mo Kalaf Epalanga is a contemporary writer, musician and poet, an African emigrant who settled in Europe during his youth for better education, and as a result of the civil war in Angola. Over the last decades, he experienced the cultural reality of Lisbon and Berlin. Like a 21st century flâneur, Epalanga and his music are present in the center and on the outskirts of Lisbon. The Portuguese press see him as a “cultural agitator”, who demonstrates on behalf of African culture or, in a broader sense, on behalf of black cultures around the world. The present study has as object Epalanga’s novel Whites can dance too (Também os brancos sabem dançar), which could be seen as a “musical novel”, based on the concept of “melophrasis” developed by Rodney Edgecombe (1993) and Therese Vilmar (2020) in response to the idea of “musicalized fiction” by Werner Wolf (1999). In the novel, Epalanga creates a thought-provoking narrative, woven together with the history of African music, including genres like Kuduro and Kizomba, and exploring its complex interactions with canonical genres such as Fado and Rap. Additionally, the author guides the reader through the complex feelings and subjectivity of the characters, providing an experience of their diverse emotions through metamusic. Epalanga thus constructs a unique musical land (a safe space) through words. It is important to note that these music-centered or music-based narratives are intertwined with ancient colonial memories, as well as contemporary narratives that highlight the suffering of the African diaspora on the European continent. In this musical land of the novel, the three main characters are on very different life trajectories, but they all cross paths at some point because of music and, at the end of the story, each of them finds in music a kind of redemption or sanctuary of their own. This narrative conception results in a remarkable contrast between darkness and luminosity, which evokes the clashes in the social arrangement of white and black voices (Achile Mbembe, 2003; Michel Foucault, 1997), and the proposition of a world-space that houses “non-hegemonic” voices. This contrast between darkness and light inspired me to explore the idea of literary music as a “safe space”. What I propose to discuss in this study is not music in its strict and concrete sense, but rather music as a possible verbal and aesthetic experience for the literary reader, for the reader of Os brancos também podem dançar, in short, a music that “can be read”. What is the “song” really about? How can this “musical romance” inspire new perspectives on issues of ethnicity today? How do the rhythm of ideas, frustrations and hopes intertwine with the mixed beat of rap, kuduro and fado? In seeking these answers, I also seek a new path of reflection on the construction of ethnic identities and the forms of existence and resistance of marginalized groups in today’s world. Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations yaqi Liang Media and Cultural Industry Sichuan University, China, People's Republic of; 2021321030060@stu.scu.edu.cn Chinese academies emerged in the Tang Dynasty, and their functions gradually evolved from book repair and collection to reading and learning. Their service targets ranged from individuals to the general public, and they could cultivate talents and spread culture. The civilization of Bashu Academies not only benefited from the exchange and mutual learning between ancient BaShu culture and other cultures, but also from the "Southern Silk Road" that has lasted for thousands of years and crossed centuries. As a trade and cultural inheritance road, it inherits not only a culture, but also a spiritual force. The Academies culture in the Bashu Academies has shaped the urban character of "openness, innovation and creativity" and the humanistic characteristics of "broad mindedness and friendliness". Communication can make civilization colorful, mutual learning can enrich civilization, and communication and mutual learning can make civilization full of vitality and creativity. Exchange and mutual learning help promote the integration of civilizations from all over the world, and forge a magnificent force for the development and progress of human society. This points out the direction for promoting the development of world civilization and provides a good strategy for resolving conflicts between civilizations. Civilizations communicate through diversity, learn from each other through communication, and develop through mutual learning. The exchange and mutual learning among different countries, ethnic groups, and cultures in the world can enhance the humanistic foundation of a community with a shared future for mankind, spread and exchange each other's cultures, and promote the mutual learning of civilizations. The academies in the Bashu Academies can become a distinctive medium for cultural dissemination, relying on new academies and utilizing forms such as new media and intelligent media to tell the "Chinese story" well, promoting the true transformation of Chinese civilization from "going out" to "going in" on the global stage. Bashu Academies is a "magnet" that uses advanced cultural dissemination concepts to gather and integrate excellent cultures from ancient, modern, Chinese, and foreign cultures as a "iron"; The Academies is also a "neighborhood". It uses advanced cultural communication concepts to stimulate and amplify the charm of various cultures and vigorously spread them, so that the Academies will become a characteristic platform and an important channel to promote folk friendly cooperation in cultural exchanges along the "the Belt and Road". In effective communication, enhance cultural confidence internally and increase the influence of Chinese culture externally. Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories Jayshree Singh, Priyanka Solanki Literary animal studies - delving into the roots of human-animal interactions examine how animals are portrayed in different literary works in context of cultural attitudes, and ethical issues, is the study of animals and their representation in literature (Ortiz-Robles 55). Emerging as an interdisciplinary field, human/animal studies encompass a wide range of disciplines that make up the so-called "new humanities," which are concerned with human behavior and culture (Gottschalk11). The discussion draws from a wide range of fields, including but not limited to: “primatology, ethics, genetics, cognitive science, literature, history, philosophy, and cultural studies” (Singer 1). The classified and digitalized illustrations of Animals in the Human Societies worldwide by way of tangible or intangible depiction for consciousness-raising towards their predicament or for extracting the allegorical aesthetics use medium of language and form in creative writings, while visuals are either in digitalized generative images or as sculptures to denote perceptual observation, selection of sensitivity for the sake of perceptual defense to sensitize the readers and viewers. Their existing signifiers signify a set of dominant power relations or religion-ethical connotations of society towards animalism or for animals. Literature, Arts and Media have shown how the 'Animals in Question' are the agents through their mode of action to compete for legitimacy and authority and it is the medium of writing or the pictorial depiction categorically function either as a manner of Liar's Paradox or a counterpoint to humans' humanity. The research area of study attempts to analyze the ’gaze’ that sorts the trajectories, strategies of the internal and external stimuli and draws a brilliant analytical parallel picture of cultural, social, and hegemonic origin and influence by way of totalitarianism, imperialism, capitalism, and materialism. The eco-system both fragmented and diversified epitomize ‘the deepest tensions, social conflicts, rituals, taboos, and myths of humanity’s struggle to come to terms with its physical environment ‘through the bewildering, skeptical world of fictional’ (Orwell, xii).) animal fables in order to transform and restructure society. Otto Keller's enormous two-volume book "Die Antike-Tierwelt" from 1913 (reprinted 1963) served as the only thorough compilation of data on specific animal species in the ancient sources for over a century (Campbell 27). Scholars like Liliane Bodson and Richard Sorabji began to radically alter this perception and identification. Their goals are comparably metaphorical to bring paradigm shift for understanding both digitalized and non-digitalized, protected or non-protected archival visual representation of animals in order to pave for humanitarian conflict resolution towards prehistoric and modern arguments, and to make the prehistoric data speak to larger issues and concerns in classical research (Sorabji 36). Group Session Intermedial studies and ‘New Materialisms’
ICLA Research Committee Individual Submissions Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope University of Macao, China, People's Republic of ICLA Research Committee Individual Submissions Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations Media and Cultural Industry Sichuan University, China, People's Republic of ICLA Research Committee Individual Submissions Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories Bhupal Nobles' University Udaipur Rajasthan, India |
(292) Oriental Literature in World Literature: Exchanges and Mutual Learning (5) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) Open Group Individual Submissions The Image of Chinese Women in Western Anthropocene Novels ——A Case Study of Chang-rae Lee’s On Such a Full Sea SIchuan University, China, People's Republic of Open Group Individual Submissions Chinese placenames in Korean Gasa : the construction of literary imagination and symbolic meaning Yanbian University, China, People's Republic of Open Group Individual Submissions Tu Fu's Influence on American Poems: The Cases Study in the New Poetry Movement, the Mid-and-late 20th Century and Contemporary Era 郑州大学, China, People's Republic of Open Group Individual Submissions A Girl Without a Name: Women’s Self-realization in City of Broken Promises Sichuan Uinverisity, China, People's Republic of Open Group Individual Submissions The Oriental Dreams in Fantasy Novels: The Cross-cultural Variations and Derivations of Contemporary Chinese Fantasy Novels under the Influence of Western Fantasy Trends Sichuan University, China, People's Republic of |
(293) Mutual Learning of Civilizations and Reconstruction of World Literature (7) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions A Comparative Study of the Ecological Writings in William Faulkner and Jia Pingwa Northwestern Polytechnical University, China, People's Republic of Open Group Individual Submissions On the Writing of Civilization History in Digital Games Taiyuan Normal University, China, People's Republic of Open Group Individual Submissions From national literature to world literature: Shen Yanbing's early conception and practice of world literature City University of Hong Kong, Hong Kong S.A.R. (China) Open Group Individual Submissions The Symbolic Code in Bone Divination Rituals: An Analysis of the Correlations among Sanxingdui Symbols, Ba-Shu Graphical Symbols and Early Ancient Yi Script 四川大学, China, People's Republic of Open Group Individual Submissions Eliminating Opposition and Promoting Dialogue: Mutual Learning of Civilizations in Overseas Pre-Qin Thought Research University of Electronic Science and Technology of China, China, People's Republic of |
(294) Polyphony and Semiotics of Literary Symbols (3) Location: KINTEX 1 213A Chair: Inna Gennadievna Merkoulova, State Academic University for the Humanities ICLA invite you to the Zoom. Theme: ICLA Session 250
Open Group Individual Submissions Refilling Homer’s Cup: A Study of 'Circe' and 'The Song of Achilles' Central University of Haryana, India Open Group Individual Submissions Jongmyo Shrine as a Semiotic Space: A Lotmanian Approach Korea University, Korea, Republic of (South Korea) Open Group Individual Submissions Memory's Forked Paths and the Restructuring of Symbolic Systems Capital Normal University, Chine |
(295) The East Asian Literature from a Global Perspective (3) Location: KINTEX 1 213B Chair: Zhejun Zhang, Sichuan University,China Open Group Individual Submissions A Comparative Study of the Concept of “Teaching through Non-Teaching” in Chinese and Western Traditions— Focusing on Mencius and Socrates Hunan University, China, People's Republic of Open Group Individual Submissions Affective Narrative Genres in Cross-Cultural Contexts: A Comparative Study of East Asian and Western Texts through Hogan’s Theory of Emotional Systems Sun Yat-sen University, China, People's Republic of Open Group Individual Submissions On the Dual Dimensions of Early Buddhism and the Interpretation of the Book of Songs The College of Literature and Journalism,Sichuan University, China, People's Republic of Open Group Individual Submissions On the Polyphony of Wang Wenxing's novel Family Catastrophe Xiamen University, China, People's Republic of Open Group Individual Submissions Stephen Owen's Research on Tang Poetry Shanghai International Studies University, China, People's Republic of |
(296 H) Comparative Literature and Digital Literary Studies in Georgia Location: KINTEX 1 302 Chair: Irma Ratiani, Iv. Javakhishvili Tbilisi State University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : Open Group Individual Submissions Formation and Development of Comparative Studies in Georgia Georgian Comparative Literature Association (GCLA) Open Group Individual Submissions Perspectives and Challenges in the Creation and Digital Analysis of Georgian Literary Corpora Georgian Comparative Literature Association (GCLA) Open Group Individual Submissions Quantitative-Statistical Analysis of the Semantics of Color in The Knight in the Panther's Skin Georgian Comparative Literature Association (GCLA) Open Group Individual Submissions Digitizing Georgian-French Cultural Exchanges: Archival Methods and Accessibility Georgian Comparative Literature Association (GCLA) Open Group Individual Submissions Digital Analysis of the Symbols in the Life of Saint Nino Georgian Comparative Literature Association (GCLA) Open Group Individual Submissions A Quantitative Analysis of Versification Parameters in The Knight in the Panther’s Skin Based on Nestan-Darejan’s Two Letters Georgian Comparative Literature Association (GCLA) |
(297) Intermediality and Comparative Literature (3) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Intermedial Performativity and Contemporary Chinese Performance Arts Nanjing University, China, People's Republic of Open Group Individual Submissions Interaction Between Film and Theater: A Case Study of New/ Gates Dragon Inn. Hangzhou Normal University, China, People's Republic of Open Group Individual Submissions Lost in Projection: A Critique of Contemporary Resonance and the Erosion of Jingju in Contemporary Legend Theatre’s Julius Caesar Shandong University, China, People's Republic of Open Group Individual Submissions Intermedia Art: A Multimodal Analysis of Li Shun's Art Exhibition “Capture the Light and Shadow" 1: Hangzhou Normal University, China, People's Republic of; 2: Wenzhou-Kean University, China, People's Republic of |
(298) Religion, Ethics and Literature (5) Location: KINTEX 1 307 Chair: Kitty Millet, San Francisco State University ICLA Research Committee Individual Submissions An Interpretation of Perpetrator Trauma in Louise Erdrich’s Larose Tsinghua University, China, People's Republic of ICLA Research Committee Individual Submissions Angels and Roombas: a Bloody Post-Human Parallel Jadavpur University, India ICLA Research Committee Individual Submissions How religilon can contribute to literature The institute for Science of Mind, Korea, Republic of (South Korea) ICLA Research Committee Individual Submissions The Western Plight and Survival Ethics in The Grapes of Wrath Northwestern Polytechnical University, China, People's Republic of ICLA Research Committee Individual Submissions A SINGULAR LOVE IN 56 LANGUAGE-FORMS : LITERATURE AS TRANSFORMATIVE ETHICS The English & Foreign Languages UNiversity, Hyderabad IN, India |
(131) Text and tech (ECARE 31) Location: KINTEX 2 305A Chair: Yichen Zhu, Fudan University ECARE/NEXT GEN Individual Submissions Adaptation Beyond the Text: Uttara as a hypertext of Uratiya Jahangirnagar University, Bangladesh, People's Republic of ECARE/NEXT GEN Individual Submissions The Tension Between Intuition and Craft: Media Technology and Genre Transition in Close Reading Fudan University, China, People's Republic of |
(132) The Comics frontier (ECARE 32) Location: KINTEX 2 305B Chair: Sara Mizannojehdehi, Concordia University ECARE/NEXT GEN Individual Submissions Where to Draw the Line: Exploring the Intersections of Comics Journalism, Oral History, and Memoir Concordia University, Canada ECARE/NEXT GEN Individual Submissions Asterix and the Postmoderns: History, Resistance, and Empire in the 20th Century University of São Paulo, Brazil ECARE/NEXT GEN Individual Submissions Priya Comic Series: A Voice of Protest Against Gender Violence & Fundamentalism NIT Mizoram, India ECARE/NEXT GEN Individual Submissions Creative Fungibility: Drawing Parallels Between Virtual Production, AI Filmmaking, and Comic Book Creation UIC - United International College Hong Kong Baptist / University of Beijing, China, People's Republic of |
(133) The web novel frontier (ECARE 33) Location: KINTEX 2 306A Chair: Yimeng Xu, The University of Hong Kong ECARE/NEXT GEN Individual Submissions Digital Ethnography on the Soft Power Building of the Online Platform Webnovel’s Literary Translation Communication University of China, People's Republic of China ECARE/NEXT GEN Individual Submissions Hoarding in Survival Fantasy: Chinese Women’s Affective Labor in Web Novel Platforms During the COVID-19 Pandemic The University of Hong Kong, Hong Kong S.A.R. (China) ECARE/NEXT GEN Individual Submissions The Docile Husband: A Critical Discourse Analysis of Soft Masculinity in Digital Culture The University of Hong Kong, Hong Kong S.A.R. (China) ECARE/NEXT GEN Individual Submissions Considering the Social Significance of the Isekai Genre Waseda University, Japan |
(134) Translation and agency (ECARE 34) Location: KINTEX 2 306B Chair: Juanjuan Wu, Tsinghua University ECARE/NEXT GEN Individual Submissions On Translator’s Subjectivity Through the Paratexts of Three Chinese Translations of Ulysses Nanjing University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Translator Behavior in Chinese Folk Language Translation: A Case Study of The Mountain Whisperer Northwestern Polytechnical University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Affective Translation, Poetic Capital, and Cosmopolitan Modernism in the Ayscough/Lowell Translation Project on Tang Poetry Tsinghua University, China, People's Republic of ECARE/NEXT GEN Individual Submissions A Comparative Study on Translator Autonomy in Korean-Chinese/Chinese-Korean Children's Literature Title Translations - Focusing on Revised Target Texts after Source Text ‘Transformation’- Zhejiang Gongshang University, China |
(135) Translation and circulation (ECARE 35) Location: KINTEX 2 307A Chair: Kai Lin, University of Alberta ECARE/NEXT GEN Individual Submissions On Philology in Three Dimensions and Its Interaction with World Literature Studies Fujian Normal University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Translating Queerness Across Censorships: The Fan Translation of Pioneer Summer: A Novel from Russia to China University of Alberta, Canada ECARE/NEXT GEN Individual Submissions Translation as Rewriting-the (Re)constructed Female Images in Outlaws of the Marsh RMIT University, Australia |
Special Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination Location: KINTEX 1 Grand Ballroom Chair: Matthew Reynolds, University of Oxford 2025 ICLA SPECIAL SESSION 2 - YouTubeSpecial Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination#5: Wednesday, 7.30, 13:30 am - 15:00 pm
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(458) Next Generations of Literary and Artistic Narratives Location: KINTEX 2 307B Chair: You Wu, East China Normal University Open Free Individual Submissions AI and Machine Translation in Indian Comparative Literature: Challenges, Opportunities, and Global Impact. Visva-Bharati, India Open Free Individual Submissions Narrative Worlds of K-pop Idol Fan Fiction: A Comparative Digital Humanities Approach to Domestic and Global Fandoms Korea University, Korea, Republic of (South Korea) Open Group Individual Submissions Reclaiming Black Futures: Afrofuturism as a Transformative Response to Afropessimism. University of Texas at Austin, United States of America |
(502 H) Translating Migration: The Movement of Texts and Individuals in World Literature (3) Location: KINTEX 2 308A Chair: Chun-Chieh Tsao, University of Texas at Austin 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : Open Group Individual Submissions Self-translation as World Making: River of Fire and the Migrant Translator’s ‘Burden’ Seneca Polytechnic, Canada Open Group Individual Submissions Translating Self, Performing Migrancy: Ha Jin’s Transnational Poetics in A Distant Center 1: University of Glasgow; 2: Lingnan University Open Group Individual Submissions Songs of the River: Migration and the Fluidity of Meaning in the Translations of ‘Bhatiali’ and ‘Bhawaiya’ Sister Nivedita University, India |
3:30pm - 5:00pm |
(299) DUHA: Korean-Wave Location: KINTEX 1 204 Chair: Dae-Joong Kim, Kangwon National University Host Sessions (Korean Students and Scholars Only) Poet Lee Sang as the Central Driving Force of the Korean Wave Dongguk University Convergence Hallyu Academy Host Sessions (Korean Students and Scholars Only) Poet Lee Sang is me PaTI |
(300) South Asian Literatures and Cultures (6) Location: KINTEX 1 205A Chair: E.V. Ramakrishnan, Central University of Gujarat ICLA Research Committee Individual Submissions Revisiting the Past : Diasporic Dilemma in Anita Rau Badami's Can You Hear the Nightbird Call ? and Sorayya Khan's Five Queen's Road MAGADH UNIVERSITY BODH GAYA, INDIA, India ICLA Research Committee Individual Submissions Class Struggle and Socio-economic disparities: A Marxist analysis of Interpreter of Maladies and Boori Maa Umt, Pakistan ICLA Research Committee Individual Submissions Creating ' History', Forging Resistance: Reading Mahasweta' s Devi' s ' Major Literary Works MAGADH UNIVERSITY BODHGAYA, INDIA, India Group Session Flesh of the World: Phenomenology of Body in Norona’s Thottappan
