Conference Agenda

This poster covers highlights of the Saving Ukrainian Cultural Heritage Online (SUCHO) initiative, launched days after Russia's invasion of Ukraine in February 2022 as an emergency response effort with over 1,500 volunteers co-working virtually across time zones at a scale not previously seen in DH rapid response projects.

This poster presents a digital humanities study abroad program that brings undergraduate students to the UK to explore the intersections of technology, humanities, and the arts. Over four weeks, the students meet with curators, DH practitioners, and creatives. In addition to connecting students with professionals in the cultural heritage sector, the program challenges students to create small-scale digital humanities projects.

Comics are becoming increasingly popular among researchers for the communication of scientific findings. Our goal is to investigate and nurture their potential as an educational tool in tutorials by running user tests and evaluating the amount of retained knowledge compared to other ways of presentation such as screencasts and articles.

This poster reports on the experiences of launching a publisher-independent OA journal, the Journal of Computational Literary Studies (JCLS) and reflects the workflow established so far. It also discusses openess as a practice of opening up diversified communication spaces with regard to community involvement, peer reviewing, and the publishing workflow.

This poster revisits the connotations of the umbrella term “digital humanists” by positioning it in the rapidly developing field of digital humanities (DH). The wide participation in DH from scholars, researchers, and practitioners coming from various knowledge domains and fields provides a good opportunity to rethink if advances in digital technologies and cross-field collaboration practices have impacted research communities’ collective understandings of “digital humanists,” including what the term refers to and how the term shapes the dynamics of the DH field. Particularly, in this poster, I explore the reasons why and why not a researcher would self-identify as a digital humanist.

This poster will present the results of a 10-year study into the post-degree professional pathways of the graduates of Trinity College Dublin’s MPhil programme in Digital Humanities and Culture. It will also look at curricular changes made because of, and wider questions about DH raised by, these findings.

In the last ten years, massive protests against the government and/or unfair elections took place in all three Eastern Slavic countries—Russia (2011/12), Ukraine (2014), and Belarus (2020). In 2022, protesters demonstrated against Russia's invasion of Ukraine. All these protests were mainly organized via social networks, were disseminated in independent media and countered by the official state-owned media. Thus, visual (self-)representations of the protest cultures must be recognized as an integral part of the protests proper.

Our project unites close and distant viewing to assess how kaleidoscopic patterns of protest emerge from the constant recombination of specific visual symbols such as banners, flags, slogans, or people marching in the streets. Not only are we interested in a general description of visual and textual (self-)representations of protest in Eastern Europe but we also analyze the patterns of specific protest cultures to describe their symbolic repertoire. In order to achieve this, we build a corpus of visual and textual (self-)representations of protest. We then use deep learning to identify specific symbols in the corpus. These results are utilized to (1) visualize and analyze the differences between official and user-generated content, traditional and new media, and individual countries, and (2) to select specific images and video clips for a qualitative multimodal discourse analysis.

This poster showcases three deployments of virtual reality kits and 360º video design for undergraduate classrooms. It features three examples. The first utilizes a browser-based application that allows users to upload media and view them in a 360º environment. The other examples showcase VR storytelling techniques with consumer-grade 360º cameras.

This poster describes the World Historical Gazetteer project software platform (WHG), with a particular focus on its collection-building features. The WHG is linking and providing access to records of historical place attestations contributed by researchers working in numerous fields within the humanities and social sciences.

I create and implement a digital workflow for the retrieval and annotation of text relevant for the study of strikes from three major collections of digitized German historical newspapers (late 19th Century).

The goal of this project is to create structured metadata for the Women Film Pioneers Project (WFPP), enrich it with authority data, and link it in a sustainable way to other datasets on women film pioneers. The poster outlines the methodological approach of the project and presents preliminary results.

This poster reports on the ongoing R&D project iPBL aimed at expanding the source catalogue of the Polish Literary Bibliography (PBL) and supplementing it with information about online materials such as electronic literature, literary blogs, websites devoted to the Polish culture, and social media profiles.

This poster presents, in comics form, the perspectives of those involved in the Collaborative Doctoral Partnership 'Understanding UK digital comics information and publishing practices: From creation to consumption'. The poster aims to share insights into the challenges and opportunities of inter-institutional research and its collaborative methods.

