Conference Agenda

Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).

Please note that all times are shown in the time zone of the conference. The current conference time is: 1st Aug 2025, 09:41:43pm KST

 
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Session Overview
Location: KINTEX 1 306
130 people KINTEX room number 306
Date: Monday, 28/July/2025
1:30pm
-
3:00pm
(165) Body Image(s) of Women in Literature (1)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

Reshaping Salome and the conflicts between soul and flesh in the Republic of China

Yueqi Su

Sichuan University




Open Group Individual Submissions

Landscape and Feminist Desire in Pam Houston's Cowboys Are My Weakness

Jiayu Tan

Sichuan University, People's Republic of China




Open Group Individual Submissions

A Study of Body Image Writing and Changing of Female Sexual Minorities in Chinese Homosexuality literature

Xue Tang

Southwest University, China, People's Republic of China




Open Group Individual Submissions

Narrative of Women in Japanese Science Fiction: Space, Body, Isekai

Bingxin Duan1,2

1: Sichuan University, China; 2: Hubei Minzu University,China




Open Group Individual Submissions

The Representation of Female Bodily Disorders in American Literature

Yang Tang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Body of Prostitutes in Yan Lianke’ Novels

Weiwei Qi

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Adornment of Female Body in Li Bihua's Sheng Si Qiao

Yunke Qiao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Depiction of Female Body and Its Religious Meaning in Buddhist Avadana Literature

Li Juan

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Opportunities in Plight: Realistic Projection and Utopian Reconstruction of Women’s Body in Delany’s Early Science Fiction Experiments

Qiongyao Jing

University of Electronic Science and Technology of China, China, People's Republic of

3:30pm
-
5:00pm
(187) Body Image(s) of Women in Literature (2)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

A Doll's House or Nora's House?

Svend Erik Larsen

Aarhus University, Denmark




Open Group Individual Submissions

The mutual interpretation of ancient Qixi female body intention in literature and images

Aiwei Huang, Fei Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Diversity and Deconstruction —— Female Incomplete Body Image in American Novels from 2009 to 2016

Yuqi Chang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Comparative Study on the Motif of "Difficult Marriage Proposal" in the Folk Narrative Literature of the Korean Ethnic Group and the Manchu-Tungusic Ethnic Groups

hai feng che

Beibu Gulf University, China, People's Republic of




Open Group Individual Submissions

Could Body Images of Women Be Perceived in the Book of Changes? -- A Gender Perspective of Margaret J. Pearson’s Interpretation

Weirong Li

Yuelu Academy, Hunan University, China, People's Republic of




Open Group Individual Submissions

Body as Construction of Subjectivity in Eudora Welty’s The Golden Apples

Ying Liu

Sichuan University




Open Group Individual Submissions

The Gamified Body: Animal Metaphors of the Female Body in Philip Roth’s Fiction

Yu Li

Sichuan University, China, People's Republic of




Open Group Individual Submissions

Performance Metaphors for Female Body Imagery in Richard Yates' Fiction

Bei Tang

Southern Medical University, China, People's Republic of




Open Group Individual Submissions

Reimagining the Female Body: A Luce Irigarayan Analysis of Angela Carter's Novels

Danlian Zhao

Chongqing University, China, People's Republic of




Open Group Individual Submissions

Sylvia Plath's Literary Creation of the A Study of Body Image

Wang Ran

Sichuan University, China, People's Republic of

Date: Tuesday, 29/July/2025
11:00am
-
12:30pm
(209) Body Image(s) of Women in Literature (3)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

Ageism, Sexism, and Abjection in “The Substance” by Coralie Fargeat (2024)

Marcio Seligmann-Silva

UNICAMP/ICLA, Brazil




Open Group Individual Submissions

Reinterpreting the New Nora Myth in Mainland China: An Analysis of Like a Rolling Stone

