Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
Please note that all times are shown in the time zone of the conference. The current conference time is: 1st Aug 2025, 09:43:23pm KST
|
|
|
Session Overview |
| Date: Thursday, 31/July/2025 | |||||||||||||||||||||||||||||
| 9:00am - 10:40am |
Keynotes: Zhenzhao Nie & Wen-chin Ouyang Location: KINTEX 1 Grand Ballroom Chair: Byung-Yong Son, Kyungnam University |
||||||||||||||||||||||||||||
| 11:00am - 12:30pm |
(321) Who is Afraid of Fiction? (1) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle ICLA Research Committee Individual Submissions Bad Readers of Deceptive Fictions University of Maryland, United States of America Open Group Individual Submissions Fear of comics – fear of fiction? Université de Poitiers, France Open Group Individual Submissions Fiction narrative et fiction normative Ecole des Hautes Etudes en Sciences Sociales, France |
(322) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (1) Location: KINTEX 1 205A Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa Open Group Individual Submissions Augmented Literature Through Locative Media: Trans-mediality, Locative Media, Trans-materiality University of L'Aquila, Italy Open Group Individual Submissions Between Gods and Goblins: Japan’s Colonial Fantasy in Propaganda Animated Film "Momotaro: Sacred Sailors" (1945) Osaka University, Japan Open Group Individual Submissions Experiencing the Novel: Hypertext on Erfahrung and Erlebnis Yonsei University, Korea, Republic of (South Korea) Open Group Individual Submissions Less Than an Author, More Than a Tool: AI in Literary Writing Sapienza University of Rome, Italy ICLA Research Committee Individual Submissions The Book as Catalyst of Intermediality Peter Greenaway re-mediates Shakespeare Scuola Normale Superiore, Pisa, Italy |
(323) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (1) Location: KINTEX 1 205B Chair: Daniela Spina, CHAM - Centre for Humanities Open Group Individual Submissions Growing up in a garden: Anglo-Indian adolescence and (post-)imperial Englishness in Rumer Godden’s The River (1946) Aristotle University of Thessaloniki, Greece Open Group Individual Submissions About friendship and mentorship in two coming-of-age novels set in Sri Lanka and Goa: Reef by Romesh Gunesekera (1994) and O Último Olhar de Manú Miranda by Orlando da Costa (2000) CHAM - Centre for Humanities, Portugal Open Group Individual Submissions On the Blue Gender Dilemma in Jack London's South Pacific Novel "The Seed of McCoy" / 论杰克·伦敦南太平洋小说《麦考伊的种子》中的“蓝色性别困境” Hainan Normal School, China, People's Republic of |
(324) Location: KINTEX 1 206A |
(325) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (1) Location: KINTEX 1 206B Chair: Xi Liu, Xi'an Jiaotong-Liverpool University Open Free Individual Submissions The Matriarchal Utopia? Reimagining Human Reproduction in Chinese and Western science fiction Frontiers, China, People's Republic of Open Group Individual Submissions Reworking of human ethics in contemporary Chinese SF crisis narratives Xi'an Jiaotong-Liverpool University Open Group Individual Submissions Reworking of human ethics in contemporary Chinese SF crisis narratives Xi'an Jiaotong-Liverpool University Open Group Individual Submissions Technological Advancement, Gender Roles,and Female Agency in Female-authored Chinese Science Fiction Xi'an Jiaotong-Liverpool University |
(326) Exploring the Trans Location: KINTEX 1 207A Foreign Sessions (Foreign Students and Scholars Only) Scandal, Prestige, and Soft Power: The Transnational Afterlife of the Prix Goncourt Universitat Autònoma de Barcelona, Spain |
(327) Western Literary Encounters Asia Location: KINTEX 1 207B Chair: Hyosun Lee, Underwood College, Yonsei University Foreign Sessions (Foreign Students and Scholars Only) "Abyss Zone", "Leviathan Ships", "Shipwrecks": On the Ecological Imagery in Alexander Belyaev’s Marine Science Fiction Tianjin Normal University Foreign Sessions (Foreign Students and Scholars Only) Western Literary Encounters in Indian Literary Studies: A Perspective from Sisir Kumar Das’s ‘Indian Ode to the West Wind’ Visva-Bharati, Santiniketan, West Bengal, India, India Foreign Sessions (Foreign Students and Scholars Only) The Embodiment of Confucianism in Chinese and Vietnamese Folk Stories -- Take the "Fish-Dragon" Stories as an Example Xiangtan University, China, People's Republic of |
(328) Rethinking Historical Trauma and Memory in Comparative Literature Location: KINTEX 1 208A Chair: Younghee Son, Kyungpook National University Open Free Individual Submissions Rethinking Historical Trauma and Memory in Comparative Literature Kyungpook National University, Korea, Republic of (South Korea) |
(329) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (1) Location: KINTEX 1 208B Chair: Takayoshi Yamamura, Hokkaido University Open Group Individual Submissions The new literary pilgrimage phenomenon inspired by the Japanese manga and anime Bungo Stray Dogs Ritsumeikan University, Japan Open Group Individual Submissions The transnational development and tourism surrounding Chinese detective novels Hiroshima University, Japan Open Group Individual Submissions The transmedia and transnational spread of Korean webtoons Hankuk University of Foreign Studies, Korea, Republic of (South Korea) Group Session From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature
