13:30
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15:00 |
(277) Dongguk Univ: Korean Buddhist Literature
Salle: KINTEX 1 204
Host Sessions (Korean Students and Scholars Only)
The Birth of Modern Korean Literature and Buddhism – Seokjeon, Manhae, and Midang’s Buddism(한국현대 문학의 탄생과 -석전, 만해, 미당의 불교)
Chunsik Kim
Dongguk University
Host Sessions (Korean Students and Scholars Only)
｢'승려' 를 이야기하는 방법: 승려 행장에서 나타나는 꿈 화소의 양상과 기능｣
Jin-kyung Choi
Dongguk University
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(278) South Asian Literatures and Cultures (5)
Salle: KINTEX 1 205A
Présidence : ChangGyu Seong, Mokwon University
ICLA Research Committee Individual Submissions
Bangla Science Fiction: Extending the Horizons of a Genre in working out World Literature
Kunal Chattopadhyay
Comparative Literature Association of India (CLAI), India
ICLA Research Committee Individual Submissions
Colonial Indian Novel-- National Or Supranational: Illustrating A History Of Literary Systems Using The "Horizon Of Expectations As A Tool Through Fakir Mohan Senapati's Six Acres And A Third (1896) and O. Chandumenon's Indulekha (1889)
Shreya Dash
The English and Foreign Languages University, Hyderabad, India, India
Group Session
Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia
E.V. Ramakrishnan, Sayantan Dasgupta
ICLA Research Committee Individual Submissions
'Muhyidhin Mala' and the Imagination of ummah (community) in early 17th century Kerala.
Sherin Basheer Saheera
The English and Foreign Languages University, India
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(279) Decolonising 'World Literature' : Perspectives of Oratures and Literatures from South Asia
Salle: KINTEX 1 205B
Présidence : E.V. Ramakrishnan, Central University of Gujarat
Open Group Individual Submissions
Narrative Resistance in Fictionalised Autobiography: A Critical Study of Anita Desai’s Clear Light of the Day and Arundhati Roy’s The God of Small Things
Urvi Sharma
Amity University, Punjab, India
Open Group Individual Submissions
The Broken and Forgotten: Fractured Histories and Uncharted Margins of Partition.
Aparna Lanjewar Bose
The English and Foreign Languages University, India
Open Group Individual Submissions
Mapping Myth, Ecology, and Ecofeminism: Digital Humanities and AI in the Comparative Study of Bonobibi
Maria Bhuiyan1, Imtiaz Bhuiyan2
1: Khulna University of Engineering & Technology (KUET), Bangladesh, People's Republic of;
2: University of Technology Sydney (UTS), Ultimo NSW 2007, Australia
Open Group Individual Submissions
Parsi Thatre and Its Sonosphere
T S Satyanath
University of Delhi, India
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(280) Cosmopolitanism and Localism: Comparative Literature in Global Flows in the Digital Age (3)
Salle: KINTEX 1 206A
Présidence : Jing Zhang, Renmin University of China
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(281)
Salle: KINTEX 1 206B
Présidence : Simone Rebora, University of Verona
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(282) Translating ethics, space, and style (3)
Salle: KINTEX 1 207A
Présidence : Richard Mark Hibbitt, University of Leeds
Open Group Individual Submissions
Samuel Beckett’s Translingualism as a Framework for Bilingual Literary Creation
Yoo-jung Kim
Korea University, Korea, Republic of (South Korea)
Open Group Individual Submissions
Polyphonic Resistance and Secret Utopias: Technology and Language in the works of Cathy Park Hong and Theresa Hak Kyung Cha
Neethi Alexander
Indian Institute of Technology Mandi, India
Open Group Individual Submissions
“Different and yet the Same, the Same and yet Different”: Translation as Metaphor for Colonialism in Levy Hideo’s Japanese Prose
Thomas Brook
Otemon Gakuin University, Japan
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(283) Translating the Other: The Process and Re-Creation of Dialogue Across Asian and Other Languages and Cultures (3)
Salle: KINTEX 1 207B
Présidence : Felipe Chaves Gonçalves Pinto, University of Tsukuba
Open Group Individual Submissions
Feminist Translation: a comparative approach to translations of "Shōjo", by Mariko Ōhara
Natália Rosa
University of Tsukuba, Japan
Open Group Individual Submissions
Friendship as the Basis for Individual Happiness and Political Peace in Japanese Children's Literature
Christiane Kazue Nagao
National University of Quilmes, Argentine Republic
Foreign Sessions (Foreign Students and Scholars Only)
Dialogic possibilities in translation: the collaborative translation of Ishikawa Takuboku’s tanka into Portuguese
Felipe Chaves Gonçalves Pinto
University of Tsukuba, Japan
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(284) Approaching Nonhuman Narrative in World Literature
Salle: KINTEX 1 208A
