| Saenz, Juan Patricio | Semiotics |
| Salem, Joseph | A Survey of the Sources of Serialism at its Centenary Presenter |
| Salinas, Edgardo Raul | Music, Technology, and Communication |
| Salkowski, David | Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter |
| Saltzstein, Jennifer | Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Chair |
| Samples, Mark | Biographical Reinventions: Grainger, Beach, and Ellington |
| Sánchez-Rojo, Ana Paola | Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter
Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Chair |
| Santana, M. Myrta Leslie | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Sarno, Megan | Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter |
| Saucier, Catherine | What is Latin Song in the Medieval World? Presenter |
| Sauvey, Tadhg | Catholic Circles |
| Sayrs, Elizabeth | Professional Ins and Outs: Practicing/Performing Public Music Theory Chair |
| Schindler, Jake | SMT Poster Session |
| Schmelz, Peter | Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Chair
Georgia, Ukraine, and Decolonizing Soviet Music History Chair
Georgia, Ukraine, and Decolonizing Soviet Music History Presenter |
| Schossberger, Barak | Classical Forms |
| Schreter, Uri | Anti-Semitism, Music, and Music Studies: Views from the Field Chair |
| Schubert, Peter | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter |
| Schulenburg, Martha | Composing the "Other" in the Early 20th Century |
| Schüler, Nico | New Considerations in Black Music Research |
| Schwartz-Bishir, Rebecca | Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Chair
Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Presenter |
| Scoggin, Lisa | AMS Poster Session |
| Sears, David R. W. | Models and Maps |
| Sebulsky, Micheal | Form in Popular Music |
| Segall, Christopher | Specters of Polyphony |
| Shababi, Lily | Gender and Voice on Record |
| Shadle, Douglas | Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Chair
Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter |
| Shaffer, Melanie | What is Latin Song in the Medieval World? Presenter |
| Shannon, Alexander Michael | Spaces and Transformations |
| Sharikadze, Nana | Georgia, Ukraine, and Decolonizing Soviet Music History Presenter |
| Shepherd, Lauren | New Approaches in Popular Music, Performance, and Technology |
| Shiflett, Campbell | Lost and Found: New Work in Ravel Studies Presenter |
| Short, Rachel | Queer Musical Codes in Disguise |
| Shupe, Abigail | Professional Ins and Outs: Practicing/Performing Public Music Theory Presenter |
| Sigua, Maia | Georgia, Ukraine, and Decolonizing Soviet Music History Presenter |
| Simpson-Litke, Rebecca Suzanne | Music and Dance |
| Siso, Alexandra | From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter |
| Smialek, Eric | Compositional Strategies for Sacrality and Acceptance |
| Smith, Jeremy | Teaching Popular Music Studies: Pedagogy and Curriculum Presenter |
| Smith, Jeremy L. | From Political Work to Homoerotic Play: Music in Cults of James and Anna |
| Smith, Mags | Disability Identity in Music Scholarship |
| Smith, Peter | Romantic Form |
| Snyder, Beth M | Gender, Opera, and Social Politics |
| Sommerfeld, Paul Allen | Creative Characterizations in Film |
| Son, Mingyeong | East Asia, Composition, and Transnationalism Presenter |
| Sonevytsky, Maria | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Presenter |
| Sosa, Helkin | Musical Closure |
| Southard-Dobbs, Shana | SMT Poster Session |
| Spencer, Stephen | Specters of Polyphony |
| St. Pierre, Kelly | Representing Racialized Selves and Others in Czech Music Chair |
| Stahl, Matt | Music and the Law Presenter |
| Starr, Pamela F. | Decolonizing Mode in the Twenty-First Century Music History Classroom Chair |
| Stegall, Dmitriy | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Steigerwald Ille, Megan | Contemporary American Opera at the Intersection of Genre and Institution Presenter |
| Stein, Danielle R. | New Approaches to Studying Recorded Jewish Music Presenter |
| Stemke, Ash | The Genesis of Popular Song |
| Stepherson, Madison | Country Music |
| Stevens, Daniel B. | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design
Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Stoecker, Philip | A Survey of the Sources of Serialism at its Centenary Organizer
A Survey of the Sources of Serialism at its Centenary Chair |
| Stokes, Jordan | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Chair |
| Stoll, Henry | European Music and Caribbean Slavery in the Eighteenth Century Presenter |
| Stover, Chris | Perspectives on Rhythm and Meter
Redefining Music Theory through Translation Chair |
| Straus, Joseph | Perspectives on Rhythm and Meter |
| Strohschein, Heather | Disability Identity in Music Scholarship Presenter |
| Styskal, Madeline | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Sullivan, James | Text and Music |
| Summers, William J. | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Swanson, Cole D. | Music, Technology, and Communication |
| Swift, Kristy | Student Engagement: Texts and Tools |