Open Group Individual Submissions Transnational Adaptations and Contents Tourism Surrounding the Three Kingdoms Hokkaido University, Japan |
(330) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (3) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association Open Group Individual Submissions The Embodiment of Confucianism in Chinese and Vietnamese Folk Tales: A Case Study of the "Fish-Dragon" Story Complexes in Both Countries Xiangtan University, China, People's Republic of Open Group Individual Submissions View Akutagawa Ryunosuke’s Kirishitanmono from the Field of Comparative Literature: on His Novel Death of a Christian Henan University, China, People's Republic of Open Group Individual Submissions The generation, flow and development of the "Third World Literature" theory in East Asia Ocean University of China, China, People's Republic of Open Group Individual Submissions Thoreau’s Cross-Cultural Journey: Bridging East and West within World Literature Guangxi Minzu University, PRC Open Group Individual Submissions Mythological Perspective on the Cultural Origins of the Korean Ethnic Group Jiangsu Normal University, China, People's Republic of |
(331) Marginal Encounters: South Korea and the Globe in the 20th and 21st Century Literature, Film and Culture Location: KINTEX 1 209B Chair: Janeth Manriquez Ruiz, University of Notre Dame Open Group Individual Submissions Taking Control: Is That Even an Option? Global Imbalances and Citizen Agency in South Korean TV Series. Ghent University, Belgium Group Session Marginal Encounters: South Korea and the Globe in Contemporary Culture
Open Group Individual Submissions Tripping on guilt: How 'workplace cli-fi' negotiates guilt in a planetary perspective Aarhus University, Denmark |
(332) What is literature if not a book? An intermedial approach to literature in a digitized society Location: KINTEX 1 210A Chair: ChangGyu Seong, Mokwon University Open Group Individual Submissions The Return of Voice: Intelligent Story Production in Audiobooks and the Alienation Crisis Gent University, Belgium Open Group Individual Submissions Infinite Possibilities of Video Games in Media Convergence: Literariness, “Story-Universe” and “Infant-Universe” NanJing University, China, People's Republic of Open Group Individual Submissions A Multimodal Audiobook? Transforming Printed Multimodal Novels into Audiobooks Justus Liebig University Giessen, Germany Open Group Individual Submissions Airlines, Archives, and Aesthetics: El clan Braniff as an Intermedial Counter-History University of Southern California, United States of America |
(333) Global Futurism (3) Ecological and Planetary Imaginaries Location: KINTEX 1 210B Session Chairs: Yusheng Du (Nanjing University of Information Science & Technology); Qilin Cao (Tongji University) Open Group Individual Submissions “Mars is a Mirror”: Martian Fiction in Modern China Tongji University, China, People's Republic of China Open Group Individual Submissions The Blue Humanities: the future is wet Sungkyunkwan University, Korea, Republic of (South Korea) Open Group Individual Submissions The Capitalocene Poetics of Universalism: Will Alexander’s Global Futures University of Oxford Open Group Individual Submissions The Philosophical Futurism of Foucault's Aesthetics of Existence Nanjing University of Information Science & Technology, China, People's Republic of Open Group Individual Submissions Tree-lined roads that lead to the future: a case study using The Overstory Sungkyunkwan University, Korea, Republic of (South Korea) |
(334) Juxtaposition, Transposition, Heterotopia, and Communication Location: KINTEX 1 211A Chair: Seung-hye Mah, Dongguk University Seoul Campus Open Free Individual Submissions The Station as Heterotopia: A Contemporary Chinese Odyssey Xi'an Jiaotong University Open Free Individual Submissions Juxtaposition, Identity, and Politics: Narrative and Aesthetics in 'Bhimayana: Experiences of Untouchability' and 'Persepolis' The English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions In/fidelity in transposition: Alan Moore’s “Watchmen” in Brandon Vietti’s Adaptation Jahangirnagar University, Bangladesh, People's Republic of Open Free Individual Submissions Comic studies and Graphic narrative and also how the idea of communication changes over time Visva Bharati University, India Open Group Individual Submissions Politics of Pathos as Social Commentary in Mahakavi Laxmi Prasad Devkota’s Muna Madan Tribhuvan University, Nepal |
(335) Literature, Arts & Media (4) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao ICLA Research Committee Individual Submissions The Shift Towards Materialism in Korean Horror Films: Representing Trans-corporeality in "Feng Shui" Narratives and Its Underlying Historical Trauma The University of Hong Kong, China ICLA Research Committee Individual Submissions Lizard King Meets the Beats: A Comparative Study on the Poetry of Jim Morrison in the shadow of the Beats NIT Mizoram, India ICLA Research Committee Individual Submissions Re-imagining Japan in India: Studying Nationalism, Memory and Transnational Alliances through Indian Literary Narratives University of Delhi, India ICLA Research Committee Individual Submissions Living Comparative Literature: One stage at a time University of Delhi, India |
