11:00am - 12:30pm |
(321) Who is Afraid of Fiction? (1) Location: KINTEX 1 204 Chair: Francoise Lavocat, Sorbonne Nouvelle
ICLA Research Committee Individual Submissions
Bad Readers of Deceptive Fictions
Brian Richardson
University of Maryland, United States of America
Open Group Individual Submissions
Fear of comics – fear of fiction?
Charlotte Krauss
Université de Poitiers, France
Open Group Individual Submissions
Fiction narrative et fiction normative
Otto Pfersmann
Ecole des Hautes Etudes en Sciences Sociales, France
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(322) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (1) Location: KINTEX 1 205A Chair: Massimo Fusillo, Scuola Normale Superiore, Pisa
Open Group Individual Submissions
Augmented Literature Through Locative Media: Trans-mediality, Locative Media, Trans-materiality
Mirko Lino
University of L'Aquila, Italy
Open Group Individual Submissions
Between Gods and Goblins: Japan’s Colonial Fantasy in Propaganda Animated Film "Momotaro: Sacred Sailors" (1945)
Yorimitsu Hashimoto
Osaka University, Japan
Open Group Individual Submissions
Experiencing the Novel: Hypertext on Erfahrung and Erlebnis
Jeongin Ko
Yonsei University, Korea, Republic of (South Korea)
Open Group Individual Submissions
Less Than an Author, More Than a Tool: AI in Literary Writing
Daniel Raffini
Sapienza University of Rome, Italy
ICLA Research Committee Individual Submissions
The Book as Catalyst of Intermediality Peter Greenaway re-mediates Shakespeare
Massimo Fusillo
Scuola Normale Superiore, Pisa, Italy
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(323) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (1) Location: KINTEX 1 205B Chair: Daniela Spina, CHAM - Centre for Humanities
Open Group Individual Submissions
Growing up in a garden: Anglo-Indian adolescence and (post-)imperial Englishness in Rumer Godden’s The River (1946)
Effie Yiannopoulou
Aristotle University of Thessaloniki, Greece
Open Group Individual Submissions
About friendship and mentorship in two coming-of-age novels set in Sri Lanka and Goa: Reef by Romesh Gunesekera (1994) and O Último Olhar de Manú Miranda by Orlando da Costa (2000)
Daniela Spina
CHAM - Centre for Humanities, Portugal
Open Group Individual Submissions
On the Blue Gender Dilemma in Jack London's South Pacific Novel "The Seed of McCoy" / 论杰克·伦敦南太平洋小说《麦考伊的种子》中的“蓝色性别困境”
Fan Luo, Muyuan Cao
Hainan Normal School, China, People's Republic of
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(324) Location: KINTEX 1 206A
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(325) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (1) Location: KINTEX 1 206B Chair: Xi Liu, Xi'an Jiaotong-Liverpool University
Open Free Individual Submissions
The Matriarchal Utopia? Reimagining Human Reproduction in Chinese and Western science fiction
Ye Lin
Frontiers, China, People's Republic of
Open Group Individual Submissions
Reworking of human ethics in contemporary Chinese SF crisis narratives
Danxue Zhou
Xi'an Jiaotong-Liverpool University
Open Group Individual Submissions
Reworking of human ethics in contemporary Chinese SF crisis narratives
Yue Zhou
Xi'an Jiaotong-Liverpool University
Open Group Individual Submissions
Technological Advancement, Gender Roles,and Female Agency in Female-authored Chinese Science Fiction
Xi Liu
Xi'an Jiaotong-Liverpool University
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(326) Exploring the Trans Location: KINTEX 1 207A
Foreign Sessions (Foreign Students and Scholars Only)
Scandal, Prestige, and Soft Power: The Transnational Afterlife of the Prix Goncourt
Francesc Galera
Universitat Autònoma de Barcelona, Spain
