| Abrahamyan, Knar | Columbia University | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Presenter
Perspectives on Rhythm and Meter
Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant |
| Accornero, Giulia | Yale University | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter
Beyond the Staff: Notation Pedagogies and Practices Chair |
| Affatato, Giovanni | Julius-Maximilians-Universität Würzburg | SMT Poster Session |
| Ai, Stephen Tian-You | Harvard University | Microtonal Listenings Presenter |
| Alonso Mutti, Ana R. | University of New Mexico | Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter |
| Alonso-Minutti, Ana | University of New Mexico | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Amarosa, Leah | University of Oregon | Analyzing Hip-Hop Presenter |
| Amati, Alexandra | Harvard University | Orality in Italian Popular Song
Fragments to Footlights: What can we learn from operatic sketches? Chair |
| Analogue, Suzi | University of North Carolina at Chapel Hill | Teaching Popular Music Studies: Pedagogy and Curriculum Presenter |
| Anatone, Richard | Prince George's Community College | AMS Ludomusicology Poster Session: Music, Games, and Play Chair
The Genesis of Popular Song |
| André, Naomi | University of North Carolina at Chapel Hill | European Music and Caribbean Slavery in the Eighteenth Century Chair |
| Andre, Naomi | University of North Carolina at Chapel Hill, | Opera and the Politics of Inclusion and Consent |
| Arango Calle, Miguel | Indiana University | 19th-Century Technology on the Opera Stage |
| Arewa, Olufunmilayo B. | Antonin Scalia Law School at George Mason University | Beyond the Staff: Notation Pedagogies and Practices Presenter |
| Arnold, Cory | 12Tone | SMT Plenary: Public Music Theory |
| Aschheim, Victoria | Carleton College | Style and Interpretation in American Music |
| Atkinson, Charles M. | The Ohio State University | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Presenter |
| Austern, Linda | Northwestern University | From Political Work to Homoerotic Play: Music in Cults of James and Anna Chair
From Political Work to Homoerotic Play: Music in Cults of James and Anna Discussant |
| Avila, Jacqueline | University of Texas at Austin | Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Discussant
Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Ayers, William | University of Central Florida | Microtonal Listenings Presenter |
| Babyak, Tekla | Independent Scholar, Davis, CA | The SMT Committee on Disability and Accessibility Session Discussant |
| Baileyshea, Matt | University of Rochester | Professional Ins and Outs: Practicing/Performing Public Music Theory Presenter |
| Bain, Jennifer | Dalhousie University | SMT Poster Session |
| Baker, Ben | Eastman School of Music | Hearing Hybridity |
| Ban, Steph | Independent Scholar | Disability Identity in Music Scholarship Presenter |
| Bangura, Lydia | University of Michigan | SMT Plenary: Public Music Theory |
| Banta, AJ | University of Michigan | Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter |
| Bar-Yoshafat, Yonatan | The Open University of Israel | Romantic Form |
| Baranello, Micaela | Temple University | Contemporary American Opera at the Intersection of Genre and Institution Presenter |
| Barker, Kirsten | University of Illinois | Music, Sound, and the Making of Eco-Culture Presenter |
| Barna, Alyssa | University of Minnesota | SMT Plenary: Public Music Theory |
| Barolsky, Daniel | Beloit College | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter |
| Barrett, Andrew L. | Northwestern University | Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter |
| Bartig, Kevin | Michigan State University | Musical Utopias |
| Bassler, Samantha | New York University | Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter |
| Bates, Morgan | UCLA | Transauralities: Thinking Trans in Music/Sound Studies Presenter |
| Batterman Cháirez, Chris | University of Chicago | Narrating Indigenous Musical Histories |
| Bauer, Amy | UC Irvine | Bases and Superstructures: Academic Music Studies and the Capitalist Present Chair |
| Beaudoin, Richard | Dartmouth College | Gender and Voice on Record |
| Beavers, Jennifer | University of Texas at San Antonio | Lost and Found: New Work in Ravel Studies Presenter
Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Beckerman, Michael | New York University | Representing Racialized Selves and Others in Czech Music Discussant |
| Beisel Hollenbach, Katie | University of Washington | Music and World War II |
| Bell, M. Jerome | Eastman School of Music | Gospel Music |
| Belt, Chelsey Lee | Indiana University | Orality in Italian Popular Song |
| Bennett, Michael Andrew | University of Washington | News, American Politics, and the Stage |
| Berlin, Lauren | Eastman School of Music | Mediation of Blackness in Mid-Twentieth-Century America |
| Bertolani, Valentina | University of Birmingham | Archives Presenter |
| Bhogal, Gurminder K. | Wellesley College | Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter |
| Bilik, Matthew Allan | Anderson University | Harmony in Popular Music |
| Bishop, Daniel | Indiana University | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Chair |
| Blaszkiewicz, Jack | Wayne State University | Music Education and Cultural Identity in 19th-century France |
| Bleish, Nicholas | Katholieke Universiteit, Leuven | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Blim, Dan | Denison University | “Doing Musicology” with Primary Sources Presenter |
| Boleslawska, Beata | Institute of Art, Polish Academy of Sciences | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Presenter |
| Bomberger, E. Douglas | Elizabethtown College | Biographical Reinventions: Grainger, Beach, and Ellington |
| Boone, Christine | University of North Carolina Asheville | Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Booth, Annie | University of Denver | Histories of Pedagogy/Pedagogies of History Presenter |
| Borowski, Devon J | University of Chicago | Music, Labor, and Jewish Identity |
| Boucher, Daniel Thomas | University of Birmingham | Opera on the Periphery |
| Bourne, Janet | University of California, Santa Barbara, | Semiotics |
| Bowden, Sara | Northwestern University | Music and Dance |
| Bower, Calvin M. | Notre Dame University | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Presenter |
| Boyd, Clifton | New York University | Music for White America |
| Boynton, Susan | Columbia University | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Chair |
| Bradley, Catherine A. | University of Oslo | Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Presenter |
| Brewer, Charles | Florida State University | What is Latin Song in the Medieval World? Presenter |
| Brooks, Erin M | SUNY Potsdam | Popular Music, Gendered Violence, and Trauma Studies Chair |
| Brown, Jenine | Johns Hopkins Peabody Institute | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design |
| Brown, Jordan | Harvard University | Queer Musicology from Dykecore to the Quare Canon Presenter |
| Bullivant, Joanna | University of Oxford, | Catholic Circles |
| Bullock, Philip | University of Oxford (UK) | Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Presenter |
| Bunch, Ryan | Rutgers University-Camden | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Chair |
| Burkholder, J. Peter | Indiana University Jacobs School of Music | Student Engagement: Texts and Tools Presenter |
| Burnam, Henry | Yale University | Theory, History, and the Practice of Listening |
| Burnett, Philip | University of York | Missionaries and Music |
| Burns, Chelsea | University of Texas at Austin | Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter |
| Burton, Deborah | Boston University | Fragments to Footlights: What can we learn from operatic sketches? Presenter |
| Bussert, Jack | Indiana University | Microtonal Listenings Presenter |
| Butler, Margaret | University of Wisconsin-Madison | Gender, Opera, and Social Politics |
| Byl, Julia | University of Alberta | Narrating Indigenous Musical Histories |
| C. Moss, Fabian | Politecnico di Milano | SMT Poster Session |
| Caldwell, Mary Channen | University of Pennsylvania | What is Latin Song in the Medieval World? Chair |
| Calico, Joy | University of California, Los Angeles | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant |
| Camp, Gregory Louis | University of Auckland | Creative Characterizations in Film |
| Camp, Melissa | University of North Carolina at Chapel Hill | Sound Recording and Global Imperialism in the Early Twentieth Century Presenter |
| Campo-Bowen, Christopher | Virginia Tech University | Representing Racialized Selves and Others in Czech Music Presenter |
