15:30 - 17:00 |
(167) Translation Studies (6) Salle: KINTEX 1 204 Présidence : Marlene Hansen Esplin, Brigham Young University
ICLA Research Committee Individual Submissions
Gained in Translation: Comparative Translation in the 21st Century
Mashrur Shahid Hossain
Jahangirnagar University, Bangladesh, People's Republic of
ICLA Research Committee Individual Submissions
Langston Hughes Translates Nellie Campobello
Emron Esplin
Brigham Young University, United States of America
ICLA Research Committee Individual Submissions
East-West Collaboration to Translate East-West Literature: the Case of Xie Hong
Harold Wayne Swindall Jr, Jicheng Sun
Woosong University, South Korea
ICLA Research Committee Individual Submissions
Time and Gender in Translation: Dealing with euphemisms and invisibility of Urdu in the translation of futuristic gender discourse of Sibylle Berg
SYED SALMAN ABBAS
ALIGARH MUSLIM UNIVERSITY, India
ICLA Research Committee Individual Submissions
Translatable or Not? Tracking Yiyun Li’s Fiction Style from 2003 to Today
Wenqing Wang
Independent scholar, teacher in Shanghai Yangpu Bilingual School, China, People's Republic of
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(168) Comics Studies and Graphic Narrative (2) Salle: KINTEX 1 205A Présidence : Stefan Buchenberger, Kanagawa University
ICLA Research Committee Individual Submissions
She is Judged! Tezuka Osamu’s Female Mephistopheles as Anti-heroine
Maria Ana Micaela Chua Manansala
University of the Philippines, Philippines
ICLA Research Committee Individual Submissions
The Representation of Modern Female Heroes in Webtoons: A Case Study of Indonesian Works
Noriko Hiraishi
University of Tsukuba, Japan
ICLA Research Committee Individual Submissions
The Enemy’s Face – How the Presence of the Enemy Influences the “Hiroshima of Anger” and “Nagasaki of Prayers” Narratives in Cartoon Animation
Joachim Alt1,2
1: National Museum of Japanese History, Japan (until March 31, 2025);
2: Niigata University, Japan (from April 1, 2025)
Foreign Sessions (Foreign Students and Scholars Only)
The Futuristic Legacy of Animal Fables: Tracing Animal Motifs in Chinese Science Fiction
Luyao Yu
East China Normal University (ECNU), China, People's Republic of
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169 Salle: KINTEX 1 205B
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(170) Chungbuk National Univ. (2) Salle: KINTEX 1 206A Présidence : Heebon Park, Chungbuk National University
Host Sessions (Korean Students and Scholars Only)
Social Factors and Maternal Influence on Children’s Character Development in J.B. Priestley’s An Inspector Calls and Arthur Miller’s Death of a Salesman
Trang Nguyen
Chungbuk National University, Korea, Republic of (South Korea)
Host Sessions (Korean Students and Scholars Only)
The Symbolic Role of Nature and the Storm in Shakespeare's King Lear
Rustam Ziyodulloevich Asrorov
Chungbuk National University
Host Sessions (Korean Students and Scholars Only)
A comparative study of animality dramatized in Edward Albee's <Seascape> and <The Goat, or Who is Sylvia?>
Jeongwon Jo
Chungbuk National University, Korea, Republic of (South Korea)
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(171) Misreading the East Salle: KINTEX 1 206B Présidence : Jun Soo Kang, anyang University
Foreign Sessions (Foreign Students and Scholars Only)
On Posthuman Subjectivity in Belyaev
Ziqi Liu
Tianjin Normal University
Foreign Sessions (Foreign Students and Scholars Only)
How does the media frame vasectomy: a political issue, a gender issue, or a medical issue? ——A comparative content analysis on vasectomy reportings in United States and China
Yuxiao Zhang
University of Maryland, United States of America
Foreign Sessions (Foreign Students and Scholars Only)
Misreading the East: AI, Aesthetic Misrecognition, and the Technological Hegemony over Bengali Literature
Hamayat Ullah Emon
Jahangirnagar University, Bangladesh, People's Republic of
Foreign Sessions (Foreign Students and Scholars Only)
Technologies de l’imaginaire : littérature viatique et conscience simulée dans la fabrique prémoderne du Japon
Ibtihel Ghourabi1,2
1: Aix-Marseille Université;
2: l’Institut national des langues et civilisations orientales (Inalco)
Foreign Sessions (Foreign Students and Scholars Only)
Emplotting Yin-Yang and Changes in Life: To What Extent is Eileen Chang’s The Book of Change a Yijing?
