Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
Please note that all times are shown in the time zone of the conference. The current conference time is: 1st Aug 2025, 12:56:09am KST
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Session Overview |
Date: Monday, 28/July/2025 | |||||||||||||||||||||||||||||
1:30pm - 3:00pm |
(145) Literary Theory Committee Location: KINTEX 1 204 Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France ICLA Research Committee Individual Submissions Formalism: From Manufacturing to Data Processing Freie Universität Berlin, Germany ICLA Research Committee Individual Submissions Games as a Creative Technology for Literary Writing University of Oslo, Norway ICLA Research Committee Individual Submissions Social Media Infrastructures and Consciousness Representation in the Contemporary American Novel Ghent University, Belgium ICLA Research Committee Individual Submissions Technologies of Fiction: How does literary theory account for the affordances of fictions? Université de Picardie-Jules Verne/ Institut universitaire de France, France |
(146) Dwelling Between Life and Death Location: KINTEX 1 205A Chair: ChangGyu Seong, Mokwon University Foreign Sessions (Foreign Students and Scholars Only) A General Overview of Northern and Southern Dynasties and Tang-era Silla Monks’ Eastward Pilgrimage for Buddhist Learning SICHUAN University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) A comparative study of ecological thoughts in children's literature between East and West -- A case study of China and Germany Southwest Jiaotong University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Dwelling Between Life and Death: A Study of "厝" in Minan Rurul Society Sichuan University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) “Fearless and Free”: Josephine Baker’s Transnational Performatives of Raced Femininity Central China Normal University, China, People's Republic of |
(147) Comics Studies and Graphic Narrative (1) Location: KINTEX 1 205B Chair: Stefan Buchenberger, Kanagawa University ICLA Research Committee Individual Submissions Frank Miler’s Daredevil. The Transformation of a Superhero. Kanagawa University, Japan Open Group Individual Submissions Beyond Good and Evil: The Subversion of Heroic Archetypes in The Wicked + The Divine Catholic University of Lublin, Poland Open Group Individual Submissions First Impressions: Cover Art and Otherness in Metal Hurlant and Sharaz-De Lahore University of Management Sciences, Pakistan Open Group Individual Submissions The Fascist Superhero Lahore University of Management Sciences, Pakistan |
(148) Chungbuk National Univ. (1) Location: KINTEX 1 206A Chair: Heebon Park, Chungbuk National University Host Sessions (Korean Students and Scholars Only) From Drawing Rooms to Battlefields: Gender, Class, and Technology in the Adaptations of Pride and Prejudice Chungbuk National University(CBNU), Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Dual Devastation of Man and Nature Under the Guise of Civilization in Heart of Darkness by Joseph Conrad Chungbuk Nanional University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Male Dominated System and Deprived Motherhood in Top Girls Chungbuk National University, Korea, Republic of (South Korea) |
(149) What is "the Beyond"? Location: KINTEX 1 206B Chair: Jun Soo Kang, anyang University Foreign Sessions (Foreign Students and Scholars Only) Taiwan Literature as Kafkaesque? — A Case Study of L’abécédaire de la littérature: K comme Kafka National Taiwan University, Taiwan Foreign Sessions (Foreign Students and Scholars Only) What is "the Beyond"?: The Supernatural and the Quest for Irish Identity in Conor McPherson’s Plays Central China Normal University, China, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Fast-Books: an Academy for the Writer and a Dose for the Fast-Reader Universitat Abat Oliba CEU - CEU Universities, Spain Foreign Sessions (Foreign Students and Scholars Only) Bureaucratic Fiction: Aesthetic Regimes of Administration in World Literature and Film Western University, Canada & University of Bonn, Germany |
(150) Global South Futurism Location: KINTEX 1 207A Chair: Guangyi Li, Chongqing University Group Session Global South Futurism
Open Group Individual Submissions Redefining Global Narratives from the South: Technology, Crisis and Identity in El Eternauta and Kentukis University of California, Riverside, United States of America Open Group Individual Submissions Explorations in Africanjujuism:The Unconscious and Materialism of Juju Chongqing University Open Group Individual Submissions "Between Inner Sage and Outer King": A Preliminary Exploration of Mou Zongsan’s Neo-Confucian Thought Hunan University, , Yuelu Academy,China Open Group Individual Submissions Possible Worlds: Afrofuturism, Postcolonial Temporality, and the Remapping of Black Futures Jagiellonian University, Poland |
(151) AI, Decoloniality and Creative Translation (1) Location: KINTEX 1 207B Chair: Matthew Reynolds, University of Oxford Open Group Individual Submissions Complementarities: Artificial Intelligence and Language Ontologies University of Oxford, United Kingdom Open Group Individual Submissions Leveraging LLM Tools for Decolonializing Translation in the College Literature Classroom Boise State University, United States of America Open Group Individual Submissions Arabic and Chinese Wine Poems: Culture and Ethos School of Oriental and African Studies, University of London, United Kingdom Open Group Individual Submissions Conversational AI as a Translation Companion: Exploring Collaborative Strategies in Translating Performative Poetry of Marico Carmona Universidad de Belgrano, Argentine Republic |