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(327) Western Literary Encounters Asia Location: KINTEX 1 207B Chair: Hyosun Lee, Underwood College, Yonsei University
Foreign Sessions (Foreign Students and Scholars Only)
"Abyss Zone", "Leviathan Ships", "Shipwrecks": On the Ecological Imagery in Alexander Belyaev’s Marine Science Fiction
ZIQI LIU
Tianjin Normal University
Foreign Sessions (Foreign Students and Scholars Only)
Western Literary Encounters in Indian Literary Studies: A Perspective from Sisir Kumar Das’s ‘Indian Ode to the West Wind’
Saberee Mandal
Visva-Bharati, Santiniketan, West Bengal, India, India
Foreign Sessions (Foreign Students and Scholars Only)
The Embodiment of Confucianism in Chinese and Vietnamese Folk Stories -- Take the "Fish-Dragon" Stories as an Example
Xinyue Liu, Quntao Wu
Xiangtan University, China, People's Republic of
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(328) Rethinking Historical Trauma and Memory in Comparative Literature Location: KINTEX 1 208A Chair: Younghee Son, Kyungpook National University
Open Free Individual Submissions
Rethinking Historical Trauma and Memory in Comparative Literature
Younghee Son, Jaehwan Han, Joungim Park, Chang-ae Oh, Insuk BAE
Kyungpook National University, Korea, Republic of (South Korea)
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(329) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (1) Location: KINTEX 1 208B Chair: Takayoshi Yamamura, Hokkaido University
Open Group Individual Submissions
The new literary pilgrimage phenomenon inspired by the Japanese manga and anime Bungo Stray Dogs
Aki NISHIOKA
Ritsumeikan University, Japan
Open Group Individual Submissions
The transnational development and tourism surrounding Chinese detective novels
Kyungjae Jang
Hiroshima University, Japan
Open Group Individual Submissions
The transmedia and transnational spread of Korean webtoons
Sueun Kim
Hankuk University of Foreign Studies, Korea, Republic of (South Korea)
Group Session
From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature
Takayoshi Yamamura, Aki Nishioka, Kyungjae Jang, Sueun Kim
Open Group Individual Submissions
Transnational Adaptations and Contents Tourism Surrounding the Three Kingdoms
Takayoshi Yamamura
Hokkaido University, Japan
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(330) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (3) Location: KINTEX 1 209A Chair: Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
Open Group Individual Submissions
The Embodiment of Confucianism in Chinese and Vietnamese Folk Tales: A Case Study of the "Fish-Dragon" Story Complexes in Both Countries
Xinyue Liu
Xiangtan University, China, People's Republic of
Open Group Individual Submissions
View Akutagawa Ryunosuke’s Kirishitanmono from the Field of Comparative Literature: on His Novel Death of a Christian
Wang Peng
Henan University, China, People's Republic of
Open Group Individual Submissions
The generation, flow and development of the "Third World Literature" theory in East Asia
Yufan Xin
Ocean University of China, China, People's Republic of
Open Group Individual Submissions
Thoreau’s Cross-Cultural Journey: Bridging East and West within World Literature
Yunyan He
Guangxi Minzu University, PRC
Open Group Individual Submissions
Mythological Perspective on the Cultural Origins of the Korean Ethnic Group
Jingtong Xu
Jiangsu Normal University, China, People's Republic of
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(331) Marginal Encounters: South Korea and the Globe in the 20th and 21st Century Literature, Film and Culture Location: KINTEX 1 209B Chair: Janeth Manriquez Ruiz, University of Notre Dame
Open Group Individual Submissions
Taking Control: Is That Even an Option? Global Imbalances and Citizen Agency in South Korean TV Series.