| Camprubi, Marcel | Princeton University | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter |
| Carlson, Michael | University of North Carolina at Chapel Hill | Contrafacts: A Template for Agency and Identity Formation Presenter |
| Carroll, Rebecca | Rutgers University, | Opera and the Politics of Inclusion and Consent |
| Carter, David Scott | Loyola Marymount University | Form in Popular Music |
| Carter, Stewart Arlen | Wake Forest University, | Chinese Music in Theory and Practice |
| Castle, Harry | University of Michigan | Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter |
| Castro Pantoja, Daniel | University of North Carolina-Greensboro;
UNC Greensboro | Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter
Rethinking (Im)mobility in Global Music History Studies Chair |
| Cawyer, Brad | Texas Tech University | SMT Poster Session |
| Celora, Eleonora | Medieval Institute, University of Notre Dame | Change and Conflict in Chant
Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Cerin, Jean Bernard | Cornell University | Lisette: A Song's Journey From Haiti & Back |
| Cerveux, Alexandre | University of Oxford | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter |
| Chandrasekhar, Varun | Washington University in St. Louis | Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter |
| Chang, Hyun Kyong Hannah | University of Sheffield | AMS Global Music History Business Meeting
Missionaries and Music
Rethinking (Im)mobility in Global Music History Studies Chair |
| Chang, Lidia Aurora | N/A;
Colorado College | Lessons from Avian Organology Chair
Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter |
| Chapman, Dale | Bates College | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter |
| Charney, Joshua | N/A | Organological Origins and Obsessions |
| Chávez, Hermán Luis | King's College London | Transauralities: Thinking Trans in Music/Sound Studies Presenter |
| Chávez Bárcenas, Ireri E | Bowdoin College, | Race and Identity in Colonial Latin America |
| Chen, Joyce Wei-Jo | Princeton University; University of Oregon | Chinese Music in Theory and Practice |
| Chen, Sitong | University of Oregon | Music of China |
| Chenette, Timothy | Utah State University, | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design Chair
Workshop: Rethinking Aural Skills Through Backwards Design Presenter |
| Cheng, William | Dartmouth | Demystifying Public Musicology Presenter
Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Chair
Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter |
| Cherry, Nicole | University of Texas at San Antonio | How George Bridgetower Flourished: A Violinist's Bridge Between Past and Future |
| Chiu, Matt | Baldwin Wallace University | SMT Poster Session |
| Chiu, Remi | Peabody Institute of the Johns Hopkins University | Music and Quackery in Britain and America Presenter |
| Cho, Jennifer Ye Ji | University of California, Berkeley | Histories of Pedagogy/Pedagogies of History Presenter |
| Christensen, Thomas | University of Chicago | Expanded Anthology of Sources in the History of Music Theory |
| Chu, Allison | Yale University | News, American Politics, and the Stage |
| Cimini, Amy | UC San Diego | Transauralities: Thinking Trans in Music/Sound Studies Chair |
| Clark, Walter A. | University of California, Riverside | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Clawson-Cannestra, Kaitlyn | University of Oregon | Text and Music |
| Cobb, Nathan | UC Santa Barbara | A Survey of the Sources of Serialism at its Centenary Presenter |
| Coddington, Amy | Amherst College | Copyright, Reparations, and the Marketplace
Popular Music Study Group Business Meeting
Teaching Popular Music Studies: Pedagogy and Curriculum Chair |
| Cohen, David | Max-Planck-Institut für empirische Äesthetik | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Discussant |
| Cohen, Sara Jo | University of Michigan Press | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter |
| Colanduoni, Christina | University of Chicago | Blindness and Musical Identity |
| Cole, Christa | Oberlin College and Conservatory | Performance, Analysis, and Embodiment |
| Cole, Janie | Yale University | Organological Origins and Obsessions |
| Coleman, Jeremy | University of Malta | Wagnerian Parodies Presenter |
| Colletti, Carla | Webster University, | Exploring Feminist Scholarship in Music Theory Organizer
Exploring Feminist Scholarship in Music Theory Chair |
| Collison, Thomas Charles | Indiana University | SMT Poster Session |
| Coluzzi, Seth J | Colgate University | Conceptualizing Mode and Key |
| Conlee, Jade | Yale University | Rethinking Representation and Experience |
| Cook, James | University of Edinburgh | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Cooper, Samantha Madison | University of Pennsylvania | Music, Labor, and Jewish Identity |
| Cornish, Gabrielle | University of Miami | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Chair |
| Corrigan, Ralph | independent scholar | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Corvalan Ocampos, Camila | N/A | Race and Identity in Colonial Latin America |
| Cosme-Clifford, Nicole | Yale University | The Genesis of Popular Song |
| Cottle, Alyssa | Harvard University | Transnational Politics of the Stage |
| Coury-Hall, M. A. | New York City, NY | SMT Poster Session |
| Cowgill, Rachel | University of York | Missionaries and Music |
| Crosson, Dylan | The Ohio State University | Conceptualizing Mode and Key |
| Cruz, Gabriela | University of Michigan | On the Totalitarian Stage |
| Cumming, Julie | McGill University | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter |
| Cunnigham, Maya | N/A | HBCUs and Music Theory Presenter |
| Cypess, Rebecca | Rutgers University | Anti-Semitism, Music, and Music Studies: Views from the Field Presenter
Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter
Music and Female Agency in European Society |
| Daley, Mark | Western University | SMT Poster Session |
| Dang, Tommy | Texas Tech University | Models and Maps |
| David, Joshua Tolulope | University of Toronto, Canada | Transnational Politics of the Stage |
| Davidson, Echo Lee | University of Pittsburgh | Disability and Affordance in Popular Music |
| Davies, Drew Edward | Northwestern University | Contrafacts: A Template for Agency and Identity Formation Chair
Contrafacts: A Template for Agency and Identity Formation Discussant |
| Davis, Stacey | University of Texas at San Antonio | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design Chair
Workshop: Rethinking Aural Skills Through Backwards Design |
| Davis-Abraham, Hannah | University of Toronto | Timbres, Voices, Ciphers |
| Dawarzani, Amir | University of Colorado at Boulder | The Ur of the Ore: Moments in the Origins of Heavy Metal Presenter |
| Deaville, James | Carleton University | The SMT Committee on Disability and Accessibility Session Presenter |
| Dekovich, Michael | Loyola Marymount University | Meter and Form in Metal |
| Delécluse, François | Université libre de Bruxelles | Wagnerian Parodies Presenter |
| Dell'Antonio, Andrew | UT Austin | Disability Identity in Music Scholarship Chair |
| Dell’Antonio, Andrew | University of Texas at Austin | Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter |
| Dellenbaugh, Ginger | Yale University;
American Musicological Society, | Beyond the Staff: Notation Pedagogies and Practices Chair
Music and the Law Presenter
Notation, Inscription and Visualization Study Group Business Meeting |
| Denk, Lucia | Princeton University | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Desinord, Richard | N/A | HBCUs and Music Theory |
| Desmond, Karen | Maynooth University | Medieval Polyphony |
| Devaney, Johanna | Brooklyn College and Graduate Center, City University of New York, | The Popular Singing Voice |
| Diamantouli, Eirini | University of Cambridge | Songs of the Self / Sounds of the Nation |
| DiBernardo Jones, Jeannette | College of the Holy Cross | Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Chair
Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Presenter |
| DiCenso, Daniel | College of the Holy Cross | Skills and Resources for Early Musics Study Group Business Meeting and Keynote |
| Dickensheets, Janice | University of Northern Colorado | Student Engagement: Texts and Tools Presenter |
| DiPiero, Dan | University of Missouri Kansas-City | Musical Responses to Trauma |
| Dobbs, Benjamin | Furman University | SMT Poster Session |
| Doe, Julia | Columbia University | European Music and Caribbean Slavery in the Eighteenth Century Presenter |
| Dolan, Emily I. | Brown University | Lessons from Avian Organology Presenter |
| Doll, Christopher | Rutgers University | Form in Popular Music |