We are building a multi-modal entity resolution tool that utilizes the spatial, temporal, and textual information about a pair of place records to help identify the semantic relation between them. We plan to share our progress towards the integration of knowledge sources related to the history of the Middle East.

I-Analyzer allows to search, filter and visualize text data from various humanities disciplines. We describe the functionality of the tool, how it can be extended, and its use in research to this point.

As it becomes more common for individual researchers in the humanities to write their own pieces of software, it becomes more pressing that this software is created and published in a sustainable way. This poster proposes a step-by-step plan to assist researchers to create FAIR software.

About representing characters in text. We present an analysis of pronouns, nouns and names in Norwegian novels. The purpose is to arrive at a discourse representation of texts, in terms of characters and their relationships and properties. We use the Norwegian national library and its digital resources for this purpose.

The OntoME-Geovistory environment is the answer brought by LARHRA, Bern University and the IT-startup KleioLab to cope with the issues of digital transition in humanities and social sciences. It offers a complete workflow from data modelling within CIDOC CRM conceptual framework to data production and publication according to FAIR principles.

The SSH Open Marketplace is a discovery portal which pools and contextualises resources for Social Sciences and Humanities research communities: tools, services, training materials, datasets, publications and workflows. This poster presents how this service can provide insights into the use of tools, methods and standards in the DH research communities.

This poster presents a suite of Python utilities for interacting with the DICES database of metadata on Greek and Latin epic speeches and for connecting DICES data with a broader ecosystem of linked open data for Classics.

The multilingual DraCor platform (https://www.dracor.org) represents a valuable resource for literature and theatre scholars, allowing them to host, access and analyse thousands of plays from Antiquity to the XX century. After briefly presenting the workflow for the ingestion of new plays into our ecosystem, we focus on the collaborative side of our endeavours, demonstrating how external scholars can benefit from a range of tools and guides to easily prepare and submit their own collections. As a showcase of the process, we present three corpora currently in production, focusing respectively on Ukrainian, Czech, and Early Modern English literature.

Living with Machines rethinks the impact of technology on the lives of ordinary people during the Industrial Revolution. The project queries metadata for large-scale newspaper collections. This poster describes the workflow of building a database infrastructure that facilitates quicker and easier humanities research on heterogeneous and complex newspaper data.

This Poster presents a TEI model for radio plays and how we distributed our digital audio edition of 2 of Werner Koflers radio plays on the research platform: www.wernerkofler.at.

This contribution discusses how collaboration between content holder, researchers, software engineers, experts in digitisation and in corpus building has drastically improved the digitisation workflow and the output of a corpus of 17th century newspapers.

Our poster will present the details of the SemanaHD and its results as a way to connect the Latin America HD Community. We want to highlight that the SemanaHD gave to the local communities the opportunity of connecting with a regional one, strengthening links in the region, and connecting specific communities.

The Visual Archive Southeastern Europe (VASE), established in 2012, collects historical and contemporary visual material from Southeastern Europe and currently comprises four collections. The article presents the comprehensive redesign of VASE, which affects both the interface and the underlying data model.

We present a study of musical arrangements oif concert music for domestic performance through the lens of an English monthly music journal (The Harmonicon). The study is supported by digital annotation tooling built on IIIF, MEI and Linked Data.

We analyze changes in the business network of Interwar Yugoslavia using computational network analysis. We extract data from Compass, a yearly directory of directors in Central European companies. We combine qualitative and quantitative methods to give insight into the evolution of the Yugoslavian business in a significant historical context.

The poster develops and discusses a new technique of modeling prototypicality in genre concepts based on the c@1-score as an uncertainty-based accuracy score and perspectival modeling within the framework of supervised machine learning. The technique is intended to provide better understanding of loosely ordered genres.

Using the original, manually applied labels, this poster presents whether early modern legal texts can be automatically labelled through AI. Using Annif (by the National Library of Finland) the applicability of the tool to early modern handwritten texts is and its various backends (e.g. TF-IDF; Omikujji, and fastText) are tested.

