Conference Agenda

Queerness in design often operates from the margins, yet to remain transformative it must also confront the heteronormative hegemonies embedded in central societal infrastructures. This paper examines how queer design intervenes in the fields of artificial intelligence, sport, and healthcare, identifying three strategies through which design can challenge normative systems: disruption, subversion, and circumvention. Through a comparative analysis of three case studies – Christensen and Conradi’s AI/IA experiments with queer artificial intelligence, Gabriel Fontana’s sport design projects Multiform and Sidelined, and the queer-led digital health platform Every Health – the paper explores how design practices reconfigure infrastructures that regulate bodies, identities, and participation. Drawing on Michel Foucault’s concept of disciplinary power, Judith Butler’s theory of performativity, and José Esteban Muñoz’s notion of queer futurity, the paper argues that queer design operates not only as critique but as an infrastructural practice of worldmaking that materialises alternative relations of care, participation, and collective becoming.

When introduced to product language—the interplay between aesthetic qualities and conveyed meanings—design students often learn that objects embody gender. Soft, curved, and organic shapes are typically framed as feminine, while monolithic and sturdy shapes are most likely labelled as masculine. Although this vocabulary bridges human communication and aesthetics, it also risks reinforcing stereotypes. Building on ongoing doctoral research investigating how product language can reproduce or challenge discrimination, a five-day workshop with 23 bachelor's design students was developed. Through reflective and analytical activities, participants examined gender beyond the binary, exploring how products convey gender norms and how aesthetic qualities embed narratives of exclusion or neutrality. The workshop sought to cultivate gender awareness as a critical design sensitivity, rather than proposing a fixed methodology. The outcomes suggest that such reflection on gender meanings in design education can support more inclusive and non-discriminatory approaches to product language.

This paper puts forward a set of strategies for designing queer experiences for virtual reality. First, the paper will outline The Body Traces Archive VR experience, the primary practice-based outcome of my doctoral research. This will be followed by a discussion of the medium of virtual reality and three industry-standard design norms that serve to limit and foreclose the possibilities of virtual reality: militaristic mastery and control, seamless (dis)embodiment, and prioritisation of comfort. For each industry standard norm, I propose a queer counter-strategy that works to re-align VR towards other possibilities. In turn, they are: utopian worldbuilding, embodiment via friction, and working with discomfort. Each counter-strategy is presented with examples from the Body Traces Archive, showing how queer approaches can be implemented in practice in order to work towards queerer virtual worlds for us to inhabit.

The intersection of queerness and spatial practice has often been framed through the presence of queer individuals rather than queerness as a spatial principle that can shape and create opportunities within the built environment. While individual identity remains important, this paper argues that applying a queer-informed spatial approach to architecture and landscape architecture introduces broader inclusive design considerations often absent in binary or heteronormative practice. The paper examines this through situating current theory and practice; and then testing these ideas in a speculative design proposal for Portobello Promenade. Through themes including adaptability, queer ecologies, accessibility, safety and visibility, the project demonstrates how queer spatial practice can inform a more fluid, responsive, and inclusive design response. The paper reflects on what it means to embed queer spatial principles within architecture and landscape architecture, and how these might create a space for marginalised ways of living and being.

Tělák, a Czech slang term for physical education (PE) that also echoes tělo - body, is a theatrical exhibition, developed by an interdisciplinary team of educators, activists, architects, and theatre professionals, introducing expressions of gender as a spectrum for teenage audiences.

The exhibition unfolds across two layers. The first is a scenography evoking the familiar spaces of PE; corridors, changing rooms, bathrooms, gyms, reassembled within the museum’s own charged normative setting. The second is an archive of personal stories: fragments of experience retold by actors in sound, and others inscribed in situ by a local artist.

This practice-based paper traces the project from the perspective of one of its authors. It considers how the archive itself, the lived experiences of the predominantly queer design team and the spatial framework of the exhibition fold into one another, how the space of display becomes itself archival.

Many technologies are available that address menopause, yet more or less exclusively reflect and reinforce dominant narratives of ableism and normativity. To uncover untold stories of the menopause journey and add perspective to the pluralistic menopause experience, we conducted two workshop sessions with cis women and gender-diverse individuals who have experienced menopause. Through feminist and reflexive methodology and using critical disability studies (CDS) as an analytical lens, we present how menopause experiences are shaped through bodily transformations and relational social practices. Finally, we discuss possible future design directions for shaping the menopause experience beyond its conventional notion. We call for designing for interconnectedness as an approach to support a pluralistic menopause experience.