| Driessen, Veerle Maria Everdina | Radboud University, Nijmegen, The Netherlands | Operetta and cultural transfer in Europe Presenter |
| Drott, Eric | University of Texas at Austin | Music and the Law Chair |
| Drummond, Henry | Katholieke Universiteit, Leuven | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
What is Latin Song in the Medieval World? Presenter |
| Duane, Ben | Washington University in St. Louis, | Country Music |
| Dubois, Taryn | Yale University, | Machine Sounds |
| Duinker, Ben | McGill University | Theorizing Timbre, Texture, and Space in Hip-Hop Music Presenter |
| Duker, Philip | University of Delaware | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design |
| Easley, David | Oklahoma City University | The SMT Committee on Disability and Accessibility Session Organizer
The SMT Committee on Disability and Accessibility Session Chair |
| Ebright, Ryan | Bowling Green State University | Contemporary American Opera at the Intersection of Genre and Institution Presenter |
| Eckelhoff, Kristofer | CUNY Graduate Center | Popular Music, Gendered Violence, and Trauma Studies Presenter |
| Eckenroth, Lindsey | The New School | Popular Music, Gendered Violence, and Trauma Studies Presenter |
| Eichhorn, Jacob | Eastman School of Music | Musical Closure |
| Elkins, Alan | Cleveland Institute of Music | Video Game Music |
| Ellis, Katharine | University of Cambridge | Music Education and Cultural Identity in 19th-century France |
| Elssner, Philipp | McGill University | Theorizing Timbre, Texture, and Space in Hip-Hop Music Presenter |
| Endrinal, Christopher | Florida Gulf Coast University, | HBCUs and Music Theory Organizer
HBCUs and Music Theory Chair |
| Epstein, Louis Kaiser | St. Olaf College | “Doing Musicology” with Primary Sources Presenter
Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Chair
New Considerations in Black Music Research |
| Espinosa, Bryan Stevens | Sam Houston State University | Classical Forms |
| Everist, Mark | University of Southampton | What is Latin Song in the Medieval World? Discussant
Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Chair |
| Eyerly, Sarah | Florida State University | AMS Communications Committee Meeting |
| Fairclough, Pauline | University of Bristol (UK) | Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Presenter |
| Falotico, Sam | Eastman School of Music | Analyzing Jazz |
| Fassler, Margot | University of Notre Dame | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Fauser, Annegret | University of North Carolina at Chapel Hill | Historicizing Celebrity Presenter |
| Fava, Maria Cristina | Western Michigan University | Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Chair |
| Favila, Cesar D. | University of California, Los Angeles | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Fazeli Masayeh, Sara | University of Florida | Women, Musical Communities, and Social Change |
| Feldkamp, Suzanna | Case Western Reserve | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Chair |
| Feller-Simmons, Paul Gustav | Northwestern University | Contrafacts: A Template for Agency and Identity Formation Presenter |
| Ferrari, Gabrielle Elaine | Columbia University | Historicizing Queerness |
| Feustle, Maristella | University of North Texas | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Presenter |
| Finley, Sarah | Christopher Newport University | Power and Aurality in Colonial Latin America Discussant |
| Fisher, Alexander John | University of British Columbia | Late 16th–Early 17th-Century Polyphony |
| Fitz Gibbon, Elaine | Harvard University | Music, Labor, and Jewish Identity |
| Flint de Médicis, Catrina | Vanier College, OICRM | Puppetry, Music, and National Identity |
| Flory, Andrew | Carleton College | Vocal Timbre in Popular Music |
| Fontijn, Claire | Wellesley College | 19th-Century Biography |
| Forner, Jane Isabelle | University of Toronto | Constructions of Race and Gender in Film |
| Forrest, David | Texas Tech University | SMT Poster Session |
| Foskett, Brandon Lane | The University of Texas at Austin, Austin, TX | AMS Poster Session |
| Fosler-Lussier, Danielle | Ohio State University | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter
Student Engagement: Texts and Tools |
| Frakes, Stephanie | University of Manitoba | Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Presenter
19th-Century Technology on the Opera Stage |
| Francis, Kimberly | University of Guelph, | 19th-Century Technology on the Opera Stage |
| Franseen, Kristin | McGill University | Queer Musicology from Dykecore to the Quare Canon Presenter |
| Frederick, Leah | University of Michigan | Spaces and Transformations |
| Freedman, Richard | Haverford College, | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Chair |
| Freitas, Roger | Eastman School of Music | Message Music: Musicology and Social Movements Chair |
| Frolova-Walker, Marina | University of Cambridge (UK) | Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Presenter |
| Frühauf, Tina | City University of New York | Representing Racialized Selves and Others in Czech Music Presenter |
| Fry, Katherine | King's College London, | British Imaginings of the Other |
| Fulton, Hannah | University of Oregon | Text and Music |
| Gabriel, John | University of Melbourne | Fairy tales and music between “Asia” and “Germany” Presenter |
| Gabrillo, James | University of Texas at Austin | Performance, Politics, and Media in the Philippines |
| Gage, Christopher | University of Delaware | Signs in Film and Television |
| Gaillard, Kira | University of North Carolina at Chapel Hill, | Queer Musical Codes in Disguise |
| Gain, Rachel | Yale University | Disability and Affordance in Popular Music |
| Galik, Ryan | Michigan State University | Ambient Music and EDM |
| Galloway, Kate | Rensselaer Polytechnic Institute | Microtonal Listenings Discussant
Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter |
| Ganade D'Acol, Mítia | Indiana University, Bloomington | Music and Dance |
| Gao, Yiyi | University of North Texas (Denton, TX) | Music of China |
| García Sudo, Alejandro | University of California, Los Angeles | Rethinking (Im)mobility in Global Music History Studies Presenter |
| Garrett, Charles | University of Michigan | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter |
| Gauvreau, Joseph Olivier | Harvard University | Fields, Gardens, and Labyrinths |
| Gawboy, Anna | The Ohio State University, | Compositional Strategies for Sacrality and Acceptance |
| Ge, Ken Tianyuan | University of North Carolina at Chapel Hill | Teaching Popular Music Studies: Pedagogy and Curriculum Presenter |
| Geary, David | Wake Forest University | Metric Modulations, Patterns, and Schemas |
| Geoffroy-Schwinden, Rebecca | University of North Texas | European Music and Caribbean Slavery in the Eighteenth Century Presenter
Mobility, Media, and Money in Early Modern Popular Music Chair |
| Georgallas, Virginia | University of California, Berkeley | 18th-Century Poietics |
| Getz, Christine | University of Iowa | Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter |
| Gilbert, Alison Elizabeth | University of Wisconsin - Eau Claire | British Imaginings of the Other |
| Gilbert, Matthew | Stanford University | Race and Identity in Colonial Latin America |
| Gkoulimaris, Dimitris | University of Texas at Austin | Music, Sound, and the Making of Eco-Culture Presenter |
| Goetjen, Michael | Massachusetts Institute of Technology | 18th-Century Poietics |
| Goh, Ting Ting | Texas Tech University | Models and Maps |
| Goldberg, Daniel | University of Connecticut | Redefining Music Theory through Translation Presenter |
| Goldberg, Randall | California State University, Fullerton | New Approaches to Studying Recorded Jewish Music Chair |
| Golden, Rachel May | University of Tennessee | What is Latin Song in the Medieval World? Presenter |
| Gómez, Jonathan A. | University of Southern California | Between Worlds: Making Community in Black Music Presenter
Beyond the Staff: Notation Pedagogies and Practices Presenter |
| González, Aimee | University of Chicago | European Music and Caribbean Slavery in the Eighteenth Century Presenter |
| Gopinath, Sumanth | University of Minnesota | Rethinking (Im)mobility in Global Music History Studies Presenter |
| Gordillo Brockmann, Bernard | University of California, Los Angeles | Missionaries and Music
Taking Stock: The Ibero-American Music Study Group Turns Thirty Chair |
| Gordon, Bonnie | University of Virginia | Anti-Semitism, Music, and Music Studies: Views from the Field Presenter |
| Gorzelany-Mostak, Dana | Georgia College & State University | Music and Quackery in Britain and America Presenter |