Yuchen Xie
Bejing Normal Hong Kong Baptist University, China, People's Republic of
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(172) Global Renaissances (1) Salle: KINTEX 1 207A Présidence : Gang Zhou, Louisiana State University
Open Group Individual Submissions
Reimagining the Renaissance: Chinese Intellectual Engagements with Western Historiography and the Birth of the “Chinese Renaissance”
Xinyao Xiao
Chongqing University, China, People's Republic of
Open Group Individual Submissions
Has the Iranian Renaissance Already Happened?
Behnam Fomeshi
Monash University, Australia
Open Group Individual Submissions
Reframing the Renaissance: Don Quixote, the Catalan Renaixença, and the Harlem Renaissance in Dialogue
Carmela Mattza
Louisiana State University, United States of America
Open Group Individual Submissions
Global Renaissances
Gang Zhou1, Lital Levy2, Alaaeldin Mahmoud3, Behnam Fomeshi4, Carmela Mattza5, Andrew Hui6, Brenda Schildgen7
1: Louisiana State University;
2: Princeton University;
3: AUM University;
4: Monash University;
5: Louisiana State University;
6: National University of Singapore;
7: University of California at Davis
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(173) AI, Decoloniality and Creative Translation (2) Salle: KINTEX 1 207B Présidence : Matthew Reynolds, University of Oxford
Open Group Individual Submissions
“My Language has no School”: Decolonising AI Translation
Deepshikha Behera
The English and Foreign Languages University, Hyderabad, India, India
Open Group Individual Submissions
Constraints as a Route to Creativity in AI Translation: the AIDCPT project
Matthew Reynolds
University of Oxford, United Kingdom
Open Group Individual Submissions
Creative poetry translation mediated by AI: translating Nancy Naomi Carlson’s Piano in the Dark
Karen Lorraine Cresci
Universidad Nacional de Mar del Plata, Argentine Republic
Open Group Individual Submissions
The Multiverse. AI Poetry Translation in the Network System
Cosima Bruno
SOAS University of London, United Kingdom
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(174) Approaching Nonhuman Narrative in World Literature (2) Salle: KINTEX 1 208A Présidence : Biwu Shang, shanghai jiao tong university
Open Group Individual Submissions
Stray And A Cat’s Perspective On The Post-human
Isabel Escobar Rodriguez
Shanghai International Studies University, China, People's Republic of
Open Group Individual Submissions
A Multi-scalar Cosmos: Nonhuman Narration in Calvino’s The Complete Cosmicomics
Mengqing Gong
Guangdong University of Foreign Studies, China, People's Republic of
Open Group Individual Submissions
Video Games as Literary Creation and Reception: Interactive Mythmaking with Monkey Player-Character in Black Myth: Wu Kong
Kanjing He
Shanghai Jiao Tong University, China, People's Republic of
Open Group Individual Submissions
Womb Envy and Fetal Anxiety: on Nutshell's Desire Flow of Body
Jiasi Dai
Shanghai Jiaotong University
Open Group Individual Submissions
“Deictic Scale Shifting”:An Extension of Anthropocene Narrative Theory
Tianxin Li
Sichuan University, China, People's Republic of
Open Group Individual Submissions
Reimaging nature and culture through animal and interspecies writing: a comparative reading on Zhang Wei’s Songs from the Forest and Lin Zhao’s Tidal Atlas (2022)
Hoi Yan CHU
King's College London, United Kingdom; University of Hong Kong
Open Group Individual Submissions
Flowing with the Cosmos: Gu Cheng’s Poetry as Nonhuman Narrative
Ruoshui Zhang
University of Cambridge, United Kingdom
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(175) Convergence of Literature and Technology Salle: KINTEX 1 208B Présidence : Seung Cho, Gachon University
ICLA Research Committee Individual Submissions
Interpreting Ethical Chronotopes in Victorian War Poems
Lizhen Chen
Hangzhou Normal University, China, People's Republic of
Open Group Individual Submissions