Shiyu Jiao

Nanjing University, People's Republic of China




Open Group Individual Submissions

Behind the Misogyny: Uglitic Appreciation of Womanhood and Reformism in Jonathan Swift’s Works

Yunshi Wu

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Self-Representation of Body Images in the Nonfiction Writing of Chinese Domestic Workers

Bingxin Zhou

Shihezi University;Beijing Hǎoyù Family Service Company




Open Group Individual Submissions

The Normativity of Mental Illness Treatment in American Novels of the 1950s

Li Zhang

Sichuan University, China, People's Republic of




Open Group Individual Submissions

A Research of the Images of “Nursing Mothers” of Chinese Literature during the 1950s

Xiuwen He

Xiamen University of Technology, People's Republic of China




Open Group Individual Submissions

The Distressed Body and the Enchanted Narrative in Xue Mo’s Novel Curses of the Kingdom of Xixia

Dian Li

University of Arizona, United States of America




Open Group Individual Submissions

Images of the Impaired Female Body in US-American Novels (1990-2020)

Peina Zhuang1, Steven Tötösy de Zepetnek2

1: Sichuan University, P.R. of China; 2: Sichuan University, P.R. of China




Open Group Individual Submissions

On the Perception of the Body in Han Jiang's Poetry

Du Qiu1, Ye Yuqi2

1: HuBei University, China, People's Republic of; 2: HuBei University, China, People's Republic of

1:30pm
-
3:00pm
(231) Body Image(s) of Women in Literature (4)
Location: KINTEX 1 306
Chair: Peina Zhuang, Sichuan University

Correction

Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) 

 

Open Group Individual Submissions

Towards a Theoretical Framework for Analyses of Body Images of Women in Literature

Steven Totosy de Zepetnek

Sichuan University, China




Open Group Individual Submissions

Love and the Female Body in Times of War: A Reflection on the Reconfiguration of the “Revolution plus Love” in Modern Chinese Literature

Yifei Cui

The University of Arizona, United States of America




Open Group Individual Submissions

Memento Mori and Fetishism of Head in Hedda Gabler and Salomé

Yifan Zhang

Fudan University, China, People's Republic of




Open Group Individual Submissions

The Unconscious Enlightenment Through Sensualizing Morality Accomplished by Female Body: The Reversed Disciplining Hidden in Pamela; Or, Virtue Rewarded

Xi Chen

Wuhan University, China, People's Republic of




Open Group Individual Submissions

Women, Body, Medium——On Lady Chatterley's Lover and Xi Bao

Sanyu Yi

Sichuan university, China, People's Republic of




Open Group Individual Submissions

Wet bodies: The Blue Humanities and Corporeal Theorizing

Simon Curtis Estok

Sungkyunkwan University, Korea, Republic of (South Korea)




Open Group Individual Submissions

Ethics, Bound-Foot Fetish, and Sexual Desire Projection: The Triple Body Metaphors of “Cai Fei”

Tao Nie

University of Electronic Science and Technology of China, China, People's Republic of

Date: Wednesday, 30/July/2025
9:00am
-
10:30am
(253) Intermediality and Comparative Literature (1)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Optional or Necessary? – Theatre and Intermediality

Svend Erik Larsen

Aarhus University, Denmark




Open Group Individual Submissions

Reconstructing Beckett: Kris Verdonck’s Posthuman Performance in a Cross-Media Perspective

Yanshi Li1, Xiao Dong2

1: Taiyuan University of Technology, China, People's Republic of; 2: Communication of Shanxi




Open Group Individual Submissions

Puppet And Human: The “Presenting Sign” Of the Contemporary Puppetry

Wei Meng

南京大学,中华人民共和国

11:00am
-
12:30pm
(275) Intermediality and Comparative Literature (2)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Virtual Simulation, Science Fiction Digital Games, and the Construction of Cyborg Theoretical Frameworks

Yuqin Jiang

Shenzhen University, P.R.China




Open Group Individual Submissions

The Intervening Power of Literature and Art: Intermedia performativity in Station Eleven and its TV Adaptation

