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(343) Who is Afraid of Fiction? (2)
Salle: KINTEX 1 204
Présidence : Francoise Lavocat, Sorbonne Nouvelle
Open Group Individual Submissions
La fiction romanesque comme antidote au dogmatisme au siècle des Lumières
Michèle Bokobza Kahan
Université de Tel Aviv, Israël
Open Group Individual Submissions
The Double Threat of Fiction: Escapism and Documentation
Maria Crina Bud
Université Sorbonne Nouvelle, France
Open Group Individual Submissions
Résistance à l’immersion fictionnelle et effondrement de l’espace poétique : les hétérotopies littéraires chez GE Fei
Yiting WO
Université Sorbonne Nouvelle-Paris 3, France
Open Group Individual Submissions
Attitudes Toward Fiction in Ancient Greek and Chinese Philosophy: Implications for AI Ethics in Western and Chinese Societies
Xiaofang LIU
Shanghai International Studies University, China, People's Republic of
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(344) Expanded Literature: Intersections between the Book, Digital Media, and Narrative Ecosystems (2)
Salle: KINTEX 1 205A
Présidence : Massimo Fusillo, Scuola Normale Superiore, Pisa
Open Group Individual Submissions
AI, Stylistic Emulation, and Hypothetical Literary Comparisons
Maria Bhuiyan1, Imtiaz Bhuiyan2
1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of;
2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia
Open Group Individual Submissions
Music of <The Nine Cloud Dream> and the Cloudy Dreamy Music
Jiin Ko
Yonsei University, Korea, Republic of (South Korea)
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(345) Postcolonial coming-of-age novels in the Indian and Pacific Ocean worlds (2)
Salle: KINTEX 1 205B
Présidence : Daniela Spina, CHAM - Centre for Humanities
Open Group Individual Submissions
Pramoedya’s Buru Quartet as Postcolonial Bildungsroman: The Emergence of Indigenous Elites in East Indies
Menglu Jin
Tsinghua University, China, People's Republic of
Open Group Individual Submissions
Colonial and postcolonial ambiguities in Luís Cardoso’s Crónica de uma Travessia
Duarte Drumond Braga
University of Lisbon School of Arts, Portugal
Open Group Individual Submissions
Disciplining South Asian Childhoods: A Study of Post-independence Novels from India
Manvi Tandon
The University of Texas at Austin, United States of America
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(346)
Salle: KINTEX 1 206A
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(347) Rethinking (post)Humanist Discourses in Contemporary Chinese Science Fiction: Historicity, Locality, and Technology (2)
Salle: KINTEX 1 206B
Présidence : Xi Liu, Xi'an Jiaotong-Liverpool University
Open Group Individual Submissions
Rediscovering Labour - A Study of Contemporary Chinese Science Fiction Literature in the Post-Liu Cixin Generation
Jinhua LI
THE HONG KONG POLYTECHNIC UNIVERSITY, Hong Kong S.A.R. (China)
Open Group Individual Submissions
Reconstructing Humanistic Ideals in Solarpunk: On the Cultural Politics Implications of Zhang Ran’s When the Sun Falls
Weiming Gao
University of Freiburg
Open Group Individual Submissions
How to Cross Boundaries: Gender and Cyborg in Contemporary Chinese Science Fiction
Ran Li
Shanghai International Studies University, China, People's Republic of
Open Group Individual Submissions
The Algorithmic Other in Cognitive Assemblages: Chen Qiufan's "The Algorithms for Life" and the Localization Dilemma of the Posthuman Subject in China
Yi Yuan
Capital Normal University, China, People's Republic of
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(348) Gesar and Shakespeare
Salle: KINTEX 1 207A
Présidence : Byung-Yong Son, Kyungnam University