Convergence of Literature and Technology: Ethics and Aesthetics of AI-generated literature
Anca Mihalache
Université de Picardie Jules Verne, France
Open Group Individual Submissions
Redemptive Allegory and Cyclical Redemption: A Comparative Study of William Faulkner’s *A Fable* and Mo Yan’s *Life And Death Are Wearing Me Out*
Tiao Wang
Harbin Institute of Technology, China, People's Republic of
Open Group Individual Submissions
A Poor Man's 007: Alan Ford Between Spy Story and Superhero Comics
Umberto Rossi
Sapienza University of Rome, Italy
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(176) Black Women on the Move: Transnational Negotiations of Identity and Community (2) Salle: KINTEX 1 209A Présidence : Tong He, Central China Normal University
Open Group Individual Submissions
Identity Performance in the Narratives of Jamaica Kincaid
Carlo Stranges
Tokyo University of Foreign Studies, Japan
Open Group Individual Submissions
"Exile of Belonging": Transnational Identity Negotiation and Black Women’s Cultural Identity in Alice Walker’s Works
Xiaoqiao Liu
Beijing Foreign Studies University, China
Open Group Individual Submissions
Everyday Politics of Transnational Community in Gayl Jones’ Mosquito
Chenchen Wang
Huazhong University of Science and Technology, China
Open Group Individual Submissions
Indigenous poets' counter-reading of Australian historical and cultural memory locally and internationally
Danica Cerce
Faculty of Arts, University of Ljubljana, Slovenia
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(177) Literary Theory Committee Salle: KINTEX 1 209B Présidence : Anne Duprat, Université de Picardie-Jules Verne/ Institut universitaire de France
ICLA Research Committee Individual Submissions
AIsthesis
Rok Bencin
Research Centre of the Slovenian Academy of Sciences and Arts, Slovenia
ICLA Research Committee Individual Submissions
The Love of Locomotives or Science Fiction Soviet Georgian Style
Zaal Andronikashvili
Leibniz-Zentrum für Literatur- und Kulturforschung, Germany
ICLA Research Committee Individual Submissions
Surveillance: Cultural and Narrative Technologies
Stefan Willer
Humboldt-Universitaet zu Berlin, Germany
ICLA Research Committee Individual Submissions
The Short Story Cycle Across Polytextual Theory and Literary Empirical Studies
Mara Santi
Ghent University, Belgium
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(178) Literature and Science: Conflict, Integration and Possible Future in Science Fiction (2) Salle: KINTEX 1 210A Présidence : Yiping Wang, Sichuan University
Open Group Individual Submissions
Anti-heroic figures, Dream Boxes, and the Search for the Essence of Human: A Cyborg Narrative in Contemporary Chinese Science Fiction
Yuqin Jiang
Shenzhen University, China, People's Republic of
Open Group Individual Submissions
"In Terms of Worldly Things": The Viewpoint of Science Fiction
Simona Bartolotta
University of Giessen, Germany
Open Group Individual Submissions
The Technological Allegory of the Cyborg in The Absent City
Shuyue XU
University of Chinese Academy of Social Science, China, People's Republic of
Open Group Individual Submissions
Nostalgia, Acceleration, and Equilibrium: Technological Ethics and the Accelerated Human in “Flowers for Algernon”
Maojiang Zuo
Sichuan University, China, People's Republic of
Open Group Individual Submissions
From the “Transform Nature” to “Create Newcomers”: Food Crisis and Ecological Criticism in the Works of Paolo Bacigalupi
Haoran LUO
Sichuan University, China, People's Republic of
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(179) Retour sur le comparatisme d’Étiemble : quel héritage, quelles perspectives? (2) Salle: KINTEX 1 210B Présidence : Tristan Mauffrey, Université Sorbonne Nouvelle
Open Group Individual Submissions
A partir d'Abdelkébir Khatibi, Edouard Glissant et V.Y. Mudimbe. Une pensée autre de l'histoire culturelle postcoloniale.