(336) Oriental Literature in World Literature: Exchanges and Mutual Learning (7) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) Open Group Individual Submissions From India to China: The Mutual Transformation between the Nezha Myth and Religion as well as History The College of Literature and Journalism，Sichuan University, China, People's Republic of Open Group Individual Submissions The Dissemination of the "Two Mothers Contending for a Son" Narrative in the German-Speaking World in the 20th Century: With a Focus on Klabund's Adaptation of The Chalk Circle Southwest Jiaotong University， Chengdu Sichuan China Open Group Individual Submissions Cultural Transference and Literary Colonization: The Case of Han Kang's 'We Do Not Part' in The New Yorker’s 'Heavy Snow' Adaptation Sichuan University, China Open Group Individual Submissions On the Obscuration and Reconstruction of the Eastern Perspective in World Historical Fiction Studies: A Case Study of Chinese Historical Fiction Sichuan University, China Open Group Individual Submissions The European Renaissance in Hu Shi's Diary Hunan University, China, People's Republic of |
(337) Mutual Learning of Civilizations and Reconstruction of World Literature (9) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays North University of China, China, People's Republic of Open Group Individual Submissions The Evolution of Liang Qichao’s Views on Civilization and Literary Values Lanzhou University of Finance and Economic, China, People's Republic of Open Group Individual Submissions Two Directions of “Language Negation”: A Comparative Study of Maurice Blanchot’s View of Literary Language and Ancient Chinese Literary Theory’s Discourse of “Setting up an Image to Express Meanings” College of Literature and Journalism, Sichuan University Open Group Individual Submissions The Eastern Origins of Ancient Greek Civilization Sichuan University, China, People's Republic of Open Group Individual Submissions A Review of the writing of the History of Chinese Civilization Sichuan University, China, People's Republic of |
(338) Shark's Fin and Sichuan Pepper Location: KINTEX 1 213A Chair: JIHEE HAN, Gyeongsang National University Open Free Individual Submissions Comparative Research in Uzbek Literary Studies Uzbek State World Languages University, Uzbekistan Open Free Individual Submissions The Orient in Angela Carter’s Postmodern Gothic Fairy Tales Shenzhen Polytechnic University, China, People's Republic of Open Free Individual Submissions Writing Chinese Secular Culture in Fuchsia Dunlop's Shark's Fin and Sichuan Pepper Sichuan University, China, People's Republic of Open Free Individual Submissions Deconstructing Diaspora: Urban Nostalgia and Uneven Modernity in Tash Aw's Five Star Billionaire University of Warwick, United Kingdom Open Free Individual Submissions Chandalika : Tagore’s Subversive Dramatization of Ananda’s Ascetic Way of Life found in “Sardulkarna-Abadan” Otsuma Women's University, Japan |
(339) Japanese Pop Culture beyond Borders Location: KINTEX 1 213B Chair: Seonggyu Kim, Dongguk University Open Free Individual Submissions “Morgan O-Yuki” Stories as Counter Narratives of “Madame Butterfly” Tsuru University, Japan Open Free Individual Submissions The Influences of Many Countries on Dragon Ball and the Modifications of English Animated Version: Japanese Pop Culture beyond Borders Otsuma Women's University, Japan Open Free Individual Submissions What is Tojisha-hihyo? –New Possibilities for Comparative Literature Kyoto Prefectural University, Japan |
(340 H) Language Contact in Literature: Europe (1) Location: KINTEX 1 302 Chair: Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 ICLA Research Committee Individual Submissions Linguistic landscapes: how multilinguals’ experience with languages influences heterolingual writing, a case study of Cia Rinne’s poetry University of Brighton, United Kingdom Open Group Individual Submissions A Poet among Languages: The Multilingual Identity of Karolina Pavlova Penn State University, United States of America Open Group Individual Submissions Exploring Borders in the environmental art project Rájácummá – Kiss from the Border Károli University, Hungary Open Group Individual Submissions Staging linguistic contact in contemporary Basque literature: Frédéric Aribit and Itxaro Borda Université Paris 8 Saint Denis, France Open Group Individual Submissions The Use of Multiple languages and Scripts in Varvara Nedeoglo's Poetry and the Translation Challenges It Presents King's College London, UK |
(341) Intermediality and Comparative Literature (5) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions Transmedial Encounters: Marxist Thought and Political Emotion in German Leftist Cultural Production Sun Yat-sen University, China, People's Republic of Open Group Individual Submissions Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled Shanghai International Studies Universtiy, China, People's Republic of Open Group Individual Submissions American Fiction as Meta-adaptation: Intermediality and the Performance of the ‘Racial’ Self Nanjing University, China, People's Republic of Open Group Individual Submissions The Gaze of Painting: Visual Ethics and Identity Pursuit in the novel The Goldfinch Central China Normal University |
