| C. Moss, Fabian | SMT Poster Session |
| Caldwell, Mary Channen | What is Latin Song in the Medieval World? Chair |
| Calico, Joy | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant |
| Camp, Gregory Louis | Creative Characterizations in Film |
| Camp, Melissa | Sound Recording and Global Imperialism in the Early Twentieth Century Presenter |
| Campo-Bowen, Christopher | Representing Racialized Selves and Others in Czech Music Presenter |
| Camprubi, Marcel | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter |
| Carlson, Michael | Contrafacts: A Template for Agency and Identity Formation Presenter |
| Carroll, Rebecca | Opera and the Politics of Inclusion and Consent |
| Carter, David Scott | Form in Popular Music |
| Carter, Stewart Arlen | Chinese Music in Theory and Practice |
| Castle, Harry | Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter |
| Castro Pantoja, Daniel | Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter
Rethinking (Im)mobility in Global Music History Studies Chair |
| Cawyer, Brad | SMT Poster Session |
| Celora, Eleonora | Change and Conflict in Chant
Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Cerin, Jean Bernard | Lisette: A Song's Journey From Haiti & Back |
| Cerveux, Alexandre | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter |
| Chandrasekhar, Varun | Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter |
| Chang, Hyun Kyong Hannah | AMS Global Music History Business Meeting
Missionaries and Music
Rethinking (Im)mobility in Global Music History Studies Chair |
| Chang, Lidia Aurora | Lessons from Avian Organology Chair
Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter |
| Chapman, Dale | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter |
| Charney, Joshua | Organological Origins and Obsessions |
| Chávez, Hermán Luis | Transauralities: Thinking Trans in Music/Sound Studies Presenter |
| Chávez Bárcenas, Ireri E | Race and Identity in Colonial Latin America |
| Chen, Joyce Wei-Jo | Chinese Music in Theory and Practice |
| Chen, Sitong | Music of China |
| Chenette, Timothy | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design Chair
Workshop: Rethinking Aural Skills Through Backwards Design Presenter |
| Cheng, William | Demystifying Public Musicology Presenter
Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Chair
Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter |
| Cherry, Nicole | How George Bridgetower Flourished: A Violinist's Bridge Between Past and Future |
| Chiu, Matt | SMT Poster Session |
| Chiu, Remi | Music and Quackery in Britain and America Presenter |
| Cho, Jennifer Ye Ji | Histories of Pedagogy/Pedagogies of History Presenter |
| Christensen, Thomas | Expanded Anthology of Sources in the History of Music Theory |
| Chu, Allison | News, American Politics, and the Stage |
| Cimini, Amy | Transauralities: Thinking Trans in Music/Sound Studies Chair |
| Clark, Walter A. | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Clawson-Cannestra, Kaitlyn | Text and Music |
| Cobb, Nathan | A Survey of the Sources of Serialism at its Centenary Presenter |
| Coddington, Amy | Copyright, Reparations, and the Marketplace
Popular Music Study Group Business Meeting
Teaching Popular Music Studies: Pedagogy and Curriculum Chair |
| Cohen, David | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Discussant |
| Cohen, Sara Jo | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter |
| Colanduoni, Christina | Blindness and Musical Identity |
| Cole, Christa | Performance, Analysis, and Embodiment |
| Cole, Janie | Organological Origins and Obsessions |
| Coleman, Jeremy | Wagnerian Parodies Presenter |
| Colletti, Carla | Exploring Feminist Scholarship in Music Theory Organizer
Exploring Feminist Scholarship in Music Theory Chair |
| Collison, Thomas Charles | SMT Poster Session |
| Coluzzi, Seth J | Conceptualizing Mode and Key |
| Conlee, Jade | Rethinking Representation and Experience |
| Cook, James | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Cooper, Samantha Madison | Music, Labor, and Jewish Identity |
| Cornish, Gabrielle | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Chair |
| Corrigan, Ralph | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Corvalan Ocampos, Camila | Race and Identity in Colonial Latin America |
| Cosme-Clifford, Nicole | The Genesis of Popular Song |
| Cottle, Alyssa | Transnational Politics of the Stage |
| Coury-Hall, M. A. | SMT Poster Session |
| Cowgill, Rachel | Missionaries and Music |
| Crosson, Dylan | Conceptualizing Mode and Key |
| Cruz, Gabriela | On the Totalitarian Stage |
| Cumming, Julie | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter |
| Cunnigham, Maya | HBCUs and Music Theory Presenter |
| Cypess, Rebecca | Anti-Semitism, Music, and Music Studies: Views from the Field Presenter
Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter
Music and Female Agency in European Society |
