| Lachapelle, Sofie | 19th-Century Technology on the Opera Stage |
| Ladd, Marco | On the Totalitarian Stage |
| LaLena, Anthony | Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter |
| Lamothe, Peter | Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Presenter |
| Landau, Tanya | Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Presenter |
| Larson, Zane | Music and World War II |
| Laskey, Kevin Connor | AMS Poster Session |
| Lau, Wing | Signs in Film and Television |
| Law, Hedy | France and the Politics of Cultural Exchange |
| Laws-Nicola, TJ | AMS Ludomusicology Poster Session: Music, Games, and Play Discussant |
| Le Guin, Elisabeth | Rethinking (Im)mobility in Global Music History Studies Presenter |
| Lee, Feng-Shu | 19th-Century Technology on the Opera Stage
Wagnerian Parodies Chair |
| Lee, Hayoung Heidi | Student Engagement: Texts and Tools |
| Lee, Jung-Min Mina | East Asia, Composition, and Transnationalism |
| Legault, Eleanor | Nationalism and Politics |
| Lehman, Frank Martin | Romantic Form |
| Lenchitz, Jordan | Microtonal Listenings Chair
Microtonal Listenings Presenter |
| Lerner, Neil | Machine Sounds |
| Leson, Lena | Nationalism and Politics |
| Levenson, Erica | Mobility, Media, and Money in Early Modern Popular Music Presenter |
| Li, Edwin | East Asia, Composition, and Transnationalism
Redefining Music Theory through Translation Organizer
Teaching Popular Music Studies: Pedagogy and Curriculum Presenter |
| Li, Stella | Songs of the Self / Sounds of the Nation |
| Lindquist, Kari | Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter |
| Lingold, Mary Caton | European Music and Caribbean Slavery in the Eighteenth Century Presenter |
| Liu, Addi | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Liu, Annie Yangan | Vocal Timbre in Popular Music |
| Liu, Bess Xintong | Interrogating "Global East Asia" Presenter |
| LIU, FANGYUAN | Transnational Politics of the Stage |
| Liu, Peng | Music and Female Agency in European Society
Interrogating "Global East Asia" Presenter |
| Lloyd, Zachary | News, American Politics, and the Stage |
| Lochhead, Judith | Exploring Feminist Scholarship in Music Theory Presenter |
| Locke, Brian | Representing Racialized Selves and Others in Czech Music Presenter |
| Lockhart, Ellen | Music and Quackery in Britain and America Chair |
| Loepp Thiessen, Anneli | Historicizing Queerness |
| Lomanno, Mark | Between Worlds: Making Community in Black Music Presenter |
| Long, Megan | Theory, History, and the Practice of Listening |
| Long, Megan Kaes | Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Lookenbill, Zachary | Metric Modulations, Patterns, and Schemas |
| Lopez, Gerardo | Music and Disability |
| López de la Osa, Pedro | Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter |
| Lucas, Olivia Rose | Musical Responses to Trauma |
| Ludwig, Jacob Ryan | Decolonizing Mode in the Twenty-First Century Music History Classroom Presenter |
| Lumsden, Rachel | HBCUs and Music Theory Organizer
HBCUs and Music Theory Chair |
| Lundgren, Siriana | Songs of the Self / Sounds of the Nation |
| Luong, Vivian | Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Organizer
Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Chair
Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Presenter
Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Organizer
Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter |
| Luppi, Guillermo A. | Vocal Timbre in Popular Music |
| Lussier, Kelsey | Theorizing Timbre, Texture, and Space in Hip-Hop Music Presenter |
| Lyon, Jeff | Signs in Film and Television |
| Lyons, Megan | Professional Ins and Outs: Practicing/Performing Public Music Theory |