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(301) Translation and Cultural Transfer in Soviet and Cold War Contexts Location: KINTEX 1 205B Chair: Peter Budrin, Queen Mary University of London Group Session Translation and Cultural Transfer in Soviet and Cold War Contexts
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(302) How to modernize Location: KINTEX 1 206A Chair: Minji Choi, Hankuk university of foreign studies Open Group Individual Submissions "Translating Freedom: Identity, Power, and Cultural Translation in Lea Ypi's Free" IU International University, Germany ICLA Research Committee Individual Submissions Vladimir Jankélévitch et le piano: D'après les souvenirs d'Anne Queffélec. Shizuoka University, Japon Open Free Individual Submissions How to modernize Realist Poetic: the Inspiration of the History of Bakhtin’s Acceptance for the Transformation of Chinese Realist Poetics Guangxi Normal University, China, People's Republic of |
(303) Digital Comparative Literature (4) Location: KINTEX 1 206B Chair: Simone Rebora, University of Verona ICLA Research Committee Individual Submissions Digital Social Reading and Comparative Literature: Three Case Studies University of Verona, Italy Open Group Individual Submissions Documentation, Textual Authority, and the Digital Afterlife of Dracula Seoul National University, Korea, Republic of (South Korea) Open Group Individual Submissions Fan Fiction as Paratext: An Intervention of Real Audiences in the Narrative Process of Storyworld Gent University, Belgium Open Group Individual Submissions Empathy, Curiosity, and Critique: An AI-driven Mapping of Reader Responses to Asian American Literature via ChatGPT 1: School of Cultures, Languages and Area Studies, University of Nottingham, Nottingham, The United Kingdom; 2: School of Electronic Information Engineering, Beihang University, Beijing, The People’s Republic of China |
(304) Translating ethics, space, and style (4) Location: KINTEX 1 207A Chair: Richard Mark Hibbitt, University of Leeds Open Group Individual Submissions At Home in Japan: Hospitality and Translation in Bruno Taut’s Architectural Writings Oxford University, United Kingdom Open Group Individual Submissions Gender and Nation in Translation: A comparative study of British and American English translations of Hsieh Pingying’s Autobiography Hunan Normal University, China, People's Republic of Open Group Individual Submissions Translation, Allusion, and Graphic Illustration: the Unstable Spatio-Temporality of the World Republic of Translated Letters Seoul National University, Korea, Republic of (South Korea) Open Group Individual Submissions Language and Space in Sarah Bernstein’s Study for Obedience University of Leeds, United Kingdom |
(305) Translating the Other: The Process and Re-Creation (4) Location: KINTEX 1 207B Chair: Minjeon Go, Dankook University Open Group Individual Submissions Nazım Hikmet’s 'Kız Çocuğu': Tracing Its Origins and Journey into Japanese Translation University of Tsukuba, Japan Open Group Individual Submissions Exploring the English Translation of ‘Talks at the Yen'an Forum on Literature and Art” Shenzhen University, China, People's Republic of Open Group Individual Submissions Comparative Analysis of Natural Themes in Zhuang Mythology and the Works of Aboriginal Writers from the Perspective of Cultural Ecology——Taking Buluotuo Book of Songs and the Works of Erdrich and Silko as Examples Guangxi Minzu University, China, People's Republic of |
(306) Reading through the Colorful Lens Location: KINTEX 1 208A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions Bernard Stiegler, noetic necromass and the crisis of the savoirs Teikyo University Tokyo, Japan Open Free Individual Submissions Contemporary Dystopian Speculative Fictions: Intersection of Labor, Technology, and Surveillance Taibah university, Saudi Arabia Open Free Individual Submissions Resisting the Algorithm: The Enduring Power of Close Reading CHRIST ( Deemed to be University), Bangalore, India. Open Free Individual Submissions L’ambivalence de la technologie pensée et mise en fiction dans Les Liens artificiels de Nathan Devers et Les Tout-puissants Mirwais Ahmadzai Institut de Littérature Comparée Margarida Losa/Un. de Porto (Portugal) APLC, Portugal Open Free Individual Submissions Cross cultural reception between Bengali Baul Geet and the Blues Music. The English and Foreign Languages University, India |
307 Location: KINTEX 1 208B |
(308) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (2) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association Open Group Individual Submissions Using Fuzzy-Set Qualitative Comparative Analysis as a tool for the explanation of literary genre history Sophia University, Japan Open Group Individual Submissions A Comparative Study on the Historical Consciousness of "Seeing" in Chinese and Korean New Wave Cinema during the Globalization Transition Period SEOUL NATIONAL UNIVERSITY, Korea, Republic of (South Korea) Open Group Individual Submissions Cultural Hybridity in Missionary Novels: Re-interpret Joseph de Prémare’s Dream of a Pilgrim in Cross-Cultural Context Freie Universität Berlin, Germany Open Group Individual Submissions A Comparative Study on the Proletarian Cinema Organizations in China and Korea Sungshin Women's University, Korea, Republic of (South Korea) Open Group Individual Submissions Toward a Comparative Theory of Knowledge: Zhu Xi’s Investigation of Things and Hermeneutic Intuition Shanghai Normal University, China, People's Republic of |
309 Location: KINTEX 1 209B |
(310) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (3) Location: KINTEX 1 210A Chair: Wen Jin, East China Normal University Open Group Individual Submissions How Mutual Understanding and Communication Become Possible—After the Leak of Computer Viruses University of St Andrews Open Group Individual Submissions Mixed race Images and cross-cultural problems in Francis Spufford's Golden Hill and Rebecca F. Kuang's Babel JiLin University, China, People's Republic of Open Group Individual Submissions Staging Chineseness: Ethnic Performativity and Narrative Perspectives in 21st-Century Chinatown Novels School of Cultures, Languages and Area Studies, University of Nottingham, Nottingham, The United Kingdom |
311 Location: KINTEX 1 210B |
(312) Space, Human, and Movie Location: KINTEX 1 211A Chair: Hyun Kyung Park, Namseoul University Open Free Individual Submissions Subterranean and Skyscraper Apocalypses: A Comparative Study of Spatial Ideology in Han Song’s Metro Narratives and J.G. Ballard’s Disaster Fiction The University of Hong Kong, Hong Kong S.A.R. (China) Open Free Individual Submissions Stillness, Death and the Parasitic Work of Art: 'The Oval Portrait' and 'The Vulture and the Little Girl' The English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions Gendered Motivations Behind Screen Depictions in Late Medieval China’s Boudoir-themed Lyrics—Centered on Among the Flowers 花間集 The Chinese University of Hong Kong, China, People's Republic of |
(313) Literature, Arts & Media (3) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao ICLA Research Committee Individual Submissions Reinventing Contemporary Exhibition Space: Novels, Domestic Space and Cinematic Cartography university of glasgow, United Kingdom ICLA Research Committee Individual Submissions Polyphonic Resistance and Secret Utopias: Technology and Language in the works of Cathy Park Hong and Theresa Hak Kyung Cha Indian Institute of Technology Mandi, India ICLA Research Committee Individual Submissions “To Be Technologically Up-to-Date”: Media Anxiety and the Cinematic Quality in Paul Auster’s The Book of Illusions Nanjing University, China, People's Republic of |
(314) Oriental Literature in World Literature: Exchanges and Mutual Learning (6) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) Open Group Individual Submissions A Corner of Sino-Indian Cultural Variation: The Multiple Evolutions of the Wish-Fulfilling Tree Belief The College of Literature and Journalism,Sichuan University, China, People's Republic of Open Group Individual Submissions A Study on the English Translation of Chinese Classical Poems by Wu Jingxiong and the Issue of Translator's Identity Central South University, China, People's Republic of Open Group Individual Submissions A comparative study of ecological thoughts in children's literature between East and West -- A case study of China and Germany Southwest Jiaotong University, China, People's Republic of Open Group Individual Submissions A Comparison of the Aesthetic Characteristics of Suzhou Tan-Ci and Pansori 1: Shandong University, China; 2: Central China Normal University, China Open Group Individual Submissions Cross-Cultural Dialogue and Critical Practice in Landscape Poetics: A Study Centered on Scenic Discourse in the Literary Supplement of Xin Shu Newspaper in Wartime Chongqing Sichuan University, China, People's Republic of |
(315) Mutual Learning of Civilizations and Reconstruction of World Literature (8) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions Connection & Division: An Ethical Reading of the Traditional Interpretation of Pearl S. Buck as a Cultural Bridge Lanzhou University, China, People's Republic of Open Group Individual Submissions Re-writing the History of Woman: From the Perspective of World Literature Xihua University, China, People's Republic of Open Group Individual Submissions The Mutual Learning of Eastern and Western Civilizations and the Rewriting of World Civilization History: Centered on the Contemporary Value of Confucian Classics Sichuan University, China, People's Republic of Open Group Individual Submissions An Analysis of Wang Meng's Literary Sign View From the Perspective of Mutual Learning of Civilizations Sichuan University, China, People's Republic of Open Group Individual Submissions The Mythological Encoding of Blood and Power: The Patriarchal-Patricide Paradigm in the Narratives of Houji and Oedipus Sichuan University, China, People's Republic of Open Group Individual Submissions A Study of Writing the History of Chinese Civilization with Chinese Characters as Clues Sichuan University, China, People's Republic of |
(316) Shaping the Literary Canon Location: KINTEX 1 213A Chair: Seonggyu Kim, Dongguk University Open Free Individual Submissions Reading Aloud in Charlotte Brontë’s Novels: Shaping the Literary Canon University of Helsinki, Finland Open Free Individual Submissions 从文学文化角度切入:与中国银龄群体共同营造“未来花园” 清华大学未来实验室, China, People's Republic of Open Free Individual Submissions Culture of remembrance of women victims of Soviet repression Ilia State University, Georgia Open Free Individual Submissions Dialogue between Literature and Science by Female Writers: Sawako Ariyoshi’s Compound Pollution and Rachael Carson’s Silent Spring University of Tsukuba, Japan |
(317) The East Asian Literature from a Global Perspective (4) Location: KINTEX 1 213B Chair: Zhejun Zhang, Sichuan University,China Open Group Individual Submissions Reimagining Violence: Sensation, Bodily Deformation and Female Trauma in Can Xue’s The Last Lover and Han Kang’s The Vegetarian University of New South Wales, Australia Open Group Individual Submissions Parallax and Existence: An Interpretation of Ae-ran Kim’s “There Is Night There, and Songs Here” from the Perspective of Existentialism Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions The Application of the book “Wen Zhang Gui Fan” in the Education of Chinese Classics Studies in the Meiji Era: An Example from the Lecture Notes of Kato Fukusai, a Student at the Nishogakusha Sichuan University, China, People's Republic of Open Group Individual Submissions A Discussion of the Japanese Yappari sekai wa bungaku de dekite iru and the View of World Literature Sichuan University, China, People's Republic of |
(318H) Translation Studies (5) Location: KINTEX 1 302 Chair: Marlene Hansen Esplin, Brigham Young University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 252H(09:00) LINK : ICLA Research Committee Individual Submissions Cultural Appropriation and Identity Reconstruction: The Translational Journey of One Thousand and One Nights in Modern China Peking University, United Kingdom ICLA Research Committee Individual Submissions Can AI Truly Capture the Complexity of Women’s Voices in Bengali Literature? Jahangirnagar University, Bangladesh, People's Republic of ICLA Research Committee Individual Submissions Teaching LLM-Assisted Translation in the College Literature Classroom Boise State University, United States of America ICLA Research Committee Individual Submissions Fluidity in the ‘In-comparative’ Framework of Comparative Literature: Understanding the many ‘crises’ of the Discipline SRI SRI UNIVERSITY, India |
(319) Intermediality and Comparative Literature (4) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions The corporeality and agency of the ‘Eight-brokens’ from the perspective of global art communication Nanjing University, China, People's Republic of Open Group Individual Submissions “Poet-Painter of China”: E. E. Cummings’ Intermedial Prosody and Transpacific Modernism Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions Exploring Cross-Media Communication of "Journey to the West" in Animated Films Yangzhou University, China, People's Republic of Open Group Individual Submissions Medicine, Morality, and Modernity: Reimagining Great Expectations in Post-War Hong Kong University of Exeter, United Kingdom |
(320) Comparative African Literatures Location: KINTEX 1 307 Chair: JIHEE HAN, Gyeongsang National University ICLA Research Committee Individual Submissions "Bridging Narratives: Exploring Comparative African Literatures in a Global Context" ONJCSPPA Tizi-Ouzou, Algérie Open Group Individual Submissions The Outsider’s Dispassion: A Comparative Study of Meursault in The Stranger and Mustafa Saeed in Season of Migration to the North Jahangirnagar University, Bangladesh, People's Republic of ICLA Research Committee Individual Submissions The ‘oral’ in the ‘written’: The novels of Flora Nwapa Institute of Engineering & Management Kolkata, India ICLA Research Committee Individual Submissions A study of “The Masque of Africa" from the Postcolonial Ecocriticism perspective Northwestern Polytechnical University, China, People's Republic of |
(136) Translation, cultural exchanges and tech (ECARE 36) Location: KINTEX 2 305A Chair: Jing Hu, Nankai University ECARE/NEXT GEN Individual Submissions A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry Federal University of Juiz de Fora - UFJF, Brazil ECARE/NEXT GEN Individual Submissions Translation and/as Hospitable Reading in Tony Hillerman’s Diné/Navajo crime novels University of Glasgow, United Kingdom ECARE/NEXT GEN Individual Submissions A study of the translation and influence of the Book of Changes in the Portuguese-speaking world Nankai University, China, People's Republic of China |
(137) Trauma, body, resistance (ECARE 37) Location: KINTEX 2 305B Chair: Redwan Ahmed, Jahangirnagar University ECARE/NEXT GEN Individual Submissions Experiential History as Resistance: Ken Liu’s The Man Who Ended History and the Politics of Memory Seoul National University, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions The Anatomy of Silence: Absence as Narrative in "Comfort Women" Literature Cotton University, India ECARE/NEXT GEN Individual Submissions Beyond Boundaries: Gender Fluidity and Stereotypical Marginalization in Amruta Patil’s Kari The English and Foreign Languages University, Hyderabad, India ECARE/NEXT GEN Individual Submissions Wounds of Partition: A Comparative Discussion between Krishan Chander’s “پشاور ایکسپریس” (Peshawar Express) (1948) and Syed Waliullah’s “The Escape” (1950) Jahangirnagar University, Bangladesh, People's Republic of |
(138) Technology can Do so Many Things Location: KINTEX 2 306A Chair: Seung Cho, Gachon University Open Free Individual Submissions From QR Code to Stone: halfway through, the Acts of Reading rethought University of Macau, Macau S.A.R. (China) Open Free Individual Submissions Absent Writers and Uncritical Readers: Large Language Models and the Ends of Invention University of Tampa, United States of America Open Free Individual Submissions Digital Technologies and Literature/Music: Pros and Cons Osaka University, Japan Open Group Individual Submissions Changing Times: The Campus Novel as a Global Genre Universiti Brunei Darussalam, Brunei Darussalam Open Free Individual Submissions Technologies of erasure: a material (re)turn in contemporary experimental women’s writing 1: Radboud University, Netherlands, The; 2: Utrecht University, Netherlands, The |
(139) Comparative Literature in Action Location: KINTEX 2 306B Chair: Jun Soo Kang, anyang University Open Free Individual Submissions Dilemma of Orphan Chao and its Development from the Perspective of Ethical Literary Criticism —— An Investigation Centered on “Second-Generation Remnants” School of Literature and Journalism, Sichuan University, China, People's Republic of Open Free Individual Submissions Dilemma of Forgiveness: Between Remembering and Forgetting in Tan Twan Eng’s Novels Queen Mary University of London, United Kingdom Open Free Individual Submissions An Inquiry into Aesthetical Ethics and the Subjectivity of AI Aesthetics Ningbo University, China, China, People's Republic of Open Free Individual Submissions Comparative Literature in Action: Joint Authorship and Cultural Collaboration in the Work of Understanding University of Oklahoma, United States of America Open Group Individual Submissions Modernism and Zen Buddhism: Representations of Eastern thought in the Early 20th Century by Japanese in the USA Osaka Metropolitan University, Japan Foreign Sessions (Foreign Students and Scholars Only) Dream images of India: Hermann Hesse and his Romantic sources Sorbonne Université, France |
(140) Disney Tells Many Interesting Things Location: KINTEX 2 307A Chair: Hyosun Lee, Underwood College, Yonsei University Open Free Individual Submissions Cross-Dressing, Gender Transgression, And Empowerment in Disney’s “Mulan” (1998) And Yoshiki Tanaka’s “Fly, Wind, Across the Vast Expanse” (1991) Kyushu University, Japan Open Free Individual Submissions Self-Reliance or Radical Individualism: On Disney’s Characterization of Mulan Tianjin Chengjian University, China, People's Republic of Open Free Individual Submissions Montage and metaphor: Eisenstein, Modesto Carone, and the dynamics of meaning State University of Campinas, Brazil Open Free Individual Submissions Trauma, Forgiveness, and Reconciliation: Aftershock from Book to Screen Huron University, Canada Foreign Sessions (Foreign Students and Scholars Only) Writing the River: A Comparative Study of River Narratives in Victorian British and Modern Chinese Literature King’s College London, United Kingdom |
Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award Location: KINTEX 1 Grand Ballroom 2025 ICLA SPECIAL SESSION 3 - YouTube Special Session III: Korean Literature, World Literature, and Glocal Publishing: Celebrating Han Kang's Nobel Prize Award
Chair: KWAK Hyo Hwan, Ph.D. (Poet, Former President of Literature Translation Institute of Korea)
Speakers:
1. KWAK Hyo Hwan, Ph.D. (Poet, Former President of Literature Translation Institute of Korea) “From 'Globalization of Korean Literature' to 'Korean Literature as World Literature' - The Future of Korean Literature After Han Kang Wins Nobel Prize” Author Han Kang has been selected as the winner of the 2024 Nobel Prize in Literature. It is a sudden blessing that has come less than 10 years since The Vegetarian was published in the UK in 2015 and won the Booker International Prize the following year, drawing attention from the world of literature. As stated in the reason for selection by the Swedish Academy, Han Kang’s work “achieved powerful poetic prose that confronts historical trauma and reveals the fragility of human life,” the long and extensive world of Han Kang’s works was evaluated. In The Vegetarian, she captivatingly portrayed the violence of norms and customs that bind the family and society through the heroine who refuses to eat meat and tries to become a tree, and in The Boy Comes and We Don’t Say Goodbye, she excelled in dealing with the vulnerability of individuals who were sacrificed in the horrific tragedies caused by great power through the May 18 Gwangju Democratization Movement and the Jeju April 3 Incident, thereby achieving even deeper literary achievements. However, considering that the Nobel Prize in Literature is more of an award for merit that encompasses the author’s entire literary world and literary life rather than a prize for a work, this award cannot be anything but a surprising event. This Nobel Prize in Literature is not only an award for author Han Kang, but also an award for Korean literature and translation. The aspiration of Korean literature in the periphery to move to the center has been fulfilled by going beyond ‘introducing Korean literature overseas’ and ‘globalizing Korean literature’ to ‘Korean literature as world literature’ and ‘Korean literature read together by people around the world’. Now, Korean literature has opened a path for communication without time difference by being simultaneous with world literature, and has reached a turning point where it has transitioned from being a receiver of world literature to a sender. The power of translation, which has enabled readers around the world to read Korean literature without language and cultural barriers, has played an absolute role in this. And the Korean Literature Translation Institute and Daesan Cultural Foundation have made a great contribution to supporting this for a long time and systematically. Now, after receiving the Nobel Prize in Literature, it is time to calmly look at the process and meaning of receiving the Nobel Prize in Literature and what Korean literature should do. This is because the Nobel Prize in Literature is an important gateway that Korean literature must pass through, not a goal. Therefore, in this lecture, we will examine the process of Korean literature advancing to world literature, the role and achievements of translation at its core, Korean literary works that have attracted attention in the world literary community, and what Korean literature needs to prepare as world literature.