Présidence : Biwu Shang, shanghai jiao tong university
Open Group Individual Submissions
The Critique of Romanticism in Kierkegaard and the Image of the Plant: Irony, Lilies, and Romantic Poetry
Guanlin LIU
Fudan University, China, People's Republic of
Open Group Individual Submissions
Beyond Bestiary: Identification and Dis-identification between Animals and Humans in Julio Cortázar’s and Guadalupe Nettel’s Short Stories
Yilin Wang
University College London, United Kingdom
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285
Salle: KINTEX 1 208B
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(286) Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West (1)
Salle: KINTEX 1 209A
Présidence : Jianxun JI, Shanghai Normal University; Chinese Comparative Literature Association
Group Session
Comparative Literature in East Asia: Cross-Cultural Practice as a Bridge between East and West
Jianxun JI, Hyebin Lim, Dong Han, Guo Zhang
Open Group Individual Submissions
Proverbs or Sacred Words? Linguistic Practice and Cultural Adaptation of Westerners in China During the Late Ming and Early Qing Dynasties
Wenting HU
Shanghai International Studies University, China, People's Republic of
Open Group Individual Submissions
Reimagining Railway Modernity through Tradition: Railway Games and Sino-Japanese Cultural Exchange in the 1930s
Aolan Mi
Tsinghua University, China, People's Republic of
Open Group Individual Submissions
Travels of Souvenirs Entomologiques: from Fabre to Osugi Sakae to Lu Xun
XiaoQiao Liu
Beijing Foreign Studies University, China, People's Republic of
Open Group Individual Submissions
The Dilemmas of Modernity in Mrs Dalloway and Fortress Besieged: Temporal Discipline, War Violence and the Crisis of Spiritual Ecology
Zhuoting Zhao
Northwestern Polytechnical University, China, People's Republic of
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(287)
Salle: KINTEX 1 209B
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(288) Re-globalization in Literature: from Euro-Asian Encounters to Cross-racial Dialogue (2)
Salle: KINTEX 1 210A
Présidence : Wen Jin, East China Normal University
Open Group Individual Submissions
A Cog in a Global Machine: Reification in Chinese and American High-Tech Narratives
Rui Qian
Nanyang Technological University, Singapore
Open Group Individual Submissions
The absence of the Absolute and Piping of Heaven: An Interpretation of Zhang Zao's Kafka to Felice
Hongze Liu
Sichuan University, China, People's Republic of
Open Group Individual Submissions
A Pilgrimage for Self-Expression: The Archetypal Imagination of China in British Romantic Poetry
Xinchen Lu
East China Normal University, China, People's Republic of
Open Group Individual Submissions
Affective Consumption: Branding, Alternative Media, and Transnational Community in Pattern Recognition
Yidan HU
University of Edinburgh, United Kingdom
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(289) Global Futurism (2) Translating the Future—Chinese Sci-Fi on the Global Stage
Salle: KINTEX 1 210B
Présidence : Dominic Hand, University of Oxford
Open Group Individual Submissions
Navigating Narrative Galaxies: Translating the Complexities of Chinese Science Fiction
Yifeng Sun
University of Macau, Macau S.A.R. (China)
Open Group Individual Submissions
The International Reach of Chinese Web Science Fiction: Exploring Fan Culture Dynamics
Xin Huang
Shanghai Jiao Tong University, China, People's Republic of China
Open Group Individual Submissions
Chinese Space-themed Science Fiction: Rise, Western Influences and Cultural Roots
Fuguang Miao
Shanghai University
Open Group Individual Submissions
“Chinese Imagination” Goes Global: The Translation and Dissemination of Chinese Science Fiction to the West
You Wu
East China Normal University, China, People's Republic of
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(290) Images and Memory
Salle: KINTEX 1 211A
Présidence : Seung Cho, Gachon University
Open Free Individual Submissions
“Tree” and “Illusory Flower in the Sky” - A Comparison of Images in Heidegger's and Buddhist Discourses on “Being”
Yakun Liang
Shanxi University, China, People's Republic of
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(291) Literature, Arts & Media (2)
Salle: KINTEX 1 211B
Présidence : Hanyu Xie, University of Macao
Intermedial studies and ‘New Materialisms’
Jørgen Bruhn, Linnaeus University
E-Mail: jorgen.bruhn@lnu.se
Most theoretical models of intermediality are inherently epistemological: media studies, including intermedial studies, basically investigates, criticizes and historicizes all the different ways of perceiving the world by way of different apparatus or communicative entities which may be more or less technical, advanced and complex.