Foreign Sessions (Foreign Students and Scholars Only)
The Canonization of The Epic of Gesar
Wang Yan
Northwest Minzu University, China, People's Republic of
Foreign Sessions (Foreign Students and Scholars Only)
Tsubouchi Shōyō’s Comparativism and the Techne of Shakespeare Translation
Daniel Gallimore
Kwansei Gakuin University, Japan
Foreign Sessions (Foreign Students and Scholars Only)
Exploring the Translatability of the Costume Culture: Case Studies of Dream of the Red Chamber
RUIYING HU
Beijing Normal-Hong Kong Baptist University, China, People's Republic of
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(349) Literature Meets Lens
Salle: KINTEX 1 207B
Présidence : Dong-Wook Noh, Sahmyook University
Foreign Sessions (Foreign Students and Scholars Only)
When Poetry Meets Lens: The Cinematic Experiment of Lyrical Literature
Mei Yang
Sichuan University, China, People's Republic of
Foreign Sessions (Foreign Students and Scholars Only)
Research on the Development Pathway of Deep Learning-Based Dialogue Generation Models for Literary Characters: A Case Study ofHarry Potterin Children Literature
RUIYING HU, DUO FENG, BO ZHANG
Beijing Normal-Hong Kong Baptist University
Foreign Sessions (Foreign Students and Scholars Only)
Nietzsche As Photographer, Camera, and Images — A Photographic Interpretation of Nietzsche’s Theory
Zhu Zhang
Sun Yat-Sen University, China, People's Republic of
Foreign Sessions (Foreign Students and Scholars Only)
Cultural Nationalism or Chinese Representation? Chinese Diplomat Chen Jitong's Literary Practices on French Newspaper (1884–1890)
Ri HONG
Sun Yat-sen University, China, People's Republic of
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(350) Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature
Salle: KINTEX 1 208A
Présidence : Kai-su Wu, Tamkang University
Group Session
Body, Representation, and Narrative: Cross-Cultural Encounters Between East and West in Globalized Literature
Kai-su Wu, Liying Wang, Lijun Wang, Jingyun Xiao
Open Group Individual Submissions
Portraits by Self and Other: The Large-scale Release of Chinese Women’s Literary Series and its Text-Image Interplay in the 1990s
Yunyi Wang
School of Chinese, The University of Hong Kong, Hong Kong S.A.R. (China)
Open Group Individual Submissions
The Eroticized Chinese Body in Intercultural Works: Articulating Dichotomy and Hybridization in Shan Sa’s Les Conspirateurs and Preljocaj’s The Fresco
Song Huang
University of Virginia, United States of America
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(351) From Literary Tourism to Contents Tourism: 'Dialogical Travel' Emerging from the Transmedial and Transnational Dimensions of Literature (2)
Salle: KINTEX 1 208B
Présidence : Takayoshi Yamamura, Hokkaido University
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(352) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (4)
Salle: KINTEX 1 209A
Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
Open Group Individual Submissions
Research on Korean Books of Dongpo’s Poems and Essays Collected in Japan
Jieling Li
Hainan Normal University, China, People's Republic of
Open Group Individual Submissions
The Convergence of Signs and the Metaphor of Divisionism: A Reinterpretation of Lévi-Strauss's Methodology in Japanese Studies
Yuanyuan Shi
Shanghai University, China, People's Republic of
Open Group Individual Submissions
Rethinking "OVERCOME BY MODERNITY"
Yaxiong Guo
Shanghai Normal University, China, People's Republic of
Open Group Individual Submissions
A Study on the Comparison of the Images of China and Japan in the Parting Poems and Essays Written by the Korean Literati who Send their Envoy Friends and Relatives to Travel in East Asia
