This panel will explore how the construction of datasets about named enslaved individuals and the publication of those datasets online has allowed historians to reach new audiences and to draw new conclusions about both the collective and individual agency of enslaved people.

This study investigates the use of computational audio analysis to examine ideological narratives in Nazi propaganda films. Employing a three-step pipeline—speaker diarization, audio transcription, psycholinguistic analysis—it reveals ideological patterns in characters. Despite current issues with speaker diarization, the methodology provides insights into character traits and propaganda narratives, suggesting scalable applications.

The Chromobase depicts how the new colouring materials and techniques invented in the 1850s brought about new ways of thinking about colour in literature, art, and the history of science and technology. We present a narrative-driven methodolody and a writing-publication web application which depicts this 19th century “Colour Revolution”.