2. KIM Chunsik (Dongguk U) “Nobel Prize in Literature, and After” This essay critically reflects on the global significance of Korean literature in the wake of Han Kang’s Nobel Prize in Literature. Drawing on the author’s personal experiences as a visiting scholar at UC Berkeley (2004) and a participant in an academic conference in India (2009), the paper explores the tension between center and periphery as a persistent framework in literary and cultural discourse. These episodes underscore how Korean literature has historically occupied a marginal position in global literary hierarchies, yet how such marginality also fosters critical reflections on identity, representation, and power. The essay highlights the Swedish Academy’s appraisal of Human Acts as revealing “historical trauma and the fragility of human life,” arguing that this speaks not only to Han Kang’s literary sensibility but also to the core concerns of contemporary Korean literature. Using the concept of the “politics of mourning,” as theorized by Judith Butler, the author contends that Korean literature engages in an ethical task: to retrieve the voices of the dead and reframe trauma as a shared human condition. Literature thereby becomes a medium that bridges the abyss between human dignity and violence, past suffering and present vulnerability. Ultimately, the author rejects the triumphalist view that Han Kang’s award marks Korean literature’s arrival at the “center” of world literature. Instead, it affirms a longer, ethical trajectory in which Korean literature, shaped by historical wounds and peripheral positions, has always already been global. The essay argues that the true value of Korean literature lies not in global market expansion, but in its sustained engagement with planetary concerns violence, mourning, and coexistence through ethical and imaginative inquiry
3. CHO Hyung-yup (Korea U) “Significance of Han Kang's Nobel Prize in Literature and Her Status in World Literature History”
1. The significance of Han Kang's Nobel Prize in Literature Han Kang's Nobel Prize in Literature can be seen as a great feat for the Republic of Korea, achieved through the combination of four factors: Han Kang's creative ability, the power of Korean literature that made it possible, the translator's ability, and institutional support from the government and the private sector. 2. Han Kang's literary achievements Han Kang's literary achievements are summarized in the expression “powerful poetic prose that confronts historical trauma and reveals the fragility of human life” that the Swedish Academy announced as the reason for her selection when it announced her winning the Nobel Prize in Literature on October 10, 2024. If I were to interpret this reason for her selection in my own way, I would say that “confronting historical trauma” is a “realistic thematic consciousness,” “revealing the fragility of human life” is a “modernist formal experiment,” and “powerful poetic prose” is an “organic style experiment.” So I think that author Han Kang's creative ability is obtained by successfully fusing these three things that are difficult to coexist. In other words, author Han Kang's literary achievements were obtained by independently fusing realistic thematic consciousness such as feminism, ecology, and historical trauma with modernistic formal experiments such as fantasy, aesthetics, composition, and point of view. In fact, realism and modernism are heterogeneous and conflicting literary trends that are difficult to coexist with. I think that the stylistic experiment called 'poetic prose' played a decisive role in fusing these two poles. 3. Han Kang's status in Korean and world literary history So I think that the core characteristic of Han Kang's literature is that he exquisitely fused these three items by putting ‘realistic thematic consciousness’ and ‘modernistic formal experiments’ in a crucible and using the catalyst called ‘organic stylistic experiments.’ Another important point here is that the methodology of stylistic experimentation based on ‘physical sensibility and organic imagination’ is partly an inheritance of the tradition of romanticism and symbolism accepted from Western literature, but also partly an inheritance of our country’s ‘traditional aesthetics’, ‘Korean aesthetics’ and ‘shamanistic native culture’. In the end, Han Kang can be evaluated as having creatively developed a dimension by accepting the three contradictory and conflicting literary lineages of modern Korean literature, realism, modernism, romanticism, and symbolism, which were influenced by world literature, while absorbing Korea’s traditional aesthetics and native culture and creatively fusing them. Therefore, I think that the status of Han Kang’s works in the history of Korean literature and world literature is that he returns the newly developed high-level achievements to Korean literature and world literature, which provided him with literary nutrients.
Discussants:
CHO Hyungrae (Dongguk U) JEONG Gi-Seok (Dongguk U) KIM Eun-seok (Dongguk U)
Special Sessions After the Nobel Prize in Literature: Korean Literature and World Literature Dongguk University |
459 Location: KINTEX 2 307B |
(503 H) Buddhism and its role Modernism in Asia Location: KINTEX 2 308A Chair: Sunhwa Park, Konkuk University 24th ICLA Hybrid Session WED 07/30/2025 (in Korea) 500H(09:00) LINK : Open Group Individual Submissions “Notorious” Vloggers: Content Creation and Modern Tibetan Society non-affiliated independent scholar Open Group Individual Submissions “The Harmonious Confluence of the Six Roots (六根圆通)”: Reading Lengyan jing (The Sūraṅgama Sūtra楞严经) with Michel Serres’s Philosophy of Mingled Bodies Jilin University, China, People's Republic of Open Group Individual Submissions Influence of Buddhism in Modern Indian writings against socio-cultural discriminations The Assam Royal Global University, India Open Group Individual Submissions On the Efficacy of Buddhist Miraculous Tales(靈驗記): A Study Beginning with the Dunhuang Manuscript The Story of Daoming’s Return from the Dead(道明還魂記) SICHUAN University, China, People's Republic of |
Date: Thursday, 31/July/2025 | |||||||||||||||||||||||||||||
9:00am - 10:40am |
Keynotes: Zhenzhao Nie & Wen-chin Ouyang Location: KINTEX 1 Grand Ballroom Chair: Byung-Yong Son, Kyungnam University |
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11:00am - 12:30pm |
(321) Who is Afraid of Fiction? (1) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle ICLA Research Committee Individual Submissions Bad Readers of Deceptive Fictions University of Maryland, United States of America Open Group Individual Submissions Fear of comics – fear of fiction? Université de Poitiers, France Open Group Individual Submissions Fiction narrative et fiction normative Ecole des Hautes Etudes en Sciences Sociales, France |
(322) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (1) Location: KINTEX 1 205A Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa Open Group Individual Submissions Augmented Literature Through Locative Media: Trans-mediality, Locative Media, Trans-materiality University of L'Aquila, Italy Open Group Individual Submissions Between Gods and Goblins: Japan’s Colonial Fantasy in Propaganda Animated Film "Momotaro: Sacred Sailors" (1945) Osaka University, Japan Open Group Individual Submissions Experiencing the Novel: Hypertext on Erfahrung and Erlebnis Yonsei University, Korea, Republic of (South Korea) Open Group Individual Submissions Less Than an Author, More Than a Tool: AI in Literary Writing Sapienza University of Rome, Italy ICLA Research Committee Individual Submissions The Book as Catalyst of Intermediality Peter Greenaway re-mediates Shakespeare Scuola Normale Superiore, Pisa, Italy |
(323) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (1) Location: KINTEX 1 205B Chair: Daniela Spina, CHAM - Centre for Humanities Open Group Individual Submissions Growing up in a garden: Anglo-Indian adolescence and (post-)imperial Englishness in Rumer Godden’s The River (1946) Aristotle University of Thessaloniki, Greece Open Group Individual Submissions About friendship and mentorship in two coming-of-age novels set in Sri Lanka and Goa: Reef by Romesh Gunesekera (1994) and O Último Olhar de Manú Miranda by Orlando da Costa (2000) CHAM - Centre for Humanities, Portugal Open Group Individual Submissions On the Blue Gender Dilemma in Jack London's South Pacific Novel "The Seed of McCoy" / 论杰克·伦敦南太平洋小说《麦考伊的种子》中的“蓝色性别困境” Hainan Normal School, China, People's Republic of |
(324) Location: KINTEX 1 206A |
(325) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (1) Location: KINTEX 1 206B Chair: Xi Liu, Xi'an Jiaotong-Liverpool University Open Free Individual Submissions The Matriarchal Utopia? Reimagining Human Reproduction in Chinese and Western science fiction Frontiers, China, People's Republic of Open Group Individual Submissions Reworking of human ethics in contemporary Chinese SF crisis narratives Xi'an Jiaotong-Liverpool University Open Group Individual Submissions Reworking of human ethics in contemporary Chinese SF crisis narratives Xi'an Jiaotong-Liverpool University Open Group Individual Submissions Technological Advancement, Gender Roles,and Female Agency in Female-authored Chinese Science Fiction Xi'an Jiaotong-Liverpool University |
(326) Exploring the Trans Location: KINTEX 1 207A Foreign Sessions (Foreign Students and Scholars Only) Scandal, Prestige, and Soft Power: The Transnational Afterlife of the Prix Goncourt Universitat Autònoma de Barcelona, Spain |
(327) Western Literary Encounters Asia Location: KINTEX 1 207B Chair: Hyosun Lee, Underwood College, Yonsei University Foreign Sessions (Foreign Students and Scholars Only) "Abyss Zone", "Leviathan Ships", "Shipwrecks": On the Ecological Imagery in Alexander Belyaev’s Marine Science Fiction Tianjin Normal University Foreign Sessions (Foreign Students and Scholars Only) Western Literary Encounters in Indian Literary Studies: A Perspective from Sisir Kumar Das’s ‘Indian Ode to the West Wind’ Visva-Bharati, Santiniketan, West Bengal, India, India Foreign Sessions (Foreign Students and Scholars Only) The Embodiment of Confucianism in Chinese and Vietnamese Folk Stories -- Take the "Fish-Dragon" Stories as an Example Xiangtan University, China, People's Republic of |
(328) Rethinking Historical Trauma and Memory in Comparative Literature Location: KINTEX 1 208A Chair: Younghee Son, Kyungpook National University Open Free Individual Submissions Rethinking Historical Trauma and Memory in Comparative Literature Kyungpook National University, Korea, Republic of (South Korea) |
(329) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (1) Location: KINTEX 1 208B Chair: Takayoshi Yamamura, Hokkaido University Open Group Individual Submissions The new literary pilgrimage phenomenon inspired by the Japanese manga and anime Bungo Stray Dogs Ritsumeikan University, Japan Open Group Individual Submissions The transnational development and tourism surrounding Chinese detective novels Hiroshima University, Japan Open Group Individual Submissions The transmedia and transnational spread of Korean webtoons Hankuk University of Foreign Studies, Korea, Republic of (South Korea) Group Session From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature
Open Group Individual Submissions Transnational Adaptations and Contents Tourism Surrounding the Three Kingdoms Hokkaido University, Japan |
(330) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (3) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association Open Group Individual Submissions The Embodiment of Confucianism in Chinese and Vietnamese Folk Tales: A Case Study of the "Fish-Dragon" Story Complexes in Both Countries Xiangtan University, China, People's Republic of Open Group Individual Submissions View Akutagawa Ryunosuke’s Kirishitanmono from the Field of Comparative Literature: on His Novel Death of a Christian Henan University, China, People's Republic of Open Group Individual Submissions The generation, flow and development of the "Third World Literature" theory in East Asia Ocean University of China, China, People's Republic of Open Group Individual Submissions Thoreau’s Cross-Cultural Journey: Bridging East and West within World Literature Guangxi Minzu University, PRC Open Group Individual Submissions Mythological Perspective on the Cultural Origins of the Korean Ethnic Group Jiangsu Normal University, China, People's Republic of |
(331) Marginal Encounters: South Korea and the Globe in the 20th and 21st Century Literature, Film and Culture Location: KINTEX 1 209B Chair: Janeth Manriquez Ruiz, University of Notre Dame Open Group Individual Submissions Taking Control: Is That Even an Option? Global Imbalances and Citizen Agency in South Korean TV Series. Ghent University, Belgium Group Session Marginal Encounters: South Korea and the Globe in Contemporary Culture
Open Group Individual Submissions Tripping on guilt: How 'workplace cli-fi' negotiates guilt in a planetary perspective Aarhus University, Denmark |
(332) What is literature if not a book? An intermedial approach to literature in a digitized society Location: KINTEX 1 210A Chair: ChangGyu Seong, Mokwon University Open Group Individual Submissions The Return of Voice: Intelligent Story Production in Audiobooks and the Alienation Crisis Gent University, Belgium Open Group Individual Submissions Infinite Possibilities of Video Games in Media Convergence: Literariness, “Story-Universe” and “Infant-Universe” NanJing University, China, People's Republic of Open Group Individual Submissions A Multimodal Audiobook? Transforming Printed Multimodal Novels into Audiobooks Justus Liebig University Giessen, Germany Open Group Individual Submissions Airlines, Archives, and Aesthetics: El clan Braniff as an Intermedial Counter-History University of Southern California, United States of America |
(333) Global Futurism (3) Ecological and Planetary Imaginaries Location: KINTEX 1 210B Session Chairs: Yusheng Du (Nanjing University of Information Science & Technology); Qilin Cao (Tongji University) Open Group Individual Submissions “Mars is a Mirror”: Martian Fiction in Modern China Tongji University, China, People's Republic of China Open Group Individual Submissions The Blue Humanities: the future is wet Sungkyunkwan University, Korea, Republic of (South Korea) Open Group Individual Submissions The Capitalocene Poetics of Universalism: Will Alexander’s Global Futures University of Oxford Open Group Individual Submissions The Philosophical Futurism of Foucault's Aesthetics of Existence Nanjing University of Information Science & Technology, China, People's Republic of Open Group Individual Submissions Tree-lined roads that lead to the future: a case study using The Overstory Sungkyunkwan University, Korea, Republic of (South Korea) |
(334) Juxtaposition, Transposition, Heterotopia, and Communication Location: KINTEX 1 211A Chair: Seung-hye Mah, Dongguk University Seoul Campus Open Free Individual Submissions The Station as Heterotopia: A Contemporary Chinese Odyssey Xi'an Jiaotong University Open Free Individual Submissions Juxtaposition, Identity, and Politics: Narrative and Aesthetics in 'Bhimayana: Experiences of Untouchability' and 'Persepolis' The English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions In/fidelity in transposition: Alan Moore’s “Watchmen” in Brandon Vietti’s Adaptation Jahangirnagar University, Bangladesh, People's Republic of Open Free Individual Submissions Comic studies and Graphic narrative and also how the idea of communication changes over time Visva Bharati University, India Open Group Individual Submissions Politics of Pathos as Social Commentary in Mahakavi Laxmi Prasad Devkota’s Muna Madan Tribhuvan University, Nepal |
(335) Literature, Arts & Media (4) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao ICLA Research Committee Individual Submissions The Shift Towards Materialism in Korean Horror Films: Representing Trans-corporeality in "Feng Shui" Narratives and Its Underlying Historical Trauma The University of Hong Kong, China ICLA Research Committee Individual Submissions Lizard King Meets the Beats: A Comparative Study on the Poetry of Jim Morrison in the shadow of the Beats NIT Mizoram, India ICLA Research Committee Individual Submissions Re-imagining Japan in India: Studying Nationalism, Memory and Transnational Alliances through Indian Literary Narratives University of Delhi, India ICLA Research Committee Individual Submissions Living Comparative Literature: One stage at a time University of Delhi, India |
(336) Oriental Literature in World Literature: Exchanges and Mutual Learning (7) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) Open Group Individual Submissions From India to China: The Mutual Transformation between the Nezha Myth and Religion as well as History The College of Literature and Journalism,Sichuan University, China, People's Republic of Open Group Individual Submissions The Dissemination of the "Two Mothers Contending for a Son" Narrative in the German-Speaking World in the 20th Century: With a Focus on Klabund's Adaptation of The Chalk Circle Southwest Jiaotong University, Chengdu Sichuan China Open Group Individual Submissions Cultural Transference and Literary Colonization: The Case of Han Kang's 'We Do Not Part' in The New Yorker’s 'Heavy Snow' Adaptation Sichuan University, China Open Group Individual Submissions On the Obscuration and Reconstruction of the Eastern Perspective in World Historical Fiction Studies: A Case Study of Chinese Historical Fiction Sichuan University, China Open Group Individual Submissions The European Renaissance in Hu Shi's Diary Hunan University, China, People's Republic of |
(337) Mutual Learning of Civilizations and Reconstruction of World Literature (9) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays North University of China, China, People's Republic of Open Group Individual Submissions The Evolution of Liang Qichao’s Views on Civilization and Literary Values Lanzhou University of Finance and Economic, China, People's Republic of Open Group Individual Submissions Two Directions of “Language Negation”: A Comparative Study of Maurice Blanchot’s View of Literary Language and Ancient Chinese Literary Theory’s Discourse of “Setting up an Image to Express Meanings” College of Literature and Journalism, Sichuan University Open Group Individual Submissions The Eastern Origins of Ancient Greek Civilization Sichuan University, China, People's Republic of Open Group Individual Submissions A Review of the writing of the History of Chinese Civilization Sichuan University, China, People's Republic of |
(338) Shark's Fin and Sichuan Pepper Location: KINTEX 1 213A Chair: JIHEE HAN, Gyeongsang National University Open Free Individual Submissions Comparative Research in Uzbek Literary Studies Uzbek State World Languages University, Uzbekistan Open Free Individual Submissions The Orient in Angela Carter’s Postmodern Gothic Fairy Tales Shenzhen Polytechnic University, China, People's Republic of Open Free Individual Submissions Writing Chinese Secular Culture in Fuchsia Dunlop's Shark's Fin and Sichuan Pepper Sichuan University, China, People's Republic of Open Free Individual Submissions Deconstructing Diaspora: Urban Nostalgia and Uneven Modernity in Tash Aw's Five Star Billionaire University of Warwick, United Kingdom Open Free Individual Submissions Chandalika : Tagore’s Subversive Dramatization of Ananda’s Ascetic Way of Life found in “Sardulkarna-Abadan” Otsuma Women's University, Japan |