Mara Santi
Ghent University, Belgium
Group Session
Marginal Encounters: South Korea and the Globe in Contemporary Culture
Janeth Manriquez Ruiz, Inha Park
Open Group Individual Submissions
Tripping on guilt: How 'workplace cli-fi' negotiates guilt in a planetary perspective
Agnethe Brounbjerg Bennedsgaard
Aarhus University, Denmark
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(332) What is literature if not a book? An intermedial approach to literature in a digitized society Location: KINTEX 1 210A Chair: ChangGyu Seong, Mokwon University
Open Group Individual Submissions
The Return of Voice: Intelligent Story Production in Audiobooks and the Alienation Crisis
Yunqian Wang
Gent University, Belgium
Open Group Individual Submissions
Infinite Possibilities of Video Games in Media Convergence: Literariness, “Story-Universe” and “Infant-Universe”
Fanyu Yin
NanJing University, China, People's Republic of
Open Group Individual Submissions
A Multimodal Audiobook? Transforming Printed Multimodal Novels into Audiobooks
Anna Klishevich
Justus Liebig University Giessen, Germany
Open Group Individual Submissions
Airlines, Archives, and Aesthetics: El clan Braniff as an Intermedial Counter-History
Pascual Ariel Brodsky Soria
University of Southern California, United States of America
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(333) Global Futurism (3) Ecological and Planetary Imaginaries Location: KINTEX 1 210B
Session Chairs: Yusheng Du (Nanjing University of Information Science & Technology); Qilin Cao (Tongji University)
Open Group Individual Submissions
“Mars is a Mirror”: Martian Fiction in Modern China
Qilin Cao
Tongji University, China, People's Republic of China
Open Group Individual Submissions
The Blue Humanities: the future is wet
Simon Curtis Estok
Sungkyunkwan University, Korea, Republic of (South Korea)
Open Group Individual Submissions
The Capitalocene Poetics of Universalism: Will Alexander’s Global Futures
Dominic Hand
University of Oxford
Open Group Individual Submissions
The Philosophical Futurism of Foucault's Aesthetics of Existence
Yusheng Du
Nanjing University of Information Science & Technology, China, People's Republic of
Open Group Individual Submissions
Tree-lined roads that lead to the future: a case study using The Overstory
Narie Jung
Sungkyunkwan University, Korea, Republic of (South Korea)
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(334) Juxtaposition, Transposition, Heterotopia, and Communication Location: KINTEX 1 211A Chair: Seung-hye Mah, Dongguk University Seoul Campus
Open Free Individual Submissions
The Station as Heterotopia: A Contemporary Chinese Odyssey
Dingding Zhao
Xi'an Jiaotong University
Open Free Individual Submissions
Juxtaposition, Identity, and Politics: Narrative and Aesthetics in 'Bhimayana: Experiences of Untouchability' and 'Persepolis'
Shreya Ghosh
The English and Foreign Languages University, Hyderabad, India
Open Free Individual Submissions
In/fidelity in transposition: Alan Moore’s “Watchmen” in Brandon Vietti’s Adaptation
Redwan Ahmed
Jahangirnagar University, Bangladesh, People's Republic of
Open Free Individual Submissions
Comic studies and Graphic narrative and also how the idea of communication changes over time
SINJINI GHOSH
Visva Bharati University, India
Open Group Individual Submissions
Politics of Pathos as Social Commentary in Mahakavi Laxmi Prasad Devkota’s Muna Madan
Khum Prasad Sharma
Tribhuvan University, Nepal
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(335) Literature, Arts & Media (4) Location: KINTEX 1 211B Chair: Hanyu Xie, University of Macao
ICLA Research Committee Individual Submissions
The Shift Towards Materialism in Korean Horror Films: Representing Trans-corporeality in "Feng Shui" Narratives and Its Underlying Historical Trauma
FEI DENG
The University of Hong Kong, China
ICLA Research Committee Individual Submissions
Lizard King Meets the Beats: A Comparative Study on the Poetry of Jim Morrison in the shadow of the Beats
Dwaipayan Roy
NIT Mizoram, India
ICLA Research Committee Individual Submissions
Re-imagining Japan in India: Studying Nationalism, Memory and Transnational Alliances through Indian Literary Narratives
Arpita Sen
University of Delhi, India