However, in recent decades a new set of questions has occurred, approaching the world not only epistemologically but also ontologically: such questions are often subsumed under the heading of New Materialism(s): ontological ideas relating to process philosophy and studies of emergent qualities have become more and more prominent in Media- as well as Literary – and Gender Studies. Such an ontological frame is of special relevance to Comparative Literature, where it raises important questions on the nature, practice, and relevance of comparison, and indeed of the notion of literature itself.
As the integration of such non-substantialist approaches within intermedial studies and comparative literature is still in its early stages, these theoretical-methodological relations deserve closer academic attention. The general aim of this panel is therefore to investigate in depth the possible relations between intermedial studies and new materialist methodologies.
Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope
Hanyu Xie
University of Macao, China, People's Republic of; yc47743@um.edu.mo
Kalaf Epalanga is a contemporary writer, musician and poet, an African emigrant who settled in Europe during his youth for better education, and as a result of the civil war in Angola. Over the last decades, he experienced the cultural reality of Lisbon and Berlin. Like a 21st century flâneur, Epalanga and his music are present in the center and on the outskirts of Lisbon. The Portuguese press see him as a “cultural agitator”, who demonstrates on behalf of African culture or, in a broader sense, on behalf of black cultures around the world. The present study has as object Epalanga’s novel Whites can dance too (Também os brancos sabem dançar), which could be seen as a “musical novel”, based on the concept of “melophrasis” developed by Rodney Edgecombe (1993) and Therese Vilmar (2020) in response to the idea of “musicalized fiction” by Werner Wolf (1999). In the novel, Epalanga creates a thought-provoking narrative, woven together with the history of African music, including genres like Kuduro and Kizomba, and exploring its complex interactions with canonical genres such as Fado and Rap. Additionally, the author guides the reader through the complex feelings and subjectivity of the characters, providing an experience of their diverse emotions through metamusic. Epalanga thus constructs a unique musical land (a safe space) through words. It is important to note that these music-centered or music-based narratives are intertwined with ancient colonial memories, as well as contemporary narratives that highlight the suffering of the African diaspora on the European continent. In this musical land of the novel, the three main characters are on very different life trajectories, but they all cross paths at some point because of music and, at the end of the story, each of them finds in music a kind of redemption or sanctuary of their own. This narrative conception results in a remarkable contrast between darkness and luminosity, which evokes the clashes in the social arrangement of white and black voices (Achile Mbembe, 2003; Michel Foucault, 1997), and the proposition of a world-space that houses “non-hegemonic” voices. This contrast between darkness and light inspired me to explore the idea of literary music as a “safe space”. What I propose to discuss in this study is not music in its strict and concrete sense, but rather music as a possible verbal and aesthetic experience for the literary reader, for the reader of Os brancos também podem dançar, in short, a music that “can be read”. What is the “song” really about? How can this “musical romance” inspire new perspectives on issues of ethnicity today? How do the rhythm of ideas, frustrations and hopes intertwine with the mixed beat of rap, kuduro and fado? In seeking these answers, I also seek a new path of reflection on the construction of ethnic identities and the forms of existence and resistance of marginalized groups in today’s world.
Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations
yaqi Liang
Media and Cultural Industry Sichuan University, China, People's Republic of; 2021321030060@stu.scu.edu.cn
Chinese academies emerged in the Tang Dynasty, and their functions gradually evolved from book repair and collection to reading and learning. Their service targets ranged from individuals to the general public, and they could cultivate talents and spread culture. The civilization of Bashu Academies not only benefited from the exchange and mutual learning between ancient BaShu culture and other cultures, but also from the "Southern Silk Road" that has lasted for thousands of years and crossed centuries. As a trade and cultural inheritance road, it inherits not only a culture, but also a spiritual force. The Academies culture in the Bashu Academies has shaped the urban character of "openness, innovation and creativity" and the humanistic characteristics of "broad mindedness and friendliness". Communication can make civilization colorful, mutual learning can enrich civilization, and communication and mutual learning can make civilization full of vitality and creativity. Exchange and mutual learning help promote the integration of civilizations from all over the world, and forge a magnificent force for the development and progress of human society. This points out the direction for promoting the development of world civilization and provides a good strategy for resolving conflicts between civilizations. Civilizations communicate through diversity, learn from each other through communication, and develop through mutual learning. The exchange and mutual learning among different countries, ethnic groups, and cultures in the world can enhance the humanistic foundation of a community with a shared future for mankind, spread and exchange each other's cultures, and promote the mutual learning of civilizations.
The academies in the Bashu Academies can become a distinctive medium for cultural dissemination, relying on new academies and utilizing forms such as new media and intelligent media to tell the "Chinese story" well, promoting the true transformation of Chinese civilization from "going out" to "going in" on the global stage. Bashu Academies is a "magnet" that uses advanced cultural dissemination concepts to gather and integrate excellent cultures from ancient, modern, Chinese, and foreign cultures as a "iron"; The Academies is also a "neighborhood". It uses advanced cultural communication concepts to stimulate and amplify the charm of various cultures and vigorously spread them, so that the Academies will become a characteristic platform and an important channel to promote folk friendly cooperation in cultural exchanges along the "the Belt and Road". In effective communication, enhance cultural confidence internally and increase the influence of Chinese culture externally.
Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories
Jayshree Singh, Priyanka Solanki
Bhupal Nobles' University Udaipur Rajasthan, India; dr.jayshree.singh@gmail.com
Literary animal studies - delving into the roots of human-animal interactions examine how animals are portrayed in different literary works in context of cultural attitudes, and ethical issues, is the study of animals and their representation in literature (Ortiz-Robles 55). Emerging as an interdisciplinary field, human/animal studies encompass a wide range of disciplines that make up the so-called "new humanities," which are concerned with human behavior and culture (Gottschalk11). The discussion draws from a wide range of fields, including but not limited to: “primatology, ethics, genetics, cognitive science, literature, history, philosophy, and cultural studies” (Singer 1). The classified and digitalized illustrations of Animals in the Human Societies worldwide by way of tangible or intangible depiction for consciousness-raising towards their predicament or for extracting the allegorical aesthetics use medium of language and form in creative writings, while visuals are either in digitalized generative images or as sculptures to denote perceptual observation, selection of sensitivity for the sake of perceptual defense to sensitize the readers and viewers. Their existing signifiers signify a set of dominant power relations or religion-ethical connotations of society towards animalism or for animals. Literature, Arts and Media have shown how the 'Animals in Question' are the agents through their mode of action to compete for legitimacy and authority and it is the medium of writing or the pictorial depiction categorically function either as a manner of Liar's Paradox or a counterpoint to humans' humanity. The research area of study attempts to analyze the ’gaze’ that sorts the trajectories, strategies of the internal and external stimuli and draws a brilliant analytical parallel picture of cultural, social, and hegemonic origin and influence by way of totalitarianism, imperialism, capitalism, and materialism. The eco-system both fragmented and diversified epitomize ‘the deepest tensions, social conflicts, rituals, taboos, and myths of humanity’s struggle to come to terms with its physical environment ‘through the bewildering, skeptical world of fictional’ (Orwell, xii).) animal fables in order to transform and restructure society. Otto Keller's enormous two-volume book "Die Antike-Tierwelt" from 1913 (reprinted 1963) served as the only thorough compilation of data on specific animal species in the ancient sources for over a century (Campbell 27). Scholars like Liliane Bodson and Richard Sorabji began to radically alter this perception and identification. Their goals are comparably metaphorical to bring paradigm shift for understanding both digitalized and non-digitalized, protected or non-protected archival visual representation of animals in order to pave for humanitarian conflict resolution towards prehistoric and modern arguments, and to make the prehistoric data speak to larger issues and concerns in classical research (Sorabji 36).