(339) Japanese Pop Culture beyond Borders Location: KINTEX 1 213B Chair: Seonggyu Kim, Dongguk University Open Free Individual Submissions “Morgan O-Yuki” Stories as Counter Narratives of “Madame Butterfly” Tsuru University, Japan Open Free Individual Submissions The Influences of Many Countries on Dragon Ball and the Modifications of English Animated Version: Japanese Pop Culture beyond Borders Otsuma Women's University, Japan Open Free Individual Submissions What is Tojisha-hihyo? –New Possibilities for Comparative Literature Kyoto Prefectural University, Japan |
(340 H) Language Contact in Literature: Europe (1) Location: KINTEX 1 302 Chair: Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 ICLA Research Committee Individual Submissions Linguistic landscapes: how multilinguals’ experience with languages influences heterolingual writing, a case study of Cia Rinne’s poetry University of Brighton, United Kingdom Open Group Individual Submissions A Poet among Languages: The Multilingual Identity of Karolina Pavlova Penn State University, United States of America Open Group Individual Submissions Exploring Borders in the environmental art project Rájácummá – Kiss from the Border Károli University, Hungary Open Group Individual Submissions Staging linguistic contact in contemporary Basque literature: Frédéric Aribit and Itxaro Borda Université Paris 8 Saint Denis, France Open Group Individual Submissions The Use of Multiple languages and Scripts in Varvara Nedeoglo's Poetry and the Translation Challenges It Presents King's College London, UK |
(341) Intermediality and Comparative Literature (5) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Transmedial Encounters: Marxist Thought and Political Emotion in German Leftist Cultural Production Sun Yat-sen University, China, People's Republic of Open Group Individual Submissions Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled Shanghai International Studies Universtiy, China, People's Republic of Open Group Individual Submissions American Fiction as Meta-adaptation: Intermediality and the Performance of the ‘Racial’ Self Nanjing University, China, People's Republic of Open Group Individual Submissions The Gaze of Painting: Visual Ethics and Identity Pursuit in the novel The Goldfinch Central China Normal University |
(342) Comparative History of East Asian Literatures (1) Location: KINTEX 1 307 Chair: Haun Saussy, University of Chicago Group Session Proposal for Group Session by ICLA Research Committee on “Scriptural Reasoning and Comparative Literature”
ICLA Research Committee Individual Submissions Literary Cartography, World-Mapping, and Fantastic Encounters in Early Modern East Asian Fictional Writings Columbia University, United States of America ICLA Research Committee Individual Submissions Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature English and Foreign Languages University, Hyderabad, India Group Session A Comparative Study on Enlightenment and Nationalism through the Poems of Shin, Chae-ho(申采浩)and Lu Xun(魯迅)
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(141) Progression and Regression: Technologies and Power in the Literary Imagination (1) Location: KINTEX 2 305A Chair: Rui Qian, Nanyang Technological University Open Group Individual Submissions Progression and Regression: Technologies and Power in the Literary Imagination Nanyang Technological University |
(142) Transmedia, and Comparative Literature Location: KINTEX 2 305B Chair: Byung-Yong Son, Kyungnam University Open Group Individual Submissions Electronic Fiction, Transmedia, and Comparative Literature Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of Open Group Individual Submissions From “Solitary” to “Solidary”: An Ethical-Ecological Approach to Wordsworth’s “I Wandered Lonely as a Cloud” Hangzhou Normal University Open Free Individual Submissions Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi 1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia Open Free Individual Submissions Digital Narratives and Authorship: Electronic Fiction and Transmedia Storytelling in Comparative Literature Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of Open Free Individual Submissions AI, Stylistic Emulation, and Hypothetical Literary Comparisons 1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia |
(143) What did they Say? Location: KINTEX 2 306A Chair: Jun Soo Kang, anyang University Open Free Individual Submissions Feminism, Race and Gender-neutral Language Translational Traps in Bernadine Evaristo’s Girl, Woman, Other Université Polytechnique Hauts-de-France, France Open Free Individual Submissions On Translator’s Subjectivity Through the Paratexts of Three Chinese Translations of Ulysses Nanjing University, China, People's Republic of Open Free Individual Submissions Reading Gender in Children's Graphic Novels Through Plurality in Comparative Literature The English and Foreign Languages University, India |
(144) French and Australian Songlines Location: KINTEX 2 306B Chair: Minji Choi, Hankuk university of foreign studies Open Free Individual Submissions Contact Languages and Urban Resistance: Multilingual Practices in Contemporary French Rap Florida International University, États Unis Open Free Individual Submissions Étude de la musicalité visuelle en tant qu'approche multimédia dans les expérimentations poétiques de Mallarmé Korea University, Korea, Republic of (South Korea) Open Free Individual Submissions Art not for the sake of Art: A study of Australian songlines and its resonance in the contemporary times S.I.W.S. College, India Host Sessions (Korean Students and Scholars Only) Sijo in Translation Pyongtaek University |
(431) Voyage of Images Location: KINTEX 2 307A Chair: S Peter Lee, Gyeongsang National University Open Free Individual Submissions “To Get along with the Sea”: Technologies of (Re-)mediating Darkness in Beyond the Blue: Kuroshio’s Voyage National Taitung University, Taiwan Open Free Individual Submissions Reconstructing women's experience in transmedia narratives: a multidimensional perspective on film adaptations of contemporary feminist literature Southern Medical University, China, People's Republic of Open Free Individual Submissions (Re)Mapping the Virtual and the Imaginary: Site-Specific Video Installations and Digitally Mediated Heterotopias University College London, United Kingdom Open Free Individual Submissions Poetics/prosthetics of imagination: Poetry, Cinema, and Artificial Intelligence in Jean Epstein University of Pennsylvania, United States of America |
Special Session IV: Roundtable Celebrating 70th Anniversary of the ICLA Location: KINTEX 1 Grand Ballroom “Bridging Seventy Years of Comparative Literary Dialogue: Past, Present, and Future of the ICLA.” Chairs: Lucia Boldrini, Goldsmiths, UK, President of the ICLA (2022-2025) Speakers: Sandra L. Bermann, Princeton U, USA: President of the ICLA (2019-2022) Q&A: |
460 Location: KINTEX 2 307B |
1:30pm - 3:00pm |
(343) Who is Afraid of Fiction? (2) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle Open Group Individual Submissions La fiction romanesque comme antidote au dogmatisme au siècle des Lumières Université de Tel Aviv, Israël Open Group Individual Submissions The Double Threat of Fiction: Escapism and Documentation Université Sorbonne Nouvelle, France Open Group Individual Submissions Résistance à l’immersion fictionnelle et effondrement de l’espace poétique : les hétérotopies littéraires chez GE Fei Université Sorbonne Nouvelle-Paris 3, France Open Group Individual Submissions Attitudes Toward Fiction in Ancient Greek and Chinese Philosophy: Implications for AI Ethics in Western and Chinese Societies Shanghai International Studies University, China, People's Republic of |
(344) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (2) Location: KINTEX 1 205A Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa Open Group Individual Submissions AI, Stylistic Emulation, and Hypothetical Literary Comparisons 1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia Open Group Individual Submissions Music of <The Nine Cloud Dream> and the Cloudy Dreamy Music Yonsei University, Korea, Republic of (South Korea) |
(345) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (2) Location: KINTEX 1 205B Chair: Daniela Spina, CHAM - Centre for Humanities Open Group Individual Submissions Pramoedya’s Buru Quartet as Postcolonial Bildungsroman: The Emergence of Indigenous Elites in East Indies Tsinghua University, China, People's Republic of Open Group Individual Submissions Colonial and postcolonial ambiguities in Luís Cardoso’s Crónica de uma Travessia University of Lisbon School of Arts, Portugal Open Group Individual Submissions Disciplining South Asian Childhoods: A Study of Post-independence Novels from India The University of Texas at Austin, United States of America |
(346) Location: KINTEX 1 206A |
(347) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (2) Location: KINTEX 1 206B Chair: Xi Liu, Xi'an Jiaotong-Liverpool University Open Group Individual Submissions Rediscovering Labour - A Study of Contemporary Chinese Science Fiction Literature in the Post-Liu Cixin Generation THE HONG KONG POLYTECHNIC UNIVERSITY, Hong Kong S.A.R. (China) Open Group Individual Submissions Reconstructing Humanistic Ideals in Solarpunk: On the Cultural Politics Implications of Zhang Ran’s When the Sun Falls University of Freiburg Open Group Individual Submissions How to Cross Boundaries: Gender and Cyborg in Contemporary Chinese Science Fiction Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions The Algorithmic Other in Cognitive Assemblages: Chen Qiufan's "The Algorithms for Life" and the Localization Dilemma of the Posthuman Subject in China Capital Normal University, China, People's Republic of |
(348) Gesar and Shakespeare Location: KINTEX 1 207A Chair: Byung-Yong Son, Kyungnam University Foreign Sessions (Foreign Students and Scholars Only) The Canonization of The Epic of Gesar Northwest Minzu University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Tsubouchi Shōyō’s Comparativism and the Techne of Shakespeare Translation Kwansei Gakuin University, Japan Foreign Sessions (Foreign Students and Scholars Only) Exploring the Translatability of the Costume Culture: Case Studies of Dream of the Red Chamber Beijing Normal-Hong Kong Baptist University, China, People's Republic of |
(349) Literature Meets Lens Location: KINTEX 1 207B Chair: Dong-Wook Noh, Sahmyook University Foreign Sessions (Foreign Students and Scholars Only) When Poetry Meets Lens: The Cinematic Experiment of Lyrical Literature Sichuan University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Research on the Development Pathway of Deep Learning-Based Dialogue Generation Models for Literary Characters: A Case Study ofHarry Potterin Children Literature Beijing Normal-Hong Kong Baptist University Foreign Sessions (Foreign Students and Scholars Only) Nietzsche As Photographer, Camera, and Images — A Photographic Interpretation of Nietzsche’s Theory Sun Yat-Sen University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Cultural Nationalism or Chinese Representation? Chinese Diplomat Chen Jitong's Literary Practices on French Newspaper (1884–1890) Sun Yat-sen University, China, People's Republic of |
(350) Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature Location: KINTEX 1 208A Chair: Kai-su Wu, Tamkang University Group Session Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature
Open Group Individual Submissions Portraits by Self and Other: The Large-scale Release of Chinese Women’s Literary Series and its Text-Image Interplay in the 1990s School of Chinese, The University of Hong Kong, Hong Kong S.A.R. (China) Open Group Individual Submissions The Eroticized Chinese Body in Intercultural Works: Articulating Dichotomy and Hybridization in Shan Sa’s Les Conspirateurs and Preljocaj’s The Fresco University of Virginia, United States of America |
(351) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (2) Location: KINTEX 1 208B Chair: Takayoshi Yamamura, Hokkaido University |
(352) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (4) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association Open Group Individual Submissions Research on Korean Books of Dongpo’s Poems and Essays Collected in Japan Hainan Normal University, China, People's Republic of Open Group Individual Submissions The Convergence of Signs and the Metaphor of Divisionism: A Reinterpretation of Lévi-Strauss's Methodology in Japanese Studies Shanghai University, China, People's Republic of Open Group Individual Submissions Rethinking "OVERCOME BY MODERNITY" Shanghai Normal University, China, People's Republic of Open Group Individual Submissions A Study on the Comparison of the Images of China and Japan in the Parting Poems and Essays Written by the Korean Literati who Send their Envoy Friends and Relatives to Travel in East Asia Suqian University, China, People's Republic of Open Group Individual Submissions The Eranos conference and the Western Transmission of Zen Buddhism:Taking Suzuki’s Interpretation of “emptiness”as an example Fudan University, China, People's Republic of |
(353) Translating (from) the Margins. Rethinking East-Central European Literatures within the World Canon (1990-2020) Location: KINTEX 1 209B Chair: Oana Fotache Dubalaru, University of Bucharest Open Group Individual Submissions Extrapolating False Geographies: The Case of 1930s Romanian Fiction in English Translation University of Guelph, Canada Open Group Individual Submissions “The Aliens Next Door.” A sketch of translations from 20th c Slavic writers into Romanian University of Bucharest, Romania Open Group Individual Submissions L’autonomiste et la consécration. La trajectoire d’internationalisation de Mircea Cărtărescu University of Bucharest, Romania Open Group Individual Submissions Quelques remarques sur une géographie imaginaire des traductions littéraires au seuil du IIIe millénaire Faculté de Lettres, Université de Bucarest, Roumanie |
(354) Journey of Life Location: KINTEX 1 210A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions The Lyrics of Lament: Genres of Grief in the Voices of “Heers” in Amrita Pritam’s 'Ajj Aakhaan Waris Shah Nu' ('Today I Invoke Waris Shah') and “Rudalis” in Usha Ganguli’s dramatization of Mahasweta Devi’s 'Rudali' The English and Foreign Languages University, India Open Free Individual Submissions Rediscovery of True Self on the Father-Seeking Journey——An Exploration of Jack Burns’ Journey of Growth in Until I Find You Xiangtan University, China, People's Republic of Open Free Individual Submissions Circulation of Life: Reflection on the Archetype of Water in Walden and Travels in Hunan Northwestern Polytechnical University, China, People's Republic of |
(355) Web, Game, and Transmedia Location: KINTEX 1 210B Chair: Ji hun Kang, Dongguk university Host Sessions (Korean Students and Scholars Only) The Emotional Language of “Shachiku”: Narrating Precarity through 2channel Experience Post Global Institute for Japanese Studies, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Reception of Japanese Subcultures in Early Korean Game Magazines Korea University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) A Data-Driven Analysis of the Fantasy Genre on Korean and Japanese Web Novel Platforms. Korea University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) From Shōwa to Heisei: A Comparative Study of Zainichi Korean Discourse during Japan’s Transitional Era – Focusing on Chunggu and Asahi Shimbun Database – Korea Univ., Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Comparative analysis of the film <Grave Of The Fireflies> and the novel <Grave Of The Fireflies> korea university, Korea, Republic of (South Korea) |
(356) Intersectional Lives Location: KINTEX 1 211A Chair: Jinim Park, Pyongtaek university Open Free Individual Submissions Research on the "Michiko-style" in "The Pure Land of Suffering: My Minamata Disease". 东北师范大学, China, People's Republic of Open Free Individual Submissions The Modern Writing of Women's Dilemma-Taking Under the Tree,Vegetarian,and Brick Lane as Examples 长安大学人文学院, China, People's Republic of Open Free Individual Submissions Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions Fluid Identities and Intersectional Lives: A Queer Reading of The Adventures of Huckleberry Finn Northwestern Polytechnical University, China, People's Republic of |
(357) Literature, Arts & Media (5) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao "Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games Jia Song Nanjing University, China, People's Republic of; mf1908058@smail.nju.edu.cn In 2024, the game "Black Myth: Wukong" produced by Game Science Corporation has sparked a global craze among players and discussions among researchers, reflecting the cross-media performative nature of video games as a new form of productive force. This work is based on the traditional Chinese literary classic "Journey to the West" and integrates elements of Chinese traditional culture. In the construction of cross-media narratives, it demonstrates the performative aesthetic characteristics of the digital, virtual, interactive and generative in the field of humanities from the perspective of cultural exchange and mutual learning. Eastern fantasy stories have been rejuvenated under the creative influence of emerging audio-visual technologies, thereby recreating heroic myths closely related to modern people and generating transcendent life-political significance in immersive user games. Exploring the performative traits of video games will further contribute to exploratory thinking about the community with a shared future for mankind in the era of globalization. ICLA Research Committee Individual Submissions "Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games Nanjing University, China, People's Republic of ICLA Research Committee Individual Submissions A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays North University of China, China, People's Republic of ICLA Research Committee Individual Submissions Tangled Between Belonging and Unbelonging: A Comparative Study of Migration and Identity in Select Short Stories of Jhumpa Lahiri’s Roman Stories Green University of Bangladesh ICLA Research Committee Individual Submissions A Study of Amy Tan’ s Novels from the Perspective of Intermediality Northwestern Polytechnical University, the People's Republic of China |
(358) Oriental Literature in World Literature: Exchanges and Mutual Learning (8) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) Open Group Individual Submissions Group Mirror Image: The Writing of 'Misogyny' in KIM JI-YOUNG, BORN 1982 Sichuan University, China, People's Republic of Open Group Individual Submissions The first exploration of the exchange between Lu Yi, the literati of the Korean Dynasty, and Bo Ming, the Mongolian literati of the Qing Dynasty 延边大学, China, People's Republic of Open Group Individual Submissions A Comparative Study on Tao Yuanming’s and Wordsworth’s Concerns for Society Sichuan Normal University, China, People's Republic of Open Group Individual Submissions The Translation and Dissemination of Chinese Farewell Poetry in the West from the Culture-oriented Perspective Inner Mongolia University of Science and Technology, China, People's Republic of Open Group Individual Submissions The Net-like Narrative Structure of The Dream of Red Mansions: A “Corpus” Statistic Analysis Based on the Text Mining of Character Appellations Tianjin Normal University, China, People's Republic of Open Group Individual Submissions The Evolution of the Style of Chinese Poetry in the Joseon Dynasty 1: Central China Normal University, China, People's Republic of; 2: Shandong University, China. |