Tumba SHANGO LOKOHO
Université Sorbonne Nouvelle, France
Open Group Individual Submissions
Retour sur "l'épopée de l'épopée"
Tristan Mauffrey
Université Sorbonne Nouvelle, France
Open Group Individual Submissions
Repenser la langue avec et après Étiemble/Rethinking language with and after Étiemble
Claudine LE BLANC
Université Sorbonne Nouvelle, France
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(180) Morality, Ethics, and Text-to-Text Salle: KINTEX 1 211A Présidence : ChangGyu Seong, Mokwon University
Open Free Individual Submissions
An Exploration of the English Translations of The Zhongyong (The Doctrine of the Mean): Origins, Foci, and Impacts of Twenty-Nine Interpretations, with a Critical Analysis of Four Representative Renditions of the Book Title
Wei Guo, Junkang Huang
Central South University, China, People's Republic of
Open Free Individual Submissions
Queering the Bhanita: Exploring how Tagore transforms Vaishnava poetry, and Twichell translates Tagore
Aadrit Banerjee
St. Stephen's College, University of Delhi, India
Open Free Individual Submissions
A Comparative Study of the Morality and Ethics between Confucius Analects and the Bible
Lin Peng
Northwestern Polytechnical University, China, People's Republic of
Open Free Individual Submissions
From Source Text to Target Text: A Comparative Analysis of Anandamath in Translation, Ideology, and Cultural Context
Nabila Haque
Jahangirnagar University, Bangladesh, People's Republic of
Open Group Individual Submissions
Demoness, Monk and Forbidden Desire: A Contemporary Interpretation of the ‘Demoness-monk seduction’
Jiayin Yang
University of Freiburg, Germany
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(181) Dealing with Memory Salle: KINTEX 1 211B Présidence : Sunhwa Park, Konkuk University
Host Sessions (Korean Students and Scholars Only)
횔덜린과 김춘수 신화시의 ‘예수’의 의미: 칼 바르트의 신학적 관점으로
Juri Oh
Catholic Kwandong University
Host Sessions (Korean Students and Scholars Only)
Dealing with Memory: Response to Han Kang's question
JeeHee Kim
Yonsei University, Korea, Republic of (South Korea)
Host Sessions (Korean Students and Scholars Only)
Reading the signs in Fernando Pessoa’s Mensagem
Jieun Kim
Hankuk University of Foreign Studies, Korea, Republic of (South Korea)
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(182) Oriental Literature in World Literature: Exchanges and Mutual Learning (2) Salle: KINTEX 1 212A Présidence : Lu Zhai, Central South University, China
Change in Session Chair
Session Chairs: Lu Zhai (Central South University) ; Weirong Zhao (Sichuan University)
Open Group Individual Submissions
A Study on the Overseas Dissemination and Reception of Wen Fu
Jiansheng Lyu
Sichuan University, China, People's Republic of
Open Group Individual Submissions
Translation and Dissemination of China's Anti-Japanese War Literature in the English World and Its Construction of China's Image ---a Case Study of Stories of China at War
Jin Yan
Changsha University of Science and Technology, China, People's Republic of
Open Group Individual Submissions
Ideological-affective Dynamic in “Red Beans”: Exploring Chinese Modernity through the Lens of Translatability
Yufan Che
University of Arizona, United States of America
Open Group Individual Submissions
한강 작품<<채식주의자>>에 대한 정신분석학적 해석
SOUNGIL PARK
Hunan University, China, People's Republic of
Open Group Individual Submissions
Survival Dilemma and Identity Anxiety: The Marginal Writing of South Korean Author Kim Ae-ran's Novels
Shuying Li, Weirong Zhao
Sichuan University, China, People's Republic of
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(183) Mutual Learning of Civilizations and Reconstruction of World Literature (2) Salle: KINTEX 1 212B Présidence : Qing Yang, Sichuan University
Open Free Individual Submissions
The Paradox of Cosmopolitan Ideals: UNESCO and the Construction of World Literary Canons Post-World War II
Song Liu, Jiaxin Lin
Northewestern Polytechnical University, China, People's Republic of China
Open Group Individual Submissions
Cross-cultural Dialogue and Game Meaning of Chinese Palindrome
Ping Du
Guangdong University of Finance & Economics, China, People's Republic of
Open Group Individual Submissions
World Literature as a mosaic: towards a methodology of 文明互鉴
Giorgio Sinedino
University of Macau, Macau S.A.R. (China)
Open Group Individual Submissions
Self-confidence, Understanding, Win-win — The Prospect of Post-Globalization in The Red Queen
Fenfang Zhou
Xiangtan University, China, People's Republic of
Open Group Individual Submissions
The Travels of Marco Polo: A Cross-cultural Communication Perspective
Jialin Yu
Sichuan University, China, People's Republic of
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(184) East Asian Comparative Literature Salle: KINTEX 1 213A Présidence : Yangsu Kim, Dongguk Univ.