Lanlan Du

Nanjing University, China, People's Republic of




Open Group Individual Submissions

Black Myth: Wu Kong as a Game-Novel

Zhenzhen Liu

Nanjing University, China, People's Republic of

1:30pm
-
3:00pm
(297) Intermediality and Comparative Literature (3)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Intermedial Performativity and Contemporary Chinese Performance Arts

Chengzhou He

Nanjing University, China, People's Republic of




Open Group Individual Submissions

Interaction Between Film and Theater: A Case Study of New/ Gates Dragon Inn.

Rong Ou

Hangzhou Normal University, China, People's Republic of




Open Group Individual Submissions

Lost in Projection: A Critique of Contemporary Resonance and the Erosion of Jingju in Contemporary Legend Theatre’s Julius Caesar

Wei Feng

Shandong University, China, People's Republic of




Open Group Individual Submissions

Intermedia Art: A Multimodal Analysis of Li Shun's Art Exhibition “Capture the Light and Shadow"

Ruhui Wang1, Hao Wang2

1: Hangzhou Normal University, China, People's Republic of; 2: Wenzhou-Kean University, China, People's Republic of

3:30pm
-
5:00pm
(319) Intermediality and Comparative Literature (4)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

The corporeality and agency of the ‘Eight-brokens’ from the perspective of global art communication

Weiyi Wu

Nanjing University, China, People's Republic of




Open Group Individual Submissions

“Poet-Painter of China”: E. E. Cummings’ Intermedial Prosody and Transpacific Modernism

Bowen Wang

Shanghai Jiao Tong University, China, People's Republic of




Open Group Individual Submissions

Exploring Cross-Media Communication of "Journey to the West" in Animated Films

Shenqiang Liu

Yangzhou University, China, People's Republic of




Open Group Individual Submissions

Medicine, Morality, and Modernity: Reimagining Great Expectations in Post-War Hong Kong

Yizhou Feng

University of Exeter, United Kingdom

Date: Thursday, 31/July/2025
11:00am
-
12:30pm
(341) Intermediality and Comparative Literature (5)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Transmedial Encounters: Marxist Thought and Political Emotion in German Leftist Cultural Production

Yejun Zou

Sun Yat-sen University, China, People's Republic of




Open Group Individual Submissions

Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled

Lixin Gao

Shanghai International Studies Universtiy, China, People's Republic of




Open Group Individual Submissions

American Fiction as Meta-adaptation: Intermediality and the Performance of the ‘Racial’ Self

Jing Jia

Nanjing University, China, People's Republic of




Open Group Individual Submissions

The Gaze of Painting: Visual Ethics and Identity Pursuit in the novel The Goldfinch

Xinxin Zhang

Central China Normal University

1:30pm
-
3:00pm
(363) Intermediality and Comparative Literature (6)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

The Poetics of Action: Intermedial Performativity in Frank O’hara’s Poetry

Chang Chen

Nanjing University, China, People's Republic of




Open Group Individual Submissions

Performativity connotations and theatrical effects of Bob Dylan's poetry

yan zhao

Sichuan University, China, People's Republic of




Open Group Individual Submissions

The Lure of the Stage: The Emergence of Allen Ginsberg’s Poetry Performance

Minglu Zhu

Zhejiang University, China, People's Republic of

Date: Friday, 01/Aug/2025
9:00am
-
10:30am
(385) Precarious Mediations: Queer Bodies in Virtual Spaces (1)
Location: KINTEX 1 306
Chair: Elizabeth Richmond-Garza, University of Texas at Austin
 

Group Session

Precarious Mediations: Queer Bodies in Virtual Spaces

Elizabeth Richmond-Garza




ICLA Research Committee Individual Submissions

Bless the Beasts and the Children: Posthuman Reflections on the War in Ukraine

Thomas Jesús Garza

University of Texas at Austin, United States of America




ICLA Research Committee Individual Submissions

“The Sun had already departed”: On Love, Loneliness, Lordlings, Robots, and Our Absent Queer Selves