Group Session
Intermedial studies and ‘New Materialisms’
Jørgen Bruhn
ICLA Research Committee Individual Submissions
Political Darkness with Musical Luminosity: Kalaf Epalanga’s “musical romance” Whites can dance too as a “safe place”, a rhythm of hope
Hanyu Xie
University of Macao, China, People's Republic of
ICLA Research Committee Individual Submissions
Research on the dissemination of academy culture in Sichuan Bashu Academies under the mutual learning of civilizations
yaqi Liang
Media and Cultural Industry Sichuan University, China, People's Republic of
ICLA Research Committee Individual Submissions
Classified and Digitalized Illustrations of Animals in Human Societies - Gaze and Trajectories
Jayshree Singh, Priyanka Solanki
Bhupal Nobles' University Udaipur Rajasthan, India
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(292) Oriental Literature in World Literature: Exchanges and Mutual Learning (5)
Salle: KINTEX 1 212A
Présidence : Lu Zhai, Central South University, China
Change in Session Chair
Session Chairs: Lu Zhai (Central South University); Weirong Zhao (Sichuan University)
Open Group Individual Submissions
The Image of Chinese Women in Western Anthropocene Novels ——A Case Study of Chang-rae Lee’s On Such a Full Sea
Qiannan Yang
SIchuan University, China, People's Republic of
Open Group Individual Submissions
Chinese placenames in Korean Gasa : the construction of literary imagination and symbolic meaning
Haishu An
Yanbian University, China, People's Republic of
Open Group Individual Submissions
Tu Fu's Influence on American Poems: The Cases Study in the New Poetry Movement, the Mid-and-late 20th Century and Contemporary Era
jingmin xu
郑州大学, China, People's Republic of
Open Group Individual Submissions
A Girl Without a Name: Women’s Self-realization in City of Broken Promises
Shuaidong Zhang
Sichuan Uinverisity, China, People's Republic of
Open Group Individual Submissions
The Oriental Dreams in Fantasy Novels: The Cross-cultural Variations and Derivations of Contemporary Chinese Fantasy Novels under the Influence of Western Fantasy Trends
Xiao Jun Gao
Sichuan University, China, People's Republic of
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(293) Mutual Learning of Civilizations and Reconstruction of World Literature (7)
Salle: KINTEX 1 212B
Présidence : Qing Yang, Sichuan University
Open Group Individual Submissions
A Comparative Study of the Ecological Writings in William Faulkner and Jia Pingwa
Chunfang Yi
Northwestern Polytechnical University, China, People's Republic of
Open Group Individual Submissions
On the Writing of Civilization History in Digital Games
Qifei Wang
Taiyuan Normal University, China, People's Republic of
Open Group Individual Submissions
From national literature to world literature: Shen Yanbing's early conception and practice of world literature
YILIN TANG
City University of Hong Kong, Hong Kong S.A.R. (China)
Open Group Individual Submissions
Divination and Signifying Mechanism: Isomorphism between Sanxingdui Carved Symbols and Early Ancient Yi Script
Laze Jiaba
四川大学, China, People's Republic of
Open Group Individual Submissions
Eliminating Opposition and Promoting Dialogue: Mutual Learning of Civilizations in Overseas Pre-Qin Thought Research
Zhoulu Wang
University of Electronic Science and Technology of China, China, People's Republic of
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(294) Polyphony and Semiotics of Literary Symbols (3)
Salle: KINTEX 1 213A
Présidence : Inna Gennadievna Merkoulova, State Academic University for the Humanities