(342) Comparative History of East Asian Literatures (1) Location: KINTEX 1 307 Chair: Haun Saussy, University of Chicago Group Session Proposal for Group Session by ICLA Research Committee on “Scriptural Reasoning and Comparative Literature”
ICLA Research Committee Individual Submissions Literary Cartography, World-Mapping, and Fantastic Encounters in Early Modern East Asian Fictional Writings Columbia University, United States of America ICLA Research Committee Individual Submissions Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature English and Foreign Languages University, Hyderabad, India Group Session A Comparative Study on Enlightenment and Nationalism through the Poems of Shin, Chae-ho（申采浩）and Lu Xun（魯迅）
|
(141) Progression and Regression: Technologies and Power in the Literary Imagination (1) Location: KINTEX 2 305A Chair: Rui Qian, Nanyang Technological University Open Group Individual Submissions Progression and Regression: Technologies and Power in the Literary Imagination Nanyang Technological University |
(142) Transmedia, and Comparative Literature Location: KINTEX 2 305B Chair: Byung-Yong Son, Kyungnam University Open Group Individual Submissions Electronic Fiction, Transmedia, and Comparative Literature Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of Open Group Individual Submissions From “Solitary” to “Solidary”: An Ethical-Ecological Approach to Wordsworth’s “I Wandered Lonely as a Cloud” Hangzhou Normal University Open Free Individual Submissions Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi 1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia Open Free Individual Submissions Digital Narratives and Authorship: Electronic Fiction and Transmedia Storytelling in Comparative Literature Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of Open Free Individual Submissions AI, Stylistic Emulation, and Hypothetical Literary Comparisons 1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia |
(143) What did they Say? Location: KINTEX 2 306A Chair: Jun Soo Kang, anyang University Open Free Individual Submissions Feminism, Race and Gender-neutral Language Translational Traps in Bernadine Evaristo’s Girl, Woman, Other Université Polytechnique Hauts-de-France, France Open Free Individual Submissions On Translator’s Subjectivity Through the Paratexts of Three Chinese Translations of Ulysses Nanjing University, China, People's Republic of Open Free Individual Submissions Reading Gender in Children's Graphic Novels Through Plurality in Comparative Literature The English and Foreign Languages University, India |
(144) French and Australian Songlines Location: KINTEX 2 306B Chair: Minji Choi, Hankuk university of foreign studies Open Free Individual Submissions Contact Languages and Urban Resistance: Multilingual Practices in Contemporary French Rap Florida International University, États Unis Open Free Individual Submissions Étude de la musicalité visuelle en tant qu'approche multimédia dans les expérimentations poétiques de Mallarmé Korea University, Korea, Republic of (South Korea) Open Free Individual Submissions Art not for the sake of Art: A study of Australian songlines and its resonance in the contemporary times S.I.W.S. College, India Host Sessions (Korean Students and Scholars Only) Sijo in Translation Pyongtaek University |
(431) Voyage of Images Location: KINTEX 2 307A Chair: S Peter Lee, Gyeongsang National University Open Free Individual Submissions “To Get along with the Sea”: Technologies of (Re-)mediating Darkness in Beyond the Blue: Kuroshio’s Voyage National Taitung University, Taiwan Open Free Individual Submissions Reconstructing women's experience in transmedia narratives: a multidimensional perspective on film adaptations of contemporary feminist literature Southern Medical University, China, People's Republic of Open Free Individual Submissions (Re)Mapping the Virtual and the Imaginary: Site-Specific Video Installations and Digitally Mediated Heterotopias University College London, United Kingdom Open Free Individual Submissions Poetics/prosthetics of imagination: Poetry, Cinema, and Artificial Intelligence in Jean Epstein University of Pennsylvania, United States of America |
Special Session IV: Roundtable Celebrating 70th Anniversary of the ICLA Location: KINTEX 1 Grand Ballroom “Bridging Seventy Years of Comparative Literary Dialogue: Past, Present, and Future of the ICLA.” Chairs: Lucia Boldrini, Goldsmiths, UK, President of the ICLA (2022-2025) Speakers: Sandra L. Bermann, Princeton U, USA: President of the ICLA (2019-2022) Q&A: |
460 Location: KINTEX 2 307B |
| 1:30pm - 3:00pm |
(343) Who is Afraid of Fiction? (2) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle Open Group Individual Submissions La fiction romanesque comme antidote au dogmatisme au siècle des Lumières Université de Tel Aviv, Israël Open Group Individual Submissions The Double Threat of Fiction: Escapism and Documentation Université Sorbonne Nouvelle, France Open Group Individual Submissions Résistance à l’immersion fictionnelle et effondrement de l’espace poétique : les hétérotopies littéraires chez GE Fei Université Sorbonne Nouvelle-Paris 3, France Open Group Individual Submissions Attitudes Toward Fiction in Ancient Greek and Chinese Philosophy: Implications for AI Ethics in Western and Chinese Societies Shanghai International Studies University, China, People's Republic of |
