| Babyak, Tekla | The SMT Committee on Disability and Accessibility Session Discussant |
| Baileyshea, Matt | Professional Ins and Outs: Practicing/Performing Public Music Theory Presenter |
| Bain, Jennifer | SMT Poster Session |
| Baker, Ben | Hearing Hybridity |
| Ban, Steph | Disability Identity in Music Scholarship Presenter |
| Bangura, Lydia | SMT Plenary: Public Music Theory |
| Banta, AJ | Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter |
| Bar-Yoshafat, Yonatan | Romantic Form |
| Baranello, Micaela | Contemporary American Opera at the Intersection of Genre and Institution Presenter |
| Barker, Kirsten | Music, Sound, and the Making of Eco-Culture Presenter |
| Barna, Alyssa | SMT Plenary: Public Music Theory |
| Barolsky, Daniel | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter |
| Barrett, Andrew L. | Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter |
| Bartig, Kevin | Musical Utopias |
| Bassler, Samantha | Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter |
| Bates, Morgan | Transauralities: Thinking Trans in Music/Sound Studies Presenter |
| Batterman Cháirez, Chris | Narrating Indigenous Musical Histories |
| Bauer, Amy | Bases and Superstructures: Academic Music Studies and the Capitalist Present Chair |
| Beaudoin, Richard | Gender and Voice on Record |
| Beavers, Jennifer | Lost and Found: New Work in Ravel Studies Presenter
Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Beckerman, Michael | Representing Racialized Selves and Others in Czech Music Discussant |
| Beisel Hollenbach, Katie | Music and World War II |
| Bell, M. Jerome | Gospel Music |
| Belt, Chelsey Lee | Orality in Italian Popular Song |
| Bennett, Michael Andrew | News, American Politics, and the Stage |
| Berlin, Lauren | Mediation of Blackness in Mid-Twentieth-Century America |
| Bertolani, Valentina | Archives Presenter |
| Bhogal, Gurminder K. | Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter |
| Bilik, Matthew Allan | Harmony in Popular Music |
| Bishop, Daniel | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Chair |
| Blaszkiewicz, Jack | Music Education and Cultural Identity in 19th-century France |
| Bleish, Nicholas | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Blim, Dan | “Doing Musicology” with Primary Sources Presenter |
| Boleslawska, Beata | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Presenter |
| Bomberger, E. Douglas | Biographical Reinventions: Grainger, Beach, and Ellington |
| Boone, Christine | Professional Ins and Outs: Practicing/Performing Public Music Theory |
| Booth, Annie | Histories of Pedagogy/Pedagogies of History Presenter |
| Borowski, Devon J | Music, Labor, and Jewish Identity |
| Boucher, Daniel Thomas | Opera on the Periphery |
| Bourne, Janet | Semiotics |
| Bowden, Sara | Music and Dance |
| Bower, Calvin M. | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Presenter |
| Boyd, Clifton | Music for White America |
| Boynton, Susan | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Chair |
| Bradley, Catherine A. | Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Presenter |
| Brewer, Charles | What is Latin Song in the Medieval World? Presenter |
| Brooks, Erin M | Popular Music, Gendered Violence, and Trauma Studies Chair |
| Brown, Jenine | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design |
| Brown, Jordan | Queer Musicology from Dykecore to the Quare Canon Presenter |
| Bullivant, Joanna | Catholic Circles |
| Bullock, Philip | Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Presenter |
| Bunch, Ryan | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Chair |
| Burkholder, J. Peter | Student Engagement: Texts and Tools Presenter |
| Burnam, Henry | Theory, History, and the Practice of Listening |
| Burnett, Philip | Missionaries and Music |
| Burns, Chelsea | Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter |
| Burton, Deborah | Fragments to Footlights: What can we learn from operatic sketches? Presenter |
| Bussert, Jack | Microtonal Listenings Presenter |
| Butler, Margaret | Gender, Opera, and Social Politics |
| Byl, Julia | Narrating Indigenous Musical Histories |