(359) Mutual Learning of Civilizations and Reconstruction of World Literature (10) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions Counterpoint Writing of Gender, Race and Identity ——From Mi Li:A Chinese Fairy Tale To K Wuhan Sports University, China, People's Republic of Open Group Individual Submissions Translating Byron in ‘May Fourth’ China, 1919-1927: Poetic Rewriting and Literary Modernity School of Languages and Communication Studies, Beijing Jiaotong University, Haidian District, Beijing, People’s Republic of China Open Group Individual Submissions Research on Miao image from the perspective of mutual learning of civilizations —— With The West China Missionary News (1899-1943) as the center Sichuan University, China, People's Republic of Open Group Individual Submissions Civilizational Mutual Learning: The Discourse Paradigm of Chinese Literary Theory and the World Literary Significance of Subjectivity in Digital Ink Art Sichuan University, China, People's Republic of Open Group Individual Submissions What is in Kerouac’s Variation of Han Shan? — A Recluse, Christ-like Figure and Transcendentalist East China Normal University, China, People's Republic of Open Group Individual Submissions Bob Dylan's Acceptance of the Chinese Classic I Ching(易经) School of Foreign Languages, Xiangtan University, China, People's Republic of |
(360) Dying in Language Location: KINTEX 1 213A Chair: Hyosun Lee, Underwood College, Yonsei University Open Free Individual Submissions Dying in Language: World Literature through the Prism of Untranslatability lusail university, Morocco Open Free Individual Submissions The Death of Resilience? On Tierracide in Contemporary Philosophy and Literature Trinity College Dublin, Ireland Open Free Individual Submissions Beyond the Limits of Individual Existence: The Notion of Inward Transcendence in the West Sichuan University, People's Republic of China Open Free Individual Submissions Things-Centered Fiction: Theorizing a New Form National Taiwan University, Taiwan Open Free Individual Submissions Translating Gorman’s “Black Girl Magic”: Aesthetics, Politics, and Ethics in the Translation of a Viral Inaugural Performance Mary Immaculate College, University of Limerick, Ireland |
361 Location: KINTEX 1 213B |
(362 H) Language Contact in Literature: Europe (2) Location: KINTEX 1 302 Chair: Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 Group Session Language Contact in Literature: Europe
Open Group Individual Submissions Literature of the enthnolinguistic enclave as a borderline tradition: the case of Griko 1: University of Salento, Italy; 2: MSCA doctoral fellowship ICLA Research Committee Individual Submissions Language Contact and Roberto Bazlen’s Legacy in Adelphi’s “Mitteleuropa” Catalogue. ifk, Austria ICLA Research Committee Individual Submissions Poetical and Institutional Nomadism – Figures of In-Betweenness in the Hungarian Émigré and Transborder Literature Eötvös Loránd University, Hungary ICLA Research Committee Individual Submissions Born multilingual: language choice in early Romani literature Vigdís International Centre for Multilingualism and Intercultural Understanding, University of Iceland, Iceland |
(363) Intermediality and Comparative Literature (6) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions The Poetics of Action: Intermedial Performativity in Frank O’hara’s Poetry Nanjing University, China, People's Republic of Open Group Individual Submissions Performativity connotations and theatrical effects of Bob Dylan's poetry Sichuan University, China, People's Republic of Open Group Individual Submissions The Lure of the Stage: The Emergence of Allen Ginsberg’s Poetry Performance Zhejiang University, China, People's Republic of |
(364) Comparative History of East Asian Literatures (2) Location: KINTEX 1 307 Chair: Haun Saussy, University of Chicago Group Session Literary History of Asia: Connections, Translations, Reinventions
ICLA Research Committee Individual Submissions Kung Fu as a Knot: The Way of Survival in Men We Reaped Sichuan University, China, People's Republic of ICLA Research Committee Individual Submissions Rethinking Left Internationalism: Debate on Collective Hamlet, Politics of Class and Nation, and Manchuria’s Revolution in the 1930s Huron College, Canada ICLA Research Committee Individual Submissions Beyond East-West Binaries: Reading Sarojini Naidu in Colonial Korea Yonsei University, Korea, Republic of (South Korea) |
(432) Progression and Regression: Technologies and Power in the Literary Imagination (2) Location: KINTEX 2 305A Chair: Rui Qian, Nanyang Technological University Open Group Individual Submissions Technology, Race, and Utopia in Contemporary African American Science Fiction Ningbo University, China, People's Republic of Open Group Individual Submissions The Role of the 'Spaceship Earth' Metaphor in Shaping 1960s and Modern Environmental Discourse Toyo University, Japan Open Group Individual Submissions Space Technology and Power: An Analysis of the Spatial Characteristics of Julian Barnes' Novel 'The Noise of Time' Hainan Normal University, China, People's Republic of Open Group Individual Submissions Dickens' "Condition of England" Novels and the Technological Revolution in Victorian Britain Capital Normal University, China, People's Republic of |
(433) From Han Kang to Han Kang Location: KINTEX 2 305B Chair: JIHEE HAN, Gyeongsang National University Open Free Individual Submissions From Handke to Han Kang: How the Nobel Prize in Literature Survived Lund University, Sweden Open Free Individual Submissions Han Kang’s Vegetarianism Institute for American and European studies, Daegu, South Korea Open Free Individual Submissions A comparative study of feminist themes between the novels of Korean writer Han Jiang and Chinese writer Zhang Ailing Shandong University of Aeronautics, China, People's Republic of Open Free Individual Submissions Reimagining Violence: Sensation, Bodily Deformation and Female Trauma in Can Xue’s The Last Lover and Han Kang’s The Vegetarian University of New South Wales, Australia |
(434) Beyond the Arabian Night Location: KINTEX 2 306A Chair: Seung-hye Mah, Dongguk University Seoul Campus Open Free Individual Submissions When Less is Not More: Arabic Pleonasm's Journey West. A comparative Approach UAE University, United Arab Emirates Open Free Individual Submissions Memory, History, and Identity in A donde tú vayas, iré by Victoria Dana Jefferson Community and technical college, United States of America Open Free Individual Submissions Trends and Development of Comparative Literature in Bangladesh Gauhati University, India Open Free Individual Submissions The image of a lover waiting for the beloved as an image depicting unrequited love: a state of being in poetic systems across language-cultures The English and Foreign Languages University, India |
(435) The Cinematic Past and the Literary Present Location: KINTEX 2 306B Chair: Narie Jung, Sungkyunkwan University Open Free Individual Submissions The Interdisciplinary Creation of the Mummy in Jane Loudon’s The Mummy! A Tale of the Twenty-Second Century Doshisha University, Kyoto, Japan, Japan Open Free Individual Submissions The Cinematic Past and the Literary Present of Yan Geling’s Novel The Flowers of War (2012) Zhejiang Gongshang University, China, People's Republic of Open Free Individual Submissions Entre Richard Wagner et Émile Zola : Tannhäuser mis en scène par Robert Carsen Université de Fukuoka, Japon |
(436) Portrait of Ghosts Location: KINTEX 2 307A Chair: Jun Soo Kang, anyang University Open Free Individual Submissions GENDERED GOLD AND GOLDEN GHOSTS: GOTHIC HEROINES OF NINETEENTH CENTURY BENGAL Jadavpur University, India Open Free Individual Submissions Question of Crisis in Early Bengali Film Discourse: Tracing Film Criticisms of the 1930s and the 1940s Jadavpur University, India Open Free Individual Submissions «Portrait du moine athonite à travers le prisme de trois récits de voyageurs français au Mt Athos au tournant des années 1920: histoire de genre ou histoire de privilège lié aux catégories sexuelles?» Diocesan Boys’School, HK Open Free Individual Submissions American ‘Goddess of Mercy’ in the Nanjing Massacre: Minnie Vautrin and the Afterlife of Her Wartime Diary Zhejiang Gongshang University, China, People's Republic of |
461 Location: KINTEX 2 307B |
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3:30pm - 4:20pm |
Keynote: Sandra Bermann Location: KINTEX 1 Grand Ballroom Chair: JIHEE HAN, Gyeongsang National University |
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4:30pm | General Assembly Location: KINTEX 1 Grand Ballroom 2025 ICLA Congress General Assembly |
Date: Friday, 01/Aug/2025 | ||||||||||||||||||||||||||||
9:00am - 10:30am |
(365) Who is Afraid of Fiction? (3) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle Open Group Individual Submissions Tender Rhetorics and Rhetorics of Realism: Stimulants and Sedatives Against the Fear of Fiction University of Zurich, Switzerland Open Group Individual Submissions What harm does fiction do to women? Sorbonne Nouvelle, France Open Group Individual Submissions “Stopping Me to Take Martin Chuzzlewit for State-Security Purposes”: the Troubles and “Suspicious” Reading Fiction-While-Walking in Anna Burns’ Milkman Tongji University, China |
(366) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (1) Location: KINTEX 1 205A Chair: Yuriko Yamanaka, National Museum of Ethnology Open Group Individual Submissions Transformations of Heidi—Comparison of Johanna Spyri's original novel and the animation series "Heidi, Girl of the Alps" Kyoto University, Japan Open Group Individual Submissions Image of Europe through Japanese Animation: A Case Study of the Reception of Heidi, Girl of the Alps in Iran National Museum of Ethnology, Japan Open Group Individual Submissions British Classic to Japanese Animation: The Adaptation of F. H. Burnett’s A Little Princess Heidi Children's Literature Society of Japan |
(367) Global Auerbach (1) Location: KINTEX 1 205B Chair: Robert Doran, University of Rochester Open Group Individual Submissions A Postmodern Hugh of St. Victor? The paradoxes of Auerbach's Weltliteratur University of Macau, Macau S.A.R. (China) Open Group Individual Submissions After Philology: Auerbach, Soroush, and the Literary Tsinghua University Open Group Individual Submissions Auerbach, Ranciere, and the Democratic Politics of World Art University of Rochester, United States of America |
(368) Location: KINTEX 1 206A |
(369) Untranslatability and Translation Location: KINTEX 1 206B Chair: Seonggyu Kim, Dongguk University Open Free Individual Submissions The Problem of Untranslatability and Lotman's Myth KOREA UNIVERSITY, Korea, Republic of (South Korea) Open Free Individual Submissions The Study of English Translation of The Genial Seed Kangwon National University, Korea, Republic of (South Korea) Open Group Individual Submissions Glocalization: Rooted Cosmopolitanism in Sherwood Anderson’s Small-Town Bidwell Si Chuan University, China, People's Republic of |
(370) Transformations of literature in media evolution: Representation and time (1) Location: KINTEX 1 207A Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences Open Group Individual Submissions The new literary forms of encyclopaedism: totalising knowledge in the digital age université de Franche Comté, France Open Group Individual Submissions Poetry and its Mediality among Other Media Charles University, Faculty of Arts, Czech Republic Open Group Individual Submissions Writing with/out reading – “Distant reading” as a poetic instrument Technische Universität Berlin, Germany |
(371) Understanding the Other Location: KINTEX 1 207B Chair: Jun Soo Kang, anyang University Foreign Sessions (Foreign Students and Scholars Only) Understanding the Other: A Study of Tagore’s Chaturanga and A Wife’s Letter The English and Foreign Language University, India Foreign Sessions (Foreign Students and Scholars Only) An Embodied-cognitive Probe into the English Translation of“The Art of War”by Michael Nylan Sichuan University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Narrativizing Subalternity: Study of Select Fictional Works of Mahasweta Devi The English and Foreign Language University, India Foreign Sessions (Foreign Students and Scholars Only) The urban eclogue through windows and its failure: The dialectic of inside and outside in “Parisian Tableaux” of Les Fleurs du mal University of Chicago, United States of America Foreign Sessions (Foreign Students and Scholars Only) Poetic Opposition in Beckett’s Novels: A Structural Analysis of Binary Tension 上海师范大学, China, People's Republic of |
(372) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (1) Location: KINTEX 1 208A Chair: Zahra Moharramipour, The International Research Center for Japanese Studies Open Group Individual Submissions A Turning Point in Japan’s “Oriental” Art History: Perspectives on Persian Art in the 1920s The International Research Center for Japanese Studies, Japan Open Group Individual Submissions Feeling the Cosmic Rhythm: St. Denis’s “Oriental” Dance and its Resonance in Japan Osaka University, Japan Open Group Individual Submissions The Aesthetics of the 'Orient' by Nyoiti Sakurazawa (George Ohsawa): Focusing on his Livre des fleurs Kansei Gakuin University, Japan Open Group Individual Submissions The Return to the 'Orients' in Japanese Art around 1920: Focusing on the Magazines Shirakaba and Toa Geijutsu Miyagi University of Education, Japan |
(373) Biofiction across the world: comparison, circulation, and conceptualisations (1) Location: KINTEX 1 208B Chair: Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London) ; Laura Cernat (KU Leuven) Open Group Individual Submissions The Outsider Female Writer as a Worlding Force in the Biofictions of Anchee Min and Caryl Phillips KU Leuven, Belgium Open Group Individual Submissions Through the red trees: the clash between biofiction and the proletarian novel in "Como un árbol rojo" University of Washington, United States of America |
(374) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (5) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association Open Group Individual Submissions The Century-old comparative reflection on Chinese classical drama and Shakespeare's plays Henan University, China, People's Republic of Open Group Individual Submissions Faulkner's Fingerprints: Faulkner's Influence on Pai Hsien-yung Nanjing University, China, People's Republic of Open Group Individual Submissions The Vegetarian: Ecofeminism and East Asian Feminisms Renmin University of China, People's Republic of China Open Group Individual Submissions Reconstructing the Yin-Zhou Dynasty Institutions: A Study from the Perspective of Sociology of Religion by Léon Vandermeersch Nanjing University, China, People's Republic of Open Group Individual Submissions The Community in Rewi Alley’s Beijing-themed Poems Baoji University of Arts and Sciences, China, People's Republic of |
(375) Comparative Literature in the Philippines (1) Location: KINTEX 1 209B Chair: Lily Rose Tope, University of the Philippines Co-Chair: Ruth Pison (University of the Philippines Diliman); Micaela Chua Manansala (University of the Philippines Diliman) Open Group Individual Submissions Reading law as literature and literature as law in the Philippines University of the Philippines Diliman, Philippines Open Group Individual Submissions Towards the Higaonon Skyworld: T.S. Sungkit, Mindanawon Writing, and Domains of Knowledge in Philippines Literatures University of the Philippines Diliman, Philippines Open Group Individual Submissions Rewriting Hemingway: Translation to Filipino as a site for interrogating sexual politics in two short stories UP Diliman, Philippines |
(377) Cross-Cultural Dialogue Between China and Central and Eastern Europe (1) Location: KINTEX 1 210B Chair: Yading Liu, SiChuan University Open Group Individual Submissions Cultural Resonance and Cross-Cultural Transmission: Ureltu’s Literary Journey in Russian Translations Sichuan University, China, People's Republic of Open Group Individual Submissions Prosaics of Bakhtin’s Theories and charactrastics of russian literature, Liu Kun Heilongjiang University, China, People's Republic of Open Group Individual Submissions Lu Xun’s Translations in A Collection of Foreign Novels Sichuan University, China, People's Republic of Open Group Individual Submissions The First "Sinologist" of the Czech Lands, Karel Slavíček, and the 18th-Century Correspondencebetween China and Europe Sichuan University, China, People's Republic of Open Group Individual Submissions Dostoevsky and the “Eastern Question” Heilongjiang University, China, People's Republic of |
(378) Crossing the Borders Between the Self and the Other (1) Location: KINTEX 1 211A Chair: Kejun XU, Shanghai Jiao Tong University Open Group Individual Submissions Interiority in Contrast: Psychological Realism in Eileen Chang’s Fiction in the 1940s Shanghai Jiao Tong University, China, People's Republic of China Open Group Individual Submissions Cigarettes, Gender and Subjectivity: The Dual Visual Intoxication of Self-representation in Chinese Media Culture around the 1930s. Fudan University, China, People's Republic of Open Group Individual Submissions Famous character, City and Modernity in Late Qing Shanghai Newspaper Publication:A Study of “Yang Yuelou Case” in Shen Bao Shanghai Normal University, China, People's Republic of Open Group Individual Submissions The "Invisible" as a Modern Imaginary of Technological Threats: A case study of The Invisible Man’s Cinematic Adaptations Chongqing University, China, People's Republic of |
(379) Literary Anthropology and Digital-Intelligence Civilization (1) Location: KINTEX 1 211B Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences Open Group Individual Submissions A preliminary study on The mythological thinking of Ba-Shu myths from the perspective of quantum theory Sichuan Academy of Social Sciences, China, People's Republic of Open Group Individual Submissions 佛学与AI的生命叙述 Sichuan University, China, People's Republic of Open Group Individual Submissions From Axe to Black Jade Gui: Restating the Heritage of China's Creation Myth by the Quadruple Evidence Method Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions Political Performances on Interstellar Stage: On the Wallfacer Project in Three-Body from a Social Performance Perspective Central China Normal University, China, People's Republic of Open Group Individual Submissions The Canonization of the Epic of Gesar Northwest Minzu University, China, People's Republic of Open Group Individual Submissions A Study of Girard's Theory of Violence and Literary Criticism Practice Inner Mongolia Minzu University, China, People's Republic of Open Group Individual Submissions Digital Fandom and Gift Economy Chinese Academy of Social Sciences, China, People's Republic of |