(152) Approaching Nonhuman Narrative in World Literature (1) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions Approaching Nonhuman Narrative in World Literature: The Strange Case of “My Life with a Wave,”by Octavio Paz University of Tennessee, USA, United States of America Open Group Individual Submissions Thing, Scale and Worldmaking: from Human Narrators, Nonhuman Narrators to “Scale Narrators” Guangdong University of Foreign Studies, China, People's Republic of Open Group Individual Submissions Nonhuman Agency and Ecological Justice: Reimagining Capitalism and Environmental Crisis in Gun Island Shanghai Jiao Tong University, Shanghai, China Open Group Individual Submissions The Nonhuman Narrative in Chen Qiufan’s Waste Tide Hanyang University, Korea, Republic of (South Korea) Open Group Individual Submissions Character Focalization and Nonhuman Ethics in The Velveteen Rabbit Shanghai Jiao Tong University, People's Republic of China Open Group Individual Submissions Androgyny and Non-Human Perspectives: A Comparative Analysis of Orlando and The Left Hand of Darkness through Donna Haraway’s Lens Universidade Estadual do Centro-Oeste, Brazil Open Group Individual Submissions Language, Seashells and Tropisms: Writing Ecosophical Subjectivities in Ponge and Sarraute University of Chicago, United States of America |
(153) Comparative World Literature and New Techno Humanities Location: KINTEX 1 208B Chair: Seung Cho, Gachon University Open Group Individual Submissions Ethical Literary Criticism: Oral Literature and the Formation Mechanism of Brain Text Guangdong University of Foreign Studies/Zhejiang University, China Open Group Individual Submissions Irony and the Philosophy of Happiness in Emma Hangzhou Normal University |
(154) Black Women on the Move: Transnational Negotiations of Identity and Community (1) Location: KINTEX 1 209A Chair: Tong He, Central China Normal University Open Group Individual Submissions Nella Larsen’s Quicksand (1928) and the Limitations of Transnational Identity Central China Normal University, China Open Group Individual Submissions Exoticism and Identity Negotiation: Oriental Objects in Nella Larsen’s Quicksand Through a Polycultural Lens Renmin University of China, China, People's Republic of Open Group Individual Submissions “Fearless and Free”: Josephine Baker’s Transnational Performatives of Raced Femininity Central China Normal University, China Open Group Individual Submissions Female Physical Transformation and Subjectivity Construction in Metamor- phosis Myths Guangdong University of Foreign Studies, China, People's Republic of |
155 Location: KINTEX 1 209B |
(156) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (1) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University Open Group Individual Submissions Future Life in Science Fiction: Digital Worlds and The “Birth” and “Death”of Digital Lifeforms Sichuan University, China, People's Republic of Open Group Individual Submissions Between Collision and Integration: The Evolution and Logic of the Relationship between Literature and Science University of Electronic Science and Technology of China Open Group Individual Submissions Resurrection, Dust, and Entanglement: Materiality of the Computational Universe in Greg Egan’s Permutation City Fudan University, China, People's Republic of Open Group Individual Submissions Between the Sacred and the Profane: Posthuman Existence and Mythological Narrative in "Klara and the Sun" / 圣俗之间:《克拉拉与太阳》中的后人类生存境遇与神话叙述 Hainan Normal School, China, People's Republic of Open Group Individual Submissions The Persistence and Breakthrough of Mind-Body Paradox: the Cultural Logic of Subjectivity in Contemporary Artificial Intelligence Science Fiction Narration Beijing Normal University, China, People's Republic of |
(157) Looking back at Étiemble’s comparativism: what legacy, what prospects? (1) Location: KINTEX 1 210B Chair: Tristan Mauffrey, Université Sorbonne Nouvelle Open Group Individual Submissions L’humanisme total, un décentrement vraiment général Université de Lille, France Open Group Individual Submissions La réception des pensées d’Étiemble en Chine Sichuan University (China), China, People's Republic of Open Group Individual Submissions "A l'impossible, il est vrai, chacun de nous, je l'espère, se sent tenu." Dans les archives d'Etiemble. Université Bordeaux Montaigne, France |
(158) Han Kang, Bora Chung, and Cities Location: KINTEX 1 211A Chair: Jungman Park, Hankuk University of Foreign Studies Open Free Individual Submissions An Ethical Encounter with Alterity in Han Kang’s The Vegetarian Macau University of Science and Technology, Macau S.A.R. (China) Open Free Individual Submissions The Cosmopolitan Fear and the Fantasy in Bora Chung’s Cursed Bunny: A Representation of How Horror Resides in Reality and Vice-Versa. Southeast University, Bangladesh, People's Republic of Open Free Individual Submissions An Eastern Nobel in a Western Context: The Question of Universality in the Reception of Han Kang’s Nobel Prize in Swedish and Western Media. Lund University, Sweden Foreign Sessions (Foreign Students and Scholars Only) Cities as Archives: Comparative Urbanism, Literary Practices, and the Everyday City University of Hong Kong, Hong Kong S.A.R. (China) |