I will present the project of building a database of historical Polish lexicons. The most important dictionaries with Middle Polish material will be digitized in steps: HTR recognition, XML tagging, morphosyntactic tagging. We intend to prepare the API that could be connected with sources of Middle Polish or Latin used in Poland.

The Institute for Balkan Studies of the Serbian Academy of Sciences and Arts runs a project of digitisation of Roman Inscriptions from the territory of Serbia, that will be encoded in EpiDoc TEI-XML and published in an open, digital archive of Latin and Greek inscriptions.

The aim of this poster is to provide an overview of the work carried out in the CLS INFRA project and its conclusions for the field of Computational Literary Studies.

The theatrical agency of the Viennese court between 1758 and 1763 is documented by Philipp Gumpenhuber’s chronicle, an unique and exceptional source that offers insights into the theatrical, social, and political court life. The project's aim is to create a scholarly digital edition (GuDiE) of the theatre chronicles.

The TEITOK REST API lets you interact with your corpus remotely - to upload documents in various formats - automatically converted to TEI/XML; to render search results; to run an NLP pipeline on the server; or download the content of corpus document, treat that content locally with local NLP tools or manual annotation tools, and then upload the results back to the server, where the new or corrected annotations will be incorporated into the original TEI/XML document without destroying any of the potentially complex annotations already in the document.

We present Pandore, an online toolbox for pre- and post-processing of textual data. This freely accessible platform allows humanities students and researchers, with little or no prior knowledge of computer programming, to perform a series of important and recurrent tasks crucial for the editing, enrichment and mining of digital texts.

The poster will reflect on significant waypoints in the course of creating the data model for SemanticKraus – a project concerned with integrating different Karl Kraus-related research data, converting it into Linked Data, and by doing so linking past and future Kraus research to the Semantic Web.

The Enriching Exhibition Scholarship project is developing and applying computational techniques to align socially-based textual and structured data, such as exhibition catalogues, newspapers and social media, making reconciliation easier and more effective. We use Linked Open Usable Data to describe and publish art-related knowledge.

This poster proposal presents a project whose results are the linguistic annotation of ancient Greek bibliographic references with a focus on Named Entity Recognition related to author names and work titles, in order to produce new dynamic text-based tools that are not available in existing indices and catalogs.

Morphological analysis is an indispensable tool for analyzing Japanese text, but it is difficult for ordinary humanities researchers to set up an environment and perform analysis from the command line. Therefore we have developed WebChamame, an online tool that allows users to perform morphological analysis using multiple period-specific UniDic dictionaries.

In digital humanists, every project we create, every software application we use, every piece of hardware we purchase impacts our environment. In response to this need for greater awareness, the Digital Humanities Climate Coalition (DHCC) created a Toolkit (https://sas-dhrh.github.io/dhcc-toolkit/) using minimal computing principles.

This poster presents ‘First-Hand Accounts of War: War letters (1935-1950) from NIOD digitized’ and reflects on how an interdisciplinary team at the intersection of archival science, history, and digital humanities collaborated in transforming ‘paper archives’ into enriched digital datasets of historical war correspondence.

In this poster we present the ongoing development of an integrated free and open source toolchain for semantic annotation of digitised cultural heritage. The toolchain development involves the specification of a common data model that aims to increase interoperability across diverse datasets and to enable new collaborative research approaches.

This poster presents the collaborative creation of a dataset of 100.000+ pages of handwritten police reports as a successful example of large-scale digitisation initiatives by small-scale research projects. It shows efficient solutions for applying Handwritten Text Recognition techniques on challenging historical documents and for bypassing noisy training material.

PUDEL is a new service for sharing and documenting DH data models. It is developed as a free and open-source software, and can easily be included into existing DH research practices. It provides institutions, researchers and specialists with the tools for sharing and preserving their data models.

The poster will report on a new edition of Peter of Poitiers’ "Compendium historiae". The highly visual chracter of the work makes editing a challenging task and the project team will report on preliminary work during the first year and present an outlook on future work and the project goals.

The poster will introduce and share the first results of the Horizon Europe project MEMORISE, which creates a framework to preserve and enhance Heritage related to Nazi Persecution by virtualizing and linking multimodal data resources and by developing and offering novel digital technologies for accessing, exploring and engaging with HNP.