Yang Huimin
Suqian University, China, People's Republic of
Open Group Individual Submissions
The Eranos conference and the Western Transmission of Zen Buddhism:Taking Suzuki’s Interpretation of “emptiness”as an example
Kunlan Wang
Fudan University, China, People's Republic of
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(353) Translating (from) the Margins. Rethinking East-Central European Literatures within the World Canon (1990-2020)
Salle: KINTEX 1 209B
Présidence : Oana Fotache Dubalaru, University of Bucharest
Open Group Individual Submissions
Extrapolating False Geographies: The Case of 1930s Romanian Fiction in English Translation
Stephen Henighan
University of Guelph, Canada
Open Group Individual Submissions
“The Aliens Next Door.” A sketch of translations from 20th c Slavic writers into Romanian
Oana Fotache Dubalaru
University of Bucharest, Romania
Open Group Individual Submissions
L’autonomiste et la consécration. La trajectoire d’internationalisation de Mircea Cărtărescu
Magdalena RADUTA
University of Bucharest, Romania
Open Group Individual Submissions
Quelques remarques sur une géographie imaginaire des traductions littéraires au seuil du IIIe millénaire
Laura Dumitrescu
Faculté de Lettres, Université de Bucarest, Roumanie
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(354) Journey of Life
Salle: KINTEX 1 210A
Présidence : ChangGyu Seong, Mokwon University
Open Free Individual Submissions
The Lyrics of Lament: Genres of Grief in the Voices of “Heers” in Amrita Pritam’s 'Ajj Aakhaan Waris Shah Nu' ('Today I Invoke Waris Shah') and “Rudalis” in Usha Ganguli’s dramatization of Mahasweta Devi’s 'Rudali'
Aratrika Bondopadhyay
The English and Foreign Languages University, India
Open Free Individual Submissions
Rediscovery of True Self on the Father-Seeking Journey——An Exploration of Jack Burns’ Journey of Growth in Until I Find You
Junru Xiang
Xiangtan University, China, People's Republic of
Open Free Individual Submissions
Circulation of Life: Reflection on the Archetype of Water in Walden and Travels in Hunan
Shijia Du
Northwestern Polytechnical University, China, People's Republic of
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(355) Web, Game, and Transmedia
Salle: KINTEX 1 210B
Présidence : Ji hun Kang, Dongguk university
Host Sessions (Korean Students and Scholars Only)
The Emotional Language of “Shachiku”: Narrating Precarity through 2channel Experience Post
JungHwa Lee
Global Institute for Japanese Studies, Korea, Republic of (South Korea)
Host Sessions (Korean Students and Scholars Only)
Reception of Japanese Subcultures in Early Korean Game Magazines
SUNGHO HA
Korea University, Korea, Republic of (South Korea)
Host Sessions (Korean Students and Scholars Only)
A Data-Driven Analysis of the Fantasy Genre on Korean and Japanese Web Novel Platforms.
Yoomin NAM
Korea University, Korea, Republic of (South Korea)
Host Sessions (Korean Students and Scholars Only)
From Shōwa to Heisei: A Comparative Study of Zainichi Korean Discourse during Japan’s Transitional Era – Focusing on Chunggu and Asahi Shimbun Database –
Jaemin Shin
Korea Univ., Korea, Republic of (South Korea)
Host Sessions (Korean Students and Scholars Only)
Comparative analysis of the film <Grave Of The Fireflies> and the novel <Grave Of The Fireflies>
JUNGKYUN HAN
korea university, Korea, Republic of (South Korea)
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(356) Intersectional Lives
Salle: KINTEX 1 211A
Présidence : Jinim Park, Pyongtaek university
Open Free Individual Submissions
Research on the "Michiko-style" in "The Pure Land of Suffering: My Minamata Disease".