ICLA Research Committee Individual Submissions
Living Comparative Literature: One stage at a time
Akshar Tekchandani
University of Delhi, India
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(336) Oriental Literature in World Literature: Exchanges and Mutual Learning (7) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China
Change in Session Chair
Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University)
Open Group Individual Submissions
From India to China: The Mutual Transformation between the Nezha Myth and Religion as well as History
Cong Dai
The College of Literature and Journalism,Sichuan University, China, People's Republic of
Open Group Individual Submissions
The Dissemination of the "Two Mothers Contending for a Son" Narrative in the German-Speaking World in the 20th Century: With a Focus on Klabund's Adaptation of The Chalk Circle
Nana Jian
Southwest Jiaotong University, Chengdu Sichuan China
Open Group Individual Submissions
Cultural Transference and Literary Colonization: The Case of Han Kang's 'We Do Not Part' in The New Yorker’s 'Heavy Snow' Adaptation
MENGRU WANG
Sichuan University, China
Open Group Individual Submissions
On the Obscuration and Reconstruction of the Eastern Perspective in World Historical Fiction Studies: A Case Study of Chinese Historical Fiction
Xinrui Li
Sichuan University, China
Open Group Individual Submissions
The European Renaissance in Hu Shi's Diary
Jingyan Liu
Hunan University, China, People's Republic of
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(337) Mutual Learning of Civilizations and Reconstruction of World Literature (9) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University
Open Group Individual Submissions
A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays
Yirong Shi
North University of China, China, People's Republic of
Open Group Individual Submissions
The Evolution of Liang Qichao’s Views on Civilization and Literary Values
Qingqing Wang
Lanzhou University of Finance and Economic, China, People's Republic of
Open Group Individual Submissions
Two Directions of “Language Negation”: A Comparative Study of Maurice Blanchot’s View of Literary Language and Ancient Chinese Literary Theory’s Discourse of “Setting up an Image to Express Meanings”
Anru Qian
College of Literature and Journalism, Sichuan University
Open Group Individual Submissions
The Eastern Origins of Ancient Greek Civilization
Jing Fan
Sichuan University, China, People's Republic of
Open Group Individual Submissions
A Review of the writing of the History of Chinese Civilization
WANGYANG KANG
Sichuan University, China, People's Republic of
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(338) Shark's Fin and Sichuan Pepper Location: KINTEX 1 213A Chair: JIHEE HAN, Gyeongsang National University
Open Free Individual Submissions
Comparative Research in Uzbek Literary Studies
Gulnoz Khallieva, Shaxnoza Yuldoshova
Uzbek State World Languages University, Uzbekistan
Open Free Individual Submissions
The Orient in Angela Carter’s Postmodern Gothic Fairy Tales
Jie Lei
Shenzhen Polytechnic University, China, People's Republic of
Open Free Individual Submissions
Writing Chinese Secular Culture in Fuchsia Dunlop's Shark's Fin and Sichuan Pepper
Zimeng Zan
Sichuan University, China, People's Republic of
Open Free Individual Submissions
Deconstructing Diaspora: Urban Nostalgia and Uneven Modernity in Tash Aw's Five Star Billionaire
Tingxuan Liu
University of Warwick, United Kingdom
Open Free Individual Submissions
Chandalika : Tagore’s Subversive Dramatization of Ananda’s Ascetic Way of Life found in “Sardulkarna-Abadan”
EIKO OHIRA
Otsuma Women's University, Japan
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(339) Japanese Pop Culture beyond Borders Location: KINTEX 1 213B Chair: Seonggyu Kim, Dongguk University
Open Free Individual Submissions
“Morgan O-Yuki” Stories as Counter Narratives of “Madame Butterfly”
Sachi Nakachi
Tsuru University, Japan
Open Free Individual Submissions
The Influences of Many Countries on Dragon Ball and the Modifications of English Animated Version: Japanese Pop Culture beyond Borders
Yasuko Natsume
Otsuma Women's University, Japan
Open Free Individual Submissions
What is Tojisha-hihyo? –New Possibilities for Comparative Literature