The poster will present the project “Between Composition and Reception: the Authority of Medieval Charters” and discuss what role machine learning methods can have for the human interpretation of late medieval charters as means to convey authority, esp. regarding their graphical aspects

The use of computational approaches with legacy catalogue descriptions enables new insights into their authors’ historical perspectives, and provides the means for their evaluation and transformation into contemporary online catalogue records. I discuss my computational research with the historical catalogues of the British Library collection of pre-1500 published books.

The increased use of digital methods and tools has been steadily gaining momentum in all areas of life and work since the beginning of the COVID-19 pandemic. Extended methods of data processing and analysis could also be developed and applied in linguistics. In this paper we report on lexical and morpho-pragmatic analyzes of linguistic aspects related to the COVID-19 pandemic in two German corpora.

The poster/presentation demonstrates a web-based search tool for the Index of Middle English Prose, built using the SRILM language modelling toolkit, which is capable of handling variation in spelling, syntax and lexicon inherent to a prestandardised vernacular such as Middle English.

The poster presents the results of a workshop to be held during the annual DHd conference in March 2023. The workshop addresses the question how to strengthen the role of software and research software engineers in DH and how openness and collaboration can lead to more professionalization.

The main objective of CrowdHistory project is to identify, analyse, test and standardise methodological practices of citizen participation in Spanish R&D projects from the perspective of Digital Humanities, both within and outside the academic field.

We use data science methods to examine Colonial Spanish records to analyze the extent of the presence of Afro-descendants in early California. This has been difficult to examine because most Californians of African descent elided their origins in sacramental church records referring to themselves as “gente de razón” or people of reason.

Institutionalized DH units are primed to transform their superordinate humanities organizations as their core skills and values map requirements of organizational development. The concepts of “organizational ambidexterity” and “embeddedness” empowers DH units to evolve their organizations integratively while remaining true to their own mission and practices.

The poster is a contribution to current developments of DH in the context of the National Research Data Infrastructure (NFDI). Using the concrete example of a corpus of Jean-Paul letters, the prerequisites (e. g. standardized formats) and added values (e. g. data re-use) of cross-domain collaboration are highlighted.

OPERAS Innovation Lab provides targeted guidance for scholars seeking to disseminate their outputs in an innovative way. This poster presents three case studies of workflows for innovative scholarly communication: 1) toolkit/anthology; 2) interdisciplinary online journal; 3) software services. The workflows will serve as blueprints for SSH scholars.

This poster will describe the process of planning, UX testing and developing a workspace for groups who wish to work collaboratively in Gale Digital Scholar Lab, a platform for text mining and analysis. It will detail key learning outcomes, including feedback from an initial cohort of classroom users.

This paper presents an evaluation and comparison of three state-of-the-art models for text summarization, and proposes a new digital reading interface designed for neophyte users to exploit these models, as well as automatic keyword extraction, with little or no programming experience.

Since CATMA version 6.0 project data can be accessed in the form of Git repositories. A Python library which enables easy access to this data was developed at the department of Digital Philology at the Technical University of Darmstadt. It makes it possible to further process annotations using established and popular Python data science tools. The poster will serve as a kind of instruction manual for the use of the CATMA Git Access and the Python library.

Computational 3D models of historic architecture are common tools for the scholarship of the built environment. These models are easily seen as primarily technical illustrations absent actionable references into the scholarly process. This poster documents a process to embed scholarly annotation exposing the interpretive scholarship central to modeling historic architecture.

This study aims to extract people’s names from pre-modern Arabic texts. The proposed dictionary-based model eliminates the influence of foreign words and extracts both first names and surnames from three selected corpora. It resolves two fundamental problems faced while performing Named Entity Recognition in Modern Standard Arabic studies.

The poster aims to present (and discuss) the networking approach of the edition humboldt digital, which make extensive use of external data and web services.