| Gower, Gillian | UCLA/University of Edinburgh | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Graham, Pheaross | Stanford University | Music and the Middlebrow |
| Grapes, K. Dawn | Colorado State University | From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter |
| Grasso, Julianne | Florida State University | Public Scholarship: How We Got Here, Where We’re Going Presenter |
| Graziano, John | Music in Gotham | Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter |
| Greathouse, Ashley | University of Cincinnati | Fields, Gardens, and Labyrinths |
| Greenberg, Yoel | Hebrew University, Jerusalem | Classical Forms |
| Greenfield-Casas, Stefan | University of Richmond | AMS Ludomusicology Poster Session: Music, Games, and Play Discussant
Video Game Music |
| Gregg, Justin | Columbia University | Musical Utopias |
| Grier, James Norman | University of Western Ontario, | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Chair |
| Grissom-Broughton, Paula | N/A | HBCUs and Music Theory |
| Gruver, Laine | Northwestern University | Semiotics |
| Guerrero, Devin Ariel | Texas Tech University | SMT Poster Session |
| Guhl-Miller, Solomon | N/A | Conceptualizing Mode and Key |
| HaCohen (Pinczower), Ruth | The Hebrew University of Jerusalem | Anti-Semitism, Music, and Music Studies: Views from the Field Presenter |
| Haefeli, Sara | Ithaca College | Student Engagement: Texts and Tools |
| Haefer, Richard | Arizona State University | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Hallenbeck, Alexander James | UCLA | Compositional Strategies for Sacrality and Acceptance |
| Hamilton, Robert | Eastman School of Music | Harmonic Effects |
| Hannaford, Marc Edward | University of Michigan | Between Worlds: Making Community in Black Music Presenter |
| Hannan, Calder | Columbia University | Meter and Form in Metal |
| Hannon Teal, Kimberly | University of North Texas, | Dissertation to Book: Recent Survivors Chair
Jazz and Improvisation Study Group Business Meeting |
| Hara, Kunio | University of South Carolina | AMS Global East Asian Music Research Study Group Business Meeting
Interrogating "Global East Asia" Chair |
| Hardman, Kristi | University of North Carolina at Charlotte | Music and Disability |
| Haruta, Devanney | Brown University | Sounds, Materialities, and Pleasures in the Garden Presenter |
| Hatfield, Meghan | Utah State University | SMT Poster Session |
| Havelková, Tereza | Charles University, Prague | Representing Racialized Selves and Others in Czech Music Presenter |
| Haws, Barbara | New College, University of Oxford | Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter |
| Hearfield, Katelyn | University of Pennsylvania, | Disability and Affordance in Popular Music |
| Heck, Adeline Anastasia | Université libre de Bruxelles | Wagnerian Parodies Presenter |
| Helgert, Lars | University of Maryland | Music for White America |
| Helker, Luke | Benedictine College | Materials that Matter: Cultivating a Musical Tradition with Found Objects |
| Heller, Michael | University of Pittsburgh | Archives Presenter |
| Helsen, Kate | Western University | SMT Poster Session |
| Heminger, Anne | University of Tampa | Quotation and Borrowing in the Sacred |
| Heng, Lena | McGill University | Models and Maps |
| Hennig, Molly | University of Wisconsin-Madison | AMS Ludomusicology Poster Session: Music, Games, and Play Discussant |
| Herrera, Eduardo | Indiana University | Demystifying Public Musicology Chair |
| Hess, Carol A. | University of California, Davis | Taking Stock: The Ibero-American Music Study Group Turns Thirty Chair |
| Hibbard, Laura | University of Connecticut | Discoveries in Post-Tonal Music |
| Hibberd, Sarah | University of Bristol | Historicizing Celebrity Presenter
Operetta and cultural transfer in Europe Chair |
| Hicks, Andrew | Cornell University | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Chair |
| Hisama, Ellie | University of Toronto | Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Discussant |
| Hoag, Melissa | Oakland University, | Professional Ins and Outs: Practicing/Performing Public Music Theory Organizer |
| Hoppenjans, Kelly | University of Michigan | Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter |
| Horton, Julian | Durham University | Romantic Form |
| Hottle, Rachel | McGill University | New Approaches in Popular Music, Performance, and Technology |
| Howie, Tyler M. | University of Texas at Austin | SMT Poster Session |
| Hsieh, Amanda | Durham University | Fairy tales and music between “Asia” and “Germany” Presenter
Interrogating "Global East Asia" Presenter |
| Huang, Cheng-Zhi Anna | Google DeepMind; Mila - Quebec AI Institute, Université de Montréal | New Approaches in Popular Music, Performance, and Technology |
| Huang, Rujing Stacy | The University of Hong Kong | New Approaches in Popular Music, Performance, and Technology |
| Hudson, Stephen S. | Occidental College | Music and Dance Study Group Business Meeting
Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Chair
Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Presenter |
| Huether, Kathryn | Bowdoin College | Anti-Semitism, Music, and Music Studies: Views from the Field Presenter |
| Hugh Sam, Jordan | University of California at Los Angeles | From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter |
| Hunt, Graham G | University of Texas at Arlington | Romantic Form |
| Hutchinson, Kyle | Colgate University | Musical Closure |
| Illari, Bernardo | University of North Texas | Late 16th–Early 17th-Century Polyphony |
| Irizarry, Larissa A. | Gettysburg College | Teaching Popular Music Studies: Pedagogy and Curriculum Presenter |
| Jacob, Uri | University of Western Ontario | Change and Conflict in Chant |
| Janeczko, Jeff | Milken Archive and UCLA | New Approaches to Studying Recorded Jewish Music Presenter |
| Jenkins, J. Daniel | University of South Carolina | Public Scholarship: How We Got Here, Where We’re Going Presenter
SMT Plenary: Public Music Theory |
| Jensen, Heidi Lee | Alfred University | Music, Sound, and the Making of Eco-Culture Chair
AMS Ecomusicology Study Group Lightning Talks and Business Meeting |
| Jensen-Moulton, Stephanie | Brooklyn College | Popular Music, Gendered Violence, and Trauma Studies Presenter
Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Chair |
| Johnson, Isaac | University of Colorado at Boulder | The Ur of the Ore: Moments in the Origins of Heavy Metal Presenter |
| Johnson, Samar | University of Kentucky | Disability Identity in Music Scholarship Presenter |
| Jonker, Alexandrea | McGill University | Queer Theory |
| Jordan, Daniel David | University of Toronto, Faculty of Music | Rethinking Intercultural Composition |
| Jordon-Conlin, Tamyka | N/A | HBCUs and Music Theory |
| Joyce, Molly | University of Virginia | Disability Identity in Music Scholarship Presenter |
| Kahan, Sylvia | City University of New York | Puppetry, Music, and National Identity Presenter |
| Kahrs, Noah | Eastman School of Music | Microtonal Listenings Presenter |
| Kajikawa, Loren | George Washington University | Message Music: Musicology and Social Movements Presenter |
| Kaplan, Kyle | University College Dublin | Archives Chair |
| Kapusta, John | Eastman School of Music | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Discussant |
| Katz, Daniel Seth | Martin Buber Institute, University of Cologne (Germany), | Change and Conflict in Chant |
| Katz, Mark | University of North Carolina at Chapel Hill | Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter |
| Kehrer, Lauron | Western Michigan University | Dissertation to Book: Recent Survivors Presenter
Popular Music, Gendered Violence, and Trauma Studies Presenter |
| Kidger, David Michael | Oakland University, Rochester, MI 48309, | Quotation and Borrowing in the Sacred |
| Kim, Catrina S. | University of Massachusetts Amherst | Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter
Hearing Hybridity |
| Kim, Christina | Standford University | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Chair |
| Kirby, Sarah | Grainger Museum, University of Melbourne, Australia | Biographical Reinventions: Grainger, Beach, and Ellington |
| Kirchdorfer, Mary | University of Vienna, | Music and Female Agency in European Society |
| Kjar, David | Roosevelt University | Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Chair
Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Presenter |
| Kleppinger, Stanley V. | University of Nebraska–Lincoln | Models and Maps |
| Kligman, Mark | UCLA | New Approaches to Studying Recorded Jewish Music Presenter |
| Klorman, Edward | McGill University | Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation |
| Klotchkov, Nikolai | Peabody Institute of the Johns Hopkins University | AMS Poster Session |
| Klotz, Kelsey | University of North Carolina, Charlotte | Dissertation to Book: Recent Survivors Presenter |
| Knyt, Erinn | University of Massachusetts Amherst | 18th-Century Poietics |
| Kok, Roe-Min | McGill University | 19th-Century Biography |
| Kolin, Diane | York University | Disability Identity in Music Scholarship Presenter |
| Koozin, Timothy | University of Houston | Analyzing Hip-Hop
The SMT Committee on Disability and Accessibility Session Presenter |
| Korzeniewski, Emily | Yale University | Medieval Polyphony |
| Koval, Sarah | Harvard University | Music and Quackery in Britain and America Presenter |
| Krause, William Craig | Hollins University | Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Chair |
| Krebs, Harald | University of Victoria (emeritus) | SMT Plenary: Public Music Theory |
| Krivov, Ala | The University of Western Ontario | Music, Technology, and Communication |
| Kuo, Tiffany | Mount San Antonio College | Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter |
| Lachapelle, Sofie | Wilfrid Laurier University | 19th-Century Technology on the Opera Stage |
| Ladd, Marco | King's College London | On the Totalitarian Stage |
| LaLena, Anthony | Eastman School of Music | Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter |
| Lamothe, Peter | Belmont University | Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Presenter |
| Landau, Tanya | Roosevelt University | Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Presenter |
| Larson, Zane | University of Iowa | Music and World War II |
| Laskey, Kevin Connor | New York University | AMS Poster Session |
| Lau, Wing | University of Illinois Chicago | Signs in Film and Television |
| Law, Hedy | University of British Columbia | France and the Politics of Cultural Exchange |
| Laws-Nicola, TJ | University of Kansas | AMS Ludomusicology Poster Session: Music, Games, and Play Discussant |
| Le Guin, Elisabeth | University of California, Los Angeles | Rethinking (Im)mobility in Global Music History Studies Presenter |
| Lee, Feng-Shu | National Yang Ming Chiao Tung University | 19th-Century Technology on the Opera Stage
Wagnerian Parodies Chair |
| Lee, Hayoung Heidi | West Chester University of Pennsylvania | Student Engagement: Texts and Tools |
| Lee, Jung-Min Mina | Duke University | East Asia, Composition, and Transnationalism |
| Legault, Eleanor | The Juilliard School | Nationalism and Politics |
| Lehman, Frank Martin | Tufts University | Romantic Form |
| Lenchitz, Jordan | Epic Systems Corporation | Microtonal Listenings Chair
Microtonal Listenings Presenter |
| Lerner, Neil | Davidson College | Machine Sounds |
| Leson, Lena | Dickinson College | Nationalism and Politics |
| Levenson, Erica | SUNY Potsdam | Mobility, Media, and Money in Early Modern Popular Music Presenter |
| Li, Edwin | The Chinese University of Hong Kong | East Asia, Composition, and Transnationalism
Redefining Music Theory through Translation Organizer
Teaching Popular Music Studies: Pedagogy and Curriculum Presenter |
| Li, Stella | The University of North Carolina at Chapel Hill | Songs of the Self / Sounds of the Nation |
| Lindquist, Kari | University of North Carolina-Chapel Hill | Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter |
| Lingold, Mary Caton | Virginia Commonwealth University | European Music and Caribbean Slavery in the Eighteenth Century Presenter |
| Liu, Addi | Cornell University | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Liu, Annie Yangan | University of Oregon | Vocal Timbre in Popular Music |
| Liu, Bess Xintong | University of Pennsylvania | Interrogating "Global East Asia" Presenter |
| LIU, FANGYUAN | Washington University in St. Louis | Transnational Politics of the Stage |
| Liu, Peng | Truman State University | Music and Female Agency in European Society
Interrogating "Global East Asia" Presenter |
| Lloyd, Zachary | Florida State University | News, American Politics, and the Stage |
| Lochhead, Judith | Stony Brook University | Exploring Feminist Scholarship in Music Theory Presenter |
| Locke, Brian | Western Illinois University | Representing Racialized Selves and Others in Czech Music Presenter |
| Lockhart, Ellen | University of Toronto | Music and Quackery in Britain and America Chair |
| Loepp Thiessen, Anneli | University of Ottawa, | Historicizing Queerness |
| Lomanno, Mark | Albright College | Between Worlds: Making Community in Black Music Presenter |
| Long, Megan | Oberlin College | Theory, History, and the Practice of Listening |
| Long, Megan Kaes | Oberlin College-Conservatory of Music | Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Lookenbill, Zachary | The Ohio State University | Metric Modulations, Patterns, and Schemas |
| Lopez, Gerardo | The Ohio State University | Music and Disability |
| López de la Osa, Pedro | University of California - Riverside | Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter |
| Lucas, Olivia Rose | Louisiana State University | Musical Responses to Trauma |
| Ludwig, Jacob Ryan | University of Cincinnati College-Conservatory of Music (CCM) | Decolonizing Mode in the Twenty-First Century Music History Classroom Presenter |
| Lumsden, Rachel | Florida State Unviersity | HBCUs and Music Theory Organizer
HBCUs and Music Theory Chair |
| Lundgren, Siriana | Harvard University | Songs of the Self / Sounds of the Nation |
| Luong, Vivian | University of Oklahoma | Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Organizer
Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Chair
Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Presenter
Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Organizer
Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter |
| Luppi, Guillermo A. | Duke University | Vocal Timbre in Popular Music |
| Lussier, Kelsey | McGill University | Theorizing Timbre, Texture, and Space in Hip-Hop Music Presenter |
| Lyon, Jeff | Brigham Young University | Signs in Film and Television |
| Lyons, Megan | Furman University | Professional Ins and Outs: Practicing/Performing Public Music Theory |
| MacCallum, Emily | University of Toronto | Music, Sound, and the Making of Eco-Culture Chair |
| Madrid, Alejandro L. | Harvard University | Sound Recording and Global Imperialism in the Early Twentieth Century Presenter
Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Magarotto, Matteo | University of Miami | “Doing Musicology” with Primary Sources Presenter |
| Maggart, Alison | The University of Texas at Austin | Composing the "Other" in the Early 20th Century |
| Mailman, Joshua Banks | N/A | Discoveries in Post-Tonal Music |
| Maler, Anabel | University of Iowa | Beyond the Staff: Notation Pedagogies and Practices Presenter |
| Maler, Anabel | University of British Columbia | Music and Disability |
| Mancey, Kate | Harvard University | Machine Sounds |
| Mann, Rachel E. | University of Texas Rio Grande Valley | A Survey of the Sources of Serialism at its Centenary Presenter |
| Margot, Sylvain | McGill University | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis |
| Marín-López, Javier | Universidad de Jaén | Power and Aurality in Colonial Latin America Presenter |
| Martin, Henry | Rutgers University-Newark | Analyzing Jazz |
| Martin, Rose | University of Washington | Composition and Indigeneity |
| Martinez Vega, Cristian Damir | University of Auckland | AMS Ludomusicology Poster Session: Music, Games, and Play Chair |
| Massey, Elizabeth | Towson University | “Doing Musicology” with Primary Sources Presenter |
| Matthew, Nicholas | University of California, Berkeley | Lisette: A Song's Journey From Haiti & Back |
| Mayes, Catherine | University of Utah | Committee on Career-Related Issues Brown-Bag Lunch
Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Chair |
| Mc Glynn, James Denis | Trinity College Dublin | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter |
| McCorkle Okazaki, Brooke | Carleton College | Fairy tales and music between “Asia” and “Germany” Presenter |
| McDonald, Kate | Western University | The SMT Committee on Disability and Accessibility Session Presenter |
| McGartland, Aidan | McGill University | A Survey of the Sources of Serialism at its Centenary Presenter |
| McGhee, Cana F. | Harvard University | Sounds, Materialities, and Pleasures in the Garden Presenter |
| McLain, Elizabeth | Virginia Tech | Disability Identity in Music Scholarship Chair |
| McLeish, Claire E | Third Side Music | Copyright, Reparations, and the Marketplace |
| McMurray, Peter | University of Cambridge | Archives Presenter
Theory, History, and the Practice of Listening |