(344) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (2) Location: KINTEX 1 205A Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa Open Group Individual Submissions AI, Stylistic Emulation, and Hypothetical Literary Comparisons 1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of; 2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia Open Group Individual Submissions Music of <The Nine Cloud Dream> and the Cloudy Dreamy Music Yonsei University, Korea, Republic of (South Korea) |
(345) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (2) Location: KINTEX 1 205B Chair: Daniela Spina, CHAM - Centre for Humanities Open Group Individual Submissions Pramoedya’s Buru Quartet as Postcolonial Bildungsroman: The Emergence of Indigenous Elites in East Indies Tsinghua University, China, People's Republic of Open Group Individual Submissions Colonial and postcolonial ambiguities in Luís Cardoso’s Crónica de uma Travessia University of Lisbon School of Arts, Portugal Open Group Individual Submissions Disciplining South Asian Childhoods: A Study of Post-independence Novels from India The University of Texas at Austin, United States of America |
(346) Location: KINTEX 1 206A |
(347) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (2) Location: KINTEX 1 206B Chair: Xi Liu, Xi'an Jiaotong-Liverpool University Open Group Individual Submissions Rediscovering Labour - A Study of Contemporary Chinese Science Fiction Literature in the Post-Liu Cixin Generation THE HONG KONG POLYTECHNIC UNIVERSITY, Hong Kong S.A.R. (China) Open Group Individual Submissions Reconstructing Humanistic Ideals in Solarpunk: On the Cultural Politics Implications of Zhang Ran’s When the Sun Falls University of Freiburg Open Group Individual Submissions How to Cross Boundaries: Gender and Cyborg in Contemporary Chinese Science Fiction Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions The Algorithmic Other in Cognitive Assemblages: Chen Qiufan's "The Algorithms for Life" and the Localization Dilemma of the Posthuman Subject in China Capital Normal University, China, People's Republic of |
(348) Gesar and Shakespeare Location: KINTEX 1 207A Chair: Byung-Yong Son, Kyungnam University Foreign Sessions (Foreign Students and Scholars Only) The Canonization of The Epic of Gesar Northwest Minzu University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Tsubouchi Shōyō’s Comparativism and the Techne of Shakespeare Translation Kwansei Gakuin University, Japan Foreign Sessions (Foreign Students and Scholars Only) Exploring the Translatability of the Costume Culture: Case Studies of Dream of the Red Chamber Beijing Normal-Hong Kong Baptist University, China, People's Republic of |
(349) Literature Meets Lens Location: KINTEX 1 207B Chair: Dong-Wook Noh, Sahmyook University Foreign Sessions (Foreign Students and Scholars Only) When Poetry Meets Lens: The Cinematic Experiment of Lyrical Literature Sichuan University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Research on the Development Pathway of Deep Learning-Based Dialogue Generation Models for Literary Characters: A Case Study ofHarry Potterin Children Literature Beijing Normal-Hong Kong Baptist University Foreign Sessions (Foreign Students and Scholars Only) Nietzsche As Photographer, Camera, and Images — A Photographic Interpretation of Nietzsche’s Theory Sun Yat-Sen University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Cultural Nationalism or Chinese Representation? Chinese Diplomat Chen Jitong's Literary Practices on French Newspaper (1884–1890) Sun Yat-sen University, China, People's Republic of |
(350) Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature Location: KINTEX 1 208A Chair: Kai-su Wu, Tamkang University Group Session Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature
Open Group Individual Submissions Portraits by Self and Other: The Large-scale Release of Chinese Women’s Literary Series and its Text-Image Interplay in the 1990s School of Chinese, The University of Hong Kong, Hong Kong S.A.R. (China) Open Group Individual Submissions The Eroticized Chinese Body in Intercultural Works: Articulating Dichotomy and Hybridization in Shan Sa’s Les Conspirateurs and Preljocaj’s The Fresco University of Virginia, United States of America |
(351) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (2) Location: KINTEX 1 208B Chair: Takayoshi Yamamura, Hokkaido University |
(352) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (4) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association Open Group Individual Submissions Research on Korean Books of Dongpo’s Poems and Essays Collected in Japan Hainan Normal University, China, People's Republic of Open Group Individual Submissions The Convergence of Signs and the Metaphor of Divisionism: A Reinterpretation of Lévi-Strauss's Methodology in Japanese Studies Shanghai University, China, People's Republic of Open Group Individual Submissions Rethinking "OVERCOME BY MODERNITY" Shanghai Normal University, China, People's Republic of Open Group Individual Submissions A Study on the Comparison of the Images of China and Japan in the Parting Poems and Essays Written by the Korean Literati who Send their Envoy Friends and Relatives to Travel in East Asia Suqian University, China, People's Republic of Open Group Individual Submissions The Eranos conference and the Western Transmission of Zen Buddhism:Taking Suzuki’s Interpretation of “emptiness”as an example Fudan University, China, People's Republic of |
