An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title

Wei Guo, Junkang Huang

Central South University, China, People's Republic of

China as an Idea and Symbol: The Construction of the ideal country Huaxia Ordus in the “Eurasian Symphony”

Yin Nan Song

Nankai university, China, People's Republic of

Between the East and the West: Lim Boon Keng's Cross-Cultural Legacy and Foresight

ZHIWEI SUN

NTU, Singapore

Chinese Philosophy and Transformation of Media Narrative

Yun LI

South China University of Technology, China, People's Republic of

Reimagining Neo-Confucian Diagrams: Insights from 3D Animation

Maria Hasfeldt Long

Linnaeus University, Sweden

Virulents and the Viral: Rhizomatic Horror in the Digital Age

Debasmita Sarkar

Shri Ramasamy Memorial University Sikkim, India

“Cartography of the Borderlands” in the Global South: Diaspora Identities and National Allegories in Borderland Spaces in Postcolonial Contexts

Xinyang Li

University of Georgia, United States of America

Le progrès technologique vu par Michel Houellebecq : utopie ou dystopie ?

Ruike Han

Centre de Recherches sur les Littératures et la Sociopoétique (CELIS), Université Clermont Auvergne, France

Imagining an Alternative Eco-Future: Technology, Ecology, and Bodies in The Ozone Layer Vanishes (1990)

Qiyan Chen

University of California, San Diego, United States of America

Visual Expression of China's Future: Affective Mechanisms and Societal Imaginary Symptomatology in the "Sino-topia" of Grand-Infrastructure

Mingyang Liu

The University of Hong Kong, Hong Kong S.A.R. (China)

The Fixed “Fever” and Transnational “Third Space” In Severance of Ling Ma

Sisi Meng

Renmin University of China, China, People's Republic of

Problematizing the Third Space: A Study of Home Fire and Disgraced

Prapti kakati

University of Georgia, United States of America

Spaces of War in Iman Humaydan Younes’s "B as in Beirut": On a Poetic of ‘in-between space’

Lúcia de Fátima Oleiro Bentes

Portuguese Public School, Portugal

Intercivilizational Dialogue between China and Germany: An Interpretation of the "Third Space" in the Novels of German-Chinese Writer Luo Lingyuan

Lisha HUANG

Shanghai International Studies University, China, People's Republic of

Overseas Trade, Jews and the Imperial Imagination in The Jew of Malta

Bo Li

capital normal university, China, People's Republic of

Parallax and Existence: An Interpretation of Ae-ran Kim’s “There Is Night There, and Songs Here” from the Perspective of Existentialism

Meiqi Wu

Shanghai Jiao Tong University, China, People's Republic of

Dematerialized Money and Technological Change: (Economic) Speculation in the AI Age in Cosmopolis and Fear Index

Karsten Klein

Saarland University, Germany

Expressive Montage in Ragtime: Characterization of the Confused Mainstream Group

Shijia Du

Northwestern Polytechnical University, China, People's Republic of

Cha Cha on the Bridge: AI Heroes

Kyunghwa Lee

Yonsei University, Korea, Republic of (South Korea)

Samantha, not Sam, Eve, not Adam: Feminist Posthumanism as the Posthumanism for All?

Yoon Chung

Yonsei University, Korea, Republic of (South Korea)

“Machines” and Miscommunication: A Comparative Analysis of American and Korean Science Fiction

Kyu Jeoung Lee

Oklahoma State University, United States of America

“We all complete.”: Posthumanist Reflections on Never Let Me Go

Narae Min

Chungbuk National University, Korea, Republic of (South Korea)

Nonhuman Entanglements: Rethinking Anthropocentrism and Subjectivity in Korean Speculative Fiction

CAIYI JIN, MIRI YOO

Seoul National University, Korea, Republic of (South Korea)

Where to Draw the Line: Exploring the Intersections of Comics Journalism, Oral History, and Memoir

Sara Mizannojehdehi

Concordia University, Canada

Asterix and the Postmoderns: History, Resistance, and Empire in the 20th Century

BEATRIZ SEELAENDER

University of São Paulo, Brazil

Priya Comic Series: A Voice of Protest Against Gender Violence & Fundamentalism

Dwaipayan Roy

NIT Mizoram, India

Creative Fungibility: Drawing Parallels Between Virtual Production, AI Filmmaking, and Comic Book Creation

Damien Rinaldo Tomaselli

UIC - United International College Hong Kong Baptist / University of Beijing, China, People's Republic of