Host Sessions (Korean Students and Scholars Only)
Discourses on the Korean Peninsula in 1980s Japanese and Zainichi Korean Media: Focusing on Sekai and Sanzenri
YOUNGHO LEE
Dongguk University, Korea, Republic of (South Korea)
Host Sessions (Korean Students and Scholars Only)
The Adaptation of Yu Jin-oh's "Memories of Shanghai" and The League of Left-wing writers」
Yangsu Kim
Dongguk University
Host Sessions (Korean Students and Scholars Only)
동시대 한일관계의 재현 양상: 드라마 시리즈 <사랑 후에 오는 것들>과 원작 소설 겹쳐 읽기
Changhoon Jeong
Dongguk University
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185 Salle: KINTEX 1 213B
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(186 H) Arabic Comparative Literature-Korean Culture and the Arab World from the Middle Ages to the Internet Age (2) Salle: KINTEX 1 302 Présidence : LOBNA ABDEL GHANI ISMAIL, CAIRO UNIVERSITY
ICLA Research Committee Individual Submissions
Exploring Arabic and Korean Post-Media Composites: A Comparative Reformist Perspective
Marie Thérèse ABDELMESSIH
Cairo University
ICLA Research Committee Individual Submissions
The New Arab Travellers on YouTube: South Korea as a Destination
Fadoua ELAABDI
Mohammed V University
ICLA Research Committee Individual Submissions
Towards South Korean Culture and Literature in the Digital Age: New Horizons for Contemporary Arab Comparative Studies
Fatiha TAIB
Mohammed V University
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(187) Body Image(s) of Women in Literature (2) Salle: KINTEX 1 306 Présidence : Peina Zhuang, Sichuan University
Correction
Session Chairs: Peina Zhuang (Sichuan University); Steven Tötösy de Zepetnek (Sichuan University)
Open Group Individual Submissions
A Doll's House or Nora's House?
Svend Erik Larsen
Aarhus University, Denmark
Open Group Individual Submissions
The mutual interpretation of ancient Qixi female body intention in literature and images
Aiwei Huang, Fei Li
Sichuan University, China, People's Republic of
Open Group Individual Submissions
Diversity and Deconstruction —— Female Incomplete Body Image in American Novels from 2009 to 2016
Yuqi Chang
Sichuan University, China, People's Republic of
Open Group Individual Submissions
A Comparative Study on the Motif of "Difficult Marriage Proposal" in the Folk Narrative Literature of the Korean Ethnic Group and the Manchu-Tungusic Ethnic Groups
hai feng che
Beibu Gulf University, China, People's Republic of
Open Group Individual Submissions
Could Body Images of Women Be Perceived in the Book of Changes? -- A Gender Perspective of Margaret J. Pearson’s Interpretation
Weirong Li
Yuelu Academy, Hunan University, China, People's Republic of
Open Group Individual Submissions
Body as Construction of Subjectivity in Eudora Welty’s The Golden Apples
Ying Liu
Sichuan University
Open Group Individual Submissions
The Gamified Body: Animal Metaphors of the Female Body in Philip Roth’s Fiction
Yu Li
Sichuan University, China, People's Republic of
Open Group Individual Submissions
Performance Metaphors for Female Body Imagery in Richard Yates' Fiction
Bei Tang
Southern Medical University, China, People's Republic of
Open Group Individual Submissions
Reimagining the Female Body: A Luce Irigarayan Analysis of Angela Carter's Novels
Danlian Zhao
Chongqing University, China, People's Republic of
Open Group Individual Submissions
Sylvia Plath's Literary Creation of the A Study of Body Image
Wang Ran
Sichuan University, China, People's Republic of
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(188) Authorship and Technology (1) Salle: KINTEX 1 307 Présidence : Xi'an GUO, Fudan University
Open Group Individual Submissions
Between Tech and Technê: An Alternative History of Early Chinese Authorship
Zhuming Yao
Boston University, United States of America
Open Group Individual Submissions
The Author-Persona and the Object-Technology: Invention of Reading Furniture and Literary Self-representation in Medieval China
Xiaojing Miao
Yale University, United States of America
Open Group Individual Submissions
Copying as Writing: Reproductive Technology of Texts and Authorial Intentionality
Chao Ling
CUHK, Hong Kong S.A.R. (China)
Open Group Individual Submissions
The Author as Producer: Research on Lu Xun's Literary Thought in the 1930s
Mingming Su
Beijing Normal University, China, People's Republic of
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(106) Salle: KINTEX 2 305A
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(107) Digital humanities (ECARE 7) Salle: KINTEX 2 305B Présidence : Debasmita Sarkar, Shri Ramasamy Memorial University Sikkim