Encouraging the use of the digitized materials is a complex goal that involves each - cultural heritage institutions, research funding frameworks, and researchers to some degree. These developments have led a few institutions to initiate GLAM Labs (glamlabs.io) that focus on developing the digital opportunities afforded by galleries, libraries, archives, museums.
Following the role models in the international community, the National Library of Estonia has been developing a virtual lab - a portal and an interface for users to gain access and find uses to digital data. This entails keeping in mind the interests of many stakeholders - balancing the needs and opportunities for the library with the requirements for the collection user.
We present the virtual lab, its tools and datasets, as launched in January 2023. We will show the journey there and the conclusions made on the basis of this. During the development, we have piloted several interface options to access text sources in bulk and share our data in multiple accessible formats. We've conducted a service design as well as a legal analysis to understand the interests of the representative members of the potential user community and how the library can respond to them.
Our virtual lab has aimed to learn from the GLAM Labs in other institutions (see e.g. Mahey et al. 2019). We aim to build our user community so that the researchers get the credit due for their work, and will be offered a place to showcase their work. So that the work done in transforming and enhancing the data by the users would find its way back to the library. And that library itself would get feedback on its collections and find value in its novel potential uses. We will discuss the lessons learned during the development process.
We offer access to the open textual resources among the newspapers, periodicals, and book publications 1800-2022, the data from the national bibliography, as well as a number of thematic collections built around it. Our tools include a few visualization tools and interfaces to manipulate and query the data online. And we feature a number of blog posts based on the case studies performed on our collections by students and researchers.
These digital collections offer new opportunities for cultural heritage institutions as well as their visitors and users, but the process towards it requires learning from various perspectives. Through encouraged use cases, the users learn better to anticipate and benefit from what the library collections can offer, and the library can incrementally improve the resources that it can offer the users while learning about the value found in these resources. We argue that for a successful project, collaboration is key between these different actors based on their interests, and aspire to offer a good example in how this can be organized in a small community.
References
Mahey, M., Al-Abdulla, A., Ames, S., Bray, P., Candela, G., Chambers, S., Derven, C., Dobreva-McPherson, M., Gasser, K., Karner, S., Kokegei, K., Laursen, D., Potter, A., Straube, A., Wagner, S-C. and Wilms, L. with forewords by: Al-Emadi, T. A., Broady-Preston, J., Landry, P. and Papaioannou, G. (2019) Open a GLAM Lab. Digital Cultural Heritage Innovation Labs, Book Sprint, Doha, Qatar, 23-27 September 2019.

This poster presents the proposal for a web-based tool designed to create graph-based digital commentaries. The tool is based on the Web Annotation Data Model and allows collaboration of several users in the preparation of a commentary.

The Text+ consortium seeks the integration of already existing resources, for example through the publication of corpora in repositories. We present the publication of the corpora of the European Literary Text Collection in the TextGrid Repository, discuss their characteristics and the advantages of this integration.

OHCH is developing a digital transformation plan based on smart-city concepts. The digital collections management system is presented, a virtual space where digital objects are shared to give universal and collaborative access to Cuban cultural wealth. Innovation and collaboration have been the keys for the development of digital collections.

This poster presents the preliminary results from the first author's PhD research project, consisting of the early steps towards customising Computer Vision (CV) to work with features characterising historical photographs from Ireland.

A blueprint for establishing a workflow for generating research data in humanities research projects using the example of the project Exil.Trans. FAIR criteria as well as Linked Open Data principles and ontology-based modeling are addressed.

Our Heritage, Our Stories is a collaboration between the University of Glasgow, University of Manchester, and The National Archives, changing how digital content amongst UK communities is collected and curated. This poster outlines project goals, methods, and progress, and showcases new humanities research stories that it will make possible.

We are presenting the results of mutual collaboration within two different, but related, projects in the field of cultural heritage digitization. Shared outcomes of our mutual collaboration include the valorization of cultural heritage items and experimental work on enriching a visualization application with a functionality to annotate graphs.

In 2023, Digital Humanities Research Institute at Siberian Federal University starts a working prototype of a research digital infrastructure for the aggregation, preservation, dissemination of Siberian historical and cultural heritage for historical, literary, ethnographic, art history and other kinds of research at the intersection of the humanities and computer sciences — Siberiana.online.

The aim of the project is to launch a long-term initiative for digitization, analysis, and curation of the different collections of historical, cultural, and natural heritage of the Central Siberia (so-called Angara-Yenisei macro-region).

The project is designed for research and education needs of the digital humanists at Siberian Federal University and world over, because Siberian artifacts and collections evoke a steady interest in the current literature.