| Meadows, Destiny | University of North Carolina-Chapel Hill | Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter |
| Medina, Alejandrina M. | UC San Diego | Transauralities: Thinking Trans in Music/Sound Studies Presenter |
| Melilli, Jeana | University of Florida | Musical Utopias |
| Mendez, Matthew | Yale University | Copyright, Reparations, and the Marketplace |
| Menicanin, Sadie | University of Oslo | Sounds, Materialities, and Pleasures in the Garden Presenter |
| Messelink, Jennifer | Yale University | Gender and Voice on Record |
| Meyer, Stephen C. | University of Cincinnati College-Conservatory of Music (CCM) | Decolonizing Mode in the Twenty-First Century Music History Classroom Chair |
| Meyers-Riczu, Jamie | University of Alberta | Music, Sound, and the Making of Eco-Culture Presenter |
| Milius, Emily Garlen | University of Oregon, | The Popular Singing Voice |
| Miller, Scott Allen | CUNY Graduate Center, | Timbres, Voices, Ciphers |
| Miller, Thornton | Illinois State University | British Imaginings of the Other |
| Milliman, Zachary | McGill University | On the Totalitarian Stage |
| Minnick, Jonathan | UC Davis | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter |
| Minor, Ryan | SUNY Stony Brook, | Rethinking Representation and Experience |
| Miranda, Isidora Kabigting | Vanderbilt University | Performance, Politics, and Media in the Philippines |
| Mirka, Danuta | Northwestern University | Classical Forms |
| Mitchell, Nathaniel | University of North Carolina at Greensboro | Metric Modulations, Patterns, and Schemas |
| Mitterer, Dominik Ralph | Durham University, | 19th-Century Orchestration, Genre, and Form |
| Modolell, Jorge Luis | Washington University in St. Louis | 19th-Century Biography |
| Momii, Toru | Harvard University | Beyond the Staff: Notation Pedagogies and Practices Presenter
Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Organizer
Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Chair |
| Moranis, Rebecca | CUNY Graduate Center | Perspectives on Rhythm and Meter |
| Morgan-Ellis, Esther Marie | University of North Georgia | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter
Student Engagement: Texts and Tools
Music and the Middlebrow
Pedagogy Study Group Business Meeting |
| Mortilla, Paul | Rice University | Microtonal Listenings Presenter |
| Moseley, Rowland | Dartmouth College | Harmonic Effects |
| Mosley, Imani | University of Florida | Public Scholarship: How We Got Here, Where We’re Going Chair
Public Scholarship: How We Got Here, Where We’re Going Discussant |
| Moura, Cibele | Cornell University | Composition and Indigeneity |
| Mueller, Adeline | Mount Holyoke College | Blindness and Musical Identity |
| Mueller, Darren | Eastman School of Music | Dissertation to Book: Recent Survivors Presenter
Histories of Pedagogy/Pedagogies of History Chair
Histories of Pedagogy/Pedagogies of History Presenter |
| Murchison, Gayle | William & Mary | Between Worlds: Making Community in Black Music Chair
Popular Music, Gendered Violence, and Trauma Studies Presenter |
| Murph, Megan | University of Missouri | Music, Sound, and the Making of Eco-Culture Presenter |
| Murphy, Maria | University of Pennsylvania | LGBTQ Study Group Business Meeting
LGBTQ Study Group Party
Queer Musicology from Dykecore to the Quare Canon Chair |
| Murphy, Scott | University of Kansas | Gospel Music |
| Nace, Matthew | University of Western Ontario | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Presenter |
| Nagel-Frazel, Maeve | Independent Scholar | New Considerations in Black Music Research |
| Naiman, Tiffany | UCLA | Queer Musicology from Dykecore to the Quare Canon Chair |
| Neal, Brandi | Virginia Commonwealth University | Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Chair |
| Nedbal, Martin | University of Kansas | Opera on the Periphery |
| Neidhöfer, Christoph | McGill University | A Survey of the Sources of Serialism at its Centenary Presenter |
| Nemeth, Samuel T. | Case Western Reserve University | 19th-Century Orchestration, Genre, and Form |
| Nguyen, Ngan V. T. | Texas Tech University | Models and Maps |
| Nickleson, Patrick | University of Alberta | Narrating Indigenous Musical Histories |
| Nikitin, Christina Misaki | Harvard University | Queer Musical Codes in Disguise |
| Nobile, Drew | University of Oregon | Professional Ins and Outs: Practicing/Performing Public Music Theory Chair
The Popular Singing Voice |
| Nord, Julie Anne | University of Western Ontario | 19th-Century Orchestration, Genre, and Form |
| Norkey, Alec | UCLA | Rethinking Representation and Experience |
| O'Flynn, John H. | Dublin City University, | Constructions of Race and Gender in Film |
| Ochoa Gautier, Ana María | Tulane University | Power and Aurality in Colonial Latin America Chair |
| Oddekalv, Kjell Andreas | RITMO - University of Oslo, | SMT Poster Session |
| Ohriner, Mitchell | Lamont School of Music | The Popular Singing Voice |
| Olivieri, Alessio | University of Nebraska - Lincoln | Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter |
| Orosz, Jeremy | University of Memphis, | Creative Characterizations in Film |
| Osborn, Brad | University of Kansas | Teaching Popular Music Studies: Pedagogy and Curriculum Presenter
Harmony in Popular Music |
| Osborne, Tyler | University of Louisville | Ambient Music and EDM |
| Osorio, James Carl Lagman | University of Wisconsin - Madison/Tarlac, Philippines | Performance, Politics, and Media in the Philippines |
| Ospina Romero, Sergio | Indiana University | Sound Recording and Global Imperialism in the Early Twentieth Century Chair
Sound Recording and Global Imperialism in the Early Twentieth Century Presenter |
| Ospina-Romero, Sergio | Indiana University | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Owens, Jessie Ann | UC Davis;
University of California, Davis, | Message Music: Musicology and Social Movements Chair
Reception for Friends of the AMS |
| Palfy, Cora | Elon University | Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation |
| Palidda, Alessandra | The University of Manchester | Operetta and cultural transfer in Europe Presenter |
| Palmer, Áine | Yale University | Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Presenter |
| Palmquist, Jane | Brooklyn College | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter |
| Park, Hyeonjin | University of California, Los Angeles | AMS Ludomusicology Poster Session: Music, Games, and Play Discussant |
| Parker, Craig B. | Kansas State University, | Rethinking Intercultural Composition |
| Parkhurst, Bryan | Oberlin | Bases and Superstructures: Academic Music Studies and the Capitalist Present Presenter |
| Parton, Christopher | Princeton University | Blindness and Musical Identity |
| Pasqualini, Alex Nik | Cornell University | Queer Musicology from Dykecore to the Quare Canon Presenter |
| Patrick, Morgan | Northwestern University, | SMT Poster Session |
| Payan Ramirez, Mercedes Alejandra | University of Texas at Austin | Composition and Indigeneity |
| Pearse, D. Linda | Mount Allison University / McGill University | Late 16th–Early 17th-Century Polyphony |
| Pedroza, Ludim | Texas State University | Music, Sound, and the Making of Eco-Culture Chair |
| Peebles, Crystal | Ithaca College | Performance, Analysis, and Embodiment
Public Scholarship: How We Got Here, Where We’re Going Presenter |
| Peritz, Jessica Gabriel | Yale University | Historicizing Queerness |
| Perry, Lukas James | Eastman School of Music | Harmonic Effects |
| Pfender, Joseph | Editor-in-Chief, Programs, at Aspen Music Festival and School | Demystifying Public Musicology Presenter |
| Pinkham, J. Frances | University of Oregon | Queer Musicology from Dykecore to the Quare Canon Presenter |
| Pippen, John | Colorado State University | Bases and Superstructures: Academic Music Studies and the Capitalist Present Presenter |
| Pistorius, Juliana M. | University College London | Rethinking (Im)mobility in Global Music History Studies Discussant |
| Plath, Mirjana | University of Oslo, Norway | Operetta and cultural transfer in Europe Presenter |
| Pollock, Emily Richmond | Massachusetts Institute of Technology | Contemporary American Opera at the Intersection of Genre and Institution Chair |
| Praskurnin, Vlad | CUNY Graduate Center | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter |
| Presenter 1, Presenter 1 | University of Presenter 1 | AMS Ludomusicology Poster Session: Music, Games, and Play Presenter |
| Presenter 20, Presenter 20 | University of Presenter 20 | AMS Ludomusicology Poster Session: Music, Games, and Play Presenter |
| Price, Eleanor | Eastman School of Music, University of Rochester | Medieval Polyphony |
| Principi, Dylan | Princeton University | Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter |
| Prouty, Kenneth | Michigan State University | Histories of Pedagogy/Pedagogies of History Discussant |
| Pugh, Grace | Roosevelt University | Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Presenter |
| Pukinskis, Katherine | Carnegie Mellon | The SMT Committee on Disability and Accessibility Session Discussant
Performance, Analysis, and Embodiment |
| Puri, Michael | University of Virginia | Lost and Found: New Work in Ravel Studies Presenter |
| Qian, Rong | Department of Musicology and Institute of Musicology, Central Conservatory of Music, China | Redefining Music Theory through Translation Presenter |
| Quevedo, Marysol | University of Miami | Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Chair
Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter |
| Quinn, Ian | Yale University | Theory, History, and the Practice of Listening |
| Rabaka, Reiland | University of Colorado Boulder | Message Music: Musicology and Social Movements Presenter |
| Ramos-Kittrell, Jesús A. | University of Oregon | Power and Aurality in Colonial Latin America Presenter |
| Rebuffi, Marcelo Gabriel | Case Western Reserve University, | Musical Responses to Trauma |
| Reed, Jacob | University of Chicago, | Chinese Music in Theory and Practice |
| Reeves, Nathan | Northwestern University | Archives Presenter |
| Rehding, Alexander | Harvard University | Music, Sound, and the Making of Eco-Culture Presenter
Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter |
| Riedlinger, Luke | McGill University | Style and Interpretation in American Music |
| Rifkin, Deborah | Ithaca College | Professional Ins and Outs: Practicing/Performing Public Music Theory
Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation |
| Rindom, Ditlev | King's College London | Orality in Italian Popular Song |
| Ritchey, Marianna | UMass, Amherst | Bases and Superstructures: Academic Music Studies and the Capitalist Present Presenter |
| Robin, Will | University of Maryland | Demystifying Public Musicology Presenter |
| Robins, Jeremy Michael | Claflin University, | Form in Popular Music |
| Rogers, Jillian C | Indiana University Bloomington | Music, Sound, and Trauma Study Group Business Meeting
Popular Music, Gendered Violence, and Trauma Studies Chair |
| Rogers, Nancy | Florida State University | Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Romey, John | Purdue University Fort Wayne | Mobility, Media, and Money in Early Modern Popular Music Presenter |
| Ronyak, Jennifer | University of Music and Performing Arts, Graz, | Composing Jewish Modernity |
| Rosenman, Rachel H. | Harvard University | Spaces and Transformations |
| Rossetti, Gregg | Rutgers University | The Genesis of Popular Song |
| Rothstein, William | Queens College and The Graduate Center, CUNY | Fragments to Footlights: What can we learn from operatic sketches? Presenter |
| Rouget, Elizabeth Louise | Princeton University | France and the Politics of Cultural Exchange |
| Roussin, Rena | University of Toronto | Opera and the Politics of Inclusion and Consent |
| Rowden, Clair | Cardiff University | Historicizing Celebrity Chair |
| Roycroft, Madeline Beth | The University of Melbourne | Opera on the Periphery |
| Rumph, Stephen | University of Washington | Constructions of Race and Gender in Film |
| Ruppenthal Stein, Amanda | Carroll University | Anti-Semitism, Music, and Music Studies: Views from the Field Discussant |
| Rush, Toby | University of Dayton | The SMT Committee on Disability and Accessibility Session Discussant |
| Saenz, Juan Patricio | McGill University | Semiotics |
| Salem, Joseph | University of Victoria (Canada) | A Survey of the Sources of Serialism at its Centenary Presenter |
| Salinas, Edgardo Raul | The Juilliard School | Music, Technology, and Communication |
| Salkowski, David | University of Tennessee, Knoxville | Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter |
| Saltzstein, Jennifer | University of Oklahoma | Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Chair |
| Samples, Mark | Central Washington University | Biographical Reinventions: Grainger, Beach, and Ellington |
| Sánchez-Rojo, Ana Paola | Tulane University | Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter
Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Chair |
| Santana, M. Myrta Leslie | University of California, San Diego | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Sarno, Megan | The University of Texas at Arlington | Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter |
| Saucier, Catherine | Arizona State University | What is Latin Song in the Medieval World? Presenter |
| Sauvey, Tadhg | University of Cambridge | Catholic Circles |
| Sayrs, Elizabeth | Ohio University | Professional Ins and Outs: Practicing/Performing Public Music Theory Chair |
| Schindler, Jake | Western University | SMT Poster Session |
| Schmelz, Peter | Arizona State Uniiversity;
Johns Hopkins/Arizona State University | Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Chair
Georgia, Ukraine, and Decolonizing Soviet Music History Chair
Georgia, Ukraine, and Decolonizing Soviet Music History Presenter |
| Schossberger, Barak | Hebrew University, Jerusalem | Classical Forms |
| Schreter, Uri | Harvard University | Anti-Semitism, Music, and Music Studies: Views from the Field Chair |
| Schubert, Peter | McGill University | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter |
| Schulenburg, Martha | RILM | Composing the "Other" in the Early 20th Century |
| Schüler, Nico | Texas State University | New Considerations in Black Music Research |
| Schwartz-Bishir, Rebecca | University of Michigan | Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Chair
Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Presenter |
| Scoggin, Lisa | San Diego, CA | AMS Poster Session |
| Sears, David R. W. | Texas Tech University | Models and Maps |
| Sebulsky, Micheal | University of Oregon | Form in Popular Music |
| Segall, Christopher | University of Cincinnati | Specters of Polyphony |
| Shababi, Lily | University of California, Los Angeles | Gender and Voice on Record |
| Shadle, Douglas | Vanderbilt University | Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Chair
Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter |
| Shaffer, Melanie | Radboud University | What is Latin Song in the Medieval World? Presenter |
| Shannon, Alexander Michael | Indiana University, | Spaces and Transformations |
| Sharikadze, Nana | Tbilisi Conservatory | Georgia, Ukraine, and Decolonizing Soviet Music History Presenter |
| Shepherd, Lauren | Columbia University | New Approaches in Popular Music, Performance, and Technology |
| Shiflett, Campbell | Oklahoma City University | Lost and Found: New Work in Ravel Studies Presenter |
| Short, Rachel | Shenandoah Conservatory, Shenandoah University | Queer Musical Codes in Disguise |
| Shupe, Abigail | Colorado State University | Professional Ins and Outs: Practicing/Performing Public Music Theory Presenter |
| Sigua, Maia | Tbilisi Conservatory | Georgia, Ukraine, and Decolonizing Soviet Music History Presenter |
| Simpson-Litke, Rebecca Suzanne | University of Manitoba, | Music and Dance |
| Siso, Alexandra | University of Sheffield | From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter |
| Smialek, Eric | University of Huddersfield, | Compositional Strategies for Sacrality and Acceptance |
| Smith, Jeremy | Ohio State University | Teaching Popular Music Studies: Pedagogy and Curriculum Presenter |
| Smith, Jeremy L. | University of Colorado at Boulder | From Political Work to Homoerotic Play: Music in Cults of James and Anna |
| Smith, Mags | Independent Researcher | Disability Identity in Music Scholarship |
| Smith, Peter | University of Notre Dame | Romantic Form |
| Snyder, Beth M | University of North Texas, | Gender, Opera, and Social Politics |
| Sommerfeld, Paul Allen | Library of Congress | Creative Characterizations in Film |
| Son, Mingyeong | Harvard University | East Asia, Composition, and Transnationalism Presenter |
| Sonevytsky, Maria | Bard College | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Presenter |
| Sosa, Helkin | University of Massachusetts Amherst | Musical Closure |
| Southard-Dobbs, Shana | Lander University | SMT Poster Session |
| Spencer, Stephen | Hunter College and the Graduate Center, CUNY | Specters of Polyphony |
| St. Pierre, Kelly | Wichita State University | Representing Racialized Selves and Others in Czech Music Chair |
| Stahl, Matt | University of Western Ontario | Music and the Law Presenter |
| Starr, Pamela F. | University of Nebraska-Lincoln | Decolonizing Mode in the Twenty-First Century Music History Classroom Chair |