ECARE/NEXT GEN Individual Submissions
Reimagining Neo-Confucian Diagrams: Insights from 3D Animation
Maria Hasfeldt Long
Linnaeus University, Sweden
ECARE/NEXT GEN Individual Submissions
Virulents and the Viral: Rhizomatic Horror in the Digital Age
Debasmita Sarkar
Shri Ramasamy Memorial University Sikkim, India
ECARE/NEXT GEN Individual Submissions
“Cartography of the Borderlands” in the Global South: Diaspora Identities and National Allegories in Borderland Spaces in Postcolonial Contexts
Xinyang Li
University of Georgia, United States of America
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(108) East - West exchanges 1 (ECARE 8) Salle: KINTEX 2 306A Présidence : Xinchen Lu, East China Normal University
ECARE/NEXT GEN Individual Submissions
The Study of Faulkner in China from the Perspective of Comparative Literature
Jiashang Liang
Ocean University of China, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
Aeromobility and Aviation Literature in China and in the West
Jie Zhang
Hainan Normal University, China, People's Republic of China
ECARE/NEXT GEN Individual Submissions
Showcasing the Diversified Oriental Aesthetics: A Comparative Study of Theatrical Theories between Natyasastra and Xian Qing Ou Ji
Xinchen Lu
East China Normal University, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
Bob Dylan's Acceptance of the Chinese Classic I Ching(易经)
Quntao Wu
School of Foreign Languages, Xiangtan University, China, People's Republic of
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(109) East - West exchanges 2 (ECARE 9) Salle: KINTEX 2 306B Présidence : Yushu Huang, Shanghai Jiao Tong University
ECARE/NEXT GEN Individual Submissions
A Comparative Study of Female Madness in Frog and Beloved from an Ethical Perspective
Yushu Huang
Shanghai Jiao Tong University, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
Reconstructions and Reflections: A Comparative Study of the Historical Narratives in The Sound and the Fury and The Mountain Whisperer
YUQI HUANG
Northwestern Polytechnical University, China, People's Republic of
ECARE/NEXT GEN Individual Submissions
Chinese's "Chic": Li Jianwu's Adaptation of Macbeth
Minglu Zhu
Zhejiang University, China, People's Republic of
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(110) Ecocriticism and the Anthropocene (ECARE 10) Salle: KINTEX 2 307A Présidence : Cynthia Yingjuan Lin, Peking University
ECARE/NEXT GEN Individual Submissions
The Call of the Wild ---- The Animal Ethics and Rhetoric of Ecological Novels
ChunPing PANG
HongKong Baptist University, Hong Kong S.A.R. (China)
ECARE/NEXT GEN Individual Submissions
Deconstruction of anthropocentrism and alternatives to post-humanism: Focusing on Agustina Bazterrica’s "Tender is the Flesh"
Minji Choi
Hankuk university of foreign studies, Korea, Republic of (South Korea)
ECARE/NEXT GEN Individual Submissions
Urban Wildernesses: Searching for a Unity of Nature and Man in Can Xue’s Barefoot Doctor
Cynthia Yingjuan Lin
Peking University, China
ECARE/NEXT GEN Individual Submissions
Repositioning Human-nonhuman Binaries through Ecophobia: A Study of Classic of Mountains and Seas
Meilin LIU
Hong Kong Baptist University, Hong Kong S.A.R. (China)
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(453) Digital is Everywhere Salle: KINTEX 2 307B Présidence : Jungman Park, Hankuk University of Foreign Studies
Open Group Individual Submissions
Le progrès technologique vu par Michel Houellebecq : utopie ou dystopie ?
Ruike Han
Centre de Recherches sur les Littératures et la Sociopoétique (CELIS), Université Clermont Auvergne, France
Open Group Individual Submissions
La technologie est-elle un défi pour l’approche des extraits littéraires en FLE ?
Kim Thanh NGUYEN THI
Université Phenikaa, Viet Nam
Open Group Individual Submissions
Digital (dis-) Embodiment and the Rhetoric of Belonging: Reimagining Queer Chinese Diaspora in Cyberspace
Wai Chi Wong
Western University, Canada
Open Group Individual Submissions
Digital Ramrajya: The Political Reimagining of an Ancient Ideal in the Age of Social Media
Yang He
Tsinghua University, China, People's Republic of
ICLA Research Committee Individual Submissions
From the Death of the Author to Digital Darwinism: Teaching with Artificial Intelligence, Digital Media, and the Resilience of Identity
Rena Kim
Independent Research, United States of America
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499 Salle: KINTEX 2 308A
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