(353) Translating (from) the Margins. Rethinking East-Central European Literatures within the World Canon (1990-2020) Location: KINTEX 1 209B Chair: Oana Fotache Dubalaru, University of Bucharest Open Group Individual Submissions Extrapolating False Geographies: The Case of 1930s Romanian Fiction in English Translation University of Guelph, Canada Open Group Individual Submissions “The Aliens Next Door.” A sketch of translations from 20th c Slavic writers into Romanian University of Bucharest, Romania Open Group Individual Submissions L’autonomiste et la consécration. La trajectoire d’internationalisation de Mircea Cărtărescu University of Bucharest, Romania Open Group Individual Submissions Quelques remarques sur une géographie imaginaire des traductions littéraires au seuil du IIIe millénaire Faculté de Lettres, Université de Bucarest, Roumanie |
(354) Journey of Life Location: KINTEX 1 210A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions The Lyrics of Lament: Genres of Grief in the Voices of “Heers” in Amrita Pritam’s 'Ajj Aakhaan Waris Shah Nu' ('Today I Invoke Waris Shah') and “Rudalis” in Usha Ganguli’s dramatization of Mahasweta Devi’s 'Rudali' The English and Foreign Languages University, India Open Free Individual Submissions Rediscovery of True Self on the Father-Seeking Journey——An Exploration of Jack Burns’ Journey of Growth in Until I Find You Xiangtan University, China, People's Republic of Open Free Individual Submissions Circulation of Life: Reflection on the Archetype of Water in Walden and Travels in Hunan Northwestern Polytechnical University, China, People's Republic of |
(355) Web, Game, and Transmedia Location: KINTEX 1 210B Chair: Ji hun Kang, Dongguk university Host Sessions (Korean Students and Scholars Only) The Emotional Language of “Shachiku”: Narrating Precarity through 2channel Experience Post Global Institute for Japanese Studies, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Reception of Japanese Subcultures in Early Korean Game Magazines Korea University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) A Data-Driven Analysis of the Fantasy Genre on Korean and Japanese Web Novel Platforms. Korea University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) From Shōwa to Heisei: A Comparative Study of Zainichi Korean Discourse during Japan’s Transitional Era – Focusing on Chunggu and Asahi Shimbun Database – Korea Univ., Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Comparative analysis of the film <Grave Of The Fireflies> and the novel <Grave Of The Fireflies> korea university, Korea, Republic of (South Korea) |
(356) Intersectional Lives Location: KINTEX 1 211A Chair: Jinim Park, Pyongtaek university Open Free Individual Submissions Research on the "Michiko-style" in "The Pure Land of Suffering: My Minamata Disease". 东北师范大学, China, People's Republic of Open Free Individual Submissions The Modern Writing of Women's Dilemma-Taking Under the Tree,Vegetarian,and Brick Lane as Examples 长安大学人文学院, China, People's Republic of Open Free Individual Submissions Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature English and Foreign Languages University, Hyderabad, India Open Free Individual Submissions Fluid Identities and Intersectional Lives: A Queer Reading of The Adventures of Huckleberry Finn Northwestern Polytechnical University, China, People's Republic of |
(357) Literature, Arts & Media (5) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao "Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games Jia Song Nanjing University, China, People's Republic of; mf1908058@smail.nju.edu.cn In 2024, the game "Black Myth: Wukong" produced by Game Science Corporation has sparked a global craze among players and discussions among researchers, reflecting the cross-media performative nature of video games as a new form of productive force. This work is based on the traditional Chinese literary classic "Journey to the West" and integrates elements of Chinese traditional culture. In the construction of cross-media narratives, it demonstrates the performative aesthetic characteristics of the digital, virtual, interactive and generative in the field of humanities from the perspective of cultural exchange and mutual learning. Eastern fantasy stories have been rejuvenated under the creative influence of emerging audio-visual technologies, thereby recreating heroic myths closely related to modern people and generating transcendent life-political significance in immersive user games. Exploring the performative traits of video games will further contribute to exploratory thinking about the community with a shared future for mankind in the era of globalization. ICLA Research Committee Individual Submissions "Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games Nanjing University, China, People's Republic of ICLA Research Committee Individual Submissions A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays North University of China, China, People's Republic of ICLA Research Committee Individual Submissions Tangled Between Belonging and Unbelonging: A Comparative Study of Migration and Identity in Select Short Stories of Jhumpa Lahiri’s Roman Stories Green University of Bangladesh ICLA Research Committee Individual Submissions A Study of Amy Tan’ s Novels from the Perspective of Intermediality Northwestern Polytechnical University, the People's Republic of China |