(389) Protest Cultures (1) Location: KINTEX 1 212A Chair: Haun Saussy, University of Chicago Open Group Individual Submissions “The fragrance of flowers can be more appealing outside the garden wall”: Literature on Hollyhock and the interaction of civilisations 四川大学, China, People's Republic of Open Group Individual Submissions An Archive of Protest: Reading Dalit Literature University of Notre Dame, United States of America Open Group Individual Submissions Beyond work-to-rule? Passive resistance and de-attachment from work in contemporary novel (comparative perspective) Jagiellonian University Open Group Individual Submissions From Collective Critique to Individual Experience: Zhao Chuan's Theatrical Evolution and the Shifting Landscape of Civil Engagement Peking University, China, People's Republic of |
(381) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (1) Location: KINTEX 1 212B Chair: Alexandra Lopes, Universidade Católica Portuguesa Open Group Individual Submissions From Post-Translation to Deadly Untranslatability UNICAMP/ICLA, Brazil Open Group Individual Submissions geographies of exile: maps, memoirs & imagination in translation Universidade Católica Portuguesa, Portugal Open Group Individual Submissions Translation and Hospitality: Between Hostility and Hope Stony Brook University Open Group Individual Submissions Translators’ writing tools in contemporary literary fictions School of Arts and Humanities, University of Lisbon, Portugal Open Group Individual Submissions Masquerade and Authorship: Pseudotranslation in Montesquieu and Voltaire Universidade Católica Portuguesa, Portugal |
382 Location: KINTEX 1 213A |
383 Location: KINTEX 1 213B |
(384 H) The Network of Genetic Location: KINTEX 1 302 Chair: Kexin Xiang, City University of Hong Kong 384H(09:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 Open Free Individual Submissions Rewriting Madama Butterfly: Shifting Focalization and Power Relations in M. Butterfly 1: City University of Hong Kong, Hong Kong S.A.R. (China); 2: Shanghai Jiao Tong University, Shanghai (China) Foreign Sessions (Foreign Students and Scholars Only) “Exploring ‘Comparative ‘haiku’: Textual Healing and Cross-cultural Wellbeing in Modern Korean Sijo Poetry and Modern ‘South-Asian haiku’” Jahangirnagar University, Bangladesh, People's Republic of Open Group Individual Submissions South Korea meets Bangladesh: The Network of Genetic and Typological Inter-animation Jahangirnagar University, Bangladesh, People's Republic of Open Group Individual Submissions Three biofictions in English, French, and Chinese: A Comparative Approach to Narration Hainan Vocational University of Science and Technology, China, People's Republic of ICLA Research Committee Individual Submissions The Uncanniness of Film: On the Aesthetics of Cinematic Objectification in Double Suicide (1969) and Demons (1971) University of Rochester, United States of America |
(385) Precarious Mediations: Queer Bodies in Virtual Spaces (1) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin Group Session Precarious Mediations: Queer Bodies in Virtual Spaces
ICLA Research Committee Individual Submissions Bless the Beasts and the Children: Posthuman Reflections on the War in Ukraine University of Texas at Austin, United States of America ICLA Research Committee Individual Submissions “The Sun had already departed”: On Love, Loneliness, Lordlings, Robots, and Our Absent Queer Selves The University of Texas at Austin, United States of America Group Session Androcentric Milieu and the Insurgent Female Psyche: A Comparative Study of Githa Hariharan's The Thousand Faces of Night and Margaret Atwood's The Edible Woman
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(386) Comparative History of East Asian Literatures (3) Location: KINTEX 1 307 Chair: S Peter Lee, Gyeongsang National University ICLA Research Committee Individual Submissions Old Tales Retold: The Representation of Cao Xueqin and The Dream of the Red Chamber in the Hong Kong Novel The Drunkard by Liu Yichang University of Leeds, United Kingdom ICLA Research Committee Individual Submissions Three Chinese Translations of "The Lighthouse Keeper": Literary Reception and Sino-Japanese Interaction in the Early 20th Century Shanghai International Studies University, China, China, People's Republic of ICLA Research Committee Individual Submissions Navigating Abjection, Hate, and Forgiveness in the 21st Century: Insights from Han Kang’s Human Acts and Julia Kristeva’s Hatred and Forgiveness" Gyeongsang National University, Korea, Republic of (South Korea) ICLA Research Committee Individual Submissions Connections Across the Eastern Sea: Intra-Asia Women Travelers Reinventing China and Japan (1900-1940) Université Clermont Auvergne, France |
(437) Literary Thought Location: KINTEX 2 305A Chair: Robert Young, ICLA Literary Theory Committee Group Session ICLA Literary Theory Committee
ICLA Research Committee Individual Submissions "A Bundle of Letters" — An Exploration of Schiller's Stylistic Concepts and Aesthetic Ideals Through the Epistolary Form Peking University, China, People's Republic of ICLA Research Committee Individual Submissions On Commitment : Raymond Williams’ Reception and Invention of Mao Zedong’s Literary Thought Shenzhen University, China, People's Republic of |
(438) Decentred Subjects Location: KINTEX 2 305B Chair: Minji Choi, Hankuk university of foreign studies Open Free Individual Submissions Persona, Relationality, Decentred Subjects: Digital Editions as Life-Writing Projects Austrian Academy of Sciences, Austria Open Free Individual Submissions Ethnographic Poetics, Culture and Art in Virtual Eco-System with the Liability of Newness 1: Department of English, Bhupal Nobles' University Udaipur Rajasthan, India; 2: Woxsen School of Law, Woxsen University, Telangana, Andhara Pradesh; 3: Faculty of Law and Justice, University of New South Wales, Sydney Open Free Individual Submissions Transhumanistic Sym-poiesis through the speculative post-apocalyptic and analogue steampunk literature of Ai Jiang and Noah Medlock 1: Dalarna University, Sweden; 2: Dalarna University, Sweden |
(439) Bridge to Korean Culture Location: KINTEX 2 306A Chair: Hyungji Park, Yonsei University Open Free Individual Submissions Exorcism of Soul and Occultism: The Soul Guardians and Supernatural Jeonbuk National University, Korea, Republic of (South Korea) Open Free Individual Submissions A brief analysis of the characteristics of Sijo and its translation as a bridge to Korean culture and the formation of cultural identities in Brazilian chant poetry Federal University of Juiz de Fora - UFJF, Brazil Open Free Individual Submissions Breaking the Curse: Addressing Trauma, Melancholia and Maturation through Children’s Literature in Korean Drama “It’s Okay to Not be Okay” Alumnus of University of South Africa, South Africa |
(440) Literature, Culture, and Identity Location: KINTEX 2 306B Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions Threads of Meaning: The Semiotics of Fashion in Literature, Culture, and Identity Sapienza University of Rome, Italy Open Free Individual Submissions E. P. Thompson’s Reinterpretation of Morris’s Romanticism: Focusing on the “Postscript” in the 1977 Edition of William Morris: From Romantic to Revolutionary The University of Chinese Academy of Social Sciences, China, People's Republic of Open Free Individual Submissions Anonymity, Attribution, and Appropriation in Pacific Island Myth and Cultural History Rikkyo University, Japan |
(441) Digital (dis-) Embodiment Location: KINTEX 2 307A Chair: Juri Oh, Catholic Kwandong University Open Free Individual Submissions Analyzing The Advanced Isolation of "Developed" Technology Through Science Fiction UC Berkeley, United States of America Open Free Individual Submissions Digital (dis-) Embodiment and the Rhetoric of Belonging: Reimagining Queer Chinese Diaspora in Cyberspace Western University, Canada Open Free Individual Submissions The Intersection of Literature and Artificial Intelligence: A Comparative Study of Narrative Evolution in the Digital Age Paula Solutions Ltd, Kenya |
462 Location: KINTEX 2 307B |
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11:00am - 12:30pm |
(387) Who is Afraid of Fiction? (4) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle Open Group Individual Submissions The ratio of fiction: looking for a safety threshold University of Verona, Italy Open Group Individual Submissions A True(ish) (Hi)Story: The (B)Onus of Historical Fiction in Classical Reception University of São Paulo, Brazil Open Group Individual Submissions L’art du témoignage et le rejet de la fiction – les critiques de la fiction chez Claude Lanzmann Kwansei Gakuin University, Japon Open Group Individual Submissions Renegotiating Frontiers of Fact and Fiction in Ma Boyong’s "Historical Possibility Novels" University of Hong Kong, Hong Kong S.A.R. (China) |
(388) Forelives and Afterlives of Iconic Heroes/Heroines of Children's Literature (2) Location: KINTEX 1 205A Chair: Yuriko Yamanaka, National Museum of Ethnology Open Group Individual Submissions Translations of Sans famille in Early 20th Century Japan: On the Source of the Popularity of the Work Osaka University, Japan Open Group Individual Submissions Kitaro's Journey - From Child-rearing Ghost Folklore to Picture-story Shows, Manga, and Animation Ritsumeikan University, Japan Open Group Individual Submissions The World Beyond in KASHIWABA Sachiko’s The Marvelous Village Veiled in Mist and MIYAZAKI Hayao’s “Spirited Away” Chiba University, Japan |
(389) Global Auerbach (2) Location: KINTEX 1 205B Chair: Robert Doran, University of Rochester Open Group Individual Submissions Auerbach's Legacy and Non-European Realism Konan University, Japan Open Group Individual Submissions Global Auerbach and Weltliteratur in the Postmodern Regimes of Art Duke University, United States of America Open Group Individual Submissions The Materiality of aesthetic historicism: From Vico, Auerbach to Hayden White Lanzhou University, China, People's Republic of Open Group Individual Submissions The Radiances of World Literature: Erich Auerbach’s Literary Humanism for an Other World in the Making University of Bayreuth, Germany |
(390) Location: KINTEX 1 206A |
(391) Reimagining the “Orient”: Multiple “Orients” across Asia in the Early 20th Century (2) Location: KINTEX 1 206B Chair: Zahra Moharramipour, The International Research Center for Japanese Studies Open Group Individual Submissions Interaction Between Multiple Identity and the Fluid Perceptions of the Mind-Body: Kawabata Yasunari’s Dance Novels in the 1930s Tokyo University of Foreign Studies, Japan Open Group Individual Submissions Representations and Adaptations of the Nanyo by East Asian Writers: Literary Interpretations of the Nanyo and Toyo Kyushu University, Japan Open Group Individual Submissions The Transformation of Taiwan Narratives in Japanese Literature from the Prewar to Postwar Periods: Insights from Khu Eng-Han's Koen (1955) The University of Tokyo, Japan |
(392) Transformations of literature in media evolution: Representation and time (2) Location: KINTEX 1 207A Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences Open Group Individual Submissions Stream of consciousness, time and music in two novels in dialogue with Beethoven’s Eroica KYOTO UNIVERSITY OF FOREIGN STUDIES, Japan Open Group Individual Submissions Moviesque and Picturesque: The Perspective of Urban Space in A Day at Ninety-Nine Degree Fahrenheit Ocean University of China, China, People's Republic of |
(393) Bridging and Morphing Temporal and Geographical Cultures Location: KINTEX 1 207B Chair: Seunghyun Hwang, Incheon National University Open Group Individual Submissions From Elsinore to Ulaanbaatar: Socio-cultural Reflections in the Mongolian Translation of Hamlet Incheon National University, Korea, Republic of (South Korea) Open Group Individual Submissions Digital Natives and Digitization of Analog Materials: A Retro Culture Phenomenon in Ernest Cline's Ready Player One (2011) and Ready Player Two (2018) Incheon National University, Korea, Republic of (South Korea) Open Group Individual Submissions Sonic Diaspora: Decoding Korean Identity in Transnational Literature Yonsei University, Korea, Republic of (South Korea) Open Group Individual Submissions Speaking Anxiety in Uzbek EFL Students Learning English: Integrating Popular Culture to Reduce Classroom Anxiety INCHEON NATIONAL UNIVERSITY, Korea, Republic of (South Korea) Open Group Individual Submissions Imagined Destinations: Southeast Asia in the Korean Drama Imaginary Universiti Brunei Darussalam, Brunei Darussalam |
394 Location: KINTEX 1 208A |
(395) Biofiction across the world: comparison, circulation, and conceptualisations (2) Location: KINTEX 1 208B Chair: Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven) Open Group Individual Submissions Biofiction About Zelda Fitzgerald and Ernest Hemingway: Writer and Writer’s Wife in Z: A Novel of Zelda Fitzgerald and The Paris Wife Seoul National University, Korea, Republic of (South Korea) Open Group Individual Submissions Repetition and Difference: The Writing of "Boléro" in Jean Echenoz's Ravel Sichuan University, China, People's Republic of |
(396) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (6) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association |
(397) Comparative Literature in the Philippines (2) Location: KINTEX 1 209B Chair: Lily Rose Tope, University of the Philippines Co-chair: Ruth Pison (University of Philippines Diliman) ; Christine Lao (University of Philippines Diliman) Open Group Individual Submissions Lost Futures and Screens: Exploring fantasy and desire in two Southeast Asian short stories University of the Philippines Diliman, Philippines Open Group Individual Submissions Tropical Fantasy-Productions of Filipino diasporic novels for Young Readers University of the Philippines, Diliman, Philippines Open Group Individual Submissions Dances of Desire: Masculinity and the Nation in Alamat’s Music Videos University of the Philippines Diliman, Philippines Open Group Individual Submissions ‘for the moment, they sang together’ Notes on Transpositions of Wilfrido Nolledo’s But for the Lovers University of the Philippines, Philippines |
398 Location: KINTEX 1 210A |
(399) Cross-Cultural Dialogue Between China and Central and Eastern Europe (2) Location: KINTEX 1 210B Chair: Yading Liu, SiChuan University Open Group Individual Submissions Searching for Meaning in the Suffering: The Depictions of Suffering in One Man's Destiny and To Live Sichuan University, China, People's Republic of Open Group Individual Submissions V. Alekseyev’s Interpretation of Literature and Dao in Confucianism Sichuan University, China, People's Republic of Open Group Individual Submissions Interpretation of “Virtue” by the Contemporary Russian Sinologist A.I. Kobzev SiChuan university, China, People's Republic of Open Group Individual Submissions A Study on the Construction of Chinese Cultural Images in D.N. Voskresensky's Russian Version of The Scholars Harbin Normal University, China, People's Republic of Open Group Individual Submissions Research on Confucian Culture in the Russian Encyclopedia of Chinese Spiritual Culture Sichuan University |
(400) Crossing the Borders Between the Self and the Other (2) Location: KINTEX 1 211A Chair: Kejun XU, Shanghai Jiao Tong University Open Group Individual Submissions Modern Elegant Gatherings for Movie Spectacles: A Study on Yingxi Fiction of Great World Entertainment Center HKMU, Hong Kong S.A.R. (China) Open Group Individual Submissions Sentimental Writing in Autobiographical Novels of Republican-era Overseas Students — Memories of France in Su Xuelin’s Thorny Heart (1929) and Xu Zhongnian’s My Beauty Faraway (1946) Institut National des Langues et Civilisations Orientales (INALCO) Open Group Individual Submissions Foreign Country, Distant Region, and Motherland: Women’s Travel Narratives of the Northwest Frontier CIty University of HongKong, Hong Kong S.A.R. (China) Open Group Individual Submissions Children on the Move: Supplementary Learning Materials for School Children in Republican China (1926–1939) Shanghai Normal University, China, People's Republic of |
(401) Literary Anthropology and Digital-Intelligence Civilization (2) Location: KINTEX 1 211B Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences Open Free Individual Submissions Sound, Technology, and Archival Documentation: An Alternative Perspective on Music through an Engagement with Work Songs O. P. Jindal Global University, India Open Free Individual Submissions Exploring the Bhairava Raga in Ragamala Paintings School of Open Learning, India |
(402) Protest Cultures (2) Location: KINTEX 1 212A Chair: Haun Saussy, University of Chicago Open Group Individual Submissions Censorship of Genocidal Narratives: The Case of Adania Shibli’s Minor Detail Amity University, Punjab, India Open Group Individual Submissions Resistance's Many Faces: Preserving the Memory of Belarusian Protests Nicolaus Copernicus University in Toruń, United States of America Open Group Individual Submissions From red hands to the red middle finger: Serbian protestscape cca. 2024-25 University of Michigan, United States of America Open Group Individual Submissions Memory and the Landscape: Remembering Protest in the Karbi Youth Festival of North East India Jadavpur University, India |
(403) Translation, Hospitality & Imagination in the Age of Technological Reproducibility (2) Location: KINTEX 1 212B Chair: Alexandra Lopes, Universidade Católica Portuguesa Open Group Individual Submissions An Imperfect Archive of Nowtime. On Contamination and Relationality in Daniel Blaufuks’ The Days are Numbered Universidade Católica Portuguesa, Portugal Open Group Individual Submissions Nevermore: Hospitality in the Inhospitable SUNY New Paltz Open Group Individual Submissions Reimagining Translational Hospitality in Memoirs and Letters Universidade Católica Portuguesa, Portugal Open Group Individual Submissions Hospitality in a Hostile Future: The Role of Translation in Suzette Haden Elgin’s Feminist Dystopia Native Tongue Universidade Católica Portuguesa, Portugal Open Group Individual Submissions Queering Translation: Maternity and Hospitality in Chilean Narratives University of Southern California, United States of America |
(404) Korean Literature: Old and New Location: KINTEX 1 213A Chair: ChangGyu Seong, Mokwon University Host Sessions (Korean Students and Scholars Only) 경주 지리서의 20세기 초 한일 재편 양상 - 『동경잡기』를 중심으로 Korea University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) 죽음과 애도의 기술(技術)- 한국의 서사무가부터 세월호 문학까지를 대상으로 Korea University, Korea, Republic of (South Korea) |
405 Location: KINTEX 1 213B |
(406 H) Comparative History of Literatures in European Languages Series (2) Location: KINTEX 1 302 Chair: Stefan Helgesson, University of Stockholm 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 ICLA Research Committee Individual Submissions “300 Pages to Heaven: European Literatures in the Post-European World.” University of Washington, Seattle, United States of America ICLA Research Committee Individual Submissions “Oceanic laberinths: Fishing techniques, multilingual literature, and the challenge of European policy frameworks” Universitat de les Illes Balears, Spain ICLA Research Committee Individual Submissions Reading Protagonists Within a Morphic Network – Towards a Latourian Approach –/Lire les Protagonistes en Plein Réseau Morphique – Vers une Lecture Latourienne – Kyonggi University, South Korea ICLA Research Committee Individual Submissions Silent Strength and Mystical Transcendence: Ecofeminist Resistance in Whale and One Hundred Years of Solitude Kangwon National University, Korea, Republic of (South Korea) |