(159) The Death of an Author Location: KINTEX 1 211B Chair: Byung-Yong Son, Kyungnam University Host Sessions (Korean Students and Scholars Only) A Comparative Study on Enlightenment and Nationalism through the Poems of Shin, Chae-ho(申采浩)and Lu Xun(魯迅) The Korean Society Of East-West Comparative Literature(한국동서비교문학학회), Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Reimagining Literary Criticism in the Age of AI: A Case Study of The Death of an Author China Foreign Affairs University, China, People's Republic of Host Sessions (Korean Students and Scholars Only) The Invisibility of Translator?: Towards an Alternative Strategy of Translation Dongguk University, Korea, Republic of (South Korea) |
(160) Oriental Literature in World Literature: Exchanges and Mutual Learning (1) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) Open Group Individual Submissions The Image of Girls in Chinese Fiction During the Republican Era University of Sydney, Australia Open Group Individual Submissions The Snow Leopard and Dolpo: Analyzing Two Tales of Adventure and Spirituality from the West and the East Balkumari College, Bharatpur-2, Chitwan, Nepal, Nepal Open Group Individual Submissions The Early Reception of T. S. Eliot in China: Under the influence of I. A. Richards, William Empson and others Shanghai Normal University, China, People's Republic of Open Group Individual Submissions Ezra Pound’s Conception of “Heroic Confucius” and the Vision for Reconstruction of Western Civilization Through Confucian Ideals Central South University, China, China, People's Republic of |
(161) Mutual Learning of Civilizations and Reconstruction of World Literature (1) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Group Individual Submissions Mutual Learning Among Civilizations and Reconstruction of World Literature Sichuan University, China Open Group Individual Submissions Comparison without Hegemony: Globalizing East-West Studies Harvard University Open Group Individual Submissions From Local Settings to Border Crossings Aarhus University, Denmark Open Group Individual Submissions The Communication Relationship of Literature: The Communication Form of Network Relationship Sichuan University, China Open Group Individual Submissions Beyond language: Chinese literary game and its dialogue with Western poetics and philosophy Sichuan University, China, People's Republic of |
(162) Genre Imagination in Korean Literature Location: KINTEX 1 213A Chair: Hyungrae Cho, Dongguk Univ. Host Sessions (Korean Students and Scholars Only) 「한국 웹소설이란 무엇인가」 Dongguk University Host Sessions (Korean Students and Scholars Only) 「혐오 시대의 '좋은 삶' 과 로맨스 : 한국 웹소설 이혼물에 나타난 젠더 갈등과 친밀성의 문제」 Jeonju University Host Sessions (Korean Students and Scholars Only) 「조선 왕조를 배경으로 한 SF소설 비교 연구 시론: 켄 리우의 '실크펑크' 와 정명섭의 '조선스팀펑크' 를 중심으로」, Dongguk University Host Sessions (Korean Students and Scholars Only) Volunteer translation for sponsored children KONKUK University, Korea, Republic of (South Korea) |
(163) Korean Literature as Global Locality Location: KINTEX 1 213B Chair: Chunsik Kim, Dongguk University Foreign Sessions (Foreign Students and Scholars Only) ld and new questions for literature in the digital age Goldsmiths, University of London Host Sessions (Korean Students and Scholars Only) Technological Objects and the Temporal Externalization of Memory: A Comparative Study of Elegy and Marjorie Prime Dongguk University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Global Affective Regime of the University and the Formation of the Korean Literary Institution: The Chair and the Racialized/Gendered Politics of English Literature and Its Colonial Legacy Donga University Open Group Individual Submissions Women Writers in the Globalization of Korean Literature 1: Dongguk University Seoul Campus, Korea, Republic of (South Korea); 2: Ewha Womans University, Korea, Republic of (South Korea) |
(164 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (1) Location: KINTEX 1 302 Chair: Fatiha TAIB, Mohammed V University 24th ICLA Monday Hybrid Session #164H (13:30~15:00) #186H (15:30~17:00) Join a Zoom meeting link : https://us06web.zoom.us/j/86963651933?pwd=uB0SGSVy7LbznbqvGIBm5cBIbLKn8d.1 pw: 12345 ICLA Research Committee Individual Submissions Translating Korea: Perceptions of the Korean Peninsula in Arabic Periodicals (1880-1920) Ain Shams University ICLA Research Committee Individual Submissions The Translation of Contemporary South Korean Literature into Arabic Université Mohammed V ICLA Research Committee Individual Submissions The Arab Reception of South Korean Literature: Han Kang's Nobel Prize as a model The Regional Center of Education And Training Professions |
(165) Body Image(s) of Women in Literature (1) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions Reshaping Salome and the conflicts between soul and flesh in the Republic of China Sichuan University Open Group Individual Submissions Landscape and Feminist Desire in Pam Houston's Cowboys Are My Weakness Sichuan University, People's Republic of China Open Group Individual Submissions A Study of Body Image Writing and Changing of Female Sexual Minorities in Chinese Homosexuality literature Southwest University, China, People's Republic of China Open Group Individual Submissions Narrative of Women in Japanese Science Fiction: Space, Body, Isekai 1: Sichuan University, China; 2: Hubei Minzu University,China Open Group Individual Submissions The Representation of Female Bodily Disorders in American Literature Sichuan University, China, People's Republic of Open Group Individual Submissions The Body of Prostitutes in Yan Lianke’ Novels Sichuan University, China, People's Republic of Open Group Individual Submissions The Adornment of Female Body in Li Bihua's Sheng Si Qiao Sichuan University, China, People's Republic of Open Group Individual Submissions The Depiction of Female Body and Its Religious Meaning in Buddhist Avadana Literature Sichuan University, China, People's Republic of Open Group Individual Submissions Opportunities in Plight: Realistic Projection and Utopian Reconstruction of Women’s Body in Delany’s Early Science Fiction Experiments University of Electronic Science and Technology of China, China, People's Republic of |