Jinying Yang
东北师范大学, China, People's Republic of
Open Free Individual Submissions
The Modern Writing of Women's Dilemma-Taking Under the Tree,Vegetarian,and Brick Lane as Examples
Xinyu Luo
长安大学人文学院, China, People's Republic of
Open Free Individual Submissions
Perfumed Pastes and Painted Desires: Exploring the Material Culture of Cosmetics Through Early Indian Erotic Literature
Hemasoundari Rajadurai
English and Foreign Languages University, Hyderabad, India
Open Free Individual Submissions
Fluid Identities and Intersectional Lives: A Queer Reading of The Adventures of Huckleberry Finn
Zahra Munir, Zhao Sasa
Northwestern Polytechnical University, China, People's Republic of
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(357) Literature, Arts & Media (5)
Salle: KINTEX 1 211B
Présidence : Hanyu Xie, University of Macao
A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays
Yirong Shi, North University of China, China, People's Republic of; sisyhi@126.com
The Chinese experimental opera adaptations of Shakespeare’s plays have become a unique phenomenon of cross-cultural exchange, which not only demonstrates the deep fusion of Chinese and Western theatre cultures, but also promotes the combination of the traditional art of xiqu with modern aesthetic concepts. By analyzing the experimental Peking opera “King Lear”, the experimental opera “Who is Macbeth?” and the experimental kunqu “I, Hamlet”, this article discusses the unique value and significance of these works in cross-cultural exchange. These works bring audiences a refreshing theater-going experience through unique Chinese-style performances, post-modern presentations of traditional opera elements, and deep linkage between Chinese and Western culture and thinking—firstly, the performance structure, stage design and vocal style employ rich Chinese representations in their adaptations of Shakespeare’s plays; secondly, the metatheatrical devices, such as solo performer and play-within-play structure, express their postmodern reinterpretations of traditional xiqu; thirdly, the Eastern and Western character linkage and similar identity exploration show the cultural connection and common value in different backgrounds. Through the unique Chinese-style performance, the post-modern presentation, and the deep linkage between Chinese and Western theaters, Chinese experimental opera brings the audience a brand new experience and provides a useful path for the innovative practice of xiqu.
Tangled Between Belonging and Unbelonging: A Comparative Study of Migration and Identity in Select Short Stories of Jhumpa Lahiri’s Roman Stories
M. Ashiqur Rahaman Sourav
Green University of Bangladesh; sourav@eng.green.edu.bd
This article aims to analyze the interplay of migration, boundary, identity and alienation through giving a close eye on the characters of ‘The Boundary’ and ‘The Reentry’, two stories from the book Roman Stories by Jhumpa Lahiri. Contrapuntal reading with postcolonial lens, particularly the concept of ‘hybridity’ of Homi K. Bhabha, has been offered to explore how the characters navigate through the liminal ‘third space’ between their native and adopted culture. Lahiri’s projection of Rome serves as a pivotal point of understanding the city as a metaphor for both inclusion and exclusion. The unnamed narrator of “The Boundary” negotiates between both physical and metaphorical borders which addresses the struggle of belonging and alienation. In "The Reentry," the protagonist’s return to Rome highlights the dissonance between memory and reality, reflecting the psychological complexities of reintegration. In both the stories Rome has been depicted as a space that shapes the identities and puts forth the dual shades of the city as it becomes a space of both estrangement and reconciliation. Bhabha’s theory illuminates the characters’ struggles with cultural adaptation and the search for home, revealing the fragmented and hybrid nature of diasporic identity.
A Study of Amy Tan’ s Novels from the Perspective of Intermediality
Dantong Qian
Northwestern Polytechnical University, the People's Republic of China; 2364200735@qq.com
With the advent of the digital age, the emergence of multiple media has gradually made "intermediality" a significant focus in literary and artistic studies, providing a new research perspective for Chinese American literature. Based on the intermedial theories of Werner Wolf, this paper explores the intermedial reference and intermedial transposition in the renowned The Joy Luck Club and The Bonesetter's Daughter by Chinese American writer Amy Tan. Among them, through the intermedial reference to the structure of polyphony, the novels demonstrate profound cultural connotations, achieving a unity of intermedial form and content. Meanwhile, the two novels have been adapted into a film and an opera respectively. This intermedial transposition reflects the interaction of multi-dimensional intermediality and highlights the important role in enhancing the international communication of Chinese culture. Then, this paper further reveals the unique value of intermediality in Chinese American literature as represented by Amy Tan's works, exploring its significance in fostering exchanges and mutual learning among civilizations and enhancing the global influence of Chinese culture.