(407) Precarious Mediations: Queer Bodies in Virtual Spaces (2) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin ICLA Research Committee Individual Submissions Rethinking Technology in Alien: The Intertwined Imaginaries of Queer Bodies and Mechanized Reproduction Institute of Philosophy, KU Leuven, Belgium ICLA Research Committee Individual Submissions Inventing Imperial Feminists: Lin Yutang’s Mediation Between Traditional Chinese and Modern Readers University of Massachusetts Amherst, United States of America ICLA Research Committee Individual Submissions “I completely and absolutely presided over me”: Contouring postfeminist female protagonist in Chinese romantic TV drama University of Sydney, Australia ICLA Research Committee Individual Submissions Fragmentary Resistances: Queer Precarity in Non-human Worlds in Kim de l’Horizon’s Blutbuch and Camille Cornu’s Photosynthèses LaSalle College, Canada |
(408) Comparative History of East Asian Literatures (4) Location: KINTEX 1 307 Chair: S Peter Lee, Gyeongsang National University ICLA Research Committee Individual Submissions Oral Presenters and the Circulation of Buddhist Literatures in Asia: From Ancient India to China LMU, Germany ICLA Research Committee Individual Submissions Of Many Sources: Notes Towards a Plural Literary History of Two Indian Poetic Movements University of Hyderabad, India ICLA Research Committee Individual Submissions Rewriting Borders: Hideo Levy’s I-Novel and the East Asian Turn in Comparative Literature Tokyo University of Foreign Studies, Japan ICLA Research Committee Individual Submissions The Buddhist “World” as the Concept for Rearrangement of Worldviews: Japanese Literature as a Case Study University of Tokyo, Japan |
442 Location: KINTEX 2 305A |
443 Location: KINTEX 2 305B |
(444) Chinese Translator Location: KINTEX 2 306A Chair: Minyoung Cha, Dankook university CLA 2025 Session 444 ID: 892 9990 3126 Open Free Individual Submissions The Image of Girls in Chinese Fiction During the Republican Era University of Sydney, Australia Open Free Individual Submissions A Further Study of the Images of China from Pearl Buck, Bill Porter to Peter Hessler JLU, People's Republic of China Open Free Individual Submissions Zhou Shoujuan as Translator of Italian Fiction University for Foreigners of Perugia, Italy |
(445) Navigating Identity and Humanity Location: KINTEX 2 306B Chair: Sunghyun Kim, Seoul National University of Science and Technology Open Free Individual Submissions Subject/ification to Interpretation in Representing Rape through Second-Person Narrative: A Trans-Medial Comparative Critique of a VR Documentary and a Novel on U.S. Military Comfort Women independent scholar, Korea, Republic of (South Korea) Open Free Individual Submissions From Thatcherism to Lockdown: Cultural Comparison in Alan Bennett’s TV Monologue Series Talking Heads Chungbuk National University, Korea, Republic of (South Korea) Open Free Individual Submissions Navigating Identity and Humanity in the Age of AI: Thomas Gibbons’ Uncanny Valley and Martin Crimp’s Not One of These People Mokpo catholic University, Korea, Republic of (South Korea) |
(446) The Mother of Korean Literature Location: KINTEX 2 307A Chair: Seiwoong Oh, Rider University Open Free Individual Submissions The Mother of Korean Literature Struggling with Freud : Park Wan-seo’s Reading of Sigmund Freud Seoul National Univeristy, Korea, Republic of (South Korea) Open Free Individual Submissions Polyphonic Resistance and Secret Utopias: Technology and Language in the works of Cathy Park Hong and Theresa Hak Kyung Cha Indian Institute of Technology Mandi, India Open Free Individual Submissions The Oral Reading of DICTEE as a Shamanistic Ritual Seoul National University, Korea, Republic of (South Korea) Open Free Individual Submissions The in-betweenness in Places: Exploring the Gumiho and Dakshin Rai in an ecopostcolonial mnemoscape Independent, India |
463 Location: KINTEX 2 307B |
1:30pm - 3:00pm |
(409) Who is Afraid of Fiction? (5) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle Open Group Individual Submissions Fiction and artistic value in modern Japan: literature and cultural identity discourses Meiji Gakuin University, Japon Open Group Individual Submissions Who is afraid of reading Dalit fiction Jadavpur University, India Foreign Sessions (Foreign Students and Scholars Only) Fiction as Impersonation University of Chicago, United States of America Open Group Individual Submissions « De garde » et « en garde » pour les humanités médicales Faculdade de Ciências Sociais e Humanas /Instituto de Estudos de Literatura e Tradição - Universidade Nova de Lisboa, Portugal |
(410) Talking about nuclear experiences: Atomic bomb literature as World literature Location: KINTEX 1 205A Chair: Go Koshino, Keio University Open Group Individual Submissions A-bomb literature and the representation of Nuclear-reality: Selected Indian texts The Assam Royal Global University, India Open Group Individual Submissions Atomic Bomb in Soviet Science Fiction Keio University, Japan Open Group Individual Submissions Talking about nuclear experiences: Atomic bomb literature as World literature Tokyo University of Foreign Studies, Japan Open Group Individual Submissions Atomic Bomb in Postwar German Poetry JCLA, Japan Open Group Individual Submissions Too Bright to See: On the Motifs of Atomic Bombing in Czech and Slovak Postwar Poetry Jissen Women's University, Japan |
(411) The Potential of Unexpected Comparisons in Japan Studies Location: KINTEX 1 205B Chair: Oliver William Eccles, University College London Group Session The Potential of Unexpected Comparisons in Japan Studies
Open Group Individual Submissions What is the meaning of Shunryu Suzuki’s coming to the West? An inquiry on Jane Hirshfield University of the Philippines-Diliman, Philippines |
412 Location: KINTEX 1 206A |
(413) Tales of Near and Far Location: KINTEX 1 206B Chair: ChangGyu Seong, Mokwon University Foreign Sessions (Foreign Students and Scholars Only) Représenter le culturel à l’ère numérique : entre lecture rapprochée et lecture distante Université Sidi Mohammed ben Abdellah Maroc, Maroc Foreign Sessions (Foreign Students and Scholars Only) Technological Ethics in A Tale for the Time Being Shenzhen University, China, People's Republic of ICLA Research Committee Individual Submissions Michel Clouscard, Christopher Caudwell, and Comparative Social Ontologies of Love Jeonbuk National University, Korea, Republic of (South Korea) |
(414) Transformations of literature in media evolution: Representation and time (3) Location: KINTEX 1 207A Chair: Richard Müller, Institute of Czech Literature, Czech Academy of Sciences Open Group Individual Submissions Attention in multilinear fiction and interferences of simultaneity and sequentiality: Searching for the new epic Institute of Czech Literature, Czech Academy of Sciences, Czech Republic Open Group Individual Submissions Literature and Gaming: Transformative Interactions in Media Evolution The Hebrew University of Jerusalem, Israel Open Group Individual Submissions The Media that Invade Us: Stiegler’s Temporal Industrial Objects and Toussaint’s Ironic Techniques of Existence Faculty of Arts, Charles University, Prague, Czech Republic |
415 Location: KINTEX 1 207B |
416 Location: KINTEX 1 208A |
(417) Biofiction across the world: comparison, circulation, and conceptualisations (3) Location: KINTEX 1 208B Chair: Lucia Boldrini, Goldsmiths University of London Revision Session Chairs: Lucia Boldrini (Goldsmiths University of London); Laura Cernat (KU Leuven) Open Group Individual Submissions A Power of Biofiction: A Case Study of SHIBA Ryōtarō’s Ryōma ga Yuku (Ryōma Goes His Way) Aichi Gakuin University, Japan Open Group Individual Submissions Biofiction, montage, and the deconstruction of the 'heroic biography' in Konrad Bayer's "Der Kopf des Vitus Bering" Johann Wolfgang Goethe University Frankfurt am Main, Germany Open Group Individual Submissions Novel Laboratories of Biofiction: Life-Writing in Michel Butor's Degrés (1960) Emory University, United States of America |
(418) Folklore and Lyrical Expression Location: KINTEX 1 209A Chair: Hyungji Park, Yonsei University Open Free Individual Submissions The Postcolonial Nonhuman Animal in Contemporary Philippine Novels in English University of the Philippines Diliman Open Free Individual Submissions Indian and Western Comparative Perspectives on Semiotics Central University of Punjab, VPO Ghudda, Dist. Bathinda, India Open Free Individual Submissions Folklore and Lyrical Expression: On the Literary Reinterpretation of the Shijing in the History of Literature during the Republic of China 复旦大学,中华人民共和国 Open Free Individual Submissions A study on the secularization of the image of redhead in medieval English literature the Hong Kong Polytechnic University, Hong Kong S.A.R. (China) |
(419 H) Comparative Literature in the Philippines (3) Location: KINTEX 1 209B Chair: Lily Rose Tope, University of the Philippines Co-chair: Ruth Pison (University of the Philippines Diliman); Julie Jolo (University of Philippines Diliman) 419H Zoom Link:- https://pcu-ac-kr.zoom.us/j/81076098650?pwd=t83Lx4E2aZy1Esjm6rnSXvWxbzbUG3.1 Open Group Individual Submissions The Heart of the Technique of Comparison: A Transculturation of Jean Genet’s Querrelle of Brest, and Rainer Werner Fassbinder’s film adaptation, Querelle, and Jon Cuyson’s moving images and short film, Kerel. University of the Philippines-Diliman, Philippines Open Group Individual Submissions Commodifying the Sacred: Art and Literature as the Ephemeral Products of Capitalism in Southeast Asia University of the Philippines, Philippines Open Group Individual Submissions Reading Water: Conversion, Medicine, and Ritual University of the Philippines Diliman, Philippines Open Group Individual Submissions Contradictions and complexities in teaching Martial Law poetry in the Philippines University of the Philippines Diliman, Philippines |
420 Location: KINTEX 1 210A |
(421) Cross-Cultural Dialogue Between China and Central and Eastern Europe (3) Location: KINTEX 1 210B Chair: Yading Liu, SiChuan University Open Group Individual Submissions A Study on Zhou Zuoren’s Translation of Two Chekhov Short Stories Sichuan University, China, People's Republic of Open Group Individual Submissions The epic "Manas" and its translation in Russia SiChuan University, China, People's Republic of Open Group Individual Submissions A Study of Russian Sinologist Lukyanov's Translations of the Chinese Canons Sichuan University, China, People's Republic of Open Group Individual Submissions Title:Chinese Poetry in Prague: A Poetic Interpretation to Heal the Psychological Trauma of War Sichuan University, China, People's Republic of Open Group Individual Submissions Dissemination and Research of the Epic Gesar in Russia Sichuan University, China, People's Republic of |
(422) Crossing the Borders Between the Self and the Other (3) Location: KINTEX 1 211A Chair: Kejun XU, Shanghai Jiao Tong University Open Group Individual Submissions An Experimental Study of Liang Qichao's Utopian Imagination and Modern Consciousness--From the Future of New China to My Travel Impressions in Europe Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions The Cultural Perspectives and Ideological Concepts of Panking: A French-educated intellectual National University of Defense Technology, China, People's Republic of Open Group Individual Submissions Imagining Northern Europe: A Semiotics of Communication Study of Foreign Lands Sichuan University, China, People's Republic of China |
(423) Literary Anthropology and Digital-Intelligence Civilization (3) Location: KINTEX 1 211B Chair: Xinyu Yuan, University of Chinese Academy of Social Sciences Open Group Individual Submissions The Study of Chinese Science Fiction Poetry Creation in the Post-human Era 上海外国语大学, China, People's Republic of Open Group Individual Submissions New Horizons in Chinese Literary Anthropology: Research on the Origins of Literature and the Formation of Civilization Genes Chinese Academy of Social Science, China, People's Republic of Open Group Individual Submissions A Study on the Shennong–Dog Fetching Grain Seeds Myth in Hunan, China University of Chinese Academy of Social Sciences, China, People's Republic of Open Group Individual Submissions From "Gu" to "Wild Goose" to "Black-necked Crane": Cultural Translation and Ecological Aesthetics in the Bird Cognition of the Liangshan Yi People 四川大学, China, People's Republic of Open Group Individual Submissions The Landscape of Chongqing in Robert Payne’s crosscultural narratives Shanghai Jiaotong University, China, People's Republic of |
(424) Protest Cultures (3) Location: KINTEX 1 212A Chair: Haun Saussy, University of Chicago Open Group Individual Submissions A Study of the Protest Culture and Emancipatory Nature of Bob Dylan's Art Sichuan University, China, People's Republic of Open Group Individual Submissions Translation and/as Hospitable Reading in Tony Hillerman’s Diné/Navajo crime novels University of Glasgow, United Kingdom Open Group Individual Submissions Parallel Polis Across Contexts: The Evolution of Protest Cultures in Divergent Times Nicolaus Copernicus University, Poland Open Group Individual Submissions Protest performances: Participatory experiments in China and India American University of Paris, France |
(425) Mutual Learning of Civilizations and Reconstruction of World Literature (11) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions The Communication and Mutual Learning of Literary Rituals in East Asia: A Case Study of the Lanting Culture of “Qushui Liushang” Sichuan University, China Open Group Individual Submissions The Study of Faulkner in China from the Perspective of Comparative Literature Ocean University of China, China, People's Republic of Open Group Individual Submissions A Study on Cultural Self-Awareness in Joseph Conrad’s Exotic Writing Renmin University of China, China, People's Republic of Open Group Individual Submissions Translation, Patronage, and New Knowledge: Introduction of “World Literature” by Editorial Board of Wenxue Xunkan (Literature Trimonthly) Tsinghua University, China, People's Republic of Open Group Individual Submissions The Eastern Origins of Ancient Greek Civilization Sichuan University, China, People's Republic of |
(426) Image Replacement and Foreign Narratives Location: KINTEX 1 213A Chair: Dong-Wook Noh, Sahmyook University Open Free Individual Submissions What if multimodal reading was part of advanced technology? Books, pop-up's, works of art and museums. UNIVERSIDADE DE ÉVORA, Portugal Open Free Individual Submissions Image Replacment and Foreign Narratives: English-Speaking World’s Study of Wartime Xinmenhua (New Door Paintings) in China Sichuan University, China, People's Republic of Open Free Individual Submissions Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled Shanghai International Studies Universtiy, China, People's Republic of Open Free Individual Submissions The Gaze of Painting: Visual Ethics and Identity Pursuit in the novle The Goldfinch Central China Normal University, China, People's Republic of |
427 Location: KINTEX 1 213B |
(428H) The Dialectics of Selfhood Location: KINTEX 1 302 Chair: Shenhao Bai, Columbia University 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 Open Group Individual Submissions Kantatare Projapati (Butterfly on the Barbed Wire) : Ila Mitra , Partition Narrative, Freedom Movement, Communist Politics 1: RKSM Vivekananda Vidyabhavan, India; 2: CLAI Open Group Individual Submissions The Dialectics of Selfhood in Colm Tóibín’sThe Master: A Deweyan Reading of Henry James’s Identity Reconstruction Teachers College, Columbia University, United States of America Open Free Individual Submissions Sketching the World of “Catkin LuXun”: A Study in Memory-History Writing by Lee Weiyi, Nie Hualing and Chia Jooming The Chinese University of Hong Kong, Hong Kong S.A.R. (China) Open Group Individual Submissions The transformation of ekphrasis in French travel literature: traditions and innovations. Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Ukraine ICLA Research Committee Individual Submissions The New Translation Ethics in the Age of AI and Large Language Models Hainan Vocational University of Science and Technology, China, People's Republic of |
(429) Precarious Mediations: Queer Bodies in Virtual Spaces (3) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin ICLA Research Committee Individual Submissions “Unhappy Princes and Melancholy Puppets: The Queer Nostalgia of Wilde’s Extrahuman Bodies” University of Texas at Austin, United States of America ICLA Research Committee Individual Submissions Queer-ing Campus, Queer-ing Social Media: Examining the role of social media in the lives of Delhi University’s queer students St. Stephen's College, University of Delhi, India ICLA Research Committee Individual Submissions “Before écriture féminine there was Nüshu!”: Woman-Words in the World Jahangirnagar University, Bangladesh, People's Republic of ICLA Research Committee Individual Submissions Isolated Identities, Liminal Bodies: A Comparative Analysis of Female Appetites from Han Kang’s The Vegetarian (2007) to Asako Yuzuki’s Butter (2024) Panjab University, India |
(430) Comparative History of East Asian Literatures (5) Location: KINTEX 1 307 Chair: S Peter Lee, Gyeongsang National University ICLA Research Committee Individual Submissions The story about Molon Toyin traveling to hells to save his mother as an example of the unsolved history of the genre in Mongolian and Buddhist literature University of Warsaw, Poland ICLA Research Committee Individual Submissions The Forgotten Threads of Rhetoric: Tracing East-West Encounters from Mohists to Jesuits and Meiji Intellectuals The Chinese University of Hong Kong, Hong Kong S.A.R. (China) ICLA Research Committee Individual Submissions Two Perspectives on Romantic Adventures: Achiever in The Cloud Dream of the Nine vs. Challenger in The Trickster of Seville and the Stone Guest The Korean Association of East-West Comparative Literature /HUFS, Korea, Republic of (South Korea) ICLA Research Committee Individual Submissions The Body as a Site of Racial, Ethnic, Gendered, and Sexual Conflicts in Ali Bader’s The Infidel Woman and Zadie Smith’s On Beauty Al-bayan University, Iraq |
447 Location: KINTEX 2 305A |
(448) What T.S. Eliot Says Location: KINTEX 2 305B Chair: Sunghyun Kim, Seoul National University of Science and Technology Open Free Individual Submissions The Early Reception of T. S. Eliot in China: Under the influence of I. A. Richards, William Empson and others Shanghai Normal University, China, People's Republic of Open Free Individual Submissions A Record on The Gramophone: Intertextuality and soundscape in “The Waste Land” Heinrich-Heine-Universität Düsseldorf, Germany Open Free Individual Submissions Aesthetics as Anaesthetics: A Reading into Nirālā’s Psyche of Relieving Pain through Writing Poetry Banaras Hindu University, Varanasi, India, India Open Free Individual Submissions A Digital Literary Comparison of Antonio Machado and T. S. Eliot Korea University, Korea, Republic of (South Korea) |