(166) Dongguk Univ. : Feminine Diaspora and Locality Location: KINTEX 1 307 Chair: Jaemin Yoon, Dongguk University Foreign Sessions (Foreign Students and Scholars Only) Gender Studies and Comparative Literature Sorbonne Université Foreign Sessions (Foreign Students and Scholars Only) Ethics of Translation: When Translation Is an Art University of Chicago |
(101) (Re)Imagining family (ECARE 1) Location: KINTEX 2 305A Chair: Junru Xiang, Xiangtan University ECARE/NEXT GEN Individual Submissions Beyond ‘Mother India’ and ‘New Indian Woman’: Indian educated middle-class women in Partition Novels University of Science and Technology Beijing, Beijing, China, China, People's Republic of ECARE/NEXT GEN Individual Submissions Family Conflicts and Social Critique: A Comparative Reading of Arthur Miller’s Death of a Salesman and Ins Choi’s Kim's Convenience Chungbuk National University, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions Rediscovery of True Self on the Father-Seeking Journey——An Exploration of Jack Burns’ Journey of Growth in Until I Find You Xiangtan University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Bird and Tree: The Ethical Responses of Yeong-hye and In-hye to the Face in The Vegetarian 1: Zhaotong University,Xiaohong Li; 2: Pu’er University,Zhanji Yang |
(102) (Re)Interpreting Confucionism (ECARE 2) Location: KINTEX 2 305B Chair: ZHIWEI SUN, NTU ECARE/NEXT GEN Individual Submissions An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title Central South University, China, People's Republic of ECARE/NEXT GEN Individual Submissions China as an Idea and Symbol: The Construction of the ideal country Huaxia Ordus in the “Eurasian Symphony” Nankai university, China, People's Republic of ECARE/NEXT GEN Individual Submissions Between the East and the West: Lim Boon Keng's Cross-Cultural Legacy and Foresight NTU, Singapore ECARE/NEXT GEN Individual Submissions Chinese Philosophy and Transformation of Media Narrative South China University of Technology, China, People's Republic of |
(103) Autorial practice in translation and fiction (ECARE 3) Location: KINTEX 2 306A Chair: Yuyun Peng, Complutense University of Madrid ECARE/NEXT GEN Individual Submissions Présentation de ma thèse de doctorat : La poétique de l’auto-traduction chez Samuel Beckett (soutenue à Paris 8 en 2024) Korea University, Korée, République ECARE/NEXT GEN Individual Submissions Autofiction as a Form of Resistance in Modern Women’s Writing: A Gynocritical Analysis of Tan-sil and Joo-young and Göç Temizliği Boğaziçi University, Turkiye ECARE/NEXT GEN Individual Submissions Technological Mediation and Disappropriation: Digital Tools and Narrative Transformation in Rivera Garza's Literary Practice Complutense University of Madrid, Spain ECARE/NEXT GEN Individual Submissions Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of |
(104) Body, gender, experience (ECARE 4) Location: KINTEX 2 306B Chair: Yan Huang, Hoseo University ECARE/NEXT GEN Individual Submissions Sylvia Plath's Literary Creation of the A Study of Body Image Sichuan University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Cultural Racialization of Women in War: Gender, Body, and Historical Memory in A Gesture Life(1999) and The Woman Warrior(1976) Chungbuk National University, Korea, Republic of (South Korea) |
(105) Comparative Literature and AI (ECARE 5) Location: KINTEX 2 307A Chair: Sohan Sharif, Jahangirnagar University ECARE/NEXT GEN Individual Submissions Translation Politics and Changing Practices of Translation with AI: Evolution or Devolution? Visva Bharati University, India ECARE/NEXT GEN Individual Submissions Can AI act as a Comparatist? Institute of Comparative Literature and Culture, Jahangirnagar University, Bangladesh, People’s Republic of ECARE/NEXT GEN Individual Submissions Accommodating Textual Anxieties: Authenticity and AI in Technelegy by Sasha Stiles Indian Institute of Technology Kanpur, India |
(452) Emergence of new narratives Location: KINTEX 2 307B Chair: Sunhwa Park, Konkuk University Open Group Individual Submissions Re-telling the Owl-lores of Bengal: The Screeching Myths of the Brown Fish Owl and the Barn Owl Jadavpur University, India Open Group Individual Submissions Influence of Buddhism in Modern Indian writings against socio-cultural discriminations The Assam Royal Global University, India Group Session Obituaries as ‘Biography with an Agenda’ in Fin-de-Siècle Hungary
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498 Location: KINTEX 2 308A |
3:30pm - 5:00pm |
(167) Translation Studies (6) Location: KINTEX 1 204 Chair: Marlene Hansen Esplin, Brigham Young University ICLA Research Committee Individual Submissions Gained in Translation: Comparative Translation in the 21st Century Jahangirnagar University, Bangladesh, People's Republic of ICLA Research Committee Individual Submissions Langston Hughes Translates Nellie Campobello Brigham Young University, United States of America ICLA Research Committee Individual Submissions East-West Collaboration to Translate East-West Literature: the Case of Xie Hong Woosong University, South Korea ICLA Research Committee Individual Submissions Time and Gender in Translation: Dealing with euphemisms and invisibility of Urdu in the translation of futuristic gender discourse of Sibylle Berg ALIGARH MUSLIM UNIVERSITY, India ICLA Research Committee Individual Submissions Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of |