ICLA Research Committee Individual Submissions
"Black Myth: Wukong": Heroic Myth, Biopolitics and the Performativity of Video Games
Jia Song
Nanjing University, China, People's Republic of
ICLA Research Committee Individual Submissions
A Cross-Cultural Study of Chinese Experimental Opera Adaptations of Shakespeare’s Plays
Yirong Shi
North University of China, China, People's Republic of
ICLA Research Committee Individual Submissions
Tangled Between Belonging and Unbelonging: A Comparative Study of Migration and Identity in Select Short Stories of Jhumpa Lahiri’s Roman Stories
M. Ashiqur Rahaman Sourav
Green University of Bangladesh
ICLA Research Committee Individual Submissions
A Study of Amy Tan’ s Novels from the Perspective of Intermediality
Dantong Qian
Northwestern Polytechnical University, the People's Republic of China
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(358) Oriental Literature in World Literature: Exchanges and Mutual Learning (8)
Salle: KINTEX 1 212A
Présidence : Lu Zhai, Central South University, China
Change in Session Chair
Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University)
Open Group Individual Submissions
Group Mirror Image: The Writing of 'Misogyny' in KIM JI-YOUNG, BORN 1982
Ruyue Tan
Sichuan University, China, People's Republic of
Open Group Individual Submissions
The first exploration of the exchange between Lu Yi, the literati of the Korean Dynasty, and Bo Ming, the Mongolian literati of the Qing Dynasty
Xin Yang
延边大学, China, People's Republic of
Open Group Individual Submissions
A Comparative Study on Tao Yuanming’s and Wordsworth’s Concerns for Society
Cha Zhang
Sichuan Normal University, China, People's Republic of
Open Group Individual Submissions
The Translation and Dissemination of Chinese Farewell Poetry in the West from the Culture-oriented Perspective
Ding Yan
Inner Mongolia University of Science and Technology, China, People's Republic of
Open Group Individual Submissions
The Net-like Narrative Structure of The Dream of Red Mansions: A “Corpus” Statistic Analysis Based on the Text Mining of Character Appellations
Yue Wang
Tianjin Normal University, China, People's Republic of
Open Group Individual Submissions
The Evolution of the Style of Chinese Poetry in the Joseon Dynasty
Yu Han1, Shuiyong Chi2
1: Central China Normal University, China, People's Republic of;
2: Shandong University, China.
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(359) Mutual Learning of Civilizations and Reconstruction of World Literature (10)
Salle: KINTEX 1 212B
Présidence : Qing Yang, Sichuan University
Open Group Individual Submissions
Counterpoint Writing of Gender, Race and Identity ——From Mi Li：A Chinese Fairy Tale To K
Xiaoxiao Zhou
Wuhan Sports University, China, People's Republic of
Open Group Individual Submissions
Translating Byron in ‘May Fourth’ China, 1919-1927: Poetic Rewriting and Literary Modernity
Kexin Du
School of Languages and Communication Studies, Beijing Jiaotong University, Haidian District, Beijing, People’s Republic of China
Open Group Individual Submissions
Research on Miao image from the perspective of mutual learning of civilizations —— With The West China Missionary News (1899-1943) as the center
Ya lin Li
Sichuan University, China, People's Republic of
Open Group Individual Submissions
Civilizational Mutual Learning: The Discourse Paradigm of Chinese Literary Theory and the World Literary Significance of Subjectivity in Digital Ink Art
Ke Xu
Sichuan University, China, People's Republic of
Open Group Individual Submissions
What is in Kerouac’s Variation of Han Shan? — A Recluse, Christ-like Figure and Transcendentalist
Xinchen Lu
East China Normal University, China, People's Republic of
Open Group Individual Submissions
Bob Dylan's Acceptance of the Chinese Classic I Ching(易经)
Quntao Wu
School of Foreign Languages, Xiangtan University, China, People's Republic of
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(360) Dying in Language
Salle: KINTEX 1 213A
Présidence : Hyosun Lee, Underwood College, Yonsei University