Open Group Individual Submissions
Refilling Homer’s Cup: A Study of 'Circe' and 'The Song of Achilles'
Ashi Thakran
Central University of Haryana, India
Open Group Individual Submissions
Jongmyo Shrine as a Semiotic Space: A Lotmanian Approach
Jin Young Lee, Sung Do Kim
Korea University, Korea, Republic of (South Korea)
Open Group Individual Submissions
Memory's Forked Paths and the Restructuring of Symbolic Systems
Ruiqian Qu
Capital Normal University, Chine
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(295) The East Asian Literature from a Global Perspective (3)
Salle: KINTEX 1 213B
Présidence : Zhejun Zhang, Sichuan University,China
Open Group Individual Submissions
A Comparative Study of the Concept of “Teaching through Non-Teaching” in Chinese and Western Traditions— Focusing on Mencius and Socrates
Lishi Hu
Hunan University, China, People's Republic of
Open Group Individual Submissions
Affective Narrative Genres in Cross-Cultural Contexts: A Comparative Study of East Asian and Western Texts through Hogan’s Theory of Emotional Systems
FEI TAN
Sun Yat-sen University, China, People's Republic of
Open Group Individual Submissions
On the Dual Dimensions of Early Buddhism and the Interpretation of the Book of Songs
Dan Xie
The College of Literature and Journalism，Sichuan University, China, People's Republic of
Open Group Individual Submissions
On the Polyphony of Wang Wenxing's novel Family Catastrophe
Tong Xuanran
Xiamen University, China, People's Republic of
Open Group Individual Submissions
Stephen Owen's Research on Tang Poetry
Xing Xu
Shanghai International Studies University, China, People's Republic of
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(296 H) Comparative Literature and Digital Literary Studies in Georgia
Salle: KINTEX 1 302
Présidence : Irma Ratiani, Iv. Javakhishvili Tbilisi State University
Open Group Individual Submissions
Formation and Development of Comparative Studies in Georgia
Irma Ratiani, Gaga Lomidze, Lili Metreveli
Georgian Comparative Literature Association (GCLA)
Open Group Individual Submissions
Perspectives and Challenges in the Creation and Digital Analysis of Georgian Literary Corpora
Irakli Khvedelidze
Georgian Comparative Literature Association (GCLA)
Open Group Individual Submissions
Quantitative-Statistical Analysis of the Semantics of Color in The Knight in the Panther's Skin
Maka Elbakidze, Irakli Khvedelidze
Georgian Comparative Literature Association (GCLA)
Open Group Individual Submissions
Digitizing Georgian-French Cultural Exchanges: Archival Methods and Accessibility
Tatia Oboladze, Rusudan Turnava, Nino Gagoshashvili
Georgian Comparative Literature Association (GCLA)
Open Group Individual Submissions
Digital Analysis of the Symbols in the Life of Saint Nino
Nino Gagoshashvili
Georgian Comparative Literature Association (GCLA)
Open Group Individual Submissions
A Quantitative Analysis of Versification Parameters in The Knight in the Panther’s Skin Based on Nestan-Darejan’s Two Letters
Salome Lomouri, Tamar Barbakadze
Georgian Comparative Literature Association (GCLA)
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(297) Intermediality and Comparative Literature (3)
Salle: KINTEX 1 306
Présidence : Chang Chen, Nanjing University
Open Group Individual Submissions
Intermedial Performativity and Contemporary Chinese Performance Arts
Chengzhou He
Nanjing University, China, People's Republic of
Open Group Individual Submissions
Interaction Between Film and Theater: A Case Study of New/ Gates Dragon Inn.