Weston Leo Richey

The University of Texas at Austin, United States of America




Group Session

Androcentric Milieu and the Insurgent Female Psyche: A Comparative Study of Githa Hariharan's The Thousand Faces of Night and Margaret Atwood's The Edible Woman

NEERAJ KUMAR

11:00am
-
12:30pm
(407) Precarious Mediations: Queer Bodies in Virtual Spaces (2)
Location: KINTEX 1 306
Chair: Elizabeth Richmond-Garza, University of Texas at Austin
 

ICLA Research Committee Individual Submissions

Rethinking Technology in Alien: The Intertwined Imaginaries of Queer Bodies and Mechanized Reproduction

Jun Zhang

Institute of Philosophy, KU Leuven, Belgium




ICLA Research Committee Individual Submissions

Inventing Imperial Feminists: Lin Yutang’s Mediation Between Traditional Chinese and Modern Readers

Miaomiao Xu

University of Massachusetts Amherst, United States of America




ICLA Research Committee Individual Submissions

“I completely and absolutely presided over me”: Contouring postfeminist female protagonist in Chinese romantic TV drama

Hanlei Yang

University of Sydney, Australia




ICLA Research Committee Individual Submissions

Fragmentary Resistances: Queer Precarity in Non-human Worlds in Kim de l’Horizon’s Blutbuch and Camille Cornu’s Photosynthèses

Flora Roussel

LaSalle College, Canada

1:30pm
-
3:00pm
(429) Precarious Mediations: Queer Bodies in Virtual Spaces (3)
Location: KINTEX 1 306
Chair: Elizabeth Richmond-Garza, University of Texas at Austin
 

ICLA Research Committee Individual Submissions

“Unhappy Princes and Melancholy Puppets: The Queer Nostalgia of Wilde’s Extrahuman Bodies”

Elizabeth Richmond-Garza

University of Texas at Austin, United States of America




ICLA Research Committee Individual Submissions

Queer-ing Campus, Queer-ing Social Media: Examining the role of social media in the lives of Delhi University’s queer students

Aadrit Banerjee

St. Stephen's College, University of Delhi, India




ICLA Research Committee Individual Submissions

“Before écriture féminine there was Nüshu!”: Woman-Words in the World

Mashrur Shahid Hossain

Jahangirnagar University, Bangladesh, People's Republic of




ICLA Research Committee Individual Submissions

Isolated Identities, Liminal Bodies: A Comparative Analysis of Female Appetites from Han Kang’s The Vegetarian (2007) to Asako Yuzuki’s Butter (2024)

Tanya Kaur

Panjab University, India

3:30pm
-
5:00pm
(486) Intermediality and Comparative Literature (7)
Location: KINTEX 1 306
Chair: Chang Chen, Nanjing University
 

Open Group Individual Submissions

Russian Sinologist Li Fuqing's Research on the Characters of The Three Kingdoms from the Cross-media Perspective跨媒介视角下俄罗斯汉学家李福清三国人物形象研究

Jialu Zheng

Comparative Literature and Cross Cultural Studies,School of International Studies,Hangzhou Normal University,China.




Open Group Individual Submissions

The Ways of Tao Conditioned by Nature: the Interpretation and Translation of Su Shi’s Art Spirit in American Art History

Lingjuan JI

Hanghzou Normal University, China, People's Republic of




Open Group Individual Submissions

Fairy Tale and Animated Film: Historical Memory in Modern Transformation

Shuhuan Chen

Tongji University, China, People's Republic of




Open Group Individual Submissions

The Study of the Secular Transmission and Transformation of “The Everlasting Regret” in the Edo Period from an Inter-media Perspective

Jiang Yi

杭州师范大学, China, People's Republic of