This paper aims to visualize connections between Egypt and Southern Levant during the Bronze and Iron Ages. We compare Egyptian representations of animals and zooarchaeological records from documented excavation reports related to locations of zoological species in the Southern Levant. The comparison is possible through the use of GIS and network analysis to connect the iconographic and zooarchaeological data.

The Digital Linguistic Atlas of Scotland is a digitization and reanalysis of the lexical section of the Linguistic Atlas of Scotland. The tool offers dynamic and costumizeable maps and aims to showcase the opportunities of the digitization of analogue linguistic research data.

OstData is a research data service for Central, East, and Southeast European Studies. Based on its fine-grained metadata schema and faceted classification system, the research data repository and discovery system enables interdisciplinary collaboration as opportunity and fosters networking of national and international research communities, research infrastructures, and funders.

Creating online representations from TEI/XML data usually requires technical knowledge in web development. In response to the need for a low-threshold solution to these requirement, we designed and developed QTEI. It is based on two core components: web browser and JavaScript.

The proposed poster gives an overview on the Gloss-ViBe project which analyses the early medieval Celtic and Latin glosses found in the fragmentory manuscript Vienna, Österreichische Nationalbibliothek, Codex 15298 (olim Suppl. 2698) from different angles including digital humanities, philology and linguistics.

Last Year, I have presented our first experiments, which tested, if it is possible to use RCNNs for semi-automated annotation in our project. As those experiments were very promising, we now want to present our prototype of semi-automated annotation using RCNNs, which is currently under developement.

Uyghur Twelve Muqam is an Intangible Heritage of Humanity. The project “Let data sing the Uyghur Twelve Muqam” aims at using text mining methods to study Muqam lyrics. This paper demonstrates the preliminary results of the project, including topic modeling, sentiment analysis, and social network analysis on Muqam lyrics.

A collaboration between the Linked Art II project and Participatory Knowledge Practices in Analogue and Digital Image Archives (PIA) has led to a reconfigurable Python-based workflow to transform cultural heritage data, initially photographic collections, into Linked Open Usable Data, as a foundation for varied participatory interfaces supporting scholarship and beyond.

The poster introduces a new, challenging dataset in Hebrew and it seeks to extend automatic metaphor detection capabilities in pre-modern Hebrew. In the poster, we present the major literary characteristics of the corpus, the computational approaches and methods we use and our results.

The poster presents a new software for semi-automatic stylometric analysis of poetry, especially Polish accentual-syllabic verse poetry. Starting from the versological and phonetic analysis of each verse, the program helps to establish the mood of a given poem based on the characteristic and number of phones constructing the text.

Floppy Disk Magazines were periodicals of the 1980s and 1990s which were published worldwide on many computer systems, but now almost forgotten as cultural object. A new project intends to make this early born-digital heritage accessible again by a catalog and exemplary editions.

Initially, Digital Medievalist was understood to be a group of supportive scholars, that wanted to test digital methods for their research projects. Since then, it has developed into a scholarly community with 1500 members and has become an integral part of the field nowadays called Digital Humanities.

This report describes the methodology of public history practice based on a data infrastructure system for historical materials in Japan. We especially want to discuss activities of surveying, cataloging, and digitizing materials, and curation, classification, filtering, and publication of data, utilizing our data infrastructure.

Our strategy to support filtering the descriptive texts and the transcriptions in Monasterium.net seeks to assign semantic categories for the legal acts they record, such as confiscation, donation, or property sale.

We present our ongoing effort to develop Rekall-IIIF, a platform that aims at providing an extensible software base for all communities in need for multimedia and multimodal annotation tools. It is modular, Open Source and built on the IIIF standard (https://iiif.io/).

This paper explores the practices and experiences we have learned from developing an Open Science Infrastructure in the Asia Pacific. The paper purposes a unique three-pillar model; Advanced Technology to improve internet connectivity, a Knowledge Base on internet engineering, and Community Building across universities.

In this poster we would like to present the new architecture and features of EVT 3 (Edition Visualization Technology), an open source Angular-based tool for the visualization of TEI-XML Digital Scholarly Editions. We will use and showcase two digital philology projects as test bed for the new functionalities.