(358) Oriental Literature in World Literature: Exchanges and Mutual Learning (8) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University) Open Group Individual Submissions Group Mirror Image: The Writing of 'Misogyny' in KIM JI-YOUNG, BORN 1982 Sichuan University, China, People's Republic of Open Group Individual Submissions The first exploration of the exchange between Lu Yi, the literati of the Korean Dynasty, and Bo Ming, the Mongolian literati of the Qing Dynasty 延边大学, China, People's Republic of Open Group Individual Submissions A Comparative Study on Tao Yuanming’s and Wordsworth’s Concerns for Society Sichuan Normal University, China, People's Republic of Open Group Individual Submissions The Translation and Dissemination of Chinese Farewell Poetry in the West from the Culture-oriented Perspective Inner Mongolia University of Science and Technology, China, People's Republic of Open Group Individual Submissions The Net-like Narrative Structure of The Dream of Red Mansions: A “Corpus” Statistic Analysis Based on the Text Mining of Character Appellations Tianjin Normal University, China, People's Republic of Open Group Individual Submissions The Evolution of the Style of Chinese Poetry in the Joseon Dynasty 1: Central China Normal University, China, People's Republic of; 2: Shandong University, China. |
(359) Mutual Learning of Civilizations and Reconstruction of World Literature (10) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions Counterpoint Writing of Gender, Race and Identity ——From Mi Li：A Chinese Fairy Tale To K Wuhan Sports University, China, People's Republic of Open Group Individual Submissions Translating Byron in ‘May Fourth’ China, 1919-1927: Poetic Rewriting and Literary Modernity School of Languages and Communication Studies, Beijing Jiaotong University, Haidian District, Beijing, People’s Republic of China Open Group Individual Submissions Research on Miao image from the perspective of mutual learning of civilizations —— With The West China Missionary News (1899-1943) as the center Sichuan University, China, People's Republic of Open Group Individual Submissions Civilizational Mutual Learning: The Discourse Paradigm of Chinese Literary Theory and the World Literary Significance of Subjectivity in Digital Ink Art Sichuan University, China, People's Republic of Open Group Individual Submissions What is in Kerouac’s Variation of Han Shan? — A Recluse, Christ-like Figure and Transcendentalist East China Normal University, China, People's Republic of Open Group Individual Submissions Bob Dylan's Acceptance of the Chinese Classic I Ching(易经) School of Foreign Languages, Xiangtan University, China, People's Republic of |
(360) Dying in Language Location: KINTEX 1 213A Chair: Hyosun Lee, Underwood College, Yonsei University Open Free Individual Submissions Dying in Language: World Literature through the Prism of Untranslatability lusail university, Morocco Open Free Individual Submissions The Death of Resilience? On Tierracide in Contemporary Philosophy and Literature Trinity College Dublin, Ireland Open Free Individual Submissions Beyond the Limits of Individual Existence: The Notion of Inward Transcendence in the West Sichuan University, People's Republic of China Open Free Individual Submissions Things-Centered Fiction: Theorizing a New Form National Taiwan University, Taiwan Open Free Individual Submissions Translating Gorman’s “Black Girl Magic”: Aesthetics, Politics, and Ethics in the Translation of a Viral Inaugural Performance Mary Immaculate College, University of Limerick, Ireland |
361 Location: KINTEX 1 213B |
(362 H) Language Contact in Literature: Europe (2) Location: KINTEX 1 302 Chair: Marianna Deganutti, Slovak Academy of Sciences 340H(11:00) LINK : PW : 12345 Group Session Language Contact in Literature: Europe
Open Group Individual Submissions Literature of the enthnolinguistic enclave as a borderline tradition: the case of Griko 1: University of Salento, Italy; 2: MSCA doctoral fellowship ICLA Research Committee Individual Submissions Language Contact and Roberto Bazlen’s Legacy in Adelphi’s “Mitteleuropa” Catalogue. ifk, Austria ICLA Research Committee Individual Submissions Poetical and Institutional Nomadism – Figures of In-Betweenness in the Hungarian Émigré and Transborder Literature Eötvös Loránd University, Hungary ICLA Research Committee Individual Submissions Born multilingual: language choice in early Romani literature Vigdís International Centre for Multilingualism and Intercultural Understanding, University of Iceland, Iceland |