(168) Comics Studies and Graphic Narrative (2) Location: KINTEX 1 205A Chair: Stefan Buchenberger, Kanagawa University ICLA Research Committee Individual Submissions She is Judged! Tezuka Osamu’s Female Mephistopheles as Anti-heroine University of the Philippines, Philippines ICLA Research Committee Individual Submissions The Representation of Modern Female Heroes in Webtoons: A Case Study of Indonesian Works University of Tsukuba, Japan ICLA Research Committee Individual Submissions The Enemy’s Face – How the Presence of the Enemy Influences the “Hiroshima of Anger” and “Nagasaki of Prayers” Narratives in Cartoon Animation 1: National Museum of Japanese History, Japan (until March 31, 2025); 2: Niigata University, Japan (from April 1, 2025) Foreign Sessions (Foreign Students and Scholars Only) The Futuristic Legacy of Animal Fables: Tracing Animal Motifs in Chinese Science Fiction East China Normal University (ECNU), China, People's Republic of |
169 Location: KINTEX 1 205B |
(170) Chungbuk National Univ. (2) Location: KINTEX 1 206A Chair: Heebon Park, Chungbuk National University Host Sessions (Korean Students and Scholars Only) Social Factors and Maternal Influence on Children’s Character Development in J.B. Priestley’s An Inspector Calls and Arthur Miller’s Death of a Salesman Chungbuk National University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Symbolic Role of Nature and the Storm in Shakespeare's King Lear Chungbuk National University Host Sessions (Korean Students and Scholars Only) A comparative study of animality dramatized in Edward Albee's <Seascape> and <The Goat, or Who is Sylvia?> Chungbuk National University, Korea, Republic of (South Korea) |
(171) Misreading the East Location: KINTEX 1 206B Chair: Jun Soo Kang, anyang University Foreign Sessions (Foreign Students and Scholars Only) On Posthuman Subjectivity in Belyaev Tianjin Normal University Foreign Sessions (Foreign Students and Scholars Only) How does the media frame vasectomy: a political issue, a gender issue, or a medical issue? ——A comparative content analysis on vasectomy reportings in United States and China University of Maryland, United States of America Foreign Sessions (Foreign Students and Scholars Only) Misreading the East: AI, Aesthetic Misrecognition, and the Technological Hegemony over Bengali Literature Jahangirnagar University, Bangladesh, People's Republic of Foreign Sessions (Foreign Students and Scholars Only) Technologies de l’imaginaire : littérature viatique et conscience simulée dans la fabrique prémoderne du Japon 1: Aix-Marseille Université; 2: l’Institut national des langues et civilisations orientales (Inalco) Foreign Sessions (Foreign Students and Scholars Only) Emplotting Yin-Yang and Changes in Life: To What Extent is Eileen Chang’s The Book of Change a Yijing? Bejing Normal Hong Kong Baptist University, China, People's Republic of |
(172) Global Renaissances (1) Location: KINTEX 1 207A Chair: Gang Zhou, Louisiana State University Open Group Individual Submissions Reimagining the Renaissance: Chinese Intellectual Engagements with Western Historiography and the Birth of the “Chinese Renaissance” Chongqing University, China, People's Republic of Open Group Individual Submissions Has the Iranian Renaissance Already Happened? Monash University, Australia Open Group Individual Submissions Reframing the Renaissance: Don Quixote, the Catalan Renaixença, and the Harlem Renaissance in Dialogue Louisiana State University, United States of America Open Group Individual Submissions Global Renaissances 1: Louisiana State University; 2: Princeton University; 3: AUM University; 4: Monash University; 5: Louisiana State University; 6: National University of Singapore; 7: University of California at Davis |
(173) AI, Decoloniality and Creative Translation (2) Location: KINTEX 1 207B Chair: Matthew Reynolds, University of Oxford Open Group Individual Submissions “My Language has no School”: Decolonising AI Translation The English and Foreign Languages University, Hyderabad, India, India Open Group Individual Submissions Constraints as a Route to Creativity in AI Translation: the AIDCPT project University of Oxford, United Kingdom Open Group Individual Submissions Creative poetry translation mediated by AI: translating Nancy Naomi Carlson’s Piano in the Dark Universidad Nacional de Mar del Plata, Argentine Republic Open Group Individual Submissions The Multiverse. AI Poetry Translation in the Network System SOAS University of London, United Kingdom |
