Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
Please note that all times are shown in the time zone of the conference. The current conference time is: 1st Aug 2025, 09:41:43pm KST
|
Session Overview | |
Location: KINTEX 1 306 130 people KINTEX room number 306 |
Date: Monday, 28/July/2025 | |
1:30pm - 3:00pm |
(165) Body Image(s) of Women in Literature (1) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions Reshaping Salome and the conflicts between soul and flesh in the Republic of China Sichuan University Open Group Individual Submissions Landscape and Feminist Desire in Pam Houston's Cowboys Are My Weakness Sichuan University, People's Republic of China Open Group Individual Submissions A Study of Body Image Writing and Changing of Female Sexual Minorities in Chinese Homosexuality literature Southwest University, China, People's Republic of China Open Group Individual Submissions Narrative of Women in Japanese Science Fiction: Space, Body, Isekai 1: Sichuan University, China; 2: Hubei Minzu University,China Open Group Individual Submissions The Representation of Female Bodily Disorders in American Literature Sichuan University, China, People's Republic of Open Group Individual Submissions The Body of Prostitutes in Yan Lianke’ Novels Sichuan University, China, People's Republic of Open Group Individual Submissions The Adornment of Female Body in Li Bihua's Sheng Si Qiao Sichuan University, China, People's Republic of Open Group Individual Submissions The Depiction of Female Body and Its Religious Meaning in Buddhist Avadana Literature Sichuan University, China, People's Republic of Open Group Individual Submissions Opportunities in Plight: Realistic Projection and Utopian Reconstruction of Women’s Body in Delany’s Early Science Fiction Experiments University of Electronic Science and Technology of China, China, People's Republic of |
3:30pm - 5:00pm |
(187) Body Image(s) of Women in Literature (2) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions A Doll's House or Nora's House? Aarhus University, Denmark Open Group Individual Submissions The mutual interpretation of ancient Qixi female body intention in literature and images Sichuan University, China, People's Republic of Open Group Individual Submissions Diversity and Deconstruction —— Female Incomplete Body Image in American Novels from 2009 to 2016 Sichuan University, China, People's Republic of Open Group Individual Submissions A Comparative Study on the Motif of "Difficult Marriage Proposal" in the Folk Narrative Literature of the Korean Ethnic Group and the Manchu-Tungusic Ethnic Groups Beibu Gulf University, China, People's Republic of Open Group Individual Submissions Could Body Images of Women Be Perceived in the Book of Changes? -- A Gender Perspective of Margaret J. Pearson’s Interpretation Yuelu Academy, Hunan University, China, People's Republic of Open Group Individual Submissions Body as Construction of Subjectivity in Eudora Welty’s The Golden Apples Sichuan University Open Group Individual Submissions The Gamified Body: Animal Metaphors of the Female Body in Philip Roth’s Fiction Sichuan University, China, People's Republic of Open Group Individual Submissions Performance Metaphors for Female Body Imagery in Richard Yates' Fiction Southern Medical University, China, People's Republic of Open Group Individual Submissions Reimagining the Female Body: A Luce Irigarayan Analysis of Angela Carter's Novels Chongqing University, China, People's Republic of Open Group Individual Submissions Sylvia Plath's Literary Creation of the A Study of Body Image Sichuan University, China, People's Republic of |
Date: Tuesday, 29/July/2025 | |
11:00am - 12:30pm |
(209) Body Image(s) of Women in Literature (3) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions Ageism, Sexism, and Abjection in “The Substance” by Coralie Fargeat (2024) UNICAMP/ICLA, Brazil Open Group Individual Submissions Reinterpreting the New Nora Myth in Mainland China: An Analysis of Like a Rolling Stone Nanjing University, People's Republic of China Open Group Individual Submissions Behind the Misogyny: Uglitic Appreciation of Womanhood and Reformism in Jonathan Swift’s Works Sichuan University, China, People's Republic of Open Group Individual Submissions The Self-Representation of Body Images in the Nonfiction Writing of Chinese Domestic Workers Shihezi University;Beijing Hǎoyù Family Service Company Open Group Individual Submissions The Normativity of Mental Illness Treatment in American Novels of the 1950s Sichuan University, China, People's Republic of Open Group Individual Submissions A Research of the Images of “Nursing Mothers” of Chinese Literature during the 1950s Xiamen University of Technology, People's Republic of China Open Group Individual Submissions The Distressed Body and the Enchanted Narrative in Xue Mo’s Novel Curses of the Kingdom of Xixia University of Arizona, United States of America Open Group Individual Submissions Images of the Impaired Female Body in US-American Novels (1990-2020) 1: Sichuan University, P.R. of China; 2: Sichuan University, P.R. of China Open Group Individual Submissions On the Perception of the Body in Han Jiang's Poetry 1: HuBei University, China, People's Republic of; 2: HuBei University, China, People's Republic of |
