This paper presents a computational toolkit for disseminating historical stereographs in virtual reality (VR). Combining automatic restoration, augmentation, and visualization, the toolkit addresses systemic barriers to large-scale dissemination. It enables immersive engagement with digitized cultural heritage, bridging historical stereoscopy and contemporary VR to revolutionize access to 19th-century immersive media.

This paper explores how digital games and playfulness foster visitor engagement in museums, drawing insights from five digital interactive exhibits and visitor experiences across different cultural backgrounds, presenting the first conceptual framework of playfulness in museums.

This paper will look into the British Library’s commitment to embedding environmentally sustainable digital humanities practices and technology choices, highlighting staff-led initiatives, a Climate Change Strategy, and collaborations like with the Digital Humanities Climate Coalition. Future plans involve a 2025 training programme and a sustainability guide.

Como is an open-source platform designed to engage users through Games with a Purpose (GWAPs) -interactive, problem-solving quizzes with an additional purpose. With its modular system, Como lowers barriers to entry for both creators and participants, encouraging involvement in data collection and validation, with a special focus on mobile apps.

The following proposal describes a collaborative project involving researchers at Durham University, and professionals at the Bowes Museum, Barnard Castle, County Durham, UK, during which we used fixed and mobile eye tracking to understand how visitors view art. The results will inform a rehang of the museum's art.