Conference Agenda

Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).

Please note that all times are shown in the time zone of the conference. The current conference time is: 14th June 2025, 06:56:19pm WEST

 
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Session Overview
Session
LP-08
Time:
Wednesday, 16/July/2025:
2:00pm - 3:30pm

Session Chair: Paul Girard, OuestWare
Location: Aud C1 (EC)

142 places

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Presentations

Enslaved.org: Publishing Online and Linking across Datasets Centered on Named Enslaved Individuals

Walter Hawthorne1, Dave Glovsky2, John Marquez3, Daryle Williams3

1Michigan State University, United States of America; 2Harvard University; 3University of California, Riverside

This panel will explore how the construction of datasets about named enslaved individuals and the publication of those datasets online has allowed historians to reach new audiences and to draw new conclusions about both the collective and individual agency of enslaved people.



Echoes of Ideology – Toward an Audio Analysis Pipeline to Unveil Character Traits in Historical Nazi Propaganda Films

Nicolas Ruth, Manuel Burghardt

Computational Humanities Group, Leipzig University, Germany

This study investigates the use of computational audio analysis to examine ideological narratives in Nazi propaganda films. Employing a three-step pipeline—speaker diarization, audio transcription, psycholinguistic analysis—it reveals ideological patterns in characters. Despite current issues with speaker diarization, the methodology provides insights into character traits and propaganda narratives, suggesting scalable applications.



Chromobase: a narrative-driven dataset on the 19th-century Colour Revolution

Paul Girard1, Charlotte Ribeyrol2, Arnaud Dubois3, Julie Blanc4, Zoé L'EVEQUE5

1OuestWare, France; 2Sorbonne Université, France; 3CNRS, France; 4HEAD Genève, Suisse; 5CNAM, France

The Chromobase depicts how the new colouring materials and techniques invented in the 1850s brought about new ways of thinking about colour in literature, art, and the history of science and technology. We present a narrative-driven methodolody and a writing-publication web application which depicts this 19th century “Colour Revolution”.



 
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