1:30pm - 3:00pm |
(231) Body Image(s) of Women in Literature (4) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions Towards a Theoretical Framework for Analyses of Body Images of Women in Literature Sichuan University, China Open Group Individual Submissions Love and the Female Body in Times of War: A Reflection on the Reconfiguration of the “Revolution plus Love” in Modern Chinese Literature The University of Arizona, United States of America Open Group Individual Submissions Memento Mori and Fetishism of Head in Hedda Gabler and Salomé Fudan University, China, People's Republic of Open Group Individual Submissions The Unconscious Enlightenment Through Sensualizing Morality Accomplished by Female Body: The Reversed Disciplining Hidden in Pamela; Or, Virtue Rewarded Wuhan University, China, People's Republic of Open Group Individual Submissions Women, Body, Medium——On Lady Chatterley's Lover and Xi Bao Sichuan university, China, People's Republic of Open Group Individual Submissions Wet bodies: The Blue Humanities and Corporeal Theorizing Sungkyunkwan University, Korea, Republic of (South Korea) Open Group Individual Submissions Ethics, Bound-Foot Fetish, and Sexual Desire Projection: The Triple Body Metaphors of “Cai Fei” University of Electronic Science and Technology of China, China, People's Republic of |
Date: Wednesday, 30/July/2025 | |
9:00am - 10:30am |
(253) Intermediality and Comparative Literature (1) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Optional or Necessary? – Theatre and Intermediality Aarhus University, Denmark Open Group Individual Submissions Reconstructing Beckett: Kris Verdonck’s Posthuman Performance in a Cross-Media Perspective 1: Taiyuan University of Technology, China, People's Republic of; 2: Communication of Shanxi Open Group Individual Submissions Puppet And Human: The “Presenting Sign” Of the Contemporary Puppetry 南京大学,中华人民共和国 |
11:00am - 12:30pm |
(275) Intermediality and Comparative Literature (2) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Virtual Simulation, Science Fiction Digital Games, and the Construction of Cyborg Theoretical Frameworks Shenzhen University, P.R.China Open Group Individual Submissions The Intervening Power of Literature and Art: Intermedia performativity in Station Eleven and its TV Adaptation Nanjing University, China, People's Republic of Open Group Individual Submissions Black Myth: Wu Kong as a Game-Novel Nanjing University, China, People's Republic of |
1:30pm - 3:00pm |
(297) Intermediality and Comparative Literature (3) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Intermedial Performativity and Contemporary Chinese Performance Arts Nanjing University, China, People's Republic of Open Group Individual Submissions Interaction Between Film and Theater: A Case Study of New/ Gates Dragon Inn. Hangzhou Normal University, China, People's Republic of Open Group Individual Submissions Lost in Projection: A Critique of Contemporary Resonance and the Erosion of Jingju in Contemporary Legend Theatre’s Julius Caesar Shandong University, China, People's Republic of Open Group Individual Submissions Intermedia Art: A Multimodal Analysis of Li Shun's Art Exhibition “Capture the Light and Shadow" 1: Hangzhou Normal University, China, People's Republic of; 2: Wenzhou-Kean University, China, People's Republic of |
3:30pm - 5:00pm |
(319) Intermediality and Comparative Literature (4) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions The corporeality and agency of the ‘Eight-brokens’ from the perspective of global art communication Nanjing University, China, People's Republic of Open Group Individual Submissions “Poet-Painter of China”: E. E. Cummings’ Intermedial Prosody and Transpacific Modernism Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions Exploring Cross-Media Communication of "Journey to the West" in Animated Films Yangzhou University, China, People's Republic of Open Group Individual Submissions Medicine, Morality, and Modernity: Reimagining Great Expectations in Post-War Hong Kong University of Exeter, United Kingdom |
Date: Thursday, 31/July/2025 | |
11:00am - 12:30pm |