Open Free Individual Submissions
Dying in Language: World Literature through the Prism of Untranslatability
MUSTAPH Ait KHAROUACH
lusail university, Morocco
Open Free Individual Submissions
The Death of Resilience? On Tierracide in Contemporary Philosophy and Literature
Peter Arnds
Trinity College Dublin, Ireland
Open Free Individual Submissions
Beyond the Limits of Individual Existence: The Notion of Inward Transcendence in the West
Zhu Wang
Sichuan University, People's Republic of China
Open Free Individual Submissions
Things-Centered Fiction: Theorizing a New Form
Chi-she Li
National Taiwan University, Taiwan
Open Free Individual Submissions
Translating Gorman’s “Black Girl Magic”: Aesthetics, Politics, and Ethics in the Translation of a Viral Inaugural Performance
Britta C. Jung
Mary Immaculate College, University of Limerick, Ireland
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361
Salle: KINTEX 1 213B
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(362 H) Language Contact in Literature: Europe (2)
Salle: KINTEX 1 302
Présidence : Marianna Deganutti, Slovak Academy of Sciences
Group Session
Language Contact in Literature: Europe
Eugenia Kelbert, Marianna Deganutti
Open Group Individual Submissions
Literature of the enthnolinguistic enclave as a borderline tradition: the case of Griko
Evgeniya Litvin1,2
1: University of Salento, Italy;
2: MSCA doctoral fellowship
ICLA Research Committee Individual Submissions
Language Contact and Roberto Bazlen’s Legacy in Adelphi’s “Mitteleuropa” Catalogue.
Davide Gnoato
ifk, Austria
ICLA Research Committee Individual Submissions
Poetical and Institutional Nomadism – Figures of In-Betweenness in the Hungarian Émigré and Transborder Literature
Mónika Dánél
Eötvös Loránd University, Hungary
ICLA Research Committee Individual Submissions
Born multilingual: language choice in early Romani literature
Sofiya Zahova
Vigdís International Centre for Multilingualism and Intercultural Understanding, University of Iceland, Iceland
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(363) Intermediality and Comparative Literature (6)
Salle: KINTEX 1 306
Présidence : Chang Chen, Nanjing University
Open Group Individual Submissions
The Poetics of Action: Intermedial Performativity in Frank O’hara’s Poetry
Chang Chen
Nanjing University, China, People's Republic of
Open Group Individual Submissions
Performativity connotations and theatrical effects of Bob Dylan's poetry
yan zhao
Sichuan University, China, People's Republic of
Open Group Individual Submissions
The Lure of the Stage: The Emergence of Allen Ginsberg’s Poetry Performance
Minglu Zhu
Zhejiang University, China, People's Republic of
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(364) Comparative History of East Asian Literatures (2)
Salle: KINTEX 1 307
Présidence : Haun Saussy, University of Chicago
Group Session
Literary History of Asia: Connections, Translations, Reinventions
Haun Saussy
ICLA Research Committee Individual Submissions
Kung Fu as a Knot: The Way of Survival in Men We Reaped
Yue Du
Sichuan University, China, People's Republic of
ICLA Research Committee Individual Submissions
Rethinking Left Internationalism: Debate on Collective Hamlet, Politics of Class and Nation, and Manchuria’s Revolution in the 1930s
Yuanfang Zhang
Huron College, Canada
ICLA Research Committee Individual Submissions
Beyond East-West Binaries: Reading Sarojini Naidu in Colonial Korea
Ji Hyea Hwang
Yonsei University, Korea, Republic of (South Korea)
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(432) Progression and Regression: Technologies and Power in the Literary Imagination (2)
Salle: KINTEX 2 305A
Présidence : Rui Qian, Nanyang Technological University
Open Group Individual Submissions
Technology, Race, and Utopia in Contemporary African American Science Fiction
Zhang Wenwen
Ningbo University, China, People's Republic of
Open Group Individual Submissions
The Role of the 'Spaceship Earth' Metaphor in Shaping 1960s and Modern Environmental Discourse
