From Drawing Rooms to Battlefields: Gender, Class, and Technology in the Adaptations of Pride and Prejudice

Minki Kim

Chungbuk National University(CBNU), Korea, Republic of (South Korea)

The Dual Devastation of Man and Nature Under the Guise of Civilization in Heart of Darkness by Joseph Conrad

Ozoda Jamolitdinovna Ablakulova

Chungbuk Nanional University, Korea, Republic of (South Korea)

The Male Dominated System and Deprived Motherhood in Top Girls

Muyassar Nagmatova

Chungbuk National University, Korea, Republic of (South Korea)

Social Factors and Maternal Influence on Children’s Character Development in J.B. Priestley’s An Inspector Calls and Arthur Miller’s Death of a Salesman

Trang Nguyen

Chungbuk National University, Korea, Republic of (South Korea)

The Symbolic Role of Nature and the Storm in Shakespeare's King Lear

Rustam Ziyodulloevich Asrorov

Chungbuk National University

A comparative study of animality dramatized in Edward Albee's <Seascape> and <The Goat, or Who is Sylvia?>

Jeongwon Jo

Chungbuk National University, Korea, Republic of (South Korea)

A brief discussion on the tradition of Jewish classical exegesis

Xin Xu

Nanjing University, China, People's Republic of

After / Behind the Mutual-interpretations of Logos and Dao: An Invitation Updated

Huilin Yang

Renmin University of China, China, People's Republic of

Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age

Hui Zhang, Yuanyuan Hua, Jing Zhang

Scriptures, Law, Humanity

Svend Erik Larsen

Aarhus University, Denmark

Confucianism and Its Contemporary Relevance to Ecological Thinking

Chengzhou He

Nanjing University, China, People's Republic of

Secret Resonance: An Exploration on the Relationships between Confucianism and Western Aesthetic Modernity

yunhua LIU

Fudan University, China, People's Republic of

Comparison and Integration: Confucius’ Gantong Theory , Marx's Practical Aesthetics and Kant's Thoughts of "Sensus Communis"—— An Attempt to Explore a New Kind of Aesthetics through Confucius, Marx and Kant

Yuli Wang

Wuhan University, China, People's Republic of

The Fragmentary Chinese History in Finnegans Wake

Congrong Dai

Nanjing University, China, People's Republic of

A Re-understanding of the Centennial History of Chinese Translation of Ancient Greek Tragedy

Rongnyu CHEN

Beijing Language and Culture University, China, People's Republic of

To navigate difficult pasts through cosmopolitanism? Afrikaans literature and the South African transition

Cilliers Van den Berg

University of the Free State, South Africa

Western Origin of “Synthesis” in Yuan Kejia’s Poetics of “Modernizing Chinese New Poetry”

Bai Yangben

Shandong University, China, People's Republic of

A Mobility Study of Herzog

Xiaoping Wang

Sichuan University, China, People's Republic of

A Theological Debate in the Three-Body Problem

Jing Zhang

Renmin University

Historicity, Reality Perception, and Publicness: Theoretical Reflections on Theater and Cinema in the Age of AI

Liangyu Hu

Beijing Language and Culture University, China, People's Republic of

Eros as the grounds for comparison: a new Global Modernism

Angelina Saule

University of Sydney

"Translating Freedom: Identity, Power, and Cultural Translation in Lea Ypi's Free"

Katja Grupp

IU International University, Germany

Vladimir Jankélévitch et le piano: D'après les souvenirs d'Anne Queffélec.

Ai Yasunaga

Shizuoka University, Japon

How to modernize Realist Poetic: the Inspiration of the History of Bakhtin’s Acceptance for the Transformation of Chinese Realist Poetics

Hang Yu

Guangxi Normal University, China, People's Republic of

Non-anthropomorphized Narration: A New Mode of Contemporary Fiction

Chi-she Li

National Taiwan University, Taiwan

Critiquing Poetry: Reassessing the power of language-body

Toshiko Ellis

Nagoya University of Foreign Studies, Japan