(341) Intermediality and Comparative Literature (5) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Transmedial Encounters: Marxist Thought and Political Emotion in German Leftist Cultural Production Sun Yat-sen University, China, People's Republic of Open Group Individual Submissions Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled Shanghai International Studies Universtiy, China, People's Republic of Open Group Individual Submissions American Fiction as Meta-adaptation: Intermediality and the Performance of the ‘Racial’ Self Nanjing University, China, People's Republic of Open Group Individual Submissions The Gaze of Painting: Visual Ethics and Identity Pursuit in the novel The Goldfinch Central China Normal University |
1:30pm - 3:00pm |
(363) Intermediality and Comparative Literature (6) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions The Poetics of Action: Intermedial Performativity in Frank O’hara’s Poetry Nanjing University, China, People's Republic of Open Group Individual Submissions Performativity connotations and theatrical effects of Bob Dylan's poetry Sichuan University, China, People's Republic of Open Group Individual Submissions The Lure of the Stage: The Emergence of Allen Ginsberg’s Poetry Performance Zhejiang University, China, People's Republic of |
Date: Friday, 01/Aug/2025 | |
9:00am - 10:30am |
(385) Precarious Mediations: Queer Bodies in Virtual Spaces (1) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin Group Session Precarious Mediations: Queer Bodies in Virtual Spaces
ICLA Research Committee Individual Submissions Bless the Beasts and the Children: Posthuman Reflections on the War in Ukraine University of Texas at Austin, United States of America ICLA Research Committee Individual Submissions “The Sun had already departed”: On Love, Loneliness, Lordlings, Robots, and Our Absent Queer Selves The University of Texas at Austin, United States of America Group Session Androcentric Milieu and the Insurgent Female Psyche: A Comparative Study of Githa Hariharan's The Thousand Faces of Night and Margaret Atwood's The Edible Woman
|
11:00am - 12:30pm |
(407) Precarious Mediations: Queer Bodies in Virtual Spaces (2) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin ICLA Research Committee Individual Submissions Rethinking Technology in Alien: The Intertwined Imaginaries of Queer Bodies and Mechanized Reproduction Institute of Philosophy, KU Leuven, Belgium ICLA Research Committee Individual Submissions Inventing Imperial Feminists: Lin Yutang’s Mediation Between Traditional Chinese and Modern Readers University of Massachusetts Amherst, United States of America ICLA Research Committee Individual Submissions “I completely and absolutely presided over me”: Contouring postfeminist female protagonist in Chinese romantic TV drama University of Sydney, Australia ICLA Research Committee Individual Submissions Fragmentary Resistances: Queer Precarity in Non-human Worlds in Kim de l’Horizon’s Blutbuch and Camille Cornu’s Photosynthèses LaSalle College, Canada |
1:30pm - 3:00pm |
(429) Precarious Mediations: Queer Bodies in Virtual Spaces (3) Location: KINTEX 1 306 Chair: Elizabeth Richmond-Garza, University of Texas at Austin ICLA Research Committee Individual Submissions “Unhappy Princes and Melancholy Puppets: The Queer Nostalgia of Wilde’s Extrahuman Bodies” University of Texas at Austin, United States of America ICLA Research Committee Individual Submissions Queer-ing Campus, Queer-ing Social Media: Examining the role of social media in the lives of Delhi University’s queer students St. Stephen's College, University of Delhi, India ICLA Research Committee Individual Submissions “Before écriture féminine there was Nüshu!”: Woman-Words in the World Jahangirnagar University, Bangladesh, People's Republic of ICLA Research Committee Individual Submissions Isolated Identities, Liminal Bodies: A Comparative Analysis of Female Appetites from Han Kang’s The Vegetarian (2007) to Asako Yuzuki’s Butter (2024) Panjab University, India |
3:30pm - 5:00pm |
(486) Intermediality and Comparative Literature (7) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Russian Sinologist Li Fuqing's Research on the Characters of The Three Kingdoms from the Cross-media Perspective跨媒介视角下俄罗斯汉学家李福清三国人物形象研究 Comparative Literature and Cross Cultural Studies,School of International Studies,Hangzhou Normal University,China. Open Group Individual Submissions The Ways of Tao Conditioned by Nature: the Interpretation and Translation of Su Shi’s Art Spirit in American Art History Hanghzou Normal University, China, People's Republic of Open Group Individual Submissions Fairy Tale and Animated Film: Historical Memory in Modern Transformation Tongji University, China, People's Republic of Open Group Individual Submissions The Study of the Secular Transmission and Transformation of “The Everlasting Regret” in the Edo Period from an Inter-media Perspective 杭州师范大学, China, People's Republic of |