Mandala 2.0 is the UVA Library’s re-envisioning of the longstanding Mandala collection, with the goal of preserving Mandala’s Tibetan-Himalayan cultural heritage assets and data framework sustainably and discoverably. This poster will showcase the prototyping and usability testing phase as we develop a user interface and Linked Open Data.

Inaugurated in 2022, the CANEVAS consortium brings together researchers from various humanities disciplines whose common interest is to handle video corpora in their research. This poster present specific issues raised by these corpora as well as a selection of tools and methods identified by the Canevas research community.

This project explores computational uses of pose analysis to investigate questions of directorial style and actorly interpretation in theatrical performances. The process involves developing methods to help performing arts scholars and professionals use pose-data models to capture movement from performances, as well as record, analyze, recreate and remix those movements.

Digitized heritage texts are important for computational tasks. Regrettably, OCR software used for digitizing texts is not flawless. Ngram models are a promising method to detect and correct OCR errors, but may be corpora specific. Our findings will indicate if ngram models can be used interchangeably between different corpera.

OpenAtlas (https://openatlas.eu/) is an open source database software used to acquire, edit, and manage research data from various fields of humanities. By using OpenAtlas, information entered is mapped to CIDOC CRM in the background. Types can be added dynamically and make OpenAtlas usable for different projects.

During the year 2021 we carried out intensive archaeological surveys at several sites of Roman chronology in the Iberian Peninsula. The recording of materials in the field was carried out using GPS. The data collected have allowed us to characterise them, at least partially, by inserting the data into GIS.

Bee-ing Human is an interdisciplinary project that brings together researchers from the Humanities (Literary Studies, Musicology), Biology (Insect Behaviour), and research software engineers to study the role of emotions in Bees. We depart from a seventeenth-century apiary book (Butler, The Feminine Monarchy of Bees) to produce a new work in the digital space that will reflect on both the early modern knowledge and interpretation of bee behaviour, and the latest scientific research.

This poster invites attendees to explore the pedagogical and research affordances of physical data representation and manipulation, drawing on materials produced by an undergraduate text-mining class. Providing actual materials to attendees like punchcards, literal bags of words, and math manipulatives, this poster invites creative play and experimentation with physical data.

This paper presents the results of a study evaluating the feasibility of automatic acquisition of small-scale diachronic Latin corpora for linguistic research. The study was conducted on a collection of Neo-Latin works composed by Polish authors, using tools for automatic segmentation (Kraken) and text recognition (Calamari OCR).

In the ERC-Advanced Grant Project “DiDip – From Digital to Distant Diplomatics” (PI Georg Vogeler) we want to show which charter features are identifiable automatically and test which other features are recognized by the machine that can be useful for Diplomatics research.

Our poster discusses HI's activities to construct a data structure and its operations in Japanese history for long-term utilisation and future issues related to multidisciplinary links. It focuses on specific repositories and examples of metadata exchange.

Brief abstract: The database “The Chronicle of Modern Translation Literature in Chinese (Periodicals, 1896-1949)” collects 9456 entries on Chinese translation literature from 239 periodicals, involving as many as 2130 translators, 1580 foreign writers, 9456 translated works, and relevant theories and reviews.

Our work considers how new advances in pretrained text-to-text generation models might make named entity recognition more accurate, flexible, and streamlined for the digital humanist. We provide an example of how text-to-text generative models can identify mentions of characters, authors, and book names within Goodreads book reviews.

The Digital Humanities relies on volunteer effort to create and maintain a variety of tools for a vast array of studies and interests. However, many of these tools aren’t built with accessibility in mind; critically looking at the pitfalls of the current systems and offering solutions is the way forward.

Based on a network analysis of publications in Romanian-German literary journals of the interwar period, the journalistic cooperation of the different German-speaking regions in Romania as well as with other literary fields is illuminated. Likewise, it serves as an indication of the position of the individual magazines in fieldinternal conflicts.

Geography and emotion interact in a complex way within literary space. Combining graph theory and diversity theory, this study proposes a method for calculating the emotional diversity of literary geography and empirically tests it on a contemporary literary corpus of over four million words depicting the city of Nanjing, China.