(449) From the “West-East” Perspective Location: KINTEX 2 306A Chair: Minyoung Cha, Dankook university Open Free Individual Submissions Research on Miao image from the perspective of mutual learning of civilizations —— With The West China Missionary News (1899-1943) as the center Sichuan University, China, People's Republic of Open Free Individual Submissions From the “West-East” perspective to the “West-Russia (Eurasia)-East” perspective: An investigation of the study of Chinese literary history in the Soviet version of “History of World Literature” from the perspective of Russian Oriental Studies Hunan University, China, People's Republic of Open Free Individual Submissions A Comparative Analysis of Trauma Depiction in One Hundred Years of Solitude and Big Breasts and Wide Hips 1: Northwestern Polytechnical University, China, People's Republic of; 2: Northwestern Polytechnical University, China, People's Republic of Korea Open Free Individual Submissions Re-mapping Gothic London in the Age of Postmodernity: Waterscapes in Neo-Victorian Fiction CMII, UCL, United Kingdom |
(450) Question of the Foreigner Location: KINTEX 2 306B Chair: Jun Soo Kang, anyang University Open Free Individual Submissions Sovereignty Hospitality and Vengeance: Question of the Foreigner in Beowulf Tsinghua University, China, People's Republic of Open Free Individual Submissions La maternisation de l'ancien régime: l'étude du Chevalier des Touches de Barbey d’Aurevilly Chulalongkorn University, Thailand |
(451) Spectrum of World Literature Location: KINTEX 2 307A Chair: Seiwoong Oh, Rider University Open Free Individual Submissions Shifting Paradigms: R/Evolution of Literary Canons and Hierarchies in a Globalized Context Université Numérique Cheikh Hamidou Kane, Senegal Open Free Individual Submissions Travel (of) Literature and the Question of Hospitality; Spectrum of World Literature lusail university, Qatar. Open Free Individual Submissions Bombay in Goan Portuguese-Language Short Stories University of Glasgow, United Kingdom Open Free Individual Submissions WRITING THE FEMALE SYMBOLIC-IMAGETIC BODY IN CLARICE LISPECTOR AND CHUN KYUNGJA: READINGS ON THE ÉCRITURE OF TRANSNATIONAL FEMALE BODY AND SPACE. Federal University of Rio Grande do Sul (UFRGS), Brazil Open Free Individual Submissions Le rôle du narrateur et le worldbuilding dans la fantasy historique française Université Toyo, Japon |
464 Location: KINTEX 2 307B |
3:30pm - 5:00pm |
(466) AI: Another Way of Reading Location: KINTEX 1 204 Chair: Hyungji Park, Yonsei University Open Free Individual Submissions The Role of Artificial Intelligence in Comparative Literature: A New Frontier Paula Solutions Ltd, Kenya Open Free Individual Submissions Mechanism or Subjectivity: The Production of AI Literature Lanzhou University, China, People's Republic of Open Free Individual Submissions AI Dystopias and the Cry for Our Endangered Humanity in Klara and the Sun by Kazuo Ishiguro and The Mushroom by Mohamed Al-Agami CAIRO UNIVERSITY, Egypt |
(467) Beyond the Boundaries Location: KINTEX 1 205A Chair: Minyoung Cha, Dankook university Open Free Individual Submissions Gender and Childbirth in Feminist science fiction :Focusing on the Work of Sayaka Murata Iryo Sosei University, Japan Open Free Individual Submissions Beyond Boundaries: Comparative Insights into SF Urban Peripheries Shenzhen University, China, People's Republic of Open Free Individual Submissions A Comparison of Universe perspectives between The Three-Body Problem and Foundation Northwestern Polytechnical University. |
(468) Imagination and Anthropocene Location: KINTEX 1 205B Chair: Hyun Kyung Park, Namseoul University Open Free Individual Submissions Imagination and Music : The Shaping of Literary Imagination in British Romantic Poetry and Prose Louisiana State University, United States of America Open Free Individual Submissions Comparative Study of Punjabi Poets Dhani Ram Chatrik and Nand Lal Noorpuri: A Literary and Socio-cultural Perspective Central University of Punjab, VPO Ghudda, Dist. Bathinda, India Open Free Individual Submissions “Deictic Scale Shifting”:An Extension of Anthropocene Narrative Theory Sichuan University, China, People's Republic of |
(469) A New Mode of Contemporary Language Location: KINTEX 1 206A Chair: Seonggyu Kim, Dongguk University Open Free Individual Submissions Non-anthropomorphized Narration: A New Mode of Contemporary Fiction National Taiwan University, Taiwan Open Free Individual Submissions Critiquing Poetry: Reassessing the power of language-body Nagoya University of Foreign Studies, Japan |
(470 H) Aliens Over Society Location: KINTEX 1 206B Chair: Byung-Yong Son, Kyungnam University Open Free Individual Submissions Individual, Family, and Society: Multiple Identity Dilemmas of Mulattos in The Vanishing Half College of Foreign Languages and Cultures, Sichuan University, China, People's Republic of Open Free Individual Submissions Aliens Over Texas: A Comparative Literary Analysis of An Aerial Sighting in Texas Originating In Medieval European Manuscripts Texas Tech University, United States of America Open Free Individual Submissions "Marvelous real" of Latin American Magic Realism and Mutual learning among Civilizations Henan University of Economics and Law, China, People's Republic of Open Free Individual Submissions Cultural Representations of the Ship of the Slaves’ Arrival in 1619 and the Ship of Pilgrims’ Landing in 1620 in the current realities of US immigrants University of Texas at Austin, United States of America |
(471) Perspective of Transnational Literary Community Location: KINTEX 1 207A Chair: Lianggong Luo, Central China Normal University Open Free Individual Submissions The construction of Black symbolism in the works of Conceição Evaristo and Rosana Paulino Uerj, Brazil Open Free Individual Submissions Revisiting Harlem Renaissance Movement: A Perspective of Transnational Literary Community Central China Normal University, China, People's Republic of Open Free Individual Submissions When Worlds Collide (or Don't): Literature and Geography in the Nineteenth Century Louisiana State University, United States of America Open Free Individual Submissions Folklore as Resistance: Cultural Identity and Empowerment in Contemporary African-American and Iraqi Novels Al-Bayan University, Iraq |
(472) The Search for Female Identity Location: KINTEX 1 207B Chair: Ling-Chi Huang, National Tsing Hua University, Taiwan Open Free Individual Submissions Memory and Heterotopia: Ruin Writing in Rose Macaulay's The World My Wilderness Sichuan University, China Open Free Individual Submissions Behind the Misogyny: Uglitic Appreciation of Womanhood and Reformism in Jonathan Swift’s Works Sichuan University, China, People's Republic of Open Free Individual Submissions The Use and Comparison of Chinese Classical Poetry in Women's Poetry of Ming-Qing Dynasties and Joseon 台灣清華大學中國文學系, Taiwan Open Free Individual Submissions The Search for Female Identity in the Works of Isabel Allende and Ding Ling Complutense University of Madrid, Spain |
(473) A Comparative Study of the Genre Location: KINTEX 1 208A Chair: Robert Kusek, Jagiellonian University in Krakow Open Free Individual Submissions Introduction to a theory and transformation of literary genres utilising chaos theory Tamkang University, Taiwan Open Free Individual Submissions Un nouvel outil de visualisation de textes pour la littéraire comparée Université Paris 8, France Open Free Individual Submissions A New Bloodland: Unearthing Central European History of Violence in South African Literature Jagiellonian University in Krakow, Poland Open Free Individual Submissions A Comparative Study of the Ecological Writings in William Faulkner and Jia Pingwa Northwestern Polytechnical University, China, People's Republic of |
(474) Poetic Rewriting and Literary Modernity Location: KINTEX 1 208B Chair: Sue Jean Joe, Dongguk University Open Free Individual Submissions Translating Byron in ‘May Fourth’ China, 1919-1927: Poetic Rewriting and Literary Modernity School of Languages and Communication Studies, Beijing Jiaotong University, Haidian District, Beijing, People’s Republic of China Open Free Individual Submissions The Folklore and Lyricism: On the Literary Reimagination of The Book of Songs (Shijing) in Republican-Era Chinese Literary Historiography 复旦大学, China, People's Republic of Open Free Individual Submissions A Comparative Analysis of Cityscapes in the Poetry of Ezekiel, Kolatkar, Daruwalla, and Mahapatra Godavarish Mahavidyalaya, Banpur, India |
(475) Transnational Literary Fields Location: KINTEX 1 209A Chair: Anna Saprykina, University of Siegen Open Free Individual Submissions Transmedia Storytelling and Landscape Production: Contemporary Multimodal Metamorphoses of the White Snake Legend Beijing Foreign Studies University, China, People's Republic of Open Free Individual Submissions Meddling with the Mahabharata and Romanticizing the Ramayana: Indian Epics and Hindu Identity Online University of Tampa, United States of America Open Free Individual Submissions Transnational Literary Fields: Boundary Work and Exchange Between Russia, France, and Germany University of Siegen, Allemagne Open Free Individual Submissions Literature Can Create and Change “Beautiful Women”: The Rationale Behind the Selection of “World Beauties” in Japan The University of Tokyo, Japan |
(476) Technology and the Dissemination of Poetry Location: KINTEX 1 209B Chair: Adelaide Russo, Louisiana State Universiry Open Free Individual Submissions Social Media as a Cultural Archive: Examining the Narratives of Lord Sri Ram University of Calicut, India Open Free Individual Submissions VACHANA LITERATURE AND SUFISM Rani Channamma University, Belagavi, Karnataka, India, India Open Free Individual Submissions Technology and the Dissemination of Poetry Louisiana State Universiry, United States of America |
(477) (Im)Possible Travels Location: KINTEX 1 210A Chair: Jungman Park, Hankuk University of Foreign Studies Open Free Individual Submissions Amnesia and Authenticity: The Nixonian Conservative Turn and Remapping(s) of American Identity Texas Christian University, United States of America Open Free Individual Submissions (Im)Possible Travels: the East in Latin American Modernist Chronicles University of Notre Dame, United States of America Open Free Individual Submissions mutual method learning of The French school and the American school Shangqiu Normal University, China, People's Republic of Open Free Individual Submissions The Normativity of Mental Illness Treatment in American Novels of the 1950s Sichuan University, China, People's Republic of |
(478) New Cultural Identity Location: KINTEX 1 210B Chair: Minji Choi, Hankuk university of foreign studies Open Free Individual Submissions Czesław Miłosz, Kim Hyesoon, and the Poetics of Remembering the Dead Hankuk University of Foreign Studies, Korea, Republic of (South Korea) Open Free Individual Submissions A Study on Korean Wave Cultural Content and New Cultural Identity anyang University, Korea, Republic of (South Korea) Open Free Individual Submissions They Call me ‘Artist’? They Call me ‘Idol’?: Originality, Authenticity, and Fandom in the World of Artificial Intelligence English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions Migration and Diaspora in East Asian Literature: Global Networks and Identity Formation Changsha University of Technology and Science, China, People's Republic of |
(479) Transcultural Memories Location: KINTEX 1 211A Chair: Eun-joo Lee, independent scholar Open Free Individual Submissions The Chinese Nobel Complex and Transcultural Memories Hong Kong Metropolitan University, Hong Kong S.A.R. (China) Open Free Individual Submissions Doing What Could Not Be Done: The Way of Comparative Literature In Memory of Professor Yue Daiyun PekingUniversity, China, People's Republic of Open Free Individual Submissions Separation Italian style: Zhou Shoujuan’s translation of two short-stories by Salvatore Farina and Matilde Serao University of Verona, Italy Open Free Individual Submissions Facets of Translation: Verlaine in China National Taiwan Normal University, Taiwan |
(480) Intercivilizational Dialogue Location: KINTEX 1 211B Chair: Dong-Wook Noh, Sahmyook University Open Free Individual Submissions The Historical Novel Genre in Mongolian Literature on the Example of Injannasi’s Köke Sudur in relation to Chinese and Western Understandings of Historical Fiction Inner Mongolia University, China, People's Republic of Open Free Individual Submissions Royal Women of Indian Princely States: A Catalyst Bhupal Nobles' University Udaipur Rajasthan, India |
481 Location: KINTEX 1 212A |
(482) Towards a New Praxis Location: KINTEX 1 212B Chair: Juri Oh, Catholic Kwandong University Open Free Individual Submissions Aspects of the fictional unusual in short stories by Chung Bora, Mónica Ojeda and Giovanna Rivero from the perspective of World Literature Universidade Estadual de Santa Cruz, Brazil Open Free Individual Submissions The Tropological Writing of Mexican American Mobility Politics: With Under the Feet of Jesus as the Focus National University of Defense Technology, China, People's Republic of Open Free Individual Submissions Les histoires de Pu Songling : bien plus que des contes Fudan University, Chine Open Free Individual Submissions Towards a New Praxis: Literary Research after the Decolonial Turn University of Birmingham, United Kingdom |
(483) Translatable or Not? Location: KINTEX 1 213A Chair: Hyosun Lee, Underwood College, Yonsei University Open Free Individual Submissions Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of Open Free Individual Submissions The Light and Dark of Myth: The Supernatural Sublime in Rick Riordan’s The Lightning Thief NCCU, Taiwan Open Free Individual Submissions Translation-based Reception of the Soviet in Bengali Periodicals in the post-World War II era [1945-1965] Visva Bharati University, India |
484 Location: KINTEX 1 213B |
(485 H) Comparative History of Literatures in European Languages Series (1) Location: KINTEX 1 302 Chair: Stefan Helgesson, University of Stockholm 384H(09:00) 406H(11:00) LINK :https://us06web.zoom.us/j/87081371023?pwd=3EUFK0F07cUgkjA1v94PZaEQfJRsaY.1 PW : 12345 ICLA Research Committee Individual Submissions Spotlight on Peripheries and Networks: New Perspectives in the Study of European Literatures Université libre de Bruxelles, Belgium ICLA Research Committee Individual Submissions Reading Europhone Modernisms of the South – Then and Now University of Stockholm, Sweden ICLA Research Committee Individual Submissions Postdiasporic Dispersion and Post-European Condition University of Amsterdam, Netherlands, The ICLA Research Committee Individual Submissions Life Writing in the Context of Post-European World Ilia State University, Georgia |
(486) Intermediality and Comparative Literature (7) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Russian Sinologist Li Fuqing's Research on the Characters of The Three Kingdoms from the Cross-media Perspective跨媒介视角下俄罗斯汉学家李福清三国人物形象研究 Comparative Literature and Cross Cultural Studies,School of International Studies,Hangzhou Normal University,China. Open Group Individual Submissions The Ways of Tao Conditioned by Nature: the Interpretation and Translation of Su Shi’s Art Spirit in American Art History Hanghzou Normal University, China, People's Republic of Open Group Individual Submissions Fairy Tale and Animated Film: Historical Memory in Modern Transformation Tongji University, China, People's Republic of Open Group Individual Submissions The Study of the Secular Transmission and Transformation of “The Everlasting Regret” in the Edo Period from an Inter-media Perspective 杭州师范大学, China, People's Republic of |
(487) Intermediality and Comparative Literature (8) Location: KINTEX 1 307 Chair: Gyu Seob Shin, Seoul national University Open Group Individual Submissions The Book of Jacob: Intermedia Narrative and Historical Reconstruction- From Tokarczuk's Novel to Garbaczewski's Experimental Theater Nanjing University, China, People's Republic of Open Group Individual Submissions Intermedial Musical Narrative and Cultural Identity: A Semiotic Analysis of Philadelphia, Here I Come! Shanxi Normal University, China, People's Republic of Open Group Individual Submissions “I Will Play the Male Characters”: Intermediality and Transgender Performance in the Hebei Bangzi-Film Woman, Demon, Human (1987) Nanjing University, China, People's Republic of Open Group Individual Submissions Narrative Development across Cultural and Historical Contexts: A Case Study of the Korean Versions of the Homecoming Husband Okayama University, Japan Open Group Individual Submissions A Study on the Archetype of East-West Literature Seoul National University, Korea (Republic of) |
488 Location: KINTEX 2 305A |
(489) in a Korean Colouring Book Location: KINTEX 2 305B Chair: Sunghyun Kim, Seoul National University of Science and Technology Open Free Individual Submissions Literary Border-Crossing of Juhea Kim’s Beasts of a Little Land 1: Rider University, United States of America; 2: Drexel University, United States of America Open Free Individual Submissions Doris Lessing's and Shin Gyeongsook's Mother: Motherhood in The Fifth Child and Please Look After Mom Konkuk University, Korea, Republic of (South Korea) Open Free Individual Submissions Queer lovers in the West and East: four authors, C.P. Cavafy, E.M. Forster, Ki Hyeong-do, Park Sang-young. Durham University, United Kingdom Open Free Individual Submissions The Library of Travel: Post-Orientalism and the Library Trope in a Korean Colouring Book Independent Researcher, India |
(490) Between Traditions and Futures Location: KINTEX 2 306A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions Rewriting Shakespeare by Gurnah or "Measure for Measure" as "Gravel Heart" Uzbekistan State World Languages University, Uzbekistan Open Free Individual Submissions Between Traditions and Futures: Literary Reinventions in a Connected World Tina YAHI, Algérie Open Free Individual Submissions A Study on the Love of Thomas Aquinas from the Perspective of the New Psychology of Love Sichuan University, China, People's Republic of China Open Free Individual Submissions Setting the Mood: Tyler Wu's Pornographic Narratives University of Hong Kong, Portugal |
(491) Similarities and Differences Location: KINTEX 2 306B Chair: Seoyoung Noh, dongguk university Open Free Individual Submissions Writing Home from Abroad: Analyzing National Imagination and Self-Representation in Modern Chinese Female Autobiography, 'Flowering Exile' (1952) Saint Francis University, Hong Kong S.A.R. (China) Open Free Individual Submissions Similarities and Differences about Fox Stories in Chinese and Japanese Zhiguai Novels——Taking Strange Stories from a Chinese Studio and Yasōkidan as Examples Hong Kong Baptist University, Hong Kong S.A.R. (China) Open Free Individual Submissions Emigre Life and Spatial Ethics: Russian Diaspora Drama in France During the First Half of the 20th Century Central China Normal University, China, People's Republic of |
(492) From Colonial to Postcolonialism Location: KINTEX 2 307A Chair: Minjeon Go, Dankook University Open Free Individual Submissions Conversations with Postcolonial Indigenous Literatures: The Potential of Comparative Poetics as a Relational Tool. Universite Libre de Bruxelles (ULB), Belgium Open Free Individual Submissions A Postcolonial Reading of Natsume Soseki’s: Anticolonial Inclinations and Their Limitations Osaka University, Japan Open Free Individual Submissions Anticolonial Aesthetics and the Sociological Imagination University of Hong Kong, Hong Kong S.A.R. (China) Open Free Individual Submissions Towards a Nonhumanist World Literature: Precarious Nonhuman Cosmopolitanisms in Satyajit Ray’s Short Stories Independent Researcher, India |
493 Location: KINTEX 2 307B |
5:00pm | Closing Ceremony Location: KINTEX 1 204 |