Rong Ou
Hangzhou Normal University, China, People's Republic of
Open Group Individual Submissions
Lost in Projection: A Critique of Contemporary Resonance and the Erosion of Jingju in Contemporary Legend Theatre’s Julius Caesar
Wei Feng
Shandong University, China, People's Republic of
Open Group Individual Submissions
Intermedia Art: A Multimodal Analysis of Li Shun's Art Exhibition “Capture the Light and Shadow"
Ruhui Wang1, Hao Wang2
1: Hangzhou Normal University, China, People's Republic of;
2: Wenzhou-Kean University, China, People's Republic of
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(298) Religion, Ethics and Literature (5)
Salle: KINTEX 1 307
Présidence : Kitty Millet, San Francisco State University
ICLA Research Committee Individual Submissions
An Interpretation of Perpetrator Trauma in Louise Erdrich’s Larose
SHUANGSHUANG LI
Tsinghua University, China, People's Republic of
ICLA Research Committee Individual Submissions
Angels and Roombas: a Bloody Post-Human Parallel
Purba Basak
Jadavpur University, India
ICLA Research Committee Individual Submissions
How religilon can contribute to literature
Sun Sook Kim
The institute for Science of Mind, Korea, Republic of (South Korea)
ICLA Research Committee Individual Submissions
The Western Plight and Survival Ethics in The Grapes of Wrath
Sasa Zhao
Northwestern Polytechnical University, China, People's Republic of
ICLA Research Committee Individual Submissions
A SINGULAR LOVE IN 56 LANGUAGE-FORMS : LITERATURE AS TRANSFORMATIVE ETHICS
Ipshita Chanda
The English & Foreign Languages UNiversity, Hyderabad IN, India
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(131) Text and tech (ECARE 31)
Salle: KINTEX 2 305A
Présidence : Yichen Zhu, Fudan University
ECARE/NEXT GEN Individual Submissions
Adaptation Beyond the Text: Uttara as a hypertext of Uratiya
Shiblul Haque Shuvon
Jahangirnagar University, Bangladesh, People's Republic of
ECARE/NEXT GEN Individual Submissions
The Tension Between Intuition and Craft: Media Technology and Genre Transition in Close Reading
Yichen Zhu
Fudan University, China, People's Republic of
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(132) The Comics frontier (ECARE 32)
Salle: KINTEX 2 305B
Présidence : Sara Mizannojehdehi, Concordia University
ECARE/NEXT GEN Individual Submissions
Where to Draw the Line: Exploring the Intersections of Comics Journalism, Oral History, and Memoir
Sara Mizannojehdehi
Concordia University, Canada
ECARE/NEXT GEN Individual Submissions
Asterix and the Postmoderns: History, Resistance, and Empire in the 20th Century
BEATRIZ SEELAENDER
University of São Paulo, Brazil
ECARE/NEXT GEN Individual Submissions
Priya Comic Series: A Voice of Protest Against Gender Violence & Fundamentalism
Dwaipayan Roy
NIT Mizoram, India
ECARE/NEXT GEN Individual Submissions
Creative Fungibility: Drawing Parallels Between Virtual Production, AI Filmmaking, and Comic Book Creation
Damien Rinaldo Tomaselli
UIC - United International College Hong Kong Baptist / University of Beijing, China, People's Republic of
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(133) The web novel frontier (ECARE 33)
Salle: KINTEX 2 306A
Présidence : Yimeng Xu, The University of Hong Kong
ECARE/NEXT GEN Individual Submissions
Digital Ethnography on the Soft Power Building of the Online Platform Webnovel’s Literary Translation
Yankun Kong
Communication University of China, People's Republic of China
ECARE/NEXT GEN Individual Submissions
Hoarding in Survival Fantasy: Chinese Women’s Affective Labor in Web Novel Platforms During the COVID-19 Pandemic
Yansha He
The University of Hong Kong, Hong Kong S.A.R. (China)
ECARE/NEXT GEN Individual Submissions
The Docile Husband: A Critical Discourse Analysis of Soft Masculinity in Digital Culture
Yimeng Xu
The University of Hong Kong, Hong Kong S.A.R. (China)
ECARE/NEXT GEN Individual Submissions
Considering the Social Significance of the Isekai Genre
Jessy ESCANDE
Waseda University, Japan
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(134) Translation and agency (ECARE 34)
Salle: KINTEX 2 306B
Présidence : Juanjuan Wu, Tsinghua University