(363) Intermediality and Comparative Literature (6) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University Open Group Individual Submissions The Poetics of Action: Intermedial Performativity in Frank O’hara’s Poetry Nanjing University, China, People's Republic of Open Group Individual Submissions Performativity connotations and theatrical effects of Bob Dylan's poetry Sichuan University, China, People's Republic of Open Group Individual Submissions The Lure of the Stage: The Emergence of Allen Ginsberg’s Poetry Performance Zhejiang University, China, People's Republic of |
(364) Comparative History of East Asian Literatures (2) Location: KINTEX 1 307 Chair: Haun Saussy, University of Chicago Group Session Literary History of Asia: Connections, Translations, Reinventions
ICLA Research Committee Individual Submissions Kung Fu as a Knot: The Way of Survival in Men We Reaped Sichuan University, China, People's Republic of ICLA Research Committee Individual Submissions Rethinking Left Internationalism: Debate on Collective Hamlet, Politics of Class and Nation, and Manchuria’s Revolution in the 1930s Huron College, Canada ICLA Research Committee Individual Submissions Beyond East-West Binaries: Reading Sarojini Naidu in Colonial Korea Yonsei University, Korea, Republic of (South Korea) |
(432) Progression and Regression: Technologies and Power in the Literary Imagination (2) Location: KINTEX 2 305A Chair: Rui Qian, Nanyang Technological University Open Group Individual Submissions Technology, Race, and Utopia in Contemporary African American Science Fiction Ningbo University, China, People's Republic of Open Group Individual Submissions The Role of the 'Spaceship Earth' Metaphor in Shaping 1960s and Modern Environmental Discourse Toyo University, Japan Open Group Individual Submissions Space Technology and Power: An Analysis of the Spatial Characteristics of Julian Barnes' Novel 'The Noise of Time' Hainan Normal University, China, People's Republic of Open Group Individual Submissions Dickens' "Condition of England" Novels and the Technological Revolution in Victorian Britain Capital Normal University, China, People's Republic of |
(433) From Han Kang to Han Kang Location: KINTEX 2 305B Chair: JIHEE HAN, Gyeongsang National University Open Free Individual Submissions From Handke to Han Kang: How the Nobel Prize in Literature Survived Lund University, Sweden Open Free Individual Submissions Han Kang’s Vegetarianism Institute for American and European studies, Daegu, South Korea Open Free Individual Submissions A comparative study of feminist themes between the novels of Korean writer Han Jiang and Chinese writer Zhang Ailing Shandong University of Aeronautics, China, People's Republic of Open Free Individual Submissions Reimagining Violence: Sensation, Bodily Deformation and Female Trauma in Can Xue’s The Last Lover and Han Kang’s The Vegetarian University of New South Wales, Australia |
(434) Beyond the Arabian Night Location: KINTEX 2 306A Chair: Seung-hye Mah, Dongguk University Seoul Campus Open Free Individual Submissions When Less is Not More: Arabic Pleonasm's Journey West. A comparative Approach UAE University, United Arab Emirates Open Free Individual Submissions Memory, History, and Identity in A donde tú vayas, iré by Victoria Dana Jefferson Community and technical college, United States of America Open Free Individual Submissions Trends and Development of Comparative Literature in Bangladesh Gauhati University, India Open Free Individual Submissions The image of a lover waiting for the beloved as an image depicting unrequited love: a state of being in poetic systems across language-cultures The English and Foreign Languages University, India |
(435) The Cinematic Past and the Literary Present Location: KINTEX 2 306B Chair: Narie Jung, Sungkyunkwan University Open Free Individual Submissions The Interdisciplinary Creation of the Mummy in Jane Loudon’s The Mummy! A Tale of the Twenty-Second Century Doshisha University, Kyoto, Japan, Japan Open Free Individual Submissions The Cinematic Past and the Literary Present of Yan Geling’s Novel The Flowers of War (2012) Zhejiang Gongshang University, China, People's Republic of Open Free Individual Submissions Entre Richard Wagner et Émile Zola : Tannhäuser mis en scène par Robert Carsen Université de Fukuoka, Japon |
(436) Portrait of Ghosts Location: KINTEX 2 307A Chair: Jun Soo Kang, anyang University Open Free Individual Submissions GENDERED GOLD AND GOLDEN GHOSTS: GOTHIC HEROINES OF NINETEENTH CENTURY BENGAL Jadavpur University, India Open Free Individual Submissions Question of Crisis in Early Bengali Film Discourse: Tracing Film Criticisms of the 1930s and the 1940s Jadavpur University, India Open Free Individual Submissions «Portrait du moine athonite à travers le prisme de trois récits de voyageurs français au Mt Athos au tournant des années 1920: histoire de genre ou histoire de privilège lié aux catégories sexuelles?» Diocesan Boys’School, HK Open Free Individual Submissions American ‘Goddess of Mercy’ in the Nanjing Massacre: Minnie Vautrin and the Afterlife of Her Wartime Diary Zhejiang Gongshang University, China, People's Republic of |
461 Location: KINTEX 2 307B |
|
| 3:30pm - 4:20pm |
Keynote: Sandra Bermann Location: KINTEX 1 Grand Ballroom Chair: JIHEE HAN, Gyeongsang National University |
||||||||||||||||||||||||||||
| 4:30pm | General Assembly Location: KINTEX 1 Grand Ballroom 2025 ICLA Congress General Assembly |
||||||||||||||||||||||||||||