Conference Agenda

Citizen science and citizen data are widely used to engage with anthropogenic effects such as pollution and species loss. However, their focus on data gathering and objectivization can result in dispassionate learning. Futures scaffolding offers an alternative design approach that reimagines how environmental knowledge can be generated, experienced, and materialized. Positioned within co-speculative design, this practice uses design methods to make visible what data represents and to cultivate ocean futures. This paper mobilizes a workshop kit called Monsters of Marine Debris (MMD) as an object of design to illustrate futures scaffolding. MMD makes data a source of futures-making rather than a goal of community engagement. Participants engage in embedded, embodied, and emergent processes that spark entangled, more-than-human thinking about anthropocentric marine debris (AMD). By applying futures scaffolding, MMD reframes citizen data as a generative design material that supports relational, affective, and imaginative engagements with environmental futures.

Although underwater soundscapes of urban rivers are understudied, they can reveal urban and biological processes across multiple scales. We present a case study of the Charles River’s underwater soundscapes in Boston, Massachusetts. We approach underwater acoustic sensing as a method to attune to infrastructural, non-human, and environmental dynamics. Given that water is an ideal medium for sound propagation, the river becomes a magnifier for ignored aspects of the city, such as the urban infrastructure’s impact on the river's soundscape or aquatic fauna activity. In the sensing process, the river’s underwater environment becomes a space where human, more-than-human, environmental, and infrastructural actors converge, shaping what is audible and recordable. Based on fieldwork observations of organisms dwelling on the sensing device, we reflect on the device’s influence on the environment and speculate about possible sensor-organism interactions. This highlights underwater acoustic sensing as a method to produce data in interaction with the environment.

This paper critically examines how contemporary data design logics reframe everyday objects and services as active instruments of measurement and knowledge production. Through a pedagogical experiment in [place name withheld] Square, we explore how student-designed data instruments capture ambiguous, affective, and more-than-human aspects of experience that conventional instrumentation obscures. Drawing on Barad’s agential realism and Lupi’s Data Humanism, our iterative approach reveals that artifacts co-constitute what becomes knowable, making visible the entanglement of bodies, materials, and environments in data production. As students encountered material resistance, breakdown, and multispecies interaction, they developed “instrumental consciousness,” recognising artifact agency and their own complicity in datafication. We argue that enabling designers to make and deploy instruments transforms abstract critiques of data economies into tangible, ethical encounters, fundamentally shifting design responsibility. This work repositions making-as-research as a critical method for interrogating how instruments shape experience, participation, and exclusion in data-driven environments.

The term “plant awareness disparity” describes a tendency to overlook plants in the environment leading us to underestimate their significance in ecological systems. In this paper, we explore plant biographies as a participatory narrative method that aims to leverage new modes of relating to plants. The method consists of introducing people to the history of seasonal changes experienced by the plant, inviting them to locate and attune to its present condition, and finally writing a short biography about the plant. The interaction was tested with visitors of a botanic garden, who were invited to engage with two individual Rhododendron plants, supported by an audio guide and visualisations of seasonal behavioural data. In response to the task, participants adopted first-person narratives, drawing on empathy, and reflecting on the plant’s temporal and relational context. We reflect on how the approach can be used to nurture more plant-centric understandings in more-than-human design.

This paper explores self-tracking technologies through a more-than-human lens, focusing on the entanglements between protein consumption, urine monitoring, and environmental care. Using autoethnography, I reflect on the practices of measuring protein and nitrogen in urine as a means to interrogate how personal health data intersect with ecological concerns, particularly nitrogen runoff and its contribution to overfertilization of the Baltic Sea. The account highlights tensions between the precision promised by digital health apps and the uncertainty, messiness, and environmental costs of measuring itself. By mapping nitrogen metabolism across bodies, infrastructures, and the environment, the paper identifies potential points of intervention: dietary habits, public discourse, and wastewater treatment. This work positions self-tracking as a ritual of careful noticing that reveals blurred, leaky boundaries between body, infrastructure, and environment.