(174) Approaching Nonhuman Narrative in World Literature (2) Location: KINTEX 1 208A Chair: Biwu Shang, shanghai jiao tong university Open Group Individual Submissions Stray And A Cat’s Perspective On The Post-human Shanghai International Studies University, China, People's Republic of Open Group Individual Submissions A Multi-scalar Cosmos: Nonhuman Narration in Calvino’s The Complete Cosmicomics Guangdong University of Foreign Studies, China, People's Republic of Open Group Individual Submissions Video Games as Literary Creation and Reception: Interactive Mythmaking with Monkey Player-Character in Black Myth: Wu Kong Shanghai Jiao Tong University, China, People's Republic of Open Group Individual Submissions Womb Envy and Fetal Anxiety: on Nutshell's Desire Flow of Body Shanghai Jiaotong University Open Group Individual Submissions “Deictic Scale Shifting”:An Extension of Anthropocene Narrative Theory Sichuan University, China, People's Republic of Open Group Individual Submissions Reimaging nature and culture through animal and interspecies writing: a comparative reading on Zhang Wei’s Songs from the Forest and Lin Zhao’s Tidal Atlas (2022) King's College London, United Kingdom; University of Hong Kong Open Group Individual Submissions Flowing with the Cosmos: Gu Cheng’s Poetry as Nonhuman Narrative University of Cambridge, United Kingdom |
(175) Convergence of Literature and Technology Location: KINTEX 1 208B Chair: Seung Cho, Gachon University ICLA Research Committee Individual Submissions Interpreting Ethical Chronotopes in Victorian War Poems Hangzhou Normal University, China, People's Republic of Open Group Individual Submissions Convergence of Literature and Technology: Ethics and Aesthetics of AI-generated literature Université de Picardie Jules Verne, France Open Group Individual Submissions Redemptive Allegory and Cyclical Redemption: A Comparative Study of William Faulkner’s *A Fable* and Mo Yan’s *Life And Death Are Wearing Me Out* Harbin Institute of Technology, China, People's Republic of Open Group Individual Submissions A Poor Man's 007: Alan Ford Between Spy Story and Superhero Comics Sapienza University of Rome, Italy |
(176) Black Women on the Move: Transnational Negotiations of Identity and Community (2) Location: KINTEX 1 209A Chair: Tong He, Central China Normal University Open Group Individual Submissions Identity Performance in the Narratives of Jamaica Kincaid Tokyo University of Foreign Studies, Japan Open Group Individual Submissions "Exile of Belonging": Transnational Identity Negotiation and Black Women’s Cultural Identity in Alice Walker’s Works Beijing Foreign Studies University, China Open Group Individual Submissions Everyday Politics of Transnational Community in Gayl Jones’ Mosquito Huazhong University of Science and Technology, China Open Group Individual Submissions Indigenous poets' counter-reading of Australian historical and cultural memory locally and internationally Faculty of Arts, University of Ljubljana, Slovenia |
(177) Literary Theory Committee Location: KINTEX 1 209B Chair: Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France ICLA Research Committee Individual Submissions AIsthesis Research Centre of the Slovenian Academy of Sciences and Arts, Slovenia ICLA Research Committee Individual Submissions The Love of Locomotives or Science Fiction Soviet Georgian Style Leibniz-Zentrum für Literatur- und Kulturforschung, Germany ICLA Research Committee Individual Submissions Surveillance: Cultural and Narrative Technologies Humboldt-Universitaet zu Berlin, Germany ICLA Research Committee Individual Submissions The Short Story Cycle Across Polytextual Theory and Literary Empirical Studies Ghent University, Belgium |
(178) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (2) Location: KINTEX 1 210A Chair: Yiping Wang, Sichuan University Open Group Individual Submissions Anti-heroic figures, Dream Boxes, and the Search for the Essence of Human: A Cyborg Narrative in Contemporary Chinese Science Fiction Shenzhen University, China, People's Republic of Open Group Individual Submissions "In Terms of Worldly Things": The Viewpoint of Science Fiction University of Giessen, Germany Open Group Individual Submissions The Technological Allegory of the Cyborg in The Absent City University of Chinese Academy of Social Science, China, People's Republic of Open Group Individual Submissions Nostalgia, Acceleration, and Equilibrium: Technological Ethics and the Accelerated Human in “Flowers for Algernon” Sichuan University, China, People's Republic of Open Group Individual Submissions From the “Transform Nature” to “Create Newcomers”: Food Crisis and Ecological Criticism in the Works of Paolo Bacigalupi Sichuan University, China, People's Republic of |
(179) Looking back at Étiemble’s comparativism: what legacy, what prospects? (2) Location: KINTEX 1 210B Chair: Tristan Mauffrey, Université Sorbonne Nouvelle Open Group Individual Submissions A partir d'Abdelkébir Khatibi, Edouard Glissant et V.Y. Mudimbe. Une pensée autre de l'histoire culturelle postcoloniale. Université Sorbonne Nouvelle, France Open Group Individual Submissions Retour sur "l'épopée de l'épopée" Université Sorbonne Nouvelle, France Open Group Individual Submissions Repenser la langue avec et après Étiemble/Rethinking language with and after Étiemble Université Sorbonne Nouvelle, France |
(180) Morality, Ethics, and Text-to-Text Location: KINTEX 1 211A Chair: ChangGyu Seong, Mokwon University Open Free Individual Submissions An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title Central South University, China, People's Republic of Open Free Individual Submissions Queering the Bhanita: Exploring how Tagore transforms Vaishnava poetry, and Twichell translates Tagore St. Stephen's College, University of Delhi, India Open Free Individual Submissions A Comparative Study of the Morality and Ethics between Confucius Analects and the Bible Northwestern Polytechnical University, China, People's Republic of Open Free Individual Submissions From Source Text to Target Text: A Comparative Analysis of Anandamath in Translation, Ideology, and Cultural Context Jahangirnagar University, Bangladesh, People's Republic of Open Group Individual Submissions Demoness, Monk and Forbidden Desire: A Contemporary Interpretation of the ‘Demoness-monk seduction’ University of Freiburg, Germany |