ECARE/NEXT GEN Individual Submissions
On Translator’s Subjectivity Through the Paratexts of Three Chinese Translations of Ulysses
Keqi Yao
Nanjing University, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
Translator Behavior in Chinese Folk Language Translation: A Case Study of The Mountain Whisperer
Xuebing Wang
Northwestern Polytechnical University, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
Affective Translation, Poetic Capital, and Cosmopolitan Modernism in the Ayscough/Lowell Translation Project on Tang Poetry
Juanjuan Wu
Tsinghua University, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
A Comparative Study on Translator Autonomy in Korean-Chinese/Chinese-Korean Children's Literature Title Translations - Focusing on Revised Target Texts after Source Text ‘Transformation’-
JIAWEI DING
Zhejiang Gongshang University, China
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(135) Translation and circulation (ECARE 35)
Salle: KINTEX 2 307A
Présidence : Kai Lin, University of Alberta
ECARE/NEXT GEN Individual Submissions
On Philology in Three Dimensions and Its Interaction with World Literature Studies
Jingyu Zhuang
Fujian Normal University, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
Translating Queerness Across Censorships: The Fan Translation of Pioneer Summer: A Novel from Russia to China
Kai Lin
University of Alberta, Canada
ECARE/NEXT GEN Individual Submissions
Translation as Rewriting-the (Re)constructed Female Images in Outlaws of the Marsh
Zichen Zhao
RMIT University, Australia
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Special Session II: Roundtable on Living With Machines: Comparative Literature, AI, and the Ethics of Digital Imagination
Salle: KINTEX 1 Grand Ballroom
Présidence : Matthew Reynolds, University of Oxford
Special Sessions
Special Session II: Roundtable Celebrating 70th Anniversary of the ICLA
Lucia Boldrini1, Anne Duprat2, Ipshita Chanda3, Sandra Bermann4, Anne Tomiche5, Hiraishi Noriko6, Haun Saussy7, Márcio Seligmann-Silva8, E.V. Ramarkrishnan9, Marc Maufort10, Chengzhou He11, Emanuelle Santos12, Matthew Reynolds13, Stefan Helgesson14
1: Goldsmiths, UK;
2: Picardie-Jules Verne University, France;
3: EFLU, India;
4: Princeton U;
5: U of Sorbonne, France;
6: Tsukuba U, Japan;
7: U of Chicago, USA;
8: UNICAMP, Brazil;
9: Central U of Gujarat, India;
10: Editor of Recherche littéraire, USA;
11: Nanjing University, China;
12: U of Birmingham, UK;
13: Oxford U;
14: Stockholm U
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(458) Next Generations of Literary and Artistic Narratives
Salle: KINTEX 2 307B
Présidence : You Wu, East China Normal University
Open Free Individual Submissions
AI and Machine Translation in Indian Comparative Literature: Challenges, Opportunities, and Global Impact.
Soumojit Ghosh
Visva-Bharati, India
Open Free Individual Submissions
Narrative Worlds of K-pop Idol Fan Fiction: A Comparative Digital Humanities Approach to Domestic and Global Fandoms
Hohyun Lyu, Seung-eun Lee, Eugene Chung
Korea University, Korea, Republic of (South Korea)
Open Group Individual Submissions
Reclaiming Black Futures: Afrofuturism as a Transformative Response to Afropessimism.
Temitope Dorcas Adetoyese
University of Texas at Austin, United States of America
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(502 H) Translating Migration: The Movement of Texts and Individuals in World Literature (3)
Salle: KINTEX 2 308A
Présidence : Chun-Chieh Tsao, University of Texas at Austin
Open Group Individual Submissions
Self-translation as World Making: River of Fire and the Migrant Translator’s ‘Burden’
Zaynab Fatima Ali
Seneca Polytechnic, Canada
Open Group Individual Submissions
Translating Self, Performing Migrancy: Ha Jin’s Transnational Poetics in A Distant Center
Yuan Liu1, Bo Li2
1: University of Glasgow;
2: Lingnan University
Open Group Individual Submissions
Songs of the River: Migration and the Fluidity of Meaning in the Translations of ‘Bhatiali’ and ‘Bhawaiya’
Priyanka Chakraborty
Sister Nivedita University, India
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