| Stegall, Dmitriy | The University of Texas, Austin | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Steigerwald Ille, Megan | University of Cincinnati | Contemporary American Opera at the Intersection of Genre and Institution Presenter |
| Stein, Danielle R. | UCLA | New Approaches to Studying Recorded Jewish Music Presenter |
| Stemke, Ash | Murray State University | The Genesis of Popular Song |
| Stepherson, Madison | University of Oregon | Country Music |
| Stevens, Daniel B. | University of Delaware | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design
Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Stoecker, Philip | Hofstra University | A Survey of the Sources of Serialism at its Centenary Organizer
A Survey of the Sources of Serialism at its Centenary Chair |
| Stokes, Jordan | West Chester University | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Chair |
| Stoll, Henry | University of Michigan | European Music and Caribbean Slavery in the Eighteenth Century Presenter |
| Stover, Chris | Queensland Conservatorium, Griffith University | Perspectives on Rhythm and Meter
Redefining Music Theory through Translation Chair |
| Straus, Joseph | CUNY Graduate Center, | Perspectives on Rhythm and Meter |
| Strohschein, Heather | Bowling Green State University | Disability Identity in Music Scholarship Presenter |
| Styskal, Madeline | The University of Texas, Austin | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Sullivan, James | Michigan State University | Text and Music |
| Summers, William J. | Dartmouth College | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Swanson, Cole D. | Duke University | Music, Technology, and Communication |
| Swift, Kristy | University of Cincinnati College-Conservatory of Music | Student Engagement: Texts and Tools |
| Tabak, Lina Sofia | CUNY Graduate Center | Perspectives on Rhythm and Meter |
| Tagliari Sousa, Miranda Bartira | University of Pittsburgh, | Women, Musical Communities, and Social Change |
| Tanovich, Evan | University of Toronto, | Harmonic Effects |
| Tatar, Jeremy Piotr | McGill University | Theorizing Timbre, Texture, and Space in Hip-Hop Music Organizer
Theorizing Timbre, Texture, and Space in Hip-Hop Music Chair
Analyzing Hip-Hop |
| TBD, TBD | n/a | The Ur of the Ore: Moments in the Origins of Heavy Metal Chair |
| Teeple, Samuel | The Graduate Center, CUNY | Composing Jewish Modernity |
| Tenzer, Michael | University of British Columbia | Redefining Music Theory through Translation Presenter |
| Terrigno, Loretta | Eastman School of Music | Text and Music |
| Thompson, Christopher Preston | NYU Steinhardt | What is Latin Song in the Medieval World? Presenter |
| Thöne, Johanna-Pauline | University of Oslo | Quotation and Borrowing in the Sacred |
| Thurmaier, David | University of Missouri-Kansas City | A Survey of the Sources of Serialism at its Centenary Presenter
Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Thurman, Kira | University of Michigan | Demystifying Public Musicology Presenter
Dissertation to Book: Recent Survivors Presenter |
| Timberlake, Anicia | Johns Hopkins University | Fairy tales and music between “Asia” and “Germany” Chair
Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant |
| Timmermans, Matthew Keenan | CUNY Graduate Center, | Mediation of Blackness in Mid-Twentieth-Century America |
| Tinkerhess, Eric William | University of Southern California | Fields, Gardens, and Labyrinths |
| Torralvo da Silva, Rafael | Cornell University | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Trippett, David | Cambridge University (UK) | Fragments to Footlights: What can we learn from operatic sketches? Presenter |
| Trujillo Sanz, Laura | University of Oregon | 18th-Century Poietics |
| Turabian, Michael | McGill University | Composing the "Other" in the Early 20th Century |
| Uslin, Karen | Defiant Requiem Foundation | Public Scholarship: How We Got Here, Where We’re Going Presenter |
| Utne-Reitan, Bjørnar | Norwegian Academy of Music | The History of Harmony |
| Vad, Mikkel | Bucknell University | Teaching Popular Music Studies: Pedagogy and Curriculum Chair |
| van den Bogerd, Nicolette | Indiana University | Anti-Semitism, Music, and Music Studies: Views from the Field Chair |
| Van Handel, Leigh | University of British Columbia | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design |
| van Krieken, Robert | The University of Sydney | Historicizing Celebrity Discussant |
| Vander Wel, Stephanie | University at Buffalo, SUNY | Business meeting of the Committee on the Publication of American Music |
| Vélez-Justo, Cristina "Trinity" | The Ohio State University | Hearing Hybridity |
| Venturino, Stephanie | Yale School of Music | The History of Harmony |
| Vickers, Justin Michael | Illinois State University | Music and the Middlebrow |
| Viloria Hernández, Clara | Harvard University | France and the Politics of Cultural Exchange |
| Von Glahn, Denise | Florida State University | Sounds, Materialities, and Pleasures in the Garden Chair |
| voulgaris, hallie | Yale University | Queer Theory |
| Walker, Jennifer | West Virginia University | Gender, Opera, and Social Politics |
| Wallentinsen, Kristen | Rutgers, The State University of New Jersey | The SMT Committee on Disability and Accessibility Session Discussant |
| Waltz, Sarah Clemmens | University of the Pacific | Student Engagement: Texts and Tools Chair
The History of Harmony |
| Wan, Morton | Cornell University | Mobility, Media, and Money in Early Modern Popular Music Presenter |
| Wang, Lizhou | Indiana University | SMT Poster Session |
| Waters, Keith | University of Colorado | Analyzing Jazz |
| Weiss, Susan Forscher | Johns Hopkins University, | Organological Origins and Obsessions |
| Weitz, Shaena | University of Bristol | Historicizing Celebrity Presenter |
| Wells, Christi Jay | Arizona State University | Histories of Pedagogy/Pedagogies of History Presenter
Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter |
| Werntz, Julia | Berklee College of Music | Microtonal Listenings Discussant |
| Whealton, Virginia Elizabeth | Texas Tech University | Music for White America |
| Wheeldon, Marianne | University of Texas at Austin | Lost and Found: New Work in Ravel Studies Chair |
| White, Christopher | University of Massachusetts Amherst | Musical Closure |
| Whittaker, Adam | Royal Birmingham Conservatoire | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Williams Roberts, Emily | University of Chicago | Disability Identity in Music Scholarship Presenter |
| Willmann, Hannah Claire | University of Ottawa | Nationalism and Politics |
| Willson, Julianna | Eastman School of Music, | Timbres, Voices, Ciphers |
| Wilson Kimber, Marian | University of Iowa | Women, Musical Communities, and Social Change |
| Winikoff, Jason Reid | University of British Columbia | Models and Maps |
| Winter, Kendall Hatch | University of North Carolina at Chapel Hill | Contrafacts: A Template for Agency and Identity Formation Presenter |
| Wissner, Reba | Columbus State University | “Doing Musicology” with Primary Sources Chair
“Doing Musicology” with Primary Sources Presenter
Public Scholarship: How We Got Here, Where We’re Going Presenter |
| Wofford, Charles | University of Colorado at Boulder | The Ur of the Ore: Moments in the Origins of Heavy Metal Presenter |
| Wright, Trudi | Regis University | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Chair |
| Wrigley, Robert B. | The Graduate Center, City University of New York | Catholic Circles |
| Wroth, Emmanuela | University of Toronto | Historicizing Celebrity Presenter |
| Wu, Yi-Cheng Daniel | Soochow University School of Music | Music of China |
| Wylie, Chris | N/A | Disability Identity in Music Scholarship Presenter |
| Yates, Linda | Independent Researcher | Disability Identity in Music Scholarship |
| Yom, Michelle Aeojin | CUNY Graduate Center | Style and Interpretation in American Music |
| Yom, Michelle Aeojin | The Graduate Center, CUNY | Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter |
| Yorgason, Brent | Brigham Young University | Signs in Film and Television |
| Youngerman, Irit | University of Haifa, Israel, | Composing Jewish Modernity |
| Yu Wang, Anna | Princeton University | Redefining Music Theory through Translation Chair
Specters of Polyphony |
| Yust, Jason | Boston University | SMT Poster Session |
| Zayaruznaya, Anna | Yale University | Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Presenter |
| Zeller, Matthew | Musical Instrument Museum, Phoenix | Lessons from Avian Organology Chair |
| Zhang, Wenzhuo | SUNY Fredonia | New Approaches in Popular Music, Performance, and Technology |
| Ziegenhagel, Blaire | University of Oregon | Video Game Music |