(181) Dealing with Memory Location: KINTEX 1 211B Chair: Sunhwa Park, Konkuk University Host Sessions (Korean Students and Scholars Only) 횔덜린과 김춘수 신화시의 ‘예수’의 의미: 칼 바르트의 신학적 관점으로 Catholic Kwandong University Host Sessions (Korean Students and Scholars Only) Dealing with Memory: Response to Han Kang's question Yonsei University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) Reading the signs in Fernando Pessoa’s Mensagem Hankuk University of Foreign Studies, Korea, Republic of (South Korea) |
(182) Oriental Literature in World Literature: Exchanges and Mutual Learning (2) Location: KINTEX 1 212A Chair: Lu Zhai, Central South University, China Change in Session Chair Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University) Open Group Individual Submissions A Study on the Overseas Dissemination and Reception of Wen Fu Sichuan University, China, People's Republic of Open Group Individual Submissions Translation and Dissemination of China's Anti-Japanese War Literature in the English World and Its Construction of China's Image ---a Case Study of Stories of China at War Changsha University of Science and Technology, China, People's Republic of Open Group Individual Submissions Ideological-affective Dynamic in “Red Beans”: Exploring Chinese Modernity through the Lens of Translatability University of Arizona, United States of America Open Group Individual Submissions 한강 작품<<채식주의자>>에 대한 정신분석학적 해석 Hunan University, China, People's Republic of Open Group Individual Submissions Survival Dilemma and Identity Anxiety: The Marginal Writing of South Korean Author Kim Ae-ran's Novels Sichuan University, China, People's Republic of |
(183) Mutual Learning of Civilizations and Reconstruction of World Literature (2) Location: KINTEX 1 212B Chair: Qing Yang, Sichuan University Open Free Individual Submissions The Paradox of Cosmopolitan Ideals: UNESCO and the Construction of World Literary Canons Post-World War II Northewestern Polytechnical University, China, People's Republic of China Open Group Individual Submissions Cross-cultural Dialogue and Game Meaning of Chinese Palindrome Guangdong University of Finance & Economics, China, People's Republic of Open Group Individual Submissions World Literature as a mosaic: towards a methodology of 文明互鉴 University of Macau, Macau S.A.R. (China) Open Group Individual Submissions Self-confidence, Understanding, Win-win — The Prospect of Post-Globalization in The Red Queen Xiangtan University, China, People's Republic of Open Group Individual Submissions The Travels of Marco Polo: A Cross-cultural Communication Perspective Sichuan University, China, People's Republic of |
(184) East Asian Comparative Literature Location: KINTEX 1 213A Chair: Yangsu Kim, Dongguk Univ. Host Sessions (Korean Students and Scholars Only) Discourses on the Korean Peninsula in 1980s Japanese and Zainichi Korean Media: Focusing on Sekai and Sanzenri Dongguk University, Korea, Republic of (South Korea) Host Sessions (Korean Students and Scholars Only) The Adaptation of Yu Jin-oh's "Memories of Shanghai" and The League of Left-wing writers」 Dongguk University Host Sessions (Korean Students and Scholars Only) 동시대 한일관계의 재현 양상: 드라마 시리즈 <사랑 후에 오는 것들>과 원작 소설 겹쳐 읽기 Dongguk University |
185 Location: KINTEX 1 213B |
(186 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (2) Location: KINTEX 1 302 Chair: LOBNA ABDEL GHANI ISMAIL, CAIRO UNIVERSITY ICLA Research Committee Individual Submissions Exploring Arabic and Korean Post-Media Composites: A Comparative Reformist Perspective Cairo University ICLA Research Committee Individual Submissions The New Arab Travellers on YouTube: South Korea as a Destination Mohammed V University ICLA Research Committee Individual Submissions Towards South Korean Culture and Literature in the Digital Age: New Horizons for Contemporary Arab Comparative Studies Mohammed V University |
(187) Body Image(s) of Women in Literature (2) Location: KINTEX 1 306 Chair: Peina Zhuang, Sichuan University Correction Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University) Open Group Individual Submissions A Doll's House or Nora's House? Aarhus University, Denmark Open Group Individual Submissions The mutual interpretation of ancient Qixi female body intention in literature and images Sichuan University, China, People's Republic of Open Group Individual Submissions Diversity and Deconstruction —— Female Incomplete Body Image in American Novels from 2009 to 2016 Sichuan University, China, People's Republic of Open Group Individual Submissions A Comparative Study on the Motif of "Difficult Marriage Proposal" in the Folk Narrative Literature of the Korean Ethnic Group and the Manchu-Tungusic Ethnic Groups Beibu Gulf University, China, People's Republic of Open Group Individual Submissions Could Body Images of Women Be Perceived in the Book of Changes? -- A Gender Perspective of Margaret J. Pearson’s Interpretation Yuelu Academy, Hunan University, China, People's Republic of Open Group Individual Submissions Body as Construction of Subjectivity in Eudora Welty’s The Golden Apples Sichuan University Open Group Individual Submissions The Gamified Body: Animal Metaphors of the Female Body in Philip Roth’s Fiction Sichuan University, China, People's Republic of Open Group Individual Submissions Performance Metaphors for Female Body Imagery in Richard Yates' Fiction Southern Medical University, China, People's Republic of Open Group Individual Submissions Reimagining the Female Body: A Luce Irigarayan Analysis of Angela Carter's Novels Chongqing University, China, People's Republic of Open Group Individual Submissions Sylvia Plath's Literary Creation of the A Study of Body Image Sichuan University, China, People's Republic of |