Asako Nobuoka
Toyo University, Japan
Open Group Individual Submissions
Space Technology and Power: An Analysis of the Spatial Characteristics of Julian Barnes' Novel 'The Noise of Time'
WEN KUNYI
Hainan Normal University, China, People's Republic of
Open Group Individual Submissions
Dickens' "Condition of England" Novels and the Technological Revolution in Victorian Britain
Chen Nuo
Capital Normal University, China, People's Republic of
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(433) From Han Kang to Han Kang
Salle: KINTEX 2 305B
Présidence : JIHEE HAN, Gyeongsang National University
Open Free Individual Submissions
From Handke to Han Kang: How the Nobel Prize in Literature Survived
Paul Tenngart
Lund University, Sweden
Open Free Individual Submissions
Han Kang’s Vegetarianism
Changnam Lee
Institute for American and European studies, Daegu, South Korea
Open Free Individual Submissions
A comparative study of feminist themes between the novels of Korean writer Han Jiang and Chinese writer Zhang Ailing
Ying-hui Pan
Shandong University of Aeronautics, China, People's Republic of
Open Free Individual Submissions
Reimagining Violence: Sensation, Bodily Deformation and Female Trauma in Can Xue’s The Last Lover and Han Kang’s The Vegetarian
Yi He
University of New South Wales, Australia
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(434) Beyond the Arabian Night
Salle: KINTEX 2 306A
Présidence : Seung-hye Mah, Dongguk University Seoul Campus
Open Free Individual Submissions
When Less is Not More: Arabic Pleonasm's Journey West. A comparative Approach
Raja Lahiani
UAE University, United Arab Emirates
Open Free Individual Submissions
Memory, History, and Identity in A donde tú vayas, iré by Victoria Dana
Rosa Escalante
Jefferson Community and technical college, United States of America
Open Free Individual Submissions
Trends and Development of Comparative Literature in Bangladesh
MD MUSFIKUR RAHMAN
Gauhati University, India
Open Free Individual Submissions
The image of a lover waiting for the beloved as an image depicting unrequited love: a state of being in poetic systems across language-cultures
Sweata Saha
The English and Foreign Languages University, India
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(435) The Cinematic Past and the Literary Present
Salle: KINTEX 2 306B
Présidence : Narie Jung, Sungkyunkwan University
Open Free Individual Submissions
The Interdisciplinary Creation of the Mummy in Jane Loudon’s The Mummy! A Tale of the Twenty-Second Century
Masami Usui
Doshisha University, Kyoto, Japan, Japan
Open Free Individual Submissions
The Cinematic Past and the Literary Present of Yan Geling’s Novel The Flowers of War (2012)
PINGFAN ZHANG
Zhejiang Gongshang University, China, People's Republic of
Open Free Individual Submissions
Entre Richard Wagner et Émile Zola : Tannhäuser mis en scène par Robert Carsen
Shinzo Hayashi
Université de Fukuoka, Japon
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(436) Portrait of Ghosts
Salle: KINTEX 2 307A
Présidence : Jun Soo Kang, anyang University
Open Free Individual Submissions
GENDERED GOLD AND GOLDEN GHOSTS: GOTHIC HEROINES OF NINETEENTH CENTURY BENGAL
Camellia Paul
Jadavpur University, India
Open Free Individual Submissions
Question of Crisis in Early Bengali Film Discourse: Tracing Film Criticisms of the 1930s and the 1940s
Dattatreya Ghosh
Jadavpur University, India
Open Free Individual Submissions
«Portrait du moine athonite à travers le prisme de trois récits de voyageurs français au Mt Athos au tournant des années 1920: histoire de genre ou histoire de privilège lié aux catégories sexuelles?»
Jean-Michel Sourd
Diocesan Boys’School, HK
Open Free Individual Submissions
American ‘Goddess of Mercy’ in the Nanjing Massacre: Minnie Vautrin and the Afterlife of Her Wartime Diary
PINGFAN ZHANG
Zhejiang Gongshang University, China, People's Republic of
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461
Salle: KINTEX 2 307B
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