Makoto Yokomichi
Kyoto Prefectural University, Japan
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(340 H) Language Contact in Literature: Europe (1) Location: KINTEX 1 302 Chair: Marianna Deganutti, Slovak Academy of Sciences
ICLA Research Committee Individual Submissions
Linguistic landscapes: how multilinguals’ experience with languages influences heterolingual writing, a case study of Cia Rinne’s poetry
Natasha Jane Kennedy
University of Brighton, United Kingdom
Open Group Individual Submissions
A Poet among Languages: The Multilingual Identity of Karolina Pavlova
Adrian Wanner
Penn State University, United States of America
Open Group Individual Submissions
Exploring Borders in the environmental art project Rájácummá – Kiss from the Border
Johanna DOMOKOS
Károli University, Hungary
Open Group Individual Submissions
Staging linguistic contact in contemporary Basque literature: Frédéric Aribit and Itxaro Borda
Mathias Verger
Université Paris 8 Saint Denis, France
Open Group Individual Submissions
The Use of Multiple languages and Scripts in Varvara Nedeoglo's Poetry and the Translation Challenges It Presents
Lyudmila Razumova
King's College London, UK
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(341) Intermediality and Comparative Literature (5) Location: KINTEX 1 306 Chair: Chang Chen, Nanjing University
Open Group Individual Submissions
Transmedial Encounters: Marxist Thought and Political Emotion in German Leftist Cultural Production
Yejun Zou
Sun Yat-sen University, China, People's Republic of
Open Group Individual Submissions
Art and Justice: On the Intermedia Writing of Kazuo Ishiguro’s The Unconsoled
Lixin Gao
Shanghai International Studies Universtiy, China, People's Republic of
Open Group Individual Submissions
American Fiction as Meta-adaptation: Intermediality and the Performance of the ‘Racial’ Self
Jing Jia
Nanjing University, China, People's Republic of
Open Group Individual Submissions
The Gaze of Painting: Visual Ethics and Identity Pursuit in the novel The Goldfinch
Xinxin Zhang
Central China Normal University
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(342) Comparative History of East Asian Literatures (1) Location: KINTEX 1 307 Chair: Haun Saussy, University of Chicago
Group Session
Proposal for Group Session by ICLA Research Committee on “Scriptural Reasoning and Comparative Literature”
Chengzhou He, Jing Jia
ICLA Research Committee Individual Submissions
Literary Cartography, World-Mapping, and Fantastic Encounters in Early Modern East Asian Fictional Writings
Julie Xinzhu Chen
Columbia University, United States of America
ICLA Research Committee Individual Submissions
Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature
Hemasoundari Rajadurai
English and Foreign Languages University, Hyderabad, India
Group Session
A Comparative Study on Enlightenment and Nationalism through the Poems of Shin, Chae-ho(申采浩)and Lu Xun(魯迅)
Namyong Park
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(141) Progression and Regression: Technologies and Power in the Literary Imagination (1) Location: KINTEX 2 305A Chair: Rui Qian, Nanyang Technological University
Open Group Individual Submissions
Progression and Regression: Technologies and Power in the Literary Imagination
Rui Qian, Zengxin Ni, Xiang Gao, Jimin Lee
Nanyang Technological University
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(142) Transmedia, and Comparative Literature Location: KINTEX 2 305B Chair: Byung-Yong Son, Kyungnam University
Open Group Individual Submissions
Electronic Fiction, Transmedia, and Comparative Literature
Maria Bhuiyan
Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of
Open Group Individual Submissions
From “Solitary” to “Solidary”: An Ethical-Ecological Approach to Wordsworth’s “I Wandered Lonely as a Cloud”
Di Wu
Hangzhou Normal University
Open Free Individual Submissions
Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi
Maria Bhuiyan1, Imtiaz Bhuiyan2
1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of;
2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia
Open Free Individual Submissions
Digital Narratives and Authorship: Electronic Fiction and Transmedia Storytelling in Comparative Literature
Maria Bhuiyan
Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of
Open Free Individual Submissions
AI, Stylistic Emulation, and Hypothetical Literary Comparisons
Maria Bhuiyan1, Imtiaz Bhuiyan2
1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of;
2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia
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(143) What did they Say? Location: KINTEX 2 306A Chair: Jun Soo Kang, anyang University
Open Free Individual Submissions
Feminism, Race and Gender-neutral Language Translational Traps in Bernadine Evaristo’s Girl, Woman, Other
Stephanie Schwerter
Université Polytechnique Hauts-de-France, France
Open Free Individual Submissions
On Translator’s Subjectivity Through the Paratexts of Three Chinese Translations of Ulysses
Keqi Yao
Nanjing University, China, People's Republic of
Open Free Individual Submissions
Reading Gender in Children's Graphic Novels Through Plurality in Comparative Literature
Sweata Saha
The English and Foreign Languages University, India
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(144) French and Australian Songlines Location: KINTEX 2 306B Chair: Minji Choi, Hankuk university of foreign studies
Open Free Individual Submissions
Contact Languages and Urban Resistance: Multilingual Practices in Contemporary French Rap
Olivier Sales
Florida International University, États Unis
Open Free Individual Submissions
Étude de la musicalité visuelle en tant qu'approche multimédia dans les expérimentations poétiques de Mallarmé
Seong Woo HEO
Korea University, Korea, Republic of (South Korea)
Open Free Individual Submissions
Art not for the sake of Art: A study of Australian songlines and its resonance in the contemporary times
Kirti Nakhare
S.I.W.S. College, India
Host Sessions (Korean Students and Scholars Only)
Sijo in Translation
Jinim Park
Pyongtaek University
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(431) Voyage of Images Location: KINTEX 2 307A Chair: S Peter Lee, Gyeongsang National University
Open Free Individual Submissions
“To Get along with the Sea”: Technologies of (Re-)mediating Darkness in Beyond the Blue: Kuroshio’s Voyage
Julian Chih-wei Yang
National Taitung University, Taiwan
Open Free Individual Submissions
Reconstructing women's experience in transmedia narratives: a multidimensional perspective on film adaptations of contemporary feminist literature
Bei Tang
Southern Medical University, China, People's Republic of
Open Free Individual Submissions
(Re)Mapping the Virtual and the Imaginary: Site-Specific Video Installations and Digitally Mediated Heterotopias
Deok Yu Elizabeth Wang
University College London, United Kingdom
Open Free Individual Submissions
Poetics/prosthetics of imagination: Poetry, Cinema, and Artificial Intelligence in Jean Epstein
Ennuri Jo
University of Pennsylvania, United States of America
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Special Session IV: Roundtable Celebrating 70th Anniversary of the ICLA Location: KINTEX 1 Grand Ballroom
“Bridging Seventy Years of Comparative Literary Dialogue: Past, Present, and Future of the ICLA.”
Chairs:
Lucia Boldrini, Goldsmiths, UK, President of the ICLA (2022-2025) Anne Duprat, Picardie-Jules Verne University, France, Secretary of the ICLA (2022-2025) Ipshita Chanda, EFLU, India, Secretary of the ICLA (2022-2025)
Speakers:
Sandra L. Bermann, Princeton U, USA: President of the ICLA (2019-2022) Anne Tomiche, Sorbonne, France, Vice-President of the ICLA Hiraishi Noriko, Tssukuba, Japan, Vice-President of the ICLA Haun Saussy, Chicago, USA, Vice-President of the ICLA Macio Seligmann-Silva, UNICAMP, Brazil, Vice-President of the ICLA E.V.Ramarkrishnan, Central University of Gujarat, India, Marc Maufort, Editor of Recherche littéraire, USA He Chengzhou, Nanjing University, China, Emanuelle Santos, Chair of the ECARE/NEXT GEN, University of Birmingham, UK Matthew Reynolds, Chair of Research Committees, Oxford University, UK Stefan Helgesson, Chair of the Nominating Committee, Stockholm University, Sweden Youngmin Kim, Congress Chair of 2025 ICLA Congress Seoul, Dongguk University, Korea
Q&A:
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460 Location: KINTEX 2 307B
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