(188) Authorship and Technology (1) Location: KINTEX 1 307 Chair: Xi'an GUO, Fudan University Open Group Individual Submissions Between Tech and Technê: An Alternative History of Early Chinese Authorship Boston University, United States of America Open Group Individual Submissions The Author-Persona and the Object-Technology: Invention of Reading Furniture and Literary Self-representation in Medieval China Yale University, United States of America Open Group Individual Submissions Copying as Writing: Reproductive Technology of Texts and Authorial Intentionality CUHK, Hong Kong S.A.R. (China) Open Group Individual Submissions The Author as Producer: Research on Lu Xun's Literary Thought in the 1930s Beijing Normal University, China, People's Republic of |
(106) Location: KINTEX 2 305A |
(107) Digital humanities (ECARE 7) Location: KINTEX 2 305B Chair: Debasmita Sarkar, Shri Ramasamy Memorial University Sikkim ECARE/NEXT GEN Individual Submissions Reimagining Neo-Confucian Diagrams: Insights from 3D Animation Linnaeus University, Sweden ECARE/NEXT GEN Individual Submissions Virulents and the Viral: Rhizomatic Horror in the Digital Age Shri Ramasamy Memorial University Sikkim, India ECARE/NEXT GEN Individual Submissions “Cartography of the Borderlands” in the Global South: Diaspora Identities and National Allegories in Borderland Spaces in Postcolonial Contexts University of Georgia, United States of America |
(108) East - West exchanges 1 (ECARE 8) Location: KINTEX 2 306A Chair: Xinchen Lu, East China Normal University ECARE/NEXT GEN Individual Submissions The Study of Faulkner in China from the Perspective of Comparative Literature Ocean University of China, China, People's Republic of ECARE/NEXT GEN Individual Submissions Aeromobility and Aviation Literature in China and in the West Hainan Normal University, China, People's Republic of China ECARE/NEXT GEN Individual Submissions Showcasing the Diversified Oriental Aesthetics: A Comparative Study of Theatrical Theories between Natyasastra and Xian Qing Ou Ji East China Normal University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Bob Dylan's Acceptance of the Chinese Classic I Ching(易经) School of Foreign Languages, Xiangtan University, China, People's Republic of |
(109) East - West exchanges 2 (ECARE 9) Location: KINTEX 2 306B Chair: Yushu Huang, Shanghai Jiao Tong University ECARE/NEXT GEN Individual Submissions A Comparative Study of Female Madness in Frog and Beloved from an Ethical Perspective Shanghai Jiao Tong University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Reconstructions and Reflections: A Comparative Study of the Historical Narratives in The Sound and the Fury and The Mountain Whisperer Northwestern Polytechnical University, China, People's Republic of ECARE/NEXT GEN Individual Submissions Chinese's "Chic": Li Jianwu's Adaptation of Macbeth Zhejiang University, China, People's Republic of |
(110) Ecocriticism and the Anthropocene (ECARE 10) Location: KINTEX 2 307A Chair: Cynthia Yingjuan Lin, Peking University ECARE/NEXT GEN Individual Submissions The Call of the Wild ---- The Animal Ethics and Rhetoric of Ecological Novels HongKong Baptist University, Hong Kong S.A.R. (China) ECARE/NEXT GEN Individual Submissions Deconstruction of anthropocentrism and alternatives to post-humanism: Focusing on Agustina Bazterrica’s "Tender is the Flesh" Hankuk university of foreign studies, Korea, Republic of (South Korea) ECARE/NEXT GEN Individual Submissions Urban Wildernesses: Searching for a Unity of Nature and Man in Can Xue’s Barefoot Doctor Peking University, China ECARE/NEXT GEN Individual Submissions Repositioning Human-nonhuman Binaries through Ecophobia: A Study of Classic of Mountains and Seas Hong Kong Baptist University, Hong Kong S.A.R. (China) |
(453) Digital is Everywhere Location: KINTEX 2 307B Chair: Jungman Park, Hankuk University of Foreign Studies Open Group Individual Submissions Le progrès technologique vu par Michel Houellebecq : utopie ou dystopie ? Centre de Recherches sur les Littératures et la Sociopoétique (CELIS), Université Clermont Auvergne, France Open Group Individual Submissions La technologie est-elle un défi pour l’approche des extraits littéraires en FLE ? Université Phenikaa, Viet Nam Open Group Individual Submissions Digital (dis-) Embodiment and the Rhetoric of Belonging: Reimagining Queer Chinese Diaspora in Cyberspace Western University, Canada Open Group Individual Submissions Digital Ramrajya: The Political Reimagining of an Ancient Ideal in the Age of Social Media Tsinghua University, China, People's Republic of ICLA Research Committee Individual Submissions From the Death of the Author to Digital Darwinism: Teaching with Artificial Intelligence, Digital Media, and the Resilience of Identity Independent Research, United States of America |
499 Location: KINTEX 2 308A |
5:00pm | ECARE Reception Location: KINTEX 1 Grand Ballroom Chair: Emanuelle Santos, University of Birmingham ICLA ECARE Committee ReceptionOpening Address Emanuelle Santos, Chair of ECARE Committee, University of Birmingham, UK Lucia Boldrinii, President of ICLA, Goldsmiths, University of London, UK Youngmin Kim, Congress Chair, 2025 ICLA Congress Seoul, South Korea Open Mike for NEXT.GEN Session Chairs |