Experiential History as Resistance: Ken Liu’s The Man Who Ended History and the Politics of Memory

Seungyun Oh

Seoul National University, Korea, Republic of (South Korea)

The Anatomy of Silence: Absence as Narrative in "Comfort Women" Literature

Shreyashi Sharma, Dr. Rakhee Kalita Moral

Cotton University, India

Beyond Boundaries: Gender Fluidity and Stereotypical Marginalization in Amruta Patil’s Kari

Megha Sathianarayanan Kombil

The English and Foreign Languages University, Hyderabad, India

Wounds of Partition: A Comparative Discussion between Krishan Chander’s “پشاور ایکسپریس” (Peshawar Express) (1948) and Syed Waliullah’s “The Escape” (1950)

Redwan Ahmed

Jahangirnagar University, Bangladesh, People's Republic of

Electronic Fiction, Transmedia, and Comparative Literature

Maria Bhuiyan

Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of

From “Solitary” to “Solidary”: An Ethical-Ecological Approach to Wordsworth’s “I Wandered Lonely as a Cloud”

Di Wu

Hangzhou Normal University

Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi

Maria Bhuiyan¹, Imtiaz Bhuiyan²

1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia

Digital Narratives and Authorship: Electronic Fiction and Transmedia Storytelling in Comparative Literature

Maria Bhuiyan

Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of

AI, Stylistic Emulation, and Hypothetical Literary Comparisons

Maria Bhuiyan¹, Imtiaz Bhuiyan²

1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia

From Handke to Han Kang: How the Nobel Prize in Literature Survived

Paul Tenngart

Lund University, Sweden

Han Kang’s Vegetarianism

Changnam Lee

Institute for American and European studies, Daegu, South Korea

A comparative study of feminist themes between the novels of Korean writer Han Jiang and Chinese writer Zhang Ailing

Ying-hui Pan

Shandong University of Aeronautics, China, People's Republic of

Reimagining Violence: Sensation, Bodily Deformation and Female Trauma in Can Xue’s The Last Lover and Han Kang’s The Vegetarian

Yi He

University of New South Wales, Australia

Persona, Relationality, Decentred Subjects: Digital Editions as Life-Writing Projects

Sandra Mayer

Austrian Academy of Sciences, Austria

Ethnographic Poetics, Culture and Art in Virtual Eco-System with the Liability of Newness

Jayshree Singh¹, Salvatore Tolone Azzariti², Aishwarya Singh³

1: Department of English, Bhupal Nobles' University Udaipur Rajasthan, India; 2: Woxsen School of Law, Woxsen University, Telangana, Andhara Pradesh; 3: Faculty of Law and Justice, University of New South Wales, Sydney

Transhumanistic Sym-poiesis through the speculative post-apocalyptic and analogue steampunk literature of Ai Jiang and Noah Medlock

Anita Purcell-Sjölund¹, Zita Farkas²

1: Dalarna University, Sweden; 2: Dalarna University, Sweden

The Early Reception of T. S. Eliot in China: Under the influence of I. A. Richards, William Empson and others

Chen Lin

Shanghai Normal University, China, People's Republic of

A Record on The Gramophone: Intertextuality and soundscape in “The Waste Land”

Soelve Ingeburg Curdts

Heinrich-Heine-Universität Düsseldorf, Germany

Aesthetics as Anaesthetics: A Reading into Nirālā’s Psyche of Relieving Pain through Writing Poetry

Prabha Shankar Dwivedi

Banaras Hindu University, Varanasi, India, India

A Digital Literary Comparison of Antonio Machado and T. S. Eliot

Hye-Yoon Chung, Sung-Hyun Jang

Korea University, Korea, Republic of (South Korea)

Literary Border-Crossing of Juhea Kim’s Beasts of a Little Land

Seiwoong Oh¹, Sunmi Oh²

1: Rider University, United States of America; 2: Drexel University, United States of America

Doris Lessing's and Shin Gyeongsook's Mother: Motherhood in The Fifth Child and Please Look After Mom

Sunhwa Park

Konkuk University, Korea, Republic of (South Korea)

Queer lovers in the West and East: four authors, C.P. Cavafy, E.M. Forster, Ki Hyeong-do, Park Sang-young.

Yoonjoung Choi

Durham University, United Kingdom

The Library of Travel: Post-Orientalism and the Library Trope in a Korean Colouring Book

Dhee